“
Cress?"
"It's beautiful out there."
A hesitation, before, "Could you be more specific?"
"The sky is gorgeous, intense blue color." She pressed her fingers to the glass and traced the wavy hills on the horizon.
"Oh, good. You've really narrowed it down for me."
"I'm sorry, it's just..." She tried to stamp down the rush of emotion. "I think we're in a desert."
"Cactuses and tumbleweeds?"
"No just a lot of sand. It's kind of orangish-gold, with hints of pink, and I can see tiny clouds of it floating above the ground, like...like smoke."
"Piles up in lots of hills?"
"Yes, exactly! And it's beautiful."
Thorne snorted. "If this is how you feel about a desert, I can't wait until you see your first real tree. Your mind will explode.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
A lazy part of us is like a tumbleweed.
It doesn’t move on its own. Sometimes it takes
A lot of Depression to get tumbleweeds moving.
”
”
Robert Bly (Morning Poems)
“
Don't be afraid to let it go. Releasing hate does not make you forget what you want always to remember. It does not mean reconciliation.
”
”
Leila Meacham (Tumbleweeds)
“
And the wind blows, the dust clouds darken the desert blue, pale sand and red dust drift across the asphalt trails and tumbleweeds fill the arroyos. Good-bye, come again. (p. 34)
”
”
Edward Abbey (The Monkey Wrench Gang (Monkey Wrench Gang, #1))
“
BAD PEOPLE
A man told me once that all the bad people
Were needed. Maybe not all, but your fingernails
You need; they are really claws, and we know
Claws. The sharks—what about them?
They make other fish swim faster. The hard-faced men
In black coats who chase you for hours
In dreams—that’s the only way to get you
To the shore. Sometimes those hard women
Who abandon you get you to say, “You.”
A lazy part of us is like a tumbleweed.
It doesn’t move on its own. Sometimes it takes
A lot of Depression to get tumbleweeds moving.
Then they blow across three or four States.
This man told me that things work together.
Bad handwriting sometimes leads to new ideas;
And a careless god—who refuses to let people
Eat from the Tree of Knowledge—can lead
To books, and eventually to us. We write
Poems with lies in them, but they help a little.
”
”
Robert Bly (Morning Poems)
“
they were looking for housekeepers and cooks, and I was dying to get out of Australia and see the rest of the world. It's a Sagittarius thing, you know. We just move on and on, like tumbleweeds.
”
”
Roxanne St. Claire (Tropical Getaway)
“
Green mountains rise to the north;
white water rolls past the eastern city.
Once it has been uprooted,
the tumbleweed travels forever.
Drifting clouds like a wanderer's mind;
sunset, like the heart of your old friend.
We turn, pause, look back and wave,
Even our ponies look back and whine.
”
”
Li Bai
“
God what a night. I was so glad you were home, standing up in all that wind while everyone else was blowing across the streets like tumbleweeds. I wonder if you wish you hadn't been there, with the future looming up in such utter chaos before us. And meanwhile, the night was old and you were beautiful.
”
”
Eve Babitz (Slow Days, Fast Company: The World, the Flesh, and L.A.)
“
It's only at first sight,when the mind's a blank slate,that you get the purest look.
So I fold the flap back,and write:
Tumbleweeds.
”
”
Alyson Noel (Fated (Soul Seekers, #1))
“
An old western standoff had nothing on the looks that my mom and grandma were exchanging. A tumbleweed could have rolled through the kitchen and neither would have noticed.
”
”
Lani Woodland (Indelible (The Yara Silva Trilogy, #2))
“
My brain is a vast, barren, jokeless plain where wolves howl at the moon over rocky overhangs and the wind kicks up twists of sand and tumbleweed.
”
”
Craig Silvey (Jasper Jones)
“
Who would I kill?” I asked, sitting up from him, wiping my face.
“Who?”
“Yeah, I mean, is it random, or do you choose them?”
“Well.” He grinned and picked an ant off the rug, then tossed it onto the grass. “I usually avoid eating comedians as much as possible.”
“Why?” I asked slowly.
“Because they taste funny.” His brows rose.
I imagined a tumbleweed rolling past as I listened for crickets. “That wasn't funny.
”
”
Angela M. Hudson (Tears of the Broken (Dark Secrets, #0))
“
Look," I said halfheartedly. "Another one of those tumbleweeds made out of old hair weaves."
"Tumbleweave," said J.Lo.
”
”
Adam Rex (The True Meaning of Smekday)
“
You see tumbleweeds? You see cowpokes? Indians? This isn’t the streets of Laredo.
”
”
Jeffery Deaver (Hell's Kitchen (John Pellam, #3))
“
You build a city in the desert, water it with false hopes and false idols, and eventually this is what happens. The desert reclaims it, turns it arid, leaves it barren. Human tumbleweeds drift across its streets, predators hide in the rocks.
”
”
Michael Connelly (Lost Light (Harry Bosch, #9; Harry Bosch Universe, #13))
“
He feels that nineteen-year-olds, almost all of them, don't have their feet on the ground. They're turning loose from their families and they haven't found anything else to moor themselves to; they blow like tumbleweed. They're unknowns, to the people that used to know them inside out and to themselves.
”
”
Tana French (The Searcher)
“
I spur my horse past the ruined city;
the ruined city, that wakes the traveler's thoughts:
ancient battlements, high and low;
old grave mounds, great and small.
Where the shadow of a single tumbleweed trembles
and the voice of the great trees clings forever,
I sigh over all these common bones --
No roll of the immortals bears their names.
”
”
Hanshan
“
On day one of the drive, I saw my first dome sky. The world was so flat that I could see the level horizon all around me and the sky looked like a dome. Skies like that will give you perspective when nothing else will. The second day, a tumbleweed blew across the interstate. I’m in a western movie, I said to myself, laughing. I found it so much easier to laugh now that this weight had been lifted from my shoulders.
”
”
Kimberly Novosel (Loved)
“
So there you have it: Nature is a rotten mess. But that's only the beginning. If you take your eyes off it for one second, it will kill you. Thorns, insects, fungus, worms, birds, reptiles, wild animals, raging rivers, bottomless ravines, dry deserts, snow, quicksand, tumbleweeds, sap, and mud. Rot, poison and death. That's Nature."
"It's a wonder you even step outside of your cabin," I said.
"My bravery exceeds my good sense," he said.
”
”
Lee Goldberg (Mr. Monk in Trouble (Mr. Monk, #9))
“
I went back to the office and sat in my swivel chair and tried to catch up on my foot-dangling. There was a gusty wind blowing in at the windows and the soot from the oil burners of the hotel next door was drown-draughted into the room and rolling across the top of the desk like tumbleweed drifting across a vacant lot. I was thinking about going out to lunch and that life was pretty flat and that it would probably be just as flat if I took a drink and that taking a drink all alone at that time of day wouldn't be any fun anyway.
”
”
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
“
And yet he felt forebodings. Some nameless threat lurked just around the corner of the world for the sun to rise again. The feeling had been gnawing at him, as annoying as a swarm of hungry insects that buzzed about one's face in the desert sun. There was the sense of the imminent, the remorseless, the mindless; it coiled like a heat-maddened rattler, ready to strike at rolling tumbleweed.
”
”
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
“
day—the moon was so bright—and cold and kind of windy; a lot of tumbleweed blowing about. But that’s all I saw. Only now when I think back, I think somebody must have been hiding there. Maybe down among the trees. Somebody just waiting for me to leave.
”
”
Truman Capote (In Cold Blood)
“
impinged on the normal nightly Holcomb noises—on the keening hysteria of coyotes, the dry scrape of scuttling tumbleweed, the racing, receding wail of locomotive
”
”
Truman Capote (In Cold Blood)
“
I might wake up when the rain starts or stops, when it shifts direction or rolls alongside the house like a tumbleweed, and if I’m lucky I’ll catch a break in the rain long enough to see that the moonlight is poking through a giant sphincter of black clouds, like something you’d see in a colonoscopy brochure. Nature has such an odd sense of humor.
”
”
Dee Williams (The Big Tiny: A Built-It-Myself Memoir)
“
Have you ever wondered
What happens to all the
poems people write?
The poems they never
let anyone else read?
Perhaps they are
Too private and personal
Perhaps they are just not good enough.
Perhaps the prospect
of such a heartfelt
expression being seen as
clumsy
shallow silly
pretentious saccharine
unoriginal sentimental
trite boring
overwrought obscure stupid
pointless
or
simply embarrassing
is enough to give any aspiring
poet good reason to
hide their work from
public view.
forever.
Naturally many poems are IMMEDIATELY DESTROYED.
Burnt shredded flushed away
Occasionally they are folded
Into little squares
And wedged under the corner of
An unstable piece of furniture
(So actually quite useful)
Others are
hidden behind
a loose brick
or drainpipe
or
sealed into
the back of an
old alarm clock
or
put between the pages of
AN OBSCURE BOOK
that is unlikely
to ever be opened.
someone might find them one day,
BUT PROBABLY NOT
The truth is that unread poetry
Will almost always be just that.
DOOMED
to join a vast invisible river
of waste that flows out of suburbia.
well
Almost always.
On rare occasions,
Some especially insistent
pieces of writing will escape
into a backyard
or a laneway
be blown along
a roadside embankment
and finally come
to rest in a
shopping center
parking lot
as so many
things do
It is here that
something quite
Remarkable
takes place
two or more pieces of poetry
drift toward each other
through a strange
force of attraction
unknown
to science
and ever so slowly
cling together
to form a tiny,
shapeless ball.
Left undisturbed,
this ball gradually
becomes larger and rounder as other
free verses
confessions secrets
stray musings wishes and unsent
love letters
attach themselves
one by one.
Such a ball creeps
through the streets
Like a tumbleweed
for months even years
If it comes out only at night it has a good
Chance of surviving traffic and children
and through a
slow rolling motion
AVOIDS SNAILS
(its number one predator)
At a certain size, it instinctively
shelters from bad weather, unnoticed
but otherwise roams the streets
searching
for scraps
of forgotten
thought and feeling.
Given
time and luck
the poetry ball becomes
large HUGE ENORMOUS:
A vast accumulation of papery bits
That ultimately takes to the air, levitating by
The sheer force of so much unspoken emotion.
It floats gently
above suburban rooftops
when everybody is asleep
inspiring lonely dogs
to bark in the middle
of the night.
Sadly
a big ball of paper
no matter how large and
buoyant, is still a fragile thing.
Sooner or
LATER
it will be surprised by
a sudden
gust of wind
Beaten by
driving rain
and
REDUCED
in a matter
of minutes
to
a billion
soggy
shreds.
One morning
everyone will wake up
to find a pulpy mess
covering front lawns
clogging up gutters
and plastering car
windscreens.
Traffic will be delayed
children delighted
adults baffled
unable to figure out
where it all came from
Stranger still
Will be the
Discovery that
Every lump of
Wet paper
Contains various
faded words pressed into accidental
verse.
Barely visible
but undeniably present
To each reader
they will whisper
something different
something joyful
something sad
truthful absurd
hilarious profound and perfect
No one will be able to explain the
Strange feeling of weightlessness
or the private smile
that remains
Long after the street sweepers
have come and gone.
”
”
Shaun Tan (Tales from Outer Suburbia)
“
Quentin took a deep breath.
“My true name,” he said, “ . . . is SUN WUKONG.”
A cold wind passed through the open window, rustling my loose papers like tumbleweed.
“I have no idea who that is,” I said.
Quentin was still trying to cement his “look at me being serious” face. It took him a few seconds to realize I wasn’t flipping out over whoever he was.
“The Sun Wukong,” he said, scooping the air with his fingers. “Sun Wukong the Monkey King.”
“I said, I don’t know who that is.”
His jaw dropped. Thankfully his teeth were still normal-size.
“You’re Chinese and you don’t know me?” he sputtered. “That’s like an American child not knowing Batman!”
“You’re Chinese Batman?”
“No! I’m stronger than Batman, and more important, like—like. Tian na, how do you not know who I am!?”
I didn’t know why he expected me to recognize him. He couldn’t have been a big-time actor or singer from overseas. I never followed mainland pop culture, but a lot of the other people at school did; word would have gotten around if we had a celebrity in our midst.
Plus that was a weird stage name. Monkey King? Was that what passed for sexy among the kids these days?
”
”
F.C. Yee (The Epic Crush of Genie Lo (The Epic Crush of Genie Lo, #1))
“
God, what a night. I was so glad you were home, standing up in all that wind while everyone else was blowing across the streets like tumbleweeds. I wonder if you wish you hadn't been there, with the future looming up in such utter chaos before us. And meanwhile, the night was old and you were beautiful.
”
”
Eve Babitz (Slow Days, Fast Company: The World, the Flesh, and L.A.)
“
He was an arsehole, but, God, she looked at Richard sometimes, the racing bike, the way he did the crossword in pencil first. There were evenings when she wanted Dad to ride in off the plains, all dust and sweat and tumbleweed, kick open the saloon doors and stick some bullet holes in those fucking art books.
”
”
Mark Haddon (The Red House)
“
It’s strange to return to the place where your roots are, only to realize you’re actually a tumbleweed, cut off and drifting.
”
”
Raven Kennedy (Gold (The Plated Prisoner, #5))
“
A tumbleweed went rolling by in the street. I’m not even kidding. An actual, literal tumbleweed. Man, Oklahoma.
”
”
Jim Butcher (Working for Bigfoot (The Dresden Files #11.4))
“
Baby, the tumbleweeds can wait.
”
”
Samantha Chase (This Is Our Song (The Shaughnessy Brothers, #4))
“
He called them human tumbleweeds moving with the winds of fate.
”
”
Michael Connelly (The Night Fire (Renée Ballard, #3; Harry Bosch, #22; Harry Bosch Universe, #33))
“
Drunk is the punch. Town a gasp. In between the letters are boots crushing tumbleweeds,
”
”
Jake Skeets (Eyes Bottle Dark with a Mouthful of Flowers)
“
She had been born in the West, where white and violet mountains lift in pursuit of the delicate tall clouds, and tumbleweed rolls in pursuit of the horizon.
”
”
John Updike (The Witches of Eastwick)
“
human tumbleweeds moving with the winds of fate.
”
”
Michael Connelly (The Night Fire (Renée Ballard, #3; Harry Bosch, #22; Harry Bosch Universe, #33))
“
When Ted walked in the door, silence fell across the room. The silence must have been especially clumsy, perhaps even hitting its head and losing consciousness, because no one spoke. Instead, everyone watched. It seemed like a scene from an old western, where a gunfighter itching for a shoot-out walks into a saloon. I half expected to see tumbleweeds roll by.
”
”
Patrick Thomas (Murphy's Lore: Shadow of the Wolf)
“
Soon the tumbleweed had become one of the Wild West’s most iconic characters. A grand joke, no? This paragon of Americana—secretly an immigrant, after all. The Russian thistle disguised itself well.
”
”
GennaRose Nethercott (Thistlefoot)
“
I hope she can’t tell that I’m appraising her and that I’m completely worried by what I see. She’s excitable and strange. She’s ten. What do people do during the day when they’re ten? She runs her fingers along the window and mumbles, “This could give me bird flu,” and then she forms a circle around her mouth with her hand and makes trumpet noises. She’s nuts. Who knows what’s going on in that head of hers, and speaking of her head, she most definitely could use a haircut or a brushing. There are small tumbleweeds of hair resting on the top of her head. Where does she get haircuts? I wonder. Has she ever had one before? She scratches her scalp, then looks at her nails. She wears a shirt that says I’M NOT THAT KIND OF GIRL. BUT I CAN BE! I’m grateful that she isn’t too pretty, but I realize this could change.
”
”
Kaui Hart Hemmings (The Descendants)
“
I last visited White Hart Lane in early February 2016, and as I took my seat, after a few pints in the (TV-less) concourse, in the upper tier of the South-West corner I couldn’t help but notice the tumbleweed rolling around the ground. The stony silence from areas of the ground where I would normally expect the home fans to be sitting was deafening, and the whole ground was reminiscent of a ghost town.
Whenever the magnificent Watford support ceased singing for a brief second or two I could hear the hollow, dry wind, and I found the desolate, dry and humourless atmosphere all rather eerie.
But here’s the weird thing. If I squinted my eyes it almost appeared as if 36,000 people were sitting in seats around the ground, and the only conclusion I could draw was that it just one guy and that it was all done with mirrors.
”
”
Karl Wiggins (Gunpowder Soup)
“
Funny how we always think of knights as dragons, when in fact they work for them.
Garden seems to like roots, and this book roots in rootlessness. Are you a tumbleweed, then? A dandelion seed?
You are yourself, and so remain, as I remain,
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
Our group pressed west on what was left of Highway 93, toward the pass leading to Las Vegas. Sand covered the road in loose drifts so deep the horses' hooves sank into them. The metal highway signs were bent low by the strong wind, and above us, billboards that once screamed ads for the casinos were now stripped of their promises of penny slots and large jackpots. The raw boards underneath were exposed, like showgirls without their makeup. Some signs had been blown over completely and lay half-buried under mounds of sand, like sleeping animals.
Cars dotted the highway, their paint scoured off and dead tumbleweeds caught underneath them. Their windows were fogged with death, and despite my effort not to look, my eyes were drawn to the blurred images of the still forms inside. I tried to concentrate on the dark road ahead of us instead.
”
”
Kirby Howell (Autumn in the Dark Meadows (Autumn, #2))
“
Mmm, nice," he said close to her ear. She turned her head to look at him and their lips were almost touching.
"What's nice?" she asked breathlessly.
"You." He sat down and pulled her into his arms, brushing her lips lightly and then deepening the kiss. "Lord, I've been wanting to hold you all day," he whispered against her lips.
She cupped his lean, square jaw in her hands. "Me,too. Please, can we go someplace to be alone?"
"Darlin', God knows I crave that delectable little body of yours but we really shouldn't. It's not fair to you."
Willow slid off his lap and knelt, shaking her finger at him. "Listen, Tumbleweed, I'll tell you what's not fair. It's that damn kiss-and-run routine! It ain't fair to get me so...so...horny!"
Rider burst out laughing. God how he wished he could tell her how much he loved her. He settled for folding her in his arms and showing her instead.
When they both came up for air, she smiled seductively and threaded her fingers through the dark hair exposed in the vee of his shirt. "Rider," she whispered seductively. "I love touching you."
Rider was lost.
”
”
Charlotte McPherren (Song of the Willow)
“
Brushing through my hair was usually bad enough after a shower. Letting it dry without brushing it was a terrible mistake. It was full of painful tangles, and I hadn’t made much progress when the door at the end of the veranda opened and Ren walked out. I squeaked in alarm and hid behind my hair. Perfect, Kells.
He was still barefoot, but had on khaki pants and a sky-blue button-down shirt that matched his eyes. The effect was magnetic, and here I was in flannel pajamas with giant tumbleweed hair.
He sat across from me and said, “Good evening, Kells. Did you sleep well?”
“Uh, yes. Did you?”
He grinned a dazzling white smile and nodded his head slightly. “Are you having trouble?” he asked and watched my detangling progress with an amused expression.
“Nope. I’ve got it all under control.”
I wanted to divert his attention away from my hair, so I said, “How’s your back and your, um, arm, I guess it would be?”
He smiled. “They’re completely fine. Thank you for asking.”
“Ren, why aren’t you wearing white? That’s all I’ve ever seen you wear. Is it because your white shirt was torn?”
He responded, “No, I just wanted to wear something different. Actually, when I change to a tiger and back, my white clothes reappear. If I changed to a tiger now and then switch back to a man again, my current clothes would be replaced with my old white ones.”
“Would they still be torn and bloody?”
“No. When I reappear, they’re clean and whole again.”
“Hah. Lucky for you. It would be pretty awkward if you ended up naked every time you changed.”
I bit my tongue as soon as the words came out and blushed a brilliant shade of red. Nice, Kells. Way to go. I covered up my verbal blunder by tugging my hair in front of my face and yanking through the tangles.
He grinned. “Yes. Lucky for me.”
I tugged the brush through my hair and winced. “That brings up another question.”
Ren rose and took the brush out of my hand.
“What…what are you doing?” I stammered.
“Relax. You’re too edgy.”
He had no idea.
Moving behind me, Ren picked up a section of my hair and started gently brushing through it. I was nervous at first, but his hands in my hair were so warm and soothing that I soon relaxed in the chair, closed my eyes, and leaned my head back.
After a minute of brushing, he pulled a lock away from my neck, leaned down by my ear, and whispered, “What was it you wanted to ask me?”
I jumped.
“Umm…what?” I mumbled disconcertingly.
“You wanted to ask me a question.”
“Oh, right. It was, uh-that feels nice.”
Did I say that out loud?
Ren laughed softly. “That’s not a question.”
Apparently, I did.
“Was it something about me changing into a tiger?”
“Oh, yes. I remember now. You can change back a forth several times per day, right? Is there a limit?”
“No. There’s no limit as long as I don’t remain human for more than a total of twenty-four minutes in a twenty-four hour day.” He moved to another section of hair. “Do you have any more questions, sundari?
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Sort of Coping"
Why is anyone in the world so terrible. Real catastrophe
and catastrophizing. If we only knew when it was going to
happen.
I saw you put your hands on the floor. Intimacy without
disturbances.
The scope here of memorization, planets. The history of children
sitting still. You are so cute in all your facebook photos.
When you moved to Portland I forgot we used to call you
Tumbleweed Tex. All those barking dogs, feathered hair.
We have something in common I never mention. I wish
I’d written it down and folded it into one of your piles
saying I want to read every one of these books! Do you think
you’ll have read them all before the end of time. Did you go in
to see her when she was dead. Maybe you already knew.
”
”
Farrah Field
“
Because he would leave. Oliver felt sure of that. You couldn’t plant a tumbleweed and expect it to yield grapes, no matter how perfect the terroir. The summer was slithering away and in a month or so it would be time for harvest. Then fall would turn the fields to fire and when the leaves fell they would travel halfway around the world to cold, pearly-gray Paris. And then what?
”
”
Jess Whitecroft (The James Dean Vintage)
“
His seventeen murders aside, Bob was not such a bad guy. I know, because I rode with him and his boys for almost a year. Once, Bob had stayed up half the night to sing an old Apache healing chant to a horse that had bloated with the colic. It worked too. Next morning we found a half-digested tumbleweed in a pile of dung. It measured three feet across. That must have been one hell of a chant.
”
”
Mark Warren (The Westering Trail Travesties, Five Little Known Tales of the Old West That Probably Ought to A' Stayed That Way)
“
There's something crazily beautiful about it, the banks of stacked illuminated signs- Sauna Hut, Sheer Elegance, Waterbeds USA, Chiropractic Here, Benihana, Ideal Uniform- gorse rolling from curbed island to curbed island, across the endless parking lots like suburban tumbleweed. Last week, I watched one roll over a lit cigarette, flaring brightly. If there'd been anything natural in its path, it might have started a fire.
”
”
Megan Abbott (Give Me Your Hand)
“
Don't fall in love with me, Willow. I'm no good for you or any other woman. You and I...Well, let's just say we were never meant to be. I'm a tumbleweed; I go wherever the wings of change blow me. But above all else, I'm a man with a man's needs. And you, my dear, are a very beautiful and desirable woman." His hands cupped her shoulders firmly. "Help me, Willow. Run away. Run as fast as you can, because you deserve so much more than I have to offer.
”
”
Charlotte McPherren (Song of the Willow)
“
Seriously, people? Let’s move away from celebrating women’s beauty, flagellating them for their flaws, and let’s take a look at the more important parts of them—their talents, brains, thoughts, and feelings. Because beauty fades.
”
”
Melissa Bourbon (The Trouble with Hope and Glory (Trouble in Tumbleweed #1))
“
When Cal hangs up he has the same empty feeling he always gets after talking to Alyssa these days, a sense that somehow, in spite of having been on the phone for all that time, they haven’t had a conversation at all; the whole thing was made of air and tumbleweed, nothing solid there. When she was a little kid she would trot along holding his hand and tell him everything, good and bad, it all poured straight from her heart to her mouth. He can’t remember when that changed.
”
”
Tana French (The Searcher)
“
Walking the path, I stop to pick up
bleached bark from a tree, curled into
a scroll of ancient wisdom I am unable to read.
Even in my dreams I’m hiking
these mountain trails expecting to find a rock
that nature has shaped to remind me of a heart.
”
”
Harryette Mullen (Urban Tumbleweed: Notes from a Tanka Diary)
“
The way to succeed on Tinder is, as everyone knows, to be a humorless narcissist with no personality because you spend all your time trying to look good and none at all cultivating a brain. You get two beauties together – a bimbo and a himbo – and all you have is a tumbleweed conversation. They don’t know anything, so they have nothing to talk about. Once the vacuous, vapid chat-up lines are exhausted – in five-seconds-flat – what’s left? They have to fuck because there’s nothing else for them to do, except go back to posting selfies and watching videos of cats. Yawn. What a non-life.
”
”
Adam Nostra (The Devil and Jesus Debate Tinder Strategies: How to Optimize Your Tinder Success)
“
- I been here before, haven't I?
He just sat there staring out at the plain.
Son of a bitch, I thought. He's ignoring me.
- Hey, I said, I'm not the dead, not a shade in passing. I'm flesh and blood here.
He pulled a notebook out of his pocket and started writing.
- You got to at least look at me, I said. After all, it is my dream.
I drew closer. Close enough to see what he was writing. He had his notebook open to a blank page and three words suddenly materialized.
Nope, it's mine.
- Well, I'll be damned, I murmured. I shaded my eyes and stood there looking out toward what he was seeing - dust clouds flatbed tumbleweed white sky - a whole lot of nothing.
- The writer is a conductor, he drawled.
”
”
Patti Smith (M Train)
“
TIA OR TARA has stopped applying makeup to my wife’s face and is looking at Scottie with disapproval. The light is hitting this woman’s face, giving me an opportunity to see that she should perhaps be working on her own makeup. Her coloring is similar to a manila envelope. There are specks of white in her eyebrows, and her concealer is not concealing. I can tell my daughter doesn’t know what to do with this woman’s critical look.
“What?” Scottie asks. “I don’t want any makeup.” She looks at me for protection, and it’s heartbreaking. All the women who model with Joanie have this inane urge to make over my daughter with the notion that they’re helping her somehow. She’s not as pretty as her older sister or her mother, and these other models think that slapping on some rouge will somehow make her feel better about her facial fate. They’re like missionaries. Mascara thumpers.
“I was just going to say that I think your mother was enjoying the view,” Tia or Tara says. “It’s so pretty outside. You should let the light in.”
My daughter looks at the curtain. Her little mouth is open. Her hand reaches for a tumbleweed of hair.
“Listen here, T. Her mother was not enjoying the view. Her mother is in a coma. And she’s not supposed to be in bright light.”
“My name is not T,” she says. “My name is Allison.”
“Okay, then, Ali. Don’t confuse my daughter, please.”
“I’m turning into a remarkable young lady,” Scottie says.
“Damn straight.” My heart feels like one of Scottie’s clogs clomping down the hall. I don’t know why I became so angry.
”
”
Kaui Hart Hemmings (The Descendants)
“
BAD PEOPLE"
A man told me once that all the bad people
Were needed. Maybe not all, but your fingernails
You need; they are really claws, and we know
Claws. The sharks--what about them?
They make other fish swim faster. The hard-faced men
In black coats who chase you for hours
In dreams--that's the only way to get you
To the shore. Sometimes those hard women
Who abandon you get you to say, "You."
A lazy part of us is like a tumbleweed.
It doesn't move on its own. It takes sometimes
A lot of Depression to get tumbleweeds moving.
Then they blow across three or four States.
This man told me that things work together.
Bad handwriting sometimes leads to new ideas;
And a careless God--who refuses to let you
Eat from the Tree of Knowledge--can lead
To books, and eventually to us. We write
Poems with lies in them, but they help a little.
”
”
Robert Bly
“
[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;
”
”
Michael Chabon (Telegraph Avenue)
“
The way you see the change in a person you've been away from for a long time, where somebody who sees him every day, day in, day out, wouldn't notice because the change is gradual. All up the coast I could see the signs of what the Combine had accomplished since I was last through this country, things like, for example a train stopping at a station and laying a string of full-grown men in mirrored suits and
machined hats, laying them like a hatch of identical insects, half-life things coming pht-pht-pht out of the last car, then hooting its electric whistle and moving on down the spoiled land to deposit another hatch.
Or things like five thousand houses punched out identical by a machine and strung across the hills outside of town, so fresh from the factory theyre still linked together like sausages, a sign saying NEST IN THE WEST HOMES NO DWN. PAYMENT FOR VETS, a playground down the hill from the houses, behind a checker-wire fence and another sign that read ST. LUKE'S SCHOOL FOR BOYS there were five
thousand kids in green corduroy pants and white shirts under green pullover sweaters playing crack-the-whip across an acre of crushed gravel. The line popped and twisted and jerked like a snake, and every crack popped a little kid off the end, sent him rolling up against the fence like a tumbleweed. Every crack.
And it was always the same little kid, over and over.
All that five thousand kids lived in those five thousand houses, owned by those guys that got off the train. The houses looked so much alike that, time and time again, the kids went home by mistake to different houses and different families. Nobody ever noticed. They ate and went to bed. The only one they noticed was the little kid at the end of the whip. He'd always be so scuffed and bruised that he'd show up
out of place wherever he went. He wasn't able to open up and laugh either. It's a hard thing to laugh if you can feel the pressure of those beams coming from every new car that passes, or every new house you pass.
”
”
Ken Kesey (One Flew Over the Cuckoo’s Nest)
“
Did those “new gays” spinning about like giddy tops in discos care to know that dancing with someone of the same sex was punishable as “lewd conduct” then? Still, a club in Topanga Canyon boasted a system of warning lights. When they flashed, lesbians and gay men shifted—what a grand adventure!—and danced with each other, laughing at the officers’ disappointed faces! How much pleasure—and camaraderie, yes, real kinship—had managed to exist in exile. Did those arrogant young people know that, only years ago, you could be sentenced to life in prison for consensual sex with another man? A friend of his destroyed by shock therapy decreed by the courts. Another friend sobbing on the telephone before he slashed his wrists— Thomas's hands on his steering wheel had clenched in anger, anger he had felt then, anger he felt now. And all those pressures attempted to deplete you, and disallow— “—the yearnings of the heart,” he said aloud. Yet he and others of his generation had lived through those barbaric times—and survived—those who had survived—with style. Faced with those same outrages, what would these “new gays” have done? “Exactly as we did,” he answered himself. The wind had resurged, sweeping sheaths of dust across the City, pitching tumbleweeds from the desert into the streets, where they shattered, splintering into fragments that joined others and swept away. Now, they said, everything was fine, no more battles to fight. Oh, really? What about arrests that continued, muggings, bashings, murder, and hatred still spewing from pulpits, political platforms, and nightly from the mouths of so-called comedians? Didn't the “new gays” know—care!—that entrenched “sodomy” laws still existed, dormant, ready to spring on them, send them to prison? How could they think they had escaped the tensions when those pressures were part of the legacy of being gay? Didn't they see that they remained—as his generation and generations before his had been—the most openly despised? And where, today, was the kinship of exile?
”
”
John Rechy (The Coming of the Night (Rechy, John))
“
A Walk in the Country"
To walk anywhere in the world, to live
now, to speak, to breathe a harmless
breath: what snowflake, even, may try
today so calm a life,
so mild a death?
Out in the country once,
walking the hollow night,
I felt a burden of silver come:
my back had caught moonlight
pouring through the trees like money.
That walk was late, though.
Late, I gently came into town,
and a terrible thing had happened:
the world, wide, unbearably bright,
had leaped on me. I carried mountains.
Though there was much I knew, though
kind people turned away,
I walked there ashamed—
into that still picture
to bring my fear and pain.
By dawn I felt all right;
my hair was covered with dew;
the light was bearable; the air
came still and cool.
And God had come back there
to carry the world again.
Since then, while over the world
the wind appeals events,
and people contend like fools,
like a stubborn tumbleweed I hold,
hold where I live, and look into every face:
Oh friends, where can one find a partner
for the long dance over the fields?
”
”
William Stafford (Stories that Could Be True: New and Collected Poems)
“
About a mile beyond Tumbleweed he parked in a grove of willow trees beside a narrow stream. The grounds were set with many long wooden tables and benches, and overhead were strings of small electric lights. “Come on, gals,” said Tex. “We’re goin’ to put on a big feed!” He led them toward a long serving table. Four men passed by, each carrying a shovel bearing a big burlap-wrapped package. These were dumped onto the table. “There goes the meat,” said Bud. “It’s been buried in the barbecue pit since last night.” “Cookin’ nice an’ slow over hot stones,” Tex added. “When the burlap fell away, the fragrance of the steaming meat was irresistible. All the girls enjoyed generous servings, with a spicy relish and potato salad. By the time they had finished their desserts of ice cream and Nancy’s chocolate cake, the colored lights overhead came on. A stout middle-aged man mounted the dance platform in the center of the grove and announced that he was master of ceremonies. Seeing Bud’s guitar, he called on him for some cowboy songs. Bud played “I’m a Lonesome Cowboy,” and everyone joined in enthusiastically. He followed with a number of other old favorites. Finally he strummed some Gold Rush songs, including “Sweet Betsy from Pike.
”
”
Carolyn Keene (The Secret of Shadow Ranch (Nancy Drew, #5))
“
Early on as news of the sextuple execution in Fort Smith spread, rooted itself in the umber soil of the western Indian Nations, and grew inthe the solid stalk of legend, the men whom Marshal Fagan appointed to swell the judge's standing army abanddonded the practice of introducing themselves as deputy U.S. marshals. Instead, when they entered the quarters of local law enforcement officers and tribal policemen to show their warrants, they said: "We ride for Parker."
Sometimes, in deference to rugged country or to cover ground, they broke up and rode in pairs or singles, but as the majority of the casualties they would suffer occurred on these occasions, they formed ragged escorts around stout little wagons built of elm, with canvas sheets to protect the passengers from rain and sun for trial and execution. With these they entered the settlements well behind their reputations. The deputies used Winchesters to pry a path between rubbernecks pressing in to see what new animals the circus had brought. Inside, accused felons, rounded up like stray dogs, rode in manacles on the sideboards and decks. At any given time-so went the rumor-one fourth of the worst element in the Nations was at large, one fourth was in the Fort Smith jail, and one fourth was on its way there in the 'tumbleweed wagons.'
"That's three-fourths," said tenderheels "What about the rest?'
"That fourth rides for Parker.
”
”
Loren D. Estleman (The Branch and the Scaffold: The True Story of the West's Hanging Judge)
“
SILVER CITY IS NO PLACE FOR AMATEURS I left Colorado Springs the next morning and got back in the fucking car for another day of driving for the Tour of the Gila. I’d never driven in snow before, but I made it to Santa Fe and then Albuquerque in the afternoon, careful to dodge all the tumbleweeds on the highway in New Mexico. I hadn’t known that those existed outside of cartoons. Already exhausted when I got off the interstate, I was surprised when my GPS said “48 miles remaining, 1.5 hours’ drive time”—I was sure that couldn’t be right. Then I saw the steep climbs, bumpy cattle guards, and dangerous descents on the road into Silver City. I drove as fast as I could, sliding my poor car around hairpins in the dark. I made it to the host house, fell asleep, and found two flat tires when I went outside to unpack the car in the morning. They probably weren’t meant for drifting. My luck didn’t improve when the race started. I got a flat tire when I went off the road to dodge a crash, and I chased for over an hour to get back to the field. Between the dry air and altitude, I got a major nosebleed. My car was parked at the base of the finishing climb, and I got there several minutes behind the field, my new white Cannondale and all my clothes covered in blood. The course turned right to go up the climb, and I turned left, climbed into my car, and got the hell out of there. I might have made the time cut, but for the second time in two weeks, I opted to climb in the car instead. I got out of that town like I was about to turn into a pumpkin, and made it back to San Diego nine hours later. If there wasn’t a Pacific Ocean to stop me, I’d have driven another day, just to get farther from Gila.
”
”
Phil Gaimon (Pro Cycling on $10 a Day: From Fat Kid to Euro Pro)
“
when my hand fell from his shoulder it landed on his thigh and exerted just the slightest hint of pressure with my blunt, bitten nails. The denim of his jeans was rougher than I’d expected. Probably a cowboy sort of thing. Protection against tumbleweeds and accusations of metrosexuality.
”
”
Elizabeth Little (Dear Daughter)
“
Nota de la autora La librería ficticia Le club de minuit que aparece en la novela, está inspirada en la mítica y mundialmente conocida Shakespeare & Company. La historia del que fue el refugio literario de Ernest Hemingway, F. Scott Fitzgerald o James Joyce, se remonta al año 1919 en una localización distinta a la actual, la Rue de la Bûcherie, que se ha utilizado también en esta historia. Todo empezó cuando la librera y editora Sylvia Beach abrió la primera librería Shakespeare & Company en la Rue de l’Odéon y tuvo que cerrarla en 1941, en plena ocupación alemana en París, cuando un oficial nazi entró, intentando comprar una copia de Finnegans Wake, obra de ficción cómica de James Joyce. La librera se negó a vendérselo con la excusa de que era la única copia que tenía y que pertenecía a su colección personal. Dos semanas más tarde, el alemán regresó para anoticiarla de que todos sus bienes eran confiscados. Los libros desaparecieron de los estantes al cabo de unas horas. Años más tarde, en 1951, la librería reabrió con otro dueño, George Whitman, y Shakespeare & Company, tal y como la conocemos hoy en día en el 37 de la Rue de la Bûcherie, no solo es un emblema en la ciudad de París, sino también una atracción turística que ocupa seis pisos y tiene café propio. Nada que ver con la olvidada y ficticia Le club de minuit, cuyo interior también he inventado, ya que no tiene nada que ver con la librería real y actual que tuve la suerte de visitar hace unos años. Por otro lado, el George Whitman de Le club de minuit solo tiene en común con el auténtico George Whitman (Nueva Jersey, 1913 – París, 2011) su nombre, alguna frase y la palabra Tumbleweeds que me ha gustado añadir a esta intensa trama. Sylvia Beach en la primera librería Shakespeare & Company (1919-1941) George Whitman en su librería Shakespeare & Company
”
”
Lorena Franco (El club de medianoche)
“
My true name,” he said, “ . . . is SUN WUKONG.” A cold wind passed through the open window, rustling my loose papers like tumbleweed. “I have no idea who that is,” I said.
”
”
F.C. Yee (The Epic Crush of Genie Lo (The Epic Crush of Genie Lo, #1))
“
few odd souls wandered about Surf Avenue looking for something to do. Sheets of newspaper blew like tumbleweed down broad, empty streets. Overhead, a pair of sea gulls hovered, scanning the ground for discarded scraps. All along the avenue, cotton candy stands, fun houses, and games of chance were tightly shuttered, like clowns without makeup. Nathan
”
”
William Hjortsberg (Falling Angel)
“
Janwillem van de Wetering (Holland) Outsider in Amsterdam Tumbleweed The Corpse on the Dike Death of a Hawker The Japanese Corpse The Blond Baboon The Maine Massacre The Mind-Murders The Streetbird The Rattle-Rat Hard Rain Just a Corpse at Twilight Hollow-Eyed Angel The Perfidious Parrot Amsterdam Cops: Collected Stories
”
”
Timothy Hallinan (Crashed (Junior Bender #1))
“
Cowboys have hearts like tumbleweeds.
”
”
John Deacon (Justice Rides Again (Silent Justice #4))
“
Ma had been a tumbleweed too,
holding on for as long as she could,
then blowing away on the wind.
My father was more like the sod.
Steady, silent, and deep.
Holding on to life, with reserves underneath
to sustain him, and me,
And anyone else who came near.
My father
stayed rooted, even with my tests and my temper,
even with the double sorrow of
his grief and my own,
he had kept a home
until I broke it.
”
”
Karen Hesse (Out of the Dust)
“
Either way, my dry spell had gone on so long the inside of my vagina probably looked like one of those old Western ghost towns, all tumbleweeds and abandoned buildings, mean-looking vultures picking over dried-up bones.
”
”
J.T. Geissinger (Burn for You (Slow Burn, #1))
“
There was a time when, if I spoke, my sadness would've come barreling out like southern tumbleweeds infecting the unpolluted happiness around me. So, I kept it inside. I keep it all inside. You would cry if you peeled me open.
”
”
Haig Moses (An Abundance of Apricots)
“
My raging libido instantly shriveled at the sight of what had to be the reunion crew of Deliverance. Instantly the tune of Dueling Banjos started to play in my head. No, no, no, this couldn’t be happening. I could not bring myself to go home with a hillbilly, regardless of the state of tumbleweeds blowing through my nether regions. It was time I turned around, tucked my tail between my legs, and got the hell out of there.
”
”
Katie Ashley (Drop Dead Sexy)
“
She tapped her iPhone and showed me the screen. An aerial photograph looked down over a sprawling, dusty desert ranch. I half expected to see a tumbleweed rolling down the main thoroughfare, or maybe a couple of cowboys out for a high noon showdown.
”
”
Craig Schaefer (Redemption Song (Daniel Faust, #2))
“
It’s like the songs small children sing. ‘Shit and piss. And blood, and sperms and slime and vomit and pus and snot and sweat.
”
”
Janwillem van de Wetering (Tumbleweed (Amsterdam Cops Book 2))
“
Contrary to popular belief, Texas is not all tumbleweeds, cacti, and horses. I haven't seen a desert yet, and the people in Houston mostly look the same as people from back home, but with the occasional set of cowboy boots.
”
”
Kristin Rae (What You Always Wanted (If Only . . . #8))
“
Peyton rolled her eyes. Okay, so she’d dated a handsome guy with nothing but tumbleweeds between his ears. Once. In high school. “I
”
”
Ranae Rose (Past Midnight (South Island PD, #2))
“
Seeds and children shouldn’t be wrapped up and hidden away too long. They won’t grow if they are.
”
”
Gwen E. Campbell (Always Going: I went here, there and everywhere, like a tumbleweed blowing. Always going, somewhere!)
“
Kids don’t have any sense.
”
”
Gwen E. Campbell (Always Going: I went here, there and everywhere, like a tumbleweed blowing. Always going, somewhere!)
“
....but my dad was kind of a travelin' man too, and he liked his family with him, so he almost always took us along." News Deke did not like to hear because she said it not like she missed having roots while growing up but like she liked being a tumbleweed as long as she was tumbling close to someone she love.
”
”
Kristen Ashley (Bounty (Colorado Mountain, #7))
“
snow. Tumbleweeds blew straight down Main
”
”
Anonymous
“
The Internet became part of my life early enough to be the coolest thing ever and late enough that I have memories of Geocities before it became a howling desert rolling with tumbleweed and pixels that don’t have the decency to decay,
”
”
Laurie Penny (Unspeakable Things: Sex, Lies and Revolution)
“
Amie’s mind is like a glittery tumbleweed: It sometimes touches ground, but usually it spins along a few feet in the air.
”
”
Jolie Sikes (Junk Gypsy: Designing a Life at the Crossroads of Wonder & Wander)
“
Hollywood was always best viewed at night. It could only hold its mystique in darkness. In sunlight the curtain comes up and the intrigue is gone, replaced by a sense of hidden danger. It was a place of takers and users, of broken sidewalks and dreams. You build a city in the desert, water it with false hopes and false idols, and eventually this is what happens. The desert reclaims it, turns it arid, leaves it barren. Human tumbleweeds drift across its streets, predators hide in the rocks.
”
”
Michael Connelly (Lost Light (Harry Bosch, #9; Harry Bosch Universe, #13))
“
are like tumbleweeds—go where the wind shoves them.
”
”
K.F. Breene (Magical Midlife Madness (Leveling Up, #1))
“
Ghandi. He didn’t say ‘be the change’. He said, “We mirror the world. All our tendencies present in the outer world are to be found in the world of our body. If we could change ourselves, the tendencies in the world would also change—“
“Oh. My. God.” Jeremy scrubbed his face with one hand. “I really don’t care what Ghandi said. What is your point?”
Steady breathe. Slow and calm. “My point,” I said, “is that we have to change ourselves in order to change the world.
”
”
Melissa Bourbon (The Trouble with Hope and Glory (Trouble in Tumbleweed #1))
“
Friends aren’t merely the tumbleweed of faces that roll in and out of your life. Friends are the ones you connect with and who last a lifetime. You’ll pass a million people on your path and just a few will be worth spending time with.
”
”
Bella Osborne (The Library)
“
Many of them couldn't believe their beady little eyes when they first saw me, because apparently word had incorrectly spread that I had no legs and was made of tumbleweeds. Birds and their imaginations, honestly.
”
”
Kira Jane Buxton (Hollow Kingdom (Hollow Kingdom, #1))
“
You build a city in the desert, water it with false hopes and false idols, and eventually this is what happens. The desert reclaims it, turns it arid, leaves it barren. Human tumbleweeds drift across its streets, predators hide in the rocks
”
”
Michael Connelly
“
The tumbleweed told me he loved the Welsh word hiraeth, which—like many of the best words, it seemed—could not be fully translated into English. But hiraeth meant, loosely: yearning for a home that no longer exists, or maybe never existed at all. The musician said it was how he felt about me—like I was some long-lost home he hadn’t even known he had. I heard the sense of homecoming in his sentiment, more than the impossibility. But really hiraeth felt less like a description of our relationship and more like a description of the way I grieved my marriage: missing not what it had been, but what it hadn’t been—what we’d both hoped it would be.
”
”
Leslie Jamison (Splinters: Another Kind of Love Story)
“
There was a gusty wind blowing in at the windows and the soot from the oil burners of the hotel next door was down-drafted into the room and rolling across the top of the desk like tumbleweed drifting across a vacant lot.
”
”
Raymond Chandler (The Big Sleep)
“
Few things are more enraging to people than to have their identity or their sense of home stripped away. They will die for it, kill for it, sing for it, write poetry for it, and novelize about it. Because without a sense of home and belonging, life becomes barren and rootless. And life as a tumbleweed is no life at all.
”
”
Des Linden (Choosing to Run: A Memoir)
“
She noticed that Flicker still seemed nervous around mutants, but played nonstop with Runt, tossing tumbleweeds for him to fetch and tackling the dog on the dunes. And when she was fearful, the friends made each task into a small adventure, chattering to each other excitedly. Kozmo wanted to join in sometimes, but it was hard to be a third friend with best friends.
”
”
Devon Hughes (Unnaturals: Escape from Lion's Head (Unnaturals, 2))
“
tumbleweeds were blowing through my desolate heart.
”
”
Emily Henry (Beach Read)
“
Lilian?” Kevin needed a moment to register that, indeed, Lilian was standing before him. “What are you doing here? I thought you were taking a bath with the others.” “I was going to,” Lilian admitted, “but then I realized that my mate and I haven’t been able to spend much time alone together because my family kept getting in the way, and I thought this would be the perfect opportunity for us to bond.” “Bond?” He studied the girl, and eventually realized that she wasn’t looking at his face. Feeling a sense of unease growing in the pit of his stomach, Kevin looked down. His face grew red. He let out a loud “eep!” and tried to cover himself with his hands. “Ufufufu,” Lilian chuckled. “You’re still too cute when you get embarrassed like that.” Kevin tried to glare at her, but the blush on his face lessened the effect. “It’s got nothing to do with being embarrassed and everything to do with common decency,” he insisted, lying through his teeth. “Most people don’t stand around in the nude while someone else is present, not even if they’re dating that person.” “Most people aren’t mated to a kitsune.” “Ugh…” She had him there. “Kevin” Lilian’s eyes were warm and so incredibly earnest that Kevin was unable to look away, “you are my mate; the person I love more than anyone else in this world.” Delicate hands reached up and cupped his face. “This isn’t some random person wanting to see you naked. This is me, your mate, who wants to become more intimate with you. If it helps, I promise not to touch anything below the belt.” Staring at the girl with an uncomprehending gaze, Kevin’s mind became a warzone, a battle the likes of which no one had ever seen before—mostly because it was all happening in his mind. *** The desolate wasteland spread out for miles, its borders traveling far beyond the distant horizon. Cracks traversed the ground like a myriad system of interconnecting spiderwebs. There was no flora or fauna in this wasteland. It was the perfect place… for war. Two forces stood on opposite ends of each other, armies of nearly equal might. Multi-segmented plates clicked together as figures moved and jostled each other. Horned helms adorned the many heads, their faceplates masking their identities. Hands gripped massive halberds with leaf-shaped blades that gleamed like a thousand suns. The army on the northern border wore white armor, while those in the southern quadrant wore red. A moment of silence swept through the clearing. A tumbleweed rolled across the ground. It was the unspoken signal for the battle to start, and the two forces rushed in toward the center, yelling out their battle cries. “For Lilian!!” “For chastity!!” Thunder struck the earth as these two titanic armies fought. Bodies were thrown into the air with impunity. Halberds clashed, the sound of metal on metal, steel ringing against steel, rang out in a symphony of chaos. Sparks flew and shouts accompanied the maelstrom of combat. It was, indeed, a battle worthy of being placed within the annals of history. A third party soon entered the fray. From one of the many cliffs surrounding the battlefield, an army appeared. Unlike the two forces duking it out down below, this army was bereft of nearly all their clothes. Wearing nothing but simple loincloths and bandoleers similar to Tarzan’s, the group of individuals looked identical. Messy blond hair framed bright blue eyes that glared down at the battlefield. With nary a thought, this force surged down the cliff, their own battle cry echoing across the land. “DEATH TO THE CHERRY!!” And so more chaos was unleashed upon the battlefield. ***
”
”
Brandon Varnell (A Fox's Family (American Kitsune #4))
“
I’m fine!” Christine snapped before calming herself. “I wanted to―I needed―I, ah, um… what I mean is… I-want-your-babies!” A stiff breeze blew through the now silent clearing. A tumbleweed rolled between Kevin and Christine. Kevin tracked the tumbleweed until it rolled out of sight, and then turned back to Christine. Um, what?” Kevin looked dumbfounded. “Ne,” Iris leaned into Lilian’s ear again, “what’s up with tsun-tsun over there? She looks like an ice cube.” “Just wait for it,” Lilian whispered back. “Um, Christine, can you repeat that?” Kevin rubbed the back of his head. “I didn’t quite catch that?” It took Christine exactly 2.6 seconds to register her own words. It took another 2.6 seconds to comprehend them. Exactly six seconds after that, Christine’s face exploded with color as steam poured out of her ears. Tsundere protocols: activated. “Y-y-y-you… how dare you, ya damn beast!” Kevin’s eyes widened fractionally. “What—Gu!” He then received a brutal headbutt to the face, which sent him sprawling to the ground. “Y-y-you stupid, IDIOT!” “Holy crap!
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Brandon Varnell (A Fox's Family (American Kitsune #4))
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That’s not a regular gun! What kind of weapon is that?!” “You don’t need to know what kind of gun I’m using,” Kevin said. “Do you honestly think I would tell you anyway? You think I’m just going to give away my secrets? What do you think this is? A shōnen manga? This isn’t Natsumo Shinobi, where freely giving away the information on your techniques or weapons is mandatory.” … A stiff silence followed. Kevin watched as a tumbleweed rolled in out of nowhere, blowing past them. “That’s weird. I didn’t think tumbleweeds existed in a forest.” Kevin pondered that for a moment, then decided not to let it bother him. Ten bullets flared into existence when Kevin pulled the trigger to his silver gun while charging the black one.
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Brandon Varnell (A Fox's Mission (American Kitsune, #11))
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Unintentional or not, people can be mean. It’s human nature. It’s okay to get angry and upset, but if you listened to the opinions of everyone, you would be a tumbleweed in a sandstorm, easily swayed in all directions but your own. You can’t always change the perspective of others, but you can change yours.
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Chino Chakanga (Special)
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This is the creed of the Hotel Tumbleweed, give what you can, take what you need,
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Ronny Bauer (King of Bohemia: 10 Years with Legendary Bookseller George Whitman)
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The drive is supposed to take six and a half hours but somehow we have been on the road for eight when we come to the wooden sign sunk into grass that signifies the entrance to Deakins Park, and although Honey is still caterwauling, passing the sign feels like entering protected land, something apart from the ravages of the town. It sounds like hair-splitting to parse the varieties of mobile home, like something only a person obsessed about imperceptible class minutia would do, but there are mobile homes and mobile homes and despite how mortified Mom and I used to be by the fact that her parents lived in a mobile home now I happen to think Deakins Park is just as nice if not nicer than many a suburban cul-de-sac of for example the Nut Tree-adjacent variety. It’s a circle of nicely appointed and discreetly mobile homes of different styles and patterns built on either side of a large circular street, each with a good-size yard. The outer ring of houses is bounded by a split-rail fence, and beyond this the town gives over to the high desert, with low, prickly sagebrush and rafts of tumbleweed through which jackrabbits and antelopes poke delicately in the cool mornings. Everyone has plenty of space and a view of the low-lying mountains ringing the basin. The houses look pretty good. It’s a little neighborhood on the frontier. Home on the range, if you will.
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Lydia Kiesling (The Golden State)
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On either side, tumble-weed and desert bushes fell away to interminable sand, an earth-bound Sea of Tranquility on a nocturnal moonscape.
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Qanta A. Ahmed (In the Land of Invisible Women: A Female Doctor's Journey in the Saudi Kingdom)