Tree Limb Quotes

The apple tree in the background, just barely visible, was stretching a single limb out to her, as if wanting to be in the photo with her.

I have outlasted all desire, My dreams and I have grown apart; My grief alone is left entire, The gleamings of an empty heart. The storms of ruthless dispensation Have struck my flowery garland numb, I live in lonely desolation And wonder when my end will come. Thus on a naked tree-limb, blasted By tardy winter's whistling chill, A single leaf which has outlasted Its season will be trembling still.

My favourite piece of information is that Branwell Brontë, brother of Emily and Charlotte, died standing up leaning against a mantle piece, in order to prove it could be done. This is not quite true, in fact. My absolute favourite piece of information is the fact that young sloths are so inept that they frequently grab their own arms and legs instead of tree limbs, and fall out of trees. However, this is not relevant to what is currently on my mind because it concerns sloths, whereas the Branwell Brontë piece of information concerns writers and feeling like death and doing things to prove they can be done, all of which are pertinent to my current situation to a degree that is, frankly, spooky.

My absolute favourite piece of information is the fact that young sloths are so inept that they frequently grab their own arms and legs instead of tree limbs, and fall out of trees.

A number of years ago, when I was a freshly-appointed instructor, I met, for the first time, a certain eminent historian of science. At the time I could only regard him with tolerant condescension. I was sorry of the man who, it seemed to me, was forced to hover about the edges of science. He was compelled to shiver endlessly in the outskirts, getting only feeble warmth from the distant sun of science- in-progress; while I, just beginning my research, was bathed in the heady liquid heat up at the very center of the glow. In a lifetime of being wrong at many a point, I was never more wrong. It was I, not he, who was wandering in the periphery. It was he, not I, who lived in the blaze. I had fallen victim to the fallacy of the 'growing edge;' the belief that only the very frontier of scientific advance counted; that everything that had been left behind by that advance was faded and dead. But is that true? Because a tree in spring buds and comes greenly into leaf, are those leaves therefore the tree? If the newborn twigs and their leaves were all that existed, they would form a vague halo of green suspended in mid-air, but surely that is not the tree. The leaves, by themselves, are no more than trivial fluttering decoration. It is the trunk and limbs that give the tree its grandeur and the leaves themselves their meaning. There is not a discovery in science, however revolutionary, however sparkling with insight, that does not arise out of what went before. 'If I have seen further than other men,' said Isaac Newton, 'it is because I have stood on the shoulders of giants.

Wherever the bird with no feet flew, she found trees with no limbs.

All living things are sensitive to their surroundings and convey distress and sorrow as well as joy. Trees are no exception as they are most rooted to mother earth and their limbs carry knowledge we can only aspire to obtain.

I'll fall.' 'You wont fall.' 'I'll fall. I'll fall and I'll die.' As I said it, I could see it happening. The foot stepping on air, pulling the rest of my body with it, tree limbs breaking as I plummeted down. 'No,' he said, his voice assured, 'You'd never do that to me.

Pine trees with low limbs spread over fresh snow made a stronger vault for the spirit than pews and pulpits ever could.

Some of my kin look just like trees now, and need something great to rouse them; and they speak only in whispers. But some of my trees are limb-lithe, and many can talk to me.

Homo sapiens [are] a tiny twig on an improbable branch of a contingent limb on a fortunate tree.

The next few hours were, well, how to describe it? Ask someone to lock you in a box with no light, nobody to talk to, and then have them beat on it with a tree limb to make a hideous sound. Do that for hours, and if you're still not bat-shit crazy, you'll know how we felt.

The mockingbird took a single step into the air and dropped. His wings were still folded against his sides as though he were singing from a limb and not falling, accelerating thirty-two feet per second per second, through empty air. Just a breath before he would have been dashed to the ground, he unfurled his wings with exact, deliberate care, revealing the broad bars of white, spread his elegant, white-banded tail, and so floated onto the grass. I had just rounded a corner when his incouciant step caught my eye; there was no one else in sight. The fact of his free fall was like the old philosophical conundrum about the tree that falls in the forest. The answer must be, I think, that beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.

What an irony it is that these living beings whose shade we sit in, whose fruit we eat, whose limbs we climb, whose roots we water, to whom most of us rarely give a second thought, are so poorly understood. We need to come, as soon as possible, to a profound understanding and appreciation for trees and forests and the vital role they play, for they are among our best allies in the uncertain future that is unfolding.

I came with many knots in my heart, like the magician's rope. You undid them all at once. I see now the splendor of the student and that of the teacher's art. Love and this body sit inside your presence, one demolished, the other drunk. We smile. We weep, tree limbs turning sere, then light green.

I ask to be made beautiful like the trees are beautiful, each growing according to a unique plan. Lop off a limb and and the tree will accommodate it's loss, still growing and still beautiful. It is my hope to be able to flourish in a similar fashion, taking on the shape and dimensions that is intended for me.

I wish we could be trees deep in the mountains, touching, twining limb around limb.

every experience will fill with immediacy. Because I love this, I am never bored. Beauty constantly wells up like the noise of springwater in my ear. Tree limbs rise and fall like ecstatic arms. Leaf sounds talk together like poets making fresh metaphors. The green felt cover slips; we get a flash of the mirror underneath. The conventional opinion of this poetry is that it shows great optimism for the future. But Father Reason says, No need to announce the future. This now is it. Your deepest need and desire is satisfied by this moment’s energy here in your hand.

His body was urgent against her, and she didn't have the heart anymore to fight...She saw his eyes, tense and brilliant, fierce, not loving. But her will had left her. A strange weight was on her limbs. She was giving way. She was giving up...she had to lie down there under the boughs of the tree, like an animal, while he waited, standing there in his shirt and breeches, watching her with haunted eyes...He too had bared the front part of his body and she felt his naked flesh against her as he came into her. For a moment he was still inside her, turgid there and quivering. Then as he began to move, in the sudden helpless orgasm, there awoke in her new strange thrills rippling inside her. Rippling, rippling, rippling, like a flapping overlapping of soft flames, soft as feathers, running to points of brilliance, exquisite and melting her all molten inside. It was like bells rippling up and up to a culmination. She lay unconscious of the wild little cries she uttered at the last. But it was over too soon, too soon, and she could no longer force her own conclusion with her own activity. This was different, different. She could do nothing. She could no longer harden and grip for her own satisfaction upon him. She could only wait, wait and moan in spirit and she felt him withdrawing, withdrawing and contracting, coming to the terrible moment when he would slip out of her and be gone. Whilst all her womb was open and soft, and softly clamouring, like a sea anenome under the tide, clamouring for him to come in again and make fulfillment for her. She clung to him unconscious in passion, and he never quite slipped from her, and she felt the soft bud of him within her stirring, and strange rhythms flushing up into her with a strange rhythmic growing motion, swelling and swelling til it filled all her cleaving consciousness, and then began again the unspeakable motion that was not really motion, but pure deepening whirlpools of sensation swirling deeper and deeper through all her tissue and consciousness, til she was one perfect concentric fluid of feeling, and she lay there crying in unconscious inarticulate cries.

All of us , I believe , carry about in our heads places and landscapes we shall never forget because we have experienced such intensity of life there :places where, like the child that 'feels its life in every limb' in Wordsworth's poem'We are seven' ,our eyes have opened wider, and all our senses have somehow heightened.By way of returning the compliment , we accord these places that have given us such joy a special place in our memories and imaginations. They live on in us, wherever we may be, however far from them.

wandering in the summer in the woods of Neldoreth [Beren] came upon Lúthien, daughter of Thingol and Melian, at a time of evening under moonrise, as she danced upon the unfading grass in the glades beside Esgalduin. Then all memory of his pain departed from him, and he fell into an enchantment; for Lúthien was the most beautiful of all the Children of Ilúvatar. Blue was her raiment as the unclouded heaven, but her eyes were grey as the starlit evening; her mantle was sewn with golden flowers, but her hair was dark as the shadows of twilight. As the light upon the leaves of trees, as the voice of clear waters, as the stars above the mists of the world, such was her glory and her loveliness; and in her face was a shining light. But she vanished from his sigh; and he became dumb, as one that is bound under a spell, and he strayed long in the woods, wild and wary as a beast, seeking for her. In his heart he called her Tinúviel, that signifies Nightingale, daughter of twilight, in the Grey-elven tongue, for he knew no other name for her. And he saw her afar as leaves in the winds of autumn, and in winter as a star upon a hill, but a chain was upon his limbs.

In many places along this narrow, curving strand of pavement, the forest threads tree limbs overhead in a latticework canopy that leads one to think of the sacredness of cathedrals.  Once you enter this hallowed space, the temperature drops dramatically and a world of virtual silence wraps you in a cocoon of serenity and grace.  For Kate, it is a destination in and of itself, this magnificent temple of embracing trees, limbs arching overhead with long arms of wooded skin, reaching for their beloved partners on the other side of the road, seeking communion and the joining of lovers.

At other times, at the edge of a wood, especially at dusk, the trees themselves would assume strange shapes: sometimes they were arms rising heavenwards, , or else the trunk would twist and turn like a body being bent by the wind. At night, when I woke up and the moon and the stars were out, I would see in the sky things that filled me simultaneously with dread and longing. I remember that once, one Christmas Eve, I saw a great naked women, standing erect, with rolling eyes; she must have been a hundred feet high, but along she drifted, growing ever longer and ever thinner, and finally fell apart, each limb remaining separate, with the head floating away first as the rest of her body continued to waver

He sighed profoundly, and flung himself - there was a passion in his movements which deserves the word - on the earth at the foot of the oak tree. He loved, beneath all this summer transiency, to feel the earth's spine beneath him; for such he took the hard root of the oak tree to be; or, for image followed image, it was the back of a great horse that he was riding; or the deck of a tumbling ship - it was anything indeed, so long as it was hard, for he felt the need of something which he could attach his floating heart to; the heart that tugged at his side; the heart that seemed filled with spiced and amorous gales every evening about this time when he walked out. To the oak tree he tied it and as he lay there, gradually the flutter in and about him stilled itself; the little leaves hung, the deer stopped; the pale summer clouds stayed; his limbs grew heavy on the ground; and he lay so still that by degrees the deer stopped nearer and the rooks wheeled round him and the swallows dipped and circled and the dragonflies shot past, as if all the fertility and amorous activity of a summer's evening were woven web-like about his body.

The pain is stronger than ever. I've seen bits of lost Paradises and I know I'll be hopelessly trying to return even if it hurts. The deeper I swing into the regions of nothingness the further I'm thrown back into myself, each time more and more frightening depths below me, until my very being becomes dizzy. There are brief glimpses of clear sky, like falling out of a tree, so I have some idea where I'm going, but there is still too much clarity and straight order of things, I am getting always the same number somehow. So I vomit out broken bits of words and syntaxes of the countries I've passed through, broken limbs, slaughtered houses, geographies. My heart is poisoned, my brain left in shreds of horror and sadness. I've never let you down, world, but you did lousy things to me. (from "As I was moving ahead occasionally I saw brief glimpses of beauty", 2000)

What shall I give? and which are my miracles? 2. Realism is mine--my miracles--Take freely, Take without end--I offer them to you wherever your feet can carry you or your eyes reach. 3. Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at the table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sundown--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best--mechanics, boatmen, farmers, Or among the savans--or to the _soiree_--or to the opera. Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct and in its place. 4. To me, every hour of the light and dark is a miracle, Every inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every cubic foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?

Lassiter skidded in from the billiards room, the fallen angel glowing from his black-and-blond hair and white eyes, all the way down to his shitkickers. Then again, maybe the illumination wasn’t his nature, but that gold he insisted on wearing. He looked like a living, breathing jewelry tree. “I’m here. Where’s my chauffeur hat?” “Here, use mine,” Butch said, outing a B Sox cap and throwing it over. “It’ll help that hair of yours.” The angel caught the thing on the fly and stared at the red S. “I’m sorry, I can’t.” “Do not tell me you’re a Yankees fan,” V drawled. “I’ll have to kill you, and frankly, tonight we need all the wingmen we’ve got.” Lassiter tossed the cap back. Whistled. Looked casual. “Are you serious?” Butch said. Like the guy had maybe volunteered for a lobotomy. Or a limb amputation. Or a pedicure. “No fucking way,” V echoed. “When and where did you become a friend of the enemy—” The angel held up his palms. “It’s not my fault you guys suck—” Tohr actually stepped in front of Lassiter, like he was worried that something a lot more than smack talk was going to start flying. And the sad thing was, he was right to be concerned. Apart from their shellans, V and Butch loved the Sox above almost everything else—including sanity.

The trees they passed repeated on and on into the woods. None was remarkable when compared to the next, but each was individual in some small regard: the number of limbs, the girth of trunk, the circumference of shed leaves encircling the base. No more than minor peculiarities, but minor particularities were what transformed two eyes, a nose, and a mouth into a face.

I have seen trees that survive fire. Their bark is burned and their limbs are dead branches. But hidden under that skeleton is a force that sends a single shoot of green out into the world.

Willow Tree Its limbs the long hair of a sad girl, reaching for the ground. ‘Sturdy as an oak,’ they say. A willow is stronger. It bends to the storm. Harsh winds whip it, its leaves are torn and carried away. It bends but doesn’t break. It may weep but it will never fall.

...I will no longer sit and wait patiently for my happiness to grow like some budding fruit on the limbs of a tree, but will mold it and shape it with my own hands.

One morning, in cool blood, I slipped a noose about its neck and hung it to the limb of a tree; — hung it with the tears streaming from my eyes, and with the bitterest remorse at my heart; — hung it because I knew that it had loved me, and because I felt it had given me no reason of offence; — hung it because I knew that in so doing I was committing a sin — a deadly sin that would so jeopardize my immortal soul as to place it — if such a thing were possible — even beyond the reach of the infinite mercy of the Most Merciful and Most Terrible God.

We both had done the math. Kelly added it all up and... knew she had to let me go. I added it up, and knew that I had... lost her. 'cos I was never gonna get off that island. I was gonna die there, totally alone. I was gonna get sick, or get injured or something. The only choice I had, the only thing I could control was when, and how, and where it was going to happen. So... I made a rope and I went up to the summit, to hang myself. I had to test it, you know? Of course. You know me. And the weight of the log, snapped the limb of the tree, so I-I - , I couldn't even kill myself the way I wanted to. I had power over *nothing*. And that's when this feeling came over me like a warm blanket. I knew, somehow, that I had to stay alive. Somehow. I had to keep breathing. Even though there was no reason to hope. And all my logic said that I would never see this place again. So that's what I did. I stayed alive. I kept breathing. And one day my logic was proven all wrong because the tide came in, and gave me a sail. And now, here I am. I'm back. In Memphis, talking to you. I have ice in my glass... And I've lost her all over again. I'm so sad that I don't have Kelly. But I'm so grateful that she was with me on that island. And I know what I have to do now. I gotta keep breathing. Because tomorrow the sun will rise. Who knows what the tide could bring?

Only a few leaves of deep red remain on the otherwise bare limbs of the maples; the oak leaves are russet and wrinkled; briefly through the trees is the glimpse of the bay, flat and steel-gray today with the overcast November sky.

A crack of a tree limb and falling foliage forced me to open my eyes. A tree fell right above my head, frightened birds flew out of the leaves and a cackle of laughter echoed across the ravine – extreme happiness mingled with the loathing hate. Selfishly, I prayed the fight would end in my favor and quickly. But then suddenly I heard something that sounded like a sizzling firework and felt someone’s surprise turned into fear… then nothing. The evil vanished. I breathed a sigh of relief too soon as the branch shifted in the earth next to me. “Hurry!” I cried, but it was too late. I screamed as I fell, knowing I was about to die.

A tree there towere Tall and branching That house upholding The hall's wonder Its leaves their hangings Its limbs rafters Its mighty bole In the midst standing.

If you are willing to go out on a limb, the tree of life holds endless possibilities.

See yonder leafless tree against the sky, How they diffuse themselves into the air, And ever subdividing separate, Limbs into branches, branches into twigs, As if they loved the element, & hasted To dissipate their being into it.

Sometimes you have to walk out on a limb, knowing you could fall thirty feet to the hard ground, just to see if that apple on the edge is worth the risk like you think it is.” “And what if it’s not?” “Then you get up, dust yourself off, and keep walking til you find the next tree.

Sacredness and profanity and prayers and wishes: they're all held together by the broken limbs of this dead tree, raking the night sky with its blackened branches. We are so small, the two of us. The tree and sky are so large and grand. We could fail so easily, fall before we've begun to rise.

I have lived in this tree, in this same hollow," the owl said, "for more years than anyone can remember. But now, when the wind blows hard in winter and rocks the forest, I sit here in the dark, and from deep down in the bole, near the roots, I hear a new sound. It is the sound of strands of wood creaking in the cold and snapping one by one. The limbs are falling; the tree is old, and it is dying. Yet I cannot bring myself, after so many years, to leave, to find a new home and move into it, perhaps to fight for it. I, too, have grown old. One of these days, one of these years, the tree will fall, and when it does, if I am still alive, I will fall with it.

There was so much feeling in the world. So much sadness. So much longing. So much joy. Everything had a soul. The petals of flowers. The mice of the field. The clouds and rain and the bare limbs of trees. All

The tinker in his burial tree was a wonder to the birds. The vultures that came by day to nose with their hooked beaks among his buttons and pockets like outrageous pets soon left him naked of his rags and flesh alike. Black mandrake sprang beneath the tree as it will where the seed of the hanged falls and in spring a new branch pierced his breast and flowered in a green boutonnière perennial beneath his yellow grin. He took the sparse winter snows upon what thatch of hair still clung to his dried skull and hunters that passed that way never chanced to see him brooding among his barren limbs. Until wind had tolled the thinker's bones and seasons loosed them one by one to the ground below and his bleached and weathered brisket hung in that lonesome wood like a bone birdcage.

Discussing it later, many of us felt we suffered a mental dislocation at that moment, which only grew worse through the course of the remaining deaths. The prevailing symptom of this state was an inability to recall any sound. Truck doors slammed silently; Lux's mouth screamed silently; and the street, the creaking tree limbs, the streetlight clicking different colors, the electric buzz of the pedestrian crossing box - all these usually clamorous voices hushes, or had begun shrieking at a pitch too high for us to hear, though they sent chills up our spines. Sound returned only once Lux had gone. Televisions erupted with canned laughter. Fathers splashed, soaking aching backs.

trees [-] Inside their wooden samurai armor they are geisha beauties, each one a ‘person-of-the-arts,’ limbs dancing, arranging flowers, carrying the wind’s music, the calligraphy of their roots pure poetry, rhyming earth and berth.

We have gone far in our public places to push death aside, to consign it to a dusty corner, but in the wilderness it is ever present. It is the lover who makes life. The sensuous, entwined limbs of of predator and prey, the orgasmic death cry, the final spasmodic rush of blood, and even the soundless insemination of the earth by the fallen tree and crumbling leaf; these are the caresses of life's beloved, the indispensable other.

Settle your perfect hips here and the bow of wet arrows loosens into the night the petals that form your form let your clay limbs climb the silence and its pale ladder rung by rung taking off with me in my dream. I can sense you scaling the shade tree that sings to the shadows. Dark is the world’s night without you my love,

...The mockingbird took a single step into the air and dropped. His wings were still folded against his sides as though he were singing from a limb and not falling, accelerating thirty-two feet per second, through empty air. Just a breath before he would have been dashed to the ground, he unfurled his wings with exact, deliberate care, revealing the broad bars of white, spread his elegant white-banded tail, and so floated onto the grass. I had just rounded a corner when his insouciant step caught my eye; there was no one else in sight. The fact of his free fall was like the old philosophical conundrum about the tree that falls in the forest. The answer must be, I think, that beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.

I dreamt I woke upon a boat. A rocking boat. A quiet boat. On a smooth black sea we float. Away, away away. I dreamt a Captain dressed in grey. I dreamt I wore a long white coat. I dreamt a stone caught in my throat. I dreamt I choked and choked and choked. A grey shore, slopes decorated with dead trees and littered with our limbs. I dreamt my legs were long and pale made of smoke. I choked and choked. And when I woke I wrote and wrote as though it all might just float away!

Thirteen Ways of Looking at a Blackbird" I Among twenty snowy mountains, The only moving thing Was the eye of the blackbird. II I was of three minds, Like a tree In which there are three blackbirds. III The blackbird whirled in the autumn winds. It was a small part of the pantomime. IV A man and a woman Are one. A man and a woman and a blackbird Are one. V I do not know which to prefer, The beauty of inflections Or the beauty of innuendoes, The blackbird whistling Or just after. VI Icicles filled the long window With barbaric glass. The shadow of the blackbird Crossed it, to and fro. The mood Traced in the shadow An indecipherable cause. VII O thin men of Haddam, Why do you imagine golden birds? Do you not see how the blackbird Walks around the feet Of the women about you? VIII I know noble accents And lucid, inescapable rhythms; But I know, too, That the blackbird is involved In what I know. IX When the blackbird flew out of sight, It marked the edge Of one of many circles. X At the sight of blackbirds Flying in a green light, Even the bawds of euphony Would cry out sharply. XI He rode over Connecticut In a glass coach. Once, a fear pierced him, In that he mistook The shadow of his equipage For blackbirds. XII The river is moving. The blackbird must be flying. XIII It was evening all afternoon. It was snowing And it was going to snow. The blackbird sat In the cedar-limbs.

Ree followed a path made by prey uphill through scrub, across a bald knob and downhill into a section of pine trees and pine scent and that pious shade and silence pines create. Pine trees in low limbs spread over fresh snow made a stronger vault for the spirit than pews and pulpits ever could.

Amelia and Poppy both glanced at their younger sister quizzically. “Do you know what we’re talking about, Bea?” Amelia asked. “Yes, of course. Merripen’s in love with her. I knew it a long time ago, from the way he washed her window.” “Washed her window?” both older sisters asked at the same time. “Yes, when we lived in the cottage at Primrose Place. Win’s room had a casement window that looked out onto the big maple tree— do you remember? After the scarlet fever, when Win couldn’t get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds’ nest on one of the tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?” “No,” Amelia said with difficulty, her eyes stinging. “I didn’t know he did that.” “Merripen said the sky should always be blue for her,” Beatrix said. “And that was when I knew he … are you crying, Poppy?” Poppy used a napkin to dab at the corners of her eyes. “No. I just inh-haled some pepper.” “So did I,” Amelia said, blowing her nose.

Here are the sounds of Wear. It rattles stone on stone. It sucks its teeth. It sings. It hisses like the rain. It roars. It laughs. It claps its hands. Sometimes I think it prays. In winter, through the ice, I've seen it moving swift and black as Tune, without a sound. Here are the sights of Wear. It falls in braids. It parts at rocks and tumbles round them white as down or flashes over them in silver quilts. It tosses fallen trees like bits of straw yet spins a single leaf as gentle as a maid. Sometimes it coils for rest in darkling pools and sometimes it leaps its banks and shatters in the air. In autumn, I've seen it breathe a mist so thick and grey you'd never know old Wear was there at all. Each day, for years and years, I've gone and sat in it. Usually at dusk I clamber down and slowly sink myself to where it laps against my breast. Is it too much to say, in winter, that I die? Something of me dies at least. First there's the fiery sting of cold that almost stops my breath, the aching torment in my limbs. I think I may go mad, my wits so outraged that they seek to flee my skull like rats a ship that's going down. I puff. I gasp. Then inch by inch a blessed numbness comes. I have no legs, no arms. My very heart grows still. These floating hands are not my hands. The ancient flesh I wear is rags for all I feel of it. "Praise, Praise!" I croak. Praise God for all that's holy, cold, and dark. Praise him for all we lose, for all the river of the years bears off. Praise him for stillness in the wake of pain. Praise him for emptiness. And as you race to spill into the sea, praise him yourself, old Wear. Praise him for dying and the peace of death. In the little church I built of wood for Mary, I hollowed out a place for him. Perkin brings him by the pail and pours him in. Now that I can hardly walk, I crawl to meet him there. He takes me in his chilly lap to wash me of my sins. Or I kneel down beside him till within his depths I see a star. Sometimes this star is still. Sometimes she dances. She is Mary's star. Within that little pool of Wear she winks at me. I wink at her. The secret that we share I cannot tell in full. But this much I will tell. What's lost is nothing to what's found, and all the death that ever was, set next to life, would scarcely fill a cup.

My handwriting is all over these woods. No, my handwriting is these woods, each tree a half-print, half-cursive scrawl, each loop a limb. My house is somewhere here, & I have scribbled myself inside it. What is home but a book we write, then read again & again, each time dog-earing different pages...

I will raise you like my own,” I promised the tiny basil pot that day. “I will give you sunlight, I will give you water, I will give you love.” “I will eat your limbs,” my girlfriend helpfully added rubbing her belly and licking her lips like a grizzly bear gazing up at a sticky beehive in a tall pine tree.

When a young tree is injured it grows around that injury. As the tree continues to develop, the wound becomes relatively small in proportion to the size of the tree. Gnarly burls and misshapen limbs speak of injuries and obstacles encountered through time and overcome. The way a tree grows around its past contributes to its exquisite individuality, character, and beauty. I certainly don't advocate for traumatization to build character, but since trauma is almost a given at some point in our lives, the image of the tree can be a valuable mirror.

Two weeks later, I wore a coat to school for the first time that year. Fall had made its presence known in the form of wet, earthy smells and shivering tree limbs shedding leaves in various shades of exotic cat. I walked to school that morning, listening to the crisp sounds that punctuated each one of my footfalls and the honks of geese flying overhead. I found it strange that there could be so much beauty in the death of all these living things. Maybe it was only beautiful because we knew they would be resurrected next spring. I don't think I would enjoy fall quite as much if I knew there was an eternal winter to follow.

This is an ode to life. The anthem of the world. For as there are billions of different stars that make up the sky so, too, are there billions of different humans that make up the Earth. Some shine brighter but all are made of the same cosmic dust. O the joy of being in life with all these people! I speak of differences because they are there. Like the different organs that make up our bodies. Earth, itself, is one large body. Listen to how it howls when one human is in misery. When one kills another, the Earth feels the pang in its chest. When one orgasms, the Earth craves a cigarette. Look carefully, these animals are beauty spots that make the Earth’s face lovelier and more loveable. These oceans are the Earth’s limpid eyes. These trees, its hair. This is an ode to life. The anthem of the world. I will no longer speak of differences, for the similarities are larger. Look even closer. There may be distances between our limbs but there are no spaces between our hearts. We long to be one. We long to be in nature and to run wild with its wildlife. Let us celebrate life and living, for it is sacrilegious to be ungrateful. Let us play and be playful, for it is sacrilegious to be serious. Let us celebrate imperfections and make existence proud of us, for tomorrow is death, and this is an ode to life. The anthem of the world.

More than the fuchsia fennels breaking out of the crabapple tree, more than the neighbor's almost obscene display of cherry limbs shoving their cotton candy-colored blossoms to the slate sky of Spring rains, it's the greening of the trees that really gets to me. When all the shock of white and taffy, the world's baubles and trinkets, leave the pavement strewn with the confetti of aftermath, the leaves come. Patient, plodding, a green skin growing over whatever winter did to us, a return to the strange idea of continuous living despite the mess of us, the hurt, the empty. Fine then, I'll take it, the trees seem to say, a new slick leaf unfurling like a fist to an open palm, I'll take it all.

The ones that hang onto the limbs,” I explained. “They’re fluffy and cute, but are supposedly vicious.” “Dear gods, do I even want to know why you’re thinking of the tree bears?” “Tree bear?” My brow puckered. “That’s the name?” “Poppy,” he sighed. I rolled my eyes. “You remind me of a tree bear.” “I would tell you that I’m offended, but that requires speaking, which means neither of us would be sleeping.” “Whatever,” I muttered.

I have become an isolationist. I isolate in my room, the names of men on my tongue I can no longer pronounce, my memory of them unraveled by time. I look out my bedroom window onto the velveted backyard that expands into forever, my pigeons silent and content behind hexwire, the moon hooked in the limbs of my favorite peach tree, its purple bark the color of my lover’s skin.

the sun was up so high when i waked, that i judged it was after eight o’clock. i laid there in the grass and the cool shade, thinking about things and feeling rested and ruther comfortable and satisfied. i could see the sun out at one or two holes, but mostly it was big trees all about, and gloomy in there amongst them. there was freckled places on the ground where the light sifted down through the leaves, and the freckled places swapped about a little, showing there was a little breeze up there. a couple of squirrels set on a limb and jabbered at me very friendly.

The creature had nut-brown skin mixed with patches of ash. It was human-sized and formed, but its skin looked like the bark of an old, old tree. About the same height as Donna, it was spindly with arms and legs that were all joints and angles. Its face was narrow and pointed, with hair on top of its head like thick moss and narrow black eyes that glinted even in the dim light of the room. The thing’s body was clothed in lichen and moss, with vines twining around its sharp limbs. The creature opened its lipless mouth, a dark slash across its twisted face. Donna’s mind flashed back to the party and the shadow she’d seen sliding through the darkness outside Xan’s house. She hadn’t been imagining things, after all. The wood elves had returned to the city.

tiring, but it is not confusing. You are never left wondering if you’ve made the wrong choice, or expended energy in the wrong direction, because there is only the one rung above you. Get good grades. Get better at your sport. Take the SAT. Do volunteer work. Apply to colleges. Choose a college. But then you get to college, and suddenly you’re out of rungs and that ladder has turned into a massive tree with hundreds of sprawling limbs, and progress is no longer a thing you can easily measure, because there are now thousands of paths to millions of destinations. And none are linear.

There is a rustle of dead leaves. Dried sap, a branch crack, the whirring teeth of Mr. Omaru's saw. My father--my real father--is a limb that got axed off the family tree a long time ago now. My mother coughs and cleans phantom juices off her silver with a cloth doily. My sisters clench their knives.

I am better, like the tree that's been stripped of its limbs by fire begins new growth after a period of time. Still rooted in the same dirt, in the same location, with its new growth appears to be the same tree; but it's not. It has lived through a devastating blow that has forever changed its core.

Tana started to shake like the trees, her limbs trembling, and was overcome by such a wave of nausea that she was barely able to twist onto her knees before she was sick in the grass. You said that you were allowed to lose it, some part of her reminded herself. Not yet, not yet, she told herself, although the very fact that she was renegotiating bargains with her own brain suggested things had already gotten pretty bad.

Dying was OK because it was sleep and there wasn't no gray ball in death, was there? Was there? She would have to ask somebody about that, somebody she could confide in, and who knew a lot of things, like Sula, for Sula would know or if she didn't she would say something funny that would make it all right. Ooo no, not Sula. Here she was in the midst of it, hating it, scared of it, and again she thought of Sula as though they were still friends and talked things over. That was too much. To lose Jude and not have Sula to talk to about it because it was Sula that he had left her for. Now her thighs were really empty. And it was then that what those women said about never looking at another man made some sense to her, for the real point, the heart of what they said, was the word looked. Not to promise never to make love to another man, not to refuse to marry another man, but to promise and know that she could never afford to look again, to see and accept the way in which their heads cut the air or see moons or tree limbs framed by their necks and shoulders... never to look, for now she could not risk looking - and anyway, so what? For now her thighs were truly empty and dead too and it was Sula who had taken the life from them and Jude who smashed her heart and the both of them who left her with no thighs and no heart just her brain raveling away.

Some single trees, wholly bright scarlet, seen against others of their kind still freshly green, or against evergreens, are more memorable than whole groves will be by-and-by. How beautiful, when a whole tree is like one great scarlet fruit full of ripe juices, every leaf, from lowest limb to topmost spire, all aglow, especially if you look toward the sun! What more remarkable object can there be in the landscape? Visible for miles, too fair to be believed. If such a phenomenon occurred but once, it would be handed down by tradition to posterity, and get into the mythology at last.

Marriage is like grafting a limb onto a tree trunk. You have the limb, freshly sliced, dripping sap, and smelling of springtime, and then you have the mother tree stripped of her protective bark, gouged and ready to receive this new addition. Some years ago, my father performed this surgery on a dogwood tree in the side yard. He tried a pink-blooming limb stolen from the woods to my mother's white-blooming tree from a nursery lot. It took yards of burlap and twine and two years for the plants to join. Even now, all these years later, there's something not quite natural about the tree, even in its amazing two-tone glory.

When the storm is over, the new growth, tiny and light, timid-green, starts edging our on the buses and three limbs. Then Nature brings April rain. It whispers down soft and lonesome, making mists in the hollows and on the trails where you walk under the drippings from hanging branches of trees. It's a good feeling, exciting--but sad too--in April rain. Granpa said he always got that kind of mixed-up feeling. He said it was exciting because something new was being born and it was sad, because you knowed you can't hold onto it. It will pass too quick. April wind is soft and warm as a baby's crib. It breathes on the crab apple tree until white blossoms open out, smeared with pink. The smell is sweeter than honeysuckle and brings bees swarming over the blossoms. Mountain laurel with pink-white blooms and purple centers grow everywhere, from the hollows to the top of the mountain, alongside of the dogtooth violet... Then, when April gets its warmest, all of a sudden the cold hits you. It stays cold for four or five days. This is to make the blackberries bloom and is called "blackberry winter." The blackberries will not bloom without it. That's why some years there are no blackberries. When it ends, that's when the dogwoods bloom out like snowballs over the mountainside in places you never suspicioned they grew: in a pine grove or stand of oak of a sudden there's a big burst of white.

Who would have ever thought that the best way to save lives was to take one? But then that was what Joe had preached to her from the first day on her job. He even had a name for it. Political pruning. In order to make the tree grow, the dead, diseased, and contaminated limbs had to be removed. If they didn’t fall off on their own, then you had to get the chain saw out and cut them loose. At first she’d been naïve enough to think that she could never be so jaded. But time and missions had finally succeeded in bringing her around to Joe’s way of thinking. (Syd)

But he, Siddhartha, was not a source of joy for himself, he found no delight in himself. Walking the rosy paths of the fig tree garden, sitting in the bluish shade of the grove of contemplation, washing his limbs daily in the bath of repentance, sacrificing in the dim shade of the mango forest, his gestures of perfect decency, everyone's love and joy, he still lacked all joy in his heart. Dreams and restless thoughts came into his mind, flowing from the water of the river, sparkling from the stars of the night, melting from the beams of the sun, dreams came to him and a restlessness of the soul, fuming from the sacrifices, breathing forth from the verses of the Rig-Veda, being infused into him, drop by drop, from the teachings of the old Brahmans.

The affinities of all the beings of the same class have sometimes been represented by a great tree.I believe this simile largely speaks the truth. The green and budding twigs may represent existing species; and those produced during former years may represent the long succession of extinct species. At each period of growth all the growing twigs have tried to branch out on all sides, and to overtop and kill the surrounding twigs and branches, in the same manner as species and groups of species have at all times overmastered other species in the great battle for life. The limbs divided into great branches, and these into lesser and lesser branches, were themselves once, when the tree was young, budding twigs; and this connection of the former and present buds by ramifying branches may well represent the classification of all extinct and living species in groups subordinate to groups. Of the many twigs which flourished when the tree was a mere bush, only two or three, now grown into great branches, yet survive and bear the other branches; so with the species which lived during long-past geological periods, very few have left living and modified descendants. From the first growth of the tree, many a limb and branch has decayed and dropped off; and these fallen branches of various sizes may represent those whole orders, families, and genera which have now no living representatives, and which are known to us only in a fossil state. As we here and there see a thin straggling branch springing from a fork low down in a tree, and which by some chance has been favoured and is still alive on its summit, so we occasionally see an animal like the Ornithorhynchus or Lepidosiren, which in some small degree connects by its affinities two large branches of life, and which has apparently been saved from fatal competition by having inhabited a protected station. As buds give rise by growth to fresh buds, and these, if vigorous, branch out and overtop on all sides many a feebler branch, so by generation I believe it has been with the great Tree of Life, which fills with its dead and broken branches the crust of the earth, and covers the surface with its ever-branching and beautiful ramifications.

My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands. Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap. I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death. But today, vigor and grace have forsaken me and left me crippled. Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own. My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever. But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path? No, everything and everyone we love will vanish, one day. So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship. Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last. Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character. Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing. My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know. So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have. But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib. My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.

She walked down the lawn and surveyed the world as they'd both seen it--the wild limbs of the leaning apple tree, the golden-brown evening sky, the black silhouettes of the mountains. The trunk and the branches of the tree had bent over the years, under the weight of the heavy fruit. One of the biggest branches had grown down from the canopy of the leaves, all the way to the ground and straight along the grass...the end of that same branch had begun growing up again, at a right angle, the wood bending toward the sky.

Ree Dolly stood at the break of day on her cold front steps and smelled coming flurries and saw meat. Meat hung from trees across the creek. Carcasses hung pale of flesh with fatty gleam from low limbs of saplings in the side yards. Three halt haggard houses formed a kneeling rank on the far creekside and each had two or more skinned torsos dangling by rope from sagged limbs, venison left to the weather for two nights and three days so the early blossoming of decay might round the flavor, sweeten that meat to the bone.

I was born in Nature's wide domain! The trees were all that sheltered my infant limbs, the blue heavens all that covered me. I am one of Nature's children. I have always admired her. She shall be my glory: her features, her robes, and the wreath about her brow, the seasons, her stately oaks, and the evergreen — her hair, ringlets over the earth — all contribute to my enduring love of her. And wherever I see her, emotions of pleasure roll in my breast, and swell and burst like waves on the shores of the ocean, in prayer and praise to Him who has placed me in her hand. It is thought great to be born in palaces, surrounded with wealth — but to be born in Nature's wide domain is greater still! I

There is an allegory for historians in the diverse functions of saw, wedge, and axe. The saw works only across the years, which it must deal with one by one, in sequence. From each year the raker teeth pull little chips of fact, which accumulate in little piles, called sawdust by woodsmen and archives by historians; both judge the character of what lies within by the character of the samples thus made visible without. It is not until the transect is complete that the tree falls, and the stump yields a collective view of the century. By its fall the tree attests the unity of the hodge-podge called history. The wedge on the other hand, works only in radial splits; such a split yields a collective view of all the years at once, or no view at all, depending on the skill with which the plane of the split is chosen[...] The axe functions only at an angle diagonal to the years, and this is only for the peripheral rings of the recent past. Its special function is to lop limbs, for which both the saw and wedge are useless. The three tools are requisite to good oak, and to good history.

I think I want to sleep,” I say. And I do, really, I do. The last thing I want is to be awake and to think about how Ilven escaped from the life she didn’t want. And why she never spoke to me, told me, warned me. Perhaps I could have changed her mind. It occurs to me that she never meant to meet me under the trees—that she knew me well enough to predict that I would wait only so long before I left—because then she could take the Leap without any chance of me witnessing her from my tower. My heart goes small, and every limb feels too heavy to lift.

Taut, merry, nervous, expertly mounted, exquisitely clothed, haughty in their bright youth, the chevaliers of France poured from the disheveled clearing. Sunlit, all that morning, they spanned the glittering woods: diamond on diamond, grey on grey, riches on riches; bough and limb indistinguishable; skirts and meadows sewn in the same silks; skulls in antique fantasy knotted with rhizome and leafy with fern frond. Webs, manes, beards, spun the same smokelike filament; rime flashed; jewels sparked, red and fat, on rosebush and ring. Earth and animals wore the same livery. Jazerained in its berries, the oak tree matched their pearls, and paired their brilliant-sewn housings with low mosses underfoot, freshets winking half-ice in the pile.

And when spring comes to the City people notice one another in the road; notice the strangers with whom they share aisles and tables and the space where intimate garments are laundered. going in and out, in and out the same door, they handle the handle; on trolleys and park benches they settle thighs on a seat in which hundreds have done it too. Copper coins dropped in the palm have been swallowed by children and tested by gypsies, but it’s still money and people smile at that. It’s the time of year when the City urges contradiction most, encouraging you to buy street food when you have no appetite at all; giving you a taste for a single room occupied by you alone as well as a craving to share it with someone you passed in the street. Really there is no contradiction—rather it’s a condition; the range of what an artful City can do. What can beat bricks warming up to the sun? The return of awnings. The removal of blankets from horses’ backs. Tar softens under the heel and the darkness under bridges changes from gloom to cooling shade. After a light rain, when the leaves have come, tree limbs are like wet fingers playing in woolly green hair. Motor cars become black jet boxes gliding behind hoodlights weakened by mist. On sidewalks turned to satin figures move shoulder first, the crowns of their heads angled shields against the light buckshot that the raindrops are. The faces of children glimpsed at windows appear to be crying, but it is the glass pane dripping that makes it seem so.

It take it Priss has you tied up in knots?” There wasn’t much point in denying it. And maybe admitting things to Dare would help him get them under control. “I want her.” “No shit. Tell me something I don’t know.” Trace had trusted Dare forever, as a good friend, a partner in business and as an honorable man. He knew Dare had uncanny instincts and deadly skills. But he thought he had covered his reaction to Priss. “Damn.” Trace ran a hand through his hair. “Do you think Molly and Chris picked up on it, too?” After a short sound that might have been a stifled laugh, Dare said, “They’re neither blind, deaf, or stupid. So . . . yeah. I’m betting they noticed.” Trace frowned. With a shake of his head, Dare dismissed his concern. “It’s not a big deal, Trace. Don’t sweat it.” The mild, even amused reaction to his predicament surprised Trace. “She’s off-limits.” “You think so?” Dare looked down at the dappling of sunshine through tree limbs, then back at Trace. “Why’s that?” “What do you mean, why’s that? Hell, Dare, I barely know the woman.” “You knew her well enough to take her picture.” If Dare smiled, he was going to flatten him. Period.

I looked around the garden, the sun feeling warm on my back. "So why are you here? I would think you'd want to be as far away from a hurricane as possible." She looked at me as if I'd just suggested streaking down the beach. It took her a moment to answer. "Because this is home." She wanted to see if the words registered with me, but I just looked back at her, not understanding at all. After a deep breath, she looked up at a tall oak tree beyond the garden, its leaves still green against the early October sky, the limbs now thick with foliage. "Because the water recedes, and the sun comes out, and the trees grow back. Because" -she spread her hands, indicated the garden and the trees and, I imagined, the entire peninsula of Biloxi- "because we've learned that great tragedy gives us opportunities for great kindness. It's like a needed reminder that the human spirit is alive and well despite all evidence to the contrary." She lowered her hands to her sides. "I figured I wasn't dead, so I must not be done

Nature had once produced an Englishman whose domed head had been a hive of words; a man who had only to breathe on any particle of his stupendous vocabulary to have that particle live and expand and throw out tremulous tentacles until it became a complex image with a pulsing brain and correlated limbs. Three centuries later, another man, in another country, was trying to render these rhythms and metaphors in a different tongue. This process entailed a prodigious amount of labour, for the necessity of which no real reason could be given. It was as if someone, having seen a certain oak tree (further called Individual T) growing in a certain land and casting its own unique shadow on the green and brown ground, had proceeded to erect in his garden a prodigiously intricate piece of machinery which in itself was as unlike that or any other tree as the translator's inspiration and language were unlike those of the original author, but which, by means of ingenious combination of parts, light effects, breeze-engendering engines, would, when completed, cast a shadow exactly similar to that of Individual T - the same outline, changing in the same manner, with the same double and single spots of sun rippling in the same position, at the same hour of the day. From a practical point of view, such a waste of time and material (those headaches, those midnight triumphs that turn out to be disasters in the sober light of morning!) was almost criminally absurd, since the greatest masterpiece of imitation presupposed a voluntary limitation of thought, in submission to another man's genius.

Then they had grown. Edging into life from the back door. Becoming. Everybody in the world was in a position to give them orders. White women said, "Do this." White children said, "Give me that." White men said. "Come here." Black men said, "Lay down." The only people they need not take orders from were black children and each other. But they took all of that and re-created it in their own image. They ran the houses of white people, and knew it. When white men beat their men, they cleaned up the book and went home to receive abuse from the victim. They beat their children with one hand and stole for them with the other. The hangs that felled trees also cut umbilical cords; the hands that wrung the necks of chickens and butchered hogs also nudged African violets into bloom; the arms that loaded sheaves, bales, and sacks rocked babies into sleep. They patted biscuits into flaky ovals of innocence--and shrouded the dead. They plowed all day and came home to nestle like plums under the limbs of their men, The legs that straddled a mule's back were the same ones that straddled their men's hips. And the difference was all the difference there was.

AWAKENING To open both your drowsy eyes, To stretch your limbs and realise That day is here. To watch the dancing, shifting beam Of sun, awake yet half in dream, Uncertain if the fitful gleam Be far or near. To turn with soft, contented sigh, And through the window watch the sky, All opal blue. To feel the air steal in the room, Made fragrant by the soft perfume Of lime-trees, when their scented bloom Is damp with dew. To hear the rustling voice of leaves, The chirp of birds beneath the eaves, But now awake. The tiny hum of timid things That fly with gauzy, fragile wings, Where yet the dusk to daylight clings, When mornings break. To feel the soul look forth and smile, Contented with each fruitful mile That it beholds. To hear the heart beat loud and strong, In unison with Nature's song, That echoes tremulous and long While dawn unfolds. To know yourself a thing complete, With strength of mind and limb replete, With vast desire; A creature made to dominate The lesser things of earth, a fate On whom the universe must wait, With force entire. And then to cry in deep delight God made the world and made it right; Dear Heaven above! Was ere completeness so complete, Was ever sweetness half so sweet, Was ever loving half so meet; Thank God for love.

I was drawn on. Conscious now that something needed doing, I moved ever higher on the land. Here entering an orchard of immense and archaic beauty. I say orchard: The trees were dense in one place, scattered in another, as though planted by random throw, but all were heavy trunked and capaciously limbed, and they were fruit trees, every one of them. Apples, gold-skinned apricots, immaculate pears. The leaves about them were thick and cool and stirred at my approach; touched with a finger, they imparted a palpable rhythm. It took a long while to traverse the orchard. I began to feel hungry but didn't pause; though all this fruit appeared perfectly available, I felt prodded to appear before the master. The place had a master! Realizing this, I know he was already aware of me - comforting and fearful knowledge. Still I wanted to see him. The farther I went the more I seemed to know or remember abut him - the way he'd planted this orchard, walking over the hills, casting seed from his hand. I kept moving.

It was one of those scenes of life and animation, caught in its very brightest and freshest moments, which can scarcely fail to please; for if the eye be tired of show and glare, or the ear be weary with a ceaseless round of noise, the one may repose, turn almost where it will, on eager, happy, and expectant faces, and the other deaden all consciousness of more annoying sounds in those of mirth and exhilaration. Even the sunburnt faces of gypsy children, half naked though they be, suggest a drop of comfort. It is a pleasant thing to see that the sun has been there; to know that the air and light are on them every day; to feel that they are children, and lead children's lives; that if their pillows be damp, it is with the dews of Heaven, and not with tears; that the limbs of their girls are free, and that they are not crippled by distortions, imposing an unnatural and horrible penance upon their sex; that their lives are spent, from day to day, at least among the waving trees, and not in the midst of dreadful engines which make young children old before they know what childhood is, and give them the exhaustion and infirmity of age, without, like age, the privilege to die. God send that old nursery tales were true, and that gypsies stole such children by the score!

The morning sea of silence broke into ripples of bird songs; and the flowers were all merry by the roadside; and the wealth of gold was scattered through the rift of the clouds while we busily went on our way and paid no heed. We sang no glad songs nor played; we went not to the village for barter; we spoke not a word nor smiled; we lingered not on the way. We quickened our pace more and more as the time sped by. The sun rose to the mid sky and doves cooed in the shade. Withered leaves danced and whirled in the hot air of noon. The shepherd boy drowsed and dreamed in the shadow of the banyan tree, and I laid myself down by the water and stretched my tired limbs on the grass. My companions laughed at me in scorn; they held their heads high and hurried on; they never looked back nor rested; they vanished in the distant blue haze. They crossed many meadows and hills, and passed through strange, far-away countries. All honour to you, heroic host of the interminable path! Mockery and reproach pricked me to rise, but found no response in me. I gave myself up for lost in the depth of a glad humiliation---in the shadow of a dim delight. The repose of the sun-embroidered green gloom slowly spread over my heart. I forgot for what I had travelled, and I surrendered my mind without struggle to the maze of shadows and songs. At last, when I woke from my slumber and opened my eyes, I saw thee standing by me, flooding my sleep with thy smile. How I had feared that the path was long and wearisome, and the struggle to reach thee was hard!

(I know, it's a poem but oh well). Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sun-down--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best-- mechanics, boatmen, farmers, Or among the savans--or to the soiree--or to the opera, Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct, and in its place. To me, every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?

The Troubadours Etc." Just for this evening, let's not mock them. Not their curtsies or cross-garters or ever-recurring pepper trees in their gardens promising, promising. At least they had ideas about love. All day we've driven past cornfields, past cows poking their heads through metal contraptions to eat. We've followed West 84, and what else? Irrigation sprinklers fly past us, huge wooden spools in the fields, lounging sheep, telephone wires, yellowing flowering shrubs. Before us, above us, the clouds swell, layers of them, the violet underneath of clouds. Every idea I have is nostalgia. Look up: there is the sky that passenger pigeons darkened and filled— darkened for days, eclipsing sun, eclipsing all other sound with the thunder of their wings. After a while, it must have seemed that they followed not instinct or pattern but only one another. When they stopped, Audubon observed, they broke the limbs of stout trees by the weight of the numbers. And when we stop we'll follow—what? Our hearts? The Puritans thought that we are granted the ability to love only through miracle, but the troubadours knew how to burn themselves through, how to make themselves shrines to their own longing. The spectacular was never behind them. Think of days of those scarlet-breasted, blue-winged birds above you. Think of me in the garden, humming quietly to myself in my blue dress, a blue darker than the sky above us, a blue dark enough for storms, though cloudless. At what point is something gone completely? The last of the sunlight is disappearing even as it swells— Just for this evening, won't you put me before you until I'm far enough away you can believe in me? Then try, try to come closer— my wonderful and less than.

THOSE BORN UNDER Pacific Northwest skies are like daffodils: they can achieve beauty only after a long, cold sulk in the rain. Henry, our mother, and I were Pacific Northwest babies. At the first patter of raindrops on the roof, a comfortable melancholy settled over the house. The three of us spent dark, wet days wrapped in old quilts, sitting and sighing at the watery sky. Viviane, with her acute gift for smell, could close her eyes and know the season just by the smell of the rain. Summer rain smelled like newly clipped grass, like mouths stained red with berry juice — blueberries, raspberries, blackberries. It smelled like late nights spent pointing constellations out from their starry guises, freshly washed laundry drying outside on the line, like barbecues and stolen kisses in a 1932 Ford Coupe. The first of the many autumn rains smelled smoky, like a doused campsite fire, as if the ground itself had been aflame during those hot summer months. It smelled like burnt piles of collected leaves, the cough of a newly revived chimney, roasted chestnuts, the scent of a man’s hands after hours spent in a woodshop. Fall rain was not Viviane’s favorite. Rain in the winter smelled simply like ice, the cold air burning the tips of ears, cheeks, and eyelashes. Winter rain was for hiding in quilts and blankets, for tying woolen scarves around noses and mouths — the moisture of rasping breaths stinging chapped lips. The first bout of warm spring rain caused normally respectable women to pull off their stockings and run through muddy puddles alongside their children. Viviane was convinced it was due to the way the rain smelled: like the earth, tulip bulbs, and dahlia roots. It smelled like the mud along a riverbed, like if she opened her mouth wide enough, she could taste the minerals in the air. Viviane could feel the heat of the rain against her fingers when she pressed her hand to the ground after a storm. But in 1959, the year Henry and I turned fifteen, those warm spring rains never arrived. March came and went without a single drop falling from the sky. The air that month smelled dry and flat. Viviane would wake up in the morning unsure of where she was or what she should be doing. Did the wash need to be hung on the line? Was there firewood to be brought in from the woodshed and stacked on the back porch? Even nature seemed confused. When the rains didn’t appear, the daffodil bulbs dried to dust in their beds of mulch and soil. The trees remained leafless, and the squirrels, without acorns to feed on and with nests to build, ran in confused circles below the bare limbs. The only person who seemed unfazed by the disappearance of the rain was my grandmother. Emilienne was not a Pacific Northwest baby nor a daffodil. Emilienne was more like a petunia. She needed the water but could do without the puddles and wet feet. She didn’t have any desire to ponder the gray skies. She found all the rain to be a bit of an inconvenience, to be honest.

The faeries took no notice of my cry. No doubt they were used to lost travelers screaming for help. One of them grabbed me by my cloak and wrenched me painfully back and forth, like an animal wishing to drag me to the ground. But I did not need to call for Wendell again. He stepped out from behind a tree---or perhaps from the tree; I didn't see. He reached a hand out and snapped the neck of the faerie gripping me, which I had not expected, and I staggered back from both him and the crumpling body. He saw the mark on my neck, and his entire face darkened with something that seemed to go beyond fury and made him look like some feral creature. The faeries scattered like leaves, though they were too intrigued and too stupid to run. "Are you hurt?" "No." I don't know how I made myself speak. I have seen Wendell angry before, but this was something that seemed to surge through him like lightning, threatening to burn everything in its path. He moved his hand, and a hideous tree rose up from the snow, dark and terrifying, all thorns and knife-sharp branches. The boughs darted out, and he skewered the faeries on them. Once they were all immobilized, held squirming and screaming above the ground, he moved from one to the other, tearing them apart with perfect, calm brutality. Limbs, hearts, other organs I did not recognize scattered the snow. He did not rush, but killed them methodically while the others howled and writhed.

Something happens to you in an old-growth forest. At first you are curious to see the tremendous girth and height of the trees, and you sally forth, eager. You start to saunter, then amble, slower and slower, first like a fox and then an armadillo and then a tortoise, until you are trudging at the pace of an earthworm, and then even slower, the pace of a sassafras leaf's turning. The blood begins to languish in your veins, until you think it has turned to sap. You hanker to touch the trees and embrace them and lean your face against their bark, and you do. You smell them. You look up at leaves so high their shapes are beyond focus, into far branches with circumferences as thick as most trees. Every limb of your body becomes weighted, and you have to prop yourself up. There's this strange current of energy running skyward, like a thousand tiny bells tied to your capillaries, ringing with your heartbeat. You sit and lean against one trunk-it's like leaning against a house or a mountain. The trunk is your spine, the nerve centers reaching into other worlds, below ground and above. You stand and press your body into the ancestral and enduring, arms wide, and your fingers do not touch. You wonder how big the unseen gap. If you stay in one place too long, you know you'll root.

So sentences are copied, constructed, or created; they are uttered, mentioned, or used; each says, means, implies, reveals, connects; each titillates, invites, conceals, suggests; and each is eventually either consumed or conserved; nevertheless, the lines in Stevens or the sentences of Joyce and James, pressed by one another into being as though the words before and the words after were those reverent hands both Rilke and Rodin have celebrated, clay calling to clay like mating birds, concept responding to concept the way passionate flesh congests, every note a nipple on the breast, at once a triumphant pinnacle and perfect conclusion, like pelted water, I think I said, yet at the same time only another anonymous cell, and selfless in its service to the shaping skin as lost forgotten matter is in all walls; these lines, these sentences, are not quite uttered, not quite mentioned, peculiarly employed, strangely listed, oddly used, as though a shadow were the leaves, limbs, trunk of a new tree, and the shade itself were thrust like a dark torch into the grassy air in the same slow and forceful way as its own roots, entering the earth, roughen the darkness there till all its freshly shattered facets shine against themselves as teeth do in the clenched jaw; for Rabelais was wrong, blue is the color of the mind in borrow of the body; it is the color consciousness becomes when caressed; it is the dark inside of sentences, sentences which follow their own turnings inward out of sight like the whorls of a shell, and which we follow warily, as Alice after that rabbit, nervous and white, till suddenly—there! climbing down clauses and passing through ‘and’ as it opens—there—there—we’re here! . . . in time for tea and tantrums; such are the sentences we should like to love—the ones which love us and themselves as well—incestuous sentences—sentences which make an imaginary speaker speak the imagination loudly to the reading eye; that have a kind of orality transmogrified: not the tongue touching the genital tip, but the idea of the tongue, the thought of the tongue, word-wet to part-wet, public mouth to private, seed to speech, and speech . . . ah! after exclamations, groans, with order gone, disorder on the way, we subside through sentences like these, the risk of senselessness like this, to float like leaves on the restful surface of that world of words to come, and there, in peace, patiently to dream of the sensuous, imagined, and mindful Sublime.

Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain. Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence. A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop. Then the screen door squeaked open and she took flight. Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive. He knew her path by now. He was ready for the hunt. The clanging unbuckled belt boomed in her ears as he gained on her. The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go. Young trees teased her in this direction, so she moved east towards the evergreens. Hunger and hurt left her no choice, she had to stop running soon. She grabbed the first tree with a branch low enough to reach, and up she went. The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree. His footsteps pounded close by. She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his. She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up. Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down. She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension. Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest. He called her name once, twice. The third time’s tone not quite as friendly. The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her. His feet crunched in circles around the tree, eventually heading back home. Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense. “Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch.

At her feet, a luminous path lit the way through the grassy field. It was made entirely from glow sticks; each of the radiant lights had been painstakingly set into the ground at perfect intervals, tracing a curved trail that shone through the darkness. Apparently, Jay had been busy. Near the water’s edge, at the end of the iridescent pathway and beneath a stand of trees, Jay had set up more than just a picnic. He had created a retreat, an oasis for the two of them. Violet shook her head, unable to find the words to speak. He led her closer, and Violet followed, amazed. Jay had hung more of the luminous glow sticks from the low-hanging branches, so they dangled overhead. They drifted and swayed in the breeze that blew up from the lake. Beneath the natural canopy of limbs, he had set up two folding lounge chairs and covered them with pillows and blankets. “I’d planned to use candles, but the wind would’ve blown ‘em out, so I had to improvise.” “Seriously, Jay? This is amazing.” Violet felt awed. She couldn’t imagine how long it must have taken him. “I’m glad you like it.” He led her to one of the chairs and drew her down until she was sitting before he started unpacking the cooler. She half-expected him to pull out a jar of Beluga caviar, some fancy French cheeses, and Dom Perignon champagne. Maybe even a cluster of grapes to feed to her…one at a time. So when he started laying out their picnic, Violet laughed. Instead of expensive fish eggs and stinky cheeses, Jay had packed Daritos and chicken soft tacos-Violet’s favorites. And instead of grapes, he brought Oreos. He knew her way too well. Violet grinned as he pulled out two clear plastic cups and a bottle of sparkling cider. She giggled. “What? No champagne?” He shrugged, pouring a little of the bubbling apple juice into each of the flimsy cups. “I sorta thought that a DUI might ruin the mood.” He lifted his cup and clinked-or rather, tapped-it against hers. “Cheers.” He watched her closely as she took a sip. For several moments, they were silent. The lights swayed above them, creating shadows that danced over them. The park was peaceful, asleep, as the lake’s waters lapped the shore. Across from them, lights from the houses along the water’s edge cast rippling reflections on the shuddering surface. All of these things transformed the ordinary park into a romantic winter rendezvous.

Deacon met my glare with an impish grin. “Anyway, did you celebrate Valentine’s Day when you were slumming with the mortals?” I blinked. “Not really. Why?” Aiden snorted and then disappeared into one of the rooms. “Follow me,” Deacon said. “You’re going to love this. I just know it.” I followed him down the dimly-lit corridor that was sparsely decorated. We passed several closed doors and a spiral staircase. Deacon went through an archway and stopped, reaching along the wall. Light flooded the room. It was a typical sunroom, with floor-to-ceiling glass windows, wicker furniture, and colorful plants. Deacon stopped by a small potted plant sitting on a ceramic coffee table. It looked like a miniature pine tree that was missing several limbs. Half the needles were scattered in and around the pot. One red Christmas bulb hung from the very top branch, causing the tree to tilt to the right. “What do you think?” Deacon asked. “Um… well, that’s a really different Christmas tree, but I’m not sure what that has to do with Valentine’s Day.” “It’s sad,” Aiden said, strolling into the room. “It’s actually embarrassing to look at. What kind of tree is it, Deacon?” He beamed. “It’s called a Charlie Brown Christmas Tree.” Aiden rolled his eyes. “Deacon digs this thing out every year. The pine isn’t even real. And he leaves it up from Thanksgiving to Valentine’s Day. Which thank the gods is the day after tomorrow. That means he’ll be taking it down.” I ran my fingers over the plastic needles. “I’ve seen the cartoon.” Deacon sprayed something from an aerosol can. “It’s my MHT tree.” “MHT tree?” I questioned. “Mortal Holiday Tree,” Deacon explained, and smiled. “It covers the three major holidays. During Thanksgiving it gets a brown bulb, a green one for Christmas, and a red one for Valentine’s Day.” “What about New Year’s Eve?” He lowered his chin. “Now, is that really a holiday?” “The mortals think so.” I folded my arms. “But they’re wrong. The New Year is during the summer solstice,” Deacon said. “Their math is completely off, like most of their customs. For example, did you know that Valentine’s Day wasn’t actually about love until Geoffrey Chaucer did his whole courtly love thing in the High Middle Ages?” “You guys are so weird.” I grinned at the brothers. “That we are,” Aiden replied. “Come on, I’ll show you your room.” “Hey Alex,” Deacon called. “We’re making cookies tomorrow, since it’s Valentine’s Eve.” Making cookies on Valentine’s Eve? I didn’t even know if there was such a thing as Valentine’s Eve. I laughed as I followed Aiden out of the room. “You two really are opposites.” “I’m cooler!” Deacon yelled from his Mortal Holiday Tree room

Trees, trees, millions of trees, massive, immense, running up high; and at their foot, hugging the bank against the stream, crept the little begrimed steamboat, like a sluggish beetle crawling on the floor of a lofty portico. It made you feel very small, very lost, and yet it was not altogether depressing, that feeling. After all, if you were small, the grimy beetle crawled on--which was just what you wanted it to do. Where the pilgrims imagined it crawled to I don't know. To some place where they expected to get something, I bet! For me it crawled toward Kurtz--exclusively; but when the steam-pipes started leaking we crawled very slow. The reaches opened before us and closed behind, as if the forest had stepped leisurely across the water to bar the way for our return. We penetrated deeper and deeper into the heart of darkness. It was very quiet there. At night sometimes the roll of drums behind the curtain of trees would run up the river and remain sustained faintly, as if hovering in the air high over our heads, till the first break of day. Whether it meant war, peace, or prayer we could not tell. The dawns were heralded by the descent of a chill stillness; the woodcutters slept, their fires burned low; the snapping of a twig would make you start. We were wanderers on a prehistoric earth, on an earth that wore the aspect of an unknown planet. We could have fancied ourselves the first of men taking possession of an accursed inheritance, to be subdued at the cost of profound anguish and of excessive toil. But suddenly, as we struggled round a bend, there would be a glimpse of rush walls, of peaked grass-roofs, a burst of yells, a whirl of black limbs, a mass of hands clapping, of feet stamping, of bodies swaying, of eyes rolling, under the droop of heavy and motionless foliage. The steamer toiled along slowly on the edge of a black and incomprehensible frenzy. The prehistoric man was cursing us, praying to us, welcoming us--who could tell? We were cut off from the comprehension of our surroundings; we glided past like phantoms, wondering and secretly appalled, as sane men would be before an enthusiastic outbreak in a madhouse. We could not understand, because we were too far and could not remember, because we were traveling in the night of first ages, of those ages that are gone, leaving hardly a sign--and no memories.