Tricky Love Quotes

We've searched our database for all the quotes and captions related to Tricky Love. Here they are! All 100 of them:

Falling in love was easy.anyone could fall. It was holding on that was tricky
Liane Moriarty (The Husband's Secret)
Buy a gift for a dog, and you'll be amazed at the way it will dance and swerve its tail, but if don't have anything to offer to it, it won't even recognize your arrival; such are the attributes of fake friends.
Michael Bassey Johnson
All these years I'd thought being a spy was challenging. Turns out, being a girl is the tricky part.
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
That’s the tricky thing about love. It walks like a duck, quacks like a duck, and smells like a duck. But after you sleep with it a month or so, or get dumped at the altar by it, it starts smelling more like a skunk.
C.C. Hunter (Born at Midnight (Shadow Falls, #1))
These days, I've been trying to classify my thoughts into two categories: "Things I can change," and "Things I can't." It seems to help me sort through what to really stress about. But there I go again, over-planning and over-organizing my over-thinking! I write songs about my adventures and misadventures, most of which concern love. Love is a tricky business. But if it wasn't, I wouldn't be so enthralled with it. Lately I've come to a wonderful realization that makes me even more fascinated by it: I have no idea what I'm doing when it comes to love. No one does! There's no pattern to it, except that it happens to all of us, of course. I can't plan for it. I can't predict how it'll end up. Because love is unpredictable and it's frustrating and it's tragic and it's beautiful. And even though there's no way to feel like I'm an expert at it, it's worth writing songs about -- more than anything else I've ever experienced in my life.
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
I don’t know much, but this is what I’ve learned. You’ll fall for the last person you ever thought you’d be interested in. That’s the tricky part. You might not even notice her at first. And she usually comes around just when you’ve stopped looking. But if you pay attention, you’ll know it’s her because she’ll stand out from everybody else. She might even scare you. But if you’re lucky enough to meet this girl, be smart enough to realize it and try not to screw it up.
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
Insomnia is his mind's revenge for all the tricky thoughts he has carefully avoided during the daylight hours.
Alain de Botton (The Course of Love)
The problem with breaking up with someone, if you are a little unsure — and so often, people are unsure — is that breaking up involves persuasion. You have to persuade your ex that it is better this way for everyone. And this is difficult if you have not entirely persuaded yourself. It is especially tricky to do this if you are also naked, and making two cups of coffee.
Adam Thirlwell (Politics)
I think I fall into the category of the hopeless romantic, and I think youdo too, because you're here...The tricky thing about us, the hopeless romantic, is when we fall in love with someone, when we say hello—and it’s magical—we never imagine that hello can turn into a goodbye. And when we kiss someone—and it’s magical—we never ever imagine that it can turn into a last kiss.
Taylor Swift
This love was tricky...was it simply better somehow? Because these humans could hate with so much fury, was the other end of the spectrum that they could love with more heart and zeal and fire?
Stephenie Meyer (The Host (The Host, #1))
Love is tricky. It is never mundane or daily. You can never get used to it. You have to walk with it, then let it walk with you. You can never balk. It moves you like the tide. It takes you out to sea, then lays you on the beach again. Today's struggling pain is the foundation for a certain stride through the heavens. You can run from it but you can never say no. It includes everyone.
Amy Tan (The Hundred Secret Senses)
When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate. Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader. That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations. Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies? Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge. The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
China Miéville
Love was a tricky, complicated thing - so morally gray. Both grand and terrible things were often done in its honour. But could something truly be done out of love if it had the potential to hurt the one at its heart?
Kerri Maniscalco (Escaping from Houdini (Stalking Jack the Ripper, #3))
What was it that made this human love so much more desirable to me than the love of my own kind? Was it because it was exclusive and capricious? The souls offered love and acceptance to all. Did I crave a greater challenge? This love was tricky; it had no hard-and-fast rules - it might be given for free, as with Jamie, or earned through time and hard work, as with Ian, or completely and heartbreakingly unattainable, as with Jared. Or was it simply better somehow? Because these humans could hate with so much fury, was the other end of the spectrum that they could love with more heart and zeal and fire?
Stephenie Meyer (The Host (The Host, #1))
Tricky the paths a long love might follow, like the spiral down twists of a raindrop on a windowpane.
Kevin Barry (City of Bohane)
Often the most tricky questions are the ones we secretly know the answers of. What are you running from? What are you waiting for?
Sanhita Baruah
Fate was tricky like that. It consumed us when we thought we were free, and it freed us when we thought we were captured.
Shannon A. Thompson (Death Before Daylight (Timely Death, #3))
I’d always worried but kissing’s not so tricky. Your lips know what to do, just like sea anenomes know what to do. Kissing spins you, like Flying Tea-Cups. Oxygen the girl breathes out, you breathe in.
David Mitchell (Black Swan Green)
I am a sensitive, introverted woman, which means that I love humanity but actual human beings are tricky for me. I love people but not in person. For example, I would die for you but not, like...meet you for coffee. I became a writer so I could stay at home alone in my pajamas, reading and writing about the importance of human connection and community.
Glennon Doyle (Untamed)
It’s a tricky art, working with them in their purest form,” she mused. “Simultaneously simple yet infinitely complex.” It sounded like my relationship with Adrian.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
The clock in his car hadn't adjusted to daylight saving time yet and said it was four-fifteen when it was really five-fifteen. Peter probably didn't have time to fiddle with it, or it was tricky, as car clocks are. I didn't mind. You can't mind these things, you just can't, for to dislike what makes a person human is to dislike all humans, or at least other people who can't work clocks. You have to love the whole person, if you are truly in love. If you are going to take a lifelong journey with somebody, you can't mind if the other person believes they are leaving for that journey an hour earlier than you, as long as truly, in the real world, you are both leaving at exactly the same time.
Daniel Handler (Adverbs)
She let him do it, not only because she came out looking all right in his story, not a clock-throwing ruin of a girl, but also because Benedick's talking about her as if she were already one of them made her one of them. Words. What a tricky, tangled science.
McKelle George (Speak Easy, Speak Love)
we all make vows, Jimmy. And there is something very beautiful and touching and noble about wanting good impulses to be permanent and true forever," she said. "Most of us stand up and vow to love, honor and cherish someone. And we truly mean it, at the time. But two or twelve or twenty years down the road, the lawyers are negotiating the property settlement." "You and George didn't go back on your promises." She laughed. "Lemme tell ya something, sweetface. I have been married at least four times, to four different men." She watched him chew that over for a moment before continuing, "They've all been named George Edwards but, believe me, the man who is waiting for me down the hall is a whole lot different animal from the boy I married, back before there was dirt. Oh, there are continuities. He has always been fun and he has never been able to budget his time properly and - well, the rest is none of your business." "But people change," he said quietly. "Precisely. People change. Cultures change. Empires rise and fall. Shit. Geology changes! Every ten years or so, George and I have faced the fact that we have changed and we've had to decide if it makes sense to create a new marriage between these two new people." She flopped back against her chair. "Which is why vows are such a tricky business. Because nothing stays the same forever. Okay. Okay! I'm figuring something out now." She sat up straight, eyes focused somewhere outside the room, and Jimmy realized that even Anne didn't have all the answers and that was either the most comforting thing he'd learned in a long time or the most discouraging. "Maybe because so few of us would be able to give up something so fundamental for something so abstract, we protect ourselves from the nobility of a priest's vows by jeering at him when he can't live up to them, always and forever." She shivered and slumped suddenly, "But, Jimmy! What unnatural words. Always and forever! Those aren't human words, Jim. Not even stones are always and forever.
Mary Doria Russell (The Sparrow (The Sparrow, #1))
Love does not involve emotions, then?" he asked her with a smile. "It is not ruled by them," she told him. "Love is liking and companionship and respect and trust. Love does not dominate or try to possess. Love thrives only in a commitment to pure, mutual freedom. That is why marriage is so tricky. There are the marriage ceremony and the marriage vows and the necessity for fidelity -all of them suggestive of restraints, even imprisonment. Men talk of life sentences and leg shackles in connection with marriage, do they not? But marriage out to be just the opposite -two people agreeing to set each other free,
Mary Balogh (Slightly Tempted (Bedwyn Saga, #4))
Power is a tricky thing, mija. It can lift you up high on its wings and up into the sky where you feel invincible. But sometimes you forget the bigger thing that makes you fly. Without God, without love, you fall. You stop being grateful and humble, and you fall." pg. 230
Laura Resau (The Indigo Notebook (Notebook, #1))
The tricky thing about love is learning to accept and cherish all the versions of the person you love.
Jasmine Warga (Here We Are Now)
When you were young you talked about "falling in love" with such amusing gravity, as if it were an actual recordable event, when what was it really? Chemicals. Hormones. A trick of the mind. She could have fallen in love with Connor. Easily. Falling in love was easy. Anyone could fall. It was holding on that was tricky.
Liane Moriarty (The Husband's Secret)
The past is a tricky thing and we let it define us when we should embrace the here and now, and all that’s still coming. You need to let yourself live from a place of love, not from a place of fear over the things you can’t control.
Jennifer Farwell (Seven Weeks to Forever)
Iam a sensitive, introverted woman, which means that I love humanity but actual human beings are tricky for me. I love people but not in person. For example, I would die for you but not, like…meet you for coffee. I became a writer so I could stay at home alone in my pajamas, reading and writing about the importance of human connection and community. It is an almost perfect existence. Except that every so often, while I’m thinking my thoughts, writing my words, living in my favorite spot—which is deep inside my own head—something stunning happens: A sirenlike noise tears through my home. I freeze. It takes me a solid minute to understand: The siren is the doorbell. A person is ringing my doorbell. I run out of my office to find my children also stunned, frozen, and waiting for direction about how to respond to this imminent home invasion. We stare at each other, count bodies, and collectively cycle through the five stages of doorbell grief: Denial: This cannot be happening. ALL OF THE PEOPLE ALLOWED TO BE IN THIS HOUSE ARE ALREADY IN THIS HOUSE. Maybe it was the TV. IS THE TV ON? Anger: WHO DOES THIS? WHAT KIND OF BOUNDARYLESS AGGRESSOR RINGS SOMEONE’S DOORBELL IN BROAD DAYLIGHT? Bargaining: Don’t move, don’t breathe—maybe they’ll go away. Depression: Why? Why us? Why anyone? Why is life so hard? Acceptance: Damnit to hell. You—the little one—we volunteer you. Put on some pants, act normal, and answer the door. It’s dramatic, but the door always gets answered. If the kids aren’t home, I’ll even answer it myself. Is this because I remember that adulting requires door answering? Of course not. I answer the door because of the sliver of hope in my heart that if I open the door, there might be a package waiting for me. A package!
Glennon Doyle (Untamed)
memories were tricky things…they weren’t stable. they changed with perception over time. …they shifted, and [she] understood how the passage of time affected them. the hard working striver might recall his childhood as one filled with misery and hardship marred by the cat calls and mae calling of playground bullies, but later, have a much more forgiving understanding of past injustices. the handmade clothes he had been forced to wear, became a testament to his mother’s love. each patch and stitch a sign of her diligence, instead of a brand of poverty. he would remember father staying up late to help him with his homework – the old old man’s patience and dedication, instead of the sharpness of his temper when he returned home – late- from the factory. it went the other way as well. [she] had scanned thousands of memories of spurned women, whose handsome lovers turned ugly and rude. roman noses, perhaps too pointed. eyes growing small and mean. while the oridnary looking boys who had become their husbands, grew in attractiveness as the years passed, so that when asked if it was love at first site, the women cheerfully answered yes. memories were moving pictures in which meaning was constantly in flux. they were stories people told themselves.
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
This love was tricky; it had no hard-and-fast rules—it might be given for free, as with Jamie, or earned through time and hard work, as with Ian, or completely and heartbreakingly unattainable, as with Jared. Or
Stephenie Meyer (The Host (The Host, #1))
FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it?
Cecelia Ahern (Love, Rosie)
Love is easy." He traced my eyebrow with his thumb. "Trust is what's hard. Broken hearts can be fixed. Broken trust?" His touch followed a tear down my cheek to my lips. "Trust doesn't heal. Your parents broke your trust when you were really young, it changed you, it took something away. Then the one time you let trust grow, you thought it had been broken again. That's where it can be tricky, because sometimes trust feels broken when it's only a little dented up.
Adrienne Wilder (In the Absence of Light (Morgan & Grant, #1))
Tricky was a plain-faced man with a very handsome voice - a voice like the sound of a clarinet, at once liquid and penetrating, and lovely to listen to.
Sarah Waters (Tipping the Velvet)
Love was a tricky thing, a word to describe something that for most intents was indescribable.
M.R. Forbes (War Eternal, Books 1-3)
We too often act from scripts generated by the crises of long ago that we've all but consciously forgotten. We behave according to an archaic logic which now escapes us, following a meaning we can't properly lay bare to those we depend on most. We may struggle to know which period of our lives we are really in, with whom we are truly dealing and what sort of behaviour the person before us is rightfully owed. WE can be a little tricky to be around.
Alain de Botton (The Course of Love)
The kiss wasn’t just any kiss. No, it was a tricky little bastard, because it started out soft and gentle, but shifted gears in a matter of seconds. The moment her response went from surprise to surrender, the kiss turned hard and hungry, launching us into a frenzy of movement. Her arms were around my neck, my hands were moving all over her body, and somehow, in a span of about five seconds, she climbed up me like a tree, her legs wrapped tightly around my waist. We spun and bumped into the counter. I reached behind my back with one hand to tighten the cross of her ankles. And then I had her sitting on the edge of the stovetop, my hands exploring the tops of her thighs. I pushed the ruffled skirt hem up and clasped on to her bare, silky skin. Her tongue dove to the back of my throat, sliding over mine like wet, slick velvet. Holy mother fuck, I couldn’t breathe. I was drowning in this girl.
Rachael Wade (Declaration (Preservation, #3))
DUMBLEDORE: No. I was protecting you. I did not want to hurt you . . . DUMBLEDORE attempts to reach out of the portrait — but he can’t. He begins to cry but tries to hide it. But I had to meet you in the end . . . eleven years old, and you were so brave. So good. You walked uncomplainingly along the path that had been laid at your feet. Of course I loved you . . . and I knew that it would happen all over again . . . that where I loved, I would cause irreparable damage. I am no fit person to love . . . I have never loved without causing harm. A beat. HARRY: You would have hurt me less if you had told me this then. DUMBLEDORE (openly weeping now): I was blind. That is what love does. I couldn’t see that you needed to hear that this closed-up, tricky, dangerous old man . . . loved you. A pause. The two men are overcome with emotion. HARRY: It isn’t true that I never complained. DUMBLEDORE: Harry, there is never a perfect answer in this messy, emotional world. Perfection is beyond the reach of humankind, beyond the reach of magic. In every shining moment of happiness is that drop of poison: the knowledge that pain will come again. Be honest to those you love, show your pain. To suffer is as human as to breathe.
Jack Thorne (Harry Potter and the Cursed Child: Parts One and Two (Harry Potter, #8))
In his book In This Very Life, the Burmese meditation teacher Sayadaw U Pandita, wrote, "In their quest for happiness, people mistake excitement of the mind for real happiness." We get excited when we hear good news, start a new relationship, or ride a roller coaster. Somewhere in human history, we were conditioned to think that the feeling we get when dopamine fires in our brain equals happiness. Don't forget, this was probably set up so that we would remember where food could be found, not to give us the feeling "you are now fulfilled." To be sure, defining happiness is a tricky business, and very subjective. Scientific definitions of happiness continue to be controversial and hotly debated. The emotion doesn't seem to be something that fits into a survival-of-the-fittest learning algorithm. But we can be reasonably sure that the anticipation of a reward isn't happiness.
Judson Brewer (The Craving Mind: From Cigarettes to Smartphones to Love – Why We Get Hooked and How We Can Break Bad Habits)
Very well. On my love for Mencheres, I swear that I will honor both you and Leila as my true partners, and I will keep my insolence, trickiness , filthiness, and general knavery to as much a minimum as I can manage.
Jeaniene Frost (Into the Fire (Night Prince, #4))
He slouches,' DeeDee contributes. 'True--he needs to work on his posture,' Thelma says. 'You guys,' I say. 'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?' 'You guys. We are not getting married!' 'I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?' 'The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?' I swat her. "I'm not having Mitchell's children!' 'I'm sorry--what?' Thelma says. Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl! But I don't care. If they're going to embarrass me, then I'll embarrass them right back. 'I said'--I raise my voice--'I am not having Mitchell Truman's children!' Jolene turns beet red, and she and DeeDee dissolve into mad giggles. 'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous. 'Okaaay, I think maybe I won't turn around,' I announce. A person of the male persuasion clears his throat. 'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me. 'If you change your mind, we might be able to work something out,' the person of the male persuasion says. 'About the children?' DeeDee asks. 'Or the turning around?' 'DeeDee!' Jolene says. 'Both,' says the male-persuasion person. I shrink in my chair, but I raise my hand over my head and wave. 'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.' Warm fingers clasp my own. 'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.' 'Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!' I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants. Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter. He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line. Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder. 'Did you see!' Thelma gasps. 'Did you see how proud he was?' 'You improve his posture!' Jolene says. 'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.' 'I can't believe you waved at him,' DeeDee says. 'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.' 'It was a surrender flag. I was surrendering myself to abject humiliation.' 'Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him.
Lauren Myracle (Bliss (Crestview Academy, #1))
Love thy neighbor as thyself,” Christ said. Neither more than nor less than, but as thyself. It seems that to love thy neighbor whole-heartedly, one must love thyself whole-heartedly. Without selflove, it is a tricky task to try and love others.
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
The whole of our Dharma practice is to reduce our Ego, not to increase it. We have to be careful of this. It is not good to become a professional Dharma person, making sure that everybody sees we are very spiritual, we are such good vegetarians, we never smoke, we don’t go to karaoke bars, we are not like those worldly people. We are professional spiritual people. We are very pleased with ourselves. Of course the Ego loves this. Ego really pets itself. “Look at me, I’m such a superior person to these deluded people around me, I’m so much more disciplined, I’m so much more controlled.” So we have to watch. We have to be careful that in the Dharma practice our intention is quite pure. Because our delusion and our tricky Ego can end up actually reinforcing the very problems which we are trying to eradicate.
Jetsunma Tenzin Palmo (Three Teachings)
He’d set down his drink and leaned in. “Fine. You want me to elaborate, I will. Here’s the deal: I’m a guy. Generally speaking, we’re pretty simple folk. I know women always want to think we have these deep, romantic, and emotionally angsty thoughts going on in our heads, but in reality? Not so much. You women have layers and you’re complicated and mysterious and you say one thing, but you really mean another, and it’s this whole tricky package that intrigues us and scares us and challenges us all at the same time. But men aren’t like that. You talk about me not letting you in, but maybe what you don’t realize is this: there is no in.” He pointed to himself. “It’s all right here on the surface, Jessica. What you see is what you get.
Julie James (Love Irresistibly (FBI/US Attorney, #4))
So...what I’m saying is love can do anything and everything...as long as you don’t have a curse hanging over your head like I do. Oh, and you have to be willing to let love into your life, open that heavy door that leads the poor guy into the maze that is your heart, so to speak. That’s the tricky part, isn’t it? You have to let love in. You have to open yourself up, share your least lovable parts, the deepest, darkest corners of your soul. That’s the only way to experience real love.
Ella Maise (To Hate Adam Connor)
I know.” He said it so matter-of-fact that I took a step back. “I’ve always known you’d never hurt me.” “Then why would you ask about Jeff, or think I was going to leave?” Morgan’s smile was subtle. “Because you’re the one who doesn’t trust. Me, yourself, even your faraway island. You doubt everything. And people who can’t trust, eventually run.” He took a step forward, and even though I didn’t mean to, I took a step back. “You don’t believe in yourself. You’re scared of getting lost. Getting hurt. Being trapped.” I bumped the coffee table, stumbled, and wound up sitting on my ass. Morgan pushed his way between my knees and cupped my face. He continued to hold my gaze. Never had he looked at me with so much knowledge of who I was shining in his eyes. “Love is easy.” He traced my eyebrow with his thumb. “Trust is what’s hard. Broken hearts can be fixed. Broken trust?” His touch followed a tear down my cheek to my lips. “Trust doesn’t heal. Your parents broke your trust when you were really young, it changed you, it took something away. Then the one time you let trust grow, you thought it had been broken again. That’s where it can be tricky, because sometimes trust feels broken when it’s only a little dented up. "But it still feels like you’re losing bits and pieces of yourself.” Closer, his exhale ghosted my lips. “Now you’re scared to trust me because you might lose everything you have left.
Adrienne Wilder (In the Absence of Light (Morgan & Grant, #1))
I'm a basic boneless chicken, yes, I have no bones inside, I'm without a trace of rib cage, yet I hold myself with pride, other hens appear offended by my total lack of bones, they discuss me impolitely in derogatory tones. I am absolutely boneless, I am boneless through and through, I have neither neck nor thighbones, and my back is boneless too, and I haven't got a wishbone, not a bone within my breast, so I rarely care to travel from the comfort of my nest. I have feathers fine and fluffy, I have lovely little wings, but I lack the superstructure to support these splendid things. Since a chicken finds it tricky to parade on boneless legs, I stick closely to the hen house, laying little scrambled eggs.
Jack Prelutsky (The New Kid on the Block)
Offering love is tricky. You can't give what you don't have. An empty glass pours no water unless you fill it. So love yourself first.
Jason Versey
I am a sensitive introverted woman, which means that I love humanity but actual human beings are tricky for me. I love people but not in person.
Glennon Doyle (Untamed)
Power is tricky to navigate; to understand it you have to lay the groundwork for what makes you powerful in the first place.
Keah Brown (The Pretty One: On Life, Pop Culture, Disability, and Other Reasons to Fall in Love With Me)
It's easy to explain why you like something. But love? That's tricky. That's a story, not a sentence.
Jeffrey Gettleman (Love, Africa: A Memoir of Romance, War, and Survival)
Hades:“Somebody’s got to warn them,” he insisted, “so the news doesn’t destroy them.” Joseph Rice: “It sounds good in theory,” I told him, “but in practice, where death is concerned, it’s quite tricky to pull off.
Julie Berry (Lovely War)
Writers just play out their fantasies in their books. They are often very unstable, tricky people, Bertie. Writers are usually very bad at real life and feel that they have to create imaginary lives to make up for it.
Alexander McCall Smith (Love Over Scotland (44 Scotland Street, #3))
It works. But the tricky thing is, it never works exactly how you expect. People think they're smart enough to summon up some entity or make someone fall in love with them and have it all turn out for the best. But they aren't smart enough. Whatever it is that usually decides our fates--Gods, luck, random chance--it's smarter than us. It's always smarter. Magic works, but it's an exercise in irony, sometimes a dangerous one. Be careful.
Sara Gran (The Book of the Most Precious Substance)
Responding to one’s fellow social media users is an example of a broad, tricky problem, and this is why what we call “social media bots”—rogue accounts that spread spam or misinformation—are unlikely to be implemented with AI.
Janelle Shane (You Look Like a Thing and I Love You: How Artificial Intelligence Works and Why It's Making the World a Weirder Place)
All men are liars, fickle, chatterers, hypocrites, proud or cowardly, despicable, sensual ; all women faithless, tricky, vain, inquisitive, and depraved. The world is only a bottomless cesspool, where the most shapeless sea-beasts climb and writhe on mountains of slime. But there is in the world a thing holy and sublime — the union of two of these beings, imperfect and frightful as they are. One is often deceived in love, often wounded, often unhappy ; but one loves, and on the brink of the grave one turns to look back and says : I have suffered often, sometimes I have been mistaken, but I have loved. It is I who have lived, and not a spurious being bred of my pride and my sorrow
Alfred de Musset
FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room
Cecelia Ahern (Love, Rosie)
There is no other place on earth even remotely like New Orleans. Don’t even try to compare it with anywhere else. Even trying to describe it is tricky, as chances are, no matter how much you love it, you don’t really know it. No last call at bars, lots and lots of great food. We know that. Locals who are, well, uniquely wonderful. There’s an attitude here that defies all setbacks, all the things wrong with this fabulously, famously fucked-up city that defies logic in the very best possible ways.
Anthony Bourdain (World Travel: An Irreverent Guide)
As children, we are taught what I call Emotional English. This is an emotional language we are taught in our homes, and just like our spoken language, the emotional language we speak most fluently as adults is the one we learned as children. What we are taught about interacting emotionally with each other and the world is modeled for us by our families, and is what we will grow up doing. No matter how frustrating , damaging, and frightening it is, we will perpetuate the examples of our parents and family -- unless we can learn new ones. The tricky thing is that a person can go to school to learn a new language, we can find classes anywhere, in any town, but how do we learn a new emotional way of relating to our lives, loved ones, and most important, to ourselves?
Jewel (Never Broken: Songs Are Only Half the Story)
It’s a “profoundly tricky spiritual fact,” Carson writes. “I cannot go toward God in love without bringing myself along.” Being a writer compounds the dilemma: to articulate this desire to vanish is always to reiterate the self once again. Greener, not paler.
Jia Tolentino (Trick Mirror)
You have some lovely books," she said. "I like the one with the pictures of polar bears." "The books with words too tricky?" She released a strangled laugh. "Would you care to explain the system?" Turner stared at the shelves. Matty moved in front of him and pointed. "They're sorted by color." "Ah." Dear God. "And by size." "Mmm." Turner felt his mouth start to twitch. "It didn't occur to you to shelve them alphabetically by author name or even title?" "Well, yes, but no." "The thing is, you have so many. I organized one boxful only to find the next box wrecked what I'd done so I thought they'd look nicer if all the same color spines sat together. I tried to follow the colors of the spectrum. Look, the books go up and down in waves." He'd noticed. It made him feel seasick.
Barbara Elsborg (The Small Print)
The child teaches the adult something else about love: that genuine love should involve a constant attempt to interpret with maximal generosity what might be going on, at any time, beneath the surface of difficult and unappealing behaviour. The parent has to second-guess what the cry, the kick, the grief or the anger is really about. And what marks out this project of interpretation – and makes it so different from what occurs in the average adult relationship – is its charity. Parents are apt to proceed from the assumption that their children, though they may be troubled or in pain, are fundamentally good. As soon as the particular pin that is jabbing them is correctly identified, they will be restored to native innocence. When children cry, we don’t accuse them of being mean or self-pitying; we wonder what has upset them. When they bite, we know they must be frightened or momentarily vexed. We are alive to the insidious effects that hunger, a tricky digestive tract or a lack of sleep may have on mood. How kind we would be if we managed to import even a little of this instinct into adult relationships – if here, too, we could look past the grumpiness and viciousness and recognize the fear, confusion and exhaustion which almost invariably underlie them. This is what it would mean to gaze upon the human race with love.
Alain de Botton (The Course of Love)
Love is a tricky thing. It comes when you least expect it and is most inconvenient. It is rarely noticed until its too late and when it is finally noticed, it comes running up, screaming in your face so that it is all you can see, all you can hear, and all you can feel.
Victoria Rykaczewski
Love is a tricky business, just like I told Dakota Poe. It’s the most hellish, unforgiving, ass-biting business I know with razor-sharp teeth designed to kill. Some people who get bit wind up torn to pieces, digested, and shat out with all the care of an owl swallowing a mouse.
Nicole Snow (One Bossy Proposal)
They call this love, she said to herself. I know what it is now. I never thought I would know, but I do now. But she failed to add: if you can step back and identify it, is it really there? Shouldn't you be unable to know what the whole thing's about? Just blindly clutch and hold and fear that it will get away. But unable to stop, to think, to give it any name. Just two more people sharing a common human experience. Infinite in its complexity, tricky at times, but almost always successfully surmounted in one of two ways: either blandly content with the results as they are, or else vaguely discontent but chained by habit. Most women don't marry a man, they marry a habit. Even when a habit is good, it can become monotonous; most do. When it is bad in just the average degree it usually becomes no more than a nuisance and an irritant; and most do. But when it is darkly, starkly evil in the deepest sense of the word, then it can truly become a hell on earth. Theirs seemed to fall midway between the first two, for just a little while. Then it started veering over slowly toward the last. Very slowly, at the start, but very steadily... ("For The Rest Of Her Life")
Cornell Woolrich (Angels of Darkness)
He was a man who didn’t own a mobile phone, as a matter of principle and stubborn pride. He loved it when people were shocked to discover he had never owned one, never would own one. He truly believed it made him morally superior, which drove Joy bananas because, excuse me, he was not. The way he talked about his “stance” on mobile phones, you would think he were the lone person in the crowd not giving the Nazi salute. Before their retirement he told people, “I don’t need a phone, I’m a tennis coach, not a surgeon. There are no tennis emergencies.” There were so tennis emergencies, and more than once over the years she’d been furious when she couldn’t contact him and she was left in a tricky situation that would have been instantly solved if he’d owned a phone. Also, his principles didn’t prevent him from happily picking up the landline and calling Joy on her mobile when she was at the shops, to ask how much longer she’d be, or to please buy more chili crackers, but when Stan was gone, he was gone, and if she thought about that too much and all it implied she could tap into a great well of rage, so she didn’t think about it.
Liane Moriarty (Apples Never Fall)
Love is such a horrific word. Love is such a magnificent word. Love is something that is lost to me. Love I don’t believe exists for me. I search for it everywhere I go. I search for it in faces unknown. I search for in all that I do. Love is what makes the light shine through. Love has eluded me once more. Love is a very tricky feeling you know. Because love makes me lose my mind in the brokenness of life.
Mi-ran Isaacs (A Warrior's Heart)
How difficult it will be not to fall in love with him. How impossible, I thought worriedly, how tricky, to insist on not falling in love, to make my heart forget this strange, gentle man and this exciting night, to not get swept away. On the brink of sleep, enveloped in his breath, I thought how dangerous and complicated it would be, and how if I wasn't careful I might fall in love with him right at that very moment.
Dorit Rabinyan (גדר חיה)
People share books they love. They want to spread to friends and family the goodness that they felt when reading the book or the ideas they found in the pages. In sharing a loved book, a reader is trying to share the same excitement, pleasure, chills, and thrills of reading that they themselves experienced. Why else share? Sharing a love of books and of one particular book is a good thing. But it is also a tricky maneuver, for both sides. The giver of the book is not exactly ripping open her soul for a free look, but when she hands over the book with the comment that it is one of her favorites, such an admission is very close to the baring of the soul. We are what we love to read, and when we admit to loving a book, we admit that the book represents some aspect of ourselves truly, whether it is that we are suckers for romance or pining for adventure or secretly fascinated by crime.
Nina Sankovitch (Tolstoy and the Purple Chair: My Year of Magical Reading)
As a fantasist, I well understand the power of escapism, particularly as relates to romance. But when so many stories aimed at the same audience all trumpet the same message – And Lo! There shall be Two Hot Boys, one of them your Heart’s Intended, the other a vain Pretender who is also hot and with whom you shall have guilty makeouts before settling down with your One True Love – I am inclined to stop viewing the situation as benign and start wondering why, for instance, the heroines in these stories are only ever given a powerful, magical destiny of great importance to the entire world so long as fulfilling it requires male protection, guidance and companionship, and which comes to an end just as soon as they settle their inevitable differences with said swain and start kissing. I mean to invoke is something of the danger of mob rule, only applied to narrative and culture. Viz: that the comparative harmlessness of individuals does not prevent them from causing harm en masse. Take any one story with the structure mentioned above, and by itself, there’s no problem. But past a certain point, the numbers begin to tell – and that poses a tricky question. In the case of actual mobs, you’ll frequently find a ringleader, or at least a core set of agitators: belligerent louts who stir up feeling well beyond their ability to contain it. In the case of novels, however, things aren’t so clear cut. Authors tell the stories they want to tell, and even if a number of them choose to write a certain kind of narrative either in isolation or inspired by their fellows, holding any one of them accountable for the total outcome would be like trying to blame an avalanche on a single snowflake. Certainly, we may point at those with the greatest (arguable) influence or expostulate about creative domino effects, but as with the drop that breaks the levee, it is impossible to try and isolate the point at which a cluster of stories became a culture of stories – or, for that matter, to hold one particular narrative accountable for the whole.
Foz Meadows
You fell in love with that woman’s drive. Her passion. Her spark for life. Her light. What if, rather than throwing that all away, you became her suncatcher? Take that light and amplify it in every way you can. Bask in it. How wondrous to have found it!” She claps her hands excitedly. “But light is tricky. It slips through your fingers. It’s fleeting. It comes and goes. We never get to possess it; you can’t hold it in your hand. We just get to enjoy it. And if you can figure out a way to just let go and enjoy it, well, Cole, you’ll be one of the lucky ones.
Elsie Silver (A Photo Finish (Gold Rush Ranch, #2))
She wanted to sit in the pub with him the way Sam did with Steve, the way Matty and Karen had done last weekend with their boyfriends, to hold his hand as they walked down the street, to be able to smile in public at him, not this controlled, agonisingly formal behaviour. It struck her, this week in particular, that she was completely isolated. She couldn't talk to him, she couldn't talk to her friends, and she didn't know when that would change. And she couldn't do anything about it; she was weak, because she loved him too much, not that that was weakness, but - she was powerless.
Harriet Evans (Happily Ever After)
Imagine you were asked in a maths paper at junior school, 'Which would you prefer, a shilling or two sixpences?' and you answered, 'Two sixpences,' because thinking of the two tiny silver coins jingling together in your pocket made you feel good and you loved those cute little sixpences. But when the test paper was returned you saw a big red cross through your answer, and that night your mother explained to you that it was a trick question, two sixpences and a shilling were worth the same amount – which you knew, but you'd still prefer two sixpences. It wasn't that you were stupid, you just saw things from a different angle. Sixpences had character, shillings didn't. And you felt richer with two sixpences because there were two coins, not just one. But despite all these explanations, you were still wrong and you kept getting tripped up by these trick questions over and over again, in exams, in relationships, friendships, jobs and interviews. In fact, these misreadings of situations happened so often that you started to view the world as a tricksy and untruthful place. Then you noticed that the people who saw the tricks behind the questions were popular and always at the top of the class. Baffled by life and its unseen rules, you began to doubt everything around you. You felt you had to approach all of life as a trick, just to get it right a few times.
Viv Albertine (To Throw Away Unopened)
Gulab jamun, am I right?" Puffy Fay asked with his mouth full. "The inspiration for this cupcake?" Vik nodded. "A friend once told me she loved to take her favorite desserts and make them into something else." He glanced at me briefly. Gulab jamun. I'd had it plenty of times in India. Creamy fried dumplings soaked in a sugar syrup, flavored with cardamom and- "Rosewater," said Puffy Fay, "can be a tricky ingredient. But-" he smacked his lips- "you've done an excellent job. And you somehow managed to mimic the flavor of that very sweet dessert without making your cupcake too sweet. Fascinating." "I coated rose petals in sugar and salt," said Vik. "Sugar for laughter, and salt for tears.
Rajani LaRocca (Midsummer's Mayhem)
That’s why it is so dangerous to use infatuation as a sign to pursue a relationship. If you and I don’t know the difference between infatuation and love, we are destined to make some of the dumbest and most regrettable decisions we’ll ever make. These bad decisions come with heavy and painful price tags. So you see, it’s imperative in this tricky business of “falling in love” that we take the time to clearly define what we mean by the word “love.” The investment will pay off handsomely. We can actually learn how to avoid future relational baggage and how to recognize authentic love relationships when we clarify two crucial issues: (1) what love is, and (2) what the difference is between love and infatuation.
Chip Ingram (Love, Sex, and Lasting Relationships)
We kiss for a long time, a good long time. I don’t even notice that it’s cold and I forget to be afraid because that’s just how good a kisser he is. His lips move above my lips. My lips ache for the touch of him, the softness of his skin. We keep kissing. My hands wrap themselves in his hair. His hand presses me close into him, as close as I can be against him, and he is solid, strong, amazing. My hands leave his hair and journey down to the sides of his face, still tingling. “We should keep going,” he says, voice gruff and husky again. I love when his voice sounds like that, deeper than normal. His lips puff out a little more, too. “You’re blushing.” I pull my lips in against each other like I’m still trying to taste him. I move my snowshoes off of his snowshoes. It’s tricky. “You’re a good kisser,” I say. “So are you.
Carrie Jones (Need (Need, #1))
This is more than I've ever had. This is so much of what I lost. What was it that made this human love so much more desirable to me than the love of my own kind? Was it because it was exclusive and capricious? The souls offered love and acceptance to all; did I crave a greater challenge? This love was tricky. It had no hard and fast rules. It might be given for free, as with Jamie; or earned through time and hard work as with Ian; or completely and heartbreakingly unattainable, as with Jared. Or was it simply better somehow? Because these humans could hate with so much fury, was the other end of the spectrum that they could love with more heart and zeal and fire? I didn't know why I had yearned after it so desperately. All I knew was now that I had it, it was worth every ounce of risk and agony it had cost. It was better than I imagined. It was everything.
Stephenie Meyer (The Host (The Host, #1))
Just ask me how to get bloodstains out of a fur coat. No, really, go ahead. Ask me. The secret is cornmeal and brushing the fur the wrong way. The tricky part is keeping your mouth shut. To get blood off of piano keys, polish them with talcum powder or powdered milk. This isn’t the most marketable job skill, but to get bloodstains out of wallpaper, put on a paste of cornstarch and cold water. This will work just as well to get blood out of a mattress or a davenport. The trick is to forget how fast these things can happen. Suicides. Accidents. Crimes of passion. Just concentrate on the stain until your memory is completely erased. Practice really does make perfect. If you could call it that. Ignore how it feels when the only real talent you have is for hiding the truth. You have a God-given knack for committing a terrible sin. It’s your calling. You have a natural gift for denial. A blessing. If you could call it that. Even after sixteen years of cleaning people’s houses, I want to think the world is getting better and better, but really I know it’s not. You want there to be some improvement in people, but there won’t be. And you want to think there’s something you can get done. Cleaning this same house every day, all that gets better is my skill at denying what’s wrong. God forbid I should ever meet who I work for in person. Please don’t get the idea I don’t like my employers. The caseworker has gotten me lots worse postings. I don’t hate them. I don’t love them, but I don’t hate them. I’ve worked for lots worse. Just ask me how to get urine stains out of drapes and a tablecloth. Ask me what’s the fastest way to hide bullet holes in a living-room wall. The answer is toothpaste. For larger calibers, mix a paste of equal parts starch and salt. Call me the voice of experience.
Chuck Palahniuk (Survivor)
Listening to him, Beatrice experienced the afternoon all over again, but this time there was no real danger. There was a boy who'd had a terrific idea that went a little off the rails and a girl who was a good sport and just the kind of sidekick you'd like to have along. Beatrice heard herself laugh when Benedick described her shooting off a man's hat, but it hadn't seemed that funny when it actually happened. There was a sunniness in his words that somehow even disguised his appearance, erasing the boy shaking with exhaustion, flattening all his mercurial layers into one outfit of razzle-dazzle. But the razzle-dazzle was also real. That was the most baffling part of all. He was this, too. She let him do it, not only because she came out looking all right in his story, not a clock-throwing ruin of a girl, but also because Benedick's talking about her as if she were already one of them made her one of them. Words. What a tricky, tangled science.
McKelle George (Speak Easy, Speak Love)
This movement to which he had dedicated his life could not be snuffed out by a few opportunists, a sackful of dollars and a cunt in the Kremlin. It was as old and as strong as the human spirit itself. It would come back, with fresh vigour, soon, very soon. It might have a different name, a different banner. But men and women would always want to walk that path, that tricky uphill path across the river of stones and through the damp cloud, because they knew that at the end they would burst into the bright sunshine and see the mountain top clear above them. Men and women dreamed of that moment. They would link arms again. They would have a new song – no longer ‘Stepping the Red Pathway’ as it had been on Rykosha Mountain. But they would sing this new song to the old tune. And they would gather themselves to make that mighty second jump. Then the ground would shake and all the capitalists and imperialists and plant-loving Fascists and filth and scum and renegades and fucking intellectuals and boy prosecutors and Judases with birdshit on their skulls would shit themselves one final, mighty time.
Julian Barnes (The Porcupine)
Perhaps I have misjudged you, Christopher,” Erienne commented as he whirled her about in a wide sweep of the ballroom. “How so, my love?” He searched her face for some hint of her meaning. “You watch over me as closely as Stuart,” she stated and grew thoughtful. “Perhaps more so.” “I have not given up hope that you will someday become mine, madam, and I choose to safeguard against those who would take you from me.” “What of Stuart?” She raised a lovely brow as she awaited his answer. It was a long moment before he gave a reply. “In the ways of love, I do not consider Stuart as much a threat as an inconvenience.” “An inconvenience?” she queried. “I shall have to deal with him in time, and that will be the difficult part. I cannot dismiss the man without rousing your hatred again. ’Tis a most perplexing problem.” “You amaze me, Christopher.” Erienne shook her head, somewhat shocked by his casual disregard of her husband. “You truly amaze me.” “The feeling is mutual, my love.” His voice came as a soft caress and sent an eddy of sensations spiraling down through the core of her being. -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
A Conversation with the Author What was your inspiration for The 7½ Deaths of Evelyn Hardcastle? Inspiration is a flash-of-lightning kind of word. What happens to me is more like sediment building. I love time travel, Agatha Christie, and the eighties classic Quantum Leap, and over time a book emerged from that beautiful quagmire. Truthfully, having the idea was the easy part, keeping track of all the moving parts was the difficulty. Which character was the most interesting to write, and in which host do you feel Aiden truly flourishes? Lord Cecil Ravencourt, by miles. He occupies the section of the book where the character has to grapple with the time travel elements, the body swapping elements, and the murder itself. I wanted my most intelligent character for that task, but I thought it would be great to hamper him in some way, as well. Interestingly, I wanted to make him really loathsome—which is why he’s a banker. And yet, for some reason, I ended up quite liking him, and feeding a few laudable qualities into his personality. I think Derby ended up getting a double dose of loathsome instead. Other than that, it’s just really nice seeing the evolution of his relationship with Cunningham. Is there a moral lesson to Aiden’s story or any conclusion you hope the reader walks away with as they turn the final page? Don’t be a dick! Kind, funny, intelligent, and generous people are behind every good thing that’s ever happened to me. Everybody else you just have to put up with. Like dandruff. Or sunburn. Don’t be sunburn, people. In one hundred years, do you believe there will be something similar to Blackheath, and would you support such a system? Yes, and not exactly. Our prison system is barbaric, but some people deserve it. That’s the tricky part of pinning your flag to the left or right of the moral spectrum. I think the current system is unsustainable, and I think personality adjustment and mental prisons are dangerous, achievable technology somebody will abuse. They could also solve a lot of problems. Would you trust your government with it? I suppose that’s the question. The book is so contained, and we don’t get to see the place that Aiden is escaping to! Did you map that out, and is there anything you can share about the society beyond Blackheath’s walls? It’s autocratic, technologically advanced, but they still haven’t overcome our human weaknesses. You can get everywhere in an hour, but television’s still overrun with reality shows, basically. Imagine the society that could create something as hateful as Annabelle Caulker.
Stuart Turton (The 7½ Deaths of Evelyn Hardcastle)
This felt like a golden opportunity to alert Dan to some non-negotiables I had regarding men. "Bear with me," I told Dan. "This is going to be a long list. I don't like strong scents, so that kind of prohibits waking up next to someone of the opposite sex, or any sex, really. I'm extremely sensitive to smell. I have a problem with smelling anyone's breath. I'm not the kind of person who can get past that. I get turned off very easily. It could be anything. It could be finding out they have a cat, or seeing their apartment, or they could love room temperature water...Feet are tricky. That's why I like to lead with them. When I meet a guy I like, I take out a foot and show him what he'll be dealing with if things go any further. Put your worse foot forward. That's how I like to start a conversation. And then, when they're gracious enough to tolerate me and my feet, God forbid they have a weird foot or a double-decker toe - I can't deal with it...Also, I have too many questionable habits that no man would be cool with, and by the way, if there was a guy that was cool with them, I'm not sure I'd be interested in him..I can get icked out so easily. I'm aware this behavior is unreasonable and immature, and I'd like it to stop. I don't want to get turned off so easily, but I just don't know how to get past a bad pair of shoes, or...male jewelry.
Chelsea Handler (Life Will Be the Death of Me: . . . and you too!)
DREAM INCUBATION: HOW TO SOLVE PROBLEMS IN YOUR SLEEP Choose a problem that’s important to you, one that you have a strong desire to solve. The greater the desire, the more likely it is that the problem will show up in a dream. Think about the problem before you go to bed. If possible, put it in the form of a visual image. If it’s a problem with a relationship, imagine the person it involves. If you’re looking for inspiration, imagine a blank piece of paper. If you’re struggling with some sort of project, imagine an object that represents the project. Hold the image in your mind, so it’s the last thing you think of before you fall asleep. Make sure you have a pen and paper next to your bed. As soon as you wake up from a dream, write it down, whether or not you think it’s related to the problem. Dreams can be tricky, and the answer may be disguised. It’s important to write down the dream immediately because the memory will evaporate in seconds if you begin to think about something else. Many people have had the experience of waking up from an intense dream, one that’s overflowing with personal meaning, and then being unable to recall any of the details less than a minute later. It may take a few nights before you find what you’re looking for, and the solution you get from your dream may not be the best solution. But it will probably be a novel solution, one that approaches the problem from a new direction.
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
But here’s the tricky part about compassion and connecting: We can’t call just anyone. It’s not that simple. I have a lot of good friends, but there are only a handful of people whom I can count on to practice compassion when I’m in the dark shame place. If we share our shame story with the wrong person, they can easily become one more piece of flying debris in an already dangerous storm. We want solid connection in a situation like this—something akin to a sturdy tree firmly planted in the ground. We definitely want to avoid the following: The friend who hears the story and actually feels shame for you. She gasps and confirms how horrified you should be. Then there is awkward silence. Then you have to make her feel better. The friend who responds with sympathy (I feel so sorry for you) rather than empathy (I get it, I feel with you, and I’ve been there). If you want to see a shame cyclone turn deadly, throw one of these at it: “Oh, you poor thing.” Or, the incredibly passive-aggressive southern version of sympathy: “Bless your heart.” The friend who needs you to be the pillar of worthiness and authenticity. She can’t help because she’s too disappointed in your imperfections. You’ve let her down. The friend who is so uncomfortable with vulnerability that she scolds you: “How did you let this happen? What were you thinking?” Or she looks for someone to blame: “Who was that guy? We’ll kick his ass.” The friend who is all about making it better and, out of her own discomfort, refuses to acknowledge that you can actually be crazy and make terrible choices: “You’re exaggerating. It wasn’t that bad. You rock. You’re perfect. Everyone loves you.” The friend who confuses “connection” with the opportunity to one-up you: “That’s nothing. Listen to what happened to me one time!
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
Lemon Barley Chicken Soup: The first thing you have to do is make chicken broth. Over here in France, I can’t seem to find acceptable packaged chicken broth, so I make it from scratch; it’s really not tricky. Remove the skin from four or five chicken thighs. Put them in a big pot, along with a cut-up onion, a carrot or two, some celery, salt and pepper, and lots of water. Cook this mélange very, very slowly (bubbles just rising) for a few hours (at least three). When you’ve got the broth under way, cook the barley: take 1 cup of barley and simmer it slowly in 4 to 5 cups of water. When it’s soft, drain the barley, but reserve any remaining barley water so you can add it to the broth. When the broth is ready, skim off the froth. Then remove the chicken thighs and when they’re cool enough, strip the meat off the bones, saving it for the soup. Strain the broth and put it to the side. Now that you’ve got chicken broth, it’s time for the soup itself—the rest is even easier. Cut up some leeks, if you have them, though an onion works just fine, too. If you’ve got leeks, put some butter in your (now emptied) stockpot over low heat; use olive oil instead if you have onions. While the leeks/onions are softening, finely mince a knob of ginger and 2 or 3 garlic cloves. If you can get some, you can also crush some lemongrass and put it in at this point. I never seem to cook it right (it always stays tough), but it adds great flavor. Dump all that in with the softened leeks/onions. Cook until you can smell it, but take care to avoid browning. Then add the cut-up chicken and the barley, and pour in the broth. Simmer it over low heat for about half an hour. Add salt to taste. To get a great lemon kick, squeeze 2 lemons and beat the juice well with 2 egg yolks. With the pot removed from the heat source, briskly whisk this mixture into the soup, being careful that the eggs don’t separate and curdle. Then return the pot to the heat and stir vigorously for a bit, until the eggs are cooked. This soup is excellent for sick people (ginger, hot lemon, and chicken; need I say more?) and a tonic for sad people (total comfort). And it’s even better the next day.
Eloisa James (Paris In Love)
Cultivating loyalty is a tricky business. It requires maintaining a rigorous level of consistency while constantly adding newness and a little surprise—freshening the guest experience without changing its core identity.” Lifetime Network Value Concerns about brand fickleness in the new generation of customers can be troubling partly because the idea of lifetime customer value has been such a cornerstone of business for so long. But while you’re fretting over the occasional straying of a customer due to how easy it is to switch brands today, don’t overlook a more important positive change in today’s landscape: the extent to which social media and Internet reviews have amplified the reach of customers’ word-of-mouth. Never before have customers enjoyed such powerful platforms to share and broadcast their opinions of products and services. This is true today of every generation—even some Silent Generation customers share on Facebook and post reviews on TripAdvisor and Amazon. But millennials, thanks to their lifetime of technology use and their growing buying power, perhaps make the best, most active spokespeople a company can have. Boston Consulting Group, with grand understatement, says that “the vast majority” of millennials report socially sharing and promoting their brand preferences. Millennials are talking about your business when they’re considering making a purchase, awaiting assistance, trying something on, paying for it and when they get home. If, for example, you own a restaurant, the value of a single guest today goes further than the amount of the check. The added value comes from a process that Chef O’Connell calls competitive dining, the phenomenon of guests “comparing and rating dishes, photographing everything they eat, and tweeting and emailing the details of all their dining adventures.” It’s easy to underestimate the commercial power that today’s younger customers have, particularly when the network value of these buyers doesn’t immediately translate into sales. Be careful not to sell their potential short and let that assumption drive you headlong into a self-fulfilling prophecy. Remember that younger customers are experimenting right now as they begin to form preferences they may keep for a lifetime. And whether their proverbial Winstons will taste good to them in the future depends on what they taste like presently.
Micah Solomon (Your Customer Is The Star: How To Make Millennials, Boomers And Everyone Else Love Your Business)
I splash enough water in Chloe's face to put out a small house fire. I don't want to drown her, just exfoliate her eyeballs with sea salt. When she thinks I'm done, she opens her eyes-and her mouth. Big mistake. The next wave rinses off the hangy ball in the back of her throat and makes it to her lungs before she can swallow. She chokes and coughs and rubs her eyes as if she's been maced. "Great, Emma! You got my new hair wet!" she sputters. "Happy now?" "Nope." "I said I was sorry." She blows her nose in her hand, then sets the snot to sea. "Gross. And sorry's not good enough." "Fine. I'll make it up to you. What do you want?" "Let me hold your head underwater until I feel better," I say. I cross my arms, which is tricky when straddling a surfboard being pitched around in the wake of a passing speedboat. Chloe knows I'm nervous being this far out, but holding on would be a sign of weakness. "I'll let you do that because I love you. But it won't make you feel better." "I won't know for sure until I try it." I keep eye contact, sit a little straighter. "Fine. But you'll still look albino when you let me back up." She rocks the board and makes me grab it for balance. "Get your snotty hands off the surfboard. And I'm not albino. Just white." I want to cross my arms again, but we almost tipped over that time. Swallowing my pride is a lot easier than swallowing the Gulf of Mexico. "White than most," she grins. "People would think you're naked if you wore my swimsuit." I glance down at the white string bikini, offset beautifully against her chocolate-milk skin. She catches me and laughs. "Well, maybe I could get a tan while we're here," I say, blushing. I feel myself cracking and I hate it. Just this once, I want to stay mad at Chloe. "Maybe you could get a burn while we're here, you mean. Matterfact, did you put sunblock on?" I shake my head. She shakes her head too, and makes a tsking sound identical to her mother's. "Didn't think so. If you did, you would've slipped right off that guy's chest instead of sticking to it like that." "I know," I groan. "Got to be the hottest guy I've ever seen," she says, fanning herself for emphasis. "Yeah, I know. Smacked into him, remember? Without my helmet, remember?" She laughs. "Hate to break it to you, but he's still staring at you. Him and his mean-ass sister." "Shut up." She snickers. "But seriously, which one of them do you think would win a staring contest? I was gonna tell him to meet us at Baytowne tonight, but he might be one of those clingy stalker types. That's too bad, too. There's a million dark little corners in Baytowne for you two to snuggle-" "Ohmysweetgoodness, Chloe, stop!
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Then, just as we were to leave on a whirlwind honeymoon in the beautiful Pacific Northwest, a call came from Australia. Steve’s friend John Stainton had word that a big croc had been frequenting areas too close to civilization, and someone had been taking potshots at him. “It’s a big one, Stevo, maybe fourteen or fifteen feet,” John said over the phone. “I hate to catch you right at this moment, but they’re going to kill him unless he gets relocated.” John was one of Australia’s award-winning documentary filmmakers. He and Steve had met in the late 1980s, when Steve would help John shoot commercials that required a zoo animal like a lizard or a turtle. But their friendship did not really take off until 1990, when an Australian beer company hired John to film a tricky shot involving a crocodile. He called Steve. “They want a bloke to toss a coldie to another bloke, but a croc comes out of the water and snatches at it. The guy grabs the beer right in front of the croc’s jaws. You think that’s doable?” “Sure, mate, no problem at all,” Steve said with his usual confidence. “Only one thing, it has to be my hand in front of the croc.” John agreed. He journeyed up to the zoo to film the commercial. It was the first time he had seen Steve on his own turf, and he was impressed. He was even more impressed when the croc shoot went off flawlessly. Monty, the saltwater crocodile, lay partially submerged in his pool. An actor fetched a coldie from the esky and tossed it toward Steve. As Steve’s hand went above Monty’s head, the crocodile lunged upward in a food response. On film it looked like the croc was about to snatch the can--which Steve caught right in front of his jaws. John was extremely impressed. As he left the zoo after completing the commercial shoot, Steve gave him a collection of VHS tapes. Steve had shot the videotapes himself. The raw footage came from Steve simply propping his camera in a tree, or jamming it into the mud, and filming himself single-handedly catching crocs. John watched the tapes when he got home to Brisbane. He told me later that what he saw was unbelievable. “It was three hours of captivating film and I watched it straight through, twice,” John recalled to me. “It was Steve. The camera loved him.” He rang up his contacts in television and explained that he had a hot property. The programmers couldn’t use Steve’s original VHS footage, but one of them had a better idea. He gave John the green light to shoot his own documentary of Steve. That led to John Stainton’s call to Oregon on the eve of our honeymoon. “I know it’s not the best timing, mate,” John said, “but we could take a crew and film a documentary of you rescuing this crocodile.” Steve turned to me. Honeymoon or crocodile? For him, it wasn’t much of a quandary. But what about me?” “Let’s go,” I replied.
Terri Irwin (Steve & Me)
Know Yourself: Are You a Freezer, Flyer, or Fighter? How avoidance coping manifests for you will depend on what your dominant response type is when you’re facing something you’d rather avoid. There are three possible responses: freezing, fleeing, or fighting. We’ve evolved these reactions because they’re useful for encounters with predators. Like other animals, when we encounter a predator, we’re wired to freeze to avoid provoking attention, run away, or fight. Most people are prone to one of the three responses more so than the other two. Therefore, you can think of yourself as having a “type,” like a personality type. Identify your type using the descriptions in the paragraphs that follow. Bear in mind that your type is just your most dominant pattern. Sometimes you’ll respond in one of the other two ways. Freezers virtually freeze when they don’t want to do something. They don’t move forward or backward; they just stop in their tracks. If a coworker or loved one nags a freezer to do something the freezer doesn’t want to do, the freezer will tend not to answer. Freezers may be prone to stonewalling in relationships, which is a term used to describe when people flat-out refuse to discuss certain topics that their partner wants to talk about, such as a decision to have another baby or move to a new home. Flyers are people who are prone to fleeing when they don’t want to do something. They might physically leave the house if a relationship argument gets too tense and they’d rather not continue the discussion. Flyers can be prone to serial relationships because they’d rather escape than work through tricky issues. When flyers want to avoid doing something, they tend to busy themselves with too much activity as a way to justify their avoidance. For example, instead of dealing with their own issues, flyers may overfill their children’s schedules so that they’re always on the run, taking their kids from activity to activity. Fighters tend to respond to anxiety by working harder. Fighters are the anxiety type that is least prone to avoidance coping: however, they still do it in their own way. When fighters have something that they’d rather not deal with, they will often work themselves into the ground but avoid dealing with the crux of the problem. When a strategy isn’t working, fighters don’t like to admit it and will keep hammering away. They tend to avoid getting the outside input they need to move forward. They may avoid acting on others’ advice if doing so is anxiety provoking, even when deep down they know that taking the advice is necessary. Instead, they will keep trying things their own way. A person’s dominant anxiety type—freezer, flyer, or fighter—will often be consistent for both work and personal relationships, but not always. Experiment: Once you’ve identified your type, think about a situation you’re facing currently in which you’re acting to type. What’s an alternative coping strategy you could try? For example, your spouse is nagging you to do a task involving the computer. You feel anxious about it due to your general lack of confidence with all things computer related. If you’re a freezer, you’d normally just avoid answering when asked when you’re going to do the task. How could you change your reaction?
Alice Boyes (The Anxiety Toolkit: Strategies for Fine-Tuning Your Mind and Moving Past Your Stuck Points)
Tony: Listen... I need to... Um... Say... I mean... I know we only met earlier... And I know I nearly set you on fire... And we're both going out with other people. Obviously that's quite tricky. But... Well... You are the most beautiful woman I have ever laid eyes on in my entire life. I saw you and my heart leapt. You make me want to change my life. To... participate. I know it's not possible and that you have a boyfriend and we're not compatible or whatever but... I just... I know it's stupid... But maybe just hear me out for a second and the. You can tell me I'm an idiot and we'll both go back in and pretend this never happened but... I want to travel the world with you. I want to bring the ice cold Amstel to your Greek shore. And sit in silence and sip with you. I want to go to Tesco's with you of a Sunday. Watch you sleep, scrub your back, suck your toes. I want to write crap poetry about you, lay my coat over puddles for you. I want to get drunk and bore my friends about you, I want them to phone up and moan about how little they see me because I'm spending so much time with you. I want to feel the tingle of our lips meeting, the lock of our eyes joining, the fizz of our fingertips touching. I want to touch your fat tummy and tell you you look gorgeous in maternity dresses, I want to stand next to you wide-eyed and hold my nose as we open that first used nappy, I want to watch you grow old and love you more and more each day. I want to fall in love with you. I think I could. And I think it would be good. And I want you to say yes. You might feel the same. Could you? Maybe?
Chris Chibnall (Kiss Me Like You Mean It (Oberon Modern Plays))
God could easily at any moment prove he existed beyond doubt with some amazing show of power which would have everyone kneel to him in awe. That is not what he wants. Real belief can't be gained by a dazzling show and a loving relationship can't be won through force.
Lewis N. Roe (From A To Theta: Taking The Tricky Subject Of Religion And Explaining Why It Makes Sense In A Way We Can All Understand)
People share books they love. They want to spread to friends and family the goodness that they felt when reading the book or the ideas they found in the pages. In sharing a loved book, a reader is trying to share the same excitement, pleasure, chills, and thrills of reading that they themselves experienced. Why else share? Sharing a love of books and of one particular book is a good thing. But it is also a tricky maneuver, for both sides. The giver of the book is not exactly ripping open her soul for a free look, but when she hands over the book with the comment that it is one of her favorites, such an admission is very close to the baring of the soul. We are what we love to read, and when we admit to loving a book, we admit that the book represents some aspect of ourselves truly, whether it is that we are suckers for romance or pining for adventure or secretly fascinated by crime. On the other side of the offered book is the taker. If she is at all a sensitive being, she knows that the soul of the offering friend has been laid wide open and that she, the taker, had better not spit on her friend’s soul. I am not exaggerating. Sixteen
Nina Sankovitch (Tolstoy and the Purple Chair: My Year of Magical Reading)
How do you know you love someone?” he’d asked his dad when he was kid. “Huh. That’s a tricky one. I suppose you know you love someone when you want to make them happy.” It was as good an answer as any, Cole thought. The word didn’t have to come laden with expectations. It didn’t have to be difficult. It didn’t mean forever, or a commitment. Love could be as ephemeral as a single breath. That didn’t make it a lie.
Lisa Henry (The Dreams You Made in the Dirt)
Trouble is, finding a girl is still a tricky situation, like choosing a hat." He flips off his hat and sweeps a finger along the edge of the brim. "Like, maybe you've had your eye on a fine-looking French number, but when it finally falls onto your head, it loses its appeal... Or maybe you've been told all your life that bison felts are the only hats worth wearing. And when something different comes along, say alligator suede, even though it's the most worthy thing you've seen in your life, you might leave it in the window"--he taps his chin--"until you realize no other hat will fit just right.
Stacey Lee
do with love. Or rather lust, that tricky emotion that could masquerade as love while driving you crazier than real love ever would.
Megan Hart (Reawakened Passions)
When another person perceives our genuine curiosity, openness, and acceptance, there is a sense of professional caring, what we might be so bold as to call a “healing form of love.” It’s tricky, naturally, to risk confusing the romantic sense of “love” within the context of psychotherapy and this healing stance. But the feeling of compassionate concern, of genuine interest and engagement, of the mutual influence that each person has on the other (mutual,
Daniel J. Siegel (The Mindful Therapist: A Clinician's Guide to Mindsight and Neural Integration (Norton Series on Interpersonal Neurobiology))
Falling in love was easy. Anyone could fall. It was holding on that was tricky. She
Liane Moriarty (The Husband's Secret)
The lunch menu consisted of a seafood appetizer, creamy chicken in a pastry shell, and a green salad--none of which was really kids’ food. Patrick and Caroline toyed silently with their seafood and managed a few obligatory bites. I noticed Diana’s eyes twinkling with amusement as she watched them. I had to admit “Patrick and Caroline aren’t especially fond of shellfish.” When the chicken was served, Caroline didn’t know how to serve herself and cast an imploring look at me that said, “Oh, help! What do I do, Mom?” Before I could react, Diana, so attuned to children, jumped up and came over to serve Caroline and cut up her chicken. I was speechless at her rapid, sympathetic response. Caroline thanked her, then gazed at her in adoration for the rest of the meal. She was in heaven! Dessert was tricky and delicious--ice cream in a slippery chocolate shell. This time two people served all of us, so my children would not have to struggle for themselves. During lunch, Diana made a point of asking Patrick and Caroline about their travels, their schools, and their hobbies. Patrick’s responses were very polite, but tended to be rather subdued and brief. I wanted him to sound a bit more animated. I resisted the urge to give him a sharp kick under the table. Caroline was more talkative. Diana seemed to enjoy my lively, spunky daughter. My children behaved themselves beautifully amidst the unaccustomed formality and luxury. My years of daily training paid off. They answered questions politely, sat up straight in their chairs, and even chewed with their mouths closed. I thought of my mother-in-law’s claim, “You can take those children anywhere.” Their lunch with the Princess of Wales certainly proved her point. I was very proud of them.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
I couldn’t see that you needed to hear that this closed-up, tricky, dangerous old man . . . loved you.
J.K. Rowling (Harry Potter and the Cursed Child: Parts One and Two (Harry Potter, #8))