Transsexual Empire Quotes

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A man who decides to call himself a woman is not giving up his privilege. He is simply using it in a more insidious way.
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))
The claim for tolerance, based on the notion that transgenderism in all its forms is a form of gender resistance, is alluring but false. Instead, transgenderism reduces gender resistance to wardrobes, hormones, surgery, and posturing— anything but real sexual equality.
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))
In much of the western world, the general effect of the 1980s has been to move back the feminist gains of the 1960s and 1970s. It has encouraged a style rather than a politics of resistance, in which an expressive individualism has taken the place of collective political challenges to power. And in the process it has de-politicized gender by de-politicizing feminism. The new gender outlaw is the old gender conformist, only this time, we have men conforming to femininity and women conforming to masculinity.
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))
Because transsexuals have lost their physical “members” does not mean that they have lost their ability to penetrate women—women’s mind, women’s space, women’s sexuality. Transsexuals merely cut off the most obvious means of invading women so that they seem noninvasive.
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))
Finally, and I think most important, there are more male-to-constructed-female transsexuals because men are socialized to fetishize and objectify. The same socialization that enables men to objectify women in rape, pornography, and “drag” enables them to objectify their own bodies.
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))
Today especially, it is no longer the alliance of church and state that should be feared, that is, theocracy, but rather the alliance between medicine and the state, that is, pharmacracy.51 It is medicine that presently functions as the new secular religion, with the continuous aid of sustained government support.
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))
Obviously, those who take a critical position will be subjected to accusations of dogmatism and intolerance, when in fact those who are unwilling to take a stand are exercising the dogmatism of openness at any cost. This time, the cost of openness is the solidification of the medical empire and the multiplying of medical victims.
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))
My main point is to show how so-called health values of therapy, hormonal treatment, and surgery have replaced ethical values of choice, freedom, and autonomy; how these same “health” values have diffused critical awareness about the social context in which the problem of transsexualism arises; how more and more moral problems have been reclassified as technical problems
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))
The female-to-constructed-male transsexual is the token that saves face for the male “transsexual empire. ” She is the buffer zone who can be used to promote the universalist argument that transsexualism is a supposed “human” problem, not uniquely restricted to men. She is the living “proof” that some women supposedly want the same thing. However, “proof” wanes when it is observed that women were not the original nor are they the present agents of the process. Nor are the stereotypes of masculinity that a female-to-constructed-male transsexual incarnates products of a female-directed culture. Rather women have been assimilated into the transsexual world, as women are assimilated into other male-defined worlds, institutions, and roles, that is, on men’s terms, and thus as tokens.
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))
Male-to-constructed-female transsexualism is only one more relatively recent variation on this theme where the female genitalia are completely separated from the biological woman and, through surgery, come to be dominated by incorporation into the biological man. Transsexualism is thus the ultimate, and we might even say the logical, conclusion of male possession of women in a patriarchal society. Literally, men here possess women.
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))
In the 1980s and 1990s, the plastic surgery industry, including the association of plastic surgeons, led a campaign to convince women that having small breasts was actually a physical deficiency. According to the American Society of Plastic and Reconstructive Surgeons, small breasts are not only a deformity but “a disease which in most patients results in feelings of inadequacy.” Thus millions of women have been led to change their breasts, not their image of themselves.
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))
The goal in this “triumph of the therapeutic” is supposedly good “health,” but good “health” achieved at the expense of critical awareness and exploration of the oppressiveness of the roles themselves. This goal of good “health” is particularly ironic in light of the fact that the word health originally meant “whole.” As defined by the medical model, “health” values come to mean partial solutions, which go against total integrity of the body, the individual concerned, and society in general.
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))
My view is that, using Woodhouse’s own words, the male-to-female transsexual is a “fantastic woman, ” the incarnation of a male fantasy of feeling like a woman trapped in a man’s body, the fantasy rendered flesh by a further male medical fantasy of surgically fashioning a male body into a female one. These fantasies are based in the male imagination, not in any female reality. It is this female reality that the surgically-constructed woman does not possess, not because women innately carry some essence of femininity but because these men have not had to live in a female body with all the history that entails. It is that history that is basic to female reality, and yes, history is based to a certain extent on female biology.
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))
While many feminists - especially those who came of age in the 1980s and '90s - recognize that trans women can be allies in the fight to eliminate gender stereotypes, others, particularly those who embrace gender essentialism, believe that trans women foster sexism by mimicking patriarchal attitudes about femininity, or that we objectify women by trying to possess female bodies of our own. Many of these latter ideas stem from Janice Raymond's 1979 book 'The Transsexual Empire: The Making of the She-male', which is perhaps the most infamous feminist writing on transsexuals. Like the media makers discussed earlier, Raymond assumes that trans women transition in order to achieve stereotypical femininity, which she believes is an artificial by-product of a patriarchal society. Raymond does acknowledge, reluctantly, the existence of trans women who are not stereotypically feminine, but she reserves her most venomous remarks for those she calls 'transsexually constructed lesbian-feminists', describing how they use 'deception' in order to 'penetrate' women's spaces and minds. She writes, 'Although the transsexually constructed lesbian-feminist does not exhibit a feminine identity and role, he [sic] does exhibit stereotypical masculine behavior.' This puts trans women in a double bind, where if they act feminine they are perceived as being a parody, but if they act masculine it is seen as a sign of their 'true' male identity. This damned-if-they-do, damned-if-they-don't tactic is reminiscent of the pop cultural deceptive/pathetic archetypes.
Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
However, the other side of fetishization is worship or reverence for the fetish object. In primitive religions, fetish objects were worshiped because people were afraid of the power they were seen to contain. Therefore primitive peoples sought to control the power of the fetish by worshiping it and in so doing they confined it to its “rightful place. ” There was a recognition of a power that people felt they lacked and a constant quest in ceremonies and cults to invest themselves with the power of the fetish object. Thus to worship was also to control. In this way, objectification and worship are two sides of the same coin.
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))
Simone de Beauvoir gave us the insight that woman has been fabricated by man as “the other, ” the relative being—relative to himself as the norm. So it should not be surprising that men, who have literally and figuratively, constructed women for centuries, are now “perfecting” the man-made women out of their own flesh.
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))
[...] The deceptiveness of men without “members, ” that is, castrated men or eunuchs, has historical precedent. There is a long tradition of eunuchs who were used by rulers, heads of state, and magistrates as keepers o f women. Eunuchs were supervisors of the harem in Islam and wardens of women’s apartments in many royal households. In fact, the word eunuch, from the Greek eunouchos, literally means “keeper of the bed. ” Eunuchs were men that other more powerful men used to keep their women in place. By fulfilling this role, eunuchs also succeeded in winning the confidence of the ruler and securing important and influential positions.
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))
We might say that the body is part of the creative ground of existence, but we are not bound by that structure in the full creative sense. Our spirit is bound to our bodies, as its creative ground, but surpasses it through freedom and choice. The body is present in all our choices, but as total persons, we have the freedom to be other than what culturally accompanies a male or female body.
Janice G. Raymond (The Transsexual Empire: The Making of the She-Male (Athene Series))