“
Most lead lives at worst so painful, at best so monotonous, poor and limited that the urge to escape, the longing to transcend themselves if only for a few moments, is and has always been one of the principle appetites of the soul.
”
”
Aldous Huxley (The Doors of Perception)
“
My world falls apart, crumbles, “The centre cannot hold.” There is no integrating force, only the naked fear, the urge of self-preservation. I am afraid. I am not solid, but hollow. I feel behind my eyes a numb, paralysed cavern, a pit of hell, a mimicking nothingness. I never thought. I never wrote, I never suffered. I want to kill myself, to escape from responsibility, to crawl back abjectly into the womb. I do not know who I am, where I am going—and I am the one who has to decide the answers to these hideous questions. I long for a noble escape from freedom—I am weak, tired, in revolt from the strong constructive humanitarian faith which presupposes a healthy, active intellect and will. There is nowhere to go.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
The urge to escape from selfhood and the environment is in almost everyone almost all the time.
”
”
Aldous Huxley (The Doors of Perception & Heaven and Hell)
“
That humanity at large will ever be able to dispense with Artificial Paradises seems very unlikely. Most men and women lead lives at the worst so painful, at the best so monotonous, poor and limited that the urge to escape, the longing to transcend themselves if only for a few moments, is and has always been one of the principal appetites of the soul.
”
”
Aldous Huxley (The Doors of Perception)
“
The soul is the body’s vanity and pleasure as long as the body’s in good health, but it’s also the urge to escape from the body as soon as the body is sick or things go badly.
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
The wanderlust crept up again inside her like a shooting star, a sudden, violent urge to escape disappearing into darkness again. She pushed down the afterglow and focused.
”
”
Eleanor Brown
“
I’ve wanted everything in my life to change for so long, and when it’s finally about to, my urge to escape slows down. I think that’s why people stay unhappy for so long, you know? Miserable or not, it’s easier to stick with what’s familiar.
Do you notice that, too? How all of us just want to get through life as quickly and as easily as possible? And even though we know that without risk there’s no reward, we’re still so scared to chance it?
”
”
Penelope Douglas (Punk 57)
“
Most men and women lead lives at the worst so painful, at the best so monotonous, poor and limited that the urge to escape, the longing to transcend themselves if only for a few moments, is and has always been one of the principal appetites of the soul.
”
”
Aldous Huxley (The Doors of Perception/Heaven and Hell)
“
There’s no magical healing in this. I won’t wake up tomorrow fixed and joyful. I’ll still hurt and grieve. But moments like this, with Colton? They make it all bearable. He doesn't fix me, doesn't heal me. He just makes life worthwhile. He helps me remember to breathe, shows me how to smile again. He kisses me, and I can forget pain, forget the urges I still have to cut for the pain that erases the emotions.
”
”
Jasinda Wilder (Falling into You (Falling, #1))
“
For us, eating and being eaten belong to the terrible secret of love. We love only the person we can eat. The person we hate we ‘can’t swallow.’ That one makes us vomit. Even our friends are inedible. If we were asked to dig into our friend’s flesh we would be disgusted. The person we love we dream only of eating. That is, we slide down that razor’s edge of ambivalence.
The story of torment itself is a very beautiful one. Because loving is wanting and being able to eat up and yet to stop at the boundary. And there, at the tiniest beat between springing and stopping, in rushes fear. The spring is already in mid-air. The heart stops. The heart takes off again. Everything in love is oriented towards this absorption.
At the same time real love is a don’t-touch, yet still an almost-touching. Tact itself: a phantom touching.
Eat me up, my love, or else I’m going to eat you up.
Fear of eating, fear of the edible, fear on the part of the one of them who feels loved, desired, who wants to be loved, desired, who desires to be desired, who knows there is no greater proof of love than the other’s appetite, who is dying to be eaten up, who says or doesn’t say, but who signifies: I beg you, eat me up. Want me down to the marrow. And yet manage it so as to keep me alive. But I often turn about or compromise, because I know that you won’t eat me up, in the end, and I urge you: bite me.
Sign my death with your teeth
”
”
Hélène Cixous (Stigmata: Escaping Texts)
“
I can breathe easier now that the appointments are behind me.
I missed them all, through deliberate negligence,
Having waited for the urge to go, which I knew wouldn’t come.
I’m free, and against organized, clothed society.
I’m naked and plunge into the water of my imagination.
”
”
Fernando Pessoa
“
There is apparently some connection between dissatisfaction with oneself and a proneness to credulity. The urge to escape our real self is also an urge to escape the rational and the obvious. The refusal to see ourselves as we are develops a distaste for facts and cold logic. There is no hope for the frustrated in the actual and the possible. Salvation can come to them only from the miraculous, which seeps through a crack in the iron wall of inexorable reality. They ask to be deceived. What Stresemann said of the Germans is true of the frustrated in general: "They pray not only for their daily bread, but also for their daily illusion." The rule seems to be that those who find no difficulty deceiving themselves are easily deceived by others. They are easily persuaded and led.
”
”
Eric Hoffer
“
I urge you to find a way to immerse yourself fully in the life that you’ve been given. To stop running from whatever you’re trying to escape, and instead to stop, and turn, and face whatever it is. Then I dare you to walk toward it. In this way, the world may reveal itself to you as something magical and awe-inspiring that does not require escape. Instead, the world may become something worth paying attention to.
”
”
Anna Lembke (Dopamine Nation: Finding Balance in the Age of Indulgence)
“
...For that matter, men are perhaps indifferent to power.... What fascinates them in this idea, you see, is not real power, it's the illusion of being able to do exactly as they please. The king's power is the power to govern, isn't it? But man has no urge to govern--he has an urge to compel, as you said. To be more than a man, in a world of men. To escape man's fate, I was saying. Not powerful--all-powerful. The visionary disease, of which the will to power is only the intellectual justification, is the will to god-head--every man dreams of being god.
”
”
André Malraux (Man's Fate)
“
This is the Noble Lie. Every frayed nerve, every quaking cell, screams in horror, urging me to crawl out of the tube, to escape this insanity. Is a man a coward if he realizes that bravery is just a myth the old tell the young so they line up for the meatgrinder? My first toy was a wooden sword. Adults think it adorable.
”
”
Pierce Brown (Dark Age (Red Rising Saga #5))
“
I urge you to find a way to immerse yourself fully in the life that you’ve been given. To stop running from whatever you’re trying to escape, and instead to stop, and turn, and face whatever it is. Then I dare you to walk toward it. In this way, the world may reveal itself to you as something magical and awe-inspiring that does not require escape. Instead, the world may become something worth paying attention to. The rewards of finding and maintaining balance are neither immediate nor permanent. They require patience and maintenance. We must be willing to move forward despite being uncertain of what lies ahead. We must have faith that actions today that seem to have no impact in the present moment are in fact accumulating in a positive direction, which will be revealed to us only at some unknown time in the future. Healthy practices happen day by day. My patient Maria said to me, “Recovery is like that scene in Harry Potter when Dumbledore walks down a darkened alley lighting lampposts along the way. Only when he gets to the end of the alley and stops to look back does he see the whole alley illuminated, the light of his progress.
”
”
Anna Lembke (Dopamine Nation: Finding Balance in the Age of Indulgence)
“
But perhaps there is another, more personal reason for my disagreement with Ramin: I cannot imagine myself feeling at home in a place that is indifferent to what has become my true home, a land with no borders and few restrictions, which I have taken to calling “the Republic of Imagination.” I think of it as Nabokov’s “somehow, somewhere” or Alice’s backyard, a world that runs parallel to the real one, whose occupants need no passport or documentation. The only requirements for entry are an open mind, a restless desire to know and an indefinable urge to escape the mundane.
”
”
Azar Nafisi (The Republic of Imagination: America in Three Books)
“
The hardest lesson I had learnt upon my travels was patience. There are times when every muscle, every nerve, screams for movement, when every instinct urges escape. But the instinct to fly is not always a sound one. There are occasions when only stillness can save you.
”
”
Deanna Raybourn (A Perilous Undertaking (Veronica Speedwell, #2))
“
Tao sidled up to Ryan as they approached the buffet. “Quick question,” the Head Enforcer asked quietly. “What would happen if I asked Makenna out?”
With a calm he didn’t feel, Ryan said, “I’d rip out your throat before the last word escaped your mouth.”
Tao nodded. “Thought so.
”
”
Suzanne Wright (Savage Urges (The Phoenix Pack, #5))
“
Every unpleasant worldly experience in life exposes our sensitive nervous systems to painful phenomena. Despite all the beer commercial advertisement slogans urging us to live with gusto, life is unavoidably painful. Life is a battering ram that inflicts trauma upon human beings. People blunt the traumatic force of enduring a lifetime of pain, fearfulness, and unremitted anguish and boredom with religion, sex, booze, drugs, fantasy, and other indulgent acts and forms acts of escapism.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
I have this compulsion for freedom,for a state of liberation. It is an urge so strong, so all-encompassing that it overwhelms everything else. I cannot stand my life as it is. I cannot stand to be here, in this town, in this school. I have to get away.I have to work and work so that I can leave and only then can I create a life that will be liveable for me.
”
”
Maggie O'Farrell (I Am, I Am, I Am: Seventeen Brushes with Death)
“
The young man shivered. He rolled the stock themes of fantasy over in his mind: cars and stockbrokers and commuters, housewives and police, agony columns and commercials for soap, income tax and cheap restaurants, magazines and credit cards and streetlights and computers... 'It is escapism, true,' he said, aloud. 'But is not the highest impulse in mankind the urge toward freedom, the drive to escape?
”
”
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
“
Art is such an action. It is a kindred form of action to idealism. They are both expressions of the same drive, and the man who fails to fulfill this urge in one form or another is as guilty of escapism as the one who fails to occupy himself with the satisfaction of bodily needs. In fact, the man who spends his entire life turning the wheels of industry so that he has neither time nor energy to occupy himself with any other needs of his human organism is by far a greater escapist than the one who developed his art. For the man who develops his art does make adjustments to his physical needs. He understands that man must have bread to live, while the other cannot understand that you cannot live by bread alone.
”
”
Mark Rothko (The Artist's Reality: Philosophies of Art)
“
That is always a dangerous moment, he said, to make a big decision, when you are not sure of what you deserve. Evidently his friends shared his opinion, because all of them urged him, without hesitation, to take it. It is interesting how keen people are for you to do something they would never dream of doing themselves, how enthusiastically they drive you to your own destruction: even the kindest ones, the ones that are most loving, can rarely have your interests at heart, because usually they are advising you from within lives of greater security and greater confinement, where escape is not a reality but simply something they dream of sometimes. Perhaps, he said, we are all like animals in the zoo, and once we see that one of us has got out of the enclosure we shout at him to run like mad, even though it will only result in him becoming lost.
”
”
Rachel Cusk (Outline)
“
I regard anti-Semitism as ineradicable and as one element of the toxin with which religion has infected us. Perhaps partly for this reason, I have never been able to see Zionism as a cure for it. American and British and French Jews have told me with perfect sincerity that they are always prepared for the day when 'it happens again' and the Jew-baiters take over. (And I don't pretend not to know what they are talking about: I have actually seen the rabid phenomenon at work in modern and sunny Argentina and am unable to forget it.) So then, they seem to think, they will take refuge in the Law of Return, and in Haifa, or for all I know in Hebron. Never mind for now that if all of world Jewry did settle in Palestine, this would actually necessitate further Israeli expansion, expulsion, and colonization, and that their departure under these apocalyptic conditions would leave the new brownshirts and blackshirts in possession of the French and British and American nuclear arsenals. This is ghetto thinking, hardly even fractionally updated to take into account what has changed. The important but delayed realization will have to come: Israeli Jews are a part of the diaspora, not a group that has escaped from it. Why else does Israel daily beseech the often-flourishing Jews of other lands, urging them to help the most endangered Jews of all: the ones who rule Palestine by force of arms? Why else, having supposedly escaped from the need to rely on Gentile goodwill, has Israel come to depend more and more upon it? On this reckoning, Zionism must constitute one of the greatest potential non sequiturs in human history.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
Nines must resist the urge to escape into “premature Buddhahood”... and away from the mundane world. They must remember that "the only way out is through.
”
”
Don Richard Riso (The Wisdom of the Enneagram: The Complete Guide to Psychological and Spiritual Growth for the Nine Personality Types)
“
The soul is the body’s vanity and pleasure as long as the body’s in good health, but it’s also the urge to escape from the body as soon as the body is sick or things are going badly.
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
Then what do you want?" she asked softly.
He shook his head without answering. But Sara knew. He wanted to be safe. If he were rich and powerful enough, he would never be hurt, lonely, or abandoned. He would never have to trust anyone. She continued to stroke his hair, playing lightly with the thick raven locks. 'Take a chance on me," she urged. "Do you really have so much to lose?"
He gave a harsh laugh and loosened his arms to release her. "More than you know."
Clinging to him desperately, Sara kept her mouth at his ear. "Listen to me." All she could do was play her last card. Her voice trembled with emotion. "You can't change the truth. You can act as though you're deaf and blind, you can walk away from me forever, but the truth will still be there, and you can't make it go away. I love you." She felt an involuntary tremor run through him. "I love you," she repeated. "Don't lie to either of us by pretending you're leaving for my good. All you'll do is deny us both a chance at happiness. I'll long for you every day and night, but at least my conscience will be clear. I haven't held anything back from you, out of fear or pride or stubbornness." She felt the incredible tautness of his muscles, as if he were carved from marble. "For once have the strength not to walk away," she whispered. "Stay with me. Let me love you, Derek."
He stood there frozen in defeat, with all the warmth and promise of her in his arms ... and he couldn't allow himself to take what she offered. He'd never felt so worthless, so much a fraud. Perhaps for a day, a week, he could be what she wanted. But no longer than that. He had sold his honor, his conscience, his body, anything he could use to escape the lot he'd been given in life. And now, with all his great fortune, he couldn't buy back what he'd sacrificed. Were he capable of tears, he would have shed them. Instead he felt numbing coldness spread through his body, filling up the region where his heart should have been. It wasn't difficult to walk away from her. It was appallingly easy.
Sara made an inarticulate sound as he extricated himself from her embrace. He left her as he had left the others, without looking back.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
Where Buddha and Tao Meet:
Stop seeking pleasures,
Satisfy your natural wants;
Break clean from ambitions,
Escape from the urge to improve,
Be like a kid
And salvation will come of itself.
”
”
Jack Kerouac (Some of the Dharma)
“
We should resist such inertial thinking; indeed, we should urge its opposite – deep time as a radical perspective, provoking us to action not apathy. For to think in deep time can be a means not of escaping our troubled present, but rather of re-imagining it; countermanding its quick greeds and furies with older, slower stories of making and unmaking. At its best, a deep time awareness might help us see ourselves as part of a web of gift, inheritance and legacy stretching over millions of years past and millions to come, bringing us to consider what we are leaving behind for the epochs and beings that will follow us.
”
”
Robert Macfarlane (Underland: A Deep Time Journey)
“
I urge you to find a way to immerse yourself fully in the life that you’ve been given. To stop running from whatever you’re trying to escape, and instead to stop, and turn, and face whatever it is.
”
”
Anna Lembke (Dopamine Nation: Finding Balance in the Age of Indulgence)
“
The more important point is that the impulse to escape our lives is universe, and hardly worth vilifying. Inhabiting any life always involves reckoning with the urge to abandon it - through daydreaming; through storytelling; through the ecstasies of art and music, hard drugs, adultery, a smartphone screen. These forms of "leaving" aren't the opposite of authentic presence. They are simply one of its symptoms - the way love contains conflict, intimacy contains distance, and faith contains doubt.
”
”
Leslie Jamison (Make It Scream, Make It Burn)
“
Panda gazed at her plastic-bag pregnancy. “Here I am, about to be a father, and the sex wasn’t even that good.” She fought the urge to apologize.
”
”
Susan Elizabeth Phillips (The Great Escape (Wynette, Texas, #7))
“
You want to know what I really learned? I learned that people don’t consider time alone as part of their life. Being alone is just a stretch of isolation they want to escape from. I saw a lot of wine-drinking, a lot of compulsive drug use, a lot of sleeping with the television on. It was less festive than I anticipated. My view had always been that I was my most alive when I was totally alone, because that was the only time I could live without fear of how my actions were being scrutinized and interpreted. What I came to realize is that people need their actions to be scrutinized and interpreted in order to feel like what they’re doing matters. Singular, solitary moments are like television pilots that never get aired. They don’t count. This, I think, explains the fundamental urge to get married and have kids[…]. We’re self-conditioned to require an audience, even if we’re not doing anything valuable or interesting. I’m sure this started in the 1970s. I know it did. I think Americans started raising offspring with this implicit notion that they had to tell their children, “You’re amazing, you can do anything you want, you’re a special person.” [...] But—when you really think about it—that emotional support only applies to the experience of living in public. We don’t have ways to quantify ideas like “amazing” or “successful” or “lovable” without the feedback of an audience. Nobody sits by himself in an empty room and thinks, “I’m amazing.” It’s impossible to imagine how that would work. But being “amazing” is supposed to be what life is about. As a result, the windows of time people spend by themselves become these meaningless experiences that don’t really count. It’s filler.
”
”
Chuck Klosterman (The Visible Man)
“
Contemplation in the age of Auschwitz and Dachau, Solovky and Karaganda is something darker and more fearsome than contemplation in the age of the Church Fathers. For that very reason, the urge to seek a path of spiritual light can be a subtle temptation to sin. It certainly is sin if it means a frank rejection of the burden of our age, an escape into unreality and spiritual illusion, so as not to share the misery of other men.
”
”
Thomas Merton (The Inner Experience: Thomas Merton's Unfinished Masterpiece on Contemplation, Bridging Catholic Monasticism and Eastern Meditation Traditions)
“
The urge to escape our real self is also an urge to escape the rational and the obvious.
”
”
Eric Hoffer (The True Believer: Thoughts on the Nature of Mass Movements)
“
NINA
Your life is beautiful.
TRIGORIN
I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!
”
”
Anton Chekhov (The Seagull)
“
Once I ventured the guess that men worked in response to a vague inner urge for self-expression. But that was probably a shaky theory, for some men who work the hardest have nothing to express. A hypothesis with rather more plausibility in it now suggests itself. It is that men work simply in order to escape the depressing agony of contemplating life – that their work, like their play, is a mumbo-jumbo that serves them by permitting them to escape from reality. Both work and play, ordinarily, are illusions. Neither serves any solid or permanent purpose. But life, stripped of such illusions, instantly becomes unbearable. Man cannot sit still, contemplating his destiny in this world, without going frantic. So he invents ways to take his mind off the horror. He works. He plays. He accumulates the preposterous nothing called property. He strives for the coy eyewink called fame. He founds a family, and spends his curse over others. All the while the thing that moves him is simply the yearning to lose himself, to forget himself, to escape the tragic-comedy that is himself. Life, fundamentally, is not worth living. So he confects artificialities to make it so. So he erects a gaudy structure to conceal the fact that it is not so.
”
”
H.L. Mencken
“
People realize that a life that had seemed enjoyable (travel, social life, romance) and fulfilling (work) was actually empty and meaningless. So they urge you to join the child-rearing party: they want you to share the riches, the pleasures, the joys. Or so they claim. I suspect that hey just want to share and spread the misery. (The knowledge that someone is at liberty or has escaped makes the pain of incarceration doubly hard to bear). Of all the arguments for having children, the suggestion that it gives life 'meaning' is the one to which I am most hostile--apart from all the others" (201).
”
”
Geoff Dyer (Selfish, Shallow, and Self-Absorbed: Sixteen Writers on The Decision Not To Have Kids)
“
The funny thing about games and fictions is that they have a weird way of bleeding into reality. Whatever else it is, the world that humans experience is animated with narratives, rituals, and roles that organize psychological experience, social relations, and our imaginative grasp of the material cosmos. The world, then, is in many ways a webwork of fictions, or, better yet, of stories. The contemporary urge to “gamify” our social and technological interactions is, in this sense, simply an extension of the existing games of subculture, of folklore, even of belief. This is the secret truth of the history of religions: not that religions are “nothing more” than fictions, crafted out of sociobiological need or wielded by evil priests to control ignorant populations, but that human reality possesses an inherently fictional or fantastic dimension whose “game engine” can — and will — be organized along variously visionary, banal, and sinister lines. Part of our obsession with counterfactual genres like sci-fi or fantasy is not that they offer escape from reality — most of these genres are glum or dystopian a lot of the time anyway — but because, in reflecting the “as if” character of the world, they are actually realer than they appear.
”
”
Erik Davis (TechGnosis: Myth, Magic & Mysticism in the Age of Information)
“
Everything seems perfect on the surface,” I told him, “but sometimes I feel like I don’t know what I’m doing, or where I really want to be, and I’ve always had this strange unexplainable urge to escape from wherever I am, because nothing seems quite enough, and I feel incredibly frustrated sometimes, like there’s more to life out there somewhere, but I don’t know what it is, or where it is. Do you ever feel that way?
”
”
Julianne MacLean (The Color of Heaven (The Color of Heaven Series Book 1))
“
Reaching for the bulging suitcase, she knew that her daughter had running in her blood too. She would always feel that urge to escape tugging at her and never understand why, not if Stella didn't explain it to her.
”
”
Brit Bennett (The Vanishing Half)
“
Below the surface, the force driving noir stories is the urge to escape: from the past, from the law, from the ordinary, from poverty, from constricting relationships, from the limitations of the self. Noir found its fullest expression in America because the American psyche harbors a passion for independence . . . With this desire for autonomy comes a corresponding fear of loneliness and exile. The more we crave success, the more we dread failure; the more we crave freedom, the more we dread confinement. This is the shadow that spawns all of noir’s shadows: the anxiety imposed by living in a country that elevates opportunity above security; one that instills the compulsion to “make it big," but offers little sympathy to those who fall short. Film noir is about people who break the rules, pursuing their own interests outside the boundaries of decent society, and about how they are destroyed by society - or by themselves. Noir springs from a fundamental conflict between the values of individual freedom and communal safety: a fundamental doubt that the two can coexist. . . . Noir stories are powered by the need to escape, but they are structured around the impossibility of escape: their fierce, thwarted energy turns inward. The ultimate noir landscape, immeasurable as the ocean and confining as a jail cell, is the mind - the darkest city of all.
”
”
Imogen Sara Smith (In Lonely Places: Film Noir Beyond the City)
“
I’ve wanted everything in my life to change for so long, and when it’s finally about to, my urge to escape slows down. I think that’s why people stay unhappy for so long, you know? Miserable or not, it’s easier to stick with what’s familiar.
”
”
Penelope Douglas (Punk 57)
“
Atticus had urged them to accept the state's generosity in allowing them to plead Guilty to second-degree murder and escape with their lives, but they were Haverfords, in Maycomb County a name synonymous with jackass. The Haverfords had dispatched Maycomb's leading blacksmith in a misunderstanding arising from the alleged wrongful detention of a mare, were imprudent enough to do it in the presence of three witnesses, and insisted that the son-of-a-bitch-had-it-coming-to-him was a good enough defence for anybody.
”
”
Harper Lee (To Kill a Mockingbird)
“
So this was love! I had escaped it for all the years I had roamed the five continents and their encircling seas; in spite of beautiful women and urging opportunity; in spite of a half-desire for love and a constant search for my ideal, it had remained for me to fall furiously and hopelessly in love with a creature from another world, of a species similar possibly, yet not identical with mine.
”
”
Edgar Rice Burroughs (A Princess of Mars (Barsoom, #1))
“
His first two clients were the last two persons hanged in the Maycomb County jail. Atticus had urged them to accept the state’s generosity in allowing them to plead Guilty to second-degree murder and escape with their lives, but they were Haverfords, in Maycomb County a name synonymous with jackass.
”
”
Harper Lee (To Kill a Mockingbird)
“
We marvel at the story of the firefighter who has a sudden urge to escape a burning house just before it collapses, because the firefighter knows the danger intuitively, “without knowing how he knows.” However, we also do not know how we immediately know that a person we see as we enter a room is our friend Peter.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
When someone we love is suffering, sometimes the stress that it brings up can give us the urge to escape how we feel about their pain. But when we do that, we can feel even more helpless and paralyzed because we stop ourselves from providing even some low-level support that could help us to feel more confident in the supporting role
”
”
Julie Smith (Why Has Nobody Told Me This Before?)
“
When you haven’t had a drink for a week or so, you get the urge, feel the excitement in your gut, and your mind goes a little scrambled, you feel happy when you go to buy the booze, you get home, you lock your door behind you and say, yes, this night is mine, mine alone, my adventure, my escape, my unchartered journey, and no one can take it away from me.
”
”
Robert Black
“
All my parents wanted was the open road and a VW camper van. That was enough escape for them. The ocean, the night sky, some acoustic guitar.. what more could you ask? Well, actually, you could ask to go soaring off the side of a mountain on a snowboard, feeling as if, for one moment you are riding the clouds instead of the snow. You could scour Southeast Asia, like the world weary twenty somethings in Alex Garland’s novel The Beach, looking for the one corner of the globe uncharted by the Lonely Planet to start your own private utopia. You could, for the matter, join a new age cult and dream of alien abduction. From the occult to raves to riots it seems that the eternal urge for escape has never enjoyed such niche marketing.
”
”
Naomi Klein (No Logo)
“
Dad was standing in front of the big windows when I got to the library, his hands clasped behind his back in the classic "I am so disappointed in my offspring" pose.
"Dad? Um,Lara said you wanted to see me."
He turned around, his mouth a hard line. "Yes.Did you have a nice time with Daisy and Nick last night?"
I fought the urge to reach into my pocket and touch the coin. "Not particularly."
He didn't say anything, so we just stared at each other until I started feeling fidgety. "Look, if you're going to punish me, I'd really rather just get it over with."
Dad kept staring. "Would you like to know how I spent my evening? Well, not evening, really, so much as very early morning hours."
Inwardly, I groaned. Mrs. Casnoff sometimes pulled this maneuver: she'd say she wasn't mad, and then proceeded to list all the ways my screwup had inconvenience her. Maybe they taught it at those fancy schools nonreject Prodigium got to go to. "Sure."
"I spent those hours on the phone. Do you know with whom?"
"One of those psychic hotlines?"
Dad gritted his teeth. "If only. No, I was busy assuring no less than thiry influential witches, warlocks, shifters, and faeries that surely, my daughter-the future head of the Council, I should add-had not injured over a dozen innocent Prodigum while attempting to escape a nightclub during a raid by L'Occhio di Dio."
"I didn't hurt them!" I exclaimed. Then I remembered just how hard they had hit the wall, and winced. "Well, not on purpose," I amended.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Successful artistic parents seem very rarely to give birth to equally successful artistic sons and daughters, and I suspect it may be because the urge to create, which must always be partly the need to escape everyday reality, is better fostered-- despite modern educational theory-- not by a sympathetic and 'creative' childhood environment, but the very opposite, by pruning and confining natural instinct.
”
”
John Fowles
“
Nice to have you back, girl,” he said softly. Then he turned to Alyss. “Ready to go?” She held up a hand. “One thing I have to take care of,” she said. She looked around the camp and spotted Petulengo, lurking guiltily by the goat pen. “Petulengo!” she called. Her voice was high and penetrating and he started, realizing he had been spotted. He looked around, seeking an escape route. But as he did so, Will unslung the massive longbow from his shoulder and casually plucked an arrow from his quiver. Suddenly, escaping didn’t seem like such a good idea. Then Alyss favored Petulengo with her most winning smile. “Don’t be frightened, dear,” she said soothingly. “I just want to say good-bye.” She beckoned to him, smiling encouragingly, and he stepped forward, gradually gaining in confidence as he realized that, somehow, he had won the favor of this young woman. Some of his old swagger returned as he approached and stood before her, urged a little closer by that smile. Underneath the ash and the dirt, he thought, she was definitely a looker. He gave her a smile in return. Petulengo, it has to be said, fancied himself with the ladies. Treat ’em rough and they’ll eat out of your hand, he thought. Then the smile disappeared like a candle being blown out. He felt a sudden jolt of agony in his right foot. Alyss’s heavy boot, part of Hilde’s wardrobe, had stamped down on his instep, just below the ankle. He doubled over instinctively, gasping with pain. Then Alyss pivoted and drove the heel of her open left hand hard into his nose, snapping his head back and sending him reeling. His arms windmilled and he crashed over onto the hard-packed dirt of the compound. He lay groggily, propped up on his elbows, coughing as blood coursed down the back of his throat. “Next time you throw firewood at an old lady,” Alyss told him, all traces of the winning smile gone, “make sure she can’t do that.” She turned to Will and dusted her hands together in a satisfied gesture. “Now I’m ready to go,” she said.
”
”
John Flanagan (The Lost Stories (Ranger's Apprentice, #11))
“
Even though we get a lot of people into the shop, only a small percentage of them buy anything. The best customers are the ones who just have to buy a record on a Saturday, even if there’s nothing they really want; unless they go home clutching a flat, square carrier bag they feel uncomfortable. You can spot the vinyl addicts because after a while they get fed up with the rack they are flicking through, march over to a completely different section of the shop, pull a sleeve out from the middle somewhere, and come over to the counter; this is because they have been making a list of possible purchases in their head (‘If I don’t find anything in the next five minutes, that blues compilation I saw half an hour ago will have to do’), and suddenly sicken themselves with the amount of time they have wasted looking for something that they don’t really want. I know that feeling well (these are my people, and I understand them better than I understand anybody in the world): it is a prickly, clammy, panicky sensation, and you go out of the shop reeling. You walk much more quickly afterwards, trying to recapture the part of the day that has escaped, and quite often you have the urge to read the international section of a newspaper, or go to see a Peter Greenaway film, to consume something solid and meaty which will lie on top of the candyfloss worthlessness clogging up your head.
”
”
Nick Hornby (High Fidelity)
“
Why am I violent, competitive, ambitious, acquisitive? Why is there in me this constant struggle to become? Obviously, I am running away, taking flight from something through ambition, through acquisitiveness, through wanting to be a success. I am afraid of something, which is making me do all these things. I am not for the moment concerned with the fear of darkness, of public opinion, of what somebody may or may not say of me, because all that is very superficial; I am trying to find out what it is that fundamentally making me afraid, which in turn drives me to be ambitious, competitive, acquisitive, envious, thereby creating animosity and all the rest of it.
First of all, it seems to me that we are very lonely people. I am very lonely, inwardly empty, and I don't like that state; I am afraid of it, so I shun it, I run away from it. The very running away creates fear, and to avoid that fear, I indulge in various kinds of action. There is obviously this emptiness in me, in you, from which the mind is escaping through action, through ambition, through the urge to be somebody, to acquire more knowledge - you know, the whole business of violence. And without running away, can the mind look at this emptiness, this extraordinary sense of loneliness, which is the ultimate expression of the self? - the self being the entity, the self-consciousness which is empty when it doesn't run.
”
”
J. Krishnamurti (As One Is: To Free the Mind from All Conditioning)
“
I felt Thomas studying me but no longer had the urge to mask my expression as I used to. He opened his mouth, then shut it, causing me to puzzle over what he might have said. Perhaps he’d grown as weary of having the same debate. I didn’t wish to tell anyone of our eventual betrothal until we’d spoken to my father. Thomas saw it as hesitancy on my part, a notion so ridiculous I refused to acknowledge it at all. We simply did not have the luxury of time to visit with Father and inform him of our intentions while we raced to the ship, as much as I wanted to. There wasn’t any part of me that didn’t long to be with him forever. After everything we’d been through over the last month, I thought he’d know that.
A moment later, he wrapped an arm around my shoulders and tugged me near, safe in his indiscretion, since we were alone on the freezing deck. I relaxed into his embrace, letting the warmth of his body and the scent of his cologne comfort me.
“I cannot promise all will be well, Audrey Rose.
”
”
Kerri Maniscalco (Escaping from Houdini (Stalking Jack the Ripper, #3))
“
It seemed that the instincts could not be trusted. Philip was puzzled, and he asked himself what rule of life was there, if that one was useless, and why people acted in one way rather than in another. They acted according to their emotions, but their emotions might be good or bad; it seemed just a chance whether they led to triumph or disaster. Life seemed an inextricable confusion. Men hurried hither and thither, urged by forces they knew not; and the purpose of it all escaped them; they seemed to hurry just for hurrying's sake.
”
”
W. Somerset Maugham (Of Human Bondage)
“
The important but delayed realization will have to come: Israeli Jews are a part of the diaspora, not a group that has escaped from it. Why else does Israel daily beseech the often-flourishing Jews of other lands, urging them to help the most endangered Jews of all: the ones who rule Palestine by force of arms? Why else, having supposedly escaped from the need to rely on Gentile goodwill, has Israel come to depend more and more upon it? On this reckoning, Zionism must constitute one of the greatest potential non sequiturs in human history.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
More truth: I have an infatuation problem. It’s not just Beardsley. It’s all of them. I’ve felt this for a hundred other men—the rush of the encounter, the way my stomach heats and bubbles, the adrenaline, the urge to run five miles and move my bowels and puke at the same time. It’s a frenzy for the story and what it could be. The ability to escape from my life, the chance at a grand renovation of self within another person. It’s the sense of possibility, so good it feels like it will salvage everything. How hard it is to beat the dream. How it traps you. It’s embarrassing. It’s lonely. It’s unsatisfying. It’s impossible. At day’s end, I just want a life where I’m laughing and eating and coming all the time. I could do this for the rest of my life—this rise and fall, defined increasingly by what I cannot have.
”
”
Kayla Rae Whitaker (The Animators)
“
T'chok took another look at the ladder, sighed, and called T'lan. The commander answered immediately. "T'lan I need assistance." "Of course." "My female has escaped." "Again?" T'lan sounded amused and T'chok bit back the urge to growl at him. "You should put a leash on that one.
”
”
Honey Phillips (Alien Prisoner (Alien Invasion, #2))
“
Political calculation and local suffering do not entirely explain the participation in these pogroms. Violence against Jews served to bring the Germans and elements of the local non-Jewish populations closer together. Anger was directed, as the Germans wished, toward the Jews, rather than against collaborators with the Soviet regime as such. People who reacted to the Germans' urging knew that they were pleasing their new masters, whether or not they believed that the Jews were responsible for their own woes. By their actions they were confirming the Nazi worldview. The act of killing Jews as revenge for NKVD executions confirmed the Nazi understanding of the Soviet Union as a Jewish state. Violence against Jews also allowed local Estonians, Latvian, Lithuanians, Ukrainians, Belarusians, and Poles who had themselves cooperated with the Soviet regime to escape any such taint. The idea that only Jews served communists was convenient not just for the occupiers but for some of the occupied as well.
Yet this psychic nazification would have been much more difficult without the palpable evidence of Soviet atrocities. The pogroms took place where the Soviets had recently arrived and where Soviet power was recently installed, where for the previous months Soviet organs of coercion had organized arrests, executions, and deportations. They were a joint production, a Nazi edition of a Soviet text.
P. 196
”
”
Timothy Snyder (Bloodlands: Europe Between Hitler and Stalin)
“
Life Contains Inevitable Difficulties Life is not only short, but difficult. There are times of great joy, love, triumph, and delight, moments when we are beside ourselves with happiness. But there are also times of inevitable sorrow: of sickness and loss, of grief and despair. There are also incomprehensible amounts of unnecessary sorrow: of senseless oppression and torment, slaughter and suffering. None of us escapes life unscathed. It is crucial to recognize this and not gloss over the inevitable difficulties of life, because “If a way to the Better there be, it exacts a full look at the Worst.” This is why religious scholar Jacob Needleman concluded, from his survey of world religions: The perception of the suffering inherent in the human condition, the perception of man’s inhumanity to man: this moment of awareness has been spoken of in all traditions as a tremendous moment. It is a tremendous moment because it is the recognition of suffering—both ours and the world’s—which gives birth to both compassion and the urge to awaken. These motives propel us to spiritual practice and thereby eventually allow us to escape suffering and to relieve the suffering of others. Our
”
”
Roger Walsh (Essential Spirituality: The 7 Central Practices to Awaken Heart and Mind)
“
Mary fell asleep early, but her dreams were most unpleasant. She was a mouse running across the kitchen floor, and Elizabeth was a sharp-clawed cat waiting silently to pounce. Then she was a wild deer being chased by famished dogs. Elizabeth was a laughing huntsman in black velvet, urging the ravenous pack onward with a whip. And then Mary was her true self, barefoot and in a bedgown, attempting to escape by night. But the castle was dark and the halls were a winding maze. Mary ran down long shadowy corridors, panting and out of breath, but at every turn she ran into blank walls or locked doors. At last she managed to yank open a door, expecting to breathe the sweet air of freedom. But the way was blocked by laughing faces, all of them growing larger and larger while Mary got smaller and smaller. There was Elizabeth . . . and Dudley . . . and Cecil . . . and Walsingham . . . and their loud laughter filled her ears, drowning her pleas like ocean waves.
”
”
Margaret George (Mary Queen of Scotland and The Isles)
“
He had had reason before to contemplate this difficult but stubborn fact: that human beings find it almost impossible to conceive of their own death. After all, one of Rudi’s fellow Auschwitz escapees had encountered this phenomenon directly and within months of his escape. In a desperate turn of events, Czesław Mordowicz was caught by the Gestapo in late 1944 and put on a transport that would send him back to Auschwitz. Inside the cattle truck, he told his fellow deportees that he knew what awaited them. ‘Listen,’ he pleaded, ‘you are going to your death.’ Czesław urged the people jammed into the wagon to join him and jump off the moving train. They refused. Instead they began shouting, banging on the doors and calling the German guards. They attacked Mordowicz and beat him so badly, he was all but incapacitated. He never did leap off that train, but ended up back in Birkenau. All because he had given a warning that the warned could not believe and did not want to hear.
”
”
Jonathan Freedland (The Escape Artist: The Man Who Broke Out of Auschwitz to Warn the World)
“
One way or another, I regard it as almost inevitable that either a nuclear confrontation or environmental catastrophe will cripple the Earth at some point in the next 1,000 years which, as geological time goes, is the mere blink of an eye. By then I hope and believe that our ingenious race will have found a way to slip the surly bonds of Earth and will therefore survive the disaster. The same of course may not be possible for the millions of other species that inhabit the Earth, and that will be on our conscience as a race.
I think we are acting with reckless indifference to our future on planet Earth. At the moment, we have nowhere else to go, but in the long run the human race shouldn’t have all its eggs in one basket, or on one planet. I just hope we can avoid dropping the basket before we learn how to escape from Earth. But we are, by nature, explorers. Motivated by curiosity. This is a uniquely human quality. It is this driven curiosity that sent explorers to prove the Earth is not flat and it is the same instinct that sends us to the stars at the speed of thought, urging us to go there in reality. And whenever we make a great new leap, such as the Moon landings, we elevate humanity, bring people and nations together, usher in new discoveries and new technologies. To leave Earth demands a concerted global approach—everyone should join in. We need to rekindle the excitement of the early days of space travel in the 1960s. The technology is almost within our grasp. It is time to explore other solar systems. Spreading out may be the only thing that saves us from ourselves. I am convinced that humans need to leave Earth. If we stay, we risk being annihilated.
”
”
Stephen Hawking (Brief Answers to the Big Questions)
“
You see, my brother, if we could escape
this war and then be free from age and death
forever, I would never choose to fight
or join the champion fighters at the front,
nor would I urge you to participate
In war where men win glory. But in fact,
a million ways to die stand all around us.
No mortal can escape or flee from death.
So let us go.
”
”
Homer (The Iliad)
“
When we get caught in self-criticism and shame, we feel inadequate, defective and inferior. When we feel that way we want to hide, get smaller, disappear. It produces urges to escape and avoid, rather than to dust ourselves off and try again. In fact, it is so painful that it induces strong urges to block that feeling, which is risky for anyone living with addiction.
”
”
Julie Smith (Why Has Nobody Told Me This Before?)
“
But the truth is, depression, fucked-up-ness, whatever you want to call it, is essentially a very selfish illness. When you are on a mission to self-destruct you become determined. It’s almost addictive – the urge to find some sense of release, to escape. It consumes you entirely – leaving no room to consider anyone else, and the only person that can help you is yourself.
”
”
Nicola Haken (Saving Amy)
“
I can say with confidence that no man, however mature, ever loved reading for its own sake more than I. I did not read because of any particular urge for learning, or to merely pass the time, or to escape the realities of life. I read simply because I loved reading for its own sake alone. The printed page was like wine to me."—Robert E. Howard (from One Who Walked Alone by Novalyne Price Ellis)
”
”
Robert E. Howard
“
Man, supposing you and I, escaping this battle, would be able to live on forever, ageless, immortal, so neither would I myself go on fighting in the foremost 325 nor would I urge you into the fighting where men win glory. But now, seeing that the spirits of death stand close about us in their thousands, no man can turn aside nor escape them, let us go on and win glory for ourselves, or yield it to others.
”
”
Homer (The Iliad of Homer)
“
Concerning sin and our proper attitude when we find ourselves in sin. Truly, to have committed a sin is not sinful if we regret what we have done. Indeed, not for anything in time or eternity should we want to commit a sin, neither of a mortal, venial or any other kind. Whoever knows the ways of God should always be mindful of the fact that God, who is faithful and loving, has led us from a sinful life into a godly one, thus making friends of us who were previously enemies, which is a greater achievement even than making a new earth. This is one of the chief reasons why we should be wholly established in God, and it is astonishing how much this inflames us with so great and so strong a love that we strip ourselves entirely of ourselves. Indeed, if you are rightly placed in the will of God, then you should not wish that the sin into which you fell had not happened. Of course, this is not the case because sin was something against God but, precisely because it was something against God, you were bound by it to greater love, you were humbled and brought low. And you should trust God that he would not have allowed it to happen unless he intended it to be for your profit. But when we raise ourselves out of sin and turn away from it, then God in his faithfulness acts as if we had never fallen into sin at all and he does not punish us for our sins for a single moment, even if they are as great as the sum of all the sins that have ever been committed. God will not make us suffer on their account, but he can enjoy with us all the intimacy that he ever had with a creature. If he finds that we are now ready, then he does not consider what we were before. God is a God of the present. He takes you and receives you as he finds you now, not as you have been, but as you are now. God willingly endures all the harm and shame which all our sins have ever inflicted upon him, as he has already done for many years, in order that we should come to a deep knowledge of his love and in order that our love and our gratitude should increase and our zeal grow more intense, which often happens when we have repented of our sins. Therefore God willingly tolerates the hurtfulness of sin and has often done so in the past, most frequently allowing it to come upon those whom he has chosen to raise up to greatness. Now listen! Was there ever anyone dearer to or more intimate with our Lord than the apostles? And yet not one of them escaped mortal sin. They all committed mortal sin. He showed this time and again in the Old and New Testament in those individuals who were to become the closest to him by far; and even today we rarely find that people achieve great things without first going astray. And thus our Lord intends to teach us of his great mercy, urging us to great and true humility and devotion. For, when repentance is renewed, then love too is renewed and grows strong.
”
”
Meister Eckhart (Selected Writings)
“
Do you want to know my favorite?” My grip tightened on the railing. In. Out. “Andromeda.” Allister moved closer. “An autumn constellation, forty-four light-years away.” His steps were smooth and indifferent, but his voice was dry, as though he found my panic attack positively boring. His attitude brought a small rush of annoyance in, but it was suddenly swayed as my lungs contracted and wouldn’t release. I couldn’t keep a strangled gasp from escaping. “Look up.” It was an order, carrying a harsh edge. With no fight in me, I complied and tilted my head. Tears blurred my vision. Stars swam together and sparkled like diamonds. I was glad they weren’t. Humans would find a way to pluck them from the sky. “Andromeda is the dim, fuzzy star to the right. Find it.” My eyes searched it out. The stars weren’t often easy to see, hidden behind smog and the glow of city lights, but sometimes, on a lucky night like tonight, pollution cleared and they became visible. I found the star and focused on it. “Do you know her story?” he asked, his voice close behind me. A cold wind touched my cheeks, and I inhaled slowly. “Answer me.” “No,” I gritted. “Andromeda was boasted to be one of the most beautiful goddesses.” He moved closer, so close his jacket brushed my bare arm. His hands were in his pockets and his gaze was on the sky. “She was sacrificed for her beauty, tied to a rock by the sea.” I imagined her, a red-haired goddess with a heart of steel chained to a rock. The question bubbled up from the depths of me. “Did she survive?” His gaze fell to me. Down the tear tracks to the blood on my bottom lip. His eyes darkened, his jaw tightened, and he looked away. “She did.” I found the star again. Andromeda. “Ask me what her name means.” It was another rough demand, and I had the urge to refuse. To tell him to stop bossing me around. However, I wanted to know—I suddenly needed to. But he was already walking away, toward the exit. “Wait,” I breathed, turning to him. “What does her name mean?” He opened the door and a sliver of light poured onto the terrace. Black suit. Broad shoulders. Straight lines. His head turned just enough to meet my gaze. Blue. “It means ruler of men.” An icy breeze almost swallowed his words before they reached me, whipping my hair at my cheeks. And then he was gone.
”
”
Danielle Lori (The Maddest Obsession (Made, #2))
“
Man, in order to escape his conflicts, has invented many forms of meditation. These have been based on desire, will and the urge for achievement and imply conflict and a struggle to arrive. This conscious, deliberate striving is always within the limits of a conditioned mind and in this there is no freedom. All effort to meditate is the denial of meditation. Meditation is the ending of thought. It is only then that there is a different dimension which is beyond time. March, 1979
”
”
Anonymous
“
Darwin didn’t consider himself a quick or highly analytical thinker. His memory was poor, and he couldn’t follow long mathematical arguments. Nevertheless, Darwin felt that he made up for those shortcomings with a crucial strength: his urge to figure out how reality worked. Ever since he could remember, he had been driven to make sense of the world around him. He followed what he called a “golden rule” to fight against motivated reasoning:
. . . whenever a published fact, a new observation or thought came across me, which was opposed to my general results, to make a memorandum of it without fail and at once; for I had found by experience that such facts and thoughts were far more apt to escape from the memory than favourable ones.
Therefore, even though the peacock’s tail made him anxious, Darwin couldn’t stop puzzling over it. How could it possibly be consistent with natural selection?
Within a few years, he had figured out the beginnings of a compelling answer.
”
”
Julia Galef (The Scout Mindset: Why Some People See Things Clearly and Others Don't)
“
Among the prisoners were a number of priests, and Joan took these under her protection and saved their lives. It was urged that they were most probably combatants in disguise, but she said: 'As to that, how can any tell? They wear the livery of God, and if even one of these wears it rightfully, surely it were better that all the guilty should escape than that we have upon our hands the blood of that innocent man. I will lodge them where I lodge, and feed them, and sent them away in safety.
”
”
Mark Twain (Personal Recollections of Joan of Arc (Annotated))
“
There is an endless stream of faux outrage, a constant manufacturing of nonexistent hurdles, rooted in some flawed concept of our society’s perfectibility. There are those in black America who use charges of racism as a social handicap. With the expectation that the mere utterance of the word will vindicate them in every scenario, we have arrived suddenly into an era of more insistence on rather than actual resistance against racism. And the Left, always happy to exploit our victimhood, urges us on.
”
”
Candace Owens (Blackout: How Black America Can Make Its Second Escape from the Democrat Plantation)
“
We love ourselves to the point of idolatry; but we also intensely dislike ourselves — we find ourselves unutterably boring. Correlated with this distaste for the idolatrously worshipped self, there is in all of us a desire, sometimes latent, sometimes conscious and passionately expressed, to escape from the prison of our individuality, an urge to self-transcendence. It is to this urge that we owe mystical theology, spiritual exercises and yoga — to this, too, that we owe alcoholism and drug addiction.
”
”
Aldous Huxley
“
When the world is so fraught and full of fire--
hearts and minds and countries
burning up
burning down--
going in may be
the escape urge--
as if it's no longer there--
but it's all still there
all the time--
reading news or not--
outside looking at seasonal lights
store window displays
children's cherry-cheeked faces
or not--
even when heads are buried in pillows.
Take a break to breathe. The frenzy and furor continue.
Take a break to weep. The exquisite beauty is still there.
All continues on
and will be there upon return.
”
”
Shellen Lubin
“
The air was heavy with the musty smell of humanity. But they danced furiously as though impelled by some strange power within them, and it seemed to Philip that they were driven forward by a rage for enjoyment. They were seeking desperately to escape from a world of horror. The desire for pleasure which Cronshaw said was the only motive of human action urged them blindly on, and the very vehemence of the desire seemed to rob it of all pleasure. The were hurried on by a great wind, helplessly, they knew not why and they knew not whither.
”
”
W. Somerset Maugham
“
EFFERVESCE AND OBSESSION
Under the influence of this sensational climax I am reminded of the inundated calm before the storm as I find my mind to see through those same eyes that I have before. The curving slippage of her dynamic vehemence hums over me in a refreshing fixation that imbues this inseparable bond of the eternities. Her single touch sends shock waves down my entire vessel sending our bodies into a confluence of luscious allure. Her hips begin weaving in and out gently oscillating against me in a balmy nubile urge of effervesce and obsession. Again I occlude her recumbent orifice with the soft clasp of my wet lips, satiating my guest with an all-stimulating and interplanetary escape. In a largo samba-like motion I simultaneously absorb and alleviate the tension lingering beneath her plum fuselage as an overflowing ovulation of seismic and fulminating convulsage travels through the apex of her feminous core, following the crevice between her legs like the gentle waters that flow through the shaded gorge. As she levitates into a liberating reflex of celestial zest her panting grip begins to measure the odometer of our obsession.
”
”
Luccini Shurod
“
Most intellectuals and most artists belong to the same type. Only the strongest of them force their way through the atmosphere of the bourgeois earth and attain to the cosmic. The others all resign themselves or make compromises. Despising the bourgeoisie, and yet belonging to it, they add to its strength and glory; for in the last resort they have to share their beliefs in order to live. The lives of these infinitely numerous persons make no claim to the tragic; but they live under an evil star in a quite considerable affliction; and in this hell their talents ripen and bear fruit. The few who break free seek their reward in the unconditioned and go down in splendor. They wear the thorn crown and their number is small. The others, however, who remain in the fold and from whose talents the bourgeoisie reaps much gain, have a third kingdom left open to them, an imaginary and yet a sovereign world, humor. The lone wolves who know no peace, these victims of unceasing pain to whom the urge for tragedy has been denied and who can never break through the starry space,who feel themselves summoned thither and yet cannot survive in its atmosphere—for them is reserved, provided suffering has made their spirits tough and elastic enough, a way of reconcilement and an escape into humor. Humor has always something bourgeois in it, although the true bourgeois is incapable of understanding it. In its imaginary realm the intricate and manyfaceted ideal of all Steppenwolves finds its realisation. Here it is possible not only to extol the saint and the profligate in one breath and to make the poles meet, but to include the bourgeois, too, in the same affirmation. Now it is possible to be possessed by God and to affirm the sinner, and vice versa, but it is not possible for either saint or sinner (or for any other of the unconditioned) to affirm as well that lukewarm mean, the bourgeois. Humor alone, that magnificent discovery of those who are cut short in their calling to highest endeavor, those who falling short of tragedy are yet as rich in gifts as in affliction, humor alone (perhaps the most inborn and brilliant achievement of the spirit) attains to the impossible and brings every aspect of human existence within the rays of its prism. To live in the world as though it were not the world, to respect the law and yet to stand above it, to have possessions as though "one possessed nothing," to renounce as though it were no renunciation, all these favorite and often formulated propositions of an exalted worldly wisdom, it is in the power of humor alone to make efficacious.
”
”
Hermann Hesse
“
Oh God,was all Keeley could think. Oh God, get me out of here.
When they swung through the stone pillars at Royal Meadows,she had to fight the urge to cheer.
"I'm so glad our schedules finally clicked. Life gets much too demanding and complicated, doesn't it? There's nothing more relaxing than a quiet dinner for two."
Any more relaxed, Keeley thought, and unconsciousness would claim her. "It was nice of you to ask me, Chad." She wondered how rude it would be to spring out of the car before it stopped, race to the house and do a little dance of relief on the front porch.
Pretty rude,she decided.Okay, she'd skip the dance.
"Drake and Pamela-you know the Larkens of course-are having a little soiree next Sunday evening.Why don't I pick you up at eightish?"
It took her a minute to get over the fact he'd actually used the word soiree in a sentence. "I really can't Chad. I have a full day of lessons on Saturday. By the time it's done I'm not fit for socializing.But thanks." She slid her hand to the door handle, anticipating escape.
"Keeyley,you can't let your little school eclipse so much of your life."
Her and stiffened,and though she could see the lights of home, she turned her head and studied his perfect profile. One day,someone was going to refer to the academy as her little school, and she was going to be very rude.And rip their throat out.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
Bruno had an urge to give Shmuel a hug, just to let him know how much he liked him and how much he’d enjoyed talking to him over the last year. Shmuel had an urge to give Bruno a hug too, just to thank him for all his many kindnesses, and his gifts of food, and the fact that he was going to help him find Papa. Neither of them did hug each other though, and instead they began the walk away from the fence and towards the camp, a walk that Shmuel had done almost every day for a year now, when he had escaped the eyes of the soldiers and managed to get to that one part of Out-With that didn’t seem to be guarded all the time, a place where he had been lucky enough to meet a friend like Bruno.
”
”
John Boyne (The Boy in the Striped Pajamas)
“
When you are depressed, you may have a tendency to confuse feeling with facts. Your feelings of hopelessness and total despair are just symptoms of depressive illness, not facts. If you think you are hopeless, you will naturally feel this way. Your feelings only trace the illogical pattern of your thinking. Only an expert, who has treated hundreds of depressed individuals, would be in a position to give a meaningful prognosis for recovery. Your suicidal urge merely indicates the need for treatment. Thus, your conviction that you are "hopeless" nearly always proves you are not. Therapy, not suicide, is indicated. Although generalizations can be misleading, I let the following rule of thumb guide me: Patients who feel hopeless never actually are hopeless. The conviction of hopelessness is one of the most curious aspects of depressive illness. In fact, the degree of hopelessness experienced by seriously depressed patients who have an excellent prognosis is usually greater than in terminal malignancy patients with a poor prognosis. It is of great importance to expose the illogic that lurks behind your hopelessness as soon as possible in order to prevent an actual suicide attempt. You may feel convinced that you have an insoluble problem in your life. You may feel that you are caught in a trap from which there is no exit. This may lead to extreme frustration and even to the urge to kill yourself as the only escape.
”
”
David D. Burns (Feeling Good: Overcome Depression and Anxiety with Proven Techniques)
“
to follow one’s instincts with due regard to the policeman round the corner, had not acted very well there: it was because Cronshaw had done this that he had made such a lamentable failure of existence. It seemed that the instincts could not be trusted. Philip was puzzled, and he asked himself what rule of life was there, if that one was useless, and why people acted in one way rather than in another. They acted according to their emotions, but their emotions might be good or bad; it seemed just a chance whether they led to triumph or disaster. Life seemed an inextricable confusion. Men hurried hither and thither, urged by forces they knew not; and the purpose of it all escaped them; they seemed to hurry just for hurrying’s sake.
”
”
W. Somerset Maugham (Collected Works of W. Somerset Maugham)
“
We have also heard within the last few hours that Rubeus Hagrid”--all three of them gasped, and so nearly missed the rest of the sentence--“well-known gamekeeper at Hogwarts School, has narrowly escaped arrest within the grounds of Hogwarts, where he is rumored to have hosted a ‘Support Harry Potter’ party in his house. However, Hagrid was not taken into custody, and is, we believe, on the run.”
“I suppose it helps, when escaping from Death Eaters, if you’ve got a sixteen-foot-high half brother?” asked Lee.
“It would tend to give you an edge,” agreed Lupin gravely. “May I just add that while we here at Potterwatch applaud Hagrid’s spirit, we would urge even the most devoted of Harry’s supporters against following Hagrid’s lead. ‘Support Harry Potter’ parties are unwise in the present climate.”
“Indeed they are, Romulus,” said Lee, “so we suggest that you continue to show your devotion to the man with the lightning scar by listening to Potterwatch! And now let’s move to news concerning the wizard who is proving just as elusive as Harry Potter. We like to refer to him as the Chief Death Eater, and here to give his views on some of the more insane rumors circulating about him, I’d like to introduce a new correspondent: Rodent.”
“‘Rodent’?” said yet another familiar voice, and Harry, Ron, and Hermione cried out together:
“Fred!”
“No--is it George?”
“It’s Fred, I think,” said Ron, leaning in closer, as whichever twin it was said,
“I’m not being ‘Rodent,’ no way, I told you I wanted to be ‘Rapier’!
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
We use winter as a blank slate, the place where everything is scrubbed away. From the most mystical vision to the most obvious folk use, winter is the climate of imagination. Winter displaces us from the normal cycles of nature so comes our escape into the mind…
Another sense of memory and winter is the memory of winter when it is over. The snows of winter become the tangible sands of the memory clock. Summer supplies the illusion of same time over and over. Winter and cold places supply a sense of past time, and an urge to think about time passing.
Though our setting for all these essays has been winter, our true subject has been time. We share a sense of timeless winter, of eternal winter as the place where time stands still, the poles as places permanently outside of our dailiness, the snow as nature’s secret…we could lose the polar icecaps but would not stop hearing winter music.
”
”
Adam Gopnik (Winter: Five Windows on the Season (The CBC Massey Lectures))
“
You can’t be in here.” Ian stated it as a fact.
Sam sank back onto the bed. He was definitely growing stronger, but standing could be troublesome on shaky legs. The pain of his wound had definitely receded. “Why not?” he asked a little belligerently.
“She can’t; it’s impossible. I was standing guard at her door.” Ian’s gaze met Azami’s. “To protect you of course.”
“Of course, because there are so many enemies creeping around your halls,” Azami said, her voice soft and pleasant, a musical quality lending innocence and sweetness.
Ian’s frown deepened as if he was puzzled. She certainly couldn’t have meant that the way it came out, anyone listening would be certain of it. “Just what are you two doing in here anyway?” he asked, suspicion lending his tone a dark melodrama. He even wiggled his eyebrows like a villain.
Sam kept a straight face with difficulty. Ian was a large man with red hair and freckles. He didn’t look in the least bit mean or threatening, even when he tried.
“Azami was just telling me how when she left her room to inquire after my health, there was a giant man with carroty hair snoring in the hallway beside her door.”
“There was no way to get past me,” Ian insisted.
Sam grinned at him. “Are you saying you did fall asleep on the job, then?”
“Hell no.” Ian scowled at him. “I was wide awake and she didn’t slap past me.”
“You say,” Sam pointed out, his tone mocking as he folded his arms across his chest and leaned back casually, pleased he could tease his friend. “Still, she’s here and that proves you were looking the other way or sleeping, just like that time in Indonesia when we parachuted in and you fell asleep on the way down. I believe that time you got tangled in a very large tree right in the center of the enemies’ camp.”
Azami’s lashes fluttered, drawing Sam’s attention. He almost reached out to her, wanting to hold her hand, but she’d mentioned a couple of times she didn’t show affection in public.
“You fell asleep while parachuting?” she asked, clearly uncertain whether or not they were joking.
Ian shook his head. “I did not. A gust of heavy wind came along and pushed me right into that tree. Gator told everyone I was snoring when he shoved me out of the plane. The entire episode is all vicious fabrication. On the other hand, Sam here, actually did fall asleep while he was driving as we were escaping a very angry drug lord in Brazil.”
Azami raised her eyebrow as she turned to Sam for an explanation. Her eyes laughed at him and again he had a wild urge to pull her to him and hold her tight. Primitive urges had never been a part of his makeup until she’d come along; now he figured he was becoming a caveman. Her gaze slid to his face as if she knew what he was thinking—which was probably the case. He flashed a grin at her.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
The trick, apparently, is to not even attempt to resist behaviours that you want to change. Instead, notice the urge, and then put a different behaviour there in response to it.
Perhaps when you have a crummy day at your job, your urge for pleasure and escapism leads to spending big on beer and pizza and watching inane TV all evening. If you’d like to change this habit, try acknowledging the urge and what cued it, but then invent a response that satisfies that urge in a way that you feel better about. Perhaps eating soup and buttery toast while re-reading a favourite book in bed all evening. Or putting punk rock on your headphones and going for a frenzied walk to a hill you like to watch the sunset from. Invent these substitutions in times when you’re feeling potent and inspired, and once you’ve experienced a pleasure rush from them enough times, they become new habits, and you’ll go to them gladly even when you’re feeling wilted-of-will.
”
”
Annie Raser-Rowland (The Art of Frugal Hedonism: A Guide to Spending Less While Enjoying Everything More)
“
Life is a collection of memories and feelings. Mawkish sentimentally urges us to engage in artistic overtures, we yearn to share with other people a melody of rudimentary experiences and respond to a stabilizing tune strung together with a shared ethos. We walk in parallel strides with our brethren seeking out equivalent affirmations of our being. We long to shout out to the world that we once walked this earth; we seek to leave in our wake traces of our pithy habitation. Our unfilled longing propels us into committing senseless acts of self-sabotage and then we desperately seek redemption from our slippery selves by building monuments to the human spirit. We employ a bewildering blend of conscious and unconscious materials to construct synoptic testaments to our temporal existence. We labor on the canvas of our choosing to scrawl our inimitable mark, fanatically toiling to escape a sentence of total obliteration along with our impending mortality.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
Seed Leaves
Homage to R. F.
Here something stubborn comes,
Dislodging the earth crumbs
And making crusty rubble.
it comes up bending double,
And looks like a green staple.
It could be seedling maple,
Or artichoke, or bean.
That remains to be seen.
Forced to make choice of ends,
The stalk in time unbends,
Shakes off the seed-case, heaves
Aloft, and spreads two leaves
Which still display no sure
And special signature.
Toothless and fat, they keep
The oval form of sleep.
This plant would like to grow
And yet be embryo;
In crease, and yet escape
The doom of taking shape;
Be vaguely vast, and climb
To the tip end of time
With all of space to fill,
Like boundless Igdrasil
That has the stars for fruit.
But something at the root
More urgent that the urge
Bids two true leaves emerge;
And now the plant, resigned
To being self-defined
Before it can commerce
With the great universe,
Takes aim at all the sky
And starts to ramify.
”
”
Richard Wilbur
“
Voldemort caught up with you?” said Lupin sharply. “What happened? How did you escape?”
Harry explained briefly how the Death Eaters pursuing them had seemed to recognize him as the true Harry, how they had abandoned the chase, how they must have summoned Voldemort, who had appeared just before he and Hagrid had reached the sanctuary of Tonks’s parents.
“They recognized you? But how? What had you done?”
“I . . .” Harry tried to remember; the whole journey seemed like a blur of panic and confusion. “I saw Stan Shunpike . . . . You know, the bloke who was the conductor on the Knight Bus? And I tried to Disarm him instead of—well, he doesn’t know what he’s doing, does he? He must be Imperiused!”
Lupin looked aghast.
“Harry, the time for Disarming is past! These people are trying to capture and kill you! At least Stun if you aren’t prepared to kill!”
“We were hundreds of feet up! Stan’s not himself, and if I Stunned him and he’d fallen, he’d have died the same as if I’d used Avada Kedavra! Expelliarmus saved me from Voldemort two years ago,” Harry added defiantly. Lupin was reminding him of the sneering Hufflepuff Zacharius Smith, who had jeered at Harry for wanting to teach Dumbledore’s Army how to Disarm.
“Yes, Harry,” said Lupin with painful restraint, “and a great number of Death Eaters witnessed that happening! Forgive me, but it was a very unusual move then, under imminent threat of death. Repeating it tonight in front of Death Eaters who either witnessed or heard about the first occasion was close to suicidal!”
“So you think I should have killed Stan Shunpike?” said Harry angrily.
“Of course not,” said Lupin, “but the Death Eaters—frankly, most people!—would have expected you to attack back! Expelliarmus is a useful spell, Harry, but the Death Eaters seem to think it is your signature move, and I urge you not to let it become so!”
Lupin was making Harry feel idiotic, and yet there was still a grain of defiance inside him.
“I won’t blast people out of my way just because they’re there,” said Harry. “That’s Voldemort’s job.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
That which is outside exists. That which is within does not. My thoughts, images, and dreams do not exist. If Speranza [this island] is no more than a sensation, or a bundle of sensations, then she does not exist. And I myself exist only insofar as I escape from myself to join with others.
What complicates the position is that the thing which does not exist does its utmost to persuade us of the contrary. There is a great and universal urge toward existence among the non-existent. Something like a centrifugal force seeks to spread outward everything that moves within me, images, dreams, projects, fantasies, desires, obsessions. That which does not ex-sist in-sists. It insists upon existing. All the small world contained within me is knocking at the door of the great, the real world. And it is others, those who are outside, who hold the key. In the past, when I tossed in my sleep, my wife would shake me by the shoulders to wake me and dispel the insistence of the nightmare. But now . . . But why do I keep returning to this subject?
”
”
Michel Tournier (Friday, or, The Other Island)
“
It was a sordid scene. Philip leaned over the rail, staring down, and he ceased to hear the music. They danced furiously. They danced round the room, slowly, talking very little, with all their attention given to the dance. The room was hot, and their faces shone with sweat. It seemed to Philip that they had thrown off the guard which people wear on their expression, the homage to convention, and he saw them now as they really were. In that moment of abandon they were strangely animal: some were foxy and some were wolflike; and others had the long, foolish face of sheep. Their skins were sallow from the unhealthy life the led and the poor food they ate. Their features were blunted by mean interests, and their little eyes were shifty and cunning. There was nothing of nobility in their bearing, and you felt that for all of them life was a long succession of petty concerns and sordid thoughts. The air was heavy with the musty smell of humanity. But they danced furiously as though impelled by some strange power within them, and it seemed to Philip that they were driven forward by a rage for enjoyment. They were seeking desperately to escape from a world of horror. The desire for pleasure which Cronshaw said was the only motive of human action urged them blindly on, and the very vehemence of the desire seemed to rob it of all pleasure. The were hurried on by a great wind, helplessly, they knew not why and they knew not whither. Fate seemed to tower above them, and they danced as though everlasting darkness were beneath their feet. Their silence was vaguely alarming. It was as if life terrified them and robbed them of power of speech so that the shriek which was in their hearts died at their throats. Their eyes were haggard and grim; and notwithstanding the beastly lust that disfigured them, and the meanness of their faces, and the cruelty, notwithstanding the stupidness which was the worst of all, the anguish of those fixed eyes made all that crowd terrible and pathetic. Philip loathed them, and yet his heart ached with the infinite pity which filled him.
He took his coat from the cloak-room and went out into the bitter coldness of the night.
”
”
W. Somerset Maugham (Of Human Bondage)
“
His hand was too large to slip inside the undergarment, and he ripped it with an ease that made her gasp. Her thighs spread in helpless welcome, and her vision blurred as one long finger eased inside her. Cradled in his lap, with his hand working gently between her legs, she felt her inner muscles begin to tighten rhythmically.
A groan escaped him, and he pulled her hips over his, fumbling roughly with the front of his trousers. "You're so wet... I can't wait, Lottie, let me... sit in my lap, and put your legs... oh, God, yes, right there..."
She straddled him willingly, sucking in her breath as he penetrated her, his hands urging her hips down until he had buried himself to the hilt. He was deliciously hard and thick inside her, holding still while the motion of the carriage jostled their bodies together. Surreptitiously Lottie rubbed the aching peak of her sex against him, feeling waves of heat rising from the place they were joined. One of his hands passed gently over her upper back.
Lottie gasped as a vigorous jolt of the carriage wheels impelled him farther inside her.
”
”
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
“
I think we are acting with reckless indifference to our future on planet Earth. At the moment, we have nowhere else to go, but in the long run the human race shouldn’t have all its eggs in one basket, or on one planet. I just hope we can avoid dropping the basket before we learn how to escape from Earth. But we are, by nature, explorers. Motivated by curiosity. This is a uniquely human quality. It is this driven curiosity that sent explorers to prove the Earth is not flat and it is the same instinct that sends us to the stars at the speed of thought, urging us to go there in reality. And whenever we make a great new leap, such as the Moon landings, we elevate humanity, bring people and nations together, usher in new discoveries and new technologies. To leave Earth demands a concerted global approach—everyone should join in. We need to rekindle the excitement of the early days of space travel in the 1960s. The technology is almost within our grasp. It is time to explore other solar systems. Spreading out may be the only thing that saves us from ourselves. I am convinced that humans need to leave Earth. If we stay, we risk being annihilated.
”
”
Stephen Hawking (Brief Answers to the Big Questions)
“
There were years when I went to the movies almost every day, sometimes even twice a day, and they were the years between 1936 and the war, around the time of my adolescence. Those were years in which cinema was my world. It’s been said many times before that cinema is a form of escape, it’s a stock phrase intended to be a condemnation, and cinema certainly served that purpose for me back then. It satisfied a need for disorientation, for shifting my attention to another place, and I believe it’s a need that corresponds to a primary function of integration in the world, an essential phase in any kind of development. Of course there are other more substantial and personal ways of creating a different space for yourself: cinema was the easiest method and it was within reach, but it was also the one that instantly carried me farthest away.
I went to the cinema in the afternoon, secretly fleeing from home, or using study with a classmate as an excuse, because my parents left me very little freedom during the months when school was in session. The urge to hide inside the cinema as soon as it opened at two in the afternoon was the proof of true passion. Attending the first screening had a number of advantages: the half-empty theater, it was like I had it all to myself, would allow me to stretch out in the middle of the third row with my legs on the back of the seat in front of me; the hope of returning home without anyone finding out about my escape, in order to receive permission to go out once again later on (and maybe see another film); a light daze for the rest of the afternoon, detrimental to studying but advantageous for daydreaming. And in addition to these explanations that were unmentionable for various reasons, there was another more serious one: entering right when it opened guaranteed the rare privilege of seeing the movie from the beginning and not from a random moment toward the middle or the end, because that was what usually happened when I got to the cinema later in the afternoon or toward the evening.
”
”
Italo Calvino (Making a Film)
“
I stopped struggling, going limp in his arms. He reached around us and shoved the door closed, spinning around and facing us toward the kitchen.
“I was trying to make you breakfast.”
It took a moment for his words and their meaning to sink in. I stared dumbfounded across the room and past the island. There was smoke billowing up from the stove and the window above the sink was wide open.
Bowls and spoons littered the island and there was a carton of eggs sitting out.
He was trying to cook.
He was really bad at it.
I started to laugh.
The kind of laugh that shook my shoulders and bubbled up hysterically. My heart rate was still out of control, and I took in a few breaths between laughs to try and calm it down.
He said something, but I couldn’t hear him because the fire alarm was still going off. I had no doubt half the neighborhood was now awake from the sound. He didn’t bother to put me down, instead hauling me along with him, where he finally set me down, dragged a chair over near the alarm, and climbed up to remove the battery.
The noise cut off and the kitchen fell silent.
“Well, shit,” he said, staring at the battery in his hand.
A giggle escaped me. “Does this always happen when you cook?”
He shrugged. “The only time I ever cook is when it’s my turn at the station.” His forehead creased and a thoughtful look came over his face. “The guys are never around when it’s my night to cook. Now I know why.” He snagged a towel off the counter and began waving away the rest of the lingering smoke.
I clicked on the vent fan above the stove. There was a pan with half a melted spatula, something that may or may not have once been eggs, and a muffin tin with half-burned, half-raw muffins (how was that even possible?).
“Well, this looks…” My words faltered, trying to come up with something positive to say.
“Completely inedible?” he finished.
I grinned. “You did all this for me?”
“I figured after a week of hospital food, you might like something good. Apparently you aren’t going to find that here.”
I had the urge to hug him. I kept my feet planted where they were. “Thank you. No one’s ever ruined a pan for me before.”
He grinned. “I have cereal. Even I can’t mess that up.”
I watched as he pulled down a bowl and poured me some, adding milk. He looked so cute when he handed me the bowl that I lifted the spoon and took a bite. “Best cereal I ever had.”
“Damn straight.”
I carried it over to the counter and sat down. “After we eat, would you mind taking me to my car? I hope it’s still drivable.”
“What about the keys?”
“I have a security deposit box at the bank. I keep my spare there in case I ever need them.”
“Pretty smart.”
“I have a few good ideas now and then.”
“Contrary to the way it looks, I do too.”
“Thank you for trying to make me breakfast. And for the cereal.”
He walked over to the stove and picked up the ruined pan. “You died with honor,” he said, giving it a mock salute. And then he threw the entire thing into the trashcan.
I laughed. “You could have washed it, you know.”
He made a face. “No. Then I might be tempted to use it again.
”
”
Cambria Hebert (Torch (Take It Off, #1))
“
We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?”
“Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen.
“I’ve got this problem,” he continued, in between kisses.
“Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind.
“I’m crazy about you,” he said.
By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.”
I’d been afflicted with acute boy-craziness for over half my life. But what I was feeling for Marlboro Man was indescribably powerful. It was a primal attraction--the almost uncontrollable urge to wrap my arms and legs around him every time I looked into his eyes. The increased heart rate and respiration every time I heard his voice. The urge to have twelve thousand of his babies…and I wasn’t even sure I wanted children.
“So anyway,” he continued.
That’s when we heard the loud knocking on the pickup window. I jumped through the roof--it was after 2:00 A.M. Who on earth could it be? The Son of Sam--it had to be! Marlboro Man rolled down the window, and a huge cloud of passion and steam escaped. It wasn’t the Son of Sam. Worse--it was my mother. And she was wearing her heather gray cashmere robe.
“Reeee?” she sang. “Is that yoooou?” She leaned closer and peered through the window.
I slid off of Marlboro Man’s lap and gave her a halfhearted wave. “Uh…hi, Mom. Yeah. It’s just me.”
She laughed. “Oh, okay…whew! I just didn’t know who was out here. I didn’t recognize the car!” She looked at Marlboro Man, whom she’d met only one time before, when he picked me up for a date.
“Well, hello again!” she exclaimed, extending her manicured hand.
He took her hand and shook it gently. “Hello, ma’am,” he replied, his voice still thick with lust and emotion. I sank in my seat. I was an adult, and had just been caught parking at 2:00 A.M. in the driveway of my parents’ house by my robe-wearing mother. She’d seen the foggy windows. She’d seen me sitting on his lap. I felt like I’d just gotten grounded.
“Well, okay, then,” my mom said, turning around. “Good night, you two!” And with that, she flitted back into the house.
Marlboro Man and I looked at each other. I hid my face in my hands and shook my head. He chuckled, opened the door, and said, “C’mon…I’d better get you home before curfew.” My sweaty hands still hid my face.
He walked me to the door, and we stood on the top step. Wrapping his arms around my waist, he kissed me on the nose and said, “I’m glad I came back.” God, he was sweet.
“I’m glad you did, too,” I replied. “But…” I paused for a moment, gathering courage. “Did you have something you wanted to say?”
It was forward, yes--gutsy. But I wasn’t going to let this moment pass. I didn’t have many more moments with him, after all; soon I’d be gone to Chicago. Sitting in coffee shops at eleven at night, if I wanted. Working. Eventually going back to school. I’d be danged if I was going to miss what he’d started to say a few minutes earlier, before my mom and her cashmere robe showed up and spoiled everything.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)