Automatic Gate Quotes

All I do know is that the plant manager himself took me outside to the gate, waved down a passing police open-top jeep, greased the palm of the officer who was driving, and pushed me into the back next to a man dressed in camouflage with an automatic rifle on his lap. Sirens blaring, I was driven to the airport, scared out of my skin.

If you close your door to the world of books, the gates of the world of ignorance automatically opens and quickly pulls you inside!

As Lewis Mumford observed, our choices have been grossly limited: “On the terms imposed by technocratic society, there is no hope for mankind except by ‘going with’ its plans for accelerated technological progress, even though man’s vital organs will all be cannibalized in order to prolong the megamachine’s meaningless existence.” All is not lost, though, as he also remarked: “But for those of us who have thrown off the myth of the machine, the next move is ours: for the gates of the technocratic prison will open automatically, despite their rusty hinges, as soon as we choose to walk out.

In modern street-English, we use “hell” as a catchall term to describe the bad place (usually red hot) where sinful people are condemned to punishment and torment after they die. This simplistic, selective, and horrifying perception of hell is due in large part to nearly 400 years of the King James Version’s monopoly in English-speaking congregations (not to mention centuries of imaginative religious art). Rather than acknowledge the variety of terms, images, and concepts that the Bible uses for divine judgment, the KJV translators opted to combine them all under the single term “hell.” In truth, the array of biblical pictures and meanings that this one word is expected to convey is so vast that they appear contradictory. For example, is hell a lake of fire or a place of utter darkness? Is it a purifying forge or a torture chamber? Is it exclusion from God’s presence or the consuming fire of God’s glory? While modern scholarship acknowledges the mis- or over-translation of Sheol, Hades, and Gehenna as “hell” - especially if by “hell” we refer automatically to the eternal punishment of the wicked in conscious torment in a lake of fire - the thoroughly discussed limitations of hell language and imagery have been slow to permeate the theology of pulpits and pews in much of the church. Why the reluctance? Do we resist out of ignorance? Or are we afraid that abandoning infernalism implies abandoning faithfulness to Scripture and sound doctrine? After all, for so long we were taught that to be a Christian - especially an evangelical - is to be an infernalist. And yet, not a few of my friends have confessed that they have given up on being “good Christians” because they can no longer assent to the kind of God that creates and sends people to hell as they imagine it.

feel on my skin and within my mind. Sometimes being psychic like my mom really sucked. I wrapped my fingers around my keys and hit the automatic opener. As the old metal gate began to grind and screech its way to one side, I couldn’t

We have been dreaming of robots since Homer. In Book 18 of the Iliad , Achilles’ mother, the nymph Thetis, wants to order a new suit of armor for her son, and so she pays a visit to the Olympian atelier of the blacksmith-god Hephaestus, whom she finds hard at work on a series of automata: . . . He was crafting twenty tripods to stand along the walls of his well-built manse, affixing golden wheels to the bottom of each one so they might wheel down on their own [automatoi] to the gods’ assembly and then return to his house anon: an amazing sight to see. These are not the only animate household objects to appear in the Homeric epics. In Book 5 of the Iliad we hear that the gates of Olympus swivel on their hinges of their own accord, automatai , to let gods in their chariots in or out, thus anticipating by nearly thirty centuries the automatic garage door. In Book 7 of the Odyssey , Odysseus finds himself the guest of a fabulously wealthy king whose palace includes such conveniences as gold and silver watchdogs, ever alert, never aging. To this class of lifelike but intellectually inert household helpers we might ascribe other automata in the classical tradition. In the Argonautica of Apollonius of Rhodes, a third-century-BC epic about Jason and the Argonauts, a bronze giant called Talos runs three times around the island of Crete each day, protecting Zeus’s beloved Europa: a primitive home alarm system.

One of the crucial documents for the Ordine dei Medici, it turned out, was an Italian passport. Until then nobody had bothered to mention this potentially insurmountable obstacle. It happened I did have a right to citizenship, but since it would be bestowed on me automatically by my Italian husband (Italian husbands are less powerful nowadays), the passport logically hung on Italian recognition of our American marriage, which was in turn predicated on Italian recognition of my husband’s American divorce from a prior marriage. The divorce certification, based on various Byzantine legal fictions, was a long time coming. One time there was a false sighting of his Italian divorce, and I optimistically went down to the Anagrafe or Central Registry to see whether I could get my citizenship papers. At the end of the forty-five-minute line a small man with slicked-down hair took my documents with a yawn and disappeared into the dark forest of files. When the clerk emerged, the bored look was gone from his face. He invited me to follow him along the long bank of teller windows, he on his side me on mine, and then pass through a little gate to the employee side. He sat me down, then paced between piled-up dossiers for a minute, no grille window to screen him off, before speaking. “Ms. Levenstein,” he said kindly, “You have applied for Italian citizenship on the grounds of being married to a certain Andrea Di Vecchia.” I admitted that was true. He paced a little more, lit a cigarette. “Ms. Levenstein,” he said again, even more gently, and I should have caught on from the way he repeated it. “I must tell you something. This Mr. Di Vecchia—he is already married to another woman!” His hand was already out to give a comforting squeeze to my shoulder, but it dropped when I laughed and explained that the problem was red tape, not bigamy. I thought later, high drama must be rare behind the certificate window, and he had risen to its call. How many American file clerks would have been so ready for their unexpected moment of glory? Another problem involved my residence papers, a crucial component in any pile of documents. All residents in Italy must communicate changes of address to the State within three months, and when we left my mother-in-law’s for our own place eight months earlier we had duly registered the move. But when I went to pick up an identity document I was told it couldn’t be issued because I was still listed at my old address. I slyly told the clerk in the cage to hold on, scurried over from his Identity Card window to the Certificate window three paces away, had the printer spit out a Residence Certificate bearing my name and the new address, and carried it back in triumph. He wasn’t impressed. “Oh, that certificate. That’s from the computer, it’s not worth anything. Your address has been changed in the computer, but the computerized part of the system doesn’t count.

Rachel inches over until they’re huddling together. “Do you like him back? Now?” The answer’s just as automatic as the apology. Still, it comes out as a whisper: “Yeah.” She takes a deep breath, gives voice to some of the noise in her head. “But what if I’m just feeling this because we’re out here and it’s scary and he feels safe? Or what if I’m just relieved to have my friend back, but I don’t like him like him? I don’t even know why he’d choose me. Then or now.” Rachel drops her head down onto Hallelujah’s shoulder. She nuzzles into Hallelujah’s neck, like a cat. “Hal, despite the giant prickly wall you’ve put up around yourself with the neon Off Limits sign flashing at the gate—” Hallelujah lets out a small laugh at this picture of herself. “—you’re nice. Like I said when I told you about my parents, you listen. And you care. Which is more than I can say for about three-quarters of the high school population. And you’re pretty. And while I’ve never heard you sing, obviously Jonah likes that about you.

Salerno and Carrillo saw Feinstein’s press conference on a television in a ground-floor office and became livid. By divulging the particulars of their evidence, the mayor was giving the Stalker the opportunity to get rid of the evidence—the shoes, the .25 automatic, and other guns. Dianne Feinstein was shooting holes in their case. They went upstairs to their desks speechless with anger. Leroy Orozco called and said they’d already complained about Feinstein to their captain, who’d gone to Police Chief Darryl Gates.

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It was a terminal station during the commuter rush. The backs of the crowd formed a sort of current, surging through the automatic ticket gate one after another, and the sight didn't surprise me or trigger any real emotion. When had I stopped being startled by how many people lived in one town, each of them with their own separate lives? I was aware of the fatigue I was carrying. I was thirty-one, and the weariness of those thirty-one years had seeped into me. It wasn't that big a deal. But it was not nothing, either.

The word automaton first appears in Western literature in Homer’s Iliad, where it’s used to describe the “self-moving and intelligent machines fabricated by Hephaestus,” the blacksmith god of technology, according to the Stanford folklorist and historian of ancient science Adrienne Mayor. Around 700 BCE, Homer wrote about Hephaestus’s various automated inventions, which included “a fleet of driverless three-wheeled carts that delivered nectar and ambrosia to the god’s banquets,” automatic gates, bellows that self-adjusted their trumpet blasts as needed, and a crew of artificially intelligent golden female androids that could anticipate the blacksmith god’s every need. And the Greeks were drawing on even older oral traditions.

Heightened capacity for visual imagery and fantasy “Was able to move imaginary parts in relation to each other.” “It was the non-specific fantasy that triggered the idea.” “The next insight came as an image of an oyster shell, with the mother-of-pearl shining in different colors. I translated that in the idea of an interferometer—two layers separated by a gap equal to the wavelength it is desired to reflect.” “As soon as I began to visualize the problem, one possibility immediately occurred. A few problems with that concept occurred, which seemed to solve themselves rather quickly…. Visualizing the required cross section was instantaneous.” “Somewhere along in here, I began to see an image of the circuit. The gates themselves were little silver cones linked together by lines. I watched the circuit flipping through its paces….” “I began visualizing all the properties known to me that a photon possesses and attempted to make a model for a photon…. The photon was comprised of an electron and a positron cloud moving together in an intermeshed synchronized helical orbit…. This model was reduced for visualizing purposes to a black-and-white ball propagating in a screwlike fashion through space. I kept putting the model through all sorts of known tests.” 5. Increased ability to concentrate “Was able to shut out virtually all distracting influences.” “I was easily able to follow a train of thought to a conclusion where normally I would have been distracted many times.” “I was impressed with the intensity of concentration, the forcefulness and exuberance with which I could proceed toward the solution.” “I considered the process of photoconductivity…. I kept asking myself, ‘What is light? and subsequently, ‘What is a photon?’ The latter question I repeated to myself several hundred times till it was being said automatically in synchronism with each breath. I probably never in my life pressured myself as intently with a question as I did this one.” “It is hard to estimate how long this problem might have taken without the psychedelic agent, but it was the type of problem that might never have been solved. It would have taken a great deal of effort and racking of the brains to arrive at what seemed to come more easily during the session.” 6. Heightened empathy with external processes and objects “…the sense of the problem as a living thing that is growing toward its inherent solution.” “First I somehow considered being the needle and being bounced around in the groove.” “I spent a productive period …climbing down on my retina, walking around and thinking about certain problems relating to the mechanism of vision.” “Ability to grasp the problem in its entirety, to ‘dive’ into it without reservations, almost like becoming the problem.” “Awareness of the problem itself rather than the ‘I’ that is trying to solve it.” 7. Heightened empathy with people “It was also felt that group performance was affected in …subtle ways. This may be evidence that some sort of group action was going on all the time.” “Only at intervals did I become aware of the music. Sometimes, when I felt the other guys listening to it, it was a physical feeling of them listening to it.” “Sometimes we even had the feeling of having the same thoughts or ideas.” 8. Subconscious data more accessible “…brought about almost total recall of a course that I had had in thermodynamics; something that I had never given any thought about in years.” “I was in my early teens and wandering through the gardens where I actually grew up. I felt all my prior emotions in relation to my surroundings.

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Sophie was smiling at the baby, who was making a determined play for the cat’s nose. Vim expected the beast to issue the kind of reprimand children remembered long after the scratches had healed, but the cat instead walked away, all the more dignified for its missing parts. “He must go terrorize mice,” Sophie said, rising with the child in her arms. “You’re telling me that cat still mouses?” Vim asked, taking the baby from her in a maneuver that was beginning to feel automatic. “Of course Pee Wee mouses.” Sophie turned a smile on him. “A few battle scars won’t slow a warrior like him down.” “A name like Pee Wee might.” She wrapped her hand into the crook of his elbow as they started across the alley. “Elizabeth gets more grief over his name than Pee Wee does.” “And rightly so. Why on earth would you inflict a feminine name on a big, black tom cat?” “I didn’t name him Elizabeth. I named him Bête Noir, after the French for black beast. Merriweather started calling him Betty Knorr after some actress, which was a tad too informal for such an animal, and hence he became Elizabeth. He answers to it now.” Vim suppressed the twitching of his lips, because this explanation was delivered with a perfectly straight face. “I suppose all that counts is that the cat recognizes it. It isn’t as if the cats were going to comprehend the French.” “It’s silly.” She paused inside the garden gate, her expression self-conscious. He stopped with her on the path, cradling the baby against his chest and trying to fathom what she needed to hear at the moment. “To the cat it isn’t silly, Sophie. To him, your kindness and care are the difference between life and death.” “He’s just a cat.” But she looked pleased with Vim’s observations. “And this is just a baby. Come.

The same year that the third great Viking ship found in Norway was excavated, at Oseberg, the town of Ålesund burned. At that time the Viking ships were displayed in makeshift exhibition halls, and the great Ålesund fire hastened the process of building a separate museum for them. The architect Fritz Holland proposed building an enormous crypt for them beneath the royal palace in Oslo. It was to be 63 metres long and 15 metres wide, with a niche for each ship. The walls were to be covered with reliefs of Viking motifs. Drawings exist of this underground hall. It is full of arches and vaults, and everything is made of stone. The ships stand in a kind of depression in the floor. More than anything it resembles a burial chamber, and that is fitting, one might think, both because the three ships were originally graves and because placed in a subterranean crypt beneath the palace gardens they would appear as what they represented: an embodiment of a national myth, in reality relics of a bygone era, alive only in the symbolic realm. The crypt was never built, and the power of history over the construction of national identity has since faded away almost entirely. There is another unrealised drawing of Oslo, from the 1920s, with tall brick buildings like skyscrapers along the main thoroughfare, Karl Johans Gate, and Zeppelins sailing above the city. When I look at these drawings, of a reality that was never realised, and feel the enormous pull they exert, which I am unable to explain, I know that the people living in Kristiania in 1904, as Oslo was called then, would have stared open-mouthed at nearly everything that surrounds us today and which we hardly notice, unable to believe their eyes. What is a stone crypt compared to a telephone that shows living pictures? What is the writing down of Draumkvedet (The Dream Poem), a late-medieval Norwegian visionary ballad, compared to a robot lawnmower that cuts the grass automatically?