Tunnel To Summer Quotes

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You, Doctor Martin, walk from breakfast to madness. Late August, I speed through the antiseptic tunnel where the moving dead still talk of pushing their bones against the thrust of cure. And I am queen of this summer hotel or the laughing bee on a stalk of death. We stand in broken lines and wait while they unlock the doors and count us at the frozen gates of dinner. The shibboleth is spoken and we move to gravy in our smock of smiles. We chew in rows, our plates scratch and whine like chalk in school. There are no knives for cutting your throat. I make moccasins all morning. At first my hands kept empty, unraveled for the lives they used to work. Now I learn to take them back, each angry finger that demands I mend what another will break tomorrow. Of course, I love you; you lean above the plastic sky, god of our block, prince of all the foxes. The breaking crowns are new that Jack wore. Your third eye moves among us and lights the separate boxes where we sleep or cry. What large children we are here. All over I grow most tall in the best ward. Your business is people, you call at the madhouse, an oracular eye in our nest. Out in the hall the intercom pages you. You twist in the pull of the foxy children who fall like floods of life in frost. And we are magic talking to itself, noisy and alone. I am queen of all my sins forgotten. Am I still lost? Once I was beautiful. Now I am myself, counting this row and that row of moccasins waiting on the silent shelf.
Anne Sexton (To Bedlam and Part Way Back)
Of course it might have been some other city, had circumstances been different and the time been different and had I been different, might have been Paris or Chicago or even San Francisco, but because I am talking about myself I am talking here about New York. That first night I opened my window on the bus into town and watched for the skyline, but all I could see were the wastes of Queens and big signs that said MIDTOWN TUNNEL THIS LANE and then a flood of summer rain (even that seemed remarkable and exotic, for I had come out of the West where there was no summer rain), and for the next three days I sat wrapped in blankets in a hotel room air-conditioned to 35 degrees and tried to get over a bad cold and a high fever. It did not occur to me to call a doctor, because I knew none, and although it did occur to me to call the desk and ask that the air conditioner be turned off, I never called, because I did not know how much to tip whoever might come—was anyone ever so young? I am here to tell you that someone was. All I could do during those three days was talk long-distance to the boy I already knew I would never marry in the spring. I would stay in New York, I told him, just six months, and I could see the Brooklyn Bridge from my window. As it turned out the bridge was the Triborough, and I stayed eight years.
Joan Didion (Slouching Towards Bethlehem)
XXVII" Naked, you are simple as a hand, smooth, earthy, small...transparent, round. You have moon lines and apple paths; Naked, you are slender as the wheat. Naked, Cuban blue midnight is your color, Naked, I trace the stars and vines in your hair; Naked, you are spacious and yellow As a summer's wholeness in a golden church. Naked, you are tiny as your fingernail; Subtle and curved in the rose-colored dawn And you withdraw to the underground world As if down a long tunnel of clothing and of chores: your clear light dims, gets dressed, drops its leaves, And becomes a naked hand again.
Pablo Neruda (The Essential Neruda: Selected Poems)
Then someone else appeared from the crowd, and Annabeth's vision tunneled. Percy smiled at her-that sarcastic, troublemaker's smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he'd just come from a walk on the beach. He looked even better than he had six months ago-tanner and taller, leaner and more muscular. Annabeth was to stunned to move. She felt that if she got any closer to him, all the molecules in her body might combust. She'd secretly had a crush on him sonar they were twelve years old. Last summer, she'd fallen for him hard. They'd been a happy couple together for four months-and then he'd disappeared. During their separation, something had happened to Annabeth's feelings. They'd grown painfully intense-like she'd been forced to withdraw from a life-saving medication. Now she wasn't sure which was more excruciating-living with that horrible absence, or being with him again... Annabeth didn't mean to, but she surged forward. Percy rushed toward her at the same time. The crowds tensed. Some reach d for swords that weren't there. Percy threw his arms around her. They kissed, and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, Annabeth wouldn't have cared. Percy smelled of ocean air. His lips were salty. Seaweed Brain, she thought giddily. Percy pulled away and studied her face. "Gods, I never thought-" Annabeth grabbed his wrist and flipped him over her shoulder. He slammed into the stone pavement. Romans cried out. Some surged forward, but Reyna shouted, "Hold! Stand down!" Annabeth put her knee on Percy's chest. She pushed her forearm against his throat. She didn't care what the Romans thought. A white-hot lump of anger expanded in her chest-a tumor of worry and bitterness that she'd been carrying around since last autumn. "Of you ever leave me again," she said, her eyes stinging, "I swear to all the gods-" Percy had the nerve to laugh. Suddenly the lump of heated emotions melted inside Annabeth. "Consider me warned," Percy said. "I missed you, too." Annabeth rose and helped him to his feet. She wanted to kiss him again SO badly, but she managed to restrain herself. Jason cleared his throat. "So, yeah…It's good to be back…" "And this is Annabeth," Jason said. "Uh, normally she doesn't judo-flip people.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
After that, the strawberry wood became my favorite place to go. In the summer I picked the fruit, and ran up and down the alleys of trees, and in autumn, collected acorns, and lay on my back watching the sky through the open branches. In the spring, I picked violets, and wild garlic by the riverbank. In winter I built tunnels under the barrows of brambles, and all year round I watched the well, and listened to its breathing, and sometimes dropped a coin or a stone into the water, and whispered into the darkness.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
However vivid they might be, past images and future delights did not protect Sylvia from the present, which "rules despotic over pale shadows of past and future". That was Sylvia's genius and her Panic Bird- her total lack of nostalgia. She had no armor. This left her especially vulnerable in New York, where she was removed from the context of her life, severed from that reassuring arc.
Elizabeth Winder (Pain, Parties, Work: Sylvia Plath in New York, Summer 1953)
We got lots of secrets, Will. You Apollo guys can't have all the fun. Our campers have been excavating the tunnel system under Cabin Nine for almost a century. We still haven't found the end. Anyway, Leo, if you don't mind sleeping in a dead man's bed, it's yours-Jake Suddenly Leo didn't feel like kicking back. He sat up, careful not to touch any of the buttons. The counselor who died-this was his bed-Leo Yeah. Charles Beckendorf-Jake Leo imagined saw blades coming through the mattress, or maybe a grenade sewn inside the pillows. He didn't, like, die IN this bed, did he-Leo No. In the Titan War, last summer-Jake The Titan War, which has NOTHING to do with this very fine bed-Leo "The Titans," Will said, like Leo was an idiot. The big powerful guys that ruled the world before the gods. They tried to make a comeback last summer. Their leader, Kronos, built a new palace on top of Mount Tam in California. Their armies came to New York and almost destoyed Mount Olympus. A lot of demigods died trying to stop them-Will I'm guessing this wasn't on the news-Leo It seemed like a fair question, but Will shook his head in disbelief. You didn't hear about Mount St. Helens erupting, or the freak storms across the country, or that building collapsing in St Louis-Will Leo shrugged. Last summer, he'd been on the run from another foster home. Then a truancy officer caught him in New Mexico, and the court sentenced him to the nearest correction facility-the Wilderness School. Guess I was busy-Leo Doesn't matter. You were lucky to miss it. The thing is, Beckendorf was one of the first casualties, and ever since then-Jake Your cabin's been cursed-Leo
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
A passerby discovered a toddler sitting on the chilly concrete on an alley, playing with the wrapper of a cat food container. By the time she was brought to the hospital, her limbs were blue with cold. She was a wizened little thing, too thin, made of sticks. She knew only one word, her name. Wren. As she grew, her skin retained a slight bluish cast, resembling skimmed milk. Her foster parents bundled her up in jackets and coats and mittens and gloves, but unlike her sister, she was never cold. Her lip colour changed like a mood ring, staying bluish and purple even in summer, turning pink only when close to a fire. And she could play in the snow for hours, constructing elaborate tunnels and mock-fighting with icicles, coming inside only when called. Although she appeared bony and anaemic, she was strong. By the time she was eight, she could lift bags of groceries that her adoptive mother struggled with. By the time she was nine, she was gone.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
We got lots of secrets, Will. You Apollo guys can't have all the fun. Our campers have been excavating the tunnel system under Cabin Nine for almost a century. We still haven't found the end. Anyway, Leo, if you don't mind sleeping in a dead man's bed, it's yours-Jake Suddenly Leo didn't feel like kicking back. He sat u, careful not to touch any of the buttons. The counselor who died-this was his bed-Leo Yeah. Charles Beckendorf-Jake Leo imagined saw blades coming through the mattress, or maybe a grenade sewn inside the pillows. He didn't, like, die IN this bed, did he-Leo No. In the Titan War, last summer-Jake The Titan War, which has NOTHING to do with this very fine bed-Leo "The Titans," Will said, like Leo was an idiot. The big powerful guys that ruled the world before the gods. They tried to make a comeback last summer. Their leader, Kronos, built a new palace on top of Mount Tam in California. Their armies came to New York and almost destoyed Mount Olympus. A lot of demigods died trying to stop them-Will I'm guessing this wasn't on the news-Leo It seemed like a fair question, but Will shook his head in disbelief. You didn't hear about Mount St. Helens erupting, or the freak storms across the country, or that building collapsing in St Louis-Will Leo shrugged. Last summer, he'd been on the run from another foster home. Then a truancy officer caught him in New Mexico, and the court sentenced him to the nearest correction facility-the Wilderness School. Guess I was busy-Leo Doesn't matter. You were lucky to miss it. The thing is, Beckendorf was one of the first casualties, and ever since then-Jake Your cabin's been cursed-Leo
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
What if I had made different choices from the start? What if I had stuck around to watch another year of seasons spin here in Oxford, staying to see the daffodils bloom or to wander beneath the privet tunnel hand in hand with Fisher? What if we had kept right on kissing until the naked ladies emerged near the Osage orange? What if I had lingered long enough to see cape jasmine arrive, her voluptuous white bundles an aromatic call for summer love? Or even longer, when the spider lilies burst open in the fall and the yellow autumn light fell low among missy roots? What if I had stayed through winter, forming snow angels with my lover beneath the icy cedar boughs? What if I had not let fear defeat me after Fisher knelt before me in my mother's backyard garden, ring in his hand and happy-ever-after in his heart?
Julie Cantrell (Perennials)
I saw him stoop, pick up a pebble . . . and it disappeared up his sleeve. That inside sleeve-pocket is an old prison trick. Up your sleeve or just inside the cuff of your pants. And I have another memory, very strong but unfocused, maybe something I saw more than once. This memory is of Andy Dufresne walking across the exercise yard on a hot summer day when the air was utterly still. Still, yeah . . . except for the little breeze that seemed to be blowing sand around Andy Dufresne’s feet. So maybe he had a couple of cheaters in his pants below the knees. You loaded the cheaters up with fill and then just strolled around, your hands in your pockets, and when you felt safe and unobserved, you gave the pockets a little twitch. The pockets, of course, are attached by string or strong thread to the cheaters. The fill goes cascading out of your pantslegs as you walk. The World War II POWs who were trying to tunnel out used the dodge.
Stephen King (Different Seasons: Four Novellas)
That awkward moment when you realize you’ve lived your entire life inside of a picture.” ~Peregrine Storke~ It was raining when my mother pulled up to the simple two-level brick home. Drops of water pounded on the roof of her beat up red Toyota, the sound both ominous and comfortable, before tunneling down her windows in rivers and tiny tributaries. The damp infiltrated the interior, soaking my skin despite the vehicle surrounding us. Rain was never simple this time of year in Louisiana. It always came followed by lightning, thunder, and a myriad of warnings. Leaves blew against the windshield, still full and green from summer, and I watched as one of them stuck against the glass, the leaf’s veins prominent. I wanted to sketch the way it looked now, alone and surrounded by tears, but there was no time. “Don’t forget to call me when you get there,” Mom murmured. Her knuckles were white against the steering wheel, her lips pinched. She wouldn’t cry. Mom seldom cried, she
R.K. Ryals (The Story of Awkward)
The summer king customarily delivers a brief poem or statement before he convenes the special sessions. Enki gives them quite a bit more than that. “In the verde,” says Enki, as serious as I’ve ever seen him, “we love the storms. Sometimes, when we see one come in, the blocos will set up in the terraces and play until the rain drives us inside.” He pauses here, as though considering his next words, though I can tell he’s just savoring the moment. My last present from the verde must have gone through. Everyone in the audience shuffles uncomfortably. Nostrils flair, discreet coughs echo through the chamber. Some look at Enki, others at one another or the doorways. Enki takes a deep breath, as though he doesn’t notice a thing. “We have a saying,” he says as murmurs from his audience rise to a wave, “you can’t smell the catinga until it comes back home.” In the background, I can just make out several guards hurrying through the doors. Enki surveys his work and smiles, a sun breaking through clouds. “I hereby convene parliament.” As he saunters back to his seat, Auntie Isa rushes the podium with a handkerchief covering her nose and murder in her eyes. People stand up and hurry to the doors. They don’t know the smell will be even worse in the hallway. Our transport pods are all connected to the ventilation system. It’s meant to help refresh the air supply in the tunnels, but it can go the other direction. It can carry the fetid stink of the verde straight to the noses of people who pretend it doesn’t exist.
Alaya Dawn Johnson (The Summer Prince)
Something scrapes the concrete at the far end of the tunnel. I turn to Enki, hoping it’s just another cleaning bot, but his eyebrows have come together in that particular way I know means trouble. He doesn’t bother to speak, just looks at me, and I hear him perfectly: Move your ass.
Alaya Dawn Johnson (The Summer Prince)
Labor Day. We could hear their bellow and grind from the Route 19 overpass. Below, the river gleamed like a flaw in metal. Leaving the parking lot behind, we billy-goated down the fisherman's trail, one by one, the way all mountain people do. Loud clumps of bees clustered in the fireweed and boneset, and the trail underfoot crunched with cans, condom wrappers, worm containers. A half-buried coal bucket rose from the dirt with a galvanized grin. The laurel hell wove itself into a tunnel, hazy with gnats. There, a busted railroad spike. The smell of river water filled our noses.
Matthew Neill Null (Allegheny Front (Mary McCarthy Prize in Short Fiction))
Billy pursed his lips thoughtfully. “So you’re taking us into a maze of lightless, rotting, precarious tunnels full of evil faeries and monsters.” I nodded. “Maybe leftover radiation, too.” “God, you’re a fun guy, Harry.
Jim Butcher (Summer Knight (The Dresden Files, #4))
Going back to Devon, Sisco, then I promise to check in with Ma. Have some amazing recordings from South Dartmoor and Brickburgh. Going back for more. A website, GaiaCries, are going to post my collection. The best bits. I’m getting an album on there! An album! This stuff is so freaky they thought I’d faked it. It’s better than anything I’ve heard on their site, recorded in all those train tunnels, nuclear bunkers and disused mines. Think I’m only happy inside a tent too, Sisco. I have been in a state of ecstasy and awe in Brickburgh all summer. And no, it’s not only down to the weed ;-) Have uploaded some stuff for you to play to the baby – seals in a cove [here]. Promise I’ll call mum. Lin xxxxxxx
Adam L.G. Nevill (The Reddening)
Once every few weeks, beginning in the summer of 2018, a trio of large Boeing freighter aircraft, most often converted and windowless 747s of the Dutch airline KLM, takes off from Schiphol airport outside Amsterdam, with a precious cargo bound eventually for the city of Chandler, a western desert exurb of Phoe­nix, Arizona. The cargo is always the same, consisting of nine white boxes in each aircraft, each box taller than a man. To get these pro­foundly heavy containers from the airport in Phoenix to their des­tination, twenty miles away, requires a convoy of rather more than a dozen eighteen-wheeler trucks. On arrival and family uncrated, the contents of all the boxes are bolted together to form one enormous 160-ton machine -- a machine tool, in fact, a direct descendant of the machine tools invented and used by men such as Joseph Bramah and Henry Maudslay and Henry Royce and Henry Ford a century and more before. "Just like its cast-iron predecessors, this Dutch-made behemoth of a tool (fifteen of which compose the total order due to be sent to Chandler, each delivered as it is made) is a machine that makes machines. Yet, rather than making mechanical devices by the pre­cise cutting of metal from metal, this gigantic device is designed for the manufacture of the tiniest of machines imaginable, all of which perform their work electronically, without any visible mov­ing parts. "For here we come to the culmination of precision's quarter­millennium evolutionary journey. Up until this moment, almost all the devices and creations that required a degree of precision in their making had been made of metal, and performed their vari­ous functions through physical movements of one kind or another. Pistons rose and fell; locks opened and closed; rifles fired; sewing machines secured pieces of fabric and created hems and selvedges; bicycles wobbled along lanes; cars ran along highways; ball bearings spun and whirled; trains snorted out of tunnels; aircraft flew through the skies; telescopes deployed; clocks ticked or hummed, and their hands moved ever forward, never back, one precise sec­ond at a time."Then came the computer, then the personal computer, then the smartphone, then the previously unimaginable tools of today -- and with this helter-skelter technological evolution came a time of translation, a time when the leading edge of precision passed itself out into the beyond, moving as if through an invisible gateway, from the purely mechanical and physical world and into an immobile and silent universe, one where electrons and protons and neutrons have replaced iron and oil and bearings and lubricants and trunnions and the paradigm-altering idea of interchangeable parts, and where, though the components might well glow with fierce lights send out intense waves of heat, nothing moved one piece against another in mechanical fashion, no machine required that mea­sured exactness be an essential attribute of every component piece.
Simon Wincheter
What if I had made different choices from the start? What if I had stuck around to watch another year of seasons spin here in Oxford, staying to see the daffodils bloom or to wander beneath the privet tunnel hand in hand with Fisher? What if we had kept right on kissing until the naked ladies emerged near the Osage orange? What if I had lingered long enough to see cape jasmine arrive, her voluptuous white bundles an aromatic call for summer love? Or even longer, when the spider lilies burst open in the fall and the yellow autumn light fell low among mossy roots? What if I had stayed through winter, forming snow angels with my lover beneath the icy cedar boughs? What if I had not let fear defeat me after Fisher knelt before me in my mother's backyard garden, ring in his hand and happy-ever-after in his heart?
Julie Cantrell (Perennials)
The result of my newfound courage was climbing the waterfall tunnel, slipping and going over the falls and later diving into a whirlpool. Not very smart. But even though I pursued such foolishness, in the course of this one summer vacation this particular descendant of Abe Sadato became considerably more robust.
Akira Kurosawa (Something Like An Autobiography)
Consider earth, our home. Let your eyes savor the brilliant hues and delicate shadings of a summer sunset. Tunnel your toes into wet sand, stand still, and feel the dependable foam and spray of an ocean tide. Visit a butterfly garden and study the abstract designs: 10,000 variations, more imaginative than those of any abstract painter, all compressed into tiny swatches of flying fabric. Belief in a loving Creator is easy among these good things.
Philip Yancey (Where Is God When It Hurts?)
The worlds we lived in were just too different to ever intertwine. Simple as that.
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)
I sat there in silence before her altar for a time, then lit a stick of incense and rang the little bell as I continued penning apology letters in my head, ones I knew would only ever be returned to sender.
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)
My heart was so full up with pity, guilt. and regret that there wasn't room for a single iota of anger to enter the mix.
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)
As a child, I'd heard it said that when you die, you turn into one of the billions of stars that light up the sky. If that was true, then I hoped Karen had found herself a nice, secluded corner of the universe from which she could watch meteor showers each and every day. I'd like that for her.
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)
I mean, it's true, though. There's no value in being ordinary. The law of scarcity applies to way more than just economics. Rare, life-changing experiences are worth exponentially more than your average day-to-day. I'd much rather live a short, fulfilling life than a long and boring one.
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)
Because at the end of the day, there's no one right way to live our lives. All we can do is pick whatever path suits us best, then run down it as fast as we can to see how far we can get in what little time we have.
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)
Sometimes just being alone with someone feels nice, even if there isn't anything to say.
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)
Death comes for us all in the end, and we kind of just have to accept that in order to cope through life until we ultimately kick the bucket ourselves. Not like denying the human condition will keep the reaper at bay, after all. Then once you're gone, any traces of you ever having been alive will slowly fade away and be swallowed by the sands of time. With very, very few exceptions, every single person alive today will be long forgotten even just 200 years from now. That's what my grandfather's death made me realize.
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)
It's pretty distressing, don't you think> The thought of dying and leaving nothing behind. The world not changing one iota from your having been in it. Makes you wonder what the point of even living in the first place is, you know. Like, why are we even here? Why bother putting in all the effort to live if only to suffer and die and be forgotten? That's what makes the thought of being ordinary so terrifying to me. That's why I'm determined to be someone. Someone who'll be remembered. Who'll actually leave an unforgettable mark on this world. Someone extraordinary.
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)
Why bother putting in all the effort to live if only to suffer and die and be forgotten?
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)
It's because it means so much to me that I didn't wan to share it with you.' 'Huh. Is that how being an artist works?' 'At least for me, it is.
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)
I had to hurry. The world wasn't going to wait for me any longer.
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)
The waters of Skilak are notoriously cold and turbulent. It isn’t unusual to have water temperatures hovering around thirty-eight degrees, even in the summer. The mix of cold water and the glacial ice of the massive Harding Icefield, along with the high mountains that support it and work like a giant wind tunnel, make for a deadly combination that can turn a mirror-smooth lake into the frothing mouth of a monster in an instant. Within minutes, summer warmth combining with the cold can create winds that explode off the ice field in what Alaskans refer to as williwaws—strong gusts that tear down from glacial valleys, often wreaking havoc.
Jimmy Settle (Never Quit: From Alaskan Wilderness Rescues to Afghanistan Firefights as an Elite Special Ops PJ)
It had seemed hard to live through that month—yet now, as she looked at the letter, the thought that Galt had gone was still harder to bear. Even the struggle of resisting his proximity had been a link to him, a price to pay, a victory achieved in his name. Now there was nothing, except a question that was not to be asked. His presence in the tunnels had been her motor through those days—just as his presence in the city had been her motor through the months of that summer—just as his presence somewhere in the world had been her motor through the years before she ever heard his name. Now she felt as if her motor, too, had stopped.
Ayn Rand (Atlas Shrugged)
The gardens were indeed spectacular: lush, green and blazing with summer color. Anna particularly loved the path to the stables, which was lined with ancient oak trees, their foliage creating a tunnel of green shade through which to walk. 'Rosa Mundi,' said Ed, pausing at a bush heavy with candy-striped bright pink-and-white blooms. 'One of the oldest roses, introduced to Britain before William the Conqueror.' Anna was once again reminded of how extraordinarily long some plants had been around for, blooming, dying and blooming again across the centuries, seeds scattered on the wind, seedlings divided and shared, sold and replanted in foreign soil.
Kayte Nunn (The Botanist's Daughter)
This place cuts away the bullshit and the niceties, revealing whoever you are at your core.” I repeat his words from this summer. “Isn’t that what you said to me? Is this who you really are at your core? Someone so enamored with rules that he doesn’t know when to bend or break them for someone he cares about? Someone so focused on the least I’m capable of doing, he can’t believe I can do so much more?” The warmth drains from his brown eyes. “Let’s get one thing straight, Dain.” I take a step closer, but the distance between us only widens. “The reason we’ll never be anything more than friends isn’t because of your rules. It’s because you have no faith in me. Even now, when I’ve survived against all odds and bonded not just one dragon but two, you still think I won’t make it. So forgive me, but you’re about to be some of the bullshit that this place cuts away from me.” I move to the side and march past him through the tunnel, forcing air through my lungs.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Nabbi’s restored my faith in dwarves, because it was in fact a claustrophobic tunnel. The ceiling was a low-clearance hazard. The walls were papered with old fight posters like DONNER THE DESTROYER VS. MINI-MURDER, ONE NIGHT ONLY! featuring pictures of muscular snarling dwarves in wrestling masks. Mismatched tables and chairs were occupied by a dozen mismatched dwarves—some svartalfs like Blitzen who could easily have passed for human, some much shorter guys who could have easily passed for garden gnomes. A few of the patrons glanced at us, but nobody seemed shocked that I was a human…if they even realized. The idea that I could pass for a dwarf was pretty disturbing. The most unreal thing about the bar was Taylor Swift’s “Blank Space” blasting from the speakers. “Dwarves like human music?” I asked Blitzen. “You mean humans like our music.” “But…” I had a sudden image of Taylor Swift’s mom and Freya having a girls’ night out in Nidavellir. “Never mind.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
there are loads of places to hide. I run behind the pea plants, but he can still see me through the leaves, so I run off and land next to Alice and Dora in between the thorny raspberries. 'Look, Belle, we've found some raspberries that are already ripe. They're so nice.' Alice picks one for me. I taste its sweet raspberriness. 'Yum. Are there more?' 'Not yet. But soon there'll be loads.' 'Got you,' yells John as he runs down the path. He checks us all out deciding who best to make IT. He gives me a look and I know it’s going to be me. So I leap up and run off while he clambers over my sister and Dora. I run quickly, darting between the overgrown potatoes and into the poly-tunnel for the tomatoes. I take a few deep breaths as I emerge from the other end of the poly-tunnel. Looks like I've finally lost John, so I slow down and look around. Dad's shed is in front of me and I can hear him gently tinkering inside. I'm never sure what he's doing in there, but he's so busy he
Abigail Hornsea (Books for kids: Summer of Spies)
You can only visit the tunnels on guided tours (Hebrew and English multiple times a day; French, Spanish and Russian less regularly in summer only), which take about 75 minutes and must be booked in advance.
Lonely Planet (Lonely Planet Israel & the Palestinian Territories (Travel Guide))
All at once, a beam of light tinged the raven's wings blue as summer skies. Rainbows poured from the tunnel in all directions. It was an entrance to another world
Suzy Davies (The Girl in The Red Cape)
In the early summer, Capt. Wirz issued to the prisoners picks and shovels, with which to dig wells for increased water supply. From some of these wells the men started tunnels through which to escape. Discovering this, the commander withdrew the tools, and ordered the wells to be filled up. Permission to keep one of them open was purchased by a group of prisoners. It was sunk to a necessary depth, covered with a platform and trap door, and supplied about one thousand men.
Charles River Editors (Andersonville Prison: The History of the Civil War’s Most Notorious Prison Camp)
- Así que vamos a entrar en un laberinto de antiguos túneles oscuros y putrefactos, llenos de monstruos y criaturas malignas. Asentí. - Y puede que haya también algo de radiactividad.
Jim Butcher (Summer Knight (The Dresden Files, #4))
Originally there had been just two projects, which he had codenamed Bluebird and Artichoke; the bird and vegetable were among his favorites. Later had come Naomi, the name of a distant cousin. But soon there were so many projects that he had resorted to simply numbering them. By now the total number of projects stood at over 100 (they would eventually reach 149). MK-Project 94 was to investigate “remote directional control of activities in specific brain centers.” MK-Project 142 was to “study electrical brain stimulation.” In his never-ending search for information that could prove useful for the biological warfare program, Dr. Gottlieb had enlisted the support of the CIA archivists. They had turned up a box of documents which U.S. Army intelligence officers had recovered in Munich in 1945. The box was labeled: “German War Office Experiments 1934-39.” The documents still bore the German classification “Secret.” Among the experiments were those which had tracked air currents through the subway systems of Paris and London. “The tunnels would be prime targets in a future war when Londoners and Parisians sheltered in the tunnels during air raids. Using bacteria which were excellent biological tracers, the tunnels would be transformed into places for mass epidemics.” The memo had been written in July 1934, after the Nazis had come to power. Two months later on a hot summer’s day, according to another document, German agents had sprayed “billions of microbes into the Paris Metro system from cars they had driven past the subway entrances. Exhaust gasses provided a satisfactory disguise for the release of the microbes from tanks linked to the car exhausts.” A third document claimed that “six hours later, at the Place de la République Metro station, a mile and a half from the dispersal point, our agents discovered thousands of colonies of the germs.” In Berlin the findings had been eagerly studied. A memo sent to Herman Goering, the head of the Luftwaffe, from the German War Office read: “It was possible to drop a suitable biological bomb and be highly certain that the bacteria would enter the subway system.” Similar tests in London had been carried out by the Germans with “the same satisfying results.
Gordon Thomas (Secrets & Lies: A History of CIA Mind Control & germ Warfare)
his breath and listened. Yes, there it was again – it sounded like voices. “Help! Down here! Help me!” screamed Derek as loud as he could. His cries echoed through the cave. The voices seemed to be getting closer, but it was hard to tell. “Heeeelp!” “Hey, I think it’s coming from over here,” he heard a voice say in the distance. “Wow – where did that hole come from? I’ve never seen that before,” came another voice. “Look, there’s a tunnel!” “Down here! I’m down here!” yelled Derek.
Steven K. Smith (Summer of the Woods (The Virginia Mysteries, #1))
Kit feels a kink in his heart. His girl is in the shower, soaping her every inch of skin. He cannot see the maze of tubes and cavities inside her body. He cannot know what is pumping right and what is pumping wrong, how each of those slippery organs is tucked against its neighbor and whether something bad is truly blooming there. Whether, even if her body is perfect, a truck will lose its brakes, tumble off the road where Summer is walking. There are storms beginning to twist in the warm oceans to the south, and maybe they will whip this way, tearing the houses like paper. The ferry could sink beneath them; poisoned gases could leak into the air at any time. The melted ice caps are washing toward them. They’re both dying- everyone is. The schedule of death is not made public. Love’s job is to make a safe place. Not to deny that the spiny forest exists, but to live hidden inside it, tunneled into the soft undergrass
Ramona Ausubel (Awayland)
Hieroglyphics on a Branch of Peach Once, a woman made love to me through the slippery dark. Her brother was dying, her sisters were shooting heroin in the bathroom as she moved her tongue like sadness on my skin, and I felt how all the sweet explosions, summer, orgasm, a ripe peach in the mouth, connect unfailingly to the barren fields. What we have learned about love in this life can never be removed from us. Not one minute pried from any of the days -- and yet, there was a worm which entered the live branch, lived and ate and tunneled through the wooden heart, and with its body wrote new language through the lost years. So there must be another, more convincing name for innocence, the kind the body never lost, the grace of stumbling through an open door.
Ruth L. Schwartz (Singular Bodies)
Che male c'è a essere normali? Ad avere un'esistenza a cui il mondo non dà valore? Se i miei giorni fossero felice e spensierati, non chiederei proprio nient'altro. Non voglio né una felicità estrema, né una tragedia degna di un dramma. Di fronte all'armonia quotidiana, che c'è di male a essere uno fra tanti?
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)
Spesso si dice che il tempo sembri scorrere più velocemente quando si è troppo presi da qualcosa. Ma più che un fenomeno è un fattore psicologico. In alternativa, magari la questione si ricollega a un'abduzione misteriosa.
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)
Le cose e le esperienze hanno valore se sono rare.
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)
Se dalla paura di perdere le cose passi al timore di ottenerle, prima o poi diventerai una persona vuota.
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)
Sono le esperienze speciali a forgiare persone speciali.
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)