Trash Attracts Trash Quotes

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[Annabeth]I might have a plan. It’ll be your turn to keep Serapis distracted.’ Sadie frowned. ‘Did I mention I’m out of magic?’ ‘That’s okay,’ Annabeth said. ‘How are you at bluffing, lying and trash-talking?’ Sadie raised an eyebrow. ‘I’ve been told those are my most attractive qualities.’ ‘Excellent,’ Annabeth said. ‘Then it’s time I taught you some Greek.
Rick Riordan (The Staff of Serapis (Demigods & Magicians, #2))
The first morning I really sat and watched him it was a Tuesday. I know that because Tuesday is trash day for our neighborhood. Unlike me, he leaves gathering up his trash for the morning of pickup instead of doing it the night before. My alarm went off at 6 AM and I went in to start the coffee maker, and as I went about selecting a bit of fruit from the bowl on my kitchen table I looked out the window. It was just a casual glance, and the human eye is attracted to movement.
Benjamin R. Smith (Sketches: An Erotic Collection)
Also, I do seem attracted to trash, as if the clue--the clue--lies there. I'm always ferreting out elliptical points, odd angles. What I write doesn't make a whole lot of sense. There is fun and religion and psychotic horror strewn about like a bunch of hats. Also, there is a social or sociological drift--rather than toward the hard sciences, the overall impression is childish but interesting.
Philip K. Dick (The Exegesis of Philip K. Dick)
How about a little bet?” I had a feeling I wouldn’t like what he was going to suggest, but I motioned for him to keep talking. “If I manage to give you an orgasm today, then we put the ankle monitor back on. If you manage to resist my skills, we throw that thing in the trash.” “Only one?” “Greedy girl,” he said teasingly, his dark eyes sparkling with excitement. “I thought you weren’t attracted to me? Are you worried your body won’t be able to resist me?
Cora Reilly (Bound by Hatred (Born in Blood Mafia Chronicles #3))
Most of us will. We'll choose knowledge no matter what, we'll maim ourselves in the process, we'll stick our hands into the flames for it if necessary. Curiosity is not our only motive: love or grief or despair or hatred is what drives us on. We'll spy relentlessly on the dead: we'll open their letters, we'll read their journals, we'll go through their trash, hoping for a hint, a final word, an explanation, from those who have deserted us--who've left us holding the bag, which is often a good deal emptier than we'd supposed. But what about those who plant such clues, for us to stumble on? Why do they bother? Egotism? Pity? Revenge? A simple claim to existence, like scribbling your initials on a washroom wall? The combination of presence and anonymity--confession without penance, truth without consequences--it has its attractions. Getting the blood off your hands, one way or another. Those who leave such evidence can scarcely complain if strangers come along afterwards and poke their noses into every single thing that would once have been none of their business. And not only strangers: lovers, friends, relations. We're voyeurs, all of us. Why should we assume that anything in the past is ours for the taking, simply because we've found it? We're all grave robbers, once we open the doors locked by others. But only locked. The rooms and their contents have been left intact. If those leaving them had wanted oblivion, there was always fire.
Margaret Atwood (The Blind Assassin)
as i discovered, the path to sobriety is a precarious, complex journey. you obviously want to purge yourself of something that has been so destructive and has had such a grip on you. but in the deep recesses of your mind, you wonder if you will mourn the loss of this old friend that has been by your side for years. i know this sounds sick, but you actually find yourself wondering if your life is going to become quite boring without this crutch. of course, the yearning for true health far outweighs everything else. you know things are going to be better for you, for your loved ones, and for everyone you encounter. you will no longer have to hide things and live a lie. yes, that initial high of drugs and booze can be very, very attractive, but it's not worth the wrecked and trashed feeling you have the next morning. nor is it worth the cumulative toll it exacts from you.
Lou Gramm (Juke Box Hero: My Five Decades in Rock 'n' Roll)
I think my wearing a paper-bag dress will actually attract more stares " he said dryly
Amy Tintera (Reboot (Reboot, #1))
Meanings don't just affect the way we feel; they affect all of our relationships and interactions. Some people think the first ten years of a relationship is just the beginning; that they're just now getting to know each other, and it's really exciting. It's an opportunity to go deeper. Other people could be ten days into a relationship, and the first time they have an argument, they think it's the end. Now tell me, if you think this is the beginning of a relationship, are you going to behave the same way as if it were the end? That one slight shift in perception, in meaning, can change your whole life in a moment. In the beginning of a relationship, if you're totally in love and attracted, what will you do for the other person? The answer is: anything! If he or she asks you to take out the trash, you might leap to your feet and say, "Anything that lights you up, sweetheart!" But after seven days, seven years, or seventy years, people say things like, "What the hell do you think I am, your janitor?!" And they wonder what happened to the passion in their life. I've often shared with couples having trouble in their relationships that if you do what you did in the beginning of the relationship, there wont be an end! Because in the beginning of the relationship, you were a giver, not an accountant. You weren't weighing constantly the meaning of who was giving more. Your entire focus was just lighting up that person, and his or her happiness made you feel like your life was filled with joy.
Tony Robbins (MONEY Master the Game: 7 Simple Steps to Financial Freedom (Tony Robbins Financial Freedom Series))
In contrast to this hellish but magnificent sight, the turbid water brewed a microscopic tale. Here, organic molecules were born from lightning flashes and cosmic rays, and they collided, fused, broke apart again—a long-lasting game played with building blocks for five hundred million years. Finally, a chain of organic molecules, trembling, split into two strands. The strands attracted other molecules around them until two identical copies of the original were made, and these split apart again and replicated themselves.… In this game of building blocks, the probability of producing such a self-replicating chain of organic molecules was so minuscule that it was as if a tornado had picked up a pile of metallic trash and deposited it as a fully-assembled Mercedes-Benz. But it happened, and so, a breathtaking history of 3.5 billion years had begun.
Liu Cixin (Death's End (Remembrance of Earth’s Past, #3))
The exchangeability that is expressed in money must inevitably have repercussions upon the quality of commodities themselves, or must interact with it. The disparagement of the interest in the individuality of a commodity leads to a disparagement of individuality itself. If the two sides to a commodity are its quality and it s price, then it seems logically impossible for the interest to be focused on only one of these sides: for cheapness is an empty word if it does not imply a low price for a relative good quality, and good quality is an economic attraction only for a correspondingly fair price. And yet this conceptual impossibility is psychologically real and effective. The interest in the one side can be so great that its logically necessary counterpart completely disappears. The typical instance of one of these case s is the ‘fifty cents bazaar’. The principle of valuation in the mode rn money economy finds its clearest expression here. It is not the commodity that is the centre of interest here but the price—a principle that in former times not only would have appeared shameless but would have been absolutely impossible. It has been rightly pointed out that the medieval town, despite all the progress it embodied, still lacked the extensive capital economy, and that this was the reason for seeking the ideal of the economy not so much in the expansion (which is possibly only through cheapness) but rather in the quality of the goods offered; hence the great contributions of the applied arts, the rigorous control of production, the strict policing of basic necessities, etc. Such is one extreme pole of the series, whose other pole is characterized by the slogan, ‘cheap and bad’—a synthesis that is possibly only if we are hypnotized by cheapness and are not aware of anything else. The levelling of objects to that of money reduces the subjective interest first in their specific qualities and then, as a further consequence, in the objects themselves. The production of cheap trash is, as it were, the vengeance of the objects for the fact that they have been ousted from the focal point of interest by a merely indifferent means.
Georg Simmel (The Philosophy of Money)
this reaction. This was on college campuses, exactly the kind of environment where I had expected curiosity, lively debate, and, yes, the thrill and energy of like-minded activists. Instead almost every campus audience I encountered bristled with anger and protest. I was accustomed to radical Muslim students from my experience as an activist and a politician in Holland. Any time I made a public speech, they would swarm to it in order to shout at me and rant in broken Dutch, in sentences so fractured you wondered how they qualified as students at all. On college campuses in the United States and Canada, by contrast, young and highly articulate people from the Muslim student associations would simply take over the debate. They would send e-mails of protest to the organizers beforehand, such as one (sent by a divinity student at Harvard) that protested that I did not “address anything of substance that actually affects Muslim women’s lives” and that I merely wanted to “trash” Islam. They would stick up posters and hand out pamphlets at the auditorium. Before I’d even stopped speaking they’d be lining up for the microphone, elbowing away all non-Muslims. They spoke in perfect English; they were mostly very well-mannered; and they appeared far better assimilated than their European immigrant counterparts. There were far fewer bearded young men in robes short enough to show their ankles, aping the tradition that says the Prophet’s companions dressed this way out of humility, and fewer girls in hideous black veils. In the United States a radical Muslim student might have a little goatee; a girl may wear a light, attractive headscarf. Their whole demeanor was far less threatening, but they were omnipresent. Some of them would begin by saying how sorry they were for all my terrible suffering, but they would then add that these so-called traumas of mine were aberrant, a “cultural thing,” nothing to do with Islam. In blaming Islam for the oppression of women, they said, I was vilifying them personally, as Muslims. I had failed to understand that Islam is a religion of peace, that the Prophet treated women very well. Several times I was informed that attacking Islam only serves the purpose of something called “colonial feminism,” which in itself was allegedly a pretext for the war on terror and the evil designs of the U.S. government. I was invited to one college to speak as part of a series of
Ayaan Hirsi Ali (Nomad: From Islam to America: A Personal Journey Through the Clash of Civilizations)
Corn is what feeds the steer that becomes the steak. Corn feeds the chicken and the pig, the turkey, and the lamb, the catfish and the tilapia and, increasingly, even the salmon, a carnivore by nature that the fish farmers are reengineering to tolerate corn. The eggs are made of corn. The milk and cheese and yogurt, which once came from dairy cows that grazed on grass, now typically comes from Holsteins that spend their working lives indoors tethered to machines, eating corn. Head over to the processed foods and you find ever more intricate manifestations of corn. A chicken nugget, for example, piles up corn upon corn: what chicken it contains consists of corn, of course, but so do most of a nugget's other constituents, including the modified corn starch that glues the things together, the corn flour in the batter that coats it, and the corn oil in which it gets fried. Much less obviously, the leavenings and lecithin, the mono-, di-, and triglycerides, the attractive gold coloring, and even the citric acid that keeps the nugget "fresh" can all be derived from corn. To wash down your chicken nuggets with virtually any soft drink in the supermarket is to have some corn with your corn. Since the 1980s virtually all the sodas and most of the fruit drinks sold in the supermarket have been sweetened with high-fructose corn syrup (HFCS) -- after water, corn sweetener is their principal ingredient. Grab a beer for you beverage instead and you'd still be drinking corn, in the form of alcohol fermented from glucose refined from corn. Read the ingredients on the label of any processed food and, provided you know the chemical names it travels under, corn is what you will find. For modified or unmodified starch, for glucose syrup and maltodextrin, for crystalline fructose and ascorbic acid, for lecithin and dextrose, lactic acid and lysine, for maltose and HFCS, for MSG and polyols, for the caramel color and xanthan gum, read: corn. Corn is in the coffee whitener and Cheez Whiz, the frozen yogurt and TV dinner, the canned fruit and ketchup and candies, the soups and snacks and cake mixes, the frosting and candies, the soups and snacks and cake mixes, the frosting and gravy and frozen waffles, the syrups and hot sauces, the mayonnaise and mustard, the hot dogs and the bologna, the margarine and shortening, the salad dressings and the relishes and even the vitamins. (Yes, it's in the Twinkie, too.) There are some forty-five thousand items in the average American supermarket and more than a quarter of them now contain corn. This goes for the nonfood items as well: Everything from the toothpaste and cosmetics to the disposable diapers, trash bags, cleansers, charcoal briquettes, matches, and batteries, right down to the shine on the cover of the magazine that catches your eye by the checkout: corn. Even in Produce on a day when there's ostensibly no corn for sale, you'll nevertheless find plenty of corn: in the vegetable wax that gives the cucumbers their sheen, in the pesticide responsible for the produce's perfection, even in the coating on the cardboard it was shipped in. Indeed, the supermarket itself -- the wallboard and joint compound, the linoleum and fiberglass and adhesives out of which the building itself has been built -- is in no small measure a manifestation of corn.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
Most of us will. We’ll choose knowledge no matter what, we’ll maim ourselves in the process, we’ll stick our hands into the flames for it if necessary. Curiosity is not our only motive: love or grief or despair or hatred is what drives us on. We’ll spy relentlessly on the dead: we’ll open their letters, we’ll read their journals, we’ll go through their trash, hoping for a hint, a final word, an explanation, from those who have deserted us—who’ve left us holding the bag, which is often a good deal emptier than we’d supposed. But what about those who plant such clues, for us to stumble on? Why do they bother? Egotism? Pity? Revenge? A simple claim to existence, like scribbling your initials on a washroom wall? The combination of presence and anonymity—confession without penance, truth without consequences—it has its attractions. Getting the blood off your hands, one way or another. Those who leave such evidence can scarcely complain if strangers come along afterwards and poke their noses into every single thing that would once have been none of their business. And not only strangers: lovers, friends, relations. We’re voyeurs, all of us. Why should we assume that anything in the past is ours for the taking, simply because we’ve found it? We’re all grave robbers, once we open the doors locked by others. But only locked. The rooms and their contents have been left intact. If those leaving them had wanted oblivion, there was always fire.
Margaret Atwood (The Blind Assassin)
The whole reason I’d written about him so freely was that I never expected to face him in person and could therefore imagine him in ways that gratified my conception of who he should be: a white trash savant imbued with junkyard political savvy. In truth, I found the magazine completely disgusting—as I was meant to, obviously: it had long been the most reviled instance of mass-circulation pornography around and used people like me (shame-ridden bourgeois feminists and other elites) for target practice, with excremental grossness among its weapons of choice. It was also particularly nasty to academics who in its imagination are invariably prissy and uptight—sadly I’m one of this breed too. (A cartoon academic to his wife: “Eat your pussy? You forget, Gladys, I have a Ph.D.”)1 Maybe I yearned to be rescued from my primness, though Flynt was obviously no one’s idea of a white knight. (Of course, being attracted to what you’re also repelled by is not exactly unknown in human history.) For some reason, I tend to be drawn to excess: to men who laugh too loud and drink too much, who are temperamentally and romantically immoderate, have off-kilter politics and ideas. Aside from that, it also happened that in the period during which my ideas about things were being formed, the bawdy French satirist Rabelais was enjoying an intellectual revival in my sorts of circles, along with the idea of the “carnivalesque”: the realm of subversion and sacrilege—the grotesque, the unruly, the profane—where the lower bodily stratum and everything that emerges from it is celebrated for supposedly subverting established pieties and hierarchies. I was intrigued by these kinds of ideas, despite—or more likely because of—my aforementioned primness. Contemplating where one might locate these carnivalesque impulses in our own time I’d immediately thought of Hustler, even though back then I had only the vaguest idea what bodily abhorrences awaited me within its shrink-wrapped covers (as if a thin sheet of plastic were sufficient to prevent seepage from the filth within). In fact, the first time I peeled away the protective casing and tried to actually read a copy, I was so disgusted I threw it away, I didn’t even want it in the house.
Laura Kipnis (Men: Notes from an Ongoing Investigation)
Keynes was a voracious reader. He had what he called ‘one of the best of all gifts – the eye which can pick up the print effortlessly’. If one was to be a good reader, that is to read as easily as one breathed, practice was needed. ‘I read the newspapers because they’re mostly trash,’ he said in 1936. ‘Newspapers are good practice in learning how to skip; and, if he is not to lose his time, every serious reader must have this art.’ Travelling by train from New York to Washington in 1943, Keynes awed his fellow passengers by the speed with which he devoured newspapers and periodicals as well as discussing modern art, the desolate American landscape and the absence of birds compared with English countryside.54 ‘As a general rule,’ Keynes propounded as an undergraduate, ‘I hate books that end badly; I always want the characters to be happy.’ Thirty years later he deplored contemporary novels as ‘heavy-going’, with ‘such misunderstood, mishandled, misshapen, such muddled handling of human hopes’. Self-indulgent regrets, defeatism, railing against fate, gloom about future prospects: all these were anathema to Keynes in literature as in life. The modern classic he recommended in 1936 was Forster’s A Room with a View, which had been published nearly thirty years earlier. He was, however, grateful for the ‘perfect relaxation’ provided by those ‘unpretending, workmanlike, ingenious, abundant, delightful heaven-sent entertainers’, Agatha Christie, Edgar Wallace and P. G. Wodehouse. ‘There is a great purity in these writers, a remarkable absence of falsity and fudge, so that they live and move, serene, Olympian and aloof, free from any pretended contact with the realities of life.’ Keynes preferred memoirs as ‘more agreeable and amusing, so much more touching, bringing so much more of the pattern of life, than … the daydreams of a nervous wreck, which is the average modern novel’. He loved good theatre, settling into his seat at the first night of a production of Turgenev’s A Month in the Country with a blissful sigh and the words, ‘Ah! this is the loveliest play in all the world.’55 Rather as Keynes was a grabby eater, with table-manners that offended Norton and other Bloomsbury groupers, so he could be impatient to reach the end of books. In the inter-war period publishers used to have a ‘gathering’ of eight or sixteen pages at the back of their volumes to publicize their other books-in-print. He excised these advertisements while reading a book, so that as he turned a page he could always see how far he must go before finishing. A reader, said Keynes, should approach books ‘with all his senses; he should know their touch and their smell. He should learn how to take them in his hands, rustle their pages and reach in a few seconds a first intuitive impression of what they contain. He should … have touched many thousands, at least ten times as many as he reads. He should cast an eye over books as a shepherd over sheep, and judge them with the rapid, searching glance with which a cattle-dealer eyes cattle.’ Keynes in 1927 reproached his fellow countrymen for their low expenditure in bookshops. ‘How many people spend even £10 a year on books? How many spend 1 per cent of their incomes? To buy a book ought to be felt not as an extravagance, but as a good deed, a social duty which blesses him who does it.’ He wished to muster ‘a mighty army … of Bookworms, pledged to spend £10 a year on books, and, in the higher ranks of the Brotherhood, to buy a book a week’. Keynes was a votary of good bookshops, whether their stock was new or second-hand. ‘A bookshop is not like a railway booking-office which one approaches knowing what one wants. One should enter it vaguely, almost in a dream, and allow what is there freely to attract and influence the eye. To walk the rounds of the bookshops, dipping in as curiosity dictates, should be an afternoon’s entertainment.
Richard Davenport-Hines (Universal Man: The Seven Lives of John Maynard Keynes)
One of the crew shouted, “Man overboard!” Seeing what had happened, I instantly threw the engines into reverse, attempting to stop the vessel’s headway without backing over my floundering steward. As the ship shuttered from the unexpected reverse thrust of her engines, now running full speed astern and fighting the current, I watched helplessly as a large prehistoric reptile slithered into the muddy river. Instinctively he was followed by others. Within an instant they were underwater and out of sight, but I knew they were heading in our direction hoping for a tasty dinner. It took a while for me to actually stop the ship’s headway and start to back down. The bosun already had a ladder over the side and yelled to him to stop trashing around, but Henry was panicking and we all expected him to get pulled under. Henry quickly became aware of the imminent danger he was in and stopped floundering, thus allowing the current to carry him in our direction. Now with the ship stopped, we were at the mercy of the current. Henry, with fear painted on his face, would never be closer to us than now. This was the time for him to swim the last short distance, but his fear and knowing that splashing would attract the crocodiles caused him to freeze. With everyone shouting instructions it became confusing, so calculating the risk, I dove in and with just a few powerful strokes was next to Henry. The water was cool compared to the moist air and I thought it felt refreshing, but the only thing I should have been thinking about was getting the two of us out of there! Reaching out, I grabbed his already torn shirt and in what seemed less than a nanosecond towed him back to the ship. A push by me and a pull by the ship’s bosun landed the hapless steward on the deck like a fish out of water. Not wasting any time, I was up the ladder and onto the main deck in a shot. Looking back I half expected to see the huge mouth and glistening white teeth of a fearsome crocodilian. However, nothing stirred as we drifted with the current. Looking back to the now empty river bank I knew that just beneath the surface, they were in the murky water looking for us. Firing the engines up again, I turned the ship away from the bank and back on course in the channel. Handing the helm over to the Quartermaster, I went below to get changed since we would be approaching the treacherous sand bar in about a half hour.
Hank Bracker
I had pens I'd snatched from rude waitresses, and even an "I Recycle" pin some douchebag had been wearing on his backpack—seriously, of all the things to brag about. You recycle? I'd almost been tempted to toss that one in the trash just for irony's sake, but my need to stash it won out in the end.
Penelope Bloom (Her Cherry (Objects of Attraction, #2))
To communicate an identity requires some degree of self-delusion. A performer, in order to be convincing, must conceal ‘the discreditable facts that he has had to learn about the performance; in everyday terms, there will be things he knows, or has known, that he will not be able to tell himself.’ The interviewee, for example, avoids thinking about the fact that his biggest flaw actually involves drinking at the office. A friend sitting across from you at dinner, called to play therapist for your trivial romantic hang-ups, has to pretend to herself that she wouldn’t rather just go home and get in bed to read Barbara Pym. No audience has to be physically present for a performer to engage in this sort of selective concealment: a woman, home along fro the weekend, might scrub the baseboards and watch nature documentaries even though she’d rather trash the place, buy an eight ball, and have a Craigslist orgy. People often make faces, in private, in front of bathroom mirrors, to convince themselves of their own attractiveness. The ‘lively belief that an unseen audience is present’, Goffman writes, can have a significant effect.
Jia Tolentino (Trick Mirror: Reflections on Self-Delusion)
Go deeper than credentials; a few letters trailing someone's name aren't going to cuddle up with you or take out the trash.
Camille Virginia (The Offline Dating Method: 3 Steps to Attract Your Perfect Partner in the Real World)
You’re not attracted to me, so that means you can’t even be civil to me?” The back door opened, and we watched Max and Silver exit with the last bag of trash. They marched it to the dumpster together and high-fived after heaving it in. Max waved, and Silver tossed me another salute on their way to their respective cars. “I didn’t say I wasn’t attracted to you. I said you’re not my type.” She groaned. “I’m definitely going to regret this, but I think you’re going to have to break it down for me.” “Well, Daisy. It means my dick doesn’t care that you’re not my type. It’s still standing up, trying to get your attention.
Lucy Score (Things We Never Got Over (Knockemout, #1))
Some people have become so critical-minded that no matter what is done for them, it’s not right. They never see the good their spouses are doing. They’ve forgotten the reasons they fell in love. It’s because they’re magnifying the wrong things. If you struggle in this area, make a list of the qualities you like about your spouse. Write down the good things your spouse does. He may not be a great communicator, but he’s a hard worker. Write it down. She may have some weaknesses, but she’s a great mother. She’s smart. She’s fun. Put that on your list and go over it every day. Start focusing on those good qualities. Your entire outlook is poisoned when you operate out of a critical spirit. You won’t communicate properly. You won’t want to do things together. It will affect you in every area. You have to make a shift. Start appreciating that person’s strengths and learn to downplay the weaknesses. Everyone has faults and habits that can get on your nerves. The key is to recognize what you are magnifying. You are magnifying the wrong thing when you let the critical spirit take over. That’s when you’ll start complaining that the wrong egg was fried. There are relationships today where two good people are married. They have great potential, but a critical spirit is driving them apart. When you are critical you start nagging: “You never take out the trash. You never talk to me. You’re always late.” People respond to praise more than they respond to criticism. The next time you want your husband to mow the lawn, instead of nagging, “Why don’t you ever mow the lawn, you lazy thing?” say instead, “Did I ever tell you that when you mow the lawn you look really good out there, and when your muscles bulge out of your shirt and that sweat drips down your face you look so handsome and attractive?” You praise him like that, and he’ll mow the lawn every day! People respond to praise.
Joel Osteen (Every Day a Friday: How to Be Happier 7 Days a Week)
Linda is hard to please? Really? Linda is the problem here?” Kelly laughed and picked up her sandwich, hoping to finish the rest of it before they got interrupted again. Brett had already finished his and thrown away his trash. “Let this be a lesson to you, Kelly. You can’t be eating food from competitors anymore. That means eating pastries at every meal. To eat soup or a sandwich for lunch would definitely be disloyal.” “In that case I’m going to need some extra-extra-large pants.” They smiled across the table at each other and her heart flipped. Then she cast her eyes down. She couldn’t let herself for a guy who seemed, more and more, to be determined to keep her as just a friend. “Too late,” a little voice in the back of her head said.
Sophia Sinclair (Laws of Attraction (Small-Town Secrets #6))
The dying mall has attracted some odd tenants, such as a satellite branch of the public library and an office of the State Attorney General's Child Predator Unit. As malls die across the country, we'll see many kinds of creative repurposing. Already, there are churches and casinos inside half-dead malls, so why not massage parlors, detox centers, transient hotels, haunted houses, prisons, petting zoos or putt-putt golf courses (covering the entire mall)? Leaving Santee, Chuck and I wandered into the food court, where only three of twelve restaurant slots were still occupied. On the back wall of this forlorn and silent space was a mural put up by Boscov, the mall's main tenant. Titled "B part of your community", it reads: KINDNESS COUNTS / PLANT A TREE / MAKE A DONATION / HELP A NEIGHBOR / VISIT THE ELDERLY / HOPE / ADOPT A PET / DRIVE A HYBRID / PICK UP THE TRASH / VOLUNTEER / CONSERVE ENERGY / RECYCLE / JOIN SOMETHING / PAINT A MURAL / HUG SOMEONE / SMILE / DRINK FILTERED WATER / GIVE YOUR TIME / USE SOLAR ENERGY / FEED THE HUNGRY / ORGANIZE A FUNDRAISER / CREATE AWARENESS / FIX A PLAYGROUND/ START A CLUB / BABYSIT These empty recommendations are about as effective as "Just Say No", I'm afraid. As the CIA pushed drugs, the first lady chirped, "Just say no!". And since everything in the culture, car, iPad, iPhone, television, internet, Facebook, Twitter and shopping mall, etc., is designed to remove you from your immediate surroundings, it will take more than cutesy suggestions on walls to rebuild communities. Also, the worse the neighborhoods or contexts, the more hopeful and positive the slogans. Starved of solutions, we shall eat slogans.
Linh Dinh (Postcards from the End of America)
Emma ripped the sticky note off the bathroom mirror and threw it in the trash. Sean didn’t have to worry about her rubbing the back of his neck again anytime soon. And he certainly didn’t have to worry about her wanting to get naked. Not with him. If they were a real couple, she’d throw his pillow onto the couch and let his feet dangle over the edge for a change. It was pathetic how fast he’d come up with a lame excuse to run away just because he’d kissed her. It was just a kiss. A great kiss, yes, but still just a kiss. She hadn’t asked him to marry her—to really marry her, of course—or told him she wanted to have his baby. A hot, steamy, toe-curling, bone-melting kiss between two single adults was nothing to run from. But now he’d made a big deal out of it and everything was going to be even more awkward than it had been for the past few days. She’d been curled up on the couch, fuming, for almost an hour when she heard Sean’s truck pull in to the driveway. It was another ten minutes before he crept into the bedroom and closed the door behind him. Since she was facing the back of the couch, she didn’t have to make much of an effort to ignore him. He was in the shower so long she must have fallen asleep to the drone of running water, because the next thing Emma knew, her alarm was going off and it was time to face another day in the hell she’d created. But first she had to face Sean. She got first crack at the bathroom, and when she came out, he was sitting on the side of the bed, fully clothed. Thank goodness. He scrubbed his hands over his face. “We should talk about last night.” “How’s Kevin?” “He’s good. And I meant before that.” “You should have stayed for the end of the movie. It was good.” “Dammit, Emma, you know that’s not what I’m talking about.” “Oh, you mean the practice kiss?” She clipped her cell phone onto her front pocket. “We’re getting better at it. That was almost convincing.” “Practice kiss?” He stood, probably so he could look down at her, but she was tall enough it didn’t make much of an impact. “Almost convincing?” “Yeah,” she said, though she turned her back on him, heading toward the door to avoid eye contact, because that was no practice kiss and it could have convinced even the CIA’s finest. He was muttering when she left the room, but she shut the door on him and went downstairs. She didn’t want to talk about it. And she didn’t want to think about the fact he wasn’t happy she called it a practice kiss. That meant he considered it a real kiss. And not only a real kiss, but one that had shaken him up. The only reason kissing a woman should bother a man like him was if he was trying to fight being attracted to her. Hopefully, he’d win, she thought as she headed toward the kitchen, because she was waging that battle herself and didn’t appear to be headed for a victory. Maybe he had enough willpower and self-control for both of them.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
Listen, I have to tell you something.” Her drowsy eyes opened. “I don’t want to push you into anything, take your time about me, but you have to know—I feel pretty strongly about monogamy.” Her eyes widened. “You can’t think I’d be with another man! I wasn’t even going to be with you! But there is one thing you have to do for me,” she said. “Anything that makes you happy,” he promised. “I want this to be only between us.” “Sure. Of course. It’s personal. I agree.” “I don’t want anyone around here to know it’s like this between us. I just work for you, that’s all.” He frowned. “We don’t have to share our personal lives with anyone, but we don’t have to hide the fact that we care about each other.” “Yeah, we do, Noah. No one can know about this. About us.” “Ellie, why? Are you embarrassed to find yourself attracted to a man who’s a minister?” She laughed a little bit. “No. But no one would ever believe you seduced me. And you did, Noah. You did and I loved it. Not only are you the sexiest minister alive, you might be the sexiest man alive. But people will think I trapped you. They’ll think I ruined your purity and dirtied you up. And I don’t need that right now.” “Come on, you’re wrong…” “I’m right,” she said. “No matter how much I try to do the right thing, no matter how determined I am to do the right thing, everything that happens ends up being my fault. And when people around here find out you like me…they’re going to think I cast an evil spell on you and made you break your vows.” “Honey, I didn’t take a vow of chastity. I didn’t promise not to love a woman. I never said I wouldn’t have a perfectly normal sex drive. I’m not fifteen, Ellie, I’m thirty-five and I’ve missed passion. Passion and intimacy, two things that are really healthy for a normal man. Don’t argue with a man with seven years of theological training.” “People don’t get that about you like I do. They think of you as different. As a minister. Please, Noah. Let’s just act like I work for you, and that we’re casual friends.” “We can do that, if that’s what you need. Or we could change the way things have been for you. We could be honest without being indiscreet. We could hold hands, you could let me put my arm around your shoulders, smile at you like you’re special. Treat you like the woman of my choice while I enjoy being the man of yours.” “You don’t get it, do you, Noah?” she asked, shaking her head. “Don’t you see how fragile this is? How much hangs in the balance for both of us? At some point—maybe sooner, maybe later—the people here are going to figure me out. They’ll know I come from a dirt-poor background, that the men who gave me my children didn’t marry me, that I was a stripper when you hired me. What if they hate me? What if they treat my kids like trash because of me?” “I won’t let anyone—” “Don’t you see it’s your future in this town, too? What if they ask themselves what kind of minister you could be if you’d choose a woman like me? Oh, Noah,” she said, running her fingers through his thick, dark hair. “We’d get along okay in a bigger town where no one knows us all that well, where I’m not hooked up with the local preacher. But here—you and me? It could ruin us all.” “No,” he said, shaking his head. “It’s not going to be that way.” She smiled at him. “You’re just a fool,” she said. “It usually is that way.” He
Robyn Carr (Forbidden Falls)
Those who consider people bridges will use them. Those who view people as humans will try to befriend them. Those who see their partners as persons they can dump are bound to attract dumpsters and doomed they are to attract but the trash bins.
Lamine Pearlheart (Aether)
But alas, I’m here, drunk off my ass, boobs practically spilling out of my shirt, and my mascara slowly melting off my eyelashes and onto my face, morphing me from new-in-town college girl, to trash panda from the raccoon clan. “Dottie, Lindsay,” I say weakly, moving my head from side to side. “Where art thou?” “You need help?” a deep voice slurs next to me. I look to my right through very blurry vision and make out what I’m going to assume is an incredibly attractive man. But then again, I’m drunk—the whole mascara melting off my eyes in full swing—and I’ve been fooled once before. But hey, I think those are blue eyes. Can’t go wrong with that . . . reasoning that will be thought better of in the morning. “Have you seen Dottie or Lindsay?” “Can’t say that I have,” he answers, resting against the wall with me. “Damn it. I think they’re making out with some baseball players. Have you seen any of those around?” “Baseball players?” “Mm-hmm.” I nod, shutting my eyes for a second but then shooting them back open when I feel myself wobble to the side. The guy catches me by the hand before I topple over, but thanks to his alcohol intake, he’s not steady enough to hold us up and . . . timber . . . we fall to the couch next to me. “Whoa, great placement of furniture,” I say, as the guy topples on top of me. “Damn near saved our lives.” I rub my face against the scratchy and worn-out fabric. “How many people do you think have had sex on this thing?” “Probably less than what you’re thinking.” The couch is deep, giving me enough room to lie on my side with the guy in front of me, so we’re both facing each other. He smells nice, like vodka and cupcakes. “So, have you seen any baseball players around? I’m looking for my friends.” “Nah, but if you see any, let me know. I can’t find my room.” “You live here?” I ask, eyes wide. “Yup,” he answers, enunciating the P. “For two years now.” “And you don’t remember where your room is?” “It has a yellow door. If the damn room would stop spinning I’d be able to find it.” “Well . . . maybe if we find your room, we’ll find my friends,” I say, my drunk mind making complete sense. “That’s a great idea.” He rolls off the couch and then stands to his feet, wobbling from side to side as he holds out his hand to me. Without even blinking, I take it in mine and let him help me to my feet. “Yellow door, let’s go,” I say, raising my crumpled cup to the air. “We’re on the move.” He keeps my hand clasped in his and we stumble together past beer pong, people making out against walls, the kitchen, to an open space full of doors. “Yellow door, do you see one?” I blink a few times and then see a flash of sunshine. “There.” I point with force. “Yellow, right there.” His head snaps to where I’m pointing. A beam of light illuminates the color of the door, making it seem like we’re about to walk right into the sun. I’m a little chilly, so I welcome the heat. “Fuck, there it is. You’re good.” 
Meghan Quinn (The Locker Room (The Brentwood Boys, #1))
Then how did he come to learn that I was back in town?” Buster said. “It’s a small town, Buster,” Mrs. Fang answered. “When you got here, you had a grotesquely swollen face. It attracted attention.” When they first arrived back home, Buster, still adjusting to the high dosage of the medication he had given himself, woke in the van and demanded that they stop for fried chicken. “Buster, I don’t think solid food is a great idea yet,” his mother had told him, but Buster had leaned into the front of the van and reached for the steering wheel, saying, over and over in a strange monotone, “Fer-ide chick-hen.” The Fangs pulled into a Kentucky Fried Chicken ten minutes later and walked inside the restaurant. Buster swayed unsteadily as his parents directed him to a table. “What do you want?” they asked him. “Fer-ide chick-hen,” he said, “all-you-can-eat.” They left the table and returned a few minutes later with a breast, wing, thigh, and leg, a mound of gravy-soaked mashed potatoes, and a biscuit. Everyone in a five-table radius was staring at the Fangs by this point. Buster, oblivious, unpacked some bloodstained gauze from his mouth, picked up the chicken leg, extra crispy, and took a ravenous bite. He felt something come loose inside his mouth, his muscles stretched beyond comfort after so much time in atrophy, and he began to moan, a funeral dirge, dropping the leg back onto the tray. The barely chewed scrap of chicken fell from his mouth, stained a foamy red with Buster’s blood. “Okay,” Mr. Fang said, sweeping the tray off of the table, dumping it into the trash. “This little experiment is over. Let’s go home.” Buster tried to pack the gauze back into his mouth, but his mother and father were already carrying him into the parking lot. “I’m a monster,” Buster bellowed, and his parents did nothing to dissuade him of this belief. “Well, I’m not going to do it,” Buster said. “I think you should,” Annie said. Mr. and Mrs. Fang agreed. Buster did not want to talk about writing. It had been years since his last novel had been published, a spectacular failure at that.
Kevin Wilson (The Family Fang)
sedimentary time. The lowest stratum, or the layer immediately above the Deterrence Center, had probably been deposited four billion years ago. The Earth had been born only five hundred million years before that. The turbid ocean was in its infancy, and nonstop flashes of lightning struck its surface; the Sun was a fuzzy ball of light in a haze-veiled sky, casting a crimson reflection over the sea. At short intervals, other bright balls of light streaked across the sky, crashing into the sea and trailing long tails of fire; these meteor strikes caused tsunamis that propelled gigantic waves to smash onto continents still laced with rivers of lava, raising clouds of vapor generated by fire and water that dimmed the Sun.… In contrast to this hellish but magnificent sight, the turbid water brewed a microscopic tale. Here, organic molecules were born from lightning flashes and cosmic rays, and they collided, fused, broke apart again—a long-lasting game played with building blocks for five hundred million years. Finally, a chain of organic molecules, trembling, split into two strands. The strands attracted other molecules around them until two identical copies of the original were made, and these split apart again and replicated themselves.… In this game of building blocks, the probability of producing such a self-replicating chain of organic molecules was so minuscule that it was as if a tornado had picked up a pile of metallic trash and deposited it as a fully-assembled Mercedes-Benz. But it happened, and so, a breathtaking history of 3.5 billion years had begun.
Liu Cixin (Remembrance of Earth's Past: The Three-Body Trilogy (Remembrance of Earth's Past, #1-3))
Hey, Call! You over here? Call! Is everything all right?” She whimpered as he whipped his mouth away and softly cursed. With an unsteady hand, he jerked down her sweatshirt and stepped protectively in front of her, leaving her shielded behind his body and the trunk of the tree. “Everything’s fine, Toby.” His voice sounded raspy. She wondered if his friend would notice. “I thought I heard shots,” Toby said, “but I was cooking so I didn’t pay all that much attention. Then I went into the living room and found the front door open. When I saw your rifle gone from the rack, I was afraid something bad might have happened.” “Our neighbor, Ms. Sinclair, came nose to nose with her first black bear.” Call looked her way, gave her a quick once-over, saw that she didn’t look too disheveled, and tugged her out from behind the tree. “Charity Sinclair, meet Toby Jenkins. Toby’s chief-cook-and-bottle-washer over at my place, and all-around handyman. At least he is till he leaves for college in the fall. Toby, this is Ms. Sinclair, our new neighbor.” “Nice to meet you, ma’am. I heard Mose sold the place. I’ve been meaning to come over and say hello.” “Forget the ma’am,” Charity told him. “It makes me feel too old. Charity is enough.” He nodded, smiled. He was young, maybe nineteen or twenty, with thick, dark red hair and a few scattered freckles, sort of a young John Kennedy, an attractive boy with what appeared to be a pleasant disposition. She wondered if he could tell by looking at her what had been going on when he arrived. Then she noticed Call’s shirt was open and missing a button and felt her face heating up again. Call cleared his throat. “I’ll be home in a couple of minutes, Toby.” “Yes, sir. I’ll have your breakfast waiting.” With a wave good-bye, he set off down the path the way he had come. When Charity turned, she saw Call watching her, his face dark, his expression closed up as it usually was. “I didn’t mean for that to happen.” Oh, God. He was obviously sorry it had and it made her even more embarrassed. “Neither did I. I don’t make a habit of…of…I don’t exactly know what happened.” She studied her feet, then stared off toward the creek. “It must have been the fear, you know? They say when your life is threatened you revert to your most basic instincts.” She risked a glance at him, saw that his jaw looked iron-hard. “Yeah, that must be it.” She glanced away, trying not to think of what they’d just done. Trying not to wonder what would have happened if Toby hadn’t arrived when he did. “You’d better go,” she said, making an effort to smile. “Your breakfast is waiting and I’ve got work to do.” As she started to turn, the sun peeked out from behind a cloud, casting shadows beneath his cheekbones and the little indentation on his chin. He didn’t move when she grabbed the plastic bag of garbage and headed for one of the heavy iron trash cans that were supposed to be bear-proof. She saw him walk over and pick up his rifle, his fingers wrapping around the stock with a casual ease that said he was comfortable with the weapon. He didn’t walk away as she expected. Instead, he stood there watching, waiting until she disappeared inside the house.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))