Automatic Gate Quotes

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All I do know is that the plant manager himself took me outside to the gate, waved down a passing police open-top jeep, greased the palm of the officer who was driving, and pushed me into the back next to a man dressed in camouflage with an automatic rifle on his lap. Sirens blaring, I was driven to the airport, scared out of my skin.
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
If you close your door to the world of books, the gates of the world of ignorance automatically opens and quickly pulls you inside!
Mehmet Murat ildan
As Lewis Mumford observed, our choices have been grossly limited: “On the terms imposed by technocratic society, there is no hope for mankind except by ‘going with’ its plans for accelerated technological progress, even though man’s vital organs will all be cannibalized in order to prolong the megamachine’s meaningless existence.” All is not lost, though, as he also remarked: “But for those of us who have thrown off the myth of the machine, the next move is ours: for the gates of the technocratic prison will open automatically, despite their rusty hinges, as soon as we choose to walk out.
Derrick Jensen (A Language Older Than Words)
In modern street-English, we use “hell” as a catchall term to describe the bad place (usually red hot) where sinful people are condemned to punishment and torment after they die. This simplistic, selective, and horrifying perception of hell is due in large part to nearly 400 years of the King James Version’s monopoly in English-speaking congregations (not to mention centuries of imaginative religious art). Rather than acknowledge the variety of terms, images, and concepts that the Bible uses for divine judgment, the KJV translators opted to combine them all under the single term “hell.” In truth, the array of biblical pictures and meanings that this one word is expected to convey is so vast that they appear contradictory. For example, is hell a lake of fire or a place of utter darkness? Is it a purifying forge or a torture chamber? Is it exclusion from God’s presence or the consuming fire of God’s glory? While modern scholarship acknowledges the mis- or over-translation of Sheol, Hades, and Gehenna as “hell” - especially if by “hell” we refer automatically to the eternal punishment of the wicked in conscious torment in a lake of fire - the thoroughly discussed limitations of hell language and imagery have been slow to permeate the theology of pulpits and pews in much of the church. Why the reluctance? Do we resist out of ignorance? Or are we afraid that abandoning infernalism implies abandoning faithfulness to Scripture and sound doctrine? After all, for so long we were taught that to be a Christian - especially an evangelical - is to be an infernalist. And yet, not a few of my friends have confessed that they have given up on being “good Christians” because they can no longer assent to the kind of God that creates and sends people to hell as they imagine it.
Bradley Jersak (Her Gates Will Never Be Shut: Hell, Hope, and the New Jerusalem)
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The word automaton first appears in Western literature in Homer’s Iliad, where it’s used to describe the “self-moving and intelligent machines fabricated by Hephaestus,” the blacksmith god of technology, according to the Stanford folklorist and historian of ancient science Adrienne Mayor. Around 700 BCE, Homer wrote about Hephaestus’s various automated inventions, which included “a fleet of driverless three-wheeled carts that delivered nectar and ambrosia to the god’s banquets,” automatic gates, bellows that self-adjusted their trumpet blasts as needed, and a crew of artificially intelligent golden female androids that could anticipate the blacksmith god’s every need. And the Greeks were drawing on even older oral traditions.
Brian Merchant (Blood in the Machine: The Origins of the Rebellion Against Big Tech)
Heightened capacity for visual imagery and fantasy “Was able to move imaginary parts in relation to each other.” “It was the non-specific fantasy that triggered the idea.” “The next insight came as an image of an oyster shell, with the mother-of-pearl shining in different colors. I translated that in the idea of an interferometer—two layers separated by a gap equal to the wavelength it is desired to reflect.” “As soon as I began to visualize the problem, one possibility immediately occurred. A few problems with that concept occurred, which seemed to solve themselves rather quickly…. Visualizing the required cross section was instantaneous.” “Somewhere along in here, I began to see an image of the circuit. The gates themselves were little silver cones linked together by lines. I watched the circuit flipping through its paces….” “I began visualizing all the properties known to me that a photon possesses and attempted to make a model for a photon…. The photon was comprised of an electron and a positron cloud moving together in an intermeshed synchronized helical orbit…. This model was reduced for visualizing purposes to a black-and-white ball propagating in a screwlike fashion through space. I kept putting the model through all sorts of known tests.” 5. Increased ability to concentrate “Was able to shut out virtually all distracting influences.” “I was easily able to follow a train of thought to a conclusion where normally I would have been distracted many times.” “I was impressed with the intensity of concentration, the forcefulness and exuberance with which I could proceed toward the solution.” “I considered the process of photoconductivity…. I kept asking myself, ‘What is light? and subsequently, ‘What is a photon?’ The latter question I repeated to myself several hundred times till it was being said automatically in synchronism with each breath. I probably never in my life pressured myself as intently with a question as I did this one.” “It is hard to estimate how long this problem might have taken without the psychedelic agent, but it was the type of problem that might never have been solved. It would have taken a great deal of effort and racking of the brains to arrive at what seemed to come more easily during the session.” 6. Heightened empathy with external processes and objects “…the sense of the problem as a living thing that is growing toward its inherent solution.” “First I somehow considered being the needle and being bounced around in the groove.” “I spent a productive period …climbing down on my retina, walking around and thinking about certain problems relating to the mechanism of vision.” “Ability to grasp the problem in its entirety, to ‘dive’ into it without reservations, almost like becoming the problem.” “Awareness of the problem itself rather than the ‘I’ that is trying to solve it.” 7. Heightened empathy with people “It was also felt that group performance was affected in …subtle ways. This may be evidence that some sort of group action was going on all the time.” “Only at intervals did I become aware of the music. Sometimes, when I felt the other guys listening to it, it was a physical feeling of them listening to it.” “Sometimes we even had the feeling of having the same thoughts or ideas.” 8. Subconscious data more accessible “…brought about almost total recall of a course that I had had in thermodynamics; something that I had never given any thought about in years.” “I was in my early teens and wandering through the gardens where I actually grew up. I felt all my prior emotions in relation to my surroundings.
James Fadiman (The Psychedelic Explorer's Guide: Safe, Therapeutic, and Sacred Journeys)
Sophie was smiling at the baby, who was making a determined play for the cat’s nose. Vim expected the beast to issue the kind of reprimand children remembered long after the scratches had healed, but the cat instead walked away, all the more dignified for its missing parts. “He must go terrorize mice,” Sophie said, rising with the child in her arms. “You’re telling me that cat still mouses?” Vim asked, taking the baby from her in a maneuver that was beginning to feel automatic. “Of course Pee Wee mouses.” Sophie turned a smile on him. “A few battle scars won’t slow a warrior like him down.” “A name like Pee Wee might.” She wrapped her hand into the crook of his elbow as they started across the alley. “Elizabeth gets more grief over his name than Pee Wee does.” “And rightly so. Why on earth would you inflict a feminine name on a big, black tom cat?” “I didn’t name him Elizabeth. I named him Bête Noir, after the French for black beast. Merriweather started calling him Betty Knorr after some actress, which was a tad too informal for such an animal, and hence he became Elizabeth. He answers to it now.” Vim suppressed the twitching of his lips, because this explanation was delivered with a perfectly straight face. “I suppose all that counts is that the cat recognizes it. It isn’t as if the cats were going to comprehend the French.” “It’s silly.” She paused inside the garden gate, her expression self-conscious. He stopped with her on the path, cradling the baby against his chest and trying to fathom what she needed to hear at the moment. “To the cat it isn’t silly, Sophie. To him, your kindness and care are the difference between life and death.” “He’s just a cat.” But she looked pleased with Vim’s observations. “And this is just a baby. Come.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
feel on my skin and within my mind. Sometimes being psychic like my mom really sucked. I wrapped my fingers around my keys and hit the automatic opener. As the old metal gate began to grind and screech its way to one side, I couldn’t
Keri Arthur (Darkness Unbound (Dark Angels #1))
We have been dreaming of robots since Homer. In Book 18 of the Iliad , Achilles’ mother, the nymph Thetis, wants to order a new suit of armor for her son, and so she pays a visit to the Olympian atelier of the blacksmith-god Hephaestus, whom she finds hard at work on a series of automata: . . . He was crafting twenty tripods to stand along the walls of his well-built manse, affixing golden wheels to the bottom of each one so they might wheel down on their own [automatoi] to the gods’ assembly and then return to his house anon: an amazing sight to see. These are not the only animate household objects to appear in the Homeric epics. In Book 5 of the Iliad we hear that the gates of Olympus swivel on their hinges of their own accord, automatai , to let gods in their chariots in or out, thus anticipating by nearly thirty centuries the automatic garage door. In Book 7 of the Odyssey , Odysseus finds himself the guest of a fabulously wealthy king whose palace includes such conveniences as gold and silver watchdogs, ever alert, never aging. To this class of lifelike but intellectually inert household helpers we might ascribe other automata in the classical tradition. In the Argonautica of Apollonius of Rhodes, a third-century-BC epic about Jason and the Argonauts, a bronze giant called Talos runs three times around the island of Crete each day, protecting Zeus’s beloved Europa: a primitive home alarm system.
Anonymous
Rachel inches over until they’re huddling together. “Do you like him back? Now?” The answer’s just as automatic as the apology. Still, it comes out as a whisper: “Yeah.” She takes a deep breath, gives voice to some of the noise in her head. “But what if I’m just feeling this because we’re out here and it’s scary and he feels safe? Or what if I’m just relieved to have my friend back, but I don’t like him like him? I don’t even know why he’d choose me. Then or now.” Rachel drops her head down onto Hallelujah’s shoulder. She nuzzles into Hallelujah’s neck, like a cat. “Hal, despite the giant prickly wall you’ve put up around yourself with the neon Off Limits sign flashing at the gate—” Hallelujah lets out a small laugh at this picture of herself. “—you’re nice. Like I said when I told you about my parents, you listen. And you care. Which is more than I can say for about three-quarters of the high school population. And you’re pretty. And while I’ve never heard you sing, obviously Jonah likes that about you.
Kathryn Holmes
Dodge Caravan three weeks ago, out in Pittsfield.’ Pittsfield, she thought, right across the state border from Albany. Where a woman vanished just last month. She stood with the receiver pressed to her ear, her pulse starting to hammer. ‘Where’s that van now?’ ‘Our team sat tight and didn’t follow it. By the time they heard back about the plates, it was gone. It hasn’t come back.’ ‘Let’s change out that car and move it to a parallel street. Bring in a second team to watch the house. If the van comes by again, we can do a leapfrog tail. Two cars, taking turns.’ ‘Right, I’m headed over there now.’ She hung up. Turned to look into the interview room where Charles Cassell was still sitting at the table, his head bowed. Is that love or obsession I’m looking at? she wondered. Sometimes, you couldn’t tell the difference. Twenty-eight DAYLIGHT WAS FADING when Rizzoli cruised up Dedham Parkway. She spotted Frost’s car and pulled up behind him. Climbed out of her car and slid into his passenger seat. ‘And?’ she said. ‘What’s going on?’ ‘Not a damn thing.’ ‘Shit. It’s been over an hour. Did we scare him off?’ ‘There’s still a chance it wasn’t Lank.’ ‘White van, stolen plates from Pittsfield?’ ‘Well, it didn’t hang around. And it hasn’t been back.’ ‘When’s the last time Van Gates left the house?’ ‘He and the wife went grocery shopping around noon. They’ve been home ever since.’ ‘Let’s cruise by. I want to take a look.’ Frost drove past the house, moving slowly enough for her to get a good long gander at Tara-on-Sprague-Street. They passed the surveillance team, parked at the other end of the block, then turned the corner and pulled over. Rizzoli said: ‘Are you sure they’re home?’ ‘Team hasn’t seen either one of them leave since noon.’ ‘That house looked awfully dark to me.’ They sat there for a few minutes, as dusk deepened. As Rizzoli’s uneasiness grew. She’d seen no lights on. Were both husband and wife asleep? Had they slipped out without the surveillance team seeing them? What was that van doing in this neighborhood? She looked at Frost. ‘That’s it. I’m not going to wait any longer. Let’s pay a visit.’ Frost circled back to the house and parked. They rang the bell, knocked on the door. No one answered. Rizzoli stepped off the porch, backed up the walkway, and gazed up at the southern plantation facade with its priapic white columns. No lights were on upstairs, either. The van, she thought. It was here for a reason. Frost said, ‘What do you think?’ Rizzoli could feel her heart starting to punch, could feel prickles of unease. She cocked her head, and Frost got the message: We’re going around back. She circled to the side yard and swung open a gate. Saw just a narrow brick walkway, abutted by a fence. No room for a garden, and barely room for the two trash cans sitting there. She stepped through the gate. They had no warrant, but something was wrong here, something that was making her hands tingle, the same hands that had been scarred by Warren Hoyt’s blade. A monster leaves his mark on your flesh, on your instincts. Forever after, you can feel it when another one passes by. With Frost right behind her, she moved past dark windows and a central air-conditioning unit that blew warm air against her chilled flesh. Quiet, quiet. They were trespassing now, but all she wanted was a peek in the windows, a look in the back door. She rounded the corner and found a small backyard, enclosed by a fence. The rear gate was open. She crossed the yard to that gate and looked into the alley beyond it. No one there. She started toward the house and was almost at the back door when she noticed it was ajar. She and Frost exchanged a look. Both their weapons came out. It had happened so quickly, so automatically, that she did not even remember having drawn hers. Frost gave the back door a push, and it swung
Tess Gerritsen (Body Double (Jane Rizzoli & Maura Isles, #4))
Salerno and Carrillo saw Feinstein’s press conference on a television in a ground-floor office and became livid. By divulging the particulars of their evidence, the mayor was giving the Stalker the opportunity to get rid of the evidence—the shoes, the .25 automatic, and other guns. Dianne Feinstein was shooting holes in their case. They went upstairs to their desks speechless with anger. Leroy Orozco called and said they’d already complained about Feinstein to their captain, who’d gone to Police Chief Darryl Gates.
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
It was a terminal station during the commuter rush. The backs of the crowd formed a sort of current, surging through the automatic ticket gate one after another, and the sight didn't surprise me or trigger any real emotion. When had I stopped being startled by how many people lived in one town, each of them with their own separate lives? I was aware of the fatigue I was carrying. I was thirty-one, and the weariness of those thirty-one years had seeped into me. It wasn't that big a deal. But it was not nothing, either.
Arata Kanoh (The Place Promised in Our Early Days)
One of the crucial documents for the Ordine dei Medici, it turned out, was an Italian passport. Until then nobody had bothered to mention this potentially insurmountable obstacle. It happened I did have a right to citizenship, but since it would be bestowed on me automatically by my Italian husband (Italian husbands are less powerful nowadays), the passport logically hung on Italian recognition of our American marriage, which was in turn predicated on Italian recognition of my husband’s American divorce from a prior marriage. The divorce certification, based on various Byzantine legal fictions, was a long time coming. One time there was a false sighting of his Italian divorce, and I optimistically went down to the Anagrafe or Central Registry to see whether I could get my citizenship papers. At the end of the forty-five-minute line a small man with slicked-down hair took my documents with a yawn and disappeared into the dark forest of files. When the clerk emerged, the bored look was gone from his face. He invited me to follow him along the long bank of teller windows, he on his side me on mine, and then pass through a little gate to the employee side. He sat me down, then paced between piled-up dossiers for a minute, no grille window to screen him off, before speaking. “Ms. Levenstein,” he said kindly, “You have applied for Italian citizenship on the grounds of being married to a certain Andrea Di Vecchia.” I admitted that was true. He paced a little more, lit a cigarette. “Ms. Levenstein,” he said again, even more gently, and I should have caught on from the way he repeated it. “I must tell you something. This Mr. Di Vecchia—he is already married to another woman!” His hand was already out to give a comforting squeeze to my shoulder, but it dropped when I laughed and explained that the problem was red tape, not bigamy. I thought later, high drama must be rare behind the certificate window, and he had risen to its call. How many American file clerks would have been so ready for their unexpected moment of glory? Another problem involved my residence papers, a crucial component in any pile of documents. All residents in Italy must communicate changes of address to the State within three months, and when we left my mother-in-law’s for our own place eight months earlier we had duly registered the move. But when I went to pick up an identity document I was told it couldn’t be issued because I was still listed at my old address. I slyly told the clerk in the cage to hold on, scurried over from his Identity Card window to the Certificate window three paces away, had the printer spit out a Residence Certificate bearing my name and the new address, and carried it back in triumph. He wasn’t impressed. “Oh, that certificate. That’s from the computer, it’s not worth anything. Your address has been changed in the computer, but the computerized part of the system doesn’t count.
Susan Levenstein (Dottoressa: An American Doctor in Rome)
The same year that the third great Viking ship found in Norway was excavated, at Oseberg, the town of Ålesund burned. At that time the Viking ships were displayed in makeshift exhibition halls, and the great Ålesund fire hastened the process of building a separate museum for them. The architect Fritz Holland proposed building an enormous crypt for them beneath the royal palace in Oslo. It was to be 63 metres long and 15 metres wide, with a niche for each ship. The walls were to be covered with reliefs of Viking motifs. Drawings exist of this underground hall. It is full of arches and vaults, and everything is made of stone. The ships stand in a kind of depression in the floor. More than anything it resembles a burial chamber, and that is fitting, one might think, both because the three ships were originally graves and because placed in a subterranean crypt beneath the palace gardens they would appear as what they represented: an embodiment of a national myth, in reality relics of a bygone era, alive only in the symbolic realm. The crypt was never built, and the power of history over the construction of national identity has since faded away almost entirely. There is another unrealised drawing of Oslo, from the 1920s, with tall brick buildings like skyscrapers along the main thoroughfare, Karl Johans Gate, and Zeppelins sailing above the city. When I look at these drawings, of a reality that was never realised, and feel the enormous pull they exert, which I am unable to explain, I know that the people living in Kristiania in 1904, as Oslo was called then, would have stared open-mouthed at nearly everything that surrounds us today and which we hardly notice, unable to believe their eyes. What is a stone crypt compared to a telephone that shows living pictures? What is the writing down of Draumkvedet (The Dream Poem), a late-medieval Norwegian visionary ballad, compared to a robot lawnmower that cuts the grass automatically?
Karl Ove Knausgård (Winter)
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Automatic Door Specialists
The man looked at him dispassionately in the gray morning light. With one hand he pinched together the Professor’s nostrils. When the Professor opened his mouth to breathe, the man swiftly seized his tongue and pulled on it with all his might. The Professor was gagging and catching his breath; he did not see what was happening. He could not distinguish the pain of the brutal yanking from that of the sharp knife. Then there was an endless choking and spitting that went on automatically, as though he were scarcely a part of it. The word “operation” kept going through his mind; it calmed his terror somewhat as he sank back into darkness. The caravan left sometime toward midmorning. The Professor, not unconscious, but in a state of utter stupor, still gagging and drooling blood, was dumped doubled-up into a sack and tied at one side of a camel. The lower end of the enormous amphitheater contained a natural gate in the rocks. The camels, swift mehara, were lightly laden on this trip. They passed through single file, and slowly mounted the gentle slope that led up into the beginning of the desert. That night, at a stop behind some low hills, the men took him out, still in a state which permitted no thought, and over the dusty rags that remained of his clothing they fastened a series of curious belts made of the bottoms of tin cans strung together. One after another of these bright girdles was wired about his torso, his arms and legs, even across his face, until he was entirely within a suit of armor that covered him with its circular metal scales. There was a good deal of merriment during this decking-out of the Professor. The Professor was no longer conscious; to be exact, Even when all his wounds had healed and he felt no more pain, the Professor did not begin to think again; he ate and defecated, and he danced when he was bidden, a senseless hopping up and down that delighted the children, principally because of the wonderful jangling racket it made. And he generally slept through the heat of the day, in among the camels.
Paul Bowles (Delicate Prey and a Distant Episode)
Israel’s declaration of independence hailed the rebirth of the Jewish people in its ancient homeland, and promised equality for all citizens. But the state had been born in war and moulded by Arab hostility throughout the Mandate era. Security was the main prism through which the government viewed the Arab minority. Jewish immigration and economic development were its most urgent priorities. Building this new nation meant primarily the ‘ingathering of the exiles’ (kibbutz galuyot) in fulfilment of Zionist ideology. British restrictions on immigration had been lifted immediately. In July 1950 the Law of Return, a key piece of legislation, granted Jews the world over the automatic right to live in Israel, privileging their rights over native non-Jews. With the gates now wide open, the Jewish population rapidly swelled to 1.5 million by 1951, most of the first newcomers arriving from Arab countries such as Iraq and Yemen, where animosity towards Jews and levels of persecution had grown because of the Palestine disaster. The absorption of Holocaust survivors and the memory of the recent war, with over 6,000 Israeli dead and thousands injured, served as an unshakeable justification for Israel’s independence and the priority and privileges given to Jews.
Ian Black (Enemies and Neighbors: Arabs and Jews in Palestine and Israel, 1917-2017)