Trek Love Quotes

Yeah, the whole family knows. It's no big deal. One night at dinner I said, 'Mom, you know the forbidden love that Spock has for Kirk? Well, me too.' It was easier for her to understand that way.

As an adult, getting paid thousands of dollars a week to say, “Aye, Sir. Course laid in” is a seriously sweet gig, but when I was a teenager, it sucked.

I love you," Kathryn said simply. "I like hearing you say that." Chakotay smiled. "Good," Kathryn replied, resettling herself beside him, "because if we do this, we do it together.

She thought of sex as the Star Trek transport.You vaporized and found yourself navigating another planet within the second or two it took to realign.

I can’t think straight around her. I think love is turning me into a Disney character. Damn it. I always thought I’d be someone interesting out of a Star Trek episode, but I kind of want to break into a song a little. Just a little.

Sometimes, parody or pastiche shows a deeper love for the original source material than a hundred official sequels ever could. In forty years, has there really ever been a better Star Trek movie than Galaxy Quest--or a better Fantastic Four movie than The Incredibles?

Drinkin’ two-fisted are ya?” “It’s all right, love—I’m a writer.

It is your decision what kind of person you will be, how you will respond to the challenges you face. Keep your promises, forgo your grudges, apologize when necessary, speak your love, and speak it again.

I for one refuse to believe that an enterprise so well conceived, so scrupulously produced, and so widely loved can stay boneyarded for long. And I have 1,898 letters from people who don't believe it either.

The most important part of seeing Darla every night wasn’t the fooling around. It was the few minutes we talked while holding each other, the feeling of security I got with her, the feeling of being understood and loved. Before the eruption, I wouldn’t have believed that I could cuddle up every night with the girl who starred in my dreams and not be totally preoccupied with sex. But the trek across Iowa had changed something. I wanted, needed to see her so badly that it woke me up at night. But making out was incidental to my need – nice when it happened, but secondary to the simple pleasure of sleeping beside her.

For me, nothing can change the fact that your happiness is indistinguishable from mine.

Many children, early on, acquire a love of places they have never been. Often, such wonder is summarily crushed on the crawl through the sludge of murky, confused adolescence on to the flat, cracked pan of adulthood with its airless vistas ever lurking beyond the horizon. Oh, well, sometimes such gifts of curiosity, delight and adventure do indeed survive the stationary trek, said victims ending up as artists, scholars, inventors and other criminals bent on confounding the commonplace and the platitudes of peaceful living. But never mind them for now, since, for all their flailing subversions, nothing really ever changes unless in service to convenience.

I’d heard about cats watching TV from a friend whose cat loved Star Trek: The Next Generation. Whenever it heard that familiar music − Dah-Dah Dah Dah Dah-Dah Dah Dah − he’d come running into the room and jump on the sofa. I saw it happen a few times and it was hilarious. No joke. Pretty

This was a conversation I had with a so-called-fellow-trekkie the other day: ''So Picard or Kirk?'' I asked. ''What?'' ''Star Trek...'' ''Oh, Kirk.'' ''Why?'' ''I like the name better.'' I could have slammed his head against the table.

It killed me that people had to cancel their dreams for endless toil, unless of course we somehow managed to pull ourselves out of these late-stage capitalist dark ages and into a Star Trek (TNG) future blessed with a universal basic income and sweet jumpsuits.

[...] Can any one man be worth an entire universe?" The Vulcan's response was direct and without hesitation. "Yes. [...]

Staring into his dark eyes, she felt the doubts she had nurtured slipping away on a single breath. She reached out to him again, pulling him toward her. Their bodies met, two galaxies subject to the inexorable pull of the universe, both determined to remain connected, if only by a bridge of stars.

Another toast to Alex. May he live long and prosper, and have lots of prospering, long-living babies!” Elizabeth raised her glass; all the toasts she’d led so far had been Star Trek related, and this was the second live-long-and-prosper toast, which was how I knew it was time to cut her off.

...my mind drifted to my family. I thought about how I had the opportunity to serve them. I didn’t have to carry them across a freezing river in the middle of a snowstorm or give them my food when they didn’t have enough. There would be other streams they would need help to cross, and I’d be there for them, always and in whatever way they needed me.

Each of us realized, with a clarity that is hard to describe, that the only crucial thing in life is the chance to love and be loved.

In love, all questions are answered.

She thought of sex as the Star Trek transport. You vaporized and found yourself navigating another planet within the second or two it took to realign.

Give out your last coin, trek a thousand miles home, feel the throbbing pain coming from the blisters and understand the meaning of love.

War -- is a last ditch moral nightmare. People begin worshiping a mysterious slouching beast, following after, bowing down, offering gifts, making much of zero; and worse. Love of death, idolatry, fear of life; that roughshod trek of war and warmakers throughout the world, hand in hand with death. Long live death! They wouldn't worship it if they weren't in love. Or if they weren't in fear. The second being a state of devouring, at least, as the first. I think the clue is the second masquerading as the first -- just as the beast is the ape of god; to do some thing successfully, you have to, above all, hide what your up to. In this way fear can ape love. Death can demand a tribute owed to life, the ape can play God. Such reflections are of course ill at ease by some: those to whom the state is a given, the church is a given, Western culture a given, war a given, consumerism a given, paying taxes a given. All the neat slots of existence into which one fits, birth to death and every point in between. Nothing to be created, no one to be responsible to, nothing to risk, no objections to lodge. Life is a mechanical horizontal sidewalk, of the kind you sometimes ride at airports between buildings. One is carried along, a zonked spectator... Every nation-state tends towards the imperial -- that is the point. Through banks, armies, secret police propaganda courts and jails, treaties, taxes, laws and orders, myths of civil obedience, assumptions of civic virtue at the top. Still it should be said of the political left, we expect something better. And correctly. We put more trust in those who show a measure of compassion, who denounce the hideous social arrangements that make war inevitable and human desire omnipresent; which fosters corporate selfishness, panders to appetites and disorder, waste the earth.

Amundsen slept with his window wide open at night even in the winter, claiming to his mother that he loved fresh air, but really “it was a part of my hardening process.” He organized small expeditions for himself and a few friends, such as overnight treks on skis under a star-studded sky, enlivened by the otherworldly swirling of the aurora borealis, into the winter wilds to improve his toughness.

Life is like a trek to the mountain top. Everyone will eventually climb to the top. Later, or sooner, doesn't matter. What matters is - the person who holds your hand and prevents you from falling, the one who is always there to ease the climb for you...

During my first few months of Facebooking, I discovered that my page had fostered a collective nostalgia for specific cultural icons. These started, unsurprisingly, within the realm of science fiction and fantasy. They commonly included a pointy-eared Vulcan from a certain groundbreaking 1960s television show. Just as often, though, I found myself sharing images of a diminutive, ancient, green and disarmingly wise Jedi Master who speaks in flip-side down English. Or, if feeling more sinister, I’d post pictures of his black-cloaked, dark-sided, heavy-breathing nemesis. As an aside, I initially received from Star Trek fans considerable “push-back,” or at least many raised Spock brows, when I began sharing images of Yoda and Darth Vader. To the purists, this bordered on sacrilege.. But as I like to remind fans, I was the only actor to work within both franchises, having also voiced the part of Lok Durd from the animated show Star Wars: The Clone Wars. It was the virality of these early posts, shared by thousands of fans without any prodding from me, that got me thinking. Why do we love Spock, Yoda and Darth Vader so much? And what is it about characters like these that causes fans to click “like” and “share” so readily? One thing was clear: Cultural icons help people define who they are today because they shaped who they were as children. We all “like” Yoda because we all loved The Empire Strikes Back, probably watched it many times, and can recite our favorite lines. Indeed, we all can quote Yoda, and we all have tried out our best impression of him. When someone posts a meme of Yoda, many immediately share it, not just because they think it is funny (though it usually is — it’s hard to go wrong with the Master), but because it says something about the sharer. It’s shorthand for saying, “This little guy made a huge impact on me, not sure what it is, but for certain a huge impact. Did it make one on you, too? I’m clicking ‘share’ to affirm something you may not know about me. I ‘like’ Yoda.” And isn’t that what sharing on Facebook is all about? It’s not simply that the sharer wants you to snortle or “LOL” as it were. That’s part of it, but not the core. At its core is a statement about one’s belief system, one that includes the wisdom of Yoda. Other eminently shareable icons included beloved Tolkien characters, particularly Gandalf (as played by the inimitable Sir Ian McKellan). Gandalf, like Yoda, is somehow always above reproach and unfailingly epic. Like Yoda, Gandalf has his darker counterpart. Gollum is a fan favorite because he is a fallen figure who could reform with the right guidance. It doesn’t hurt that his every meme is invariably read in his distinctive, blood-curdling rasp. Then there’s also Batman, who seems to have survived both Adam West and Christian Bale, but whose questionable relationship to the Boy Wonder left plenty of room for hilarious homoerotic undertones. But seriously, there is something about the brooding, misunderstood and “chaotic-good” nature of this superhero that touches all of our hearts.

They kissed. They wanted to do more but couldn’t. Samuel wanted it to be special. He was aware that it should be perfect. Lindsey just wanted to get it over with. Have it behind her so she could achieve adulthood—transcend the place and the time. She thought of sex as the Star Trek transport. You vaporized and found yourself navigating another planet within the second or two it took to realign.

THE WELL Be thankful now for having arrived, for the sense of having drunk from a well, for remembering the long drought that preceded your arrival and the years walking in a desert landscape of surfaces looking for a spring hidden from you so long that even wanting to find it now had gone from your mind until you only remembered the hard pilgrimage that brought you here, the thirst that caught in your throat; the taste of a world just-missed and the dry throat that came from a love you remembered but had never fully wanted for yourself, until finally after years making the long trek to get here it was as if your whole achievement had become nothing but thirst itself. But the miracle had come simply from allowing yourself to know that you had found it, that this time someone walking out into the clear air from far inside you had decided not to walk past it any more; the miracle had come at the roadside in the kneeling to drink and the prayer you said, and the tears you shed and the memory you held and the realization that in this silence you no longer had to keep your eyes and ears averted from the place that could save you, that you had been given the strength to let go of the thirsty dust laden pilgrim-self that brought you here, walking with her bent back, her bowed head and her careful explanations. No, the miracle had already happened when you stood up, shook off the dust and walked along the road from the well, out of the desert toward the mountain, as if already home again, as if you deserved what you loved all along, as if just remembering the taste of that clear cool spring could lift up your face and set you free.

The bridge of stars?" Janeway asked. "Uh-huh," Glenn said, nodding. "I can't remember the whole story. Two galaxies were one but over time, the natural expansion of the universe separated them. Still, they couldn't bear to be torn apart, so each of them sacrificed a few of their stars to leave a bridge between them so that no matter how far apart they drifted, they could never truly be separated." "That's beautiful," Chakotay said, glancing toward Janeway with a gentle smile.

It's a long trek, and James is admittedly lost in his own little world, so he's not really paying attention when heading to his porch. That's why a yelp tumbles out of his mouth as he reaches for the door and, instead, feels a cold clump of snow collide directly into the back of his head. Immediately, from behind him, there's a roar of laughter James would know in his sleep, all belonging to his children. He swivels on the spot, swiping the snow out of his hair, and Regulus stands there with a smug little smile as he wipes his snow-dusted gloves together, surrounded by their kids that, apparently, find this to be absolutely hilarious. "You walked by like we weren't even here," Regulus calls out, eyebrows raised. "Don't ignore us." James just stares at him for a long moment, his breath caught in his chest, knowing the same thing he's known since the day Regulus turned fifteen—that he's absolutely, unequivocally beautiful. Helplessly, James breaks out into a grin, and he makes his way back to them, because apparently it's the perfect day to build a snowman. Well, James can't argue that one.

It’s not her ability to give birth—whether one son or seven—that has earned their respect. It’s Ruth’s love for Naomi. This translation gets to the heart of it: “she loves you more than seven sons of your own would love you” (CEV). These women know hesed when they see it. They recognize loyalty and compassion and loving-kindness. They’re applauding Ruth for her deep commitment to Naomi, her lengthy trek from Moab, her weeks of gleaning, her willingness to marry an older man, her eagerness to bear an heir for Naomi’s family, her hours of labor to bring this redeemer into the world, and, above all, her faith in the God of Israel. Those are seven solid reasons; we could probably come up with seventy more.

I think we're all just doing our best to survive the inevitable pain and suffering that walks alongside us through life. Long ago, it was wild animals and deadly poxes and harsh terrain. I learned about it playing The Oregon Trail on an old IBM in my computer class in the fourth grade. The nature of the trail has changed, but we keep trekking along. We trek through the death of a sibling, a child, a parent, a partner, a spouse; the failed marriage, the crippling debt, the necessary abortion, the paralyzing infertility, the permanent disability, the job you can't seem to land; the assault, the robbery, the break-in, the accident, the flood, the fire; the sickness, the anxiety, the depression, the loneliness, the betrayal, the disappointment, and the heartbreak. There are these moments in life where you change instantly. In one moment, you're the way you were, and in the next, you're someone else. Like becoming a parent: you're adding, of course, instead of subtracting, as it is when someone dies, and the tone of the occasion is obviously different, but the principal is the same. Birth is an inciting incident, a point of no return, that changes one's circumstances forever. The second that beautiful baby onto whom you have projected all your hopes and dreams comes out of your body, you will never again do anything for yourself. It changes you suddenly and entirely. Birth and death are the same in that way.

You are angry at the God you were taught to believe in as a child,” Arturo answered. “The God who is supposed to watch over you and protect you, who answers your prayers and forgives your sins. This God is just a story. Religions try to capture God, but God is beyond religion. The true God lies beyond our comprehension. We can’t understand His will; He can’t be explained in a book. He didn’t abandon us and He will not save us. He has nothing to do with our being here. God does not change, He simply is. I don’t pray to God for forgiveness or favors, I only pray to be closer to Him, and when I pray, I fill my heart with love. When I pray this way, I know that God is love. When I feel that love, I remember that we don’t need angels or a heaven, because we are a part of God already.” I

We do not want to go to the right or left,” he said, “but straight back to our own country!” A few days later, on June 1, a treaty was drawn up. The Navajos agreed to live on a new reservation whose borders were considerably smaller than their traditional lands, with all four of the sacred mountains outside the reservation line. Still, it was a vast domain, nearly twenty-five thousand square miles, an area nearly the size of the state of Ohio. After Barboncito, Manuelito, and the other headmen left their X marks on the treaty, Sherman told the Navajos they were free to go home. June 18 was set as the departure date. The Navajos would have an army escort to feed and protect them. But some of them were so restless to get started that the night before they were to leave, they hiked ten miles in the direction of home, and then circled back to camp—they were so giddy with excitement they couldn’t help themselves. The next morning the trek began. In yet another mass exodus, this one voluntary and joyful, the entire Navajo Nation began marching the nearly four hundred miles toward home. The straggle of exiles spread out over ten miles. Somewhere in the midst of it walked Barboncito, wearing his new moccasins. When they reached the Rio Grande and saw Blue Bead Mountain for the first time, the Navajos fell to their knees and wept. As Manuelito put it, “We wondered if it was our mountain, and we felt like talking to the ground, we loved it so.” They continued marching in the direction the coyote had run, toward the country they had told their young children so much about. And as they marched, they chanted—

Admiral Leonard H. "Bones" McCoy: How old do you think I am, anyway? Lt. Commander Data: 137 years, Admiral, according to Starfleet records. Admiral Leonard H. "Bones" McCoy: Explain how you remember that so exactly! Lt. Commander Data: I remember every fact I am exposed to, sir. Admiral Leonard H. "Bones" McCoy: [looking at both sides of Data's head] I don't see no points on your ears, boy, but you sound like a Vulcan. Lt. Commander Data: No, sir. I am an android. Admiral Leonard H. "Bones" McCoy: Hmph. Almost as bad.' 'Data: [uses a device in his arm to open a door] Open sesame! You could say I have a magnetic personality. [laughs at his joke] Data: Humor! I love it!' 'Lt. Commander Data: Spot, you are disrupting my ability to work. [he puts Spot to the floor, but she jumps back on Data's desk] Spot: Meow. Lt. Commander Data: Vamoose, ye little varmint!

I am female. I was born that way. I have had those feelings...those longings...all of my life. It is not unnatural. I am not sick because I feel this way. I do not need to be helped. I do not need to be cured. What I need, and what all of those who are like me need, is your understanding and your compassion. We have not injured you in any way, and yet we are scorned and attacked. And all because we are different. What we do is no different from what you do. We talk, and laugh. We complain about work, and we wonder about growing old. We talk about our families and we worry about the future. And we cry with each other when things seem hopeless. All of the loving things that you do with each other-- that is what we do. And for that we are called misfits, and deviants, and criminals. What right do you have to punish us? What right do you have to change us? What makes you think you can dictate how people love each other?

They work with feverish haste, even though the country road they’re on is silent except for birdsong. They take their cue from Parks, who is grim-faced and urgent, speaking in monosyllables, chivvying them along. “Okay,” he says at last. “We’re good to go. Everybody ready to move out?” One by one they nod. It’s starting to sink in that a journey you could do in half a day on good roads has just become a four- or five-day trek through terra completely incognita, and Justineau presumes that that’s as hard for the rest of them to come to terms with as it is for her. She was brought to the base by helicopter, directly from Beacon–and she lived in Beacon for long enough that it became her status quo. Thoughts from before that time, from the Breakdown, when the world filled with monsters who looked like people you knew and loved, and every living soul went scrambling and skittering for cover like mice when the cat wakes up, have been so deeply suppressed, for so long, that they’re not memories at all–they’re memories of memories. And

It sure if terrific to be in the back seat of a car full of all the people in your affinity group, and as you zip down the center of the road the radio is going boodeley-boodeley-boo in some bluegrass heart song to open space, and, whoopee, you’re hugging all the committed girls who love you just as the boys love you but even more so, maybe, because Bug never forgot that a Swiss army knife, for instance, does everything well and nothing excellently; and to do something excellently a good navy surplus kelp-slitting blade is far superior to a thousand sawtoothed frogman’s specials; and a gun is worth a thousand knives; and a good friend is worth a thousand guns; and ten minutes’ bored talk about the weather with any girl is worth a thousand friends at your back on the Great Trek of 1836, at least at that time in his life, perhaps because until he joined the affinity group none of his friends had ever been girls; but now everyone was his friend, especially the girls (but he only thought that; he didn’t say it, didn’t want anyone to claim that he was a sexist).

Antonia Valleau cast the first shovelful of dirt onto her husband’s fur-shrouded body, lying in the grave she’d dug in their garden plot, the only place where the soil wasn’t still rock hard. I won’t be breakin’ down. For the sake of my children, I must be strong. Pain squeezed her chest like a steel trap. She had to force herself to take a deep breath, inhaling the scent of loam and pine. I must be doing this. She drove the shovel into the soil heaped next to the grave, hefted the laden blade, and dumped the earth over Jean-Claude, trying to block out the thumping sound the soil made as it covered him. Even as Antonia scooped and tossed, her muscles aching from the effort, her heart stayed numb, and her mind kept playing out the last sight of her husband. The memory haunting her, she paused to catch her breath and wipe the sweat off her brow, her face hot from exertion in spite of the cool spring air. Antonia touched the tips of her dirty fingers to her lips. She could still feel the pressure of Jean-Claude’s mouth on hers as he’d kissed her before striding out the door for a day of hunting. She’d held up baby Jacques, and Jean-Claude had tapped his son’s nose. Jacques had let out a belly laugh that made his father respond in kind. Her heart had filled with so much love and pride in her family that she’d chuckled, too. Stepping outside, she’d watched Jean-Claude ruffle the dark hair of their six-year-old, Henri. Then he strode off, whistling, with his rifle carried over his shoulder. She’d thought it would be a good day—a normal day. She assumed her husband would return to their mountain home in the afternoon before dusk as he always did, unless he had a longer hunt planned. As Antonia filled the grave, she denied she was burying her husband. Jean-Claude be gone a checkin’ the trap line, she told herself, flipping the dirt onto his shroud. She moved through the nightmare with leaden limbs, a knotted stomach, burning dry eyes, and a throat that felt as though a log had lodged there. While Antonia shoveled, she kept glancing at her little house, where, inside, Henri watched over the sleeping baby. From the garden, she couldn’t see the doorway. She worried about her son—what the glimpse of his father’s bloody body had done to the boy. Mon Dieu, she couldn’t stop to comfort him. Not yet. Henri had promised to stay inside with the baby, but she didn’t know how long she had before Jacques woke up. Once she finished burying Jean-Claude, Antonia would have to put her sons on a mule and trek to where she’d found her husband’s body clutched in the great arms of the dead grizzly. She wasn’t about to let his last kill lie there for the animals and the elements to claim. Her family needed that meat and the fur. She heard a sleepy wail that meant Jacques had awakened. Just a few more shovelfuls. Antonia forced herself to hurry, despite how her arms, shoulders, and back screamed in pain. When she finished the last shovelful of earth, exhausted, Antonia sank to her knees, facing the cabin, her back to the grave, placing herself between her sons and where their father lay. She should go to them, but she was too depleted to move.

We went inside and watched Star Trek: Voyager. It was another one where a holodeck program gets out of hand and threatens to overrun the whole ship. Will they never learn?

Choose what will motivate you in life as a whole. Will it be Love or Fear that sets you apart in this lifetime? Karma has no hold on our souls greater than a love known as grace. Or a fear of sheer torment during this sojourn of our Earthly trek. If you choose poorly then you shall be preyed upon and easily manipulated by your peers via numerous tactics of hate at large. If again you choose wisely than keep on your guard using reason with an unconditional love. Because a conditional love is flawed as a mixture of demands placed on it by the frail ego always. It has no place being called love in the absolute eyes of God(dess).

After our long trek on the Bon Jovi trail, making this book has taught me why this band is what it is. Why they have endured, why they are loved. It’s simple, really; they are a family.

There is an invisible, seemingly impenetrable veil between life and what comes after life, that is just beyond the grasp of our human consciousness and the realm of our physical senses. Our connection with the veil is a matter of faith, that (with apologies to Star Trek) truly is the last frontier. Faith is the most intriguing and ephemeral aspect of our existence because faith consists of beliefs that we hold, not facts that we can prove.

I’m talking about allowing others to see you as you truly are, embracing them in all of their imperfections without fear, and remaining true to them come what may. I’m talking about connections that run so deep, it no longer matters where you end and they begin. Some find it in marital love, others in friendship. Both are worth risking.

A Piece of Heaven Just For You by Maisie Aletha Smikle Just for you I will climb To the mountain peak Just for you I will dive in the ocean deep For you My love The valley is never too wide I will tread plateaus and plains And ride camels on their reins Just for you My beloved Just for you I will swim and thread rivers and seas Paddle through the frosty snow and icy breeze Just for you My darling I will do triathlons around the circumference of the globe Trek rocky grounds And slippery slopes Just for you My darling I will zipline from the north pole to the south pole I will swing from the treetops And parachute from the backdrop Just for you My darling Just for you I will sing And cook a pot of stew Just for you my love I will climb the stairs of heaven To reach the clouds And bring back a piece of heaven Just for you my beloved

Life was short. Death was coming. And true love was a gift given to very few.

As I continue my trek, I feel more and more like Dorothy getting her first taste of Oz, or a confused Alice right after she was plunked into Wonderland. I see various costumed people marching by, wearing all sorts of things. A woman dressed as a pancake, pacing back and forth and studying her lines.

Saika wanted to trek the mountain with a righteous companion, but she had prayed for a gem, one that would meet her at the summit. For there were more mountains to climb ahead, and dreams to conquer together, but before that, both needed to become the person the other prayed for, so their story of union could become a tale of love written in gold.

To trek a heart is equivalent of trekking a thousand mountains.

Scotty” is not his real name, by the way; I only call him that because of his obsession with Star Trek, the same way he calls me “Ursula” because of my love for bears. Scotty’s brother, Trevor, is also waiting on the sofa. My stomach does its usual flip-flop when I see him. I knew he would be here, of course—he and I have an appointment to talk privately after the movie—but I can’t help the effect he has on me. Trevor Lehto is twenty-eight, ten years younger than Scotty and two years older than me. Today he’s wearing a lumberjack shirt with the sleeves turned up to his elbows, Converse sneakers, and jeans, which work well with his brown hair and eyes and a scruffy beard that manages to look both natural and groomed. I also have brown hair and eyes and am wearing jeans and plaid because this is practically the uniform for men and women in the U.P., but Trevor pulls off the look in a way that people tend to notice. I’m reasonably certain I’m not the only person at the hospital who has a crush on him.

The experts extrapolated the likely growth during this period, and the expected consequences. They then confidently proclaimed that if population growth wasn’t halted, by 1980, New York City would require so many horses to stay viable that every inch of it would be knee-deep in manure. Knee-deep! In horse manure! As someone interested in technology and future trends, I love this story, even if it turns out to be apocryphal, because it does a brilliant job of highlighting the dangers of extrapolating the future, since we aren’t capable of foreseeing game-changing technologies that often appear. Even now. Even at our level of sophistication and expectation of change. But while we can’t know what miracles the future will hold, we’ve now seen too much evidence of exponential progress not to know that Jim Kirk would no longer be relatable to us. Because it seems impossible to me that we will remain as we are. Remain even the least bit recognizable. This assumes, of course, that we avoid self-destruction, a fate that seems more likely every day as WMDs proliferate and fanaticism grows. But post-apocalyptic science fiction has never been my thing, and if we do reach a Star Trek level of technology, we will have avoided self-destruction, by definition. And I prefer to be optimistic, in any case, despite the growing case for pessimism. So if we do ever advance to the point at which we can travel through hyperspace, beam ourselves down to planets, or wage war in great starships, we can be sure we won’t be human anymore

Because what would you rather read about: a swashbuckling starship captain? Or a being as incomprehensible to us as we are to an amoeba? To be fair, science fiction novels have been written about a future in which this transformation has occurred. And I could write one of these, as well. The problem is that for the most part, people like reading about other people. People who are like them. People who act and think like, you know . . . people. Even if we imagine a future society of omniscient beings, we wouldn’t have much of a story without conflict. Without passions and frailties and fear of death. And what kind of a story could an amoeba write about a man, anyway? I believe that after a few hundred years of riding up this hockey-stick of explosive technological growth, humanity can forge a utopian society whose citizens are nearly-omniscient and nearly-immortal. Governed by pure reason rather than petty human emotions. A society in which unrecognizable beings live in harmony, not driven by current human limitations and motivations. Wow. A novel about beings we can’t possibly relate to, residing on an intellectual plane of existence incomprehensible to us, without conflict or malice. I think I may have just described the most boring novel ever written. Despite what I believe to be true about the future, however, I have to admit something: I still can’t help myself. I love space opera. When the next Star Trek movie comes out, I’ll be the first one in line. Even though I’ll still believe that if our technology advances enough for starships, it will have advanced enough for us to have utterly transformed ourselves, as well. With apologies to Captain Kirk and his crew, Star Trek technology would never coexist with a humanity we can hope to understand, much as dinosaurs and people really didn’t roam the earth at the same time. But all of this being said, as a reader and viewer, I find it easy to suspend disbelief. Because I really, really love this stuff. As a writer, though, it is more difficult for me to turn a blind eye to what I believe will be the truth. But, hey, I’m only human. A current human. With all kinds of flaws. So maybe I can rationalize ignoring my beliefs long enough to write a rip-roaring science fiction adventure. I mean, it is fiction, right? And maybe dinosaurs and mankind did coexist. The Flintstones wouldn’t lie, would they?  So while the mind-blowing pace of scientific progress has ruined far-future science fiction for me, at least when it comes to the writing of it, I may not be able to help myself. I may love old-school science fiction too much to limit myself to near-future thrillers. One day, I may break down, fall off the wagon, and do what I vowed during my last Futurists Anonymous meeting never to do again: write far-future science fiction.  And if that day ever comes, all I ask is that you not judge me too harshly.

We have here an unusual opportunity to appraise the human mind, or to examine, in Earth terms, the roles of good and evil in a man. His negative side, which you call hostility, lust, violence. And his positive side, which Earth people express as compassion, love, tenderness. —Star Trek, “The Enemy Within” (Spock) Suppose some mathematical creature from the moon were to reckon up the human body; he would at once see that the essential thing about it was that it was duplicate. A man is two men, he on the right exactly resembling him on the left. Having noted that there was an arm on the right and one on the left, a leg on the right and one on the left, he might go further and still find on each side the same number of fingers, the same number of toes, twin eyes, twin ears, twin nostrils, and even twin lobes of the brain. At last he would take it as a law; and then, where he found a heart on one side, would deduce that there was another heart on the other. And just then, where he most felt he was right, he would be wrong. —Gilbert Keith Chesterton

It’s hard to explain how important Star Trek is to me. I think I went to my first Star Trek convention when I was fifteen. So to hear that Leonard Nimoy—Mr. Spock—was on the phone, I was not processing what he was saying. I could only focus on his amazing voice. I thought this was a phone call to see if he’d agree to do the part, but in his mind, he had already agreed to do it! He had one specific note on the script, which is that Mr. Spock doesn’t use contractions when he speaks. He says “cannot;” he doesn’t say “can’t.” And I remember just being chagrined that I hadn’t intervened and had allowed this to go on. I loved Spock so much, I used to sneak lines of Mr. Spock dialogue from the movies and TV shows into Big Bang Theory and give them to Sheldon. There’s an episode early on where Sheldon and Leonard are having a fight, and Penny asks, “Well, how do you feel?” And Sheldon replies, “I don’t understand the question.” That’s from the beginning of Star Trek IV where Spock has reunited with his mind and his body, and is being quizzed by a computer about his status. So Leonard Nimoy was just one of many fanboy moments. I once said to LeVar Burton, “If I could go back in time and tell my teenage self there would be a day where I would eventually talk to three crew members of the USS Enterprise, I’d fall over and die.

True fans of Star Trek know that to love Star Trek is to love something that is deeply flawed.

You might think the alien worlds in the original Star Trek look fake. You might think the blinky lights on those old sets are silly. You might not love those oh-so-tight 1960s velour uniforms. But nobody thinks Spock’s pointed ears look bad. The ears are legit. It’s one of those classic Hollywood tricks that should be hugely impressive but somehow isn’t praised enough. Whether the stoic Vulcan is played by Leonard Nimoy, Zachary Quinto, or Ethan Peck, the applause for the most famous fake alien ears is mostly absent. And that’s because the ears work. Praising Spock’s ears would be like praising James Bond’s tailor; you expect Spock to look that way. The believability of Spock’s ears allowed the characters—and by extension the earliest Star Trek—to prevent the entire series from becoming, as Leonard Nimoy had worried in 1964, “a bad sci-fi joke.

There can’t be true freedom for anybody . . . unless they have freedom from fear. Unless they know their right to live, to choose, to love, and to hold on to their possessions won’t be taken from them by force, whether by a government or by other people. In any free system, there have to be some basic standards of behavior that everyone agrees to abide by, some basic protection for their lives and their rights—and they have to agree to empower somebody with the authority to enforce those standards if anyone violates that social contract. It’s not enough just to trust the marketplace to balance everything out. You can see that isn’t working.

It takes courage to come here, to look at things the way they once were. And while they can never be that way again, we can extract an essence that will nurture and amplify our own lives. We can strive to be better friends and live with ourselves and others with respect and the recognition that each soul desires to be reconnected with the source. To enslave or prey upon each other is not how we began. We were connected to each other. We did not experience hunger, deprivation, or loneliness. We were connected, and we cared and nurtured and loved. No, friends, it’s not how we began. But if we end in isolation and hate, not even a monument in Tarlak will ease the agony of our lost soul.

Sushila softly kisses my left eye. She says, “Why don’t I make us some tea,” and I say, “Thank you, that would be wonderful,” and she answers, “You’re not the last rhino.” Then off she goes, to the kettle, on one of those tiny domestic expeditions that, when combined and viewed as a single journey, constitute the great trek of love.

no one fought harder for our survival, no one inspired more hope, and no one showed more compassion for the ones who suffered most. Even though he was a new friend for most of us, I believe Numa was the best loved man on the mountain.

WHEN I IMAGINE where I want to live, the first thing that comes to mind is where I want to have that coffee in the morning. I picture the breakfast nook or the chair and the book and the coffee and the view. My second dream is where I will have a beer. I see afternoon light getting low and angled, sending yellow rays through the tree branches. Maybe on a back patio, or on a grassy bluff over the Pacific Ocean. The imagined locations of our happy places say something about us. About how we recharge or what we crave. I want a cottage on a boulder mountain. A bed and a quilt and an old stove with a teakettle on it. A telescope and a chart of constellations. Books everywhere. Removed from the world but also in it, caring about it and for it. Being old and thoughtful with a pipe to smoke on the porch and a few squirrels who trust me. A raven would be even better. And friends stopping in. Nieces and nephews making the trek to the mountain for a night of stories and some whiskey in their Dr Pepper. I’ll pour it and say, “This never happened.” Of course, I’m too social for that fantasy. I like being in the thick and churn of society. So I’d probably get up to that cabin on a mountain and leave after a month or two. But who knows what age will do to me. Who knows if I’ll slow down, less hungry and more content. Who knows if I’ll find a raven who’ll have me.

Relationships take time. And when you make the effort to give someone your time—even if it’s as simple as painting their toenails—you offer them not only a relationship. You offer them hope. Don’t ever underestimate the difference that can make. That hope could be the difference a patient needs someday when deciding whether to make the long trek to get their HIV medications or giving up and swallowing a tank pill.

heroics: no one fought harder for our survival, no one inspired more hope, and no one showed more compassion for the ones who suffered most. Even though he was a new friend for most of us, I believe Numa was the best loved man on the mountain.

saw that there was something in the world that was not death, something just as awesome and enduring and profound. There was love, the love in my heart, and for one incredible moment, as I felt this love swell—love for my father, for my future, for the simple wonder of being alive—death lost its power. In that moment, I stopped running from death. Instead, I made every step a step toward love, and that saved me. I have never stopped moving toward love.

I still pray the prayers I learned as a child—Hail Marys, Our Fathers—but I don’t imagine a wise, heavenly father listening patiently on the other end of the line. Instead, I imagine love, an ocean of love, the very source of love, and I imagine myself merging with it. I open myself to it, I try to direct that tide of love toward the people who are close to me, hoping to protect them and bind them to me forever and connect us all to whatever there is in the world that is eternal.

I had no expertise to draw on, so I relied upon the trust I felt in my love for my father and my future, and that trust led me home. Since then, it has led me to a deeper understanding of who I am and what it means to be human. Now I am convinced that if there is something divine in the universe, the only way I will find it is through the love I feel for my family and my friends, and through the simple wonder of being alive.

I had to admit, the rest of the day was a bit uncomfortable for me, mostly because Yina would not stop trying to stab me with her spear. She also kept calling down curses on me, my family, any children I might have now or in the future, and anyone or anything I ever loved.

I will go anywhere for you. I will follow you around the world. Learn to love punk rock. Take you to every Star Trek convention we can find. But most important, I will never stop loving you. You stole my heart the first time I opened my eyes to see the stars in yours. And I will spend the rest of my life proving to you that you’re my equal in every way, and every decision we make will be a team effort. I love you so fucking much, Starlight.

While Christopher Pike loved old Westerns, he'd also sampled stories set in other times. He'd noticed something: even as technological progress improved the lives of fictional characters, it had made the jobs of the storytellers who created them more difficult.

Embrace Efficiency, Elevate Flavor: Smart Kitchen Tools for Culinary Adventurers The kitchen, once a realm of necessity, has morphed into a playground of possibility. Gone are the days of clunky appliances and tedious prep work. Enter the age of the smart kitchen tool, a revolution that whispers efficiency and shouts culinary liberation. For the modern gastronome, these tech-infused gadgets are not mere conveniences, but allies in crafting delectable adventures, freeing us to savor the journey as much as the destination. Imagine mornings when your smart coffee maker greets you with the perfect brew, prepped by the whispers of your phone while you dream. Your fridge, stocked like a digital oracle, suggests recipes based on its ever-evolving inventory, and even automatically orders groceries you've run low on. The multi-cooker, your multitasking superhero, whips up a gourmet chili while you conquer emails, and by dinnertime, your smart oven roasts a succulent chicken to golden perfection, its progress monitored remotely as you sip a glass of wine. But efficiency is merely the prologue. Smart kitchen tools unlock a pandora's box of culinary precision. Smart scales, meticulous to the milligram, banish recipe guesswork and ensure perfect balance in every dish. Food processors and blenders, armed with pre-programmed settings and self-cleaning prowess, transform tedious chopping into a mere blip on the culinary radar. And for the aspiring chef, a sous vide machine becomes a magic wand, coaxing impossible tenderness from the toughest cuts of meat. Yet, technology alone is not the recipe for culinary bliss. For those who yearn to paint with flavors, smart kitchen tools are the brushes on their canvas. A connected recipe platform becomes your digital sous chef, guiding you through each step with expert instructions and voice-activated ease. Spice racks, infused with artificial intelligence, suggest unexpected pairings, urging you to venture beyond the familiar. And for the ultimate expression of your inner master chef, a custom knife, forged from heirloom steel and lovingly honed, becomes an extension of your hand, slicing through ingredients with laser focus and lyrical grace. But amidst the symphony of gadgets and apps, let us not forget the heart of the kitchen: the human touch. Smart tools are not meant to replace our intuition but to augment it. They free us from the drudgery, allowing us to focus on the artistry, the love, the joy of creation. Imagine kneading dough, the rhythm of your hands mirroring the gentle whirring of a smart bread machine, then shaping a loaf that holds the warmth of both technology and your own spirit. Or picture yourself plating a dish, using smart portion scales for precision but garnishing with edible flowers chosen simply because they spark joy. This, my friends, is the symphony of the smart kitchen: a harmonious blend of tech and humanity, where efficiency becomes the brushstroke that illuminates the vibrant canvas of culinary passion. Of course, every adventure, even one fueled by smart tools, has its caveats. Interoperability between gadgets can be a tangled web, and data privacy concerns linger like unwanted guests. But these challenges are mere bumps on the culinary road, hurdles to be overcome by informed choices and responsible data management. After all, we wouldn't embark on a mountain trek without checking the weather, would we? So, embrace the smart kitchen, dear foodies! Let technology be your sous chef, your precision tool, your culinary muse. But never forget the magic of your own hands, the wisdom of your palate, and the joy of a meal shared with loved ones. For in the end, it's not about the gadgets, but the memories we create around them, the stories whispered over simmering pots, and the laughter echoing through a kitchen filled with the aroma of possibility.

The Soviet satellite Sputnik had led to the formation of NASA to oversee America’s space program. In prime time on ABC, Americans could tune in to catch the animated cartoon The Jetsons, about a space-age family who lived with their housekeeping robot, Rosie, and dog, Astro. A couple of years later, Desilu, I Love Lucy’s production company, premiered Star Trek on CBS. Stanley Kubrick’s 2001: A Space Odyssey had a near-omniscient computer named Hal manipulating its astronauts. By the midsixties, the concepts of artificial intelligence and self-driving cars were no longer in the realm of magic or science fiction—they were seen as the logical, inevitable outcome of the American trajectory.

WITH THE ADVENT of the computer and the dawn of the space race, the sixties brought futuristic visions of life to the mainstream consciousness. The Soviet satellite Sputnik had led to the formation of NASA to oversee America’s space program. In prime time on ABC, Americans could tune in to catch the animated cartoon The Jetsons, about a space-age family who lived with their housekeeping robot, Rosie, and dog, Astro. A couple of years later, Desilu, I Love Lucy’s production company, premiered Star Trek on CBS. Stanley Kubrick’s 2001: A Space Odyssey had a near-omniscient computer named Hal manipulating its astronauts. By the midsixties, the concepts of artificial intelligence and self-driving cars were no longer in the realm of magic or science fiction—they were seen as the logical, inevitable outcome of the American trajectory.

What if our actual lives aren't 'written' as a simple, uninspiring, and predictable story? Nor via a story imposed on us by external circumstances or other persons. But one lived, instead, by our own affirmative acts of seeking 'life' on a Quest. We're given our Minds to dream the unthinkable, our Hands to sculpt the improbable, our Feet to trek the impassible, and our Souls to do the undoable. God's sacred creation holds us together. We all belong to this place that we call earth, our home. And we also belong to each other. We were meant to breathe and talk and sing and cry and joyfully live-- not alone, but with others. In a sacred circle, actually. A circle of Life. A circle of Love.

He once reduced the President of the United States—then a ceremonial post, but one much loved by people who lived within the old borders—to tears of laughter at a state dinner, by delivering a learned dissertation on computer data storage technology in a flawless Texan accent. The lady was later heard to propose an amendment to the Constitution to allow off-worlders to hold high public office, so that she could have him for her running mate in the next election. It

I Love Lucy also invented the sitcom format, the live audience, and the rerun, and it was the first to be shot on film so that it could be filmed in Hollywood, where Ball and Arnaz lived. To make the costly compromise, they formed Desilu Productions and produced the show themselves. With Desilu, Ball became the first female head of a major television studio, and the studio went on to produce multiple hit series including Star Trek and Mission: Impossible. She remained a mainstay on television for the next thirty years.

Jamie hated being asked that question, because there wasn’t a good answer that didn’t make it sound like they were. Roper looked at her, not wanting to tackle it either. ‘We, uh,’ Jamie started, looking around the room. ‘We don’t have a list of suspects, yet. We’re just gathering information.’ Mary looked relived, nodding. ‘Okay, good. Well, if there’s anything I can do.’ Roper smiled, rocking back and forth on his heels. ‘Just let us know when Grace arrives and we’ll do the rest. You’ve been a great help already.’ He turned away and headed towards the far side of the room. Jamie followed, knowing it meant he wanted to talk. They stood side on so they had a view of both Mary and the door, and then Roper said, ‘I’ll make the call, get the uniforms out here. You think it’s worth looking around this place again?’ Jamie shook her head. ‘We’d be swinging in the dark. Let’s speak to Grace first, then go from there. If she gives us any names — the third person in the love triangle — then we can grab another file. But for now…’ She inhaled, knowing they had twenty something minutes to kill and she had two phone calls to make.  They couldn’t be put off any longer.  ‘Let’s head outside,’ Roper said. ‘It smells like piss in here.’ She thought that was rich considering that there was about a fifty-fifty chance that smell was coming from Roper himself. But she didn’t say anything. Roper had a cigarette lit before his feet hit the pavement and he circled into the street to get a look at the thirty-strong line that had now formed. The people were beginning to jostle.  They couldn’t have all been local — which meant that they were making the trek over for a plastic bowl of soup. Jamie looked away, focused her mind on the calls, and dug her phone out of her pocket.

Dimitris Xygalatas finds that those who engage in high-pain rituals become more loving to their group and more generous as a result. And the more pain they experience, the more group-oriented they get. Importantly, this growing attachment to the group holds true not only for the participants themselves but also for those who watch their performance, who watch them on the long trek up the hill. These observers report feeling vicarious pain, and this brings them closer to their community.

Gross was a habitué of the decadent bohemian café society of Munich’s Schwabing district—a kind of early-twentieth-century Haight-Ashbury—and embraced the radical social ideas prevalent in Monte Verità, the “Mountain of Truth,” an early alternative community established in Ascona, Switzerland, in 1900, where as the historian Martin Green argued, “the counterculture began.”15 Notables such as Hermann Hesse, Rudolf Steiner, Isadora Dun-can, and many more made the trek to Monte Verità to take the nature cure, practice nudity (not Steiner), meditate, grow their own vegetables, enjoy “free love,” and in general cast off the ills of an increasingly mechanized society. Gross was initially drawn to psychoanalysis because, with its emphasis on the dangers of sexual repression, it seemed a potent weapon against authoritarianism.

Keep your promises, forgo your grudges, apologize when necessary, speak your love, and speak it again.

I was 36, I was an admiral, and this lovely office would also turn out to be a prison cell. I

Last time I’d made a trek to Zane’s hotel room, we’d been at NerdCon, and I’d been fueled by pride and anger and desire. Now, all I felt was shame and guilt. And love. In

This wonderful hill station in Karnataka, often called the Scotland of India is one of the most alluring places to begin your love. Walk over the rolling hills or just sit and relax at the Alps of nature at Coorg. What should you do at Coorg? • Walk over the bamboo bridge to the island of Cauvery Nisargadhama, located at the heart of the river or enjoy an elephant safari through the 64 acres’ bamboo groves of Cauvery Nisargadhama. • Wash away all stress and be joyful at the Abbey Waterfalls; inhaling the aroma of spice plantations and pepper vines. • Play with baby elephants at the Dubare Elephant Camp, trek through the jungles, boost your adrenaline with river rafting or enjoy fishing. • Witness the beauty of Islamic architecture at the Omkareshwara Temple; the temple is dedicated to Lord Shiva.

Focusing on each and every step you take on any of life’s treks reveals the essence of the work that is yours to do.

My duty is to fill my time on earth with as much life as possible, to become a little more human every day, and to understand that we only become human when we love. I

Dimitri: I'm not a geek; I'm more like a nerd Seth: What's the difference? Dimitri: You have so much to learn. A nerd is someone who's really into learning and studying. You know, like a bookworm. A geek is someone who is really into one particular thing - Star Trek, computers, Dr. Who, poker, whatever. Then there are dorks. Seth: What's a dork? Dimitri: A dork is the worst of the three. It's someone who has trouble socially. Some people are dorks but not geeks or nerds. Most nerds are dorks to some degree but not necessarily geeks. They all seem to travel hand in hand, though.

All my life, the conflict inside me has been between logic and emotion. And now, it's my emotions that are fighting. I think about him and I want to cry. But I have to smile, and I feel angry, but I want to love, and I'm hurt, but there is hope. What is this?

You branded my virginity with the Union Jack, your English accent, your Welsh heritage. I look from your face to your genitals…..You look so ugly there! But can’t you make me come, like you do? Can’t I have that too? Words are hieroglyphics for much bigger events. I make light of my disappointment. “I don’t know. I was a virgin a minute ago and don’t know if I still am. What happened?” I caress your penis only to discover I am pulling on your Puritan horrors. I recall all your careers and wonder if you still want to be an oceanographer, journalist, radio-TV newsman, reporter, electrician, electronics specialist or a Star Trek crew member. It is as if I live on Joseph Conrad’s lifeboat and you on Fellini’s Romaluxury liner, insisting you do not need luxury, but find it comfortable. “Is that all you think about? Your precious baby-free sex?” I wonder that what you feel for me (is)… some nebulous middle-class sense of “This is okay for a while relationship but nothing serious.” Color is as necessary to the soul as food is to the body. “When will you learn we were all young then? We’ve grown up and changed. We all hurt each other, but we all loved each other.” “I tried to live how other people say life should be lived, but I tired of it too quickly. It drains the soul to live a conventional life.” “God, I love Americans! They have such damn awful energy! Canadians just sit back on their arses and bad-rap Americans because they’re so jealous.” “I walk around for years,” you say, “for years, a virgin! But now, I am not. And in lovely San Francisco with a beautiful, older American woman!” you say and kiss my mouth.

Miss Knight.” She paused, her hand on the doorknob. She didn’t turn to face him, merely waited for him to say whatever was left to say. “I would prefer someone older. Someone less like you.” Now what the hell did that mean? Someone less like her? “You know,” he said lamely when she turned to face him quizzically. To his credit he looked as confused as she felt. “Nope. Don’t have a clue.” Her voice was so icy that her words practically froze as they left her lips. “Someone with more experience. With less personality.” “What?” “You talk too much,” he said pointedly. “Your attitude is too familiar and too sarcastic.” She opened her mouth to say something, and he held up a finger to stop her. “And that was before everything that happened in Tokyo. You’re completely irreverent and have a bizarre sense of humor. I also have no wish to hear about reality television shows, pop music, manicures, Brangelina, Star Trek, or anything that’s trending on Twitter—not even secondhand through whispered telephone conversations when my assistant thinks I’m not paying attention.” Well, he’d certainly been a lot more attentive during those half hours in the mornings than she’d given him credit for. But one thing struck her as odd. “Star Trek?” she repeated. She loved the new movies but hardly ever publicly discussed them. “You’re constantly talking about how sick you are of the Cardassians,” he elaborated uncomfortably. Her eyes widened and she stifled a laugh. “Different kind of Kardashian,” she corrected. It would be hopeless to explain it to a man who clearly had no interest in pop culture—even while every model or actress he was publicly photographed with inserted him into the very scene he was so scornful of. Quite frankly, she was impressed that he even knew about the Cardassians in Star Trek, which attested to a level of geekdom that she would never have suspected of him. “So you’re looking for the anti-me?” “It shouldn’t be so hard to find the complete opposite of you. You are quite . . .” His brow lowered as he tried to find the correct word. “Singular.” “Thank you,” she said, ridiculously flattered until a closer glance at his straight face told her that it hadn’t been a compliment. Her fledgling smile died, and she once again—as she often did in his presence—fought the urge to roll her eyes. “Okay, so you’re looking for an old, boring, and competent assistant,” she itemized, and his lips thinned but he said nothing. “I’ll get on that right away, sir.