Tunnel Vision Metaphor Quotes

A Typical Description of an NDE (Near Death Experience) I asked Ring to describe for me a typical NDE. He told me: The first thing is a tremendous feeling of peace, like nothing else you have experienced. Most people say like never before and never again. People say [that it is] the peace that passes all understanding. Then there is the sense of bodily separation and sometimes the sense of actually being out of the body. There are studies that show that people can sometimes report veridically what is in their physical environment, e.g., the lint on the light fixtures above themselves. They could see in a three-hundred-sixty-degree panoramic vision. They had extraordinary acuity. Often when they went further into the experience, they went to a dark place that is sometimes described as a tunnel, but not always. They usually feel that there is a sense of motion; that they are moving through something that is vast almost beyond imagination. And yet they feel they don't have the freedom to go anywhere. They feel as if they were being propelled. The extreme sense of motion often seems to be one of acceleration. Some describe that they have felt as if they were moving a the speed of light or faster. One NDEr described this as superluminal-moving beyond the speed of light with tremendous accelerated motion through a kind of cylindrical vortex, and then, in the distance, the person describes a dot of light that suddenly grows larger, more brilliant, and all encompassing. Ring continued: At this stage of the experience there is an encounter with light. It seems to be a living light exuding pure love, complete acceptance, and total understanding. The individual feels that he is made of that light, that he has always been there, and that he has stepped out of time and stepped into eternity. This feeling is accompanied by a sense of absolute perfection. Being out of time introduces another aspect of the experience: a sense of destiny. Ring explained: Then there is a panoramic light review in which you see everything that has ever happened to you in your life. Not [only] just what you have done but the effects of your actions on others, the effects of your thoughts on others. The whole thing is laid out for you without being judged but with a complete understanding of why things were the way they were in your life. The best metaphor I can suggest for this is: as if you were the character in someone else's novel. There would be one moment outside of time where you would have the perspective of the author of that novel, and you have a sense of omniscience about that character. Why he did the things that he did, why he had affected others, and so on. It is a profound moment outside of time when this realization occurs. You see the whole raison d'etre of your life. You may also see scenes or fragments of scenes of your life if you choose to go back to your body. In other words, it is not only that you have flashbacks but you also seem to have flash-forwards of events that will occur almost at though there is a kind of blueprint for your life. And it is up to you at that moment. You have free choice because it is often left to you whether to go back to your life or to leave it behind. The people we talk with of course always make the choice to go back or sometimes are sent back.

Let me posit 2 other divisions. The 1st is somewhat nebulous & entails some generalizations. I state that Shakespeare- despite claims for his universality- was a very limited thinker- at least thematically; although similar themes would often be twisted anew with metaphor & image. But compared to the aforementioned other sonneteers Shakespeare demonstrates a near tunnel vision in range of themes (let’s put aside the question of his own Shakespearean sonnet form). Even worse, he seemed to be obsessed with running said themes into the ground. In the sonnets there are only a handful of broad themes- with only occasional overlap. They are: beauty, sleep/dreams, love/friendship, despair/ parting, art/the Muse, &, of course, death. The riposte: But isn’t all Art about these things? Well, yes & no. Yes, in a broad sense, but no in the sense that Modern Poetry’s superiority to Classical or non-Modern [a term I prefer to pre-Modern because any number of poets today still write this type of poetry & it seems silly to label these contemporaries pre-anything!] poetry is its very multi-layered approach to these themes & relegating them to sub-themes at service to portraits of people, events, & moments. This is all dramatic technique centuries ahead of Shakespeare & while his best sonnets survive this his worst are telltale in their failure’s being tied to their time.