Trumpet Best Quotes

The best projects are likely to be overlooked, not trumpeted by a crowd; the best problems to work on are often the ones nobody else even tries to solve.

...All my best words are deserters and do not answer the trumpet call, and the remainder are cripples.

It is founded on the worst instincts of mankind. At its best, it is intolerant and bigoted. At its worst, it is sadistic and brutal. Between these two poles it has its existence.

The written word is an attempt at completeness when there is no one impatiently awaiting you in a dimly lit bedroom--awaiting your tales of the day, as the healing hands of someone who knew turn to you and touch you, and you lose yourself so completely in another that you are momentarily delivered from yourself. Whispering across the pillow comes a kind voice that might tell you how to get out of certain difficulties, from someone who might mercifully detach you from your complications. When there is no matching of lives, and we live on a strict diet of the self, the most intimate bond can be with the words that we write: Oh often have I washed and dressed And what's to show for all my pain? Let me lie abed and rest: Ten thousand times I've done my best And all's to do again. I ask myself if there is an irresponsible aspect in relaying thoughts of pain as inspiration, and I wonder whether Housman actually infected the sensitives further, and pulled them back into additional darkness. Surely it is true that everything in the imagination seems worse then it actually is--especially when one is alone and horizontal (in bed, as in the coffin). Housman was always alone--thinking himself to death, with no matronly wife to signal to the watching world that Alfred Edward was quite alright--for isn't that partly the aim of scoring a partner: to trumpet the mental all-clear to a world where how things seem is far more important than how things are? Now snugly in eternity, Housman still occupies my mind. His best moments were in Art, and not in the cut and thrust of human relationships. Yet he said more about human relationships than those who manage to feast on them. You see you can't have it both ways

Trumpets, fifes, hautboys, drums, and cannon made music such as Hell itself had never heard. The cannons first of all laid flat about six thousand men on each side; the muskets swept away from this best of worlds nine or ten thousand ruffians who infested its surface. The bayonet was also a sufficient reason for the death of several thousands. The whole might amount to thirty thousand souls. Candide, who trembled like a philosopher, hid himself as well as he could during this heroic butchery.

There was never anything so gallant, so spruce, so brilliant, and so well disposed as the two armies. Trumpets, fifes, hautboys, drums, and cannon made music such as Hell itself had never heard. The cannons first of all laid flat about six thousand men on each side; the muskets swept away from this best of worlds nine or ten thousand ruffians who infested its surface. The bayonet was also a sufficient reason for the death of several thousands. The whole might amount to thirty thousand souls. Candide, who trembled like a philosopher, hid himself as well as he could during this heroic butchery.

Not being able to see this, culture-based explanations for economic development have usually been little more than ex post facto justifications based on a 20/20 hindsight vision. So, in the early days of capitalism, when most economically successful countries happened to be Protestant Christian, many people argued that Protestantism was uniquely suited to economic development. When Catholic France, Italy, Austria and southern Germany developed rapidly, particularly after the Second World War, Christianity, rather than Protestantism, became the magic culture. Until Japan became rich, many people thought East Asia had not developed because of Confucianism. But when Japan succeeded, this thesis was revised to say that Japan was developing so fast because its unique form of Confucianism emphasized co-operation over individual edification, which the Chinese and Korean versions allegedly valued more highly. And then Hong Kong, Singapore, Taiwan and Korea also started doing well, so this judgement about the different varieties of Confucianism was forgotten. Indeed, Confucianism as a whole suddenly became the best culture for development because it emphasized hard work, saving, education and submission to authority. Today, when we see Muslim Malaysia and Indonesia, Buddhist Thailand and even Hindu India doing well economically, we can soon expect to encounter new theories that will trumpet how uniquely all these cultures are suited for economic development (and how their authors have known about it all along).

The look of good sense and prudence, even of the best kind, differs from that of genius, in that the former bears the stamp of subjection to the will, while the latter is free from it. And therefore one can well believe the anecdote [...] how once at the court of the Visconti, when Petrarch and other noblemen and gentlemen were present, Galeazzo Visconti told his son, who was then a mere boy (he was afterwards first Duke of Milan), to pick out the wisest of the company; how the boy looked at them all for a little, and then took Petrarch by the hand and led him up to his father, to the great admiration of all present. For so clearly does nature set the mark of her dignity on the privileged among mankind that even a child can discern it. Therefore, I should advise my sagacious countrymen, if ever again they wish to trumpet about for thirty years a very commonplace person as a great genius, not to choose for the purpose such a beer-house-keeper physiognomy as was possessed by that philosopher [Hegel], upon whose face nature had written, in her clearest characters, the familiar inscription, "commonplace person.

The Dead Father was slaying, in a grove of music and musicians. First he slew a harpist and then a performer upon the serpent and also a banger upon the rattle and also a blower of the Persian trumpet and one upon the Indian trumpet and one upon the Hebrew trumpet and one upon the Roman trumpet and one upon the Chinese trumpet of copper-covered wood. Also a blower upon the marrow trumpet and one upon the slide trumpet and one who wearing upon his head the skin of a cat performed upon the menacing murmurous cornu and three blowers on the hunting horn and several blowers of the conch shell and a player of the double aulos and flautists of all descriptions and a Panpiper and a fagotto player and two virtuosos of the quail whistle and a zampogna player whose fingering of the chanters was sweet to the ear and by-the-bye and during the rest period he slew four buzzers and a shawmist and one blower upon the water jar and a clavicytheriumist who was before he slew her a woman, and a stroker of the theorbo and countless nervous-fingered drummers as well as an archlutist, and then whanging his sword this way and that the Dead Father slew a cittern plucker and five lyresmiters and various mandolinists, and slew too a violist and a player of the kit and a picker of the psaltery and a beater of the dulcimer and a hurdy-gurdier and a player of the spike fiddle and sundry kettledrummers and a triangulist and two-score finger cymbal clinkers and a xylophone artist and two gongers and a player of the small semantron who fell with his iron hammer still in his hand and a trictrac specialist and a marimbist and a maracist and a falcon drummer and a sheng blower and a sansa pusher and a manipulator of the gilded ball. The Dead Father resting with his two hands on the hilt of his sword, which was planted in the red and steaming earth. My anger, he said proudly. Then the Dead Father sheathing his sword pulled from his trousers his ancient prick and pissed upon the dead artists, severally and together, to the best of his ability-four minutes, or one pint. Impressive, said Julie, had they not been pure cardboard. My dear, said Thomas, you deal too harshly with him. I have the greatest possible respect for him and for what he represents, said Julie, let us proceed.

These are the times for real choices and not false ones. We are at the moment when our lives must be placed on the line if our nation is to survive its own folly. Every man of humane convictions must decide on the protest that best suits his convictions, but we must all protest.

Doing something different is what’s truly good for society—and it’s also what allows a business to profit by monopolizing a new market. The best projects are likely to be overlooked, not trumpeted by a crowd; the best problems to work on are often the ones nobody else even tries to solve.

I ask myself if there is an irresponsible aspect in relaying thoughts of pain as inspiration, and I wonder whether Housman actually infected the sensitives further, and pulled them back into additional darkness. Surely it is true that everything in the imagination seems worse than it actually is - especially when one is alone and horizontal (in bed, as in the coffin.) Housman was always alone - thinking himself to death, with no matronly wife to signal to the watching world that Alfred Edward was now quite alright - for isn’t this at least partly the aim of scoring a partner: to trumpet the mental all-clear to a world where how things seem is far more important than how things are? Now snugly in eternity, Housman still occupies my mind. His best moments were in Art, and not in the cut and thrust of human relationships. Yet he said more about human relationships than those who managed to feast on them. You see, you can’t have it both ways.

Then it was horn time. Time for the big solo. Sonny lifted the trumpet - One! Two! - He got it into sight - Three! We all stopped dead. I mean we stopped. That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit. Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?" I looked close and said: "Man, I hope not." But why kid? We'd seen that trumpet a million times. It was Spoof's. Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night... I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and - That blast got into our ears like long knives. Spoof's own trademark! Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide. Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat. The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves... And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted: 'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!' And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz. Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep... And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!' God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")

Any woman who has ever tried will know without explanation what an unpalatable task it is to dismiss, even when she does not love him, a man who has all the natural and moral qualities she would desire, and only fails in the social. Would-be lovers are not so numerous, even with the best women, that the sacrifice of one can be felt as other than a good thing wasted, in a world where there are few good things.

Pardon me for budging into concoction of the aristocrats blowing their trumpets, the demagogues' doctrines, the antagonists' squeals, the hypocrites' assertions, the sycophants fawning adoration, the facebookers' slants, the youthful sneers, the pragmatic notions n of course some acquiescent aspirants....this facebook page is so bombarded by myriad posts....maddening to read n like all.....so here's wishing each one of the revered contestants all the best.....may the deserving win.....

It was the biggest joint summoning that I’d been involved in since the great days of Prague. Forty djinn materializing more or less at once, in a vast chamber built for that purpose in the bowels of Whitehall. As with all such things, it was a messy business, despite the best efforts of the magicians. They were all lined up in tidy rows of identical pentacles, wearing the same dark suits and speaking their incantations quietly, while the officiating clerks scribbled their names down at tables to the sides. We djinn, of course, were less concerned with regimental decorum: we arrived in forty very different guises, trumpeting our individuality with horns, tails, iridescent flanges, spikes, and tentacles; with colors ranging from obsidian-black to delicate dandelion-yellow; with a menagerie full of hollerings and chitter; with a magnificent range of sulfurous guffs and stenches.

I do not believe that one can maintain a situation in which a man toils and works a whole year, only to get a ludicrous salary, and another just sits down in a leather seat and gets enormous sums for it. This is a condition unworthy of man. [-] After all, there are two worlds which confront each other. And they are right when they say: “We can never reconcile ourselves to the National Socialist world.” For how could a narrow-minded capitalist possibly declare his agreement with my principles? It would be easier for the devil to go to church and take holy water. [-] This is the first state in our German history which, as a matter of principle, eliminated all social prejudice in the assignment of social positions, and this not only in civilian life. I myself am the best proof of that. I am not even an advocate; just think of what this means! And still I am your Fuhrer! [-] What was it that I asked of the outside world Nothing but the right of Germans to unite, and second, that what was taken away from them be restored. I asked for nothing which might have implied a loss for another people. How often have I offered my hand to them Immediately after my rise to power. For what does armament mean? It gobbles up so much manpower. And especially I who regard work as the decisive factor, I had wished to employ German manpower for other plans. And, my Volksgenossen, I believe it became common knowledge that I have plans of some substance, beautiful and great plans for my Volk. I have the ambition to make the German Volk rich, the German lands beautiful. I wish the standard of living of the individual to increase. I wish us to develop the most beautiful and best culture. I wish theater to be an enjoyment affordable for the entire Volk and not only for the upper ten thousand as in England. Beyond this, I wish the entirety of German culture to benefit the Volk. These were enormous plans which we possessed, and for their realization I needed manpower. Armament just takes men away. I made proposals to restrict armament. But all they did was laugh at me. [-] For it was quite clear: what was I before the World War? An unknown, nameless man. What was I during the War? A small, common soldier. I bore no responsibility for the World War. But who are the folk who lead England once again today The very same people who were already agitating before the World War. It is the same Churchill, who was already the vilest warmonger in the World War, and the late Chamberlain who agitated just as much then. And the whole audience (Korona) that belongs there, and naturally that people which always believes that with the trumpets of Jericho it can destroy the peoples: these are the old specters which have arisen once more! Adolf Hitler – speech to the workers of a Berlin December 10, 1940

Truth is the best shield and safeguard against an array of modern and postmodern objections to Christian faith. Many Christians have skipped over the question of truth, often unwittingly, and they cover its absence with all sorts of genuine but inadequate answers. They believe in God because faith “works for them” or “the family that prays together stays together” and so on. Such faith may be sincere, but it will always be vulnerable. From one side it will be open to doubt, and from the other it will be open to all the accusations of modern skepticism—that faith is only “bad faith,” believed for reasons other than that it is true, and that it fears to face the challenges surrounding truth. There has to be a moment when, as Chesterton puts it, he and millions of Christians with him believe in the Christian faith because the key “fits the lock, because it is like life.” “We are Christians,” he continues, “not because we worship a key, but because we have passed a door; and felt a wind that is the trumpet of liberty blow over the land of the living.”25

Pain is the clarion of aliveness trumpeting that you are living in the marvelous tender cause of life!

Ending the Year in Praise Praise the Lord! Praise God in his heavenly dwelling; praise him in his mighty heaven! Praise him for his mighty works; praise his unequaled greatness! Praise him with a blast of the trumpet; praise him with the lyre and harp! . . . Let everything that lives sing praises to the Lord! Praise the Lord! Psalm 150:1-3, 6 What a way to end the year—praising the Lord for his mighty works, his unequaled greatness. This psalm, also called the last hallelujah, invites us to join the praises to God in the holy place. The praise is not half-hearted; it is full-force praise with musical instruments—tambourine, stringed instruments, the lyre, the cymbals—and dancing, praise from everyone. When we offer God praise, we’re doing what we were created for, even if we’re not the best musician or dancer. All of us can raise our voices singing hymns, choruses, and new songs to the Lord. How has God blessed you, your family, friends, or church this year? What mighty works has he accomplished? What progress have you made in an area in which you’ve struggled? What prayers has God answered? What new attributes or aspects of God have you discovered or experienced in the past year? Lift up your voice or whatever instrument you play, and praise the Lord for these specific things as you pray this psalm aloud.   LORD, I join those in your heavenly dwelling to worship you for your mighty works. I praise your unequaled greatness. I praise you with my whole heart for how you’ve sustained me in the year that is ending, for your faithfulness, love, and provision. Thank you for how you’ll be with me each day in the new year. Let everything that lives sing praises to the Lord!   TO THE EAR OF GOD EVERYTHING HE CREATED MAKES EXQUISITE MUSIC, AND MAN JOINED IN THE PAEAN OF PRAISE UNTIL HE FELL, THEN THERE CAME IN THE FRANTIC DISCORD OF SIN. THE REALIZATION OF REDEMPTION BRINGS MAN BY WAY OF THE MINOR NOTE OF REPENTANCE BACK INTO TUNE WITH PRAISE AGAIN. Oswald Chambers (1874-1917)

The best projects are likely to be overlooked, not trumpeted by a crowd; the best problems to work on are often the ones nobody else even tries to solve.

Prayer is one great secret of spiritual prosperity. When there is much private communion with God, your soul will grow like the grass after rain; when there is little, all will be at a standstill, you will barely keep your soul alive. Show me a growing Christian, a going forward Christian, a strong Christian, a flourishing Christian, and sure am I, he is one that speaks often with his Lord. He asks much, and he has much. He tells Jesus everything, and so he always knows how to act. Prayer is the mightiest engine God has placed in our hands. It is the best weapon to use in every difficulty, and the surest remedy in every trouble. It is the key that unlocks the treasury of promises, and the hand that draws forth grace and help in time of need. It is the silver trumpet God commands us to sound in all our necessity, and it is the cry He has promised always to attend to, even as a loving mother to the voice of her child. Prayer is the simplest means that man can use in coming to God. It is within reach of all, — the sick, the aged, the infirm, the paralytic, the blind, the poor, the unlearned, — all can pray. It avails you nothing to plead want of memory, and want of learning, and want of books, and want of scholarship in this matter. So long as you have a tongue to tell your soul’s state, you may and ought to pray. Those words, “Ye have not, because ye ask not” (Jas. 4:2), will be a fearful condemnation to many in the day of judgment.

The most effective people concentrate on their “areas of excellence,” that is, on the things they do best and on those high-impact activities that will advance their life-work. In being so consumed by the important things, they find it easy to say no to the less-than-worthy distractions that clamor for their attention. Michael Jordan, the best basketball player in the game’s history, did not negotiate his contracts, design his uniforms and prepare his travel schedules. He focused his time and energies on what he did best: playing basketball, and delegated everything else to his handlers. Jazz great Louis Armstrong did not spend his time selling tickets to his shows and setting up chairs for the audience. He concentrated on his point of brilliance: playing the trumpet. Learning to say no to the non-essentials will give you more time to devote to the things that have the power to truly improve the way you live and help you leave the legacy you know in your heart you are destined to leave.

Prayer is the peculiarity of all real Christians now. They pray, for they tell God their wants, their feelings, their desires, and their fears; and they mean what they say. The nominal Christian may repeat prayers, and good prayers too, but he goes no further. Prayer is the turning point in a man’s soul. Our ministry is unprofitable, and our labor is vain, until you are brought to your knees. Until then, we have no hope for you. Prayer is one great secret of spiritual prosperity. When there is much private communion with God, your soul will grow like the grass after rain. When there is little, all will be at a standstill, and you will barely keep your soul alive. Show me a growing Christian, a going-forward Christian, a strong Christian, and a flourishing Christian, and I am sure he is one that speaks often with his Lord. He asks much, and he has much. He tells Jesus everything, so he always knows how to act. Prayer is the mightiest engine God has placed in our hands. It is the best weapon to use in every difficulty and the surest remedy in every trouble. Prayer is the key that unlocks the treasury of promises and the hand that draws forth grace and help in time of need. It is the silver trumpet that God commands us to sound in our time of need, and it is the cry He has promised always to attend to, even as a loving mother attends to the voice of her child. Prayer is the simplest means that man can use in coming to God. It is within reach of all – the sick, the aged, the infirm, the paralytic, the blind, the poor, and the unlearned. All can pray. It avails you nothing to plead lack of memory, lack of learning, lack of books, or lack of scholarship in this matter. As long as you have a tongue to tell your soul’s state, you may and ought to pray. Those words, ye have not, because ye ask not (James 4:2), will be a fearful condemnation to many in the day of judgment.

I Verden øves selsom Spil, Best bider gammel Vane, Men Folk maa giøre hvad de vil Saa galer dog min Hane. Vil derfor nogen blive vred, Det er mig lige meget; Jeg har god Samvittighed, Saa har enhver sit eget.

Jo ældere Verden hun bliver af Aar, Jo værre jo slæmmer' er Menniskens Kaar, Vi haver alt levet det beste.

The best projects are likely to be overlooked, not trumpeted by a crowd;

Through the rose garden, the path ran straight ahead to the mass of mauve wisteria, now past its best. At ground level, Ellie could see now that it formed a tunnel leading deeper into the garden, gnarled trunks growing over a long wooden frame that was rotten in places. At the end was a green space the size of a large room, walled by a hedge of clipped myrtle. From all sides white trumpets of datura hung down, smelling faintly of coffee. "I've never seen such a display," said Ellie. "My mother planted them many years ago. Moonflowers." "Also known as devil's trumpet." "Angel's trumpet, too. Or so she told me.

The main distinction is that those who make the best predictions have a collection of little ideas and are always incorporating new information into their outlooks, while those making the worst predictions have one grand theory that they trumpet through thick and thin. Tetlock calls the former foxes, the latter, hedgehogs.

Dylan, Duende, Death and Lorca Does Bob Dylan have Duende? DUENDE dancers perform moving, unique, unrepeatable performances Does Bob Dylan have duende? Do you have duende? What is duende? Duende is a Spanish word with two meanings. A duende is a goblin or a pixie that probably lives at the bottom of the garden and gives three wishes to old ladies who deserve a break. The duende was best defined by Spain’s great poet Federico García Lorca during a lecture he gave in New York in 1929 on Andalusian music known as cante jondo, or deep voice. ‘The duende,’ he said, ‘is a momentary burst of inspiration, the blush of all that is truly alive, all that the performer is creating at a certain moment.’ The difference between a good and a bad singer is that the good singer has the duende and the bad singer doesn’t. ‘There are no maps nor disciplines to help us find the duende. We only know that he burns the blood like a poultice of broken glass, that he exhausts, that he rejects all the sweet geometry we have learned.’ Some critics say Bob Dylan does not have a great voice. But more than any other performer since the birth of recorded music, Dylan has revealed the indefinable, spine-tingling something captured in Lorca’s interpretation of duende. ‘It is an inexplicable power of attraction, the ability to send waves of emotion through those watching and listening to them.’ ‘The duende,’ he continues, ‘resembles what Goethe called the demoniacal. It manifests itself principally among musicians and poets of the spoken word, for it needs the trembling of the moment and then a long silence.’ painting off hell by Hieronymus Bosch Hell & Hieronymus Bosch Four elements can be found in Lorca’s vision of duende: irrationality, earthiness, a heightened awareness of death and a dash of the diabolical. I agree with Lorca that duende manifests principally among singers, but would say that same magic may touch us when confronted by great paintings: Picasso’s Guernica, Edvard Munch’s The Scream, the paintings of heaven and hell by Hieronymus Bosch. The duende is found in the bitter roots of human existence, what Lorca referred to as ‘the pain which has no explanation.’ Artists often feel sad without knowing why. They sense the cruel inevitability of fate. They smell the coppery scent of death. All artists live in a permanent state of angst knowing that what they have created could have been better. Death with Duende It is not surprising that Spain found a need for the word duende. It is the only country where death in the bullring is a national spectacle, the only nation where death is announced by the explosion of trumpets and drums. The bullring, divided in sol y sombre – the light and shade, is the perfect metaphor for life and death, a passing from the light into darkness. Every matador who ever lived had duende and no death is more profound than death in the bullring.

My fear is that, perhaps without even realizing it, we’ve fallen into the very dangerous habit of neglecting God’s commands in favor of our logic. For example, if I invite the most famous Christian artist to do a concert at my church, I’m sure to get a crowd of people, maybe even some open-minded unbelievers. I can give a gospel presentation in the middle and an altar call at the end, and through a couple hours of work, I’m almost guaranteed to have some kind of positive response. On the other hand, if I commit to becoming like family with a few other believers, I could spend years pouring time and energy into building those relationships, and I have no idea how that is going to affect any unbelievers. I would have to put all my hope in a promise. When I look at those two options, there’s no question which one makes more sense in the flesh. Many people stop right there and make their decision. But I would ask you to consider: • Does marching around a city seven times and blowing trumpets sound like the most effective way to conquer a city? • Does a little shepherd boy with a slingshot sound like the best candidate to defeat a giant warrior? This list could be expanded at length, but you get the point. God often asks people to pursue strategies that don’t make the most logical sense. If they did make sense to us, we wouldn’t need faith. And without faith, it is impossible to please God (Hebrews 11:6) God’s ways are not our ways. He has not asked us to strategize; He has asked us to obey. It seems simple, so why haven’t we obeyed? I can’t speak for you, but I know what usually keeps me from staying committed to His plan: disbelief.

Almighty God, as I cross the threshold of this day I commit myself, soul, body, affairs, friends, to Thy care. Watch over, keep, guide, direct, sanctify, bless me. Incline my heart to thy ways. Mould me wholly into the image of Jesus, as a potter forms clay. May my lips be a well-tuned harp to sound Thy praise. Let those around see me living by Thy Spirit, trampling the world underfoot, unconformed to lying vanities, transformed by a renewed mind, clad in the entire armour of God, shining as a never- dimmed light, showing holiness in all my doings. Let no evil this day soil my thoughts, words, hands. May I travel miry paths with a life pure from spot or stain. In needful transactions let my affection be in heaven, and my love soar upwards in flames of fire, my gaze fixed on unseen things, my eyes open to the emptiness, fragility, mockery of earth and its vanities. May I view all things in the mirror of eternity, waiting for the coming of my Lord, listening for the last trumpet call, hastening unto the new heaven and earth. Order this day all my communications according to Thy wisdom, and to the gain of mutual good. Forbid that I should not be profited or made profitable. May I speak each word as if my last word, and walk each step as my final one. If my life should end today, let this be my best day.

likely to be overlooked, not trumpeted by a crowd; the best problems to work on are often the ones nobody else even tries to solve.

knowing that I wanted to be a piano player, and knowing that practicing, of course, was just something piano players did, I turned my daily practice into a habit. Now, habits get a bad rap; we tend to think of things like biting our nails or smoking when we talk about them. But really, a habit is defined as “a settled or regular tendency or practice, especially one that is hard to give up.” Tooth brushing is a habit (for most of us). So is showing up to work on time. Those are some good habits. Habits can be good; say it with me. Once you’ve trained your brain to view practicing as a habit, the next step is finding the motivation to adopt that habit. The key to motivation, I’ve learned, is coupling your profound inspiration to a strong belief in yourself, and that’s not something even the best teacher is able to instill. It has to come from within. Building a strong core identity to drive your motivation requires first believing that you’ll eventually master the skill you’ve set out to learn—no matter how farfetched that might initially seem to yourself and others. Having the correct image of yourself is really key here; you have to think of yourself as the thing you want to be long before other people think of you as that. You may only have taken one trumpet lesson and sound horrible, but you still must think of yourself as a trumpet player in order for the habit to stick. You are whatever you do repeatedly. Practicing became such a constant in my day—and in such a natural, unforced way—that I hardly had to think about it. It had become, in other words, a habit.

I rise, Mr President, for the purpose of announcing to the Senate that I have satisfactory evidence that the State of Mississippi, by a solemn ordinance of her people in convention assembled, has declared her separation from the United States. Under these circumstances, of course, my functions terminate here. It has seemed to me proper, however, that I should appear in the Senate to announce that fact to my associates, and I will say but very little more.” His voice faltered at the outset, but soon it gathered volume and rang clear—“like a silver trumpet,” according to his wife, who sat in the gallery. “Unshed tears were in it,” she added, “and a plea for peace permeated every tone.” Davis continued: “It is known to senators who have served with me here, that I have for many years advocated, as an essential attribute of State sovereignty, the right of a State to secede from the Union.… If I had thought that Mississippi was acting without sufficient provocation … I should still, under my theory of government, because of my allegiance to the State of which I am a citizen, have been bound by her action.” He foresaw the founding of a nation, inheritor of the traditions of the American Revolution. “We but tread in the paths of our fathers when we proclaim our independence and take the hazard … not in hostility to others, not to injure any section of the country, not even for our own pecuniary benefit, but from the high and solemn motive of defending and protecting the rights we inherited, and which it is our duty to transmit unshorn to our children.” England had been a lion; the Union might turn out to be a bear; in which case, “we will invoke the God of our fathers, who delivered them from the power of the lion, to protect us from the ravages of the bear; and thus, putting our trust in God and in our own firm hearts and strong arms, we will vindicate the right as best we may.

Nozick thinks the mistake utopians make is to assume that their idealised society will work for everyone. No matter how it works or who designs it, some people are bound to loathe it. Instead we should recognise that the best society would be one in which different human types can find their own way to live. Communism would only be utopia for the people who prefer things this way;for others it would be hell. The same is true for Gandhi's asceticism, for Emma Goldman's anarchism and even Ayn Rand's version of libertarianism, which trumpets the virtues of the free market. Nozick thinks a true utopia would need to have a room for all these things, and to allow them to be freely chosen by the different people who lived there.

I think about all my patients who've died. Older people, most of them. But not all. Looking back, I try to remember if the young ones were marked somehow. Whether they might have done something to bring their fates down on themselves. But they didn't, Danny. One day God or Fate just said, 'I will not let you be happy. I will not give you children. I will not let you breathe another day. I will take away your ability to move."'" "Warren-" "No, listen. This is important. I've tried to believe, all my life. To have faith that there was justice in life, some larger plan or meaning. But I can't do it any more. I've watched some of the best people I ever met get crippled or taken before they reached thirty, forty, whatever. Babies, too. I've watched babies die of leuke mia. I've watched infants die from infections, bleeding from their eyes and ears. Terrible birth defects...I look for a reason, a pattern, anything that might justify all that. But nothing does. Nothing does. Until I got sick myself, I played the same game of denial that all doctors do. But, Danny, my cancer ripped the scales from my eyes. I go to these funerals and listen to smug preachers telling grieving people that God has a plan. Well, that's a lie. All my life I've followed the rules. I've toed the line, given to the less fortunate, followed the Commandments . . . and it hasn't mattered one bit. And don't tell me about Job, okay? If you tell me God is testing me by killing me... that's like saying we had to destroy a village in order to save it. It's a cruel joke that we play on ourselves. And don't tell me it's all made right in the afterlife, because you know what? The agony of one infant dying senselessly mocks all the golden trumpets of heaven. I don't want to sit at the right hand of a God who can torture children, or even one who sits by and allows them to be tortured. Free will, my ass. I made no choice to die at thirty seven. This one's on God's account, Major. We look for meaning where there is none, because we're too afraid to accept randomness. Well, I've accepted it. Embraced it, even. And once you do that, the world just doesn't look the same anymore.

Stop daydreaming and listen to the story of how Benjamín lost all his hair. “One spring morning, a circus wagon painted like a carriage from the funeral parlor pulled by two skeletal horses decorated with black plumes passed along our street, heading for the town square. A man wearing a skeleton costume held the reins. Next to him sat a female dwarf dressed as the Angel of the Last Judgment, playing a sad melody on an old trumpet. Attracted by their sinister looks, we ran to see the performance.

Miss Tuppenceworth, W.’s pretty blonde secretary, looked out the window of her office, which served as antechamber to her superior’s sanctum sanctorum. “Why is it that whenever H.P. shows up, the sky is suddenly filled with multi-colored silhouettes of shapely women flying about? One can see outlines of guns among the female forms, and hear music filled with saxophones and trumpets. And there’s this sort of swirly gun-barrel shifting to and fro…Decidedly odd.

All about her she saw that two thousand out of the horde had made it across the water. They were on the frontier of Eden. A mere two thousand combatants for the invasion of an impregnable fortress. Five out of six Nephilim had perished at the mercy of Rahab and her brood of Leviathan and the tentacled one. The devastation was inestimable. It could lose her the war. Still, she had two thousand warriors with her. They were on the shores of the entrance to the Garden that hid the Tree of Life deep in its midst. Thanks to the Cursed One, she knew exactly where that tree was. She looked for her Rephaim generals but could not find them. They had all been lost to the denizens of the deep. An earthquake rocked the land. It was deep, the precursor of something much bigger. “Now what?” Inanna complained. She looked onto the horizon of her destination. Black smoke billowing out of the mountaintops of not only Mount Sahand, but the more distant northern Mount Savalan. The earth rumbled again. She realized she did not have much time. She signaled for her Anzu bird, and called out to Utu, flying above them at a safe height. “SOUND THE CRY OF WAR!” she bellowed. Utu put the trumpet to his lips and blew with all his might. The war cry of Inanna echoed throughout the land. Her Nephilim gathered their arms and dashed toward the heart of Eden. Inanna mounted her thunderbird. She glanced out at the Lake. Rahab glided on the surface, its eyes watching her. It would not forget this day, nor the Watcher, who for one moment bested the sea dragon of the Abyss.               • • • • • At the top of the Mount Sahand ridge, six thousand Nephilim prepared their sail-chutes. They waited for the call of war. When it came, they jumped off the cliff edge by the dozens. They opened up their sails to float down into the Garden. Handfuls of them failed and Nephilim plummeted to their deaths a thousand feet below. But most of them worked. The Nephilim drifted from the heavens into the pristine paradise. Right into the flaming whirling swords of the Cherubim.

I love you.” “Wow. That too on Valentine’s Day!” “That’s just a coincidence.” A perfect love story started to brew as they embarked on a journey of love and romance. The day the world celebrated love was the day they would start their love story too. What a perfect melodrama, even the best of romantic movies might not have such a climax. A perfect love story was just brewing.

Where is the counterpart to this closed system of will, goal and interpretation? Why is the counterpart lacking? . . . Where is the other ‘one goal’? . . . But I am told it is not lacking, not only has it fought a long, successful fight with that ideal, but it has already mastered that ideal in all essentials: all our modern science is witness to that, – modern science which, as a genuine philosophy of reality, obvi- ously believes only in itself, obviously possesses the courage to be itself, the will to be itself, and has hitherto got by well enough without God, the beyond and the virtues of denial. However, I am not impressed by such noise and rabble-rousers’ claptrap: these people who trumpet reality are bad musicians, it is easy enough to hear that their voices do not come from the depths, the abyss of scientific conscience does not speak from them – for the scientific conscience today is an abyss –, the word ‘science’ is quite simply an obscenity in the traps of such trumpeters, an abuse, an indecency. 109 On the Genealogy of Morality Precisely the opposite of what they are declaring here is the truth: science today has absolutely no faith in itself, let alone in an ideal above it, – and where it is still passion, love, fire, suffering, it is not the opposite of the ascetic ideal but rather the latter’s own most recent and noble manifestation. Does that sound strange to you? . . . There are enough worthy and modest workers even amongst the scholars of today, who like their little corner and therefore, because they like being there, are occasionally somewhat pre- sumptuous in making their demand heard that people today ought to be content in general, especially with science – there being so much useful work to be done. I do not deny it: I am the last to want to spoil the pleasure of these honest workers in their craft: for I delight in their work. But the fact that nowadays people are working hard in science, and that they are contented workmen, does not at all prove that today, science as a whole has a goal, a will, an ideal, a passion of great faith. The opposite, as I said, is the case: where it is not the most recent manifestation of the ascetic ideal – there are too few noble, exceptional cases for the general judgment to be deflected – then science today is a hiding place for all kinds of ill-humour, unbelief, gnawing worms, despectio sui,113 bad conscience – it is the disquiet of the lack of ideals itself, the suffering from a lack of great love, the dis- content over enforced contentedness. Oh, what does science not conceal today! how much it is supposed to conceal, at any rate! The industry of our best scholars, their unreflective diligence, heads smoking night and day, their very mastery of their craft – how often does all that mean trying to conceal something from themselves? Science as a means of self-anaesthetic: do you know that? . . . Everyone in contact with scholars has the experience that they are sometimes wounded to the marrow by a harmless word, we anger our scholarly friends at the very moment when we want to honour them, we make them lose their temper and control simply because we were too coarse to guess who we were actually dealing with, with sufferers who do not want to admit what they are to themselves, with people drugged and dazed who fear only one thing: coming to consciousness . . .

Now I’m no art critic, but in a time seen as a bridge between the late middle ages and the early renaissance, where the church played such a substantial part in the day to day running of people's lives, Bosch’s Garden of Earthly Delights, which is painted on oak with a square middle panel flanked by two doors that close over the centre like shutters, is rather racy. When the outer shutters are folded over they show a grisaille painting of the earth during creation. But it’s the three scenes of the inner triptych that fascinate me. If you’re unfamiliar with the painting, I’ll do my best to describe it for you. Apologies in advance if I miss anything out. It’s regular sort of stuff, you know, naked women being fondled by demons, a bloke being kissed by a pig dressed as a nun, another bloke being eaten by some kind of story book character while loads of blackbirds fly out of his arse, a couple locked in a glass sphere and – let’s not beat about the Bosch here – locked in each other’s embrace as well. There are loads of people feeding each other fruit, doing handstands, hatching out of eggs, climbing up ladders to get inside the bodies of other people and looking at demon’s arses. There’s a couple getting caught shagging by giant birds, and a white bloke and a black Rastafarian with ‘locks (400 years before the Rastafari movement was founded) about to have a snog. You’ve got God giving Eve to a very puny-looking, limp-dicked Adam, and there’s a bunch of people sitting around a table inside the body of another bloke while an old woman fills up on wine from a decent-sized barrel while a kind of giant metal face pukes out loads of naked blokes who go running into a trumpet and another bloke being fed a cherry by a giant bird while a white bloke shows a black lady something in the sky. It’s all going on! There's loads of those ‘living dead’ mateys walking about, and a bloke carrying giant grapes past a topless girl with, it has to be said, pretty decent tits. She’s balancing a giant dice on her head while doing something strange to another bloke’s arse while a rabbit in clothes walks past. You can’t see what she’s doing because there’s a table in the way but beside them is a serpent-type creature with just one massive boob and a pretty pert nipple. One huge tit the size of his chest! Of all things, he’s holding a backgammon board up in the air. I’d say Bosch was a tit man, wouldn’t you? But there’s more. There’s a crowd of naked girls – black & white - in a water pool, all balancing cherries on their heads; read into that what you will. There are just LOADS of naked women in this water pool, including one of the black girls who’s balancing a peacock on her head. There are dozens of nudists riding horses around them in a circle. Some are sharing the same horse, so I must admit that in places it appears to be a little intimate. And now what have we got! There’s a couple cavorting inside a giant shell which is being carried on the back of another bloke. Why doesn’t he just put it down and climb in and have a threes-up? There are people with wings, creatures reading books and just more and more nudists. There’s a naked woman lying back, and this other bloke with his face extremely close to her nether regions! What on earth does the blighter think he’s playing at? There’s loads of grey half men-half fish, some balancing red balls on their heads like seals, and another fellow doing a handstand underwater while holding onto his nuts. You’ve got a ball in a river with people climbing all over it, while a bloke inside the ball is touching a lady in what appears to be a very inappropriate manner! There’s a kind of platypus-type fish reading a book underground and Theresa May triggering Article 50 of Brexit (just kidding about the Theresa May bit).