Pounding The Pavement Quotes

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When I am an old woman I shall wear purple with a red hat which doesn't go, and doesn't suit me. And I shall spend my pension on brandy and summer gloves and satin sandles, and say we've no money for butter. I shall sit down on the pavement when I'm tired And gobble up samples in shops and press alarm bells And run my stick along the public railings And make up for the sobriety of my youth. I shall go out in my slippers in the rain and pick flowers in other people's gardens And learn to spit. You can wear terrible shirts and grow more fat And eat three pounds of sausages at a go Or only bread and pickle for a week And hoard pens and pencils and beer mats and things in boxes. But now we must have clothes that keep us dry And pay our rent and not swear in the street And set a good example for the children.
Jenny Joseph (Warning: When I Am an Old Woman I Shall Wear Purple)
When one made love to zero spheres embraced their arches and prime numbers caught their breath...
Raymond Queneau (Pounding the Pavements, Beating the Bushes and Other Pataphysical Poems (English and French Edition))
Let others slap each others on the back while you're back in the lab or the gym or pounding the pavement.
Ryan Holiday (Ego Is the Enemy)
Yeah,” said Khloë, “but you guys have been doing the hunka-chunka.” Devon’s face scrunched up. “Doing the what?” “You know…Riding the flagpole. Roasting the broomstick. Going deep into the bush. Pounding the punanni pavement.
Suzanne Wright (Burn (Dark in You #1))
You know…Riding the flagpole. Roasting the broomstick. Going deep into the bush. Pounding the punanni pavement.
Suzanne Wright (Burn (Dark in You, #1))
If you don’t teach that dog to sit, she’s going to die!” said the tall bearded man in blue jeans standing next to me. He pointed at the ground, bent down to get in Belvy’s face, and bellowed at her, “SIT!!” To my astonishment, Belvy sat. She didn’t just sit, she pounded her butt into the pavement, and looked up at the man wagging her tail. The man was in my face now. “See? It’s not mean, it’s clear.” The light changed, and the man strode across the street, leaving me with words to live by.
Kim Malone Scott (Radical Candor: Be a Kickass Boss Without Losing Your Humanity)
Single Mothers Your shoulders are heavy, but you stand tall and raise your head high, knowing that you are raising kings and queens, future leaders of the world. You are pounding the pavement, kicking butt, making it look easy but we know better; we know the struggle, we understand the pain. The road feels lonely but you are not alone.
Janet Autherine (The Heart and Soul of Black Women: Poems of Love, Struggle and Resilience)
As soon as I walked in, he offered me the job. After pounding the pavement all day and finally getting a job, I thought to myself, We make our own luck.
Amanda Yates Garcia (Initiated: Memoir of a Witch)
You will find great leaders pounding the pavement of life instead of pounding the pulpits of their agendas.
Craig D. Lounsbrough
Warning When I am an old woman I shall wear purple With a red hat which doesn't go, and doesn't suit me. And I shall spend my pension on brandy and summer gloves And satin sandals, and say we've no money for butter. I shall sit down on the pavement when I'm tired And gobble up samples in shops and press alarm bells And run my stick along the public railings And make up for the sobriety of my youth. I shall go out in my slippers in the rain And pick flowers in other people's gardens And learn to spit. You can wear terrible shirts and grow more fat And eat three pounds of sausages at a go Or only bread and pickle for a week And hoard pens and pencils and beermats and things in boxes. But now we must have clothes that keep us dry And pay our rent and not swear in the street And set a good example for the children. We must have friends to dinner and read the papers. But maybe I ought to practice a little now? So people who know me are not too shocked and surprised When suddenly I am old, and start to wear purple.
Jenny Joseph
A real panic took hold of me. I didn't know where I was going. I ran along the docks, turned into the deserted streets in the Beauvoisis district; the houses watched my flight with their mournful eyes. I repeated with anguish: Where shall I go? where shall I go? Anything can happen. Sometimes, my heart pounding, I made a sudden right about turn: what was happening behind my back? Maybe it would start behind me and when I would turn around, suddenly, it would be too late. As long as I could stare at things nothing would happen: I looked at them as much as I could, pavements, houses, gaslights; my eyes went rapidly from one to the other, to catch them unawares, stop them in the midst of their metamorphosis. They didn't look too natural, but I told myself forcibly: this is a gaslight, this is a drinking fountain, and I tried to reduce them to their everyday aspect by the power of my gaze. Several times I came across barriers in my path: the Cafe des Bretons, the Bar de la Marine. I stopped, hesitated in front of their pink net curtains: perhaps these snug places had been spared, perhaps they still held a bit of yesterday's world, isolated, forgotten. But I would have to push the door open and enter. I didn't dare; I went on. Doors of houses frightened me especially. I was afraid they would open of themselves. I ended by walking in the middle of the street. I suddenly came out on the Quai des Bassins du Nord. Fishing smacks and small yachts. I put my foot on a ring set in the stone. Here, far from houses, far from doors, I would have a moment of respite. A cork was floating on the calm, black speckled water. "And under the water? You haven't thought what could be under the water." A monster? A giant carapace? sunk in the mud? A dozen pairs of claws or fins labouring slowly in the slime. The monster rises. At the bottom of the water. I went nearer, watching every eddy and undulation. The cork stayed immobile among the black spots.
Jean-Paul Sartre (Nausea)
Let the others slap each other on the back while you’re back in the lab or the gym or pounding the pavement. Plug that hole—that one, right in the middle of your face—that can drain you of your vital life force. Watch what happens. Watch how much better you get.
Ryan Holiday (Ego Is the Enemy)
It was shocking to realize how much of investigation was just brute-force solutions. Going through endless lists looking for one thing that doesn’t fit. Talking to every single potential witness over and over. Pounding the pavement, as the gumshoes in Alex's neo-noir movies might say.
James S.A. Corey (Nemesis Games (The Expanse, #5))
Okay, I'm sorry for not turning up yesterday." His feet pounded against the pavement as he ran to catch up with me. "Don't be mad. Even though you're sexy as hell when you are." He grabbed my arm, pulling me to a stop. "Don't touch me," I shouted. "Just leave me alone. Wherever I go, there you are being creepy and pervy. I'm sick of this, Marshall. And, you know what? I don't give a shit about your secrets. Keep them. I hope they make you feel all warm and snugly at night.
C. Gray (My Heart Be Damned)
Shelton pushed Ben lightly. “Remember when you couldn’t flare without losing your temper? So Hi kicked you from behind to get you mad, and you threw him in the ocean?” Ben snorted. “He deserved it.” “I was providing a service,” Hi protested. “I recall Tory once trying to eat a mouse.” I pinched my nose. “Ugh, don’t remind me.” Ella giggled. “One time Cole lost his flare while carrying a boulder. It pinned his leg for an hour.” Then everyone had a story. Our funeral became a wake. The mood lifted as we swapped flare stories. It was cathartic. A way to say good-bye. I caught Ben smiling at me. “I remember when Tory sniffed that mound of bird crap in the old lighthouse. I thought she’d vomit on the spot.” Chance laughed. “I knew she was too clever. Always with a trick up her sleeve.” The boys glanced at each other. Their smiles faded. Something passed between them. Abruptly, both looked at me. I could see a question in their eyes. A resolve to see something through. They talked. Oh God, they talked about me. They’re going to make me choose. In a flash of dread, I realized I could delay this no longer. With another jolt, I realized I didn’t need to. There was no point putting it off. There was also no decision to make. My eyes met a dark, intense pair staring back earnestly. Longingly. Fearfully. I smiled. Even as my heart pounded. Before anyone spoke, I stepped forward, legs shaking so badly I worried I might fall. But my second foot successfully followed the first. I walked over to Ben’s side. Slipped my hand inside his. Squeezed for dear life. Ben’s eyes widened. He gasped quietly, his chest rising and falling. I met his startled gaze. Smiled through my blushes. A goofy smile split Ben’s face, one I’d never seen before. His fingers crushed mine. No decision to make. Tearing my eyes from Ben, I looked at Chance, found him watching me with a glum expression. Then he sighed, a wry smile twisting his lips. Chance nodded slightly. Not one word spoken. Volumes exchanged. The silence stretched, like a living breathing force. Finally, Hi cleared his throat. “Um.” My face burned scarlet as I remembered our audience. Ella was gaping at me, a delighted grin on her face. Shelton looked like he might turn and run. Hi was rubbing the back of his neck, his face twisted in an uncomfortable grimace. Still no one said a word. This was the most painful moment of my life. “So . . .” Hi drummed his thighs, eyes fixed to the pavement. “Right. A lot just happened there. Weirdly without anyone talking, but, um, yeah.
Kathy Reichs (Terminal (Virals, #5))
WHEN I AM AN OLD WOMAN I SHALL WEAR PURPLE With a red hat which doesn't go, and doesn't suit me. And I shall spend my pension on brandy and summer gloves And satin sandals, and say we've no money for butter. I shall sit down on the pavement when I'm tired And gobble up samples in shops and press alarm bells And run my stick along the public railings And make up for the sobriety of my youth. I shall go out in my slippers in the rain And pick the flowers in other people's gardens And learn to spit You can wear terrible shirts and grow more fat And eat three pounds of sausages at a go Or only bread and pickle for a week And hoard pens and pencils and beermats and things in boxes But now we must have clothes that keep us dry And pay our rent and not swear in the street And set a good example for the children. We must have friends to dinner and read the papers. But maybe I ought to practice a little now? So people who know me are not too shocked and surprised When suddenly I am old, and start to wear purple.
Jenny Joseph
I'm Tessa," she said. "I'm a friend of these girls. And I could ask who the fuck you are, coming over here, trying to be intimidating, and throwing your pitiful masculinity around like it's something to be either proud or afraid of, which is a joke. Since you obviously can't threaten anybody physically--I'm fairly certain Hailey here could pound you into a crimson stain on the pavement in a hot minute--you're trying to overcompensate by making veiled sexual and financial threats, acting like homosexuality is somehow an insult, and basically being an asshole." Harold
Cathy Yardley (Level Up (Fandom Hearts, #1))
We’re walking to our cars when Gabe says, “Hey, Lara Jean, did you know that if you say your name really fast, it sounds like Large? Try it! LaraJean.” Dutifully I repeat, “LaraJean. Larjean. Largy. Actually I think it sounds more like Largy, not Large.” Gabe nods to himself and announces, “I’m going to start calling you Large. You’re so little it’s funny. Right? Like those big guys who go by the name Tiny?” I shrug. “Sure.” Gabe turns to Darrell. “She’s so little she could be our mascot.” “Hey, I’m not that small,” I protest. “How tall are you?” Darrell asks me. “Five two,” I fib. It’s more like five one and a quarter. Tossing his spoon in the trash, Gabe says, “You’re so little you could fit in my pocket!” All the guys laugh. Peter’s smiling in a bemused way. Then Gabe suddenly grabs me and throws me over his shoulder like I’m a kid and he’s my dad. “Gabe! Put me down!” I shriek, kicking my legs and pounding on his chest. He starts spinning around in a circle, and all the guys are cracking up. “I’m going to adopt you, Large! You’re going to be my pet. I’ll put you in my old hamster cage!” I’m giggling so hard I can’t catch my breath and I’m starting to feel dizzy. “Put me down!” “Put her down, man,” Peter says, but he’s laughing too. Gabe runs toward somebody’s pickup truck and sets me down in the back. “Get me out of here!” I yell. Gabe’s already running away. All the guys start getting into their cars. “Bye, Large!” they call out. Peter jogs over to me and extends his hand so I can hop down. “Your friends are crazy,” I say, jumping onto the pavement. “They like you,” he says. “Really?” “Sure. They used to hate when I would bring Gen places. They don’t mind if you hang out with us.” Peter slings his arm around me. “Come on, Large. I’ll take you home.” As we walk to his car, I let my hair fall in my face so he doesn’t see me smiling. It sure is nice being part of a group, feeling like I belong.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
He’s close enough now that I can hear his footfall on the pavement, and I know my chances of outrunning him are slim. I’m practically in a full sprint, and my pounding heart is begging me to take it down a notch. I try to will my feet to keep pace with its beat; but I think it’s humanly impossible to run that fast. And then it dawns on me that my footsteps are the only ones I hear. Somewhere along the way, Tristan’s must have come to a stop. And I can’t quite explain why I’m running this fast in the first place. I slow to a jog, intending to just pick up with my original pace; but I can’t seem to suck in breaths fast enough to propel my feet any further. My molten shoes stutter to a stop, as my hands come to rest on my knees. I’m still wheezily sucking in breath after breath of thick, humid air, when I warily turn to look over my shoulder. Tristan’s standing about fifty feet back, hands on his hips and a completely flummoxed twist in his forehead, his chest rising and falling with equally winded gasps. Evidently I was running faster than I gave myself credit for. As he silently watches me, regaining his breath as I do mine, the confusion on his face turns to undeniable hurt (and not the physical kind). I’ve wounded him, and I can’t even explain why. Man, I really am an ass. I start the slow walk of shame back to where he stands, one hand upon my hip as I pull in a few more calming deep breaths. I’m debating whether to concoct some excuse for my behavior…Maybe I left my contacts out today, and didn’t recognize his face? Who would blame me for running for my life, if a stranger seemed to be following me? But as I amble closer—his wrinkled forehead already fading in the wake of a welcoming smile—I decide not to dig myself a deeper hole. I’m already a straight-up jerk. I’d rather not add lying to my repertoire.
M.A. George (Aqua)
Hannah Winter was sixty all of a sudden, as women of sixty are. Just yesterday - or the day before, at most - she had been a bride of twenty in a wine-coloured silk wedding gown, very stiff and rich. And now here she was, all of a sudden, sixty. (...) This is the way it happened! She was rushing along Peacock Alley to meet her daughter Marcia. Anyone who knows Chicago knows that smoke-blackened pile, the Congress Hotel; and anyone who knows the Congress Hotel has walked down that glittering white marble crypt called Peacock Alley. It is neither so glittering nor so white nor, for that matter, so prone to preen itself as it was in the hotel's palmy '90s. But it still serves as a convenient short cut on a day when Chicago's lake wind makes Michigan Boulevard a hazard, and thus Hannah Winter was using it. She was to have met Marcia at the Michigan Boulevard entrance at two, sharp. And here it was 2.07. When Marcia said two, there she was at two, waiting, lips slightly compressed. (...) So then here it was 2.07, and Hannah Winter, rather panicky, was rushing along Peacock Alley, dodging loungers, and bell-boys, and traveling salesmen and visiting provincials and the inevitable red-faced delegates with satin badges. In her hurry and nervous apprehension she looked, as she scuttled down the narrow passage, very much like the Rabbit who was late for the Duchess's dinner. Her rubber-heeled oxfords were pounding down hard on the white marble pavement. Suddenly she saw coming swiftly toward her a woman who seemed strangely familiar - a well-dressed woman, harassed-looking, a tense frown between her eyes, and her eyes staring so that they protruded a little, as one who runs ahead of herself in her haste. Hannah had just time to note, in a flash, that the woman's smart hat was slightly askew and that, though she walked very fast, her trim ankles showed the inflexibility of age, when she saw that the woman was not going to get out of her way. Hannah Winter swerved quickly to avoid a collision. So did the other woman. Next instant Hannah Winter brought up with a crash against her own image in that long and tricky mirror which forms a broad full-length panel set in the marble wall at the north end of Peacock Alley. Passerby and the loungers on near-by red plush seats came running, but she was unhurt except for a forehead bump that remained black-and-blue for two weeks or more. The bump did not bother her, nor did the slightly amused concern of those who had come to her assistance. She stood there, her hat still askew, staring at this woman - this woman with her stiff ankles, her slightly protruding eyes, her nervous frown, her hat a little sideways - this stranger - this murderess who had just slain, ruthlessly and forever, a sallow, high-spirited girl of twenty in a wine-coloured silk wedding gown.
Edna Ferber (Gigolo)
No work again today, huh? You should be pounding the pavement instead of playing computer games. At least get some exercise. How do you expect to find a woman if you’re all pasty and scrawny? Guess the family name’s dying with you. No work again today, huh?
Daniel Price (The Flight of the Silvers (Silvers, #1))
Dee thought that this was a good idea. She approved of exercise and took it herself, in theory at least. But exercise without a good diet was not enough. What was the use of pounding the pavements if one was deficient in selenium, or magnesium for that matter?
Alexander McCall Smith (Corduroy Mansions (Corduroy Mansions, #1))
The staff used to say, “When the president eats, everybody eats.” That kind of leadership is real. I figured the saying applied to every president but really the saying came from Bush 41’s years. He appreciated the lowest on the totem pole because he’d once pounded the Navy pavement.
Gary J. Byrne (Crisis of Character: A White House Secret Service Officer Discloses His Firsthand Experience with Hillary, Bill, and How They Operate)
Within a few years, the entire automobile workforce was unionized—a welcome change for politicians, who could now use those unions to raise funds and pound pavement on their own behalf. Ford was the last company to break, but in 1941, it did.
Ben Shapiro (Bullies)
He’s close enough now that I can hear his footfall on the pavement, and I know my chances of outrunning him are slim. I’m practically in a full sprint, and my pounding heart is begging me to take it down a notch. I try to will my feet to keep pace with its beat; but I think it’s humanly impossible to run that fast. And then it dawns on me that my footsteps are the only ones I hear. Somewhere along the way, Tristan’s must have come to a stop. And I can’t quite explain why I’m running this fast in the first place. I slow to a jog, intending to just pick up with my original pace; but I can’t seem to suck in breaths fast enough to propel my feet any further. My molten shoes stutter to a stop, as my hands come to rest on my knees. I’m still wheezily sucking in breath after breath of thick, humid air, when I warily turn to look over my shoulder. Tristan’s standing about fifty feet back, hands on his hips and a completely flummoxed twist in his forehead, his chest rising and falling with equally winded gasps. Evidently I was running faster than I gave myself credit for. As he silently watches me, regaining his breath as I do mine, the confusion on his face turns to undeniable hurt (and not the physical kind). I’ve wounded him, and I can’t even explain why. Man, I really am an ass. I start the slow walk of shame back to where he stands, one hand upon my hip as I pull in a few more calming deep breaths. I’m debating whether to concoct some excuse for my behavior…Maybe I left my contacts out today, and didn’t recognize his face? Who would blame me for running for my life, if a stranger seemed to be following me? But as I amble closer—his wrinkled forehead already fading in the wake of a welcoming smile—I decide not to dig myself a deeper hole. I’m already a straight-up jerk. I’d rather not add lying to my repertoire.
M.A. George
In the aftermath of his sizzling four-game summer league run, Bryant expected to join the team and immediately emerge as a superstar. Only, well, he did something extraordinarily stupid. Because Bryant was young and dumb and a 24/7 hoops junkie, on the afternoon of September 2 he visited the famed pickup courts of Venice Beach to get in a few runs. After leaping at the hoop to tip-dunk the ball, he fell toward the pavement and tried to catch himself with his left wrist. His 200-pound body landed atop his arms, and moments later he saw three knots bulging below his hand. The wrist was broken—and Jerry West was dumbfounded. He greeted the news of the malady with stunned silence, responding to Gary Vitti, the team’s trainer, with a blank stare. “He was doing what?” West asked. “Playing basketball at Venice,” Vitti explained. “Wait,” West said. “Wait, wait. Wait. What?” It would be one of the last times the Lakers didn’t include a NO PICKUP BASKETBALL clause in the contract of a rookie signee.
Jeff Pearlman (Three-Ring Circus: Kobe, Shaq, Phil, and the Crazy Years of the Lakers Dynasty)
So before long his lungs felt fit to burst, but still he’d pounded away, feet slapping pavement like wide flat fish, the juddering shock reverberating up to his teeth.
Mick Herron (Slow Horses (Slough House, #1))
espresso and tapas and it’s perfect for my current mood. As I walk along, pounding the hard pavement, a woman on roller skates burns past me, her white shirt billowing around like a puff of smoke as she elbows me out of the way. The roller skates remind me of Dad, and of clinging on to his hand as I attempted to balance on the pair of rainbow-coloured roller skates I got for my tenth birthday. Thinking of Dad makes me wonder what it must have been like for him all of those years ago. I ponder for a moment, and then after remembering what Sam said in the club, I pull my mobile out from my bag and scroll through the address book to find his number. ‘Hello darling, what a wonderful surprise. Is everything OK?’ His voice sounds worried. ‘Shouldn’t you be at work?’ There’s an awkward silence. ‘I am at work,’ I reply, a little too sharply. ‘Well, I just popped out and … err, I’m sorry I couldn’t talk to you the other day,’ I manage, trying to disguise the unease in my voice. ‘So how are you?’ I add, awkwardly. ‘I’m fine. A bit tired. Anyway, enough about me. It’s so nice to hear from you,’ he says, and for a moment it’s as though everything that’s gone on between us before has been forgotten in an instant. But then my back constricts. I start to feel as though calling him was a bad idea, and I realise that I’m just not ready to forget what he did to us … especially to Mum. ‘You know I was telling Uncle Geoffrey
Alex Brown (Carrington’s at Christmas: The Complete Collection: Cupcakes at Carrington’s, Me and Mr Carrington, Christmas at Carrington’s, Ice Creams at Carrington’s)
Each glare demanding an apology an explanation for something I did not do. That afternoon, I walk home from school because we do not have play practice and I notice a man who is standing on the corner waiting for the bus. I give him a small smile, but he does not smile back. I look down at the ground, ready to be on my way, when I hear the shoes pounding on the pavement behind me. I glance over my shoulder and see that the man is following me. My heart jumps up in my chest, and it hammers furiously. Go back to where you came from, he says. We don’t want you here.
Jasmine Warga (Other Words for Home)
Once upon a time, you found things out by pounding the pavements, talking to people and following leads. You didn’t spend your time staring at a screen.
Joy Ellis (Hidden on the Fens (DI Nikki Galena, #11))
But she did have a sulky bursting prowling sort of energy, because she was in that state so many young girls go through―a state of sexual obsession that can be like a sort of trance. When I was fifteen, still living in Baker Street with my father, I spent some months in that state, so that now I can't walk through that area without remembering, half amused, half embarrassed, an emotional condition which was so strong it had the power to absorb into it pavements, houses, shop windows. What was interesting about June was this: surely nature should have arranged matters so that the men she met must be aware of what afflicted her. Not at all. That first evening Maryrose and I involuntarily exchanged glances and nearly laughed out loud from recognition and amused pity. We did not, because we also understood that the so obvious fact was not obvious to the men and we wanted to protect her from their laughter. All the women in the place were aware of June. I remember sitting one morning on the verandah with Mrs. Lattimer, the pretty red-haired woman who flirted with young Stanley Lett, and June came into sight prowling blindly under the gum-trees by the railway lines. It was like watching a sleepwalker. She would take half a dozen steps, staring across the valley at the piled blue mountains, lift her hands to her hair, so that her body, tightly outlined in bright red cotton, showed every straining line and the sweat patches dark under the armpits―then drop her arms, her fists clenched at her sides. She would stand motionless, then walk on again, pause, seem to dream, kick at the cinders with the toe of high white sandal, and so on, slowly, till she was out of sight beyond the sun-glittering gum-trees. Mrs. Lattimore let out a deep rich sigh, laughed her weak indulgent laugh, and said: 'My God, I wouldn't be a girl again for a million pounds. My God, to go through all that again, not for a million million.' And Maryrose and I agreed. Yet, although to us every appearance of this girl was so powerfully embarrassing, the men did not see it and we took care not to betray her. There is a female chivalry, woman for woman, as strong as any other kind of loyalty. Or perhaps it was we didn't want brought home to us the deficiencies of imagination of our own men.
Doris Lessing (The Golden Notebook)
As I reached Charing Cross I heard a gruff shout of ‘By Your Leave, sir!’ and footsteps pounding hard behind me. I jumped aside, narrowly avoiding collision with a sedan chair jolting fast along the pavement, the man inside gripping the window edges hard to stop himself being flung about. The second chairman tipped his chin in thanks as he passed, but his passenger leaned out and glared back at me in outrage. He was an older man in his fifties with a red, sweating face. ‘Damn fool!’ he cried, spittle spraying from his lips. I halted in surprise at his rudeness, searching for a suitable reply. A waterman turning for home watched the chair bobbing its way down the Mall. ‘Twat,’ he observed, cheerfully. That would do. I touched my hat in appreciation and pressed on. On
Antonia Hodgson (The Last Confession of Thomas Hawkins (Tom Hawkins, #2))
Anger provides the No. 1 difference between a fist-fight and a boxing bout. Anger is an unwelcome guest in any department of boxing. From the first time a chap draws on gloves as a beginner, he is taught to "keep his temper"-never to "lose his head." When a boxer gives way to anger, he becomes a "natural" fighter who tosses science into the bucket. When that occurs in the amateur or professional ring, the lost-head fighter leaves himself open and becomes an easy target for a sharpshooting opponent. Because an angry fighter usually is a helpless fighter in the ring, many prominent professionals-like Abe Attell and the late Kid McCoy- tried to taunt fiery opponents into losing their heads and "opening up." Anger rarely flares in a boxing match. Different, indeed, is the mental condition governing a fist-fight. In that brand of combat, anger invariably is the fuel propelling one or both contestants. And when an angry, berserk chap is whaling away in a fist-fight, he usually forgets all about rules-if he ever knew any. That brings us to difference No. 2: THE REFEREE ENFORCES THE RULES IN A BOXING MATCH; BUT THERE ARE NO OFFICIALS AT A FIST-FIGHT. Since a fist-fight has no supervision, it can develop into a roughhouse affair in which anything goes. There's no one to prevent low blows, butting, kicking, eye-gouging, biting and strangling. When angry fighters fall into a clinch, there's no one to separate them. Wrestling often ensues. A fellow may be thrown to earth, floor, or pavement. He can be hammered when down, or even be "given the boots"- kicked in the faceunless some humane bystander interferes. And you can't count on bystanders. A third difference is this: A FIST-FIGHT IS NOT PRECEDED BY MATCHMAKING. In boxing, matches are made according to weights and comparative abilities. For example, if you're an amateur or professional lightweight boxer, you'll probably be paired off against a chap of approximately your poundage-one who weighs between 126 and 135 pounds. And you'll generally be matched with a fellow whose ability is rated about on a par with your own, to insure an interesting bout and to prevent injury to either. If you boast only nine professional fights, there's little danger of your being tossed in with a top-flighter or a champion.
Jack Dempsey (Toledo arts: championship fighting and agressive defence)
love the feeling of your feet pounding against pavement and rattling your whole skeleton while your heart jackhammers in your chest and your lungs fight for breath?
Emily Henry (People We Meet on Vacation)
He’d earned his moniker by mostly attacking women on their morning jogs—this, of course, being the reason why you’d never catch me pounding pavement, my earbuds blasting Paramore so loud I couldn’t hear the inevitable threat. Also, because jogging sucked.
Alicia Thompson (Love in the Time of Serial Killers)
Thousands of salespeople are pounding the pavements today, tired, discouraged, and underpaid. Why? Because they are always thinking only of what they want. They don’t realize that neither you nor I want to buy anything. If we did, we would go out and buy it. But both of us are eternally interested in solving our problems. And if salespeople can show us how their services or merchandise will help us solve our problems, they won’t need to sell us. We will buy. And customers like to feel that they are buying—not being sold.
Dale Carnegie (How to Win Friends and Influence People: Updated For the Next Generation of Leaders (Dale Carnegie Books))
The problem with Manhattan, from Woolly’s point of view, the problem with Manhattan was that it was so terribly permanent. What with its towers made of granite and all the miles of pavement stretching as far as the eye can see. Why, every single day, millions of people went pounding along the sidewalks and across the marble-floored lobbies without even putting a dent in them. To make matters worse, Manhattan was absotively filled with expectations. There were so many expectations, they had to build the buildings eighty stories high so they would have enough room to stack them one on top of the other.
Amor Towles (The Lincoln Highway)
He gave me a lecture about the power of pounding the pavement, even in these days when computers and cell towers and security cameras keep track of what we eat and drink, where we travel and sleep, who we screw, when we leave the house, and down what forbidden road Google has taken us.
Paul Levine (Bum Deal (Jake Lassiter #12))
People who spent their whole lives in the city, in concrete jungles where they pounded pavements, lived in sterile interiors, hardly ever spent time in their garden or visited the parks, they were so out of touch with the reality of existence it was no wonder the population was so crazed.
Al K. Line (Blood Moon (Wildcat Wizard, #1))
yet love the feeling of your feet pounding against pavement and rattling your whole skeleton while your heart jackhammers in your chest and your lungs fight for breath?
Emily Henry (You and Me on Vacation)
Knocking on their door, a panther's paw that rubbed until it became a pounding no one responded to. He tried the handle. They were there all right, fancy pretending like that, it wasn't as if he had disturbed them from sleeping. He coughed, and gasped, while walking rapidly up and down the landing. Should he go back into his room, shout from there, scream in fact, as though in the middle of a nightmare? He remained at the top of the stairs, cutoff from the rest of the house, the neighbourhood. Had they gone out, or were they dead— copulating too fast, too much? He moved down one stair head bowed considering the best way into the next event. The other doors had, during his stay, remained part of the walls, a slight murmur or hum of a radio escaped occasionally through a crack. But if he knocked, enquired the time, wouldn't the crack immediately be sealed, not even space for an eye, let alone his finger? He hovered on the front door step, two hundred yards from the Palais de Dance. Coloured tickets, spent out balloons, contraceptives divided pavement from road. Berg leaned slightly forward in order to see the pub clock. On his back he stared at the buildings that were giants advancing. Snatch the stars, pull out the moon for my navel, a button hole for my own personal identification. A shadow pushed itself across his face. He spread out his arms. I implore to be left where I am, as I have been given, I am satisfied, attuned to my world. He shut his eyes, and foetus-curled from the pavement. His lips, dry leaves, slowly parted. Have I ever been inside? Edith's tears, not coping, timid amongst robust mums. You discovered: dormitory pleasures, what is considered a pretty boy at the age of nine, to be taken advantage of.
Ann Quin (Berg)
Few people try, because few people dare. And most don’t want to give up on the easy. Think of your favorite sports star. Let me tell you, they spent every waking moment of their teenage years in the gym, pounding pavements or knocking a ball against a wall. You just don’t get good at something unless you dedicate yourself to it. It’s not rocket science: the rewards go to the dogged. But sacrifice hurts, which is why so many take the easy option. But what most people don’t realize is that sacrifice also has power. Knowing that you have denied yourself something you wanted often means you put even more effort into achieving your goal. It’s the Yin for the Yang. I like to see sacrifice as a type of fuel that powers you towards your destination. The more you give up, then the more energy, time and focus you gain to commit to your goal. It’s never easy to make sacrifices, especially when you know they are going to hurt. But I would encourage you to choose the option that will make you proud. There is a great line in the poem ‘The Road Not Taken’ by Robert Frost that says: ‘I took the one less traveled by, And that has made all the difference.’ Do you want to make a difference? Do you want to be one of the few or the many? If you want to achieve something special, then you have to choose a path that most won’t dare to tread. That can be scary; but exciting. And there will be a cost. Count it. Weigh it. Are you really prepared to pay the price? The sacrifice? Remember this: Pain is transitory; pride endures for ever.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
It was weird that with all my interest in true crime I'd never really read much about this serial killer who'd struck so close to home. He'd earned this moniker by mostly attacking women on their morning jogs--this, of course, being the reason why you'd never catch me pounding pavement, my earbuds blasting Paramore so loud I couldn't hear the inevitable threat. Also, because jogging sucked.
Alicia Thompson (Love in the Time of Serial Killers)