The Havoc Of Choice Quotes

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The e-reading revolution may have reached our shores this year but it has yet to reckon with Australia's summer holidays. Intense sunlight plays havoc with screens and the sand invades every nook and cranny, so as convenient and sexy as your new iPad may be, the battered paperback, its pages pocked and swollen from contact with briny hands, will likely remain the beach format of choice for a few years yet.
Geordie Williamson
Brothers and sisters, I am here to tell you that I charge the white man. I charge the white man with being the greatest murderer on earth. I charge the white man with being the greatest kidnapper on earth. There is no place in this world that this man can go and say he created peace and harmony. Everywhere he's gone, he's created havoc. Everywhere he's gone, he's created destruction. So I charge him. I charge him with being the greates kidnapper on this earth! I charge him with being the greatest murderer on this earth! I charge him with being the greatest robber and enslaver on this earth! I charge the white man with being the greatest swine-eater on this earth. The greatest drunkard on this earth! He can't deny the charges! You can't deny the charges! We're the living proof *of* those charges! You and I are the proof. You're not an American, you are the victim of America. You didn't have a choice coming over here. He didn't say, "Black man, black woman, come on over and help me build America". He said, "N(i)gger, get down in the bottom of that boat and I'm taking you over there to help me build America". Being born here does not make you an American. I am not an American, you are not an American. You are one of the 22 million black people who are the *victims* of America. You and I, we've never see any democracy. We didn't see any... democracy on the-the cotton fields of Georgia, wasn't no democracy down there. We didn't see any democracy. We didn't see any democracy on the streets of Harlem or on the streets of Brooklyn or on the streets of Detroit or Chicago. Ain't no democracy down there. No, we've never seem democracy! All we've seen is hypocrisy! We don't see any American Dream. We've experienced only the American Nightmare!
Malcolm X
Marines or prison seemed like the only two choices for a foster kid fuck up like myself, so I chose the one less likely to end with ass rape.
Xavier Neal (Collapse (Havoc #4))
It’s not a story about how humans lost their worth; it’s a story about how humans lost their innocence. And most important, it’s not a story about how God turned away from creation but rather a story about how God, in God’s relentless way, moved toward creation while giving people the freedom to make choices, to test boundaries, to rebel, to wreak havoc, to grow up.
Rachel Held Evans (Wholehearted Faith)
Ren took his time perusing the menu and seemed to be thoroughly enjoying himself. I didn’t even pick my menu up. He shot me meaningful glances while I sat silently, trying to avoid making eye contact. When she came back, she spoke to him briefly and gestured to me. I smiled, and in a syrupy sweet voice, said, “I’ll have whatever will get me out of here the fastest. Like a salad, maybe.” Ren smiled benignly back at me and rattled off what sounded like a banquet of choices, which the waitress was more than happy to take her time writing down. She kept touching him and laughing with him too. Which I found very, very annoying. When she left, he leaned back in his chair and sipped his water. I broke the silence first and hissed at him quietly, “I don’t know what you’re playing at, but you only have about two minutes left, so I hope you ordered the steak tartar, Tiger.” He grinned mischievously. “We’ll see, Kells. We’ll see.” “Fine. No skin off my nose. I can’t wait to see what happens when a white tiger runs through this nice establishment creating mayhem and havoc. Perhaps they will lose one of their stars because they put their patrons in danger. Maybe your new waitress girlfriend will run away screaming.” I smiled at the thought. Ren affected shock, “Why, Kelsey! Are you jealous?” I snorted in a very unladylike way. “No! Of course not.” He grinned. Nervously, I played with my cloth napkin. “I can’t believe you convinced Mr. Kadam to play along with you like this. It’s shocking, really.” He opened his napkin and winked at the waitress when she came to bring us a basket of rolls. When she left, I challenged, “Are you winking at her? Unbelievable!” He laughed quietly and pulled out a steaming roll, buttered it, and put it on my plate. “Eat, Kelsey,” he commanded. Then he sat forward. “Unless you are reconsidering seeing the view from my lap.” Angrily, I tore apart my roll and swallowed a few pieces before I even noticed how delicious they were-light and flaky with little flecks of orange rind mixed into the dough. I would have eaten another one, but I wouldn’t give him the satisfaction.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
There are two ways to turn devils into angels: First, acknowledge things about them that you genuinely appreciate. Uncle Morty took you to the beach when you were a kid. Your mom still sends you money on your birthday. Your ex-wife is a good mother to your children. There must be something you sincerely appreciate about this person. Shift your attention from the mean and nasty things they have said or done to the kind and helpful things they have said or done—even if there are just a few or even only one. You have defined this person by their iniquities. You can just as easily—actually, more easily—define them by their redeeming qualities. It’s your movie. Change the script. Perhaps you are still arguing that the person who has hurt you has no redeeming qualities whatsoever. She is evil incarnate, Rosemary’s baby conceived with Satan himself, poster child for the dark side of the Force, destined to wreak havoc and horror in the lives of everyone she touches. A nastier bitch never walked the earth. Got it. Let’s say all of this is true—the person who troubles you is a no-good, cheating, lying SOB. Now here’s the second devil-transformer. Consider: How has this person helped you to grow? What spiritual muscles have you developed that you would not have built if this person had been nicer to you? Have you learned to hold your power and self-esteem in the presence of attempted insult? Do you now speak your truth more quickly and directly? Are you now asking for what you want instead of passively deferring? Are you setting healthier boundaries? Have you deepened in patience and compassion? Do you make more self-honoring choices? There are many benefits you might have gained, or still might gain, from someone who challenges you.
Alan Cohen (A Course in Miracles Made Easy: Mastering the Journey from Fear to Love)
Have you ever noticed that the good guys in these books are too concerned with their own morality to make hard choices?” I ask, staring at the conclusion of the story in my hand. The hero has locked the bad guy up, but on the very last page, he escapes, leaving room for a sequel. The thing is, how many people are going to die before the villain is caught again? How many have to suffer? It would be better if he were dead. But people who kill other people are murderers, right? Villains. Only a villain can truly stop another villain. There is no room in this world for heroes; they only get in the way.
C.M. Stunich (Chaos at Prescott High (The Havoc Boys, #2))
Until the world stops favoring the wealthy and corrupt, until there are opportunities for girls like Stacey Langford, you have to accept that they’ll do whatever it takes to survive. They shouldn’t have to sell their bodies, but the world you’ve created gives them few choices. But go ahead, mansplain to me what a revolution looks like. I’ll wait.
C.M. Stunich (Victory at Prescott High (The Havoc Boys, #5))
We all sort of walk around hoping climate change takes us all out before we have to live with the consequences of our bad choices.
C.M. Stunich (Havoc at Prescott High (The Havoc Boys, #1))
Only a small number of them pump out suicide bombers, but you don’t need too many to cause havoc. The madrassas exist because state schools don’t, so poor people have no choice if they want their children to be schooled. They teach Wahhabism, an austere, warped variant of Islam, and often mix this with military skills.
Toby Ralph (Ballots, Bullets & Kabulshit: An Afghan Election: Penguin Special)
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In network thinking, concepts from apparently disparate disciplines are combined via the proper choice of mental image or metaphor. The intense desire to solve a problem can produce stresses that in turn cause associations that are not possible in conscious thought—in other words, the mind brings up the problem in all sorts of unlikely contexts. Eventually, however, it must focus on particular approaches. It is this choice—finding the proper image or metaphor—that catalyzes the illumination, the nascent moment of creativity.
Arthur I. Miller (Einstein, Picasso: Space, Time, and the Beauty That Causes Havoc)
Einstein recalled that he found this redundancy so “unbearable” that it “forced me to postulate the (special) relativity theory [because] the difference could not be a real difference between these two cases [but] only a difference in the choice of reference point.
Arthur I. Miller (Einstein, Picasso: Space, Time, and the Beauty That Causes Havoc)
Moreover, that necessary key to scientific discovery—proper problem choice
Arthur I. Miller (Einstein, Picasso: Space, Time, and the Beauty That Causes Havoc)
I never thought I’d be the sort of person who revels in bloodshed and pain, but life gave me both of those things in spades. My choice was to return it quid pro quo or let it consume me. I’ve chosen the former.
C.M. Stunich (Anarchy at Prescott High (The Havoc Boys, #4))
Have you ever noticed that the good guys in these books are too concerned with their own morality to make hard choices?” I ask, staring at the conclusion of the story in my hand.
C.M. Stunich (Chaos at Prescott High (The Havoc Boys, #2))
Respond, Don’t React When you react to something that someone says or does, you may have a problem with boundaries. If someone is able to cause havoc by doing or saying something, she is in control of you at that point, and your boundaries are lost. When you respond, you remain in control, with options and choices. If you feel yourself reacting, step away and regain control of yourself so family members can’t force you to do or say something you do not want to do or say and something that violates your separateness. When you have kept your boundaries, choose the best option. The difference between responding and reacting is choice. When you are reacting, they are in control. When you respond, you are.
Henry Cloud (Boundaries: When to Say Yes, How to Say No to Take Control of Your Life)
Core players had turned on Ranieri and lobbied the owners to replace him with his English assistant, Craig Shakespeare. The narrative gathered enough steam that, at Shakespeare’s first game in charge, the Leicester fans unfurled a gigantic display urging their team to CRY HAVOC AND LET SLIP THE DOGS OF WAR. Their choice of a line from William (not Craig) Shakespeare’s Julius Caesar, a play about a Roman leader betrayed by former allies, was no accident.
Joshua Robinson (The Club: How the English Premier League Became the Wildest, Richest, Most Disruptive Force in Sports)