Tuxedo Dog Quotes

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My Lord!” the doggen exclaimed. “Sire! Oh, it is good that you have arrived home before the storm! May I get you a libation?” Fritz’s smile was like that of a basset hound’s, all wrinkles and enthusiasm, and the butler had a dog’s lack of time conception, his joy as if the pair of them had been gone for five years, not an hour. “How ’bout a couple of bulletproof vests,” V said under his breath. “But of course! Would you care for the Point Blank Alpha Elites, or is this more of a bomb-detonation occasion requiring the Paraclete tactical vests?” As if the choice were nothing more than having to pick white tie and tails over your standard-issue tuxedo. You had to love the guy, V thought grudgingly. “It was a joke, my man.
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
Not surprisingly, when Barbie achieved superstar status, her houses became more ostentatious. Yet even Barbie's three-story town house, with its Tara-like pillars and ersatz wrought-iron birdcage elevator, is an outsider's interpretation of upper-class life. Authentic valuables are to Barbie's possessions what a pungent slab of gorgonzola is to "cheese food"; her furniture and artwork would not look out of place in a Ramada Inn. For all her implicit disposable income, her tastes remain doggedly middle- to lower-middle-class. As pictured in the catalogue, the town house also reflects Dynasty thinking. Both Ken and Barbie are absurdly overdressed—he in a parodic "tuxedo," she in a flouncy confection that barely fits into the elevator.
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
Stop bullying me. I can’t think straight with you coming on so strong. You’ve flung the word marriage at me as if I’m a dog with a bone dangled in front of it. I’m not going to jump.
Yahrah St. John (Consequences of Passion (Locketts of Tuxedo Park #1))
But what if she acted like a credit card company? What if she stopped calling when the bill was due? What if, in very fine print in her very long contract, she said she would bill them $750 for every day that they were past due and after 15 days she would automatically charge their credit card on file? Only she didn’t write out the $750. Instead, she calculated it down to a percentage of their total fee, which seemed such a minuscule amount. Less than 1 percent, really. So that even when people did bother to read the clause, they usually shrugged, the amount seeming so nominal. She thought the idea so bold when she implemented it, she was certain she would lose clients or have wild fights about it when her invoices went out. Instead, she discovered something else about the ultra-rich. The only thing they enjoyed less than parting with their money was talking about it. It seemed to physically pain them. She had one person ask what the fee was and as soon as she explained that they could refer to item 26a in their contract they apologized, said they would FedEx a check, and hung up the phone. The Eikenborns were particularly reticent to talk about bills or budgets or anything of that sort, yet maniacally uninclined to spend a penny, Olga noticed, on other human beings. Mrs. Eikenborn delightfully coughed up cash for luxury bathroom trailers, fine wine, freshly shucked oysters, Kobe beef steaks, and custom tuxedos for Victoria’s two dogs. Yet, she balked at the cost of feeding the staff who installed the tents and lighting, proclaimed outrage at the photographer’s need for breaks, and once booked Olga on a double layover to save $200 on a $750,000 event.
Xóchitl González (Olga Dies Dreaming)