Travelers Series Quotes

A man of my acquaintance once wrote a poem called "The Road Less Traveled", describing a journey he took through the woods along a path most travelers never used. The poet found that the road less traveled was peaceful but quite lonely, and he was probably a bit nervous as he went along, because if anything happened on the road less traveled, the other travelers would be on the road more frequently traveled and so couldn't hear him as he cried for help. Sure enough, that poet is dead.

But that's the glory of foreign travel, as far as I am concerned. I don't want to know what people are talking about. I can't think of anything that excites a greater sense of childlike wonder than to be in a country where you are ignorant of almost everything. Suddenly you are five years old again. You can't read anything, you have only the most rudimentary sense of how things work, you can't even reliably cross a street without endangering your life. Your whole existence becomes a series of interesting guesses.

It is a curious thing, but as one travels the world getting older and older, it appears that happiness is easier to get used to than despair. The second time you have a root beer float, for instance, your happiness at sipping the delicious concoction may not be quite as enormous as when you first had a root beer float, and the twelfth time your happiness may be still less enormous, until root beer floats begin to offer you very little happiness at all, because you have become used to the taste of vanilla ice cream and root beer mixed together. However, the second time you find a thumbtack in your root beer float, your despair is much greater than the first time, when you dismissed the thumbtack as a freak accident rather than part of the scheme of a soda jerk, a phrase which here means "ice cream shop employee who is trying to injure your tongue," and by the twelfth time you find a thumbtack, your despair is even greater still, until you can hardly utter the phrase "root beer float" without bursting into tears. It is almost as if happiness is an acquired taste, like coconut cordial or ceviche, to which you can eventually become accustomed, but despair is something surprising each time you encounter it.

Traveling is a fool's paradise. Our first journeys discover to us the indifference of places. At home I dream that at Naples, at Rome, I can be intoxicated with beauty, and lose my sadness. I pack my trunk, embrace my friends, embark on the sea, and at last wake up in Naples, and there beside me is the stern fact, the sad self, unrelenting, identical, that I fled from. I seek the Vatican, and the palaces. I affect to be intoxicated with sights and suggestions, but I am not intoxicated. My giant goes with me wherever I go.

I want to follow your orders, but, I…I still work for military intelligence, and I need permission to travel out of my stationed area.

I am calling to tell you that Colonel Yildiz has made travel arrangements for you, Tara, and me. We are flying to Istanbul tomorrow. I’ll call you back and with the departure time. Do you understand?

The paradox of love is that to have it is to want to preserve it because it's perfect in the moment but that preservation is impossible because the perfection is only ever an instant passed through. Love like travel is a series of moments that we immediately leave behind. Still we try to hold on and embalm against all evidence and common sense proclaiming our promises and plans. The more I loved him the more I felt hope. But hope acknowledges uncertainty and so I also felt my first premonitions of loss.

But we can also ask for something we are much more likely to get, and that is to find a person or two, somewhere in our travels, who will tell us that we are noble enough, whether it is true or not. We can ask for someone who will say, “You are noble enough,” and remind us of our good qualities when we have forgotten them, or cast them into doubt.

Traveling is more fun-- hell, life is more fun--if you can treat it as a series of impulses.

I guess we’ll be traveling in uncharted waters.” “That’ll be fun,” Phil said.

Travelling is a fool's paradise. We owe to our first journeys the discovery that place is nothing. At home I dream that at Naples, at Rome, I can be intoxicated with beauty, and lose my sadness. I pack my trunk, embrace my friends, embark on the sea, and at last wake up in Naples, and there beside me is the stern Fact, the sad self, unrelenting identical that I fled from.

In climbing, there was always a fraction of a second between the security of being locked in and the freedom of an actual rappel.

Lucas Benes lay in a sleeping bag on the roof of his father’s hotel, dreaming about a past he couldn’t remember.

The sign above the door was written in French. It read: ARRÊTE ! C’EST ICI L’EMPIRE DE LA MORT. “That means,” he explained to Gini, “‘Stop! It is here the Empire of Death.

And whether rich or poor, well or ill, happy or sad, books can be a refuge, they do not change with changing circumstance, they are the open highway to yesterday, today and tomorrow wherever you will to travel.

Destiny. To believe that a life is meant for a single purpose, one must also believe in a common fate. Father to daughter, brother to sister, mother to child. Blood ties can be as unyielding as they are eternal. But it is our bonds of choice that truly light the road we travel. Love versus hatred. Loyalty against betrayal. A person's true destiny can only be revealed at the end of his journey, and the story I have to tell is far from over.

As she starts to read, the book travels into her from a long distance, from his mind to mine, across a gap in time, and now she’s not in the room any more, she’s inside the sentences, one joined to the next like a series of tunnels, connected to each other at angles.

But that’s the wonderful thing about foreign travel, suddenly you are five years old again. You can’t read anything, you have only the most basic sense of how things work, you can’t even reliably cross the street without endangering your life. Your whole existence becomes a series of interesting guesses.

I feel moderately bad about this whole thing. On the one hand, I am providing myself with urgently required survival skills. Other lessons in this series include Shoplifting, Beating People Up, Picking Locks, Climbing Trees, Driving, Housebreaking, Dumpster Diving, and How to Use Oddball Things like Venetian Blinds and Garbage Can Lids as Weapons. On the other hand, I’m corrupting my poor innocent little self. I sigh. Somebody’s got to do it.

I want to know what your skin feels like after three days of traveling and no bother of a shower because what we see is more and worth more than how we feel.

Wilderness areas are first of all a series of sanctuaries for the primitive arts of wilderness travel, especially canoeing and packing. I suppose some will wish to debate whether it is important to keep these primitive arts alive. I shall not debate it. Either you know it in your bones, or you are very, very old.

but paper and ink have conjuring abilities of their own. arrangements of lines and shapes, of letters and words on a series of pages make a world we can dwell and travel in.

we missed you at the wedding," he said. "Yeah." puck shrugged. "I was in Kyoto at the time, visiting some old kitsune friends. We were travelling up to Hokaido to check out this old temple that was supposedly haunted. Turns out, a yuki-onna had taken up residence there and had scared off most of the locals. She wasn't terribly happy to see us. Can you believe it?" He grinned. "Course, we, uh, might've pissed her off when the temple caught fire-you know how kitsune are. She chased us all the way to the coast, throwing icicles, causing blizzards...the old hag even tried to bury us under an avalanche. We almost died." He sighed dreamily and looked at Ash. "You should've been there ice-boy.

For Hercules, the choice was between vice and virtue, the easy way and the hard way, the well-trod path and the road less traveled. We all face this choice.

The road goes upward towards the light; but the laden traveler may never reach the end of it.

Something that’s bothered me for a while now is the current profligacy in YA culture of Team Boy 1 vs Team Boy 2 fangirling. [...] Despite the fact that I have no objection to shipping, this particular species of team-choosing troubled me, though I had difficulty understanding why. Then I saw it applied to Suzanne Collins’s The Hunger Games trilogy – Team Peeta vs Team Gale – and all of a sudden it hit me that anyone who thought romance and love-triangles were the main event in that series had utterly missed the point. Sure, those elements are present in the story, but they aren’t anywhere near being the bones of it, because The Hunger Games, more than anything else, is about war, survival, politics, propaganda and power. Seeing such a strong, raw narrative reduced to a single vapid argument – which boy is cuter? – made me physically angry. So, look. People read different books for different reasons. The thing I love about a story are not necessarily the things you love, and vice versa. But riddle me this: are the readers of these series really so excited, so thrilled by the prospect of choosing! between! two! different! boys! that they have to boil entire narratives down to a binary equation based on male physical perfection and, if we’re very lucky, chivalrous behaviour? While feminism most certainly champions the right of women to chose their own partners, it also supports them to choose things besides men, or to postpone the question of partnership in favour of other pursuits – knowledge, for instance. Adventure. Careers. Wild dancing. Fun. Friendship. Travel. Glorious mayhem. And while, as a woman now happily entering her fourth year of marriage, I’d be the last person on Earth to suggest that male companionship is inimical to any of those things, what’s starting to bother me is the comparative dearth of YA stories which aren’t, in some way, shape or form, focussed on Girls Getting Boyfriends, and particularly Hot Immortal Or Magical Boyfriends Whom They Will Love For All Eternity. Blog post: Love Team Freezer

O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy? Pratchett: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question. O: It’s a rather ghettoized genre. P: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre. O: It’s certainly regarded as less than serious fiction. P: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy. Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that. (Pauses) That was a bloody good answer, though I say it myself.

There are people in this world so rich that when it rains they simply fly away on private jets in search of sun.

For anyone who wanted to throw away his watch, along with his past, this was the place.

To travel beyond our world is to change this present one forever.

I think, no, I know that you are special, but some kind of saviour?’ She grinned and slapped him, none too lightly, on the cheek. ‘You’re not the Messiah, you’re a very naughty boy.

We are the memory keepers and the trappers of time; stealers of stolen glances and breathless lungs from all that have been taken away. We are the noticers of subtle signs hidden in plain sight by a benevolent universe bigger than we'd ever believe...We are the directionless wanderers and the destinationless travelers and we are the crumpled map that never got packed to join us. We are the cinematic lovers and the translucent curtains saturated in light. The soundtrack to the moments without sounds and the swiftness that two bodies can become one in the stillness of a second. We, says the last string pulled out, the final string that kept it all together, balled up tight, filling us after all this time, We, are the chasers of the light.

I could leave it no longer. No-one had taken steps to ensure that he would reach Herron. I had to do it myself. I felt cold at the idea that I had almost decided that it was pointless seeking truths in Rael’s past. I had almost not been here and then he would never have lived in Herron. My life had almost not happened – everyone who had ever lived in Herron had almost not lived - more lost possibilities in the endless possibilities floating in the universe. It was terrifying to me, although I suspected the universe was resigned.

I wonder the world desperate to find the edge of myself.

If you have to travel,” Coulter said, “I can’t think of a better way than the Translocator.” “I know, I’m getting spoiled,” Warren replied. “I’m not sure I’ll be able to do airports ever again.” Tanu nodded. “No customs, no checked bags, no tiny seats for ten hours at a time.” “What are you griping about?” Warren said. “You hibernate like a grizzly on those long flights.” “I sleep to escape the torture,” Tanu maintained.

What is in mind is a sort of Chautauqua...that's the only name I can think of for it...like the traveling tent-show Chautauquas that used to move across America, this America, the one that we are now in, an old-time series of popular talks intended to edify and entertain, improve the mind and bring culture and enlightenment to the ears and thoughts of the hearer. The Chautauquas were pushed aside by faster-paced radio, movies and TV, and it seems to me the change was not entirely an improvement. Perhaps because of these changes the stream of national consciousness moves faster now, and is broader, but it seems to run less deep. The old channels cannot contain it and in its search for new ones there seems to be growing havoc and destruction along its banks. In this Chautauqua I would like not to cut any new channels of consciousness but simply dig deeper into old ones that have become silted in with the debris of thoughts grown stale and platitudes too often repeated. "What's new?" is an interesting and broadening eternal question, but one which, if pursued exclusively, results only in an endless parade of trivia and fashion, the silt of tomorrow. I would like, instead, to be concerned with the question "What is best?," a question which cuts deeply rather than broadly, a question whose answers tend to move the silt downstream. There are eras of human history in which the channels of thought have been too deeply cut and no change was possible, and nothing new ever happened, and "best" was a matter of dogma, but that is not the situation now. Now the stream of our common consciousness seems to be obliterating its own banks, losing its central direction and purpose, flooding the lowlands, disconnecting and isolating the highlands and to no particular purpose other than the wasteful fulfillment of its own internal momentum. Some channel deepening seems called for.

There was nothing for many, many kilometers surrounding the train...and that what she had thought while traveling on the train: that to journey through such emptiness was to invite it inside.

-NONREADING- Bookstores don't provide a remote control for Proust, you can't switch to a soccer match, or a quiz show, win a Cadillac. We live longer but less precisely and in shorter sentences. We travel faster, farther, more often, but bring back slides instead of memories. Here I am with some guy. There I guess that's my ex. Here everyone's naked so this must be a beach. Seven volumes—mercy. Couldn't it be cut or summarized, or better yet put into pictures. There was that series called "The Doll," but my sister-in-law says that's some other P.* And by the way, who was he anyway. They say he wrote in bed for years on end. Page after page at a snail's pace. But we're still going in fifth gear and, knock on wood, never better.

I’d love to be a tabletop in Paris, where food is art and life combined in one, where people gather and talk for hours. I want lovers to meet over me. I’d want to be covered in drops of candle wax and breadcrumbs and rings from the bottom of wineglasses. I would never be lonely, and I would always serve a good purpose.

I have no churlish objection to the circumnavigation of the globe, for the purposes of art, of study, and benevolence, so that the man is first domesticated, or does not go abroad with the hope of finding somewhat greater than he knows. He who travels to be amused, or to get somewhat which he does not carry, travels away from himself, and grows old even in youth among old things

One of the greatest comforts of this life is friendship; and one of the comforts of friendship is that of having someone we can trust with a secret. But friendship does not pair us off into couples, as marriage does; each of us generally has more than one friend to his name, and so a chain is formed, of which no man can see the end. When we allow ourselves the comfort of depositing a secret in the bosom of a friend, we inspire him with the wish to enjoy the same comfort for himself. It is true that we always ask him not to tell anyone else; and this is a condition which, if taken literally, would break the series of comforting confidences at once. But the general practice is to regard the obligation as one which prevents a man from passing the secret on, except to an equally trusted friend and on the same condition of silence. From trusted friend to trusted friend, the secret travels and travels along an unending chain, until it reaches the ears of the very man or men from whom the first speaker meant to keep it for ever. It would generally require a long time to get there, if each of us only had two friends—one to confide the secret to us, and another to whom we can pass it on. But there are some privileged men who have hundreds of friends, and once a secret reaches one of them, its subsequent journeys are so rapid and multitudinous that no one can keep track of them.

Telling someone like my mother that Hell is a real, physical place, somewhere you can travel to and from, would be like spray-painting the statue of Jesus hanging over the pulpit during mass. Better off telling her the Pope is gay.

There is of course a deep spiritual need which the pilgrimage seems to satisfy, particularly for those hardy enough to tackle the journey on foot.

Fragment after fragment we make sense of everything. Fragment after fragment we travel our existence. Fragment after fragment we evolve.

explanations, like dreams, only make sense while they’re happening.

Swords, Lances, arrows, machine guns, and even high explosives have had far less power over the fates of nations than the typhus louse, the plague flea, and the yellow-fever mosquito. Civilizations have retreated from the plasmodium of malaria, and armies have crumbled into rabbles under the onslaught of cholera spirilla, or of dysentery and typhoid bacilli. Huge areas have bee devastated by the trypanosome that travels on the wings of the tsetse fly, and generations have been harassed by the syphilis of a courtier. War and conquest and that herd existence which is an accompaniment of what we call civilization have merely set the stage for these more powerful agents of human tragedy.

In the pragmatist, streetwise climate of advanced postmodern capitalism, with its scepticism of big pictures and grand narratives, its hard-nosed disenchantment with the metaphysical, 'life' is one among a whole series of discredited totalities. We are invited to think small rather than big – ironically, at just the point when some of those out to destroy Western civilization are doing exactly the opposite. In the conflict between Western capitalism and radical Islam, a paucity of belief squares up to an excess of it. The West finds itself faced with a full-blooded metaphysical onslaught at just the historical point that it has, so to speak, philosophically disarmed. As far as belief goes, postmodernism prefers to travel light: it has beliefs, to be sure, but it does not have faith.

Touch is a magical thing, Natti,” he explained. “It can comfort.” He raised one hand and stroked her cheek, soft and gentle. “It can entice.” His thumb moved along her jaw and applied pressure as it traveled down her neck, causing her to shiver with delight. “And it can hurt. Whatever the intensions, it brings two people together. It makes a certain . . . connection.

I was myself drawn along a path that was just as hypothetical, but it had become a matter of indifference to me whether or not I reached my destination: basically, what I wanted to do was to continue to travel with Fox across the prairies and mountains, to experience the awakenings, the baths in a freezing river, the minutes spent drying in the sun, the evenings spent around the fire in the starlight. I had attained innocence, in an absolute and nonconflictual state, I no longer had any plan, nor any objective, and my individuality dissolved into an indefinite series of days; I was happy.

Particularly Penny likes to do window shopping, which is basically flying to the glass windows of stores she likes and then pecking furiously at the window. “Why do you want a dress,” I complained as I pulled Penny off a window.

It’s a bittersweet road we parents travel. We start with total commitment to a small, helpless human being. Over the years we worry, plan, comfort, and try to understand. We give our love, our labor, our knowledge, and our experience—so that one day he or she will have the inner strength and confidence to leave us.

It’s not possible to ever forget the life moments where, in the morning ocean breeze, you can walk along the beach and pick colorful shells and corals… pity you are not allowed to take them home, but you can always take a picture or video.

The smell of books soothed his soul like nothing else could. The store was his haven, his refuge, and most importantly, it was safe. Here he could go anywhere in the world, explore the seas, scale mountains, travel through time and space or fall in love.

He was wrong in thinking that by saying 'Nnphnn!' Sunny had been complaining about getting undressed in front of her siblings. Sunny's oversized suit had muffled the word she was really saying, and it was a word that still haunts me in my dreams as I toss and turn each night, images of Beatrice and her legacy filling my weary, grieving brain no matter where in the world I travel and no matter what important evidence I discover.

Travel is like love, mostly because it’s a heightened state of awareness, in which we are mindful, receptive, undimmed by familiarity and ready to be transformed. That is why the best trips, like the best love affairs, never really end.” All love affairs, all long-term relationships—travel included—demand that we keep an element of mystery alive and kicking.

All the best days start with a latte and a time trip.

In Paris, everything was fixable for the right price.

How could I ever forget my best friend, the man, who had changed my destiny simply by allowing me to write about him?

Life is defined by time, appreciate the beauty of time.

Like seasonless fowl we migrate… from East Coast to West Coast and back and forth again, for a job, for a friend, for a change, for a kick.

Oui, se souvenir. Témoigner. C'est ce qui nous reste pour combattre le passé et restaurer notre humanité.

Do you have any idea how little control we have up here? Anything goes wrong and we’ve got no recourse. This mode of travel is complete insanity.” I bit the inside of my cheek

I did not write this work merely with the aim of setting the exegetical record straight. My larger target is those contemporaries who -- in repeated acts of wish-fulfillment -- have appropriated conclusions from the philosophy of science and put them to work in aid of a variety of social cum political causes for which those conclusions are ill adapted. Feminists, religious apologists (including "creation scientists"), counterculturalists, neoconservatives, and a host of other curious fellow-travelers have claimed to find crucial grist for their mills in, for instance, the avowed incommensurability and underdetermination of scientific theories. The displacement of the idea that facts and evidence matter by the idea that everything boils down to subjective interests and perspectives is -- second only to American political campaigns -- the most prominent and pernicious manifestation of anti-intellectualism in our time.

Who will take care of us out there?" Klaus said, looking out on the flat horizon. "Nobody," Violet said. "We'll have to take care of ourselves. We'll have to be self-sustaining." "Like the hot air mobile home," Klaus said, "that could travel and survive all by itself." "Like me," Sunny said, and abruptly stood up. Violet and Klaus gasped in surprise as their baby sister took her first wobbly steps, and then walked closely beside her, ready to catch her if she fell. But she didn't fall. Sunny took a few more self-sustaining steps, and then the three Baudelaires stood together, casting long shadows across the horizon in the dying light of the sunset.

Sooner or later, if they are to be healed, they must learn that the entirety of one’s adult life is a series of personal choices, decisions. If they can accept this totally, then they become free people. To the extent that they do not accept this they will forever feel themselves victims.

BOLLOXIMIAN: My pleasures for new cunts I will uphold, And have reserves of kindness for the old. I grant in absence dildo may be used With milk of goats, when once our seed’s infused. My prick no more to bald cunt shall resort— Merkins rub off, and often spoil the sport. POCKENELLO: Let merkin, sir, be banished from the court. PENE: 'Tis like a dead hedge when the land is poor.

Have you really not noticed, then, that here of all places, in this private, personal solitude that surrounds me, I have turned to you? All the memories of my youth speak to me as I walk, just as the sea shells crunch under my feet on the beach. The crash of every wave awakens far-distant reverberations within me... I hear the rumble of bygone days, and in my mind the whole endless series of old passions surges forward like the billows. I remember my spasms, my sorrows, gusts of desire that whistled like wind in the rigging, and vast vague longings that swirled in the dark like a flock of wild gulls in a stormcloud... On whom should I lean, if not on you? My weary mind turns for refreshment to the thought of you as a dusty traveler might sink onto a soft and grassy bank...

He chuckled. “All I can see is that goddamn necklace. Being seen with you could jeopardize my career. Do you have anything illegal in that bag?” “Never,” I said. “A man can’t travel around on airplanes wearing a Condor Legion neck-piece unless he’s totally clean. I’m not even armed … This whole situation makes me feel nervous and weird and thirsty.” I lifted my sunglasses to look for the bar, but the light was too harsh.

One shoulder had slipped from the coverings and appeared bound with a thin strap of shiny material the color of blushed skin. Damn if he didn’t want that face on his chest, those fingers threading through his hair, his own fingers exploring the soft lushness of her body. She disturbed him, called to him even in sleep, and he didn’t like it.

In all these assaults on the senses there is a great wisdom — not only about the addictiveness of pleasures but about their ephemerality. The essence of addiction, after all, is that pleasure tends to desperate and leave the mind agitated, hungry for more. The idea that just one more dollar, one more dalliance, one more rung on the ladder will leave us feeling sated reflects a misunderstanding about human nature — a misunderstanding, moreover, that is built into human nature; we are designed to feel that the next great goal will bring bliss, and the bliss is designed to evaporate shortly after we get there. Natural selection has a malicious sense of humor; it leads us along with a series of promises and then keeps saying ‘Just kidding.’ As the Bible puts it, ‘All the labour of man is for his mouth, and yet the appetite is not filled.’ Remarkably, we go our whole lives without ever really catching on. The advice of the sages — that we refuse to play this game — is nothing less than an incitement to mutiny, to rebel against our creator. Sensual pleasures are the whip natural selection uses to control us to keep us in the thrall of its warped value system. To cultivate some indifference to them is one plausible route to liberation. While few of us can claim to have traveled far on this route, the proliferation of this scriptural advice suggests it has been followed some distance with some success.

A heavenly female with long, russet tresses that drifted over her right shoulder in undulating waves stepped toward him. A bright blue ribbon held her unruly mass of hair. She wore a light blue, snugly fitted shirt that matched the ribbon. It clung to full breasts tapering to a narrow waist. Skin like polished stone with a light kiss from the sun gleamed in the gathering light. Large, round, azure eyes the shade of sea shoals under a noonday summer sun and blanketed with thick lashes assessed him and left him speechless.

I remember my father, who had served in Vietnam, once talking to me about how real courage is when you're scared out of your mind but you do what you have to do anyway. I didn't feel very courageous at the moment. I felt like a small mouse in the mouth of a lion.

I can’t think of anything that excites a greater sense of childlike wonder than to be in a country where you are ignorant of almost everything. Suddenly you are five years old again. You can’t read anything, you have only the most rudimentary sense of how things work, you can’t even reliably cross a street without endangering your life. Your whole existence becomes a series of interesting guesses.

You could go to the ends of the Earth and love would still follow you there. It's not a place or a memory, oh no. Love is something inside you, something that only you can feel, because your love is yours. You'll never leave it behind. You could go cross-country, cross oceans or travel to the moon and that love? It'll still be there, tucked away in a dark corner of your heart just waiting for you to acknowledge it.

Are you in need of assistance?" The man's fierce, disturbing appearance should have caused her to run in the opposite direction as fast as possible, but she felt an unexplainable urge to help him. "My name is Gillian Adair. My father is a doctor. You look as though you might need his help." The man watched her; an expression of total confusion twisted his face. “Are ye my angel, then? Have ye come to take me from this hell?

In the end, a person is only know by the impact he or she has on others. The Gift of Work: He who loves his work never labors. The Gift of Money: Money is nothing more than a tool. It can be a force for good, a force for evil, or simple be idle. The Gift of Friends: It is a wealthy person, indeed, who calculates riches not in gold but in friends. The Gift of Learning: Education is a lifelong journey whose destination expands as you travel. The desire and hunger for education is the key to real learning. The Gift of Problems: Problems can only be avoided by exercising good judgment. Good judgment can only be gained by experiencing life's problems. The Gift of Family: Some people are born into wonderful families. Others have to find or create them. Being a member of a family is a priceless privilege which costs nothing but love. The Gift of Laughter: Laughter is good medicine for the soul. Our world is desperately in need of more such medicine. The Gift of Dreams: Faith is all that dreamers need to see into the future. The Gift of Giving: The only way you can truly get more out of life for yourself is to give part of yourself away. One of the key principles in giving, is that the gift must be yours to give-either something you earned or created or maybe, simply, part of yourself. The Gift of Gratitude: In those times when we yearn to have more in our lives, we should dwell on the things we already have. In doing so, we will often find that our lives are already full to overflowing. The Golden List: Every morning before getting up visualize a golden tablet on which is written ten things in your life you are especially thankful for. The Gift of a Day: Life at its essence boils down to one day at a time. Today is the Day! If we can learn how to live one day to its fullest, our lives will be rich and meaningful. The Gift of Love: Love is a treasure for which we can never pay. The only way we keep it is to give it away. The Ultimate Gift: In the end, life lived to its fullest is its own ultimate gift.

All reading matter, fiction or nonfiction, inspirational or factual—no matter where the stage is set whether the books were printed a hundred or more years ago or only yesterday, whether or not we like what we read—is a journey for the mind. We find ourselves in strange countries and walk in them with strange people, for a time. Often we do not like what we see and hear and encounter; often we do not comprehend it. It's like arriving someplace at night, and then in the morning looking out of the windows, not understanding what we see. However, whether we travel with pleasure or repulsion, comprehension or bewilderment, these journeys expand the mind and enlarge our grasp of the world that once was or that which is now, or even that which may sometime be.

I have been enormously impressed by the role that pure chance plays in determining our life history. I was reminded of some famous lines of Robert Frost: Two roads diverged in a yellow wood, And sorry I could not travel both I took the one less travled by, And that has made all the difference. As I recalled my own experience and development, I was impressed by the series of lucky accidents that determined the road I traveled. > From "Lives of the Laureates" pg.67

It is a curious thing, but as one travels the world getting older and older, it appears that happiness is easier to get used to than despair.... It is almost as if happiness is an acquire taste, like coconut cordial or ceviche, to which you can eventually become accustomed, but despair is something surprising each time you encounter it.

Astronomers suspect that the Oort Cloud could extend as far as three light-years from our solar system. That is more than halfway to the nearest stars, the Centauri triple star system, which is slightly more than four light-years from Earth. If we assume that the Centauri star system is also surrounded by a sphere of comets, then there might be a continuous trail of comets connecting it to Earth. It may be possible to establish a series of refueling stations, outposts, and relay locations on a grand interstellar highway. Instead of leaping to the next star in one jump, we might cultivate the more modest goal of "comet hopping" to the Centauri system. This thoroughfare could become a cosmic Route 66.

Life is difficult. This is a great truth, one of the greatest truths.1 It is a great truth because once we truly see this truth, we transcend it. Once we truly know that life is difficult—once we truly understand and accept it—then life is no longer difficult. Because once it is accepted, the fact that life is difficult no longer matters. Most do not fully see this truth that life is difficult. Instead they moan more or less incessantly, noisily or subtly, about the enormity of their problems, their burdens, and their difficulties as if life were generally easy, as if life should be easy. They voice their belief, noisily or subtly, that their difficulties represent a unique kind of affliction that should not be and that has somehow been especially visited upon them, or else upon their families, their tribe, their class, their nation, their race or even their species, and not upon others. I know about this moaning because I have done my share. Life is a series of problems. Do we want to moan about them or solve them? Do we want to teach our children to solve them? Discipline is the basic set of tools we require to solve life’s problems. Without discipline we can solve nothing. With only some discipline we can solve only some problems. With total discipline we can solve all problems. What makes life difficult is that the process of confronting and solving problems is a painful one. Problems, depending upon their nature, evoke in us frustration or grief or sadness or loneliness or guilt or regret or anger or fear or anxiety or anguish or despair. These are uncomfortable feelings, often very uncomfortable, often as painful as any kind of physical pain, sometimes equaling the very worst kind of physical pain. Indeed, it is because of the pain that events or conflicts engender in us all that we call them problems. And since life poses an endless series of problems, life is always difficult and is full of pain as well as joy.

When at last a cab arrived and pulled up directly in front of me, I was astonished to discover that seventeen grown men and women believed they had a perfect right to try to get in ahead of me. A middle-aged man in a cashmere coat who was obviously wealthy and well-educated actually laid hands on me. I maintained possession by making a series of aggrieved Gallic honking noises—“Mais, non! Mais, non!”—and using my bulk to block the door. I leaped in, resisting the chance to catch the pushy man’s tie in the door and let him trot along with us to the Gare du Nord, and told the driver to get me the hell out of there. He looked at me as if I were a large, imperfectly formed turd, and with a disgusted sigh engaged first gear.

Wanting to be through with this quickly, I leaned forward and kissed him. Almost. I lost my nerve halfway there, somewhere around the moment I noticed he had a freckle next to his eye and wondered ridiculously if that was something he would remove if I asked it of him, and instead of a proper kiss, I merely brushed my lips against his. It was a shadow of a kiss, cool and insubstantial, and I almost wish I could be romantic and say it was somehow transformative, but in truth, I barely felt it. But then his eyes came open, and he smiled at me with such innocent happiness that my ridiculous heart gave a leap and would have answered him instantly, if it was the organ in charge of my decision-making. "Choose whenever you wish," he said. "No doubt you will first need to draw up a list of pros and cons, or perhaps a series of bar plots. If you like, I will help you organize them into categories." I cleared my throat. "It strikes me that this is all pointless speculation. You cannot marry me. I am not going to be left behind, pining for you, when you return to your kingdom. I have no time for pining." He gave me an astonished look. "Leave you behind! As if you would consent to that. I would expect to be burnt alive when next I returned to visit. No, Em, you will come with me, and we will rule my kingdom together. You will scheme and strategize until you have all my councillors eating out of your hand as easily as you do Poe, and I will show you everything---everything. We will travel to the darkest parts of my realm and back again, and you will find answers to questions you have never even thought to ask, and enough material to fill every journal and library with your discoveries.

And in an essential way, this was what he was most ashamed of: not his poor understanding of sex, not his traitorous racial tendencies, not his inability to separate himself from his parents or make his own money or behave like an autonomous creature. It was that, when he and his colleagues sat there at night, the group of them burrowed deep into their own ambitious dream-structures, all of them drawing and planning their improbable buildings, he was doing nothing. He had lost the ability to imagine anything. And so every evening, while the others created, he copied: he drew buildings he had seen on his travels, buildings other people had dreamed and constructed, buildings he had lived in or passed through. Again and again, he made what had already been made, not bothering to improve them, just mimicking them. He was twenty-eight; his imagination had deserted him; he was a copyist. It frightened him. JB had his series. Jude had his work, Willem had his. But what if Malcolm never again created anything? He longed for the years when it was enough to simply be in his room with his hand moving over a piece of graph paper, before the years of decisions and identities, when his parents made his choices for him, and the only thing he had to concentrate on was the clean blade stroke of a line, the ruler's perfect knife edge.

Incredible in retrospect, all of it, but especially the parts having to do with travel and communications. This was how he arrived in this airport: he’d boarded a machine that transported him at high speed a mile above the surface of the earth. This was how he’d told Miranda Carroll of her ex-husband’s death: he’d pressed a series of buttons on a device that had connected him within seconds to an instrument on the other side of the world, and Miranda—barefoot on a white sand beach with a shipping fleet shining before her in the dark—had pressed a button that had connected her via satellite to New York. These taken-for-granted miracles that had persisted all around them.

Pensei para mim que os homens são mais interessantes do que os livros, mas têm o defeito de não podermos saltar certos capítulos. Temos, no mínimo, de folhear o livro inteiro para encontrar uma página que valha a pena. E não podemos colocá-los numa estante e pegar neles quando nos apetece; é preciso lê-los quando a oportunidade se apresenta, à semelhança de um livro de uma biblioteca itinerante que é muito procurado, e temos de esperar a nossa vez para o ler e, quando o recebemos, não podemos ficar com ele mais de vinte e quatro horas. Podemos nem ter vontade de o ler naquele momento ou pode acontecer que, com a pressa, nos passe despercebida a única coisa que tinha para nos oferecer.

The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought. Had the group of stragglers moping down the hallway seen that future, they would have all turned en masse and rushed from the hospital out into the open air and collapsed onto the lawn and sobbed like children. As it was, they moved like turtles toward Chona’s room as Moshe’s howl rang out. They were in no hurry. The journey ahead was long. There was no promise ahead. There was no need to rush now.

It was a music that had so little wisdom you wanted to clean nearly every note he passed, passed it seemed along the way as if travelling in a car, passed before he even approached it and saw it properly. There was no control except the mood of his power … and it is for this reason it is good you never heard him play on recordings. If you never heard him play some place where the weather for instance could change the next series of notes—then you should never have heard him at all. He was never recorded.

Today an estimated 13 percent of birds are threatened, according to the International Union for Conservation of Nature. So are 25 percent of mammals and 41 percent of amphibians, in large part because of human activity. Hydropower and road construction imperil China’s giant pandas. The northern bald ibis, once abundant in the Middle East, has been driven almost to extinction by hunting, habitat loss, and the difficulties of doing conservation work in war-torn Syria. Hunting and the destruction of wetlands for agriculture drove the population of North America’s tallest bird, the whooping crane, into the teens before stringent protections along the birds’ migratory route and wintering grounds helped the wild flock build back to a few hundred. Little brown bats are dying off in the United States and Canada from a fungus that might have been imported from Europe by travelers. Of some 300 species of freshwater mussels in North America, fully 70 percent are extinct, imperiled, or vulnerable, thanks to the impacts of water pollution from logging, dams, farm runoff, and shoreline development.

Well, sir,” he said, “we’ve got a murder now and then, or we can read about them. Then we’ve got the World Series. You can raise a wind any time over the Pirates or the Yankees, but I guess the best of all is we’ve got the Russians.” “Feelings pretty strong there?” “Oh, sure! Hardly a day goes by somebody doesn’t take a belt at the Russians.” ... I asked, “Anybody know any Russians around here?” And now he went all out and laughed. “Course not. That’s why they’re valuable. Nobody can find fault with you if you take out after the Russians.

When once to a man the human face is the human face divine, and the hand of his neighbour is the hand of a brother, then will he understand what St Paul meant when he said, "I could wish that myself were accursed from Christ for my brethren." But he will no longer understand those who, so far from feeling the love of their neighbour an essential of their being, expect to be set free from its law in the world to come. There, at least, for the glory of God, they may limit its expansive tendencies to the narrow circle of their heaven. On its battlements of safety, they will regard hell from afar, and say to each other, "Hark! Listen to their moans. But do not weep, for they are our neighbours no more." St Paul would be wretched before the throne of God, if he thought there was one man beyond the pale of his mercy, and that as much for God's glory as for the man's sake. And what shall we say of the man Christ Jesus? Who, that loves his brother, would not, upheld by the love of Christ, and with a dim hope that in the far-off time there might be some help for him, arise from the company of the blessed, and walk down into the dismal regions of despair, to sit with the last, the only unredeemed, the Judas of his race, and be himself more blessed in the pains of hell, than in the glories of heaven? Who, in the midst of the golden harps and the white wings, knowing that one of his kind, one miserable brother in the old-world-time when men were taught to love their neighbour as themselves, was howling unheeded far below in the vaults of the creation, who, I say, would not feel that he must arise, that he had no choice, that, awful as it was, he must gird his loins, and go down into the smoke and the darkness and the fire, travelling the weary and fearful road into the far country to find his brother?—who, I mean, that had the mind of Christ, that had the love of the Father?

Definition of “book one”: The best place to start a series. You can identify “book one” by the fact that it says BOOK ONE on the back cover. Smedrys do a happy dance when you read book one first. Entropy shakes its angry fist at you for being clever enough to organize the world. Definition of “book two”: The book you read after book one. If you start with book two, I will make fun of you. (Okay, so I’ll make fun of you either way. But honestly, do you want to give me more ammunition?) Definition of “book three”: The worst place, currently, to start a series. If you start here, I will throw things at you. Definition of “book four”: And … how’d you manage to start with that one? I haven’t even written it yet. (You sneaky time travelers.)

The Desert Fathers believed that the wilderness had been created supremely valuable in the eyes of God precisely because it had no value to men. The wasteland was the land that could never be wasted by men because it offered them nothing. There was nothing to attract them. There was nothing to exploit. The desert was the region in which the Chosen People had wandered for forty years, cared for by God alone. They could have reached the Promised Land in a few months if they had traveled directly to it. God's plan was that they should learn to love Him in the wilderness and that they should always look back on the time in the desert as the idyllic time of their life with Him alone. The desert was created simply to be itself, not to be transformed by men into something else.

He peeled the towel that imprisoned us away and let it fall. I felt it slide softly off my backside, and I felt, too, his rising excite¬ment, hard, erect, pressing against me. My nipples were erect, straining, aching, pressed against his strong warm damp chest, the tangle and pattern of his hair. He was a beast, an animal. My excitement was rising again, to match his. It was as if my heart were about to burst or to flip flop, breathless, into a dark abyss. “Of course, you are crazy, my darling, but, then, so am I.” He kissed me and his oh-so-clever hands seized my waist, tighten¬ing, and then sneaking up my backside, pulling me, pressing me closer, into him. He kissed me again, and his lips moved down my neck to my shoulder and then to my breasts. “Oh,” I said, “Oh.” He bent over me, kissing my collarbone and then my breasts, carefully, slowly, his hands traveling down my back, and over my backside; suddenly, he was on his knees, kissing the whorl of 101 my belly button; then he was forcing me open, gently, gently, his tongue exploring caressing, devouring … “Oh …” I exhaled a deep, shuddering breath. I tipped on the very edge. He bit me, gently. Oooooh! He pulled in the reins, the bit and bridle, of the frisky frothing filly that I had become; this sudden halt made me wilder, crazier; then, once again, he brought me, trembling, up to the very, very edge of the cliff – of orgasm, of loss of self. Then he pulled me back. I blinked and trembled. Around the two of us, there was a whole world, a whole universe. It seemed too vivid to be real, like the backdrop in an opera. Venus was brighter and lower now. The sky had turned deep indigo. One by one, stars appeared.

Like here it was that I entered that stage when a child overcomes naivite enough to realize an adult's emotional reaction as somethimes freakish for its inconsistencies, so can, on his own reasoning canvas, paint those early pale colors of judgement, resulting from initial moments of ability to critically examine life's perplexities, in tentative little brain-engine stirrings, before they faded to quickly join that train of remembered experience carrying signals indicating existence which itself far outweighs traction effort by thinking's soon slipping drivers to effectively resist any slack-action advantage, for starting so necessitates continual cuts on the hauler - performed as if governed lifelong by the tagwork of a student-green foreman who, crushed under on rushing time always building against his excessive load of emotional contents, is forever a lost ball in the high weeds of personal developments - until, with ever changing emphasis through a whole series of grades of consciousness (leading up from root-beginnings of obscure childish inconscious soul within a world), early lack - for what child sustains logic? - reaches a point of late fossilization, resultant of repeated wrong moves in endless switching of dark significances crammed inside the cranium, where, through such hindering habits, there no longer is the flexibility for thought transfer and unloading of dead freight that a standard gauge would afford and thus, as Faustian Destiny dictates, is an inept mink, limited, being in existence firmly tracked just above the constant "T" biased ballast supporting wherever space yearnings lead the worn rails of civilized comprehension, so henceforth is restricted to mere pickups and setouts of drab distortion, while traveling wearily along its familiar Western Thinking right-of-way. But choo-choo nonsense aside, ...

These waves, predicted by Einstein, are ripples moving at the speed of light across the fabric of space-time, and are generated by severe gravitational disturbances, such as the collision of two black holes. And that’s exactly what was observed. The gravitational waves of the first detection were generated by a collision of black holes in a galaxy 1.3 billion light-years away, and at a time when Earth was teeming with simple, single-celled organisms. While the ripple moved through space in all directions, Earth would, after another 800 million years, evolve complex life, including flowers and dinosaurs and flying creatures, as well as a branch of vertebrates called mammals. Among the mammals, a sub-branch would evolve frontal lobes and complex thought to accompany them. We call them primates. A single branch of these primates would develop a genetic mutation that allowed speech, and that branch—Homo sapiens—would invent agriculture and civilization and philosophy and art and science. All in the last ten thousand years. Ultimately, one of its twentieth-century scientists would invent relativity out of his head, and predict the existence of gravitational waves. A century later, technology capable of seeing these waves would finally catch up with the prediction, just days before that gravity wave, which had been traveling for 1.3 billion years, washed over Earth and was detected. Yes, Einstein was a badass.

What is in mind is a sort of Chautauqua...that’s the only name I can think of for it...like the traveling tent-show Chautauquas that used to move across America, this America, the one that we are now in, an old-time series of popular talks intended to edify and entertain, improve the mind and bring culture and enlightenment to the ears and thoughts of the hearer. The Chautauquas were pushed aside by faster-paced radio, movies and TV, and it seems to me the change was not entirely an improvement. Perhaps because of these changes the stream of national consciousness moves faster now, and is broader, but it seems to run less deep. The old channels cannot contain it and in its search for new ones there seems to be growing havoc and destruction along its banks. In this Chautauqua I would like not to cut any new channels of consciousness but simply dig deeper into old ones that have become silted in with the debris of thoughts grown stale and platitudes too often repeated.

Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.

Philosophy is the theory of multiplicities, each of which is composed of actual and virtual elements. Purely actual objects do not exist. Every actual surrounds itself with a cloud of virtual images. This cloud is composed of a series of more or less extensive coexisting circuits, along which the virtual images are distributed, and around which they run. These virtuals vary in kind as well as in their degree of proximity from the actual particles by which they are both emitted and absorbed. They are called virtual in so far as their emission and absorption, creation and destruction, occur in a period of time shorter than the shortest continuous period imaginable; it is this very brevity that keeps them subject to a principle of uncertainty or indetermination. The virtuals, encircling the actual, perpetually renew themselves by emitting yet others, with which they are in turn surrounded and which go on in turn to react upon the actual: ‘in the heart of the cloud of the virtual there is a virtual of a yet higher order ... every virtual particle surrounds itself with a virtual cosmos and each in its turn does likewise indefinitely.’ It is the dramatic identity of their dynamics that makes a perception resemble a particle: an actual perception surrounds itself with a cloud of virtual images, distributed on increasingly remote, increasingly large, moving circuits, which both make and unmake each other. These are memories of different sorts, but they are still called virtual images in that their speed or brevity subjects them too to a principle of the unconsciousness. It is by virtue of their mutual inextricability that virtual images are able to react upon actual objects. From this perspective, the virtual images delimit a continuum, whether one takes all of the circles together or each individually, a spatium determined in each case by the maximum of time imaginable. The varyingly dense layers of the actual object correspond to these, more or less extensive, circles of virtual images. These layers, whilst themselves virtual, and upon which the actual object becomes itself virtual, constitute the total impetus of the object. The plane of immanence, upon which the dissolution of the actual object itself occurs, is itself constituted when both object and image are virtual. But the process of actualization undergone by the actual is one which has as great an effect on the image as it does on the object. The continuum of virtual images is fragmented and the spatium cut up according to whether the temporal decompositions are regular or irregular. The total impetus of the virtual object splits into forces corresponding to the partial continuum, and the speeds traversing the cut-up spatium. The virtual is never independent of the singularities which cut it up and divide it out on the plane of immanence. As Leibniz has shown, force is as much a virtual in the process of being actualized as the space through which it travels. The plane is therefore divided into a multiplicity of planes according to the cuts in the continuum, and to the divisions of force which mark the actualization of the virtual. But all the planes merge into one following the path which leads to the actual. The plane of immanence includes both the virtual and its actualization simultaneously, without there being any assignable limit between the two. The actual is the complement or the product, the object of actualization, which has nothing but virtual as its subject. Actualization belongs to the virtual. The actualization of the virtual is singularity whereas the actual itself is individuality constituted. The actual falls from the plane like a fruit, whist the actualization relates it back to the plane as if to that which turns the object back into a subject.

Her disillusionment with the business had intensified as the need to simplify her stories increased. Her original treatments for Blondie of the Follies and The Prizefighter and the Lady had much more complexity and many more characters than ever made it to the screen, and adapting The Good Earth had served as a nagging reminder of the inherent restraints of film. Frances found herself inspired by memories of Jack London, sitting on the veranda with her father as they extolled the virtues of drinking their liquor “neat,” and remembered his telling her that he went traveling to experience adventure, but “then come back to an unrelated environment and write. I seek one of nature’s hideouts, like this isolated Valley, then I see more clearly the scenes that are the most vivid in my memory.” So she arrived in Napa with the idea of writing the novel she started in her hospital bed with the backdrop of “the chaos, confusion, excitement and daily tidal changes” of the studios, but as she sat on the veranda at Aetna Springs, she knew she was still too close to her mixed feelings about the film business.48 As she walked the trails and passed the schoolhouse that had served the community for sixty years, she talked to the people who had lived there in seclusion for several generations and found their stories “similar to case histories recorded by Freud or Jung.” She concentrated on the women she saw carrying the burden in this community and all others and gave them a depth of emotion and detail. Her series of short stories was published under the title Valley People and critics praised it as a “heartbreak book” that would “never do for screen material.” It won the public plaudits of Dorothy Parker, Rupert Hughes, Joseph Hergesheimer, and other popular writers and Frances proudly viewed Valley People as “an honest book with no punches pulled” and “a tribute to my suffering sex.