Tropical Life Quotes

We've searched our database for all the quotes and captions related to Tropical Life. Here they are! All 100 of them:

to love life, to love it even when you have no stomach for it and everything you've held dear crumbles like burnt paper in your hands, your throat filled with the silt of it. When grief sits with you, its tropical heat thickening the air, heavy as water more fit for gills than lungs; when grief weights you like your own flesh only more of it, an obesity of grief, you think, How can a body withstand this? Then you hold life like a face between your palms, a plain face, no charming smile, no violet eyes, and you say, yes, I will take you I will love you, again.
Ellen Bass
I found that what I had desired all my life was not to live - if what others are doing is called living - but to express myself.
Henry Miller (Tropic of Capricorn (Tropic, #2))
You must be life for me to the very end," so he writes. "That is the only way in which to sustain my idea of you. Because you have gotten, as you see, tied up with something so vital to me, I do not think I shall ever shake you off. Nor do I wish to. I want you to live more vitally every day, as I am dead. That is why, when I speak of you to others, I am just a bit ashamed. It's hard to talk of one's self so intimately
Henry Miller (Tropic of Cancer (Tropic, #1))
I do not particularly like the word 'work.' Human beings are the only animals who have to work, and I think that is the most ridiculous thing in the world. Other animals make their livings by living, but people work like crazy, thinking that they have to in order to stay alive. The bigger the job, the greater the challenge, the more wonderful they think it is. It would be good to give up that way of thinking and live an easy, comfortable life with plenty of free time. I think that the way animals live in the tropics, stepping outside in the morning and evening to see if there is something to eat, and taking a long nap in the afternoon, must be a wonderful life. For human beings, a life of such simplicity would be possible if one worked to produce directly his daily necessities. In such a life, work is not work as people generally think of it, but simply doing what needs to be done.
Masanobu Fukuoka (The One-Straw Revolution)
All I ask of life, he says, is a bunch of books, a bunch of dreams, and a bunch of cunt.
Henry Miller (Tropic of Cancer (Tropic, #1))
Mary’s childhood was rough. She was frequently beaten and chastised by the nuns who served as her protectors and brutalized by the older girls in the orphanage. Oh how I wept those first few years of my life. My tears came like tropical storms. Every pore in my body wept. I heaved and shuddered and sighed. Everything around me seemed dark and terrifying.
Maria Nhambu (Africa's Child (Dancing Soul Trilogy, #1))
But it's just because the chances are all against you, just because there is so little hope, that life is sweet over here.
Henry Miller (Tropic of Cancer (Tropic, #1))
Every time you come to the limit of what is demanded of you, you are faced with the same problem-to be yourself!
Henry Miller (Tropic of Capricorn (Tropic, #2))
Things happen or they don't happen, that's all. Nothing is accomplished by sweat and struggle. Nearly everything which we call life is just insomnia, an agony because we've lost the habit of falling asleep. We don't know how to let go. We're like a Jack-in-the-box perched on top of a spring and the more we struggle the harder it is to get back in the box.
Henry Miller (Tropic of Capricorn (Tropic, #2))
This is what those who haven’t crossed the tropic of grief often fail to understand: the fact that someone is dead may mean that they are not alive, but doesn’t mean that they do not exist.
Julian Barnes (Levels of Life)
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
John Richard Spencer
I didn't give a fuck whether I found anything or not. The thing is, never to be too anxious. Everything comes in due time.
Henry Miller (Tropic of Cancer (Tropic, #1))
...the monstrous thing is not that men have created roses out of this dung heap, but that, for some reason or other, they should want roses. For some reason or other man looks for the miracle, and to accomplish it he will wade through blood. He will debauch himself with ideas, he will reduce himself to a shadow if for only one second of his life he can close his eyes to the hideousness of reality. Everything is endured- disgrace, humiliation, poverty, war, crime, ennui- in the belief that overnight something will occur, a miracle, which will render life tolerable. And all the while a meter is running inside and there is no hand that can reach in there and shut it off.
Henry Miller (Tropic of Cancer (Tropic, #1))
Early in life, the world divides crudely into those who have had sex and those who haven't. Later, into those who have known love, and those who haven't. Later still - at least, if we are lucky (or, on the other hand, unlucky) - it divides into those who have endured grief, and those who haven't. These divisions are absolute; they are tropics we cross.
Julian Barnes (Levels of Life)
Great God! What have I turned into? What right have you people to clutter up my life, steal my time, probe my soul, suckle my thoughts, have me for your companion, confidant, and information bureau? What do you take me for? Am I an entertainer on salary, required every evening to play an intellectual farce under your stupid noses? Am I a slave, bought and paid for, to crawl on my belly in front of you idlers and lay at your feet all that I do and all that I know?
Henry Miller (Tropic of Cancer (Tropic, #1))
If I am against the condition of the world it is not because I am a moralist, it is because I want to laugh more. I don't say that God is one grand laugh: I say that you've got to laugh hard before you can get anywhere near God. My whole aim in life is to get near to God, that is, to get nearer to myself. That's why it doesn't matter to me what road I take. But music is very important. Music is a tonic for the pineal gland. Music isn't Bach or Beethoven; music is the can opener of the soul. It makes you terribly quiet inside, makes you aware that there's a roof to your being.
Henry Miller (Tropic of Capricorn (Tropic, #2))
The wallpaper with which the men of science have covered the world of reality is falling to tatters. The grand whorehouse which they have made of life requires no decoration; it is essential that only the drains function adequately. Beauty, that feline beauty that has us by the balls in America, is finished.
Henry Miller (Tropic of Cancer (Tropic, #1))
Life," said Emerson, "consists in what a man is thinking all day." If that be so, then my life is nothing but a big intestine. I not only think about food all day, but I dream about it at night.
Henry Miller (Tropic of Cancer (Tropic, #1))
The world is a cancer eating itself away... I am think that when the great silence descends upon all and everywhere music will at last triumph. When into the womb of time everything is again withdrawn chaos will be restored and chaos is the score upon which reality is written.
Henry Miller (Tropic of Cancer (Tropic, #1))
Have you never known a cruel wind? What an easy, balmy, tropical life you must have! I never tease, madam! I coax, I beguile, I stomp, I throw tantrums, and for certain, I freeze — I am the Coldest and Harshest of all the Harsh Airs! I am the shiver of the world! But I do not tease. You can cause ever so much more trouble by taking folk seriously, asking just what they're doing and doing just what they ask.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
Life is short. The world is big. It awaits your exploration. If you're not living on the edge, you're just taking up way too much space.
Paul Beaver (Diary of an Amazon Jungle Guide: Amazing Encounters with Tropical Nature and Culture)
What he was saying was that he really wanted to be part of her life. The good days and the bad ones, too.
Jan Coffey (Tropical Kiss)
Show me a man who over-elaborates and I will show you a great man! What is called their 'overelaboration' is my meat: it is the sign of struggle, it is struggle itself with all the fibers clinging to it, the very aura and ambiance of the discordant spirit. And when you show me a man who expresses himself perfectly I will not say that he is not great, but I will say that I am unattracted . . . I miss the cloying qualities. When I reflect that the task which the artist implicitly sets himself is to overthrow existing values, to make of the chaos about him an order which is his own, to sow strife and ferment so that by the emotional release those who are dead may be restored to life, then it is that I run with joy to the great and imperfect ones, their confusion nourishes me, their stuttering is like divine music to my ears.
Henry Miller (Tropic of Cancer (Tropic, #1))
Love comes and goes so fast! It comes like a tropical storm and it goes like the wind in winter
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This life is a hospital in which each patient is possessed by the desire to change beds. One wants to suffer in front of the stove and another believes that he will get well near the window. It always seems to me that I will be better off there where I am not, and this question of moving about is one that I discuss endlessly with my soul "Tell me, my soul, my poor chilled soul, what would you think about going to live in Lisbon? It must be warm there, and you'll be able to soak up the sun like a lizard there. That city is on the shore; they say that it is built all out of marble, and that the people there have such a hatred of the vegetable, that they tear down all the trees. There's a country after your own heart -- a landscape made out of light and mineral, and liquid to reflect them!" My soul does not reply. "Because you love rest so much, combined with the spectacle of movement, do you want to come and live in Holland, that beatifying land? Perhaps you will be entertained in that country whose image you have so often admired in museums. What do you think of Rotterdam, you who love forests of masts and ships anchored at the foot of houses?" My soul remains mute. "Does Batavia please you more, perhaps? There we would find, after all, the European spirit married to tropical beauty." Not a word. -- Is my soul dead? Have you then reached such a degree of torpor that you are only happy with your illness? If that's the case, let us flee toward lands that are the analogies of Death. -- I've got it, poor soul! We'll pack our bags for Torneo. Let's go even further, to the far end of the Baltic. Even further from life if that is possible: let's go live at the pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and augments monotony, that half of nothingness. There we could take long baths in the shadows, while, to entertain us, the aurora borealis send us from time to time its pink sheaf of sparkling light, like the reflection of fireworks in Hell!" Finally, my soul explodes, and wisely she shrieks at me: "It doesn't matter where! It doesn't matter where! As long as it's out of this world!
Charles Baudelaire (Paris Spleen)
On the meridian of time there is no injustice: there is only the poetry of motion creating the illusion of truth and drama. If at any moment anywhere one comes face to face with the absolute, that great sympathy which makes men like Gautama and Jesus seem divine freezes away; the monstrous thing is not that men have created roses out of this dung heap, but that, for some reason or other, they should want roses. For some reason or other man looks for the miracle, and to accomplish it he will wade through blood. He will debauch himself with ideas, he will reduce himself to a shadow if for only one second of his life he can close his eyes to the hideousness of reality. Everything is endured―disgrace, humiliation, poverty, war, crime, ennui―in the belief that overnight something will occur, a miracle, which will render life tolerable.
Henry Miller (Tropic of Cancer (Tropic, #1))
DBT's catchphrase of developing a life worth living means you're not just surviving; rather, you have good reasons for living. I'm also getting better at keeping another dialectic in mind: On the one hand, the disorder decimates all relationships and social functions, so you're basically wandering in the wasteland of your own failure, and yet you have to keep walking through it, gathering the small bits of life that can eventually go into creating a life worth living. To be in the desolate badlands while envisioning the lush tropics without being totally triggered again isn't easy, especially when life seems so effortless for everyone else.
Kiera Van Gelder (The Buddha and the Borderline: My Recovery from Borderline Personality Disorder through Dialectical Behavior Therapy, Buddhism, and Online Dating)
The great incestuous wish is to flow on, one with time, to merge the great image of the beyond with the here and now. A fatuous, suicidal wish that is constipated by words and paralyzed by thought.
Henry Miller (Tropic of Cancer (Tropic, #1))
Perhaps my grandfather was right, perhaps I was spoiled in the bud by the books I read. But it is ages since books have claimed me. For a long time now I have practically ceased to read. But the taint is still there. Now people are books to me. I read them from cover to cover and toss them aside. I devour them, one after the other. And the more I read, the more insatiable I become. There is no limit to it. There could be no end, and there was none, until inside me a bridge began to form which united me again with the current of life from which as a child I had been separated.
Henry Miller (Tropic of Capricorn (Tropic, #2))
I couldn't allow myself to think about her very long; if I had I would have jumped off the bridge. It's strange. I had become so reconciled to this life without her, and yet if I thought about her only for a minute it was enough to pierce the bone and marrow of my contentment and shove me hack again into the agonizing gutter of my wretched past.
Henry Miller (Tropic of Cancer (Tropic, #1))
Early in life, the world divides crudely into those who have had sex and those who haven’t. Later, into those who have known love, and those who haven’t. Later still—at least, if we are lucky (or, on the other hand, unlucky)—it divides into those who have endured grief, and those who haven’t. These divisions are absolute; they are tropics we cross.
Julian Barnes (Levels of Life)
Like King Midas, I am left with nothing but this unreasonable hope that, somehow, my strange life and my lost family will return to normal.
Margarita Engle (Tropical Secrets: Holocaust Refugees in Cuba)
Life was a perpetual black fuck about a fixed pole of insomnia.
Henry Miller (Tropic of Capricorn (Tropic, #2))
A naively formulated goal transmutes, with time, into the sinister form of the life-lie. One forty-something client told me his vision, formulated by his younger self: “I see myself retired, sitting on a tropical beach, drinking margaritas in the sunshine.” That’s not a plan. That’s a travel poster. After eight margaritas, you’re fit only to await the hangover. After three weeks of margarita-filled days, if you have any sense, you’re bored stiff and self-disgusted. In a year, or less, you’re pathetic. It’s just not a sustainable approach to later life. This kind of oversimplification and falsification is particularly typical of ideologues. They adopt a single axiom: government is bad, immigration is bad, capitalism is bad, patriarchy is bad. Then they filter and screen their experiences and insist ever more narrowly that everything can be explained by that axiom. They believe, narcissistically, underneath all that bad theory, that the world could be put right, if only they held the controls.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
[David Starr Jordan] claims that salvation lies in the electricity of our bodies. “Happiness comes from doing, helping, working, loving, fighting, conquering,” he writes in a syllabus from around the same time, “from the exercise of functions; from self-activity.” Don’t overthink it, I think, is his point. Enjoy the journey. Savor the small things. The “luscious” taste of a peach, the “lavish” colors of tropical fish, the rush from exercise that allows one to experience “the stern joy which warriors feel.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
All the men she's been with and now you, just you, and the barges going by, masts and hulls, the whole damned current of life flowing through you, through her, through all the guys behind you and after you, the flowers and the birds and the sun streaming in and the fragrance of it choking you, annihilating you.
Henry Miller (Tropic of Cancer (Tropic, #1))
The West Indian is not exactly hostile to change, but he is not much inclined to believe in it. This comes from a piece of wisdom that his climate of eternal summer teaches him. It is that, under all the parade of human effort and noise, today is like yesterday, and tomorrow will be like today; that existence is a wheel of recurring patterns from which no one escapes; that all anybody does in this life is live for a while and then die for good, without finding out much; and that therefore the idea is to take things easy and enjoy the passing time under the sun. The white people charging hopefully around the islands these days in the noon glare, making deals, bulldozing airstrips, hammering up hotels, laying out marinas, opening new banks, night clubs, and gift shops, are to him merely a passing plague. They have come before and gone before.
Herman Wouk (Don't Stop the Carnival)
Vienna wasn't just a city, it was a tone that either one carries forever in one's soul or one does not. It was the most beautiful thing in my life. I was poor, but I was not alone, because I had a friend. And Vienna was like another friend. When it rained in the tropics, I always heard the voice of Vienna. And at other times too. Sometimes deep in the virgin forests I smelled the musty smell of the entrance hall in Hietzing. Music and everything I loved was in the stones of Vienna, and in people's glances and their behavior, the way pure feelings are part of one's very heart. You know when the feelings stop hurting. Vienna in winter and spring. The allés in Schönbrunn. The blue light in the dormitory at the academy, the great white stairwell with the baroque statue. Morning ridings in the Prater. The mildew in the riding school. I remember all of it exactly, and I wanted to see it again...
Sándor Márai (Embers)
We tried keeping tropical fish once and they all died. And we really don’t know more about children than tropical fish, so the responsibility frightens the life out of us each morning.
Fredrik Backman (Anxious People)
If this was the true self it was marvelous and what’s more it seemed never to change but always to pick up from the last stop, to continue in the same vein, a vein I had struck when I was a child and went down in the street for the first time alone and there frozen into the dirty ice of the gutter lay a dead cat, the first time I had looked at death and grasped it. From that moment I knew what it was to be isolated: every object, every living thing and every dead thing led its independent existence. My thoughts too led to an independent existence.
Henry Miller
You can imagine how distraught I feel when I hear about the glorified heroism-free “middle class values,” which, thanks to globalization and the Internet, have spread to any place easily reached by British Air, enshrining the usual opiates of the deified classes: “hard work” for a bank or a tobacco company, diligent newspaper reading, obedience to most, but not all, traffic laws, captivity in some corporate structure, dependence on the opinion of a boss (with one’s job records filed in the personnel department), good legal compliance, reliance on stock market investments, tropical vacations, and a suburban life (under some mortgage) with a nice-looking dog and Saturday night wine tasting.
Nassim Nicholas Taleb (Antifragile: Things That Gain From Disorder)
On a day like this, I can’t imagine anything better that might happen in a person’s life than for them to start paying attention to birds—to become aware of this magical world that exists all around us, unnoticed by many but totally captivating for those who know its secrets. This kind of spring day, with its bountiful myriads of colorful sprites just arrived from tropical shores, has to be one of the greatest gifts of life on Earth.
Kenn Kaufman (A Season On The Wind: Inside the World of Spring Migration)
The Thing Is to love life, to love it even when you have no stomach for it and everything you've held dear crumbles like burnt paper in your hands, your throat filled with the slit of it. When grief sits with you, its tropical heat thickening the air, heavy as water more fit for gills than lungs; when grief weights you like your own flesh only more of it, an obesity of grief, you think , how can a body withstand this? Then you hold like life a face between your palms, a plain face, no charming smile, no violet eyes, and you say, yes, I will take you I will love you, again Ellen Bass
Bonnie Shimko (You Know What You Have To Do)
Clearly the story of planet Earth is not the story of Homo sapiens. Almost all of that walk would be through a forbidding landscape with no complex life on it whatsoever. Not in the deep sea, not atop the mountains, not in the tropics, nor on the endless barren granite interiors of the continents.
Peter Brannen (The Ends of the World: Volcanic Apocalypses, Lethal Oceans, and Our Quest to Understand Earth's Past Mass Extinctions)
I mention all this to make the point that if you were designing an organism to look after life in our lonely cosmos, to monitor where it is going and keep a record of where it has been, you wouldn't choose human beings for the job. But here's an extremely salient point: we have been chosen, by fate or Providence or whatever you wish to call it. It's an unnerving thought that we may be living the universe's supreme achievement and its worst nightmare simultaneously. Because we are so remarkably careless about looking after things, both when alive and when not, we have no idea-- really none at all-- about how many things have died off permanently, or may soon, or may never, and what role we have played in any part of the process. In 1979, in the book The Sinking Ark, the author Norman Myers suggested that human activities were causing about two extinctions a week on the planet. By the early 1990s he had raised the figure to about some six hundred per week. (That's extinctions of all types-- plants, insects, and so on as well as animals.) Others have put the figure ever higher-- to well over a thousand a week. A United Nations report of 1995, on the other hand, put the total number of known extinctions in the last four hundred years at slightly under 500 for animals and slightly over 650 for plants-- while allowing that this was "almost certainly an underestimate," particularly with regard to tropical species. A few interpreters think most extinction figures are grossly inflated. The fact is, we don't know. Don't have any idea. We don't know when we started doing many of the things we've done. We don't know what we are doing right now or how our present actions will affect the future. What we do know is that there is only one planet to do it on, and only one species of being capable of making a considered difference. Edward O. Wilson expressed it with unimprovable brevity in The Diversity of Life: "One planet, one experiment." If this book has a lesson, it is that we are awfully lucky to be here-- and by "we" i mean every living thing. To attain any kind of life in this universe of ours appears to be quite an achievement. As humans we are doubly lucky, of course: We enjoy not only the privilege of existence but also the singular ability to appreciate it and even, in a multitude of ways, to make it better. It is a talent we have only barely begun to grasp. We have arrived at this position of eminence in a stunningly short time. Behaviorally modern human beings-- that is, people who can speak and make art and organize complex activities-- have existed for only about 0.0001 percent of Earth's history. But surviving for even that little while has required a nearly endless string of good fortune. We really are at the beginning of it all. The trick, of course, is to make sure we never find the end. And that, almost certainly, will require a good deal more than lucky breaks.
Bill Bryson (A Short History of Nearly Everything)
Side by side with the human race there runs another race of beings, the inhuman ones, the race of artists who, goaded by unknown impulses, take the lifeless mass of humanity and by the fever and ferment with which they imbue it turn this soggy dough into bread and the bread into wine and the wine into song. Out of the dead compost and the inert slag they breed a song that contaminates. I see this other race of individuals ransacking the universe, turning everything upside down, their feet always moving in blood and tears, their hands always empty, always clutching and grasping for the beyond, for the god out of reach: slaying everything within reach in order to quiet the monster that gnaws at their vitals. I see that when they tear their hair with the effort to comprehend, to seize this forever unattainable, I see that when they bellow like crazed beasts and rip and gore, I see that this is right, that there is no other path to pursue. A man who belongs to this race must stand up on the high place with gibberish in his mouth and rip out his entrails. It is right and just, because he must! And anything that falls short of this frightening spectacle, anything less shuddering, less terrifying, less mad, less intoxicated, less contaminating, is not art. The rest is counterfeit. The rest is human. The rest belongs to life and lifelessness.
Henry Miller (Tropic of Cancer (Tropic, #1))
So it has been, again and again throughout my life, as I form connections with people and then lose them to distance and time. I mourn those losses, even when I know my erstwhile friends are safe and happy among their own kin.
Marie Brennan (The Tropic of Serpents (The Memoirs of Lady Trent, #2))
I ended up in the nurse’s office after falling asleep in second period. She only agreed to not call my parents if I stayed under her supervision and rested. She wasn’t taking any chances with Dr. Lahey’s daughter and the heroine who’d saved the Ishida’s only girl, who, by the way, Ayden mentioned wasn’t back at school. She probably got to recover in her native habitat. Some far off exotic locale, lounging on a tropical beach drinking fruity umbrella drinks brought to her by hunky, scantily clad beach boys who rubbed her back with suntan oil and hung on her every word while I ran for my life in the Waiting World, woke from a coma, and, bam, back at school with ten million pounds of schoolwork to make up, and no beach boys. Except for Ayden. He’d make a good beach boy. But don’t get too excited. He’s just a pretend boyfriend. “You alright?” the nurse asked. “Fine.” “You’re sighing and making odd noises.” “Sorry.
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
I have never found such a man! I have never found a man as generous as myself, as forgiving, as tolerant, as carefree, as reckless, as clean at heart. I forgive myself for every crime I have committed. I do it in the name of humanity. I know what it means to be human, the weakness and the strength of it. I suffer from this knowledge and I revel in it also. If I had the chance to be God I would reject it. If I had the chance to be a star I would reject it. The most wonderful opportunity which life offers is to be human. It embraces the whole universe. It includes the knowledge of death, which not even God enjoys.
Henry Miller (Tropic of Capricorn (Tropic, #2))
Every time you come to the limit of what is demanded of you, you are faced with the same problem - to be yourself! And with the first step you make in this direction you realize that there is neither plus nor minus; you throw the skates away and swim. There is no suffering any more because there is nothing which can threaten your security. And there is no desire to be of help to others even, because why rob them of a privilege which must be earned? Life stretches out from moment to moment in stupendous infinitude. Nothing can be more real than what you suppose it to be. Whatever you think the cosmos to be it is and it could not possibly be anything else as long as you are you and I am I. You live in the fruits of your action and your action is the harvest of your thought. Thought and action are one, because swimming you are in it and of it, and it is everything you desire it to be, no more, no less. Every stroke counts for eternity. The heating and cooling system is one system, and Cancer is separated from Capricorn only by an imaginary line. You don't become ecstatic and you are not plunged into violent grief; you don't pray for rain, neither do you dance a jig. You live like a happy rock in the midst of the ocean: you are fixed while everything about you is in turbulent motion. You are fixed in a reality which permits the thought that nothing is fixed, that even the happiest and mightiest rock will one day be utterly dissolved and fluid as the ocean from which it was born.
Henry Miller (Tropic of Capricorn (Tropic, #2))
If I had your life story, it would be the first thing I mentioned to anyone. ‘Hullo, I’m Chase Reynaud. I learned to toddle aboard a merchant ship, and the Seven Seas rocked my cradle. And have I mentioned that no tropical sunset could compare with your beauty?’ The women would fall into bed with me.” “Don’t they fall into bed with you anyway?” “That’s true. But they might do so a half minute faster. Over months and years, those half minutes add up. So let’s hear the rest of the tale.
Tessa Dare (The Governess Game (Girl Meets Duke, #2))
Humans, like all mammals, are heat engines; surviving means having to continually cool off, as panting dogs do. For that, the temperature needs to be low enough for the air to act as a kind of refrigerant, drawing heat off the skin so the engine can keep pumping. At seven degrees of warming, that would become impossible for portions of the planet’s equatorial band, and especially the tropics, where humidity adds to the problem. And the effect would be fast: after a few hours, a human body would be cooked to death from both inside and out. At eleven or twelve degrees Celsius of warming, more than half the world’s population, as distributed today, would die of direct heat. Things almost certainly won’t get that hot anytime soon, though some models of unabated emissions do bring us that far eventually, over centuries. But at just five degrees, according to some calculations, whole parts of the globe would be literally unsurvivable for humans. At six, summer labor of any kind would become impossible in the lower Mississippi Valley, and everybody in the United States east of the Rockies would suffer more from heat than anyone, anywhere, in the world today. New York City would be hotter than present-day Bahrain, one of the planet’s hottest spots, and the temperature in Bahrain “would induce hyperthermia in even sleeping humans.
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
If I could, I would choose every day another form, plant or animal, I would be all the flowers one by one: weed, thistle or rose; a tropical tree with a tangle of branches, seaweed cast by the shore, or mountain whipped by winds; bird of prey, a croaking bird, or a bird with a melodious song; beast of the forest or tame animal. Let me live the life of every species , wildly and un-self-consciously, let me try out the entire spectrum of nature, let me change gracefully, discreetly, as if it were the most natural procedure.
Emil M. Cioran (On the Heights of Despair)
The ovarian world is the product of a life rhythm. The moment a child is born it becomes part of a world in which there is not only the life rhythm but the death rhythm. The frantic desire to live, to live at any cost, is not a result of the life rhythm in us, but of the death rhythm. There is not only no need to keep alive at any price, but, if life is undesirable, it is absolutely wrong. This keeping oneself alive, out of a blind urge to defeat death, is in itself a means of sowing death. Every one who has not fully accepted life, who is not incrementing life, is helping to fill the world with death. To make the simplest gesture with the hand can convey the utmost sense of life; a word spoken with the whole being can give life. Activity in itself means nothing: it is often a sign of death.
Henry Miller (Tropic of Capricorn (Tropic, #2))
Just as I never wondered what it was like for my mother to be a full-time, at-home mother, I never wondered then what it meant to be married. I took my parents’ union for granted. It was the simple solid fact upon which all four of our lives were built. Much later, my mother would tell me that every year when spring came and the air warmed up in Chicago, she entertained thoughts about leaving my father. I don’t know if these thoughts were actually serious or not. I don’t know if she considered the idea for an hour, or for a day, or for most of the season, but for her it was an active fantasy, something that felt healthy and maybe even energizing to ponder, almost as ritual. I understand now that even a happy marriage can be a vexation, that it’s a contract best renewed and renewed again, even quietly and privately—even alone. I don’t think my mother announced whatever her doubts and discontents were to my father directly, and I don’t think she let him in on whatever alternative life she might have been dreaming about during those times. Was she picturing herself on a tropical island somewhere? With a different kind of man, or in a different kind of house, or with a corner office instead of kids? I don’t know, and I suppose I could ask my mother, who is now in her eighties, but I don’t think it matters.
Michelle Obama (Becoming)
In my constant travels, from the highland meadows of Tibet to the tropical rain forest of Brazil to the busy streets of Hong Kong, I’ve learned that you have to be content wherever you are. Otherwise, traveling is exhausting, because you’re always thinking that the next place will be better.
Sakyong Mipham (Ruling Your World: Ancient Strategies For Modern Life)
From time to time the human species spawns predators that feed on those around them. They’re not the species. They’re mutations of the species. In my opinion these freaks have no right to suck oxygen from the atmosphere. But they’re here, so I help cage them up and put them where they can’t hurt others. I make life safer for the folks who get up, go to work each day, raise their kids or their tomatoes, or their tropical fish, and watch the ball game in the evening. They are the human species.
Kathy Reichs (Déjà Dead (Temperance Brennan, #1))
I don’t know why, but I have always been drawn to northern climes much more so than to warmer parts of the world. I find the redundant sunshine of Southern California mind numbing, the humidity of the American South loathsome, and the tropics make me want to curl up into a ball and die before I drown in my own sweat.
Stanley Tucci (Taste: My Life Through Food)
The other night I took her on-out of pity-and what do you think the crazy bitch had done to herself? She had shaved it clean ... not a speck of hair on it. Did you ever have a woman who shaved her twat? It's repulsive, ain't it? And it's funny, too. Sort of mad like. It doesn't look like a twat any more: it's like a dead clam or something." He describes to me how, his curiosity aroused, he got out of bed and searched for his flashlight. "I made her hold it open and I trained the flashlight on it. You should have seen me ... it was comical. I got so worked up about it that I forgot all about her. I never in my life looked at a cunt so seriously.
Henry Miller (Tropic of Cancer (Tropic, #1))
There you stand, lost in the infinite series of the sea, with nothing ruffled but the waves. The tranced ship indolently rolls; the drowsy trade winds blow; everything resolves you into languor. For the most part, in this tropic whaling life, a sublime uneventfulness invests you; you hear no news; read no gazettes; extras with startling accounts of commonplaces never delude you into unnecessary excitements; you hear of no domestic afflictions; bankrupt securities; fall of stocks; are never troubled with the thought of what you shall have for dinner - for all your meals for three years and more are snugly stowed in casks, and your bill of fare is immutable. (Moby Dick chap 35 p 153)
Herman Melville
Christ will never more come down to earth nor will there be any law-giver, nor will murder cease nor theft, nor rape, and yet... and yet one expects something, something terrifyingly marvellous and absurd, perhaps a cold lobster with mayonnaise served gratis, perhaps an invention, like the electric light, like television, only more devastating, more soul rending, an invention unthinkable that will bring a shattering calm and void, not the calm and void of death but of life such as the monks dreamed, such as is dreamed still in the Himalayas, in Tibet, in Lahore, in the Aleutian Islands, in Polynesia, in Easter Island, the dream of men before the flood, before the word was written, the dream of cave men and anthropophagists, of those with double sex and short tails, of those who are said to be crazy and have no way of defending themselves because they are outnumbered by those who are not crazy.
Henry Miller (Tropic of Capricorn (Tropic, #2))
Somehow the realization that nothing was to be hoped for had a salutary effect upon me. For weeks and months, for years, in fact, all my life I had been looking forward to something happening, some extrinsic event that would alter my life, and now suddenly, inspired by the absolute hopelessness of everything, I felt relieved, felt as though a great burden had been lifted from my shoulders.
Henry Miller (Tropic of Cancer (Tropic, #1))
In my lifelong study of the scores of species of ants to be found in the tropical forests of Dal Hon, I am led to the conviction that all forms of life are engaged in a struggle to survive, and that within each species there exists a range of natural but variable proclivities, of physical condition and of behaviour, which in turn weighs for or against in the battle to survive and procreate. Further, it is my suspicion that in the act of procreation, such traits are passed on. By extension, one can see that ill traits reduce the likelihood of both survival and procreation. On the basis of these notions, I wish to propose to my fellow scholars at this noble gathering a law of survival that pertains to all forms of life. But before I do so, I must add one more caveat, drawn from the undeniable behavioural characteristics of, in my instance of speciality, ants. To whit, success of one form of life more often than not initiates devastating population collapse among competitors, and indeed, sometimes outright extinction. And that such annihilation of rivals may in fact be a defining feature of success. Thus, my colleagues, I wish to propose a mode of operation among all forms of life, which I humbly call-in my four-volume treatise-‘The Betrayal of the Fittest’. Obsessional Scrolls Sixth Day Proceedings Address Of Skavat Gill Unta, Malazan Empire, 1097 Burn's Sleep
Steven Erikson (Dust of Dreams (Malazan Book of the Fallen, #9))
Despues pinto un poco. Hay tranquilidad y silencio en estos dias y aprovecho que puedo concentrarme. La soledad. Quizas uno escribe y pinta no solo para crear un espacio de libertad alrededor, sino tambien para sentirse acompaNado. No exactamente para romper la soledad. No se trata de eso. La soledad siempre estA ahI. La siento, la toco, hablo con ella. Forma parte de mi vida. La soledad es inevitable. Y ayuda. Me concentro mas. Soy mas yo cuando convivimos bien apretaditos: la soledad y yo. Nos adoramos. No podria vivi sin la soledad. my translation: Later I paint a little bit. There's tranquility and silence in these days and I benefit from being able to concentrate. Loneliness. Maybe one writes and paints not only to create a space of freedom, but rather also to feel accompanied. Not exactly to break loneliness. It's not about that. Loneliness is always there. I feel it. I touch it. I talk with it. It forms part of my life. Loneliness is inevitable. And it helps. I concentrate more. I'm more me when we live pushed together: loneliness and me. We worship each other. I couldn't live with out loneliness.
Pedro Juan Gutiérrez (Animal tropical)
He believed that a burger joint ought to look like a join, not like a surgery, not like a nursery with pictures of clowns and funny animals on walls, not like a bamboo pavilion on a tropical island, not like a glossy plastic replica of a 1950s diner that never actually existed. If you were going to eat charred cow smothered in cheese, with a side order of potato strips made as crisp as ancient papyrus by immersion in boiling oil, and if you were going to wash it all down with either satisfying quantities of icy beer or a milkshake containing the caloric equivalent of an entire roasted pig, then this fabulous consumption ought to occur in an ambience that virtually screamed guilty pleasure, if not sin.
Dean Koontz (By the Light of the Moon)
I am a man who would live an heroic life and make the world more endurable in his own sight. If, in some moment of weakness,of relaxation, of need, I blow off steam-a bit of red-hot rage cooled off in words-a passionate dream, wrapped and tied in imagery_well, take it or leave it...but don't bother me!
Henry Miller (Tropic of Cancer (Tropic, #1))
All religions must, at their core, look forward to the end of this world and to the longed-for moment when all will be revealed and when the sheep will be divided from the goats, or whatever other bucolic Bronze-Age desert analogy might seem apt. (In Papua New Guinea, where as in most tropical climes there are no sheep, the Christians use the most valued animal of the locals and refer to the congregation as “swine.” Flock, herd: what difference does it make?) Against this insane eschatology, with its death wish and its deep contempt for the life of the mind, atheists have always argued that this world is all that we have, and that our duty is to one another to make the very most and best of it. Theism cannot coexist with this unexceptionable conclusion.
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
ROOT CELLAR" Nothing would sleep in that cellar, dank as a ditch, Bulbs broke out of boxes hunting for chinks in the dark, Shoots dangled and drooped, Lolling obscenely from mildewed crates, Hung down long yellow evil necks, like tropical snakes. And what a congress of stinks!-- Roots ripe as old bait, Pulpy stems, rank, silo-rich, Leaf-mold, manure, lime, piled against slippery planks. Nothing would give up life: Even the dirt kept breathing a small breath.
Theodore Roethke
I look out again at the sun-my first full gaze. It is blood-red and men are walking about on rooftops. Everything above the horizon is clear to me. It is like Easter Sunday. Death is behind me and birth too. I am going to live now among the life maladies. I am going to live the spiritual life of the pygmy, the secret life of the little man in the wilderness of the bush. Inner and outer have changed places. Equilibrium is no longer the goal-the scales must be destroyed. Let me hear you promise again all those sunny things you carry inside you. Let me try to believe for one day, while I rest in the open, that the sun brings good tidings. Let me rot in splendor while the sun bursts in your womb. I believe all your lies implicitly. I take you as the personification of evil, as the destroyer of the soul, as the maharanee of the night. Tack your womb up on my wall, so that I may remember you. We must get going. Tomorrow, tomorrow...
Henry Miller (Tropic of Capricorn (Tropic, #2))
After Nicholas hung up the phone, he watched his mother carry buckets and garden tools across the couch grass toward a bed that would, come spring, be brightly ablaze as tropical coral with colorful arctotis, impatiens, and petunias. Katherine dug with hard chopping strokes, pulling out wandering jew and oxalis, tossing the uprooted weeds into a black pot beside her. The garden will be beautiful, he thought. But how do the weeds feel about it? Sacrifices must be made.
Stephen M. Irwin (The Dead Path)
remember didn't you sneak away from camp to have a moment alone with What you felt stirring across the land . . . it was the equinox . . . green spring equal nights . . . canyons are opening up, at the bottoms are steaming fumaroles, steaming the tropical life there like greens in a pot, rank, dope-perfume, a hood of smell . . . human consciousness, that poor cripple, that deformed and doomed thing, is about to be born. This is the World just before men. Too violently pitched alive in constant flow ever to be seen by men directly. They are meant only to look at it dead, in still strata, transputrefied to oil or coal. Alive, it was a threat: it was Titans, was an overpeaking of life so clangorous and mad, such a green corona about Earth's body that some spoiler had to be brought in before it blew the Creation apart. So we, the crippled keepers, were sent out to multiply, to have dominion. God's spoilers. Us. Counter-revolutionaries. It is our mission to promote death. The way we kill, the way we die, being unique among the Creatures. It was something we had to work on, historically and personally. To build from scratch up to its present status as reaction, nearly as strong as life, holding down the green uprising. But only nearly as strong.
Thomas Pynchon (Gravity’s Rainbow)
It was never a question of passing. It was a question of hiding. Behind Black and white perceptions of who we were -- who they thought we were. Tropics. Plantations. Calypso. Cricket. We were the people with the musical voices and the coronation mugs on our parlor tables. I would be whatever figurine these foreign imaginations cared for me to be. It would be so simple to let others fill in for me. So easy to startle them with a flash of anger when their visions got out of hand -- but never to sustain the anger for myself. It would be a life lived within myself. A life cut off. I know who I am but you will never know who I am. I may in fact lose touch with who I am.
Michelle Cliff (If I Could Write This in Fire)
Revolutions are nipped in the bud or else succeed too quickly. Passion is quickly exhausted. Men fall back on ideas, comme d'habitude. Nothing is proposed that can last more than twenty-four hours. We are living a million lives in the space of a generation. In the study of entomology, or of deep sea life, or cellular activity, we derive more...
Henry Miller (Tropic of Cancer (Tropic, #1))
Everything is endured - disgrace, humiliation, poverty, war, crime, ennui - in the belief that overnight something will occur, a miracle, which will render life tolerable. And all the while a meter is running inside and there is no hand that can reach in there and shut it off. All the while someone is eating the bread of life and drinking the wine, some dirty fat cockroach of a priest who hides away in the cellar guzzling it, while up above in the light of the street a phantom host touches the lips and the blood is pale as water.
Henry Miller (Tropic of Cancer (Tropic, #1))
Look around. The hantavirus is waiting for you. Ebola and the tropical rainforest is cooking up all kinds of brews to make sure that the population is kept in control. All these things are necessary. Why is there an increase in sexual deviance right now? Because it goes against procreative sex. Mother Nature does not want more children. This is not a time of birth. It is not a time to give birth, it's a time to die. The Bible says all things under heaven and that includes death as well as life. You out there, you comfortable ones, you point the finger. You say the junkie is the problem, you say the sexual deviant, serial killer, racist, and the man who hates his fellow man is the problem. But they ain't the problem. You're the problem. The sexual deviant, the murderer, the serial killer, the taker of human life is the cure, you're the problem.
Joe Coleman
If you tell a guy in the street you're hungry you scare the shit out of him, he runs like hell. That's something I never understood. I don't understand it yet. The whole thing is so simple - you just say Yes when some one comes up to you. And if you can't say Yes you can take him by the arm and ask some other bird to help you out. Why you have to don a uniform and kill men you don't know, just to get that crust of bread, is a mystery to me. That's what I think about, more than about whose trap it's going down or how much it costs. Why should I give a fuck about what anything costs ? I'm here to live, not to calculate. And that's just what the bastards don't want you to do - to live! They want you to spend your whole life adding up figures. That makes sense to them. That's reasonable. That's intelligent. If I were running the boat things wouldn't be so orderly perhaps, but it would be gayer, by Jesus! You wouldn't have to shit in your pants over trifles. Maybe there wouldn't be macadamized roads and streamlined cars and loudspeakers and gadgets of a million-billion varieties, maybe there wouldn't even be glass in the windows, maybe you'd have to sleep on the ground, maybe there wouldn't be French cooking and Italian cooking and Chinese cooking, maybe people would kill each other when their patience was exhausted and maybe nobody would stop them because there wouldn't be any jails or any cops or judges, and there certainly wouldn't be any cabinet ministers or legislatures because-there wouldn't be any goddamned laws to obey or disobey, and maybe it would take months and years to trek from place to place, but you wouldn't need a visa or a passport or a carte d'identite because you wouldn't be registered anywhere and you wouldn't bear a number and if you wanted to change your name every week you could do it because it wouldn't make any difference since you wouldn't own anything except what you could carry around with you and why would you want to own anything when everything would be free?
Henry Miller (Tropic of Capricorn (Tropic, #2))
Then the voice - which identified itself as the prince of this world, the only being who really knows what happens on Earth - began to show him the people around him on the beach. The wonderful father who was busy packing things up and helping his children put on some warm clothes and who would love to have an affair with his secretary, but was terrified on his wife's response. His wife who would like to work and have her independence, but who was terrified of her husband's response. The children who behave themselves because they were terrified of being punished. The girl who was reading a book all on her own beneath the sunshade, pretending she didn't care, but inside was terrified of spending the rest of her life alone. The boy running around with a tennis racuqet , terrified of having to live up to his parents' expectations. The waiter serving tropical drinks to the rich customers and terrified that he could be sacket at any moment. The young girl who wanted to be a dance, but who was studying law instead because she was terrified of what the neighbours might say. The old man who didn't smoke or drink and said he felt much better for it, when in truth it was the terror of death what whispered in his ears like the wind. The married couple who ran by, splashing through the surf, with a smile on their face but with a terror in their hearts telling them that they would soon be old, boring and useless. The man with the suntan who swept up in his launch in front of everybody and waved and smiled, but was terrified because he could lose all his money from one moment to the next. The hotel owner, watching the whole idyllic scene from his office, trying to keep everyone happy and cheerful, urging his accountants to ever greater vigilance, and terrified because he knew that however honest he was government officials would still find mistakes in his accounts if they wanted to. There was terror in each and every one of the people on that beautiful beach and on that breathtakingly beautiful evening. Terror of being alone, terror of the darkness filling their imaginations with devils, terror of doing anything not in the manuals of good behaviour, terror of God's punishing any mistake, terror of trying and failing, terror of succeeding and having to live with the envy of other people, terror of loving and being rejected, terror of asking for a rise in salary, of accepting an invitation, of going somewhere new, of not being able to speak a foreign language, of not making the right impression, of growing old, of dying, of being pointed out because of one's defects, of not being pointed out because of one's merits, of not being noticed either for one's defects of one's merits.
Paulo Coelho (The Devil and Miss Prym)
Again the dance hall, the money rhythm, the love that comes over the radio, the impersonal, wingless touch of the crowd. A despair that reaches down to the very soles of the boots, an ennui, a desperation. In the midst of the highest mechanical perfection to dance without joy, to be so desperately alone, to be almost inhuman because you are human. If there were life on the moon what more nearly perfect, joyless evidence of it could there be than this. If to travel away from the sun is to reach the chill idiocy of the moon, then we have arrived at our goal and life is but the cold, lunar incandescence of the sun. This is the dance of ice-cold life in the hollow of an atom, and the more we dance the colder it gets.
Henry Miller (Tropic of Capricorn (Tropic, #2))
Lily's taste of beneficence had wakened in her a momentary appetite for well-doing. Her visit to the Girls' Club had first brought her in contact with the dramatic contrasts of life. She had always accepted with philosophic calm the fact that such existences as hers were pedestalled on foundations of obscure humanity. The dreary limbo of dinginess lay all around and beneath that little illuminated circle in which life reached its finest efflorescence, as the mud and sleet of a winter night enclose a hot-house filled with tropical flowers. All this was in the natural order of things, and the orchid basking in its artificially created atmosphere could round the delicate curves of its petals undisturbed by the ice on the panes.
Edith Wharton (The House of Mirth)
In an instant, the end would come with the most minute of gestures—the flick of the Zero pilot’s finger on his cannon trigger—and Super Man would carry ten men into the Pacific. Pillsbury could see the pilot who would end his life, the tropical sun illuminating his face, a white scarf coiled about his neck. Pillsbury thought: I have to kill this man. Pillsbury sucked in a sharp breath and fired. He watched the tracers skim away from his gun’s muzzle and punch through the cockpit of the Zero. The windshield blew apart and the pilot pitched forward. The fatal blow never came to Super Man. The Zero pilot, surely seeing the top turret smashed and the waist windows vacant, had probably assumed that the gunners were all dead. He had waited too long.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
Sometimes, too, we went out in the rubber boat to look at ourselves at night. Coal-black seas towered up on all sides, and a glittering myriad of tropical stars drew a faint reflection from plankton in the water. The world was simple - stars in the darkness. Whether it was 1947 B.C. or A.D. suddenly became of no significance. We lived, and that we felt with alert intensity. We realized that life had been full for men before the technical age also - in fact, fuller and richer in many ways than the life of modern man. Time and evolution somehow ceased to exist; all that was real and that mattered were the same today as they had always been and would always be. We were swallowed up in the absolute common measure of history - endless unbroken darkness under a swarm of stars.
Thor Heyerdahl
Whether one calls slime molds, fungi, and plants “intelligent” depends on one’s point of view. Classical scientific definitions of intelligence use humans as a yardstick by which all other species are measured. According to these anthropocentric definitions, humans are always at the top of the intelligence rankings, followed by animals that look like us (chimpanzees, bonobos, etc.), followed again by other “higher” animals, and onward and downward in a league table—a great chain of intelligence drawn up by the ancient Greeks, which persists one way or another to this day. Because these organisms don’t look like us or outwardly behave like us—or have brains—they have traditionally been allocated a position somewhere at the bottom of the scale. Too often, they are thought of as the inert backdrop to animal life. Yet many are capable of sophisticated behaviors that prompt us to think in new ways about what it means for organisms to “solve problems,” “communicate,” “make decisions,” “learn,” and “remember.” As we do so, some of the vexed hierarchies that underpin modern thought start to soften. As they soften, our ruinous attitudes toward the more-than-human world may start to change. The second field of research that has guided me in this inquiry concerns the way we think about the microscopic organisms—or microbes—that cover every inch of the planet. In the last four decades, new technologies have granted unprecedented access to microbial lives. The outcome? For your community of microbes—your “microbiome”—your body is a planet. Some prefer the temperate forest of your scalp, some the arid plains of your forearm, some the tropical forest of your crotch or armpit. Your gut (which if unfolded would occupy an area of thirty-two square meters), ears, toes, mouth, eyes, skin, and every surface, passage, and cavity you possess teem with bacteria and fungi. You carry around more microbes than your “own” cells. There are more bacteria in your gut than stars in our galaxy. For humans, identifying where one individual stops and another starts is not generally something we
Merlin Sheldrake (Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures)
He sensed a lonely childhood on some great decaying plantation, an echoing ‘Great House’ slowly falling into disrepair and being encroached on by the luxuriance of the tropics. The parents dying, and the property being sold. The companionship of a servant or two and an equivocal life in lodgings in the capital. The beauty which was her only asset and the struggle against the shady propositions to be a ‘governess’, a ‘companion’, a ‘secretary’, all of which meant respectable prostitution. Then the dubious, unknown steps into the world of entertainment. The evening stint at the nightclub with the mysterious act which, among people dominated by magic, must have kept many away from her and made her a person to be feared. And then, one evening, the huge man with the grey face sitting at a table by himself. The promise that he would put her on Broadway. The chance of a new life, of an escape from the heat and the dirt and the solitude. Bond turned brusquely away from the window. A romantic picture, perhaps. But it must have been something like that.
Ian Fleming (Live and Let Die (James Bond, #2))
Somehow the realization that nothing was to be hoped for had a salutary effect upon me. For weeks and months, for years, in fact, all my life I had been looking forward to something happening, some intrinsic event that would alter my life, and now suddenly, inspired by the absolute hopelessness of everything, I felt relieved, felt as though a great burden had been lifted from my shoulders. At dawn I parted company with the young Hindu, after touching him for a few francs, enough for a room. Walking toward Montparnasse I decided to let myself drift with the tide, to make not the least resistance to fate, no matter in what form it presented itself. Nothing that had happened to me thus far had been sufficient to destroy me; nothing had been destroyed except my illusions. I myself was intact. The world was intact. Tomorrow there might be a revolution, a plague, an earthquake; tomorrow there might not be left a single soul to whom one could turn for sympathy, for aid, for faith. It seemed to me that the great calamity had already manifested itself, that I could be no more truly alone than at this very moment. I made up my mind that I would hold on to nothing, that I would expect nothing, that henceforth I would live as an animal, a beast of prey, a rover, a plunderer. Even if war were declared, and it were my lot to go, I would grab the bayonet and plunge it, plunge it up to the hilt. And if rape were the order of the day then rape I would, and with a vengeance. At this very moment, in the quiet dawn of a new day, was not the earth giddy with crime and distress? Had one single element of man's nature been altered, vitally, fundamentally altered, by the incessant march of history? By what he calls the better part of his nature, man has been betrayed, that is all. At the extreme limits of his spiritual being man finds himself again naked as a savage. When he finds God, as it were, he has been picked clean: he is a skeleton. One must burrow into life again in order to put on flesh. The word must become flesh; the soul thirsts. On whatever crumb my eye fastens, I will pounce and devour. If to live is the paramount thing, then I will live, even if I must become a cannibal. Heretofore I have been trying to save my precious hide, trying to preserve the few pieces of meat that hid my bones. I am done with that. I have reached the limits of endurance. My back is to the wall; I can retreat no further. As far as history goes I am dead. If there is something beyond I shall have to bounce back. I have found God, but he is insufficient. I am only spiritually dead. Physically I am alive. Morally I am free. The world which I have departed is a menagerie. The dawn is breaking on a new world, a jungle world in which the lean spirits roam with sharp claws. If I am a hyena I am a lean and hungry one: I go forth to fatten myself.
Henry Miller (Tropic of Cancer (Tropic, #1))
What strikes me now as the most wonderful proof of my fitness, or unfitness, for the times is the fact that nothing people were writing or talking about had any real interest for me. Only the object haunted me, the separate, detached, insignificant thing. It might be a part of the human body or a staircase in a vaudeville house; it might be a smokestack or a button I had found in the gutter. Whatever it was it enabled me to open up, to surrender, to attach my signature. To the life about me, to the people who made up the world I knew, I could not attach my signature. I was as definitely outside their world as a cannibal is outside the bounds of civilized society. I was filled with a perverse love of the thing-in-itself - not a philosophic attachment, but a passionate, desperately passionate hunger, as if in this discarded, worthless thing which everyone ignored there was contained the secret of my own regeneration.
Henry Miller (Tropic of Capricorn (Tropic, #2))
But where should he begin? - Well, then, the trouble with the English was their: Their: In a word, Gibreel solemnly pronounced, their weather. Gibreel Farishta floating on his cloud formed the opinion that the moral fuzziness of the English was meteorologically induced. 'When the day is not warmer than the night,' he reasoned, 'when the light is not brighter than the dark, when the land is not drier than the sea, then clearly a people will lose the power to make distinctions, and commence to see everything - from political parties to sexual partners to religious beliefs - as much-the-same, nothing-to-choose, give-or-take. What folly! For truth is extreme, it is so and not thus, it is him and not her; a partisan matter, not a spectator sport. It is, in brief, heated. City,' he cried, and his voice rolled over the metropolis like thunder, 'I am going to tropicalize you.' Gibreel enumerated the benefits of the proposed metamorphosis of London into a tropical city: increased moral definition, institution of a national siesta, development of vivid and expansive patterns of behaviour among the populace, higher-quality popular music, new birds in the trees (macaws, peacocks, cockatoos), new trees under the birds (coco-palms, tamarind, banyans with hanging beards). Improved street-life, outrageously coloured flowers (magenta, vermilion, neon-green), spider-monkeys in the oaks. A new mass market for domestic air-conditioning units, ceiling fans, anti-mosquito coils and sprays. A coir and copra industry. Increased appeal of London as a centre for conferences, etc.: better cricketeers; higher emphasis on ball-control among professional footballers, the traditional and soulless English commitment to 'high workrate' having been rendered obsolete by the heat. Religious fervour, political ferment, renewal of interest in the intellegentsia. No more British reserve; hot-water bottles to be banished forever, replaced in the foetid nights by the making of slow and odorous love. Emergence of new social values: friends to commence dropping in on one another without making appointments, closure of old-folks' homes, emphasis on the extended family. Spicier foods; the use of water as well as paper in English toilets; the joy of running fully dressed through the first rains of the monsoon. Disadvantages: cholera, typhoid, legionnaires' disease, cockroaches, dust, noise, a culture of excess. Standing upon the horizon, spreading his arms to fill the sky, Gibreel cried: 'Let it be.
Salman Rushdie (The Satanic Verses)
Death was more like what we went through in the park: two people walking side by side in the mist, rubbing against trees and bushes, and not a word between them. It was something emptier than the name itself and yet right and peaceful, dignified, if you like. It was not a continuation of life, but a leap in the dark and no possibility of ever coming back, not even as a grain of dust. And that was right and beautiful, I said to myself, because why would one want to come back. To taste it once is to taste it forever - life or death. Whichever way the coin flips is right, so long as you hold no stakes. Sure, it's tough to choke on your own spittle - it's disagreeable more than anything else. And besides, one doesn't always die choking to death. Sometimes one goes off in his sleep, peaceful and quiet as a lamb. The Lord comes and gathers you up into the fold, as they say. Anyway, you stop breathing. And why the hell should one want to go on breathing forever? Anything that would have to be done interminably would be torture. The poor human bastards that we are, we ought to be glad that somebody devised a way out. We don't quibble about going to sleep. A third of our lives we snore away like drunken rats. What about that? Is that tragic? Well then, say three-thirds of drunken rat-like sleep. Jesus, if we had any sense we'd be dancing with glee at the thought of it! We could all die in bed tomorrow, without pain, without suffering - if we had the sense to take advantage of our remedies. We don't want to die, that's the trouble with us. That's why God and the whole shooting match upstairs in our crazy dustbins.
Henry Miller (Tropic of Capricorn (Tropic, #2))
Where the weather is concerned, the Midwest has the worst of both worlds. In the winter the wind is razor sharp. It skims down from the Arctic and slices through you. It howls and swirls and buffets the house. It brings piles of snow and bonecracking cold. From November to March you walk leaning forward at a twenty-degree angle, even indoors, and spend your life waiting for your car to warm up, or digging it out of drifts or scraping futilely at ice that seems to have been applied to the windows with superglue. And then one day spring comes. The snow melts, you stride about in shirtsleeves, you incline your face to the sun. And then, just like that, spring is over and it’s summer. It is as if God has pulled a lever in the great celestial powerhouse. Now the weather rolls in from the opposite direction, from the tropics far to the south, and it hits you like a wall of heat. For six months, the heat pours over you. You sweat oil. Your pores gape. The grass goes brown. Dogs look as if they could die. When you walk downtown you can feel the heat of the pavement rising through the soles of your shoes. Just when you think you might very well go crazy, fall comes and for two or three weeks the air is mild and nature is friendly. And then it’s winter and the cycle starts again. And you think, “As soon as I’m big enough, I’m going to move far, far away from here.
Bill Bryson (The Lost Continent: Travels in Small Town America)
LOST is often lauded as one of the best fantasy dramas in television history, as well as one of the most cryptic and - occasionally – maddening. But confirmation of just how important it is came with an almost unbelievable communiqué from the White House last week. President Obama’s office reassured Lost fans that the commander in chief wouldn’t move his yearly state of the union address from late January to a date that would coincide with the premiere episode of the show’s sixth and final season. That’s right. Obama might have had vital information to impart upon the American people about health care, the war in Afghanistan, the financial crisis – things that, you know, might affect real lives. But the most important thing was that his address didn’t clash with a series in which a polar bear appears on a tropical island. After extensive lobbying by the ABC network, the White House surrendered. Obama’s press secretary promised: “I don’t foresee a scenario in which millions of people who hope to finally get some conclusion with Lost are pre-empted by the president.
Ben East
Speaking to a foreigner was the dream of every student, and my opportunity came at last. When I got back from my trip down the Yangtze, I learned that my year was being sent in October to a port in the south called Zhanjiang to practice our English with foreign sailors. I was thrilled. Zhanjiang was about 75 miles from Chengdu, a journey of two days and two nights by rail. It was the southernmost large port in China, and quite near the Vietnamese border. It felt like a foreign country, with turn-of-the-century colonial-style buildings, pastiche Romanesque arches, rose windows, and large verandas with colorful parasols. The local people spoke Cantonese, which was almost a foreign language. The air smelled of the unfamiliar sea, exotic tropical vegetation, and an altogether bigger world. But my excitement at being there was constantly doused by frustration. We were accompanied by a political supervisor and three lecturers, who decided that, although we were staying only a mile from the sea, we were not to be allowed anywhere near it. The harbor itself was closed to outsiders, for fear of 'sabotage' or defection. We were told that a student from Guangzhou had managed to stow away once in a cargo steamer, not realizing that the hold would be sealed for weeks, by which time he had perished. We had to restrict our movements to a clearly defined area of a few blocks around our residence. Regulations like these were part of our daily life, but they never failed to infuriate me. One day I was seized by an absolute compulsion to get out. I faked illness and got permission to go to a hospital in the middle of the city. I wandered the streets desperately trying to spot the sea, without success. The local people were unhelpful: they did not like non-Cantonese speakers, and refused to understand me. We stayed in the port for three weeks, and only once were we allowed, as a special treat, to go to an island to see the ocean. As the point of being there was to talk to the sailors, we were organized into small groups to take turns working in the two places they were allowed to frequent: the Friendship Store, which sold goods for hard currency, and the Sailors' Club, which had a bar, a restaurant, a billiards room, and a ping-pong room. There were strict rules about how we could talk to the sailors. We were not allowed to speak to them alone, except for brief exchanges over the counter of the Friendship Store. If we were asked our names and addresses, under no circumstances were we to give our real ones. We all prepared a false name and a nonexistent address. After every conversation, we had to write a detailed report of what had been said which was standard practice for anyone who had contact with foreigners. We were warned over and over again about the importance of observing 'discipline in foreign contacts' (she waifi-lu). Otherwise, we were told, not only would we get into serious trouble, other students would be banned from coming.
Jung Chang (Wild Swans: Three Daughters of China)
In the moment all is dear to me, dear that in this logic there is no redemption, the city itself being the highest form of madness and each and every part, organic or inorganic, an expression of this same madness. I feel absurdly and humbly great, not as megalomaniac, but as human spore, as the dead sponge of life swollen to saturation. I no longer look into the eyes of the woman I hold in my arms but I swim through, head and arms and legs, and I see that behind the sockets of the eyes there is a region unexplored, the world of futurity, and here there is no logic whatever, just the still germination of events unbroken by night and day, by yesterday and tomorrow. The eye, accustomed to concentration on points in space, now concentrates on points in time; the eye sees forward and backward at will. The eye which was the I of the self no longer exists; this selfless eye neither reveals nor illuminates. It travels along the line of the horizon, a ceaseless, uninformed voyager. Trying to retain the lost body I grew in logic as the city, a point digit in the anatomy of perfection. I grew beyond my own death, spiritually bright and hard. I was divided into endless yesterdays, endless tomorrows, resting only on the cusp of the event, a wall with many windows, but the house gone. I must shatter the walls and windows, the last shell of the lost body, if I am to rejoin the present. That is why I no longer look into the eyes or through the eyes, but by the legerdemain of will swim through the eyes, head and arms and legs to explore the curve of vision. I see around myself as the mother who bore me once saw round the comers of time. I have broken the wall created by birth and the line of voyage is round and unbroken, even as the navel. No form, no image, no architecture, only concentric flights of sheer madness. I am the arrow of the dream's substantiality. I verify by flight. I nullify by dropping to earth.
Henry Miller (Tropic of Capricorn (Tropic, #2))
... neither the metaphor of ‘melting pot’ nor of ‘salad bowl’ can accurately explain Indian culture. My preferred metaphor is that of the Rain Forest. The ‘tropical rain forest’ characteristically has a number of layers, each with a variety of flora and fauna adapted for life in that particular layer. The layers include the uppermost ‘emergent’ layer that rises above to form the canopy of the forest, the ‘under-story’ and finally the ‘forest floor’, the foundational core. This emergent layer has its roots in the forest floor that is full of shrubs, vines and fungi... A ‘bird’s-eye view’ cannot reveal this rootedness, the underlying substratum, the under-stories and the forest floor. If the metaphor of ‘tropical rain forest’ is applied to the Indus Valley Civilization, the citadels, the rulers, and the rich merchants with their maritime wealth, the urban structure and its finesse are comparable with the ‘emergent canopy’. Yet the bulk of the demography was at the root – the substratum, from which the mature urban cities emerged... The nature of its religion, the cultural practices, cockfights and bull-vaulting visually represent the ‘under-story’ of the IVC.
R. Balakrishnan (Journey of A Civilization: Indus to Vaigai)
Because there’s such an unbelievable amount that we’re all supposed to be able to cope with these days. You’re supposed to have a job, and somewhere to live, and a family, and you’re supposed to pay taxes and have clean underwear and remember the password to your damn Wi-Fi. Some of us never manage to get the chaos under control, so our lives simply carry on, the world spinning through space at two million miles an hour while we bounce about on its surface like so many lost socks. Our hearts are bars of soap that we keep losing hold of; the moment we relax, they drift off and fall in love and get broken, all in the wink of an eye. We’re not in control. So we learn to pretend, all the time, about our jobs and our marriages and our children and everything else. We pretend we’re normal, that we’re reasonably well educated, that we understand “amortization levels” and “inflation rates.” That we know how sex works. In truth, we know as much about sex as we do about USB leads, and it always takes us four tries to get those little buggers in. (Wrong way round, wrong way round, wrong way round, there! In!) We pretend to be good parents when all we really do is provide our kids with food and clothing and tell them off when they put chewing gum they find on the ground in their mouths. We tried keeping tropical fish once and they all died. And we really don’t know more about children than tropical fish, so the responsibility frightens the life out of us each morning. We don’t have a plan, we just do our best to get through the day, because there’ll be another one coming along tomorrow.
Fredrik Backman (Anxious People)
Early naturalists talked often about “deep time”—the perception they had, contemplating the grandeur of this valley or that rock basin, of the profound slowness of nature. But the perspective changes when history accelerates. What lies in store for us is more like what aboriginal Australians, talking with Victorian anthropologists, called “dreamtime,” or “everywhen”: the semi-mythical experience of encountering, in the present moment, an out-of-time past, when ancestors, heroes, and demigods crowded an epic stage. You can find it already by watching footage of an iceberg collapsing into the sea—a feeling of history happening all at once. It is. The summer of 2017, in the Northern Hemisphere, brought unprecedented extreme weather: three major hurricanes arising in quick succession in the Atlantic; the epic “500,000-year” rainfall of Hurricane Harvey, dropping on Houston a million gallons of water for nearly every single person in the entire state of Texas; the wildfires of California, nine thousand of them burning through more than a million acres, and those in icy Greenland, ten times bigger than those in 2014; the floods of South Asia, clearing 45 million from their homes. Then the record-breaking summer of 2018 made 2017 seem positively idyllic. It brought an unheard-of global heat wave, with temperatures hitting 108 in Los Angeles, 122 in Pakistan, and 124 in Algeria. In the world’s oceans, six hurricanes and tropical storms appeared on the radars at once, including one, Typhoon Mangkhut, that hit the Philippines and then Hong Kong, killing nearly a hundred and wreaking a billion dollars in damages, and another, Hurricane Florence, which more than doubled the average annual rainfall in North Carolina, killing more than fifty and inflicting $17 billion worth of damage. There were wildfires in Sweden, all the way in the Arctic Circle, and across so much of the American West that half the continent was fighting through smoke, those fires ultimately burning close to 1.5 million acres. Parts of Yosemite National Park were closed, as were parts of Glacier National Park in Montana, where temperatures also topped 100. In 1850, the area had 150 glaciers; today, all but 26 are melted.
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
When people speak of the tragedies in my life, they ordinarily mean the deaths. Not only Jacob. But all those around me who have perished. Whether in direct consequence of danger or simple misfortune and the passage of time after our friendships have formed. At times though I think these partings should be accounted as highly, if only in the ledger of my own sorrow. Akinimanbi did not die on a Lebane spear, but I never saw her again after leaving for the Great Cataract. In that sense I lost her as thoroughly as if she had died. So it was with Yeyuama as well. I only saw Faj Rawango once more, years later. And although Galinke corresponded with me, we could not be friends the way we might have been had we dwelt in the same land. So it has been, again and again throughout my life, as I form connections with people and then lose them to distance and time. I mourn those losses, even when I know my erstwhile friends are safe and happy among their own kin. But the only way for me to avoid such losses, would be to stay home. To never journey beyond the range of easy visitation. As my life will attest, that is not a measure I am willing to take. Nor would I forgo the pleasures of my transient friendships if I could. So we made our farewells, packed our things, and boarded a steamship in the harbor of Nsebu. Much browner, thinner and more worn than it had been when we arrived, we made our way back to Scirland.
Marie Brennan (The Tropic of Serpents (The Memoirs of Lady Trent, #2))
It’s a long story,” he said, taking a sip of Mr. Braeburn’s whiskey, “so I will tell only a very condensed version of it. “Mrs. Marsden and I grew up on adjacent properties in the Cotswold. But the Cotswold, as fair as it is, plays almost no part in this tale. Because it was not in the green, unpolluted countryside that we fell in love, but in gray, sooty London. Love at first sight, of course, a hunger of the soul that could not be denied.” Bryony trembled somewhere inside. This was not their story, but her story, the determined spinster felled by the magnificence and charm of the gorgeous young thing. He glanced at her. “You were the moon of my existence; your moods dictated the tides of my heart.” The tides of her own heart surged at his words, even though his words were nothing but lies. “I don’t believe I had moods,” she said severely. “No, of course not. ‘Thou art more lovely and more temperate’—and the tides of my heart only rose ever higher to crash against the levee of my self-possession. For I loved you most intemperately, my dear Mrs. Marsden.” Beside her Mrs. Braeburn blushed, her eyes bright. Bryony was furious at Leo, for his facile words, and even more so at herself, for the painful pleasure that trickled into her drop by drop. “Our wedding was the happiest hour of my life, that we would belong to each other always. The church was filled with hyacinths and camellias, and the crowd overflowed to the steps, for the whole world wanted to see who had at last captured your lofty heart. “But alas, I had not truly captured your lofty heart, had I? I but held it for a moment. And soon there was trouble in Paradise. One day, you said to me, ‘My hair has turned white. It is a sign I must wander far and away. Find me then, if you can. Then and only then will I be yours again.’” Her heart pounded again. How did he know that she had indeed taken her hair turning white as a sign that the time had come for her to leave? No, he did not know. He’d made it up out of whole cloth. But even Mr. Braeburn was spellbound by this ridiculous tale. She had forgotten how hypnotic Leo could be, when he wished to beguile a crowd. “And so I have searched. From the poles to the tropics, from the shores of China to the shores of Nova Scotia. Our wedding photograph in hand, I have asked crowds pale, red, brown, and black, ‘I seek an English lady doctor, my lost beloved. Have you seen her?’” He looked into her eyes, and she could not look away, as mesmerized as the hapless Braeburns. “And now I have found you at last.” He raised his glass. “To the beginning of the rest of our lives.
Sherry Thomas (Not Quite a Husband (The Marsdens, #2))
Vanity is by far my favorite of all sins, and the camera lens is the ultimate vanity mirror. The camera captures all moods and nuances; immortalizes the soft and silky continuum that is humanity. Those still life moments seem so fluid, so representative of continuity. They are a single moment captured, yet an eternity expressed. All your youth; all your ages, captured and expressed in a single click. Of all the indulgences, vanity is certainly my favorite which we should otherwise resist, but are inexplicably captivated by and addicted. What other animal would spend so much time pouting and preening for its reflection? Only humanity would participate in such self-adoration. You would think we have the most colorful feathers or softest of manes. Rather, we are a naked biped that feels incomplete without some decorative element, accessory, or embellishment of the self. We are intoxicated by the image of the body, no different than we are seduced by fine wines, foods, or mind altering elements. We devour the skin, and peel away clothes as if they were the skin of some tropical fruit, covering a colorful and juicy interior. We hunt for bodily pleasures, and collect them as prizes; show them off in social situations as if our companions were some sort of extended adornment to ourselves. We are revealed in our sensuality. To touch beneath the surface; to connect beyond facades, that unattainable discourse between individuals is put tentatively within reach in intimacy. To capture those moments is to capture the essence of what makes us human, and what ultimately sets us above and aside from the rest of nature. Capturing humanity in its most extravagant expressions is intoxicating. Vanity is by far my favorite sin, and it is an endless tale as infinite as humanity. Every person is but a stitch in a giant tapestry.
A.E. Samaan
There is a sort of subdued pandemonium in the air, a note of repressed violence, as if the awaited explosion required the advent of some utterly minute detail, something microscopic but thoroughly unpremeditated, completely unexpected. In that sort of half-reverie which permits one to participate in an event and yet remain quite aloof, the little detail which was lacking began obscurely but insistently to coagulate, to assume a freakish, crystalline form, like the frost which gathers on the windowpane. And like those frost patterns which seem so bizarre, so utterly free and fantastic in design, but which are nevertheless determined by the most rigid laws, so this sensation which commenced to take form inside me seemed also to be giving obedience to ineluctable laws. My whole being was responding to the dictates of an ambience which it had never before experienced; that which I could call myself seemed to be contracting, condensing, shrinking from the stale, customary boundaries of the flesh whose perimeter knew only the modulations of the nerve ends. And the more substantial, the more solid the core of me became, the more delicate and extravagant appeared the close, palpable reality out of which I was being squeezed. In the measure that I became more and more metallic, in the same measure the scene before my eyes became inflated. The state of tension was so finely drawn now that the introduction of a single foreign particle, even a microscopic particle, as I say, would have shattered everything. For the fraction of a second perhaps I experienced that utter clarity which the epileptic, it is said, is given to know. In that moment I lost completely the illusion of time and space: the world unfurled its drama simultaneously along a meridian which had no axis. In this sort of hair-trigger eternity I felt that everything was justified, supremely justified; I felt the wars inside me that had left behind this pulp and wrack; I felt the crimes that were seething here to emerge tomorrow in blatant screamers; I felt the misery that was grinding itself out with pestle and mortar, the long dull misery that dribbles away in dirty handkerchiefs. On the meridian of time there is no injustice: there is only the poetry of motion creating the illusion of truth and drama. If at any moment anywhere one comes face to face with the absolute, that great sympathy which makes men like Gautama and Jesus seem divine freezes away; the monstrous thing is not that men have created roses out of this dung heap, but that, for some reason or other, they should want roses. For some reason or other man looks for the miracle, and to accomplish it he will wade through blood. He will debauch himself with ideas, he will reduce himself to a shadow if for only one second of his life he can close his eyes to the hideousness of reality. Everything is endured – disgrace, humiliation, poverty, war, crime, ennui – in the belief that overnight something will occur, a miracle, which will render life tolerable. And all the while a meter is running inside and there is no hand that can reach in there and shut it off. All the while someone is eating the bread of life and drinking the wine, some dirty fat cockroach of a priest who hides away in the cellar guzzling it, while up above in the light of the street a phantom host touches the lips and the blood is pale as water. And out of the endless torment and misery no miracle comes forth, no microscopic vestige of relief. Only ideas, pale, attenuated ideas which have to be fattened by slaughter; ideas which come forth like bile, like the guts of a pig when the carcass is ripped open.
Henry Miller (Tropic of Cancer (Tropic, #1))
The monstrous thing is not that men have created roses out of this dung heap, but that, for some reason or other, they should want roses. For some reason or other man looks for the miracle, and to accomplish it he will wade through blood. He will debauch himself with ideas, he will reduce himself to a shadow if for only one second of his life he can close his eyes to the hideousness of reality. Everything is endured – disgrace, humiliation, poverty, war, crime, ennui – in the belief that overnight something will occur, a miracle, which will render life tolerable. And all the while a meter is running inside and there is no hand that can reach in there and shut it off. All the while someone is eating the bread of life and drinking the wine, some dirty fat cockroach of a priest who hides away in the cellar guzzling it, while up above in the light of the street a phantom host touches the lips and the blood is pale as water. And out of the endless torment and misery no miracle comes forth, no microscopic vestige of relief. Only ideas, pale, attenuated ideas which have to be fattened by slaughter; ideas which come forth like bile, like the guts of a pig when the carcass is ripped open. And so I think what a miracle it would be if this miracle which man attends eternally should turn out to be nothing more than these two enormous turds which the faithful disciple dropped in the bidet. What if at the last moment, when the banquet table is set and the cymbals clash, there should appear suddenly, and wholly without warning, a silver platter on which even the blind could see that there is nothing more, and nothing less, than two enormous lumps of shit. That, I believe would be more miraculous than anything which man has looked forward to. It would be miraculous because it would be undreamed of. It would be more miraculous than even the wildest dream because anybody could imagine the possibility but nobody ever has, and probably nobody ever again will. Somehow the realization that nothing was to be hoped for had a salutary effect upon me. For weeks and months, for years, in fact, all my life I had been looking forward to something happening, some intrinsic event that would alter my life, and now suddenly, inspired by the absolute hopelessness of everything, I felt relieved, felt as though a great burden had been lifted from my shoulders. At dawn I parted company with the young Hindu, after touching him for a few francs, enough for a room. Walking toward Montparnasse I decided to let myself drift with the tide, to make not the least resistance to fate, no matter in what form it presented itself. Nothing that had happened to me thus far had been sufficient to destroy me; nothing had been destroyed except my illusions. I myself was intact. The world was intact. Tomorrow there might be a revolution, a plague, an earthquake; tomorrow there might not be left a single soul to whom one could turn for sympathy, for aid, for faith. It seemed to me that the great calamity had already manifested itself, that I could be no more truly alone than at this very moment.
Henry Miller (Tropic of Cancer (Tropic, #1))
Separated from everyone, in the fifteenth dungeon, was a small man with fiery brown eyes and wet towels wrapped around his head. For several days his legs had been black, and his gums were bleeding. Fifty-nine years old and exhausted beyond measure, he paced silently up and down, always the same five steps, back and forth. One, two, three, four, five, and turn . . . an interminable shuffle between the wall and door of his cell. He had no work, no books, nothing to write on. And so he walked. One, two, three, four, five, and turn . . . His dungeon was next door to La Fortaleza, the governor’s mansion in Old San Juan, less than two hundred feet away. The governor had been his friend and had even voted for him for the Puerto Rican legislature in 1932. This didn’t help much now. The governor had ordered his arrest. One, two, three, four, five, and turn . . . Life had turned him into a pendulum; it had all been mathematically worked out. This shuttle back and forth in his cell comprised his entire universe. He had no other choice. His transformation into a living corpse suited his captors perfectly. One, two, three, four, five, and turn . . . Fourteen hours of walking: to master this art of endless movement, he’d learned to keep his head down, hands behind his back, stepping neither too fast nor too slow, every stride the same length. He’d also learned to chew tobacco and smear the nicotined saliva on his face and neck to keep the mosquitoes away. One, two, three, four, five, and turn . . . The heat was so stifling, he needed to take off his clothes, but he couldn’t. He wrapped even more towels around his head and looked up as the guard’s shadow hit the wall. He felt like an animal in a pit, watched by the hunter who had just ensnared him. One, two, three, four, five, and turn . . . Far away, he could hear the ocean breaking on the rocks of San Juan’s harbor and the screams of demented inmates as they cried and howled in the quarantine gallery. A tropical rain splashed the iron roof nearly every day. The dungeons dripped with a stifling humidity that saturated everything, and mosquitoes invaded during every rainfall. Green mold crept along the cracks of his cell, and scarab beetles marched single file, along the mold lines, and into his bathroom bucket. The murderer started screaming. The lunatic in dungeon seven had flung his own feces over the ceiling rail. It landed in dungeon five and frightened the Puerto Rico Upland gecko. The murderer, of course, was threatening to kill the lunatic. One, two, three, four, five, and turn . . . The man started walking again. It was his only world. The grass had grown thick over the grave of his youth. He was no longer a human being, no longer a man. Prison had entered him, and he had become the prison. He fought this feeling every day. One, two, three, four, five, and turn . . . He was a lawyer, journalist, chemical engineer, and president of the Nationalist Party. He was the first Puerto Rican to graduate from Harvard College and Harvard Law School and spoke six languages. He had served as a first lieutenant in World War I and led a company of two hundred men. He had served as president of the Cosmopolitan Club at Harvard and helped Éamon de Valera draft the constitution of the Free State of Ireland.5 One, two, three, four, five, and turn . . . He would spend twenty-five years in prison—many of them in this dungeon, in the belly of La Princesa. He walked back and forth for decades, with wet towels wrapped around his head. The guards all laughed, declared him insane, and called him El Rey de las Toallas. The King of the Towels. His name was Pedro Albizu Campos.
Nelson A. Denis (War Against All Puerto Ricans: Revolution and Terror in America's Colony)