Tuna Quotes

We've searched our database for all the quotes and captions related to Tuna. Here they are! All 100 of them:

Elections only happen in two ways," Reyna said. "Either the legion raises someone on a shield after a major success on the battlefield-and we haven't had any major battles-or we hold a ballot on the evening of June 24, at the Feast of Fortuna. That's in five days." Percy frowned. "You have a feast for tuna?
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
I don't know what it is about food your mother makes for you, especially when it's something that anyone can make - pancakes, meat loaf, tuna salad - but it carries a certain taste of memory.
Mitch Albom
Selagi hidup bersama masa, maka selagi itu juga yang hidup itu dewasa bersama usia.
Hlovate (Tunas)
Simon's dark eyes were serious. "I trust you," he said "I don't trust him." He cut his glance toward Jace, who was walking a few paces ahead of them, apparently conversing with the cat. Clary wondered what they were talking about. Politics? Opera? The high price of tuna?
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
The Feast of Fortuna had nothing to do with tuna, which was fine with Percy.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Thanksgiving dinner's sad and thankless. Christmas dinner's dark and blue. When you stop and try to see it From the turkey's point of view. Sunday dinner isn't sunny. Easter feasts are just bad luck. When you see it from the viewpoint of a chicken or a duck. Oh how I once loved tuna salad Pork and lobsters, lamb chops too Till I stopped and looked at dinner From the dinner's point of view.
Shel Silverstein
I have a 12:34 representational time dance. I do it at 3:33 every other Tuesday (twice a day). If you’d like to participate in my choreographed dance routine, bring a football helmet and a half empty can of tuna (keeps the stray cats away, because I perform in a gritty, grimy downtown alley).

Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
Otter! Otter! Otter! Don’t lead cows to slaughter! I love you, and I know I should’ve told you soon-a But you didn’t buy the dolphin-safe tuna!
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
I really look at my childhood as being one giant rusty tuna can that I continue to recycle in many different shapes.
Augusten Burroughs
Is this chicken, what I have, or is this fish? I know it's tuna, but it says 'Chicken by the Sea.
Jessica Simpson
Life would be fabric-softener, tuna-salad-on-white, PTA-meeting normal.
Augusten Burroughs (Running with Scissors)
This might be the last time you get to drive the beef bus to tuna town,” I say. “You’d better make it good, so I don’t have any excuses to forget your hot ass.
Kendall Grey (Strings (Hard Rock Harlots, #1))
Good tuna-fish sandwiches; he’s the tallest man I’ve ever seen! (Pam)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
I want to make pants out of tuna fish, to accompany my cottage cheese thighs.
Jarod Kintz (I Want)
I like one hair, tuna fish, the smell of rain and things that are pink. I hate pimples, baked potatoes, when my mother's mad, and religious holidays.
Judy Blume (Are You There God? It’s Me, Margaret)
You eat canned tuna fish and you absorb protein. Then, if you're lucky, someone give you Dover Sole and you experience nourishment. It's the same with books.
Lois Lowry
What’s important is the time we spent working on it together. What’s important is that Sam is the kind of guy who will trade notes on a sketchpad and teach me how to make tuna melts and drop everything to drive to a parking lot when I need him and throw stones at my window to make sure I’m okay.
Hannah Harrington (Speechless)
Percy frowned "You have a feast for tuna?
Rick Riordan
Kau membunuh setiap pucuk perasaan itu. Tumbuh satu langsung kau pangkas. Bersemi satu langsung kau injak? Menyeruak satu langsung kau cabut tanpa ampun? Kau tak pernah memberi kesempatan. Karena itu tak mungkin bagimu? Kau malu mengakuinya walau sedang sendiri..Kau lupa, aku tumbuh menjadi dewasa seperti yang kau harapkan. Dan tunas-tunas perasaanmu tak bisa kaupangkas lagi. Semakin kau tikam, dia tumbuh dua kali lipatnya. Semakin kau injak, helai daun barunya semakin banyak.
Tere Liye (Daun Yang Jatuh Tak Pernah Membenci Angin)
Maybe he’s MTB,” she says, cutting me off, “but maybe not. And until you figure that out, I’m just saying there are other fish in the sea, Julia. Big fish. Tasty fish. Tuna fish!
Lauren Morrill (Meant to Be)
Um.” Her jaw bobbed like a fish out of water for a second before her brain engaged. “What are you doing here?” His face was every bit as shocked, but he managed to look ruggedly handsome instead of like a suffocating tuna.
Lisa Kessler (Light of the Spirit (Muse Chronicles, #4))
Jamie, you know, you could go clear around the world and still come home wondering if the tuna fish sandwiches at Chock Full O'Nuts still cost thirty-five cents.
E.L. Konigsburg (From the Mixed-Up Files of Mrs. Basil E. Frankweiler)
The world was full of dangers now that she was pregnant: mercury in tuna, hot tubs, beer, secondhand smoke, over-the-counter medicine. Not to mention crazy baby-abducting fairy kings.
Jennifer McMahon (Don't Breathe a Word)
It's as if Japanese men, all to aware that deep inside they'd like to stomp Tokyo flat, breathe fire, and do truly terrible and disgusting things to women, have built themselves the most beautiful of prisons for their rampaging ids. Instead of indulging their fantasies, they focus on food, or landscaping, or the perfect cup of tea -- or a single slab of o-toro tuna -- letting themselves go only at baseball games and office parties.
Anthony Bourdain (No Reservations: Around the World on an Empty Stomach)
I closed my eyes and curled my fists around the things I knew for sure: That a scallop has thirty-five eyes, all blue. That a tuna will suffocate if it ever stops swimming. That I was loved. That this time, it was not me who broke
Jodi Picoult (Handle with Care)
İçinde nefret bile olsa alışkanlık ya da bağımlılık yaratan her ilişki biraz aşktır.
Buket Uzuner (Kumral Ada Mavi Tuna)
Good tuna fish sandwiches; he's the tallest man I've ever seen." -Pam
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
Fancy tuna.
Bisco Hatori (Ouran High School Host Club, Vol. 1 (Ouran High School Host Club, #1))
Otter. Otter. Otter,” I mutter. “Yes, Bear?” he says beautifully. “Don’t lead cows to slaughter,” I say. He arches an eyebrow. “Come again?” I take a deep breath. “I… love you and I know I should’ve told ya soon-a.” His eyes widen slightly. “Wait, what? You… me?” I shake my head. “But you didn’t buy the dolphin-safe tuna.” “Bear, what the hell? Did you just… rhyme?
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
REAL LIFE vs THE MOVIES Breaking Up in the Movies: Boy #1: This isn’t working out, is it? Boy #2: Sort of not, huh? Boy #1: You can’t say we didn’t try. Boy #2: We sure did. Besides, we’re still best friends. Boy #1: Forever. Boy #2: This is terrific pasta. Breaking Up for Real: Boy #1: Are you asleep? Boy #2: Does it sound like it? Boy #1: I’m sorry about the tuna fish. Boy #2: It isn’t the tuna fish! It’s the last six months! Boy #1: You’re an asshole. Boy #2: Let go of my cock.
Steve Kluger (Almost Like Being in Love)
Better to be happy with the cod fish in your plate now, than to linger for the taste of a tuna that is still swimming in the sea.
Dennis E. Adonis
He spotted Jill sitting about thirty feet away, face tipped toward the sun, her straight brown hair tucked behind one ear and slanted across her neck. And Ben decided that when her mouth wasn't full of tuna salad, she was sort of pretty.
Andrew Clements (We the Children (Benjamin Pratt & the Keepers of the School, #1))
This fantasy that it is possible to fish sustainably, legally, and using workers with contracts, making a living wage, and still deliver a five-ounce can of skipjack tuna for $2.50 that ends up on the grocery shelf only days after the fish was pulled from the water thousands of mi,es away. Prices that low and efficiencies that tight come with hidden costs, and it is the manning agencies that help in the hiding.
Ian Urbina (The Outlaw Ocean: Journeys Across the Last Untamed Frontier)
Where is the tuna? Where? Where?
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
Büyük bir hürriyet, tabii büyük bir yalnızlıktır.
Buket Uzuner (Kumral Ada Mavi Tuna)
Would you like a tuna-salad sandwich?' 'Yes,' God said. 'Thank you.
Octavia E. Butler
So, should we race to see how quickly we can consume the last tuna, swordfish, and grouper? Or race to see what can be done to protect what remains? For now, there is still a choice.
Sylvia A. Earle (The World Is Blue: How Our Fate and the Ocean's Are One)
Birisini sevmekle gelen o inanılmaz hoşgörünün gücü azaldığında, ayrıntılar bile batar insana.
Buket Uzuner (Kumral Ada Mavi Tuna)
Basically it’s a velociraptor with a fur coat and an outsize sense of entitlement. Right now it has convinced Pete that it is harmless, but I know better: just give them thumbs and in no time at all they’ll have us working in the tuna mines, delivering cans from now until eternity. (Hey, wait a minute, doesn’t this one have thumbs?)
Charles Stross (The Rhesus Chart (Laundry Files, #5))
Uzaktaki sevilen, yosunlu deniz kokar. Rengi turkuvazdır. "Anne özlemi" fırından yeni çıkmış ev kurabiyesi kokar. Rengi yeşildir. "Baba özlemi" tütün kokar. Bu özlem deve tüyü rengindedir.
Buket Uzuner (Kumral Ada Mavi Tuna)
If you are unhappy with anything - you mother, you father, your husband, your wife, your job, your boss, your car - whatever is being you down, get rid of it. Because you'll find when you're free, your true creativity, your true self comes out.
Tina Turner
Erkeklerin en çok yönlüsü bile monotondur, bu yüzden asıl çok eşliliğe gereksinen kadınlardır. Çünkü cinsel çeşitlilik ihtiyacı insanı öldürmez ama duygusal yetmezlik öldürür.
Buket Uzuner (Kumral Ada Mavi Tuna)
a can-opener with no tuna made no sense to Boxes.
Dathan Auerbach (Penpal)
İşini bitirdikten sonra bana döndü. Yüzünde 'ben Uranüslüyüm' bakışı, duruşunda İngiliz Kraliyet ailesine mensupmuş gibi asalet vardı. 12. Uranüs Dükü Sör Tuna Üstüner...
Asude (Pabucumun Ajanı)
the Lost City of White Male Privilege, a controversial municipality whose very existence is often denied by many (mostly privileged white males). Others state categorically that the walls of the locale have been irreparably breached by hip-hop and Roberto Bolaño’s prose. That the popularity of the spicy tuna roll and a black American president were to white male domination what the smallpox blankets were to Native American existence.
Paul Beatty (The Sellout)
He'd always had a joke for Francis in the confessional, a 'sin' that could be counted on to cause a young priest to grin behind the safety of the wooden shield. Bless me, Father, for I put tuna in the chicken salad.
Kristin Hannah (Home Again)
You wanna know why the world is f**ked? This is why, this is exactly why…right here. Get a pen, write this down, this is important…The world is f**ked up because I eat WonderBread preserved with formaldehyde that lasts three weeks and will never grow mold as long as it’s kept in its magic silver bag. The world is f**ked up because I know my cans of tuna have mercury in it. The world is f**ked up because I know my flake light tuna and WonderBread are poisonous, yet I still eat them!
Shannon Lyndsy (Celebrating Death)
You will leave now," she said softly, " or I will drag you out of here by your hair." The man had breath like a day-old tuna sandwich. "I hate dykes. You always think you're tougher than you really----" Xhex grabbed the man's wrist, turned him in a little circle, and cranked him arm up to the middle of his back. Then she clipped her leg around his ankles and shoved him off balance. He landed like a side of beef, the wind getting knocked out of him on a curse, his body plowing into the short-napped carpet. In a quick move, she bent down, buried one hand in his gelled-up hair, and locked the other on the collar of his suit jacket. As she draggep him face-first to the side exit, she was multitasking : creating a scene, commiting both an assault and a battery, and running the risk of a brawl if his buddies in the Hall of Fucktards got involved. But you had to put on a show every once in a while. To keep the peace, you had to get your hands dirty every once in a while.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
I wish I were stronger and more secure in myself so that I could really spend my life with a guy like Lenny. Because he has a different kind of strength than Joshie. He has the strength of his sweet tuna arms. He has the strength of putting his nose in my hair and calling it home. He has the strength to cry when I go down on him. Who IS Lenny? Who DOES that? Who will ever open up to me like that again? No one. Because it's too dangerous. Lenny is a dangerous man. Joshie is more powerful, but Lenny is much more dangerous.
Gary Shteyngart (Super Sad True Love Story)
I gave Clive a sock full of catnip and a bowlful of tuna. My hope was to get him wasted and passed out before the action started. The treats had the opposite effect. My boy was ready to party down when the first strains of Purina came shrieking through the walls about one fifteen in the morning. If Clive could have put on a mini smoking jacket, he would have. He stalked the room, pacing back and forth in front of the wall, playing it cool. When Purina began her meows, though, he couldn’t contain himself. He once again launched toward the wall. He jumped from nightstand to dresser to shelf, scaling pillows and even a lamp to get closer to his beloved. When he realized he would never be able to burrow under the plaster, he serenaded her with some weird kind of kitty Barry White, his yowls matching hers in intensity.
Alice Clayton (Wallbanger (Cocktail, #1))
Birini sevmemizin nedeni: onun yanındaki kendimizi sevmemizdir çoğu zaman.
Tuna Kiremitçi (Yolda Üç Kişi)
Sessizliğin gücünü küçümseyen ya da inkar edenler, kanımca önemli bir silahın farkında değiller.
Buket Uzuner (Kumral Ada Mavi Tuna)
Tuhaf değil mi, duyguların kıkırdaktan yapıldığını sanırdım ben. Oysa kemiklerimi kırdılar!
Buket Uzuner (Kumral Ada Mavi Tuna)
and I have stopped eating tuna until the tuna nets cease killing tens of thousands of dolphins every single year.
Steve Irwin (The Crocodile Hunter: The Incredible Life and Adventures of Steve and Terri Irwin)
When you ate her tuna casserole, you didn’t talk or flip through a National Geographic. Your eyes and ears stayed inside your mouth. Your whole world kept inside your mouth, feeling and careful for the little balled-up tinfoils Irene Casey would hide in the tuna parts. A side effect of eating slow was, you naturally, genuinely tasted, and the food tasted better. Could be other ladies were better cooks, but you’d never notice.
Chuck Palahniuk (Rant: An Oral Biography of Buster Casey)
I got an abortion and learned how to make dehydrated tuna flakes and turkey jerky and took a refresher course on basic first aid and practiced using my water purifier in my kitchen sink. I had to change. I had to change was the thought that drove me in those months of planning. Not into a different person, but back to the person I used to be -- strong and responsible, clear-eyed and driven, ethical and good. And the PCT would make me that way. There, I'd walk and think about my entire life. I'd find my strength again, far from everything that had made my life ridiculous.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Today 5:14 p.m. "Mrrrrrowl. Mrrrrrowl." "Ow! Ow, stupid cat! Ahem. You told me, 'stop calling, Isabelle,' but I'm not the one calling you. Church is calling you. Mine are merely the fingers that work the phone. "See, here's something you may not have known before you committed your recent rash acts. Our cat, Church, and your cat, Chairman Meow? They're in love. I've never seen such love before. I never knew such love could exist in the heart of a... cat. Some people say that love between two dude cats is wrong, but I think it's beautiful. Love makes Church happier than I've ever seen him. Nothing makes him happy like Chairman Meow. Not tuna. Not shredding centuries-old tapestries. Nothing. Please don't keep these cats apart. Please don't take the joy of love away from Church. "Look, this is really just a warning for your own good. If you keep Church and Chairman Meow apart, Church will start to get angry. "You wouldn't like Church when he's angry." Beep
Cassandra Clare (The Bane Chronicles)
I don't know what it is about the food your mother makes for you, especially when it's something that anyone can make - pancakes, meat loaf, tuna salad - but it carries a certain taste of memory.
Mitch Albom (For One More Day)
There was nothing a man couldn't do with three thousand dollars and a suitcase full of canned tuna fish and pregnancy brassieres. The car was called an El Camino for a reason. (Telegraph Avenue, p399)
Michael Chabon
Okay, so I stopped posting status updates on Facebook a long time ago. I noticed that whenever someone posts something completely mundane and stupid, like 'Sushi 2nite!' seventeen people have to comment on that. 'I ♥ sushi!' and 'Spicy Tuna 4 meee!' But if you ever try to actually say something serious about your feelings or, like, your life, every one of your 386 "friends" is suddenly mute. So there you have it: My life is a post with no comments. Less interesting than spicy tuna.
J.J. Howard (That Time I Joined the Circus)
I'm staying right here," grumbled the rat. "I haven't the slightest interest in fairs." "That's because you've never been to one," remarked the old sheep . "A fair is a rat's paradise. Everybody spills food at a fair. A rat can creep out late at night and have a feast. In the horse barn you will find oats that the trotters and pacers have spilled. In the trampled grass of the infield you will find old discarded lunch boxes containing the foul remains of peanut butter sandwiches, hard-boiled eggs, cracker crumbs, bits of doughnuts, and particles of cheese. In the hard-packed dirt of the midway, after the glaring lights are out and the people have gone home to bed, you will find a veritable treasure of popcorn fragments, frozen custard dribblings, candied apples abandoned by tired children, sugar fluff crystals, salted almonds, popsicles,partially gnawed ice cream cones,and the wooden sticks of lollypops. Everywhere is loot for a rat--in tents, in booths, in hay lofts--why, a fair has enough disgusting leftover food to satisfy a whole army of rats." Templeton's eyes were blazing. " Is this true?" he asked. "Is this appetizing yarn of yours true? I like high living, and what you say tempts me." "It is true," said the old sheep. "Go to the Fair Templeton. You will find that the conditions at a fair will surpass your wildest dreams. Buckets with sour mash sticking to them, tin cans containing particles of tuna fish, greasy bags stuffed with rotten..." "That's enough!" cried Templeton. "Don't tell me anymore I'm going!
E.B. White (Charlotte’s Web)
I closed my eyes and I thought of the lash of her skirt snapping around her as she danced one evening in a bar on the South Side to a jukebox that was playing “Barefootin’,” of the downy slope of her neck and the declivity in her nightgown as she bent to wash her face in the bathroom sink, of a tuna salad sandwich she’d handed me one windy afternoon as we sat at a picnic table in Lucia, California, and looked out for the passage of whales, and I felt that I loved Emily insofar as I loved those things – beyond reason, and with a longing that made me want to hang my head – but it was a love that felt an awful lot like nostalgia.
Michael Chabon (Wonder Boys)
I love salmon. Of all my fishy friends, I love salmon the best. Or trout. Or tuna. Or smelts. Oh heck. I love them ALL! But I have such fond memories of salmon. See, my dad was a fisherman. I mean a fanatic fisherman. Fishing was probably what he liked to do most (along with gardening and riding horses and camping in the Sierra and bowling and… ) But honestly, folks, fishing was probably the winner for leisure-time activities.
Mallory M. O'Connor (The Kitchen and the Studio: A Memoir of Food and Art)
We got passes, till midnight after the parade. I met Muriel at the Biltmore at seven. Two drinks, two drugstore tuna-fish sandwiches, then a movie she wanted to see, something with Greer Garson in it. I looked at her several times in the dark when Greer Garson’s son’s plane was missing in action. Her mouth was opened. Absorbed, worried. The identification with Metro-Goldwyn-Mayer tragedy complete. I felt awe and happiness. How I love and need her undiscriminating heart. She looked over at me when the children in the picture brought in the kitten to show to their mother. M. loved the kitten and wanted me to love it. Even in the dark, I could sense that she felt the usual estrangement from me when I don’t automatically love what she loves. Later, when we were having a drink at the station, she asked me if I didn’t think that kitten was ‘rather nice.’ She doesn’t use the word ‘cute’ any more. When did I ever frighten her out of her normal vocabulary? Bore that I am, I mentioned R. H. Blyth’s definition of sentimentality: that we are being sentimental when we give to a thing more tenderness than God gives to it. I said (sententiously?) that God undoubtedly loves kittens, but not, in all probability, with Technicolor bootees on their paws. He leaves that creative touch to script writers. M. thought this over, seemed to agree with me, but the ‘knowledge’ wasn’t too very welcome. She sat stirring her drink and feeling unclose to me. She worries over the way her love for me comes and goes, appears and disappears. She doubts its reality simply because it isn’t as steadily pleasurable as a kitten. God knows it is sad. The human voice conspires to desecrate everything on earth.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
Öğretmeninin yanlışını bulmanın keyfiyle sevinen bütün büyümemiş insanlar gibi sırıttı genç asker. Büyüyenlerse, öğretmenlerinin yanlışlarını bulmaya başladıklarında müthiş kederlenirler!
Buket Uzuner (Kumral Ada Mavi Tuna)
Sen hiç kimsenin olamayacağı kadar çok şeyimsin benim... yüreğimde sana ayrılan yer herkesinkinden büyük. yalnızca bir arkadaş, bir kan kardeş, bir sırdaş, bir çok yakın dost değil, bir büyük sevgisin sen... yanında sonsuz şımarabileceğim ve hala kaybetmekten kormayacağım tek kişi... yani biraz annem, biraz babam, hatta hiç görmediğim dedem, belki hiç doğmayacak oğlum... sonra daimi hayranım ve tabi dokunulmamış sevgilim... sen benim masumiyetimsin tuna... benim en yakınımsın! aslında belki öbür yarımsın? bütün bunlar ne demek anlıyor musun? hı?
Buket Uzuner (Kumral Ada Mavi Tuna)
Tuna fish demonstrate a sophisticated understanding of astronomy: when the winter solstice arrives, the whole school stops precisely where it is in the water, and stays there until the following spring equinox. They know geometry and arithmetic too, for they have been observed to form themselves into a perfect cube of which all six sides are equal.
Sarah Bakewell (How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer)
When I'm in the water I feel as though nothing bad has happened. I think about the fish, how they don't know what's going on. Their world is unchanged. Actually it's probably better now to be a tuna or a sardine or a salmon. Less chance of ending up as somebody's lunch.
Susan Beth Pfeffer (Life As We Knew It (Last Survivors, #1))
My back feels like someone beat me with a pillowcase full of tuna-fish cans.
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
I’m the only one who gives her a whole can of tuna for lunch, and I’m not talking dreck, either. I’m talking Chicken of the Sea, Alex.
Philip Roth (Portnoy's Complaint (Vintage Blue))
Seeing the look in his eye, I shake my head. “Uh uh. I really am sleepy. No sexy times.” He laughs. “Sure.” I cross my arms. “I’m serious. My puss pearl is clammed up for the night. My tuna pot pie is already put away in the Tupperware. This fun hatch is closed for business, Evert.
Raven Kennedy (Crimes of Cupidity (Heart Hassle, #3))
Yeryüzünün en zalim ve intikamcı yaratığının insan olduğuna bizzat şahit olanlar artık yalnızdır arkadaşım.Onlar artık hiçbir insanoğlu ve insankızıyla akraba,arkadaş,yakın olmak istemezler.İşte ben bu nedenle kimsesiz kaldım.Artık tamamen yalnızım.
Buket Uzuner (Kumral Ada Mavi Tuna)
Everybody had his arms on everybody else’s shoulders, and they were all singing. Mike was sitting at the table with several men in their shirt-sleeves, eating from a bowl of tuna fish, chopped onions and vinegar. They were all drinking wine and mopping up the oil and vinegar with pieces of bread. “Hello, Jake. Hello!” Mike called. “Come here. I want you to meet my friends. We are all having an hors d’œuvre.
Ernest Hemingway (The Sun Also Rises (Fiesta))
For if rice and tuna was his for-guests meal, Ceony couldn’t imagine what the man ate when he dined alone. Perhaps Mg. Aviosky had assigned her here merely to ensure England’s oddest paper magician got some decent nutrition and didn’t wither away, leaving the country with only eleven paper magicians instead of twelve.
Charlie N. Holmberg (The Paper Magician (The Paper Magician #1))
Heart as collapsed time, as a dug-up grave, as simple machine. Heart as big black bugs bleed blue blood. Heart as MI frozen as seen from airplane, everything still and white and beautiful. Heart as the Day the Music Died. Heart as love being made, as fucking, as a pleasantly haunted house. Heart as a dim memory of a dark room in which you’re molded wetasscracked into a beanbag chair, fumbling for wetness. Come hither. Heart as a cunt’s supposed to smell like tuna. Heart as the star of the sea. Heart as a pussy in permanent bloom. Heart as doxycycline. Heart as waxwings, as a fudge round, as the phone rings once and then stops. Heart as throw your hands in the air, throw your art at the stars, stutter and stare. Heart as a Stratocaster. Heart as Twin Reverb. Heart as I heart you so much. Heart as all that we thought we knew in the world disappears into vapor. Heart as the rest of your life times the weight of the world squared.
Bryan Charles (Grab On To Me Tightly As If I Knew The Way)
(...) Çünkü ortalama yeteneklerle doğan birisi için kendinden çok daha yetenekli insanlarla yaşamanın çoğu kez kendi gelişimini engelleyen bir etken olduğunu gözledim. (...)
Buket Uzuner (Kumral Ada Mavi Tuna)
Düzenli ve yerleşik ilişki aslında bir disiplin işidir.
Buket Uzuner (Kumral Ada Mavi Tuna)
Her insan ilişkisinde bir kral / kraliçe ve köle(ler) vardır.
Buket Uzuner (Kumral Ada Mavi Tuna)
Konuşmaya kalksa Ada'yı anlatacağını biliyor, bunun için dudaklarını kemirerek kilitlemeye çalışıyordu. Halbuki hiç değilse onu anlatabilmeyi ne çok özlemişti...
Buket Uzuner
Johnny Two-cakes. As a name it didn’t quite fit him, but for some reason that’s what he was called. Man was sour and dour. All business; doom and gloom to the extent it was actually funny. World was coming to an end. US was one tick away from becoming a third-world country’s bitch. Everything was a crisis—including the fact someone had stolen his tuna sandwich.
Dave Buschi
It reminds me of going to a seafood buffet with Dad when he took me to a conference in New Orleans. Dad got this intensely focused look on his face. Don't eat the filler, he said, meaning breadsticks, tiny sandwiches, even the beautiful, tiny-but-flavorless cakes. Dad made a beeline for the crab legs, crawdads, and seared tuna. Breathless small talk right now would be breadsticks.
Christina Lauren (Autoboyography)
So while I drove my little and planned his fantasy night of how I was going to give Otter the key to my soul (his words, not mine), I silently panicked and wrote lines of bad poetry. Normally, I am quite adept at writing poems and lyrics to songs I'l never sing, but this stuff was just atrocious. For example: I love you You love me Thank God for that I'm so happy And Ty's personal favorite (which he helped me on): Otter! Otter! Otter! Don't lead cows to slaughter I love you and I know I should've told you soon-a But you didn't buy the dolphin-safe tuna! TY asked me if I got the hidden message in his poem. I told him it was loud and clear.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
Şimdi artık biliyorum ki, bütün yaşantımız içinde ancak bir kaç kişiye böyle hak tanırız. Onu şımartır, yüz verir, alttan alır ve hatta ona teslim bile oluruz. O da bunu, zaten taa en başından bilmektedir. Eğer çok şanslı değilseniz, karşınızdaki şımarır, ipin ucunu kaçırır. Bİn pişman olur, incinir, düşkırıklıklarıyla yaralanır ve acı çekersiniz sonunda. Bazen, çok ender de olsa şanslısınızdır ve bir mucize yaşarsınız. Çünkü, karşınıza dilinize akraba biri çıkmıştır. ( Tanrım mucizeleri ne çok seviyoruz böyle! ) O sırada kaç yaşında olduğunuzun kesinlikle bir önemi yoktur. (Hayır yoktur!) Ve ben şanslıydım!
Buket Uzuner (Kumral Ada Mavi Tuna)
at the Tangalooma Island Resort in Australia, where wild bottlenoses are regularly fed fish by people standing in the shallows, biologists have documented—on twenty-three occasions—the dolphins reciprocating, swimming up to offer freshly caught tuna, eels, and octopi as gifts.
Susan Casey (Voices in the Ocean: A Journey into the Wild and Haunting World of Dolphins)
It's my latest recipe." She beamed. "Roast leaf." "It's gone off. That's not like any roast beef sandwich I've ever tasted." "No, no. Not roast beef. Roast leaf." He stared at her. "I'm a vegetarian," she explained. "I don't eat meat. So I create my own substitutions with vegetables. Roast leaf, for example. I start with whatever greens are in the market, boil and mash them with salt, then press them into a roast for the oven. According to the cookery book, it's every bit as satisfying as the real thing." "Your cookery book is a book if lies." To her credit, she took it gamely. "I'm still perfecting the roast leaf. Perhaps it needs more work. Try the others. The ones on brown bread are tuna-ish- brined turnip flakes in place of fish- and the white bread is sham. Sham is everyone's favorite. Doesn't the color look just like ham? The secret is beetroot.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
In any case, the two countries had stayed alive over the centuries mainly by warring on each other. There had been the Olive War, the Tuna Fish Discrepancy, which almost bankrupted both nations, the Roman Rift, which did send them both into insolvency, only to be followed by the Discord of the Emeralds, in which they both got rich again, chiefly by banding together for a brief period and robbing everybody within sailing distance.
William Goldman (The Princess Bride)
Sana tüm siyahlığın içinde beyaz bir nokta olmak nasılmış onu gösterdim.
Büşra Küçük (Beyaz Nokta (Kötü Çocuk, #1))
There’re no boys left is what you meant,” she continued bitterly, cocking her head. “No Dylan. No Fang. No more cute guys to obsess over you.” I pressed my lips together and stared at her. “What?” But Nudge was on a roll. “Poor, poor Max,” she said, finding some ancient cans of tuna and an old jar of hearts of palm. Who eats that? “How are you going to survive with no one to fight over your attention?
James Patterson (Maximum Ride Forever)
I signed off with Ricky, and I was putting away my phone when TC slunk past, heading for his spot in the front window. "Hey, cat," I said. "We're bringing home a friend for you. A doggie big enough to devour you in a single gulp. Is that okay?" He turned a baleful stare on me, as if he understood. I'm convinced TC isn't just a cat, no more than Lloergan is just a dog. Maybe someday, when I'm moments from perishing at the hands of an intruder, TC will save me in a sudden and awe-inspiring display of supernatural power. Or maybe he'll decide I haven't given him enough tuna that week and leave me to my fate. He's a cat, so I figure my chances are about fifty-fifty.
Kelley Armstrong (Rituals (Cainsville, #5))
The clear liquid in our eyes is seawater and therefore there are fish in our eyes, seawater being the natural medium of fish. Since blue and green are the colours of the richest seawater, blue and green eyes are the fishiest. Dark eyes are somewhat less fecund and albino eyes are nearly fishless, sadly so. But the quantity of fish in an eye means nothing. A single tigerfish can be as beautiful, as powerful, as an entire school of seafaring tuna. That science has never observed ocular fish does nothing to refute my theory; on the contrary, it emphasizes the key hypothesis, which is: love is the food of eye fish and only love will bring them out. So to look closely into someone's eyes with cold, empirical interest is like the rude tap-tap of a finder on an aquarium, which only makes the fish flee. In a similar vein, when I took to looking at myself closely in mirrors during the turmoil of adolescence, the fact that I saw nothing in my eyes, not even the smallest guppy or tadpole, said something about my unhappiness and lack of faith in myself at the time. ...I no longer believe in eye fish in [i]fact[/i], but still do in metaphor. In the passion of an embrace, when breath, the win, is at its loudest and skin at its saltiest, I still nearly think that I could stop things and hear, feel, the rolling of the sea. I am still nearly convinced that, when my love and I kiss, we will be blessed with the sight of angelfish and sea-horses rising to the surface of our eyes, these fish being the surest proof of our love. In spite of everything, I sill profoundly believe that love is something oceanic.
Yann Martel (Self)
APART. Such a simple concept. So concrete. So easy to represent on charts or diagrams with dots and pushpins either in or out. Yet real life is not dots. Some of us appear to be in, but we are out. And that is where we want to be. Not just want but need, the way tuna need the sea. Simple: an orientation, not just a choice. A fact. To paraphrase that Boston song, more than a feeling. We are loners. Which means we are at our best, as Orsino says in Twelfth Night, when least in company.
Anneli Rufus (Party of One: The Loners' Manifesto)
The dining table was covered with platters of food: everything and pumpernickel bagels, everything minibagels, everything flagels, bialys, cream cheese, scallion cream cheese, salmon spread, tofu spread, smoked and pickled fish, pitch-black brownies with white chocolate swirls like square universes, blondies, rugelach, out-of-season hamantaschen (strawberry, prune, and poppy seed), and “salads”—Jews apply the word salad to anything that can’t be held in one’s hand: cucumber salad, whitefish and tuna and baked salmon salad, lentil salad, pasta salad, quinoa salad. And there was purple soda, and black coffee, and Diet Coke, and black tea, and enough seltzer to float an aircraft carrier, and Kedem grape juice—a liquid more Jewish than Jewish blood. And there were pickles, a few kinds. Capers don’t belong in any food, but the capers that every spoon had tried to avoid had found their way into foods in which they really didn’t belong, like someone’s half-empty half-decaf. And at the center of the table, impossibly dense kugels bent light and time around them. It was too much food by a factor of ten. But it had to be.
Jonathan Safran Foer (Here I Am)
But in the end we found it impossible to ignore the impassioned pleas of the Lost City of White Male Privilege, a controversial municipality whose very existence is often denied by many (mostly privileged white males). Others state categorically that the walls of the locale have been irreparably breached by hip-hop and Roberto Bolaño’s prose. That the popularity of the spicy tuna roll and a black American president were to white male domination what the smallpox blankets were to Native American existence. Those inclined to believe in free will and the free market argue that the Lost City of White Male Privilege was responsible for its own demise, that the constant stream of contradictory religious and secular edicts from on high confused the highly impressionable white male. Reduced him to a state of such severe social and psychic anxiety that he stopped fucking. Stopped voting. Stopped reading. And, most important, stopped thinking that he was the end-all, be-all, or at least knew enough to pretend not to be so in public. But in any case, it became impossible to walk the streets of the Lost City of White Male Privilege, feeding your ego by reciting mythological truisms like “We built this country!” when all around you brown men were constantly hammering and nailing, cooking world-class French meals, and repairing your cars. You couldn’t shout “America, love it or leave it!” when deep down inside you longed to live in Toronto.
Paul Beatty (The Sellout)
(...) Kız kuzeni görenler onun güzelliğinden hemen etkilenir ve ona övgüler yağdırırdı. Bu sırada eli ayağına dolaşan ve nereye koyacağını bir türlü bilemediği güzelliğiyle çaresiz kalan zavallı kız kuzeni yalnız bırakan Ada beni yakalar, kendinden emin ve o şahane sesinde küçük ürpertilerle fısıldardı: "Sen de onu çok güzel buluyor musun Mabelciim?" Böyle bir şeyi nasıl olup da düşünebildiğine şaşkınlıktan ağzım açık kalır, herkesin duyacağı biçimde bağırırdım: "Bence sen dünyadan bile güzelsin Ada!" (Ertesi yıl evreni öğrenecek ve "evrenden bile güzel" olduğunu söyleyecektim.) (...)
Buket Uzuner (Kumral Ada Mavi Tuna)
I prayed to a mystery. Sometimes I was simply aware of the mystery. I saw a flash of it during a trip to New York that David and I took before we were married. We were walking on a busy sidewalk in Manhattan. I don't remember if it was day or night. A man with a wound on his forehead came toward us. His damp, ragged hair might have been clotted with blood, or maybe it was only dirt. He wore deeply dirty clothes. His red, swollen hands, cupped in half-fists, swung loosely at his sides. His eyes were focused somewhere past my right shoulder. He staggered while he walked. The sidewalk traffic flowed around him and with him. He was strange and frightening, and at the same time he belonged on the Manhattan sidewalk as much as any of us. It was that paradox -- that he could be both alien and resident, both brutalized and human, that he could stand out in the moving mass of people like a sea monster in a school of tuna and at the same time be as much at home as any of us -- that stayed with me. I never saw him again, but I remember him often, and when I do, I am aware of the mystery. Years later, I was out on our property on the Olympic Peninsula, cutting a path through the woods. This was before our house was built. After chopping through dense salal and hacking off ironwood bushes for an hour or so, I stopped, exhausted. I found myself standing motionless, intensely aware of all of the life around me, the breathing moss, the chattering birds, the living earth. I was as much a part of the woods as any millipede or cedar tree. At that moment, too, I was aware of the mystery. Sometimes I wanted to speak to this mystery directly. Out of habit, I began with "Dear God" and ended with "Amen". But I thought to myself, I'm not praying to that old man in the sky. Rather, I'm praying to this thing I can't define. It was sort of like talking into a foggy valley. Praying into a bank of fog requires alot of effort. I wanted an image to focus on when I prayed. I wanted something to pray *to*. but I couldn't go back to that old man. He was too closely associated with all I'd left behind.
Margaret D. McGee
Hasira ni Shetani. Hekima ni Mungu. Kila kitu kimo ndani yetu. Hasira imo ndani yetu. Hekima imo ndani yetu. Atomu ni matofali ya ujenzi wa kila kitu ulimwenguni likiwemo jua na miili ya wanadamu. Ndani ya atomu kuna nguvu ya chanya na kuna nguvu ya hasi. Kama miili yetu imetengenezwa na atomu na katika kila atomu kuna nguvu ya chanya na kuna nguvu ya hasi, hivyo basi, tuna uwezo mkubwa wa kufanya mambo mazuri na tuna uwezo mkubwa wa kufanya mambo mabaya. Mtu akikutukana mwambie asante. Akikupiga mwambie asante. Akiendelea kukupiga, pigana. Geuza hasira yako kuwa hekima kwa faida yako na kwa faida ya wengine.
Enock Maregesi
We navigate the produce stands, plucking palms full of cherries from every pile we pass, chewing them and spitting the seeds on the ground. We eat tiny tomatoes with taut skins that snap under gentle pressure, releasing the rabid energy of the Sardinian sun trapped inside. We crack asparagus like twigs and watch the stalks weep chlorophyll tears. We attack anything and everything that grows on trees- oranges, plums, apricots, peaches- leaving pits and peels, seeds and skins in our wake. Downstairs in the seafood section, the heart of the market, the pace quickens. Roberto turns the market into a roving raw seafood bar, passing me pieces of marine life at every stand: brawny, tight-lipped mussels; juicy clams on the half shell with a shocking burst of sweetness; tiny raw shrimp with beads of blue coral clinging to their bodies like gaudy jewelry. We place dominoes of ruby tuna flesh on our tongues like communion wafers, the final act in this sacred procession.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
It [the charcuterie] was almost on the corner of the Rue Pirouette and was a joy to behold. It was bright and inviting, with touches of brilliant colour standing out amidst white marble. The signboard, on which the name QUENU-GRADELLE glittered in fat gilt letter encircled by leaves and branches painted on a soft-hued background, was protected by a sheet of glass. On the two side panels of the shop front, similarly painted and under glass, were chubby little Cupids playing in the midst of boars' heads, pork chops, and strings of sausages; and these still lifes, adorned with scrolls and rosettes, had been designed in so pretty and tender a style that the raw meat lying there assumed the reddish tint of raspberry jam. Within this delightful frame, the window display was arranged. It was set out on a bed of fine shavings of blue paper; a few cleverly positioned fern leaves transformed some of the plates into bouquets of flowers fringed with foliage. There were vast quantities of rich, succulent things, things that melted in the mouth. Down below, quite close to the window, jars of rillettes were interspersed with pots of mustard. Above these were some boned hams, nicely rounded, golden with breadcrumbs, and adorned at the knuckles with green rosettes. Then came the larger dishes--stuffed Strasbourg tongues, with their red, varnished look, the colour of blood next to the pallor of the sausages and pigs' trotters; strings of black pudding coiled like harmless snakes; andouilles piled up in twos and bursting with health; saucissons in little silver copes that made them look like choristers; pies, hot from the oven, with little banner-like tickets stuck in them; big hams, and great cuts of veal and pork, whose jelly was as limpid as crystallized sugar. Towards the back were large tureens in which the meats and minces lay asleep in lakes of solidified fat. Strewn between the various plates and sishes, on the bed of blue shavings, were bottles of relish, sauce, and preserved truffles, pots of foie gras, and tins of sardines and tuna fish. A box of creamy cheeses and one full of snails stuffed with butter and parsley had been dropped in each corner. Finally, at the very top of the display, falling from a bar with sharp prongs, strings of sausages and saveloys hung down symmetrically like the cords and tassels of some opulent tapestry, while behind, threads of caul were stretched out like white lacework. There, on the highest tier of this temple of gluttony, amid the caul and between two bunches of purple gladioli, the alter display was crowned by a small, square fish tank with a little ornamental rockery, in which two goldfish swam in endless circles.
Émile Zola
It's only second period, and the whole school knows Emma broke up with him. So far, he's collected eight phone numbers, one kiss on the cheek, and one pinch to the back of his jeans. His attempts to talk to Emma between classes are thwarted by a hurricane of teenage females whose main goal seems to be keeping him and his ex-girlfriend separated. When the third period bell rings, Emma has already chosen a seat where she'll be barricaded from him by other students. Throughout class, she pays attention as if the teacher were giving instructions on how to survive a life-threatening catastrophe in the next twenty-four hours. About midway through class, he receives a text from a number he doesn't recognize. If you let me, I can do things to u to make u forget her. As soon as he clears it, another one pops up from a different number. Hit me back if u want to chat. I'll treat u better than E. How did they get my number? Tucking his phone back into his pocket, he hovers over his notebook protectively, as if it's the only thing left that hasn't been invaded. Then he notices the foreign handwriting scribbled on it by a girl named Shena who encircled her name and phone number with a heart. Not throwing it across the room takes almost as much effort as not kissing Emma. At lunch, Emma once again blocks his access to her by sitting between people at a full picnic table outside. He chooses the table directly across from her, but she seems oblivious, absently soaking up the grease from the pizza on her plate until she's got at least fifteen orange napkins in front of her. She won't acknowledge that he's staring at her, waiting to wave her over as soon as she looks up. Ignoring the text message explosion in his vibrating pocket, he opens the contain of tuna fish Rachel packed for him. Forking it violently, he heaves a mound into his mouth, chewing without savoring it. Mark with the Teeth is telling Emma something she thinks is funny, because she covers her mouth with a napkin and giggles. Galen almost launches from his bench when Mark brushes a strand of hair from her face. Now he knows what Rachel meant when she told him to mark his territory early on. But what can he do if his territory is unmarking herself? News of their breakup has spread like an oil spill, and it seems as though Emma is making a huge effort to help it along. With his thumb and index finger, Galen snaps his plastic fork in half as Emma gently wipes Mark's mouth with her napkin. He rolls his eyes as Mark "accidentally" gets another splotch of JELL-O on the corner of his lips. Emma wipes that clean too, smiling like she's tending to a child. It doesn't help that Galen's table is filling up with more of his admirers-touching him, giggling at him, smiling at him for no reason, and distracting him from his fantasy of breaking Mark's pretty jaw. But that would only give Emma a genuine reason to assist the idiot in managing his JELL-O.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
When she was finished with the mailbox, Lisey trudged back down the driveway with her buckets in the long evening light. Breakfast had been coffee and oatmeal, lunch little more than a scoop of tuna and mayo on a scrap of lettuce, and dead cat or no dead cat, she was starved. She decided to put off her call to Woodbody until she had some food in her belly. The thought of calling the Sheriff's Office—anyone in a blue uniform, for that matter—hadn't yet returned to her. She washed her hands for three minutes, using very hot water and making sure any speck of blood was gone from under her nails. Then she found the Tupperware dish containing the leftover Cheeseburger Pie, scraped it onto a plate, and blasted it in the microwave. While she waited for the chime, she hunted a Pepsi out of the fridge. She remembered thinking she'd never finish the Hamburger Helper stuff once her initial lust for it had been slaked. You could add that to the bottom of the long, long list of Things in Life Lisey Has Been Wrong About, but so what? Big diddly, as Cantata had been fond of saying in her teenage years. "I never claimed to be the brains of the outfit," Lisey told the empty kitchen, and the microwave bleeped as if to second that. The reheated gloop was almost too hot to eat but Lisey gobbled it anyway, cooling her mouth with fizzy mouthfuls of cold Pepsi. As she was finishing the last bite, she remembered the low whispering sound the cat's fur had made against the tin sleeve of the mailbox, and the weird pulling sensation she'd felt as the body began, reluctantly, to come forward. He must have really crammed it in there, she thought, and Dick Powell once more came to mind, black-and-white Dick Powell, this time saying And have some stuffing! She was up and rushing for the sink so fast she knocked her chair over, sure she was going to vomit everything she'd just eaten, she was going to blow her groceries, toss her cookies, throw her heels, donate her lunch. She hung over the sink, eyes closed, mouth open, midsection locked and straining. After a pregnant five-second pause, she produced one monstrous cola-burp that buzzed like a cicada. She leaned there a moment longer, wanting to make absolutely sure that was all. When she was, she rinsed her mouth, spat, and pulled "Zack McCool"'s letter from her jeans pocket. It was time to call Joseph Woodbody.
Stephen King (Lisey's Story)