Trojan Man Quotes

We’re going to survive–our songs, our stories. They’ll never be able to forget us. Decades after the last man who fought at Troy is dead, their sons will remember the songs their Trojan mothers sang to them. We’ll be in their dreams–and in their worst nightmares too.

Can I just point something out?" Fletcher asked. "That is an awful plan. On a scale of one to ten - the Trojan War being a ten and General Custer verus all those Indians being a one - your plan is a zero. I don't think it is a plan at all. I think it's just a series of happenings that are, to be honest, unlikely to follow on from each other in the way in which everyone's probably hoping." "Do you have a better plan?" Valkyrie asked. "Of course not. I'm a man of action, not thought." Valkyrie nodded. "You're definitely not a man of thought." "Why are you in charge anyway? What do you know about organising something like this?" "I have faith," Tanith said. "As do I," said Ghastly. Valkyrie smiled at them gratefully. "So you think the plan will work?" "God, no," said Ghastly. "Sorry, Val," said Tanith

And overpowered by memory Both men gave way to grief. Priam wept freely For man - killing Hector, throbbing, crouching Before Achilles' feet as Achilles wept himself, Now for his father, now for Patroclus once again And their sobbing rose and fell throughout the house.

That was what I knew for sure, that this was the only way to get someone to listen to a woman—to tell her story through a man; Trojan horse yourself into a man, and people would give a shit about you.

We’re going to survive—our songs, our stories. They’ll never be able to forget us. Decades after the last man who fought at Troy is dead, their sons will remember the songs their Trojan mothers sang to them. We’ll be in their dreams—and in their worst nightmares too.

Trojans and Achaians, who like wolves sprang upon one another, with man against man in the onfall.

And whatso man they call Happy, believe not ere the last day fall!

Arma virumque cano........." *Literally: "I sing of arms and man". __I sing the praises of a man's struggles__” Translation of the opening verses of the first book of Virgil´s Aeneid, by John Dryden( XVII century) "Arms, and the man I sing, who, forc\'d by fate, And haughty Juno\'s unrelenting hate, Expell\'d and exil\'d, left the Trojan shore. Long labors, both by sea and land, he bore, And in the doubtful war, before he won The Latian realm, and built the destin\'d town; His banish\'d gods restor\'d to rites divine, And settled sure succession in his line, From whence the race of Alban fathers come, And the long glories of majestic Rome".

Why, pray, must the Argives needs fight the Trojans? What made the son of Atreus gather the host and bring them? Was it not for the sake of Helen? Are the sons of Atreus the only men in the world who love their wives? Any man of common right feeling will love and cherish her who is his own, as I this woman, with my whole heart

The man who would prefer great wealth or strength             more than love, more than friends, is diseased of soul.

Therefore let no man press for our return before he beds down with some Trojan wife, to avenge the struggles and the groans of Helen.

Even as he breathed his last breath he killed more Trojans. Terrified by the sight of a mortally wounded man with such implacable strength and will, most held back, unsure that such a man could really die.

Tonight, no one will rage and cry: "My Kingdom for a horse!" No ghost will come to haunt the battlements of a castle in the kingdom of Denmark where, apparently something is rotten. Nor will anyone wring her hands and murmur: "Leave, I do not despise you." Three still young women will not retreat to a dacha whispering the name of Moscow, their beloved, their lost hope. No sister will await the return of her brother to avenge the death of their father, no son will be forced to avenge an affront to his father, no mother will kill her three children to take revenge on their father. And no husband will see his doll-like wife leave him out of contempt. No one will turn into a rhinoceros. Maids will not plot to assassinate their mistress, after denouncing her lover and having him jailed. No one will fret about "the rain in Spain!" No one will emerge from a garbage pail to tell an absurd story. Italian families will not leave for the seashore. No soldier will return from World War II and bang on his father's bedroom dor protesting the presence of a new wife in his mother's bed. No evanescent blode will drown. No Spanish nobleman will seduce a thousand and three women, nor will an entire family of Spanish women writhe beneath the heel of the fierce Bernarda Alba. You won't see a brute of a man rip his sweat-drenched T-shirt, shouting: "Stella! Stella!" and his sister-in-law will not be doomed the minute she steps off the streetcar named Desire. Nor will you see a stepmother pine away for her new husband's youngest son. The plague will not descend upon the city of Thebes, and the Trojan War will not take place. No king will be betrayed by his ungrateful daughters. There will be no duels, no poisonings, no wracking coughs. No one will die, or, if someone must die, it will become a comic scene. No, there will be none of the usual theatrics. What you will see tonight is a very simple woman, a woman who will simply talk...

In those monologues [from men], I found my own gripes. They felt counted out, the way I felt counted out. They felt ignored, the way I felt ignored. They felt like they'd failed. They had regret. They were insecure. They worried about their legacies. They said all the things I wasn't allowed to say aloud without fear of appearing grandiose or self-centred or conceited or narcissistic. I imposed my narrative onto theirs, like in one of those biology textbooks where you can place the musculature picture over the bone picture of the human body. I wrote about my problems through men. That was when I knew for sure, that this was the only way to get someone to listen to a woman—to tell her story through a man; Trojan horse yourself into a man, and people would give a shit about you. So I wrote heartfelt stories about their lives, extrapolating from what they gave me and running with what I already knew from being human[...] I realised all humans are essentially the same, but only some of us, the men, were truly allowed to be that without apology. The mens' humanity was sexy and complicated; ours (mine) was to be kept in the dark at the bottom of the story and was only interesting in the service of the man's humanity.

That man who feels safe in his blessings and rejoices is a fool.

so evenly was strained their war and battle, till the moment when Zeus gave the greater renown to Hector, son of Priam, who was the first to leap within the wall of the Achaians. In a piercing voice he cried aloud to the Trojans: "Rise, ye horse-taming Trojans, break the wall of the Argives, and cast among the ships fierce blazing fire." So spake he, spurring them on, and they all heard him with their ears, and in one mass rushed straight against the wall, and with sharp spears in their hands climbed upon the machicolations of the towers. And Hector seized and carried a stone that lay in front of the gates, thick in the hinder part, but sharp at point: a stone that not the two best men of the people, such as mortals now are, could lightly lift from the ground on to a wain, but easily he wielded it alone, for the son of crooked-counselling Kronos made it light for him. And as when a shepherd lightly beareth the fleece of a ram, taking it in one hand, and little doth it burden him, so Hector lifted the stone, and bare it straight against the doors that closely guarded the stubborn-set portals, double gates and tall, and two cross bars held them within, and one bolt fastened them. And he came, and stood hard by, and firmly planted himself, and smote them in the midst, setting his legs well apart, that his cast might lack no strength. And he brake both the hinges, and the stone fell within by reason of its weight, and the gates rang loud around, and the bars held not, and the doors burst this way and that beneath the rush of the stone. Then glorious Hector leaped in, with face like the sudden night, shining in wondrous mail that was clad about his body, and with two spears in his hands. No man that met him could have held him back when once he leaped within the gates: none but the gods, and his eyes shone with fire. Turning towards the throng he cried to the Trojans to overleap the wall, and they obeyed his summons, and speedily some overleaped the wall, and some poured into the fair-wrought gateways, and the Danaans fled in fear among the hollow ships, and a ceaseless clamour arose.

woman—to tell her story through a man; Trojan horse yourself into a man, and people would give a shit about you. So I wrote heartfelt stories about their lives, extrapolating from what they gave me and running with what I already knew from being human. They sent me texts and flowers that told me I really understood them in a way that no one had before, and I realized that all humans are essentially the same, but only some of us,

Would, by father Zeus, Athene, and Apollo, that not a single man of all the Trojans might be left alive, nor yet of the Argives, but that we two might be alone left to tear aside the mantle that veils the brow of Troy.

My first sight of the fabled warrior was a surprise. He was not a mighty-thewed giant, like Ajax. His body was not broad and powerful, as Odysseos'. He seemed small, almost boyish, his bare arms and legs slim and virtually hairless. His chin was shaved clean, and the ringlets of his long black hair were tied up in a silver chain. He wore a splendid white silk tunic, bordered with a purple key design, cinched at the waist with a belt of interlocking gold crescents... His face was the greatest shock. Ugly, almost to the point of being grotesque. Narrow beady eyes, lips curled in a perpetual snarl, a sharp hook of a nose, skin pocked and cratered... A small ugly boy born to be a king... A young man possessed with fire to silence the laughter, to stifle the taunting. His slim arms and legs were iron-hard, knotted with muscle. His dark eyes were absolutely humourless. There was no doubt in my mind that he could outfight Odysseos or even powerful Ajax on sheer willpower alone.

Neoptolemus was feared by Trojan and Greek alike: unpredictable and sulky, burdened by the knowledge that he could never be as great a man as his father. It was Neoptolemus who had cut down Polyxena’s father, Priam, as he clung to the altar in the temple of Zeus. What kind of man had so little fear of the king of the gods that he would violate his sanctuary? Her only certainty was that Neoptolemus would be cut down in turn for his blasphemous crimes. Thetis herself would not be able to save her grandson from the wrath of Zeus when it came.

If the Greeks had left no tragedies behind for us, the highest reach of their power would be unknown. The three poets who were able to sound the depths of human agony were able also to recognize and reveal it as tragedy. The mystery of evil, they said, curtains that of which “every man whose soul is not a clod hath visions.” Pain could exalt and in tragedy for a moment men could have sight of a meaning beyond their grasp. “Yet had God not turned us in his hand and cast to earth our greatness,” Euripides makes the old Trojan queen say in her extremity, “we would have passed away giving nothing to men. They would have found no theme for song in us nor made great poems from our sorrows.” Why is the death of the ordinary man

How was your trip? Did you have fun?” “It was work, Ma. I wasn’t partying it up in Vegas,” I tell her with a chuckle. “Well, you were in Vegas. Why wouldn’t you try to have some fun while you were there? You think I don’t know what you do in your free time?” I can see her in my head rolling her eyes. “I know how you and your brothers act when you’re single.” “Yeah, Ma, but I’m not single anymore,” I declare, smiling. “You guys are such man-whores. I swear—it’s a wonder one of you didn’t end up on that show 16 and Pregnant,” she says, completely missing what I just said. “Ma, stop talking for a second and listen to me,” I say, waiting for her to stop rambling. “I swear—Trojan owes me royalties for all the condoms I bought for you boys.

He did not appear to be a very tall man; what I could see of legs seemed stumpy, though heavily muscled. His chest was broad and deep. Later I learned that he swam in the sea almost every morning. His thick strong arms were circled with leather wristbands and a bronze armlet above his left elbow that gleamed with polished onyx and lapis lazuli... Puckered white scars from old wounds stood out against the dark skin of his arms, parting the black hairs like roads through a forest... Odysseos wore a sleeveless tunic, his legs and feet bare, but he had thrown a lamb's fleece across his wide shoulders. His face was thickly bearded with dark curly hair that showed a trace of grey. His heavy mop of ringlets came down to his shoulders and across his forehead almost down to his black eyebrows. Those eyes were as grey as the sea outside on this rainy afternoon, probing, searching, judging.

In the modern era, teachers and scholarship have traditionally laid strenuous emphasis on the fact that Briseis, the woman taken from Achilles in Book One, was his géras, his war prize, the implication being that her loss for Achilles meant only loss of honor, an emphasis that may be a legacy of the homoerotic culture in which the classics and the Iliad were so strenuously taught—namely, the British public-school system: handsome and glamorous Achilles didn’t really like women, he was only upset because he’d lost his prize! Homer’s Achilles, however, above all else, is spectacularly adept at articulating his own feelings, and in the Embassy he says, “‘Are the sons of Atreus alone among mortal men the ones / who love their wives? Since any who is a good man, and careful, / loves her who is his own and cares for her, even as I now / loved this one from my heart, though it was my spear that won her’ ” (9.340ff.). The Iliad ’s depiction of both Achilles and Patroklos is nonchalantly heterosexual. At the conclusion of the Embassy, when Agamemnon’s ambassadors have departed, “Achilles slept in the inward corner of the strong-built shelter, / and a woman lay beside him, one he had taken from Lesbos, / Phorbas’ daughter, Diomede of the fair colouring. / In the other corner Patroklos went to bed; with him also / was a girl, Iphis the fair-girdled, whom brilliant Achilles / gave him, when he took sheer Skyros” (9.663ff.). The nature of the relationship between Achilles and Patroklos played an unlikely role in a lawsuit of the mid-fourth century B.C., brought by the orator Aeschines against one Timarchus, a prominent politician in Athens who had charged him with treason. Hoping to discredit Timarchus prior to the treason trial, Aeschines attacked Timarchus’ morality, charging him with pederasty. Since the same charge could have been brought against Aeschines, the orator takes pains to differentiate between his impulses and those of the plaintiff: “The distinction which I draw is this—to be in love with those who are beautiful and chaste is the experience of a kind-hearted and generous soul”; Aeschines, Contra Timarchus 137, in C. D. Adams, trans., The Speeches of Aeschines (Cambridge, MA, 1958), 111. For proof of such love, Aeschines cited the relationship between Achilles and Patroklos; his citation is of great interest for representing the longest extant quotation of Homer by an ancient author. 32

Why must we battle Trojans, men of Argos? Why did he muster an army, lead us here, that son of Atreus? Why, why in the world if not for Helen with her loose and lustrous hair? Are they the only men alive who love their wives, those sons of Atreus? Never! Any decent man, a man with sense, loves his own, cares for his own as deeply as I, I loved that woman with all my heart, though I won her like a trophy with my spear... But now that he's torn my honor from my hands, robbed me, lied to me—don't let him try me now. I know him too well—he'll never win me over!

In those monologues [from men], I found my own gripes. They felt counted out, the way I felt counted out. They felt ignored, the way I felt ignored. They felt like they'd failed. They had regret. They were insecure. They worried about their legacies. They said all the things I wasn't allowed to say aloud without fear of appearing grandiose or self-centred or conceited or narcissistic. I imposed my narrative onto theirs, like in one of those biology textbooks where you can place the musculature picture over the bone picture of the human body. I wrote about my problems through men. That was when I knew for sure, that this was the only way to get someone to listen to a woman—to tell her story through a man; Trojan horse yourself into a man, and people would give a shit about you. So I wrote heartfelt stories about their lives, extrapolating from what they gave me and running with what I already knew from being human[...] I realised all humans are essentially the same, but only some of us, the men, were truly allowed to be that without apology. The mens' humanity was sexy and complicated; ours (mine) was to be kept in the dark at the bottom of the story and was only interesting in the service of the man's humanity. (pg 236)

It was a strange war. No territory was gained, no prisoners were taken. It was for honor only, man against man. With time, a mutual rhythm emerged: we fought a civilized seven days out of ten, with time off for festivals and funerals. No raids, no surprise attacks. The leaders, once buoyant with hopes of swift victory, grew resigned to a lengthy engagement. The armies were remarkably well matched, could tussle on the field day after day with no side discernibly stronger. This was due in part to the soldiers who poured in from all over Anatolia to help the Trojans and make their names. Our people were not the only ones greedy for glory.

Testing his image in Hartford, he would refine it further in subsequent speeches. “If I saw a venomous snake crawling in the road,” Lincoln began, “any man would say I might seize the nearest stick and kill it; but if I found that snake in bed with my children, that would be another question. I might hurt the children more than the snake, and it might bite them. . . . But if there was a bed newly made up, to which the children were to be taken, and it was proposed to take a batch of young snakes and put them there with them, I take it no man would say there was any question how I ought to decide! . . . The new Territories are the newly made bed to which our children are to go, and it lies with the nation to say whether they shall have snakes mixed up with them or not.” The snake metaphor acknowledged the constitutional protection of slavery where it legally existed, while harnessing the protective instincts of parents to safeguard future generations from the venomous expansion of slavery. This homely vision of the territories as beds for American children exemplified what James Russell Lowell described as Lincoln’s ability to speak “as if the people were listening to their own thinking out loud.” When Seward reached for a metaphor to dramatize the same danger, he warned that if slavery were allowed into Kansas, his countrymen would have “introduced the Trojan horse” into the new territory. Even if most of his classically trained fellow senators immediately grasped his intent, the Trojan horse image carried neither the instant accessibility of Lincoln’s snake-in-the-bed story nor its memorable originality.

And HECTOR died like everyone else He was in charge of the Trojans But a spear found out the little patch of white Between his collarbone and his throat Just exactly where a man's soul sits Waiting for the mouth to open He always knew it would happen He who was so boastful and anxious And used to nip home deafened by weapons To stand in full armour in the doorway Like a man rushing in leaving his motorbike running All women loved him His wife was Andromache One day he looked at her quietly He said I know what will happen And an image stared at him of himself dead And her in Argos weaving for some foreign woman He blinked and went back to his work Hector loved Andromache But in the end he let her face slide from his mind He came back to her sightless Strengthless expressionless Asking only to be washed and burned And his bones wrapped in soft cloths And returned to the ground

In the same breath, shining Hector reached down for his son—but the boy recoiled, cringing against his nurse's full breast, screaming out at the sight of his own father, terrified by the flashing bronze, the horsehair crest, the great ridge of the helmet nodding, bristling terror— so it struck his eyes. And his loving father laughed, his mother laughed as well, and glorious Hector, quickly lifting the helmet from his head, set it down on the ground, fiery in the sunlight, and raising his son he kissed him, tossed him in his arms, lifting a prayer to Zeus and the other deathless gods: "Zeus, all you immortals! Grant this boy, my son, may be like me, first in glory among the Trojans, strong and brave like me, and rule all Troy in power and one day let them say, 'He is a better man than his father!'— when he comes home from battle bearing the bloody gear of the mortal enemy he has killed in war— a joy to his mother's heart.

Two-fold Historical Origin of Good and Evil.—The notion of good and bad has a two-fold historical origin: namely, first, in the spirit of ruling races and castes. Whoever has power to requite good with good and evil with evil and actually brings requital, (that is, is grateful and revengeful) acquires the name of being good; whoever is powerless and cannot requite is called bad. A man belongs, as a good individual, to the "good" of a community, who have a feeling in common, because all the individuals are allied with one another through the requiting sentiment. A man belongs, as a bad individual, to the "bad," to a mass of subjugated, powerless men who have no feeling in common. The good are a caste, the bad are a quantity, like dust. Good and bad is, for a considerable period, tantamount to noble and servile, master and slave. On the other hand an enemy is not looked upon as bad: he can requite. The Trojan and the Greek are in Homer both good. Not he, who does no harm, but he who is despised, is deemed bad. In the community of the good individuals [the quality of] good[ness] is inherited; it is impossible for[82] a bad individual to grow from such a rich soil. If, notwithstanding, one of the good individuals does something unworthy of his goodness, recourse is had to exorcism; thus the guilt is ascribed to a deity, the while it is declared that this deity bewitched the good man into madness and blindness.—Second, in the spirit of the subjugated, the powerless. Here every other man is, to the individual, hostile, inconsiderate, greedy, inhuman, avaricious, be he noble or servile; bad is the characteristic term for man, for every living being, indeed, that is recognized at all, even for a god: human, divine, these notions are tantamount to devilish, bad. Manifestations of goodness, sympathy, helpfulness, are regarded with anxiety as trickiness, preludes to an evil end, deception, subtlety, in short, as refined badness. With such a predisposition in individuals, a feeling in common can scarcely arise at all, at most only the rudest form of it: so that everywhere that this conception of good and evil prevails, the destruction of the individuals, their race and nation, is imminent.—Our existing morality has developed upon the foundation laid by ruling races and castes.

But come on—tell me the proposal story, anyway.” She raised an eyebrow. “Really?” “Really. Just keep in mind that I’m a guy, which means I’m genetically predisposed to think that whatever mushy romantic tale you’re about to tell me is highly cheesy.” Rylann laughed. “I’ll keep it simple, then.” She rested her drink on the table. “Well, you already heard how Kyle picked me up at the courthouse after my trial. He said he wanted to surprise me with a vacation because I’d been working so hard, but that we needed to drive to Champaign first to meet with his former mentor, the head of the U of I Department of Computer Sciences, to discuss some project Kyle was working on for a client.” She held up a sparkly hand, nearly blinding Cade and probably half of the other Starbucks patrons. “In hindsight, yes, that sounds a little fishy, but what do I know about all this network security stuff? He had his laptop out, there was some talk about malicious payloads and Trojan horse attacks—it all sounded legitimate enough at the time.” “Remind me, while I’m acting U.S. attorney, not to assign you to any cybercrime cases.” “Anyhow. . . we get to Champaign, which as it so happens, is where Kyle and I first met ten years ago. And the limo turns onto the street where I used to live while in law school, and Kyle asks the driver to pull over because he wants to see the place for old time’s sake. So we get out of the limo, and he’s making this big speech about the night we met and how he walked me home on the very sidewalk we were standing on—I’ll fast-forward here in light of your aversion to the mushy stuff—and I’m laughing to myself because, well, we’re standing on the wrong side of the street. So naturally, I point that out, and he tells me that nope, I’m wrong, because he remembers everything about that night, so to prove my point I walk across the street to show him and”—she paused here— “and I see a jewelry box, sitting on the sidewalk, in the exact spot where we had our first kiss. Then I turn around and see Kyle down on one knee.” She waved her hand, her eyes a little misty. “So there you go. The whole mushy, cheesy tale. Gag away.” Cade picked up his coffee cup and took a sip. “That was actually pretty smooth.” Rylann grinned. “I know. Former cyber-menace to society or not, that man is a keeper

And the old man groaned, and beat his head With his hands, and stretched out his arms To his beloved son, Hector, who had Taken his stand before the Western Gate, Determined to meet Achilles in combat. Priam's voice cracked as he pleaded: "Hector, my boy, you can't face Achilles Alone like that, without any support— You'll go down in a minute. He's too much For you, son, he won't stop at anything! O, if only the gods loved him as I do: Vultures and dogs would be gnawing his corpse. Then some grief might pass from my heart. So many fine sons he's taken from me, Killed or sold them as slaves in the islands. Two of them now, Lycaon and Polydorus, I can't see with the Trojans safe in town, Laothoë's boys. If the Greeks have them We'll ransom them with the gold and silver Old Altes gave us. But if they're dead And gone down to Hades, there will be grief For myself and the mother who bore them. The rest of the people won't mourn so much Unless you go down at Achilles' hands. So come inside the wall, my boy. Live to save the men and women of Troy. Don't just hand Achilles the glory And throw your life away. Show some pity for me Before I go out of my mind with grief And Zeus finally destroys me in my old age, After I have seen all the horrors of war— My sons butchered, my daughters dragged off, Raped, bedchambers plundered, infants Dashed to the ground in this terrible war, My sons' wives abused by murderous Greeks. And one day some Greek soldier will stick me With cold bronze and draw the life from my limbs, And the dogs that I fed at my table, My watchdogs, will drag me outside and eat My flesh raw, crouched in my doorway, lapping My blood. When a young man is killed in war, Even though his body is slashed with bronze, He lies there beautiful in death, noble. But when the dogs maraud an old man's head, Griming his white hair and beard and private parts, There's no human fate more pitiable." And the old man pulled the white hair from his head, But did not persuade Hector.

And he pointed out that Shona (his native tongue) in its written form was covered with the white man’s fingerprints — it was, after all, missionaries who standardized it and rendered it onto the page, largely to facilitate their Christian proselytizing, which often functioned as the Trojan horse leading to full-blown indigenous cultural servitude.

If you lived on cabbage, you would not be obliged to flatter the powerful.” The young man promptly replied, “If you flattered the powerful, you would not be obliged to live on cabbage.

It’s the antithesis of reason and logic. History’s littered with fools dying for love, going to war for love. Ruining themselves for love. That’s not romantic. It’s imbecilic. Look at Lady Caroline Lamb, smashing a glass and making a scene when Byron ended their affair.” He shook his head. “Ridiculous.” Tess bit back a laugh at his fervency. For someone who claimed to be dispassionate, he seemed to have very strong views on the subject. “And what about the Trojan War?” he continued. “That all started because Paris thought he was in love with Helen, another man’s wife. He wasn’t in love, he was in lust. And he dragged thousands of men to their death because of his unruly loins.

Spengler's book is rich in these "morphological relationships" between dissimilar activities that prove the coherent spirit of each culture and epoch. So there was a common spirit int eh ancient Greek polis and in Euclidean geometry, as there was also between the differential calculus and the state of Louis XIV. Chronological "contemporaneity" was misleading. It should be replaced by an understanding of how different events play similar roles in expressing the culture spirit. Thus he sees his own kind of "contemporaneity" in the Trojan War and the Crusades, in Homer and the songs of the Nibelungs.

When my Naval Academy students had finished reading the Iliad, I often asked them to tell me which of Homer’s characters they admired the most, and why. A popular reply was Hector, prince of Troy, and the reasons they gave most concerned their sense of why he fought. It may surprise some to learn that many of these highly competitive young American students favored a character who champions the losing side of the battle. But it is Hector’s humanity and nobility of character, not his unhappy fate, to which they were drawn. Homer’s Prince Hector is a man who fights with tremendous ferocity on the battlefield but who is not driven by rage or bloodlust. Although he relishes his moments of small-scale victory, we are given the impression that Hector fights not because he wants to but because he has a duty to his people. He would rather be at home with his wife and young son, Astynax, but he is the greatest warrior that the Trojans have. If he does not defend the city, it will certainly fall to the Greeks. His exceptional physical prowess and martial skills, combined with his standing in the community as a respected member of the royal family, create special responsibilities for him. By rights, his brother Paris (the cause of the crisis) should have offered himself up for the protection of Troy. However, since Paris chooses not to live up to his obligations, the burden shifts to Hector’s more capable (and unshirking) shoulders. The defense of the city is placed in his hands and all the hopes of the Trojan people are pinned on his performance as a fighter and a leader.

the Gods were not the caufes of this tonfufed and diforderly conduct to the Trojans, but that they through their own depravity rendered themfelves worthy of an energy of this kind, and among thefe Pandarus in an eminent degree, as being a man ambitious, avaricious, and leading an atheiflical life. Hence Minerva, proceeding according to the intellect of her father, does not excite any one cafually to this adion, but is faid to feek Pandarus*, as particularly adapted to an avenging energy. She ev'ry where the godlike Pandarus explorM*. For a man who is capable of doing and fuffering any thing, and who alfo oppofes himfelf to divinity, through a certain gigantic and audacious habit of foul, is rare, and truly difficult to be found. As therefore phy-ficians are not the caufes of cuttings and burnings, but the difeafes of thofe that are cured, fo neither are the Gods the caufes of the impiety refpeding oaths and leagues, but the habits of thofe by whom it is committed. In the fecond place, this alfo mufl be confidered, that Minerva is not * Pandarus feems to be derived utto rou Travra, 3[jav, that is, as we commonly fay of a very Hepraved character, he was a man capable of any thing, » Iliad, lib. 4. ver. 81$. faid faid to prepare Pandarns for the deed, but only to try if he gave hlmfelf np to this energy. For divinity does not deftroy the freedoni of the will, not even in fuch as are confummately wicked :

Blame my military training, but you need to take better care with your knife. --Clint Manning, hero of Defending Avery by Regan Black

A disastrous habit of certain theologians popular among progressive Catholics is their equivocal use of terms. One crucial example is their use of the term future. One moment it refers to eternity, the next to the historical future — that is, to the generation to come in the course of human history. But eternity and the historical future are such totally different realities that the term future cannot be used for both without falling into a complete equivocation. Teilhard de Chardin’s naturalistic and evolutionalistic interpretation of man’s destiny had obviously played a role in promoting this confusion

In the Forgotten Books of Eden, an apocryphal book allegedly translated from ancient Egyptian in the nineteenth century, we are told that Satan and his hosts were fallen angels who populated the earth before Adam was brought into being, and Satan used lights, fire, and water in his efforts to rid the planet of this troublesome creature. He even disguised himself as an angel from time to time and appeared as a beautiful young woman in his efforts to lead Adam to his doom. UFO-type lights were one of the Devil’s devices described in the Forgotten Books of Eden. Subtle variations on this same theme can be found in the Bible and in the numerous scriptures of the Oriental cultures. Religious man has always been so enthralled with the main (and probably allegorical) story line that the hidden point has been missed. That point is that the earth was occupied before man arrived or was created. The original occupants or forces were paraphysical and possessed the power of transmogrification. Man was the interloper, and the earth’s original occupants or owners were not very happy over the intrusion. The inevitable conflict arose between physical man and the paraphysical owners of the planet. Man accepted the interpretation that this conflict raged between his creator and the Devil. The religious viewpoint has always been that the Devil has been attacking man (trying to get rid of him) by foisting disasters, wars, and sundry evils upon him. There is historical and modern proof that this may be so. A major, but little-explored, aspect of the UFO phenomenon is therefore theological and philosophical rather than purely scientific. The UFO problem can never be untangled by physicists and scientists unless they are men who have also been schooled in liberal arts, theology, and philosophy. Unfortunately, most scientific disciplines are so demanding that their practitioners have little time or inclination to study complicated subjects outside their own immediate fields of interest. Satan and his demons are part of the folklore of all races, no matter how isolated they have been from one another. The Indians of North America have many legends and stories about a devil-like entity who appeared as a man and was known as the trickster because he pulled off so many vile stunts. Tribes in Africa, South America, and the remote Pacific islands have similar stories.

Mystery men with strange persuasive powers, sometimes good but more often evil, are described and discussed in many books with no UFO or religious orientation. A dark gentleman in a cloak and hood is supposed to have handed Thomas Jefferson the design for the reverse side of the Great Seal of the United States (you will find this on a dollar bill). Julius Caesar, Napoleon, and many others are supposed to have had enigmatic meetings with these odd personages. These stories turn up in such unexpected places as Madame Du Barry’s memoirs. She claimed repeated encounters with a strange young man who would approach her suddenly on the street and give her startling prophecies about herself. He pointedly told her that the last time she would see him would serve as an omen for a sudden reversal of her fortunes. Sure enough, on April 27, 1774, as she and her ailing lover, King Louis XV, were heading for the palace of Versailles, the youthful mystery man appeared one final time. “I mechanically directed my eyes toward the iron gate leading to the garden,” she wrote. “I felt my face drained of blood as a cry of horror escaped my lips. For, leaning against the gate was that singular being.” The coach was halted, and three men searched the area thoroughly but could find no trace of him. He had vanished into thin air. Soon afterward Madame Du Barry’s illustrious career in the royal courts ended, and she went into exile. Malcolm X, the late leader of a black militant group, reported a classic experience with a paraphysical “man in black” in his autobiography. He was serving a prison sentence at the time, and the entity materialized in his prison cell: "As I lay on my bed, I suddenly became aware of a man sitting beside me in my chair. He had on a dark suit, I remember. I could see him as plainly as I see anyone I look at. He wasn’t black, and he wasn’t white. He was light-brown-skinned, an Asiatic cast of countenance, and he had oily black hair. I looked right into his face. I didn’t get frightened. I knew I wasn’t dreaming. I couldn’t move, I didn’t speak, and he didn’t. I couldn’t place him racially—other than I knew he was a non-European. I had no idea whatsoever who he was. He just sat there. Then, as suddenly as he had come, he was gone.

dating question -What do you want from this world? -To have a wardrobe. In his first meeting with Katrina, she asked him a dating question, and his answer was unconventional, he wished he could buy a wardrobe, in which he put his belongings, a metaphor for the instability in his life, so how does he do this, while he is without a homeland, without a home, moving from place to another, carrying a bag containing a few of his personal belongings. About to cheat on Khadija, the curiosity in the intelligence man’s mind overpowered him, the desire for knowledge, exploration, information, and a thirst for more details, the smallest details. Plan the process with the mentality of a computer programmer, “I will leave them a loophole in the system, they will hack me through it, and to do this they have to open their doors to send their code, and at this very moment, I am sending my code in the opposite direction. The most vulnerable account devices to hack are the hackers themselves. They enter the systems through special ports, which are opened to them by the so-called Trojan horse, a type of virus, with which they target the victim, open loopholes for them, infiltrate through them, and in both cases, they, in turn, have to open ports on their devices to complete the connection, from which they can be hacked backward. Katrina is a Trojan horse, he will not close the ports in front of her, she must succeed in penetrating him, and she will be his bridge connecting them, he will sneak through her, to the most secret and terrifying place in the world, a journey that leads him to the island of Malta, to enter the inevitable den. This is how the minds of investigators and intelligence men work, they must open the outlets of their minds to the fullest, to collect information, receive it, and deal with it, and that is why their minds are the most vulnerable to penetration, manipulation, and passing misleading information to them. It is almost impossible to convince a simple man, that there is life outside the planet, the outlets of his mind are closed, he is not interested in knowledge, nor is he collecting information, and the task of entering him is difficult, they call him the mind of the crocodile, a mind that is solid, closed, does not affect anything and is not affected by anything, He has his own convictions, he never changes them. While scientists, curious, intellectuals, investigators, and intelligence men, the ports of their minds are always open. And just as hackers can penetrate websites by injecting their URL addresses with programming phrases, they can implant their code into the website’s database, and pull information from it. The minds of such people can also be injected, with special codes, some of them have their minds ready for injection, and one or two injections are sufficient to prepare for the next stage, and for some, dozens of injections are not enough, and some of them injected their minds themselves, by meditation, thinking, and focusing on details, as Ruslan did. Khadija did not need more than three injections, but he trusted the love that brought them together, there is no need, she knew a lot about him in advance, and she will trust him and believe him. Her mind would not be able to get her away, or so he wished, the woman’s madness had not been given its due. What he is about to do now, and the revenge videos that she is going to receive will remain in her head forever, and will be her brain’s weapon to escape, when he tries to get her out of the box. From an early age, he did not enjoy safety and stability, he lived in the midst of hurricanes of chaos, and the heart of randomness. He became the son of shadows and their master. He deserved the nickname he called himself “Son of Chaos.

Solon and Pisistratus were very fond of one another. We are told they entered into a love affair when Pisistratus was a good-looking lad in his teens. Despite a wide gap of thirty years between them, this is not implausible. Solon was highly sexed, if we may judge from his poetry, where he writes of the delights of falling in love “with a boy in the lovely flower of youth,/Desiring his thighs and sweet mouth.” However, it would be wrong to believe that either man was necessarily, in our modern sense, gay. This is because from the eighth century onwards the Greek upper classes established and maintained a system of pederasty as a form of higher education. A fully grown adult male, usually in his twenties, would look out for a boy in his mid-teens and become his protector and guide. His task was to see him through from adolescence into adulthood and to act as a kind of moral tutor. Sex was not compulsory, but it was under certain strictly defined conditions allowed. The older man was the active lover/partner or erastes and the teenager was the loved one, or eromenos. Buggery was absolutely out of bounds and brought shame on any boy who allowed it to be done to him. It could have the most serious consequences, as the fate of Periander showed. This famous tyrant of Corinth in the seventh century unwisely teased his eromenos in the presence of other people with the question: “Aren’t you pregnant yet?” The boy was so upset by the insult that he killed Periander. A popular and acceptable technique for achieving orgasm was intercrural sex: both participants stood up and the erastes inserted his erect penis between the thighs of the eromenos and rubbed it to and fro. The youth was not meant to enjoy his lover’s attentions or show signs of arousal; rather, he was making a disinterested gift of himself to someone he admired. The great Athenian writer of tragic dramas, Aeschylus, wrote a play about the love between the two Greek heroes, Achilles and Patroclus. It was called The Myrmidons, after the warriors whom Achilles commanded during the Trojan War. Achilles is presented as the erastes, and reproaches his lover, in rather roundabout terms, for declining an intercrural proposition.

The words they sang to Odysseus, as he stood erect and bound, are also reported:{139} “Come hither, Odysseus famed in song, great glory of the Greeks! Bring your ship to, so that you may hear our voice. Never has any man voyaged past this place in his black ship without listening to our song. It flows like honey from our mouths. He who has heard it finds delight and gains wisdom. For we know all that the Greeks and Trojans suffered, by the will of the gods, for Troy. And we know all that happens on the earth, everywhere and at all times!” At these words Odysseus, according to his own story, wanted to be set free of his bonds; but his shipmates bound him all the more firmly. It is not to be wondered at that Odysseus felt thus: the Sirens made themselves out to be oracular goddesses, which perhaps, at the place where they had their shrine, they really were.

BELIEVE IN RETURNING dead bodies. It seems like a simple courtesy, doesn’t it? A warrior dies, you should do what you can to get their body back to their people for funerary rites. Maybe I’m old-fashioned. (I am over four thousand years old.) But I find it rude not to properly dispose of corpses. Achilles during the Trojan War, for instance. Total pig. He chariot-dragged the body of the Trojan champion Hector around the walls of the city for days. Finally I convinced Zeus to pressure the big bully into returning Hector’s body to his parents so he could have a decent burial. I mean, come on. Have a little respect for the people you slaughter. Then there was Oliver Cromwell’s corpse. I wasn’t a fan of the man, but please. First, the English bury him with honors. Then they decide they hate him, so they dig him up and “execute” his body. Then his head falls off the pike where it’s been impaled for decades and gets passed around from collector to collector for almost three centuries like a disgusting souvenir snow globe. Finally, in 1960, I whispered in the ears of some influential people, Enough, already. I am the god Apollo, and I order you to bury that thing. You’re grossing me out. When it came to Jason Grace, my fallen friend and half brother, I wasn’t going to leave anything to chance. I would personally escort his coffin to Camp Jupiter and see him off with full honors.

Double prehistory of good and evil. The concept of good and evil has a double prehistory: namely, first of all, in the soul of the ruling clans and castes. The man who has the power to requite goodness with goodness, evil with evil, and really does practice requital by being grateful and vengeful, is called "good." The man who is unpowerful and cannot requite is taken for bad. As a good man, one belongs to the "good," a community that has a communal feeling, because all the individuals are entwined together by their feeling for requital. As a bad man, one belongs to the "bad," to a mass of abject, powerless men who have no communal feeling. The good men are a caste; the bad men are a multitude, like particles of dust. Good and bad are for a time equivalent to noble and base, master and slave. Conversely, one does not regard the enemy as evil: he can requite. In Homer, both the Trojan and the Greek are good. Not the man who inflicts harm on us, but the man who is contemptible, is bad. In the community of the good, goodness is hereditary; it is impossible for a bad man to grow out of such good soil. Should one of the good men nevertheless do something unworthy of good men, one resorts to excuses; one blames God, for example, saying that he struck the good man with blindness and madness. Then, in the souls of oppressed, powerless men, every other man is taken for hostile, inconsiderate, exploitative, cruel, sly, whether he be noble or base. Evil is their epithet for man, indeed for every possible living being, even, for example, for a god; "human," "divine" mean the same as "devilish," "evil." Signs of goodness, helpfulness, pity are taken anxiously for malice, the prelude to a terrible outcome, bewilderment, and deception, in short, for refined evil. With such a state of mind in the individual, a community can scarcely come about at all--or at most in the crudest form; so that wherever this concept of good and evil predominates, the downfall of individuals, their clans and races, is near at hand. Our present morality has grown up on the ground of the ruling clans and castes.

the helmet with the horsehair crest and nodding plume – his helmet, which every man at Troy, Greek and Trojan, recognised as his and knew him by