Twice In A Blue Moon Quotes

We've searched our database for all the quotes and captions related to Twice In A Blue Moon. Here they are! All 40 of them:

For the first time in my life I get it: home isn’t always a space; it can be a person.
Christina Lauren (Twice in a Blue Moon)
Can you believe me, though?” he asks quietly. “That the worst thing I ever did was for the best reason I ever had?
Christina Lauren (Twice in a Blue Moon)
He was tall, thin, and very old, judging by the silver of his hair and beard, which were both long enough to tuck into his belt. He was wearing long robes, a purple cloak that swept the ground, and high-heeled, buckled boots. His blue eyes were light, bright, and sparkling behind half-moon spectacles and his nose was very long and crooked, as though it had been broken at least twice. This man's name was Albus Dumbledore.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
I don't know why people think permanent denial is better than temporary disappointment.
Christina Lauren (Twice in a Blue Moon)
He’s the one who taught me what love looked like and felt like and then taught me it’s a lie. I have never been able to come back from that.
Christina Lauren (Twice in a Blue Moon)
Do you want to live in the sun?” he asked quietly. “Or do you want to go back in the shadows?
Christina Lauren (Twice in a Blue Moon)
Sex for pleasure with various partners is therefore more “human” than animal. Strictly reproductive, once-in-a-blue-moon sex is more “animal” than human. In other words, an excessively horny monkey is acting “human,” while a man or woman uninterested in sex more than once or twice a year would be, strictly speaking, “acting like an animal.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
I think the fact that I never got to fall out of love with him—that I just had to keep moving forward, stumbling into something new and totally different—means that my brain and heart don’t know the protocol here.
Christina Lauren (Twice in a Blue Moon)
A watched pot never boils, and a watched phone never rings.
Christina Lauren (Twice in a Blue Moon)
I don’t know why people think permanent denial is better than temporary disappointment.
Christina Lauren (Twice in a Blue Moon)
THE MOON AND THE YEW TREE This is the light of the mind, cold and planetary. The trees of the mind are black. The light is blue. The grasses unload their griefs on my feet as if I were God, Prickling my ankles and murmuring of their humility. Fumy, spiritous mists inhabit this place Separated from my house by a row of headstones. I simply cannot see where there is to get to. The moon is no door. It is a face in its own right, White as a knuckle and terribly upset. It drags the sea after it like a dark crime; it is quiet With the O-gape of complete despair. I live here. Twice on Sunday, the bells startle the sky Eight great tongues affirming the Resurrection. At the end, they soberly bong out their names. The yew tree points up. It has a Gothic shape. The eyes lift after it and find the moon. The moon is my mother. She is not sweet like Mary. Her blue garments unloose small bats and owls. How I would like to believe in tenderness The face of the effigy, gentled by candles, Bending, on me in particular, its mild eyes. I have fallen a long way. Clouds are flowering Blue and mystical over the face of the stars. Inside the church, the saints will be all blue, Floating on their delicate feet over the cold pews, Their hands and faces stiff with holiness. The moon sees nothing of this. She is bald and wild. And the message of the yew tree is blackness -- blackness and silence. --written 22 October 1961
Sylvia Plath (Ariel)
It was two weeks of my life, a long time ago, but I loved him. I remember the feeling; it's still the only time I've ever felt it. Maybe this is why I can call it back whenever I need to--though it's been a long time since I tortured myself that way.
Christina Lauren (Twice in a Blue Moon)
I want every wish he ever makes to be for this. A penny in a fountain. The first star. An eyelash. Eleven eleven.
Christina Lauren (Twice in a Blue Moon)
This. This is exactly it. "It had always seemed to Emily, ever since she could remember, that she was very, very near to a world of wonderful beauty. Between it and herself hung only a thin curtain; she could never draw the curtain aside — but sometimes, just for a moment, a wind fluttered it and then it was as if she caught a glimpse of the enchanting realm beyond — only a glimpse — and heard a note of unearthly music. This moment came rarely — went swiftly, leaving her breathless with the inexpressible delight of it. She could never recall it — never summon it — never pretend it; but the wonder of it stayed with her for days. It never came twice with the same thing. Tonight the dark boughs against that far-off sky had given it. It had come with a high, wild note of wind in the night, with a shadow wave over a ripe field, with a grey bird lighting on her windowsill in a storm, with the singing of “Holy, holy, holy” in church, with a glimpse of the kitchen fire when she had come home on a dark autumn night, with the spirit-like blue of ice palms on a twilit pane, with a felicitous new word when she writing down a ‘description’ of something. And always when the flash came to her Emily felt that life was a wonderful, mysterious thing of persistent beauty.
L.M. Montgomery (Emily of New Moon (Emily, #1))
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright-- And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done-- "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying over head-- There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: "If this were only cleared away," They said, "it WOULD be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear. "O Oysters, come and walk with us!" The Walrus did beseech. "A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each." The eldest Oyster looked at him. But never a word he said: The eldest Oyster winked his eye, And shook his heavy head-- Meaning to say he did not choose To leave the oyster-bed. But four young oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing-wax-- Of cabbages--and kings-- And why the sea is boiling hot-- And whether pigs have wings." "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter. They thanked him much for that. "A loaf of bread," the Walrus said, "Is what we chiefly need: Pepper and vinegar besides Are very good indeed-- Now if you're ready Oysters dear, We can begin to feed." "But not on us!" the Oysters cried, Turning a little blue, "After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said "Do you admire the view? "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice: I wish you were not quite so deaf-- I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said. "I deeply sympathize." With sobs and tears he sorted out Those of the largest size. Holding his pocket handkerchief Before his streaming eyes. "O Oysters," said the Carpenter. "You've had a pleasant run! Shall we be trotting home again?" But answer came there none-- And that was scarcely odd, because They'd eaten every one.
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
but I’m sure I’m the only one of the two of us who is so fixated on our brief affair. It was the single most defining moment in my life; no doubt it’s just one of many in his. I need to move on.
Christina Lauren (Twice in a Blue Moon)
You're an enigma, you have to know that.' Charlie and Trey go still, as if they're working to be invisible during this conversation. 'I'm an enigma?' 'Beautiful,' he says, 'but sort of unknowable.
Christina Lauren (Twice in a Blue Moon)
I may not have baggage with Nick, but nailing it still means I have to push everything else aside. Nothing else can matter but fully becoming Ellen, and what would Ellen do is a situation like this? She’d give herself an hour to be mad, to be sad, to be whatever she needed to be, and then she’d buckle down. No excuses.
Christina Lauren (Twice in a Blue Moon)
She managed to summon her powers twice more by gazing at her mandala, and was tickled with the results: she turned her bright red coral bracelet glittering black, and a dish of pale yellow dye a bluish black. Of course she had no idea if the color was set by the phase of the moon or if it was simply the way she thought about the moon, set in a blue-black sky. But imagine if she could summon any color! She would never have to worry about getting the right paints again.
Liz Braswell (What Once Was Mine)
Nothing like this man had ever been seen in Privet Drive. He was tall, thin and very old, judging by the silver of his hair and beard, which were both long enough to tuck into his belt. He was wearing long robes, a purple cloak which swept the ground and high-heeled, buckled boots. His blue eyes were light, bright and sparkling behind half-moon spectacles and his nose was very long and crooked, as though it had been broken at least twice. This man’s name was Albus Dumbledore.
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
A man appeared on the corner the cat had been watching, appeared so suddenly and silently you’d have thought he’d just popped out of the ground. The cat’s tail twitched and its eyes narrowed. Nothing like this man had ever been seen in Privet Drive. He was tall, thin and very old, judging by the silver of his hair and beard, which were both long enough to tuck into his belt. He was wearing long robes, a purple cloak which swept the ground and high-heeled, buckled boots. His blue eyes were light, bright and sparkling behind half-moon spectacles and his nose was very long and crooked, as though it had been broken at least twice. This man’s name was Albus Dumbledore.
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright — And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done — "It's very rude of him," she said, "To come and spoil the fun." The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying overhead — There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: If this were only cleared away,' They said, it would be grand!' If seven maids with seven mops Swept it for half a year, Do you suppose,' the Walrus said, That they could get it clear?' I doubt it,' said the Carpenter, And shed a bitter tear. O Oysters, come and walk with us!' The Walrus did beseech. A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each.' The eldest Oyster looked at him, But never a word he said: The eldest Oyster winked his eye, And shook his heavy head — Meaning to say he did not choose To leave the oyster-bed. But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat — And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more — All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. The time has come,' the Walrus said, To talk of many things: Of shoes — and ships — and sealing-wax — Of cabbages — and kings — And why the sea is boiling hot — And whether pigs have wings.' But wait a bit,' the Oysters cried, Before we have our chat; For some of us are out of breath, And all of us are fat!' No hurry!' said the Carpenter. They thanked him much for that. A loaf of bread,' the Walrus said, Is what we chiefly need: Pepper and vinegar besides Are very good indeed — Now if you're ready, Oysters dear, We can begin to feed.' But not on us!' the Oysters cried, Turning a little blue. After such kindness, that would be A dismal thing to do!' The night is fine,' the Walrus said. Do you admire the view? It was so kind of you to come! And you are very nice!' The Carpenter said nothing but Cut us another slice: I wish you were not quite so deaf — I've had to ask you twice!' It seems a shame,' the Walrus said, To play them such a trick, After we've brought them out so far, And made them trot so quick!' The Carpenter said nothing but The butter's spread too thick!' I weep for you,' the Walrus said: I deeply sympathize.' With sobs and tears he sorted out Those of the largest size, Holding his pocket-handkerchief Before his streaming eyes. O Oysters,' said the Carpenter, You've had a pleasant run! Shall we be trotting home again?' But answer came there none — And this was scarcely odd, because They'd eaten every one.
Lewis Carroll
Willow leaves swayed before Hunter’s eyes, but his gaze held fast, riveted on the slender girl as she tried to break his lance. With each swing of her arms, he clenched his teeth, growing angrier. Then the absurdity of it hit him, and a reluctant smile tugged at his lips. She knew he was out here. Grown men quivered in fear at the sound of his name, but a frail girl dared to defy him? He recalled how she had looked when she walked out to face him, golden head held high, big blue eyes meeting his in defiance. How dare she spit at him, not once but twice? He wavered somewhere between outrage, disbelief, and admiration. She might not look like much, but she had courage, he’d give her that. His brother, Warrior, hunkered beside him and snorted with laughter, clearly pleased with the situation. Above the roar of the river, he said, “If she knew who you were, she wouldn’t defy you like this.” Hunter never shifted his gaze from the girl. “Once she knows who she’s up against, this nonsense will stop. If there’s anything I’m an expert on, Hunter, it’s women. They push only when they think they can get away with it. You shouldn’t have let her spit at you. Next time, slap her.” Hunter arched an eyebrow. Given the fact that his brother’s wife was the most spoiled female in the village, he found this bit of advice amazing. He studied Warrior’s solemn expression. “Is that so?” “Trust me. She’ll never try it again.” “How many times have you slapped Maiden of the Tall Grass?” “I haven’t. She knows who has the stronger arm.” Hunter bit back a grin. “Yes, she certainly does.” Returning his attention to the girl, he scowled. He would teach her some respect or kill her trying. At last the girl’s strength gave out, and she fell to her knees in defeat. A spray of feathers flew up around her. As the white plumes floated downward, her shoulders sank with them. Suvate, it was finished. She had to face her fate and learn to accept it, just as he must. Destiny knew no foe.
Catherine Anderson (Comanche Moon (Comanche, #1))
It was a question that was born when Carter came home. Plagued by nightmares and panic attacks and a dark emptiness, Beckett had been there to gauge him every day. Jax had checked in by phone twice a day for the six weeks after his return and flew out for a week in the middle of it. Their mother made him lunch every day and sat with him while he ate even when he didn’t want to.
Lucy Score (No More Secrets (Blue Moon, #1))
Eventually, he felt an overwhelming urge to meld his voice with the notes, and he began to play his ballad for the wind. Jack sang his verses, his fingers strumming with confidence. He sang to the southern wind with its promise of strength in battle. He sang to the western wind with its promise of healing. He sang to the northern wind with its promise of vindication. The notes rose and fell, undulating like the hills far beneath him. But while the wind carried his music and his voice, the folk of the air didn’t answer. What if they refuse to come? Jack wondered, with a pulse of worry. From the corner of his eye, he watched as Adaira rose to her feet. The wind seemed to be waiting for her to move. To stand and meet it. She stood planted on the rock as Jack continued to play, shielded by Orenna’s essence. Twice, he had played for the spirits and had nearly forgotten he was a man, that he was not a part of them. But this time he held firmly to himself as he watched the folk answer. The southern wind manifested first. They arrived with a sigh and formed themselves from the gust, individualizing into men and women with hair like fire—red and amber with a trace of blue. Great feathered wings bloomed from their backs like those of a bird, and each beat of their pinions emitted a wash of warmth and longing. Jack could taste the nostalgia they offered; he drank it like a bittersweet wine, like the memories of a summer long ago. The east wind was the next to arrive. They manifested in a flurry of leaves, their hair like molten gold. Their wings were fashioned like those of a bat, long and pronged and the shade of dusk. They carried the fragrance of rain in their wings. The west wind spun themselves out of whispers, with hair the shade of midnight, long and jeweled with stars. Their wings were like those of a moth, patterned with moons, beating softly and evoking both beauty and dread as Jack beheld them. The air shimmered at their edges like a dream, as if they might melt at any moment, and their skin smelled of smoke and cloves as they hovered in place, unable to depart as Jack’s music captivated them. Half of the spirits watched him, entranced by his ballad. But half of them watched Adaira, their eyes wide and brimming with light. “It’s her,” some of them whispered. Jack missed a note. He quickly regained his place, pushing his concern aside. It felt like his nails were creating sparks on the brass strings. He sang the verse for the northern wind again. The sky darkened. Thunder rumbled in the distance as the north reluctantly answered Jack’s summoning. The air plunged cold and bitter as the strongest of the winds manifested from wisps of clouds and stinging gales. It answered the music, fragmenting into men and women with flaxen hair, dressed in leather and links of silver webs. Their wings were translucent and veined, reminiscent of a dragonfly’s, boasting every color found beneath the sun. They came reluctantly, defiantly. Their eyes bore into him like needles. Jack was alarmed by their reaction to him. Some of them hissed through their sharp teeth, while others cowered as if awaiting a death blow. His ballad came to its end, and the absence of his voice and music sharpened the terror of the moment. Adaira continued to stand before an audience of manifested spirits, and Jack was stunned by the sight of them. To know that they had rushed alongside him as he walked the east. That he had felt their fingers in his hair, felt them kiss his mouth and steal words from his lips, carrying his voice in their hands. And his music had just summoned them. His voice and song now held them captive, beholden to him. He studied the horde. Some of the spirits looked amused, others shocked. Some were afraid, and some were angry.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
street, nor when two owls swooped overhead. In fact, it was nearly midnight before the cat moved at all. A man appeared on the corner the cat had been watching, appeared so suddenly and silently you’d have thought he’d just popped out of the ground. The cat’s tail twitched and its eyes narrowed. Nothing like this man had ever been seen in Privet Drive. He was tall, thin and very old, judging by the silver of his hair and beard, which were both long enough to tuck into his belt. He was wearing long robes, a purple cloak which swept the ground and high-heeled, buckled boots. His blue eyes were light, bright and sparkling behind half-moon spectacles and his nose was very long and crooked, as though it had been broken at least twice. This man’s name was Albus Dumbledore. Albus Dumbledore didn’t seem to realise that he had just arrived in a street where everything from his name to his boots was unwelcome. He was busy rummaging in his cloak, looking for something. But he did seem to realise he was being watched, because he looked up suddenly at the cat, which was still staring at him from the other end of the street. For some reason, the sight of the cat seemed to amuse him. He chuckled and muttered, ‘I should have known.’ He had found what he was looking for in his inside pocket. It seemed to be a silver cigarette lighter. He flicked it open, held it up in the air and clicked it. The nearest street lamp went out with a little pop. He clicked it again – the next lamp flickered into darkness. Twelve times he clicked the Put-Outer, until the only lights left in the whole street were two tiny pinpricks in the distance, which were the eyes of the cat watching him. If anyone looked out of their window now, even beady-eyed Mrs Dursley, they wouldn’t be able to see anything that was happening down on the pavement. Dumbledore slipped the Put-Outer back inside his cloak and set off down the street towards number four, where he sat down on the wall next to the cat. He didn’t look at it, but after a moment he spoke to it. ‘Fancy seeing you here, Professor McGonagall.
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
purple cloak which swept the ground and high-heeled, buckled boots. His blue eyes were light, bright and sparkling behind half-moon spectacles and his nose was very long and crooked, as though it had been broken at least twice. This man’s name was Albus Dumbledore. Albus Dumbledore didn’t seem to realise that he had just arrived in a street where everything from his name to his boots was unwelcome. He was busy rummaging in his cloak, looking for something. But he did seem to realise he was being watched, because he looked up suddenly at the cat, which was still staring at him from the other end of the street. For some reason, the sight of the cat seemed to amuse him. He chuckled and muttered, ‘I should have known.’ He had found what he was looking for in his inside pocket. It seemed to be a silver cigarette lighter. He flicked it open, held it up in the air and clicked
J.K. Rowling (Harry Potter and the Philosopher's Stone)
Does all this frivolous sex make our species sound “animalistic”? It shouldn’t. The animal world is full of species that have sex only during widely spaced intervals when the female is ovulating. Only two species can do it week in and week out for nonreproductive reasons: one human, the other very humanlike. Sex for pleasure with various partners is therefore more “human” than animal. Strictly reproductive, once-in-a-blue-moon sex is more “animal” than human. In other words, an excessively horny monkey is acting “human,” while a man or woman uninterested in sex more than once or twice a year would be, strictly speaking, “acting like an animal.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
Luther wanted to re-create the Abbey Road cover, so we found a couple of random dudes to round out the Beatles with us.
Christina Lauren (Twice in a Blue Moon)
Nothing like this man had ever been seen on Privet Drive. He was tall, thin, and very old, judging by the silver of his hair and beard, which were both long enough to tuck into his belt. He was wearing long robes, a purple cloak that swept the ground, and high-heeled, buckled boots. His blue eyes were light, bright, and sparkling behind half-moon spectacles and his nose was very long and crooked, as though it had been broken at least twice. This man’s name was Albus Dumbledore.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
That the worst thing I ever did was for the best reason I ever had?
Christina Lauren (Twice in a Blue Moon)
Franco was gorgeous. I don’t think I really had an idea what Belgian people looked like before today, but if Franco is anything to go by I will keep my eye out in future. White-haired, tanned, blue eyes and half-moon glasses. I asked him if his wife worked with him and he said he was a widower. I put my hand on his, purely for comfort, and Elizabeth rolled her eyes.
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
It’s so crazy to think that things that I thought only lived in my imagination can be real.” He reached out, tracing my mouth with his fingertip. “But then I touch you, and it’s like every fantasy I ever had coming true.
Christina Lauren (Twice in a Blue Moon)
nonreproductive sex is “natural,” a defining characteristic.5 Does all this frivolous sex make our species sound “animalistic”? It shouldn’t. The animal world is full of species that have sex only during widely spaced intervals when the female is ovulating. Only two species can do it week in and week out for nonreproductive reasons: one human, the other very humanlike. Sex for pleasure with various partners is therefore more “human” than animal. Strictly reproductive, once-in-a-blue-moon sex is more “animal” than human. In other words, an excessively horny monkey is acting “human,” while a man or woman uninterested in sex more than once or twice a year would be, strictly speaking, “acting like an animal.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
Shock is a cold hand on my shoulder, a complete standstill in my brain and chest and veins.
Christina Lauren (Twice in a Blue Moon)
Listen to me on this. The only sure thing in this business is that you’ll have to fight harder every goddamn year and you can only count on yourself. If you want to stay relevant, you have to make opportunities wherever you can, and this is a gold mine, Tate.” He takes a deep breath and lets it out slowly. “A gold mine.
Christina Lauren (Twice in a Blue Moon)
You're pretty cute if that's the craziest thing.
Christina Lauren (Twice in a Blue Moon)
What are you thinking about?" I asked him. "You.
Christina Lauren (Twice in a Blue Moon)
I think I'm falling in love with you. Is that crazy?" "No. It isn't crazy. Because, me too.
Christina Lauren (Twice in a Blue Moon)
Home isn't always a space; it can be a person.
Christina Lauren (Twice in a Blue Moon)