Twinning Outfits Quotes

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The feedback from the speakers changes and begins blasting death metal music so loudly into the sky that I swear the bridge suspensions are vibrating. The twins were in charge of the music selection. I catch sight of them on the side of the bridge, each with an arm raised, holding up their forefingers and pinkies in a devil sign, head-banging to the beat. They’re mouthing the words to the garbled voice screaming over the intense electric guitar and drums blasting out of the speakers. They might look pretty badass if it weren’t for their hobo clown outfits. It’s the loudest party the Bay Area has ever heard.
Susan Ee (End of Days (Penryn & the End of Days, #3))
And then, of course, there was the sari itself. What a garment, Randy! There isn’t another outfit in the world that balances better the twin feminine urges to conceal and reveal. It outlines the woman’s shape but hides the faults a skirt can’t — under a sari a heavy behind, unflattering legs are invisible. But it also reveals the midriff, a part of the anatomy most Western women hide all the time. I was mesmerized, Randy, by the mere fact of being able to see her belly button when she walked, the single fold of flesh above the knot of her sari, the curve of her waist toward her hips. That swell of flesh just above a woman’s hipbone, Randy, is the sexiest part of the female anatomy to me. And I didn’t even have to undress her to see it. I was completely smitten.
Shashi Tharoor (Riot)
It might be extremely dorky to point out, but who you are is singular. It’s science. No one else in existence has your point of view or exact genome (identical twins and clones, look for inspiration elsewhere, please). That is why we need people to share and help us understand one another better. And on a bigger level than just taking a selfie. (Not hating on selfies, but a few is enough. You look good from that angle; we get it.) We need the world to hear more opinions, give glimpses into more diverse subcultures. Are you REALLY into dressing your cat in handcrafted, historically authentic outfits? No problem, there are people out there who want to see that! Probably in excruciating detail!
Felicia Day (You're Never Weird on the Internet (Almost))
For a six-year-old, she’s got some talent, and this drawing is among her better ones, in a way. The six figures actually resemble us—Patrick, Steven, the twins, me, and Sonia. We’re all standing in our garden, holding hands under a tree that’s blooming with white stars. She’s got the twins in matching outfits and she’s drawn something that looks more like a suitcase than a briefcase in Patrick’s free hand. Steven wears his new pin; my hair is pulled back into a ponytail. Around my wrist and Sonia’s are bracelets: red for her and black for me. We’re all smiling under a sun she’s decorated with orange hearts. “Beautiful,” I say, taking the drawing. But I don’t think it’s beautiful. I think it’s the ugliest fucking thing I’ve ever seen.
Christina Dalcher (Vox)
If you’re a girl, you’ve been programmed to make sure you keep social harmony. This is a matter of life and death to the brain, even if it’s not so important in the twenty-first century. We could see this in the behavior of three-and-a-half-year-old twin girls. Every morning the sisters climbed on each other’s dressers to get to the clothes hanging in their closets. One girl had a pink two-piece outfit, and the other had a green two-piece outfit. Their mother giggled every time she’d see them switch the tops—pink pants with a green top and green pants with a pink top. The twins did it without a fight. “Can I borrow your pink top? I’ll give it back later, and you can have my green top” was how the dialogue went. This would not be a likely scenario if one of the twins were a boy. A brother would have grabbed the shirt he wanted, and the sister would have tried to reason with him, though she would have ended up in tears because his language skills simply wouldn’t have been as advanced as hers.
Louann Brizendine (The Female Brain)
The feedback from the speakers changes and begins blasting death metal music so loudly into the sky that I swear the bridge suspensions are vibrating. The twins were in charge of the music selection. I catch sight of them on the side of the bridge, each with an arm raised, holding up their forefingers and pinkies in a devil sign, head-banging to the beat. They’re mouthing the words to the garbled voice screaming over the intense electric guitar and drums blasting out of the speakers. They might look pretty badass if it weren’t for their hobo clown outfits. It’s the loudest party the Bay Area has ever heard.
Susan Ee (End of Days (Penryn & the End of Days, #3))
Taking quick looks behind him on the trail, Lew Basnight was apt to see things that weren’t necessarily there. Mounted figure in a black duster and hat, always still, turned sidewise in the hard, sunlit distance, horse bent to the barren ground. No real beam of attention, if anything a withdrawal into its own lopsided star-shaped silhouette, as if that were all it had ever aspired to. It did not take long to convince himself that the presence behind him now, always just out of eyeball range, belonged to one and the same subject, the notorious dynamiter of the San Juans known as the Kieselguhr Kid. The Kid happened to be of prime interest to White City Investigations. Just around the time Lew was stepping off the train at the Union Station in Denver, and the troubles up in the Coeur d’Alene were starting to bleed over everywhere in the mining country, where already hardly a day passed without an unscheduled dynamite blast in it someplace, the philosophy among larger, city-based detective agencies like Pinkerton’s and Thiel’s began to change, being as they now found themselves with far too much work on their hands. On the theory that they could look at their unsolved cases the way a banker might at instruments of debt, they began selling off to less-established and accordingly hungrier outfits like White City their higher-risk tickets, including that of the long-sought Kieselguhr Kid. It was the only name anybody seemed to know him by, “Kieselguhr” being a kind of fine clay, used to soak up nitroglycerine and stabilize it into dynamite. The Kid’s family had supposedly come over as refugees from Germany shortly after the reaction of 1849, settling at first near San Antonio, which the Kid-to-be, having developed a restlessness for higher ground, soon left, and then after a spell in the Sangre de Cristos, so it went, heading west again, the San Juans his dream, though not for the silver-mine money, nor the trouble he could get into, both of those, he was old enough by then to appreciate, easy enough to come by. No, it was for something else. Different tellers of the tale had different thoughts on what. “Don’t carry pistols, don’t own a shotgun nor a rifle—no, his trade-mark, what you’ll find him packing in those tooled holsters, is always these twin sticks of dynamite, with a dozen more—” “Couple dozen, in big bandoliers across his chest.” “Easy fellow to recognize, then.” “You’d think so, but no two eyewitnesses have ever agreed. It’s like all that blasting rattles it loose from everybody’s memory.” “But say, couldn’t even a slow hand just gun him before he could get a fuse lit?” “Wouldn’t bet on it. Got this clever wind-proof kind of striker rig on to each holster, like a safety match, so all’s he has to do’s draw, and the ‘sucker’s all lit and ready to throw.” “Fast fuses, too. Some boys down the Uncompahgre found out about that just last August, nothin left to bury but spurs and belt buckles. Even old Butch Cassidy and them’ll begin to coo like a barn full of pigeons whenever the Kid’s in the county.” Of course, nobody ever’d been sure about who was in Butch Cassidy’s gang either. No shortage of legendary deeds up here, but eyewitnesses could never swear beyond a doubt who in each case, exactly, had done which, and, more than fear of retaliation—it was as if physical appearance actually shifted, causing not only aliases to be inconsistently assigned but identity itself to change. Did something, something essential, happen to human personality above a certain removal from sea level? Many quoted Dr. Lombroso’s observation about how lowland folks tended to be placid and law-abiding while mountain country bred revolutionaries and outlaws. That was over in Italy, of course. Theorizers about the recently discovered subconscious mind, reluctant to leave out any variable that might seem helpful, couldn’t avoid the altitude, and the barometric pressure that went with it. This was spirit, after all.
Thomas Pynchon (Against the Day)
How would I know it meant nothing, I thought, when something and nothing seem to be walking hand in hand now, identical twins dressed in each other's outfits.
Yiyun Li (Where Reasons End)
Piper’s view zoomed to the center of the temple. So many giants had gathered there it looked like a cocktail party for redwood trees. A few Piper recognized: those horrible twins from Rome, Otis and Ephialtes, dressed in matching construction worker outfits; Polybotes, looking just as Percy had described him, with poison dripping from his dreadlocks and a breastplate sculpted to resemble hungry mouths; worst of all, Enceladus, the giant who had kidnapped Piper’s dad. His armor was etched with flame designs, his hair braided with bones. His flagpole-sized spear burned with purple fire.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))