Traffic Light Love Quotes

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When you're unhappy, you either see nothing at all and the world sinks into meaninglessness, or else you see things preternaturally sharply, and everything suddenly seems to have meaning. Even the most banal things, like a traffic light turning from red to green, can decide whether you turn left or right.
Nicolas Barreau (The Ingredients of Love)
There's a difference between driving and texting. When your driving your eyes have to be open and on the road watching the cars around you, road signs, and traffic lights. Along with your mind on the road and destination. Which means you are multitasking. When your texting your eyes are on your cell phone screen and key pad. Along with your mind on what your going to say next. So how can you do both? Please stop!
Jonathan Anthony Burkett (Neglected But Undefeated: The Life Of A Boy Who Never Knew A Mother's Love)
He wanted to write urgent love letters to her all day long and crowd the endless pages with desperate, uninhibited confessions of his humble worship and need with careful instructions for administering artificial respiration. He wanted to pour out to her in torrents of self-pity all his unbearable loneliness and despair and warn her never to leave the boric acid or the aspirin in reach of the children or to cross a street against the traffic light. He did not wish to worry her.
Joseph Heller (Catch-22)
It was not woman's fault, nor even love's fault, nor the fault of sex. The fault lay there, out there, in those evil electric lights and diabolical rattling of engines. There, in the world of the mechanical greedy, greedy mechanism and mechanised greed, sparkling with lights and gushing hot metal and roaring with traffic, there lay the vast evil thing, ready to destroy whatever did not conform. Soon it would destroy the wood, and the bluebells would spring no more. All vulnerable things must perish under the rolling and running of iron.
D.H. Lawrence (Lady Chatterley's Lover)
Out of respect for the love of liberty shown by the Chinese people, and also in the belief that the future of the world lies with the yellow man and the brown man now that our erstwhile master, the white-skinned man, has wasted himself through buggery, cell phone usage, and drug abuse, I offer to tell you, free of charge, the truth about Bangalore. "By telling you my life's story. "See, when you come to Bangalore, and stop at a traffic light, some boy will run up to your car and knock on your window, while holding up a bootlegged copy of an American business book wrapped carefully in cellophane and with a title like: TEN SECRETS OF BUSINESS SUCCESS! or BECOME AN ENTREPRENEUR IN SEVEN EASY DAYS! "Don't waste your money on those American books. They're so yesterday. "I am tomorrow.
Aravind Adiga (The White Tiger)
Surely for as long as there have been nights as bad as this one---something to raise the possibility of another night that could actually, with love and cockcrows, light the path home, banish the Adversary, destroy the boundaries between our lands our bodies, our stories, all false, about who we are: for the one night, leaving only the clear way home and the memory of the infant you saw, almost too frail, there's too much shit in these streets, camels andother beasts stir heavily outside, each hoof a chance to wipe him out, make him only another Messiah, and sure somebody's around already taking bets on that one, while here in this town the Jewish collaborators are selling useful gossip to Imperial Intelligence, and the local hookers are keeping the foreskinned invaders happy, charging whatever the traffic will bear, just like the innkeepers who're naturally delighted with this registration thing, and up in the capital they're wondering should they, maybe, give everybody a number; yeah, something to help SPQR record-keeping...and Herod, or Hitler, fellas...what kind of a world is it...for a baby to come in tippin' those toledos at 7 pounds 8 ounces thinkin' he's gonna redeem it, why, he ought have his head examined... "But on the way home tonight, you wish you'd picked him up, held him a bit. Just held him, very close to your heart, his cheek by the hollow of your shoulder, full of sleep. As it it were you who could, somehow, save him. For the moment not caring who you're supposed to be registered as. For the moment, anyway, no longer who the Caesars say you are.
Thomas Pynchon (Gravity's Rainbow)
The people were all busy in their cars, listening to the radio, so there was no one to smile at, so I just sent my love to the traffic lights. No one ever appreciates them, all day long, working so hard to turn red and yellow and green, right in time with us to make sure we don't crash into each other. If there was any tiny chance, even the tiniest chance, that they happened to be alive, I bet I was the first person ever to tell them they were special. You are special, I said out loud in my car, but in case they couldn't hear, I cracked my window open. "You are special," I said, to the night air. And just like that, a green light.
Aimee Bender (The Color Master: Stories)
Holly helped hoist me into the saddle, then mounted her own horse, a silvery animal that took the lead as we jogged across the traffic of Central Park West and entered a riding path dappled with leaves denuding breezes danced about. 'See?' she shouted. 'It's great!' And suddenly it was. Suddenly, watching the tangled colors of Holly's hair flash in the red-yellow leaf light, I loved her enough to forget myself, my self-pitying despairs, and be content that something she thought happy was going to happen.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
We drive down the hill to Thimphu. Every trivia buff who visits the city loves to point out that it is the world’s only capital city without a single traffic light, so I will do so here.
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
Was it last month or last year that the ambulance ran like a hearse with its siren blowing on suicide— Dinn, dinn, dinn!— a noon whistle that kept insisting on life all the way through the traffic lights? I have come back but disorder is not what it was. I have lost the trick of it! The innocence of it! That fellow-patient in his stovepipe hat with his fiery joke, his manic smile— even he seems blurred, small and pale. I have come back, recommitted, fastened to the wall like a bathroom plunger, held like a prisoner who was so poor he fell in love with jail.
Anne Sexton (Selected Poems)
Traffic was in confusion for several days. For red to mean "stop' was considered impossibly counterrevolutionary. It should of course mean "go." And traffic should not keep to the right, as was the practice, it should be on the left. For a few days we ordered the traffic policemen aside and controlled the traffic ourselves. I was stationed at a street corner telling cyclists to ride on the left. In Chengdu there were not many cars or traffic lights, but at the few big crossroads there was chaos. In the end, the old rules reasserted themselves, owing to Zhou Enlai, who managed to convince the Peking Red Guard leaders. But the youngsters found justifications for this: I was told by a Red Guard in my school that in Britain traffic kept to the left, so ours had to keep to the right to show our anti-imperialist spirit. She did not mention America. As a child I had always shied away from collective activity. Now, at fourteen, I felt even more averse to it. I suppressed this dread because of the constant sense of guilt I had come to feel, through my education, when I was out of step with Mao. I kept telling myself that I must train my thoughts according to the new revolutionary theories and practices. If there was anything I did not understand, I must reform myself and adapt. However, I found myself trying very hard to avoid militant acts such as stopping passersby and cutting their long hair, or narrow trouser legs, or skirts, or breaking their semi-high-heeled shoes. These things had now become signs of bourgeois decadence, according to the Peking Red Guards. My own hair came to the critical attention of my schoolmates. I had to have it cut to the level of my earlobes. Secretly, though much ashamed of myself for being so "petty bourgeois," I shed tears over losing my long plaits. As a young child, my nurse had a way of doing my hair which made it stand up on top of my head like a willow branch. She called it "fireworks shooting up to the sky." Until the early 1960s I wore my hair in two coils, with rings of little silk flowers wound around them. In the mornings, while I hurried through my breakfast, my grandmother or our maid would be doing my hair with loving hands. Of all the colors for the silk flowers, my favorite was pink.
Jung Chang (Wild Swans: Three Daughters of China)
Swirled tight, trussed, manic, most trusted. You love hills, swells, waves of sand, waves of water. You love traffic on bridges that might split in two. You love stairs leading to stairs leading to ice cream stands. Shards of pottery as good as a map. You love fractured control towers and the very broken Alaskan Way Viaduct. You love squat corner stores and barber-pole signs. You love the idea of privacy in a city of windows, the idea of light in a city of shadows.
Carol Guess (Tinderbox Lawn)
That night my mother had what she considered a wonderful dream. She dreamed of the country of India, where she had never been. There were orange traffic cones and beautiful lapis lazuli insects with mandibles of gold. A young girl was being led through the streets. She was taken to a pyre where she was wound in a sheet and placed up on a platform built from sticks. The bright fire that consumed her brought my mother into that deep, light, dreamlike bliss. The girl was being burned alive, but, first, there had been her body, clean and whole.
Alice Sebold (The Lovely Bones)
Telegraph Road A long time ago came a man on a track Walking thirty miles with a pack on his back And he put down his load where he thought it was the best Made a home in the wilderness He built a cabin and a winter store And he ploughed up the ground by the cold lake shore And the other travellers came riding down the track And they never went further, no, they never went back Then came the churches, then came the schools Then came the lawyers, then came the rules Then came the trains and the trucks with their loads And the dirty old track was the telegraph road Then came the mines - then came the ore Then there was the hard times, then there was a war Telegraph sang a song about the world outside Telegraph road got so deep and so wide Like a rolling river ... And my radio says tonight it's gonna freeze People driving home from the factories There's six lanes of traffic Three lanes moving slow ... I used to like to go to work but they shut it down I got a right to go to work but there's no work here to be found Yes and they say we're gonna have to pay what's owed We're gonna have to reap from some seed that's been sowed And the birds up on the wires and the telegraph poles They can always fly away from this rain and this cold You can hear them singing out their telegraph code All the way down the telegraph road You know I'd sooner forget but I remember those nights When life was just a bet on a race between the lights You had your head on my shoulder, you had your hand in my hair Now you act a little colder like you don't seem to care But believe in me baby and I'll take you away From out of this darkness and into the day From these rivers of headlights, these rivers of rain From the anger that lives on the streets with these names 'Cos I've run every red light on memory lane I've seen desperation explode into flames And I don't want to see it again ... From all of these signs saying sorry but we're closed All the way down the telegraph road
Mark Knopfler (Dire Straits - 1982-91)
We passed the Irish club, and the florist’s with its small stiff pink-and-white carnations in a bucket, and the drapers called ‘Elvina’s’, which displayed in its window Bear Brand stockings and knife-pleated skirts like cloth concertinas and pasty-shaped hats on false heads. We passed the confectioner’s – or failed to pass it; the window attracted Karina. She balled her hands into her pockets, and leant back, her feet apart; she looked rooted, immovable. The cakes were stacked on decks of sloping shelves, set out on pink doilies whitened by falls of icing sugar. There were vanilla slices, their airy tiers of pastry glued together with confectioners’ custard, fat and lolling like a yellow tongue. There were bubbling jam puffs and ballooning Eccles cakes, slashed to show their plump currant insides. There were jam tarts the size of traffic lights; there were whinberry pies oozing juice like black blood. ‘Look at them buns,’ Karina would say. ‘Look.’ I would turn sideways and see her intent face. Sometimes the tip of her tongue would appear, and slide slowly upwards towards her flat nose. There were sponge buns shaped like fat mushrooms, topped with pink icing and half a glace cherry. There were coconut pyramids, and low square house-shaped chocolate buns, finished with a big roll of chocolate-wrapped marzipan which was solid as the barrel of a cannon.
Hilary Mantel (An Experiment in Love: A Novel)
In the meantime, the Bear had attained the Avenue, where blinding, brilliant traffic travelled like a line of light from north to south, as if between worlds. But it was Jacob who saw the ladder, wrestled with the angel, and obtained a birthright under false pretenses. The Bear had done none of these things. He pulled the hat brim farther down on his face and walked south beneath the vault of darkness, above him like guardians or heralds the electric signs of bars and stores- white, orange, yellow, gold, red, brilliant blue and green, occasional imperial purple - as if they were angels that had descended to earth only to hire themselves out as lures for business, possibly for reasons of pity. The Bear walked beneath them like a resolute and powerful man, the saxophone case at his side swinging like a cache of fate, love, gold or vengeance. When he realised that he could have his pick of them - that all options, attributions and possibilities actually were open to him, that he was, at the moment, exalted, liberated, free - he stopped walking for a moment, put down the saxophone case, looked gradually around him at the Avenue, raised his snout and smiled broadly, and there on the pavement stretched out his great and inevitable arms. Aah. The night entered him like honey, and he began so heartily and with such depth of pleasure that it might have been for the first time in his life, to laugh out loud.
Rafi Zabor
The Pretender" I'm going to rent myself a house In the shade of the freeway I'm going to pack my lunch in the morning And go to work each day And when the evening rolls around I'll go on home and lay my body down And when the morning light comes streaming in I'll get up and do it again Amen Say it again Amen I want to know what became of the changes We waited for love to bring Were they only the fitful dreams Of some greater awakening I've been aware of the time going by They say in the end it's the wink of an eye And when the morning light comes streaming in You'll get up and do it again Amen Caught between the longing for love And the struggle for the legal tender Where the sirens sing and the church bells ring And the junk man pounds his fender Where the veterans dream of the fight Fast asleep at the traffic light And the children solemnly wait For the ice cream vendor Out into the cool of the evening Strolls the Pretender He knows that all his hopes and dreams Begin and end there Ah the laughter of the lovers As they run through the night Leaving nothing for the others But to choose off and fight And tear at the world with all their might While the ships bearing their dreams Sail out of sight I'm going to find myself a girl Who can show me what laughter means And we'll fill in the missing colors In each other's paint-by-number dreams And then we'll put our dark glasses on And we'll make love until our strength is gone And when the morning light comes streaming in We'll get up and do it again Get it up again I'm going to be a happy idiot And struggle for the legal tender Where the ads take aim and lay their claim To the heart and the soul of the spender And believe in whatever may lie In those things that money can buy Though true love could have been a contender Are you there? Say a prayer for the Pretender Who started out so young and strong Only to surrender Jackson Browne, The Pretender (1976)
Jackson Browne (Jackson Browne -- The Pretender: Piano/Vocal/Chords)
It was not woman’s fault, nor even love’s fault, nor the fault of sex. The fault lay there, out there, in those evil electric lights and diabolical rattlings of engines. There, in the world of the mechanical greedy, greedy mechanism and mechanized greed, sparkling with lights and gushing hot metal and roaring with traffic, there lay the vast evil thing, ready to destroy whatever did not conform. Soon it would destroy the wood, and the bluebells would spring no more. All vulnerable things must perish under the rolling and running of iron.
D.H. Lawrence (Lady Chatterley's Lover)
It was not woman's fault, nor even love's fault, nor the fault of sex. The fault lay there, out there, in those evil electric lights and diabolical rattlings of engines. There, in the world of the mechanical greedy, greedy mechanism and mechanized greed, sparkling with lights and gushing hot metal and roaring with traffic, there lay the vast evil thing, ready to destroy whatever did not conform. Soon it would destroy the wood, and the bluebells would spring no more. All vulnerable things must perish under the rolling and running of iron.
D.H. Lawrence (Lady Chatterley's Lover)
It was not woman’s fault, nor even love’s fault, nor the fault of sex. The fault lay there, out there, in those evil electric lights and diabolical rattlings of engines. There, in the world of the mechanical greedy, greedy mechanism and mechanised greed, sparkling with lights and gushing hot metal and roaring with traffic, there lay the vast evil thing, ready to destroy whatever did not conform. Soon it would destroy the wood, and the blue-bells would spring no more. All vulnerable things must perish under the rolling and running of iron.
D.H. Lawrence (Lady Chatterley's Lover)
It’s easier like that, isn’t it?” “What is?” “Never showing anyone who you really are.” He watches me calmly. Patiently. In the soft light of the apartment, his eyes are dark all around. Sometimes I hear a car running, but the traffic here is not nearly as loud as at my own apartment. “That way if something goes wrong, if someone rejects you, then it’s not about you, is it? When you’re yourself, that’s when you’re exposed. Vulnerable. But if you hold back . . . Losing a game’s always painful, but knowing that you haven’t played your best hand makes it bearable.
Ali Hazelwood (Love, Theoretically)
I’d been reflecting on this--the drastic turn my life and my outlook on love had taken--more and more on the evenings Marlboro Man and I spent together, the nights we sat on his quiet porch, with no visible city lights or traffic sounds anywhere. Usually we’d have shared a dinner, done the dishes, watched a movie. But we’d almost always wind up on his porch, sitting or standing, overlooking nothing but dark, open countryside illuminated by the clear, unpolluted moonlight. If we weren’t wrapped in each other’s arms, I imagined, the quiet, rural darkness might be a terribly lonely place. But Marlboro Man never gave me a chance to find out.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Traffic is light as she leaves Mowbray. So is her heart. Light. Soon. Soon, she will be home. Strange how she was able to bear it -- bear being away. Until now. With a day to go, it has suddenly become unbearable. Since that party on Saturday night. Smashing send-off these lovely people gave her. Really smashing. So, why is she feeling so blue? Ah, well, she thinks to herself, I've always had a problem, saying goodbye. She hardly has a moment to breathe through the day. So busy. Her very last day at this place she has called home these ten months past. Here at the university too, many people want to talk about her trip back home. If only they knew. If only they knew. Excited as she is about the prospect of seeing her family, of going home, seeing her friends, with all that ... still, saying goodbye is not easy. Never has been for her. That is what she's doing now. How she wishes everybody would just forget she was going back home. But no. People insist on saying goodbye, on giving her party after party. Therefore, she is forced to take leave of her friends, to acknowledge the pain of parting. Bitter sweet. How she wishes she were home already. But, of course, before that can happen, she has to say goodbye to all these dear, dear friends, these people of whom she has grown so fond. But perhaps she will come back. Of course, she will come back, one day. A not too far-away day too, that's for sure. Yes, I can see how torn she must have felt. Excited and grieving. Happy and sad. At one and the same time. For the same, the very same, reason.
Sindiwe Magona (Mother to Mother)
Josephson had died just north of Abd al-Kuri Island, an uninhabited, mountainous desert with, on its eastern side, perhaps the world’s wildest and finest beach. To mollify Holworthy, in a moment of weakness not long after they had departed Lemonnier, Rensselaer had considered leaving a few SEALs there on the way south, to observe traffic, as on occasion irregular forces were ordered to do. But he had decided then that rather than mollify Holworthy, he would keep him down. The rendezvous point with the Puller wasn’t far, and, arriving first, Athena waited. The Puller was out of sight but in radio contact. Eventually they saw her to the west, and she came even with Athena at dusk, although in that latitude, as Josephson had learned, dusk is so short it hardly exists. With the lights of the Puller blazing despite wartime conditions, her vast superstructure, hollow and beamed like a box-girder bridge, was cast in flares and shadows. A brow was extended from a door in the side and fixed to Athena’s main deck. As a gentle swell moved the two ships up and down at different rates, the hinged brow tilted slightly one way and then another. The Iranian prisoners were escorted over the brow and to the brig in the Puller, which would take them very close to their own country, but then to the United States. They were bitter and depressed. The huge ship into the darkness of which they were swallowed seemed like an alien craft from another civilization, which, for them, it was. A gray metal coffin was carried to Athena by a detail from the Puller. This was a sad thing to see, sadder than struggle, sadder than blood. It disappeared below. Josephson’s body was placed inside it and the flag draped over it. Six of Athena’s crew in dress uniform carried it slowly to the brow and set it on deck. After a long silence, Rensselaer spoke a few words. “Our shipmates Speight and Josephson are no longer with us—Speight committed to the deep, lost except to God. And Josephson, who will go home. Neither of these men is unique in death. They are still very much like us, and we are like them: it’s only a matter of time—however long, however short. If upon gazing at this coffin you feel a gulf between you, the living, and him, one of the dead, remember that our fates are the same, and he isn’t as far from us as we may imagine. “At times like this I question our profession. I question the enterprise of war. And then I go on, as we shall, and as we must. In this spirit we bid goodbye to Ensign Josephson, to whom you might have been brothers, and I and the chiefs, perhaps, fathers. May God bless and keep him.” Then the captain read the 23rd Psalm, a salute was fired, and Josephson’s coffin was lifted to the shoulders of its bearers and slowly carried into the depths of the Puller. When he died, he was very young.
Mark Helprin (The Oceans and the Stars: A Sea Story, A War Story, A Love Story (A Novel))
Now the moment had arrived. Birgit took her place beside him in the command car. She pulled up her large striped cotton dirndl skirt made by her fellow national, Katya of Sweden, and looked around with an excited smile. But to onlookers it was more like the strained expression of a Swedish farm woman in a Swedish outhouse in the dead of a Swedish winter. She was trying to restrain her excitement at the sight of all those naked limbs in the amber light. From the shoulders up she had the delicate neckline and face of a Nordic goddess, but below her body was breastless, lumpy with bulging hips and huge round legs like sawed-off telegraph posts. She felt elated, sitting there with her man who was leading these colored people in this march for their rights. She loved colored people. Her eyeblue eyes gleamed with this love. When she looked at the white cops her lips curled with scorn. A number of police cruisers had appeared at the moment the march was to begin. They stared at the white woman and the colored man in the command car. Their lips compressed but they said nothing, did nothing. Marcus had got a police permit. The marchers lined up four abreast on the right side of the street, facing west. The command car was at the lead. Two police cars brought up the rear. Three were parked at intervals down the street as far as the railroad station. Several others cruised slowly in the westbound traffic, turned north at Lenox Avenue, east again on 126th Street, back to 125th Street on Second Avenue and retraced the route. The chief inspector had said he didn’t want any trouble in Harlem. “Squads, MARCH!” Marcus shouted over the amplifier.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
Back in bed I listen to every sound. The plastic tarp over the table on the balcony crunching in the cold wind. the two short clicks in the walls before the heat comes on with a low whoosh. I hear a constant base hum all around, the nervous system of the building, carrying electricity and gas and phone conversations to all our respective little boxes. I listen to it all, the constant, the rhythmic, and the random. It's hard to measure the night by sound, but it can be done. I know that when the traffic noise is quietest, it's about 4:30 in the morning. I know that when the 'Times' hits the door, it's around 5. Now the clock says it's morning, 5:45, but the November sky still says midnight. I hear the elevator ding twenty yards down the hall outside our door. Seven seconds later, I hear his keys in our lock, then his heavy backpack hitting the floor. I hear the refrigerator door open, the unsealing vacuum wheezing as the cold inside air meets the dry heat in the apartment. The cupboard door. A glass. The crescendoing fizz of a new two-liter Diet Coke bottle opening. It's a one-sided conversation with no one actually talking. I lie in the dark, close my eyes, and try not to listen to his movements around apartment. these are the sounds of our life together before it got so messy. I want to say something back. Anything, anything that sounds like things sounded last summer. Even just to myself. Just something out loud. The inside of my eyelids turn pink. My door has been opened and the light from the hallway shines through them. I won't open them. There is no noise. Like an eclipse, the world behind my closed eyes goes dark again. For just one second, before I feel a kiss on my right eye. I keep them closed. A kiss on the left one. I open them. Jack looks down at me and closes his eyes. He leans forward and puts his forehead on my chest and goes limp. ''Blues Clues' is on,' he says softly into my tee shirt. His muffled voice vibrating only a half inch away from my heart.
Josh Kilmer-Purcell (I Am Not Myself These Days)
-1 PETER 5:3 Over and over I have attempted to be an example by doing rather than telling. I feel that God's great truths are "caught" and not always "taught." In the book of Deuteronomy, Moses (the author) says the following about God's commandments, statutes, and judgments: "You shall teach them diligently to your sons and shall talk of them when you sit in your house and when you walk by the way and when you lie down and when you rise up" (6:7). In other words, at all times we are to be examples. It is amazing how much we can teach by example in every situation: at home, at the beach, while jogging, when resting, when eating-in every part of the day. It's amazing how often I catch our children and grandchildren imitating the values we exhibited in our home-something as little as a lighted candle to warm the heart, to a thank you when food is being served in a restaurant. Little eyes are peering around to see how we behave when we think no one is looking. Are we consistent with what we say we believe? If we talk calmness and patience, how do we respond when standing in a slow line at the market? How does our conversation go when there is a slowdown on Friday evening's freeway drive? Do we go by the rules on the freeway (having two people or more in the car while driving in the carpool lane, going the speed limit, and obeying all traffic signs)? How can we show God's love? By helping people out when they are in need of assistance, even when it is not convenient. We can be good neighbors. Sending out thank you cards after receiving a gift shows our appreciation for the gift and the person. Being kind to animals and the environment when we go to the park for a campout or picnic shows good stewardship. We are continually setting some kind of example whether we know it or not. PRAYER Father God, let my life be an example to those around me, especially the little ones who are learning the ways of faith. May I exhibit proper conduct even when no one is around. I want to be obedient to Your guiding principles. Thank You for Your example. Amen.
Emilie Barnes (The Tea Lover's Devotional)
I’d been reflecting on this--the drastic turn my life and my outlook on love had taken--more and more on the evenings Marlboro Man and I spent together, the nights we sat on his quiet porch, with no visible city lights or traffic sounds anywhere. Usually we’d have shared a dinner, done the dishes, watched a movie. But we’d almost always wind up on his porch, sitting or standing, overlooking nothing but dark, open countryside illuminated by the clear, unpolluted moonlight. If we weren’t wrapping in each other’s arms, I imagined, the quiet, rural darkness might be a terribly lonely place. But Marlboro Man never gave me a chance to find out. It was on this very porch that Marlboro Man had first told me he loved me, not two weeks after our first date. It had been a half-whisper, a mere thought that had left his mouth in a primal, noncalculated release. And it had both surprised and melted me all at once; the honesty of it, the spontaneity, the unbridled emotion. But though everything in my gut told me I was feeling exactly the same way, in all the time since I still hadn’t found the courage to repeat those words to him. I was guarded, despite the affection Marlboro Man heaped upon me. I was jaded; my old relationship had done that to me, and watching the crumbling of my parents’ thirty-year marriage hadn’t exactly helped. There was just something about saying the words “I love you” that was difficult for me, even though I knew, without a doubt, that I did love him. Oh, I did. But I was hanging on to them for dear life--afraid of what my saying them would mean, afraid of what might come of it. I’d already eaten beef--something I never could have predicted I’d do when I was living the vegetarian lifestyle. I’d gotten up before 4:00 A.M. to work cattle. And I’d put my Chicago plans on hold. At least, that’s what I’d told myself all that time. I put my plans on hold. That was enough, wasn’t it? Putting my life’s plans on hold for him? Marlboro Man had to know I loved him, didn’t he? He was so confident when we were together, so open, so honest, so transparent and sure. There was no such thing as “give-and-take” with him. He gave freely, poured out his heart willingly, and either he didn’t particularly care what my true feelings were for him, or, more likely, he already knew. Despite my silence, despite my fear of totally losing my grip on my former self, on the independent girl that I’d wanted to believe I was for so long…he knew. And he had all the patience he needed to wait for me to say it.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
...When my nephew was three, [his mother] was worrying about getting him into the right preschool. Kid's fifteen now. He's under pressure to make sure he gets good grades so he can get into a good school. He needs to show good extracurricular activities to get into a good school. He needs to be popular with his classmates. Which means be just like them. Dress right, use the proper slang, listen to proper music, go away on the proper vacations. Live in the right neighborhood, be sure his parents drive the right car, hang with the right group, have the right interests. He has homework. He has soccer practice and guitar lessons. The school decides what he has to learn, and when, and from whom. The school tells him which stairwell he can go up. It tells him how fast to move through the corridors, when he can talk, when he can't, when he can chew gum, when he can have lunch, what he is allowed to wear..." Rita paused and took a drink. "Boy", I said. "Ready for corporate life." She nodded. "And the rest of the world is telling him he's carefree," she said. "And all the time he's worried that the boys will think he's a sissy, and the school bully will beat him up, and the girls will think he's a geek." "Hard times," I said. "The hardest," she said. "And while he's going through puberty and struggling like hell to come to terms with the new person he's becoming, running through it all, like salt in a wound, is the self-satisfied adult smirk that keeps trivializing his angst." "They do learn to read and write and do numbers," I said. "They do. And they do that early. And after that, it's mostly bullshit. And nobody ever consults the kid about it." "You spend time with this kid," I said. "I do my Auntie Mame thing every few weeks. He takes the train in from his hideous suburb. We go to a museum, or shop, or walk around and look at the city. We have dinner. We talk. He spends the night, and I usually drive him back in the morning." "What do you tell him?" I said. "I tell him to hang on," Rita said. She was leaning a little forward now, each hand resting palm-down on the table, her drink growing warm with neglect. "I tell him that life in the hideous suburb is not all the life there is. I tell him it will get better in a few years. I tell him that he'll get out of that stultifying little claustrophobic coffin of a life, and the walls will fall away and he'll have room to move and choose, and if he's tough enough, to have a life of his own making." As she spoke, she was slapping the tabletop softly with her right hand. "If he doesn't explode first," she said. "Your jury summations must be riveting," I said. She laughed and sat back. "I love that kid," she said. "I think about it a lot." "He's lucky to have you. Lot of them have no one." Rita nodded. "Sometimes I want to take him and run," she said. The wind shifted outside, and the rain began to rattle against the big picture window next to us. It collected and ran down, distorting reality and blurring the headlights and taillights and traffic lights and colorful umbrellas and bright raincoats into a kind of Parisian shimmer. "I know," I said.
Robert B. Parker (School Days (Spenser, #33))
She looked out at the expanse of white, the two-lane blacktop the only color and even that was glazed in ice. The sky was overcast and yet the fallen snow shone, appearing iridescent as night had set in. She'd always wanted to see snow but maybe not this much. Also, the lack of traffic made her nervous, too. She felt as if they'd left civilization behind. No houses, no lights, nothing but snow and highway. "Where were they going? "I love winter," Collin was saying. "There is something so pure about it, the cold air, the snow a clean, white blanket that covers even the dirtiest spots." Without warning...
B.J. Daniels (Out of the Storm (Buckhorn, Montana, #1))
From the moment the Russians arrived in Prague, my husband, laureate of the Klement Gottwald state prize, always expected a car to turn in off the road, to come down the lane for him, and his fear of this possibility kept him on edge .. That's why he so enjoyed roaming the forests and villages, and sometimes he took the bus into Prague, my husband loved riding the bus, forget the car! The car was torture for him, where to park, and you couldn't have a beer, and he loathed being stuck in traffic and waiting for red lights and green lights, he fumed, and his eyesight wasn't the best anymore, he much rather rode the bus and daydreamed the trip through,
Bohumil Hrabal (Gaps)
So Stephen’s pain is over. He is no longer trapped in the static of his mind. Tormented by stabs of clarity, like a drowning man surfacing above the waves before being engulfed again. There will be no further decline. From here on the decline will be all hers. The pain all hers. She is glad of it, deserves to endure it. It feels like penance. Penance for helping to kill Stephen? Is that right? No. Elizabeth doesn’t feel guilt at the act. She knows in her heart that it was an act of love. Joyce will know it was an act of love. Why does she worry what Joyce will think? It is penance for everything else she has done in her life. Everything that she did in her long career, without question. Everything she signed off, everything she nodded through. She is paying a tax on her sins. Stephen was sent to her, and then taken away, as a punishment. She will speak to Viktor about it; he will feel the same. However noble the causes of her career were, they weren’t noble enough to excuse the disregard for life. Day after day, mission after mission, ridding the world of evil? Waiting for the last devil to die? What a joke. New devils will always spring up, like daffodils in springtime. So what was it all for? All that blood? Stephen was too good for her tainted soul, and the world knew it, so the world took him away. But Stephen had known her, hadn’t he? Had seen her for what she was and who she was? And Stephen had still chosen her? Stephen had made her, that was the truth. Had glued her together. And here she lies. Unmade. Unglued. How will life go on now? How is that possible? She hears a car on a distant road. Why on earth is anybody driving? Where is there to go now? Why is the clock in the hall still ticking? Doesn’t it know it stopped days ago? On the way to the funeral, Joyce had sat with her in the car. They didn’t speak because there was too much to say. Elizabeth looked out of the window of the car at one point, and saw a mother pick up a soft toy her child had dropped out of its pram. Elizabeth almost burst into laughter, that life was daring to continue. Didn’t they know? Hadn’t they heard? Everything has changed, everything. And yet nothing has changed. Nothing. The day carries on as it would. An old man at a traffic light takes off his hat as the hearse passes, but, other than that, the high street is the same. How can these two realities possibly coexist? Perhaps Stephen was right about time? Outside the car window, it moved forward, marching, marching, never missing a step. But inside the car, time was already moving backward, already folding in. The life she had with Stephen will always mean more to her than the life she will now have going forward. She will spend more time there, in that past, she knows that. And, as the world races forward, she will fall further and further back. There comes a point when you look at your photograph albums more often than you watch the news. When you opt out of time, and let it carry on doing its thing while you get on with yours. You simply stop dancing to the beat of the drum. She sees it in Joyce. For all her bustle, for all her spark, there is a part of her, the most important part, locked away. There’s a part of Joyce that will always be in a tidy living room, Gerry with his feet up, and a young Joanna, face beaming as she opens presents. Living in the past. Elizabeth had never understood it, but, with intense clarity, she understands it now. Elizabeth’s past was always too dark, too unhappy. Family, school, the dangerous, compromising work, the divorces. But, as of three days ago, Stephen is her past, and that is where she will choose to live.
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
I always thought we’d have our song. About the small town girl and the big city snob. The song would be about our first date, first fight, and our first kiss. Then maybe you’d leave, but you’d come back, because there’d be something about me, you’d miss. It would be about the late night drives, busy streets and traffic lights. You’d look at me eye to eye, then you’d kiss me a deep sorry for the big fight last night We’d sing our song even in our seventies. In the front porch, under the maple tree. The song would be about our mini-van, Where you’d play the guitar with your old wrinkly hands. It’d be about our fortieth anniversary night, Our extraordinary love might have become ordinary over time. But trust me, we’d be fine, and I’d desperately fall for your smile, Not only in our seventies, even when you’d be as old as eighty-five.
Snehil Niharika (That’ll Be Our Song)
Love is the only miracle there is. Love is the ladder from hell to heaven. Love learned well, you have learned all. Love missed, you missed your whole life. One who knows love has known the Beloved: love is the insight into the Beloved. One who asks about light, simply says that he is blind. One who asks about God, simply says his heart has not bloomed into love. Never ask about God. If you cannot see him that simply shows you don't have eyes to see. If you cannot hear him that simply shows you are deaf. If you cannot touch him that simply shows you are without hands -- that you don't have any sensitivity. God is not far away, God is herenow. All that is, is in God and is God -- so how can God be the problem? God is not to be searched: where will you search him? He is everywhere -- you just have to learn how to open your eyes of love. Once love has penetrated your heart, God is there. In the thrill of love is the Beloved: in the vision of love is the vision of God. Love changes the whole climate of your inner being -- and with that change the whole existence is changed. Nothing is changed on the outside -- but once you are full of love you have a totally different existence available to you. God and the world are not two things, it is the one existence. There is only one existence: seen without love, it looks material; seen without love, God looks like the world -- SANSARA. Seen with love, the world is transformed, transfigured... and the very world becomes divine. Yes, then in sight there is music. When love has dawned, then miracles happen -- even in sight there is music; in sound, a luminous silence. Love is magical. And Kabir's whole teaching is that of love: he calls love "the divine melody." The heart, pulsating in love, becomes a flute on the lips of God... and a song is born. That song is religion. ...religion is born only when somebody pulsates with love. Each individual has to give birth to a religion.. To be religious you have to give birth to religion in your innermost core, in your very core: when religion is born THERE, only then are you religious. When you are born in love, religion is born in you -- and then your whole life is a melody, a beautiful song. And then you will be surprised that nothing is wrong: all fits together. Right now, nothing fits together. Right now, you are a mess: right now, you are an anarchy. Right now, you are just traffic noise -- rushing in all directions, falling apart, disintegrating. Right now, you are nothing but anguish, agony. Once love is born, you have a center. Once love is born, you are centered -- and everything falls in tune with the center. You become an orchestra, a beautiful harmony. It is hidden in you: you have brought it into the world, it is yet unmanifest. Kabir says: Manifest it -- let your love be manifested. In that manifestation will be your prayer.
Osho (The Divine Melody: Discourses on Songs of Kabir (Kapir Ser.))
I don't remember much about my death. A moment of panic. The screeching of tyres. An ear-shattering bang. Then...nothing. No bright light, no tunnel, no loved ones waiting to greet me, their faces smiling benevolently as they welcomed me to the afterlife. Just the high-pitched beeping of the traffic lights as they changed, signalling to pedestrians that it was now their turn to cross the junction, oblivious to the carnage before them.
Claire Gallagher (Daisy Roberts is Dead)
When Jun looked at him, it was as though there was a light in his eyes the colour of lamps lit on the island in the middle of the street, of all the traffic lights, of the blinking lights of the disco, of the flash of fireworks. Not the light of the sun. Not the light of the moon that merely steals its glow from the sun.
Alvin Yapan
They belong to nowhere, unanchored. Some of them like to imagine that they’re just hanging out for a while, just running the engine on idle at the traffic light, waiting for the signal to change. But after seventeen years of that you start to wonder…does anybody ever leave?
Elizabeth Gilbert (Eat, Pray, Love)
The question kept breaking into her thoughts as she maneuvered through light traffic and an increasingly difficult roadway. On impulse, she pulled into the crowded parking lot at the supermarket and made her way down one aisle and then another, tossing things into the basket without any real plan. Part of her wanted to snuggle into a cozy domestic situation with Jarrod, snow piled high outside, a pot of soup simmering on the stove, maybe a pie in the oven, and his rumbling baritone muttering sweet nothings in her ear. The other part wanted to run, fast, to her office and lock herself inside where she would scan potential vacation spots and book her flight. Leave tomorrow or, well, as soon as the runways were clear.
Lizzie Ashworth (Jarrod's Valentine (Jarrod Bancroft, #2))
It didn't help that Oscar showed up in my dreams constantly...I kept telling him to get actual, that he'd died, and he'd say, No no, honey, you got it all wrong. Oh, man, look at my hand. And I'd look at his hand that he held out, and I'd grab it, reaching out in dreamtime, doubting him, and it was there all right, but the touch of it, the tight tough skin exactly like Oscar's, would startle me with terror and love, and I'd wake up by myself in my apartment in the dark like a flashlight you've just switched on, with the traffic moving on the street outside the window and the headlights lighting the ceiling, and this big broken hole in me that Oscar had left behind, by dying.
Charles Baxter
Jeremy, wait!” she called, bending over to catch her breath. When Jeremy saw her, he picked up his pace and hurried toward the crosswalk. Madison threw her head back and moaned, “I can’t keep up! Please stop.” At the intersection, he had to stop to wait for the traffic light, and she stumbled off the curb and stood in front of him, clutching her side. “Please listen for one minute,” she gasped. “I know that the Homecoming disaster wasn’t your fault. I know you didn’t put up those awful photos. And I am so ashamed for jumping to conclusions about you, and not ever giving you a chance to explain.” Jeremy opened his mouth to speak, and she help up her palm. “Just a minute. I’m not finished.” She bent over once more and took a couple of deep breaths. “I know you’ll never accept my apology because you think I’m heartless and self-centered. But just to prove to you that I’m sincere, I’m withdrawing from the race and throwing all my support behind you.” Madison waited for Jeremy to respond. As she looked into his eyes, he continued to say nothing. She felt her throat tighten painfully. Tears pooled in her eyes. Madison turned to leave before she embarrassed herself any further. But as she stepped into the crosswalk, Jeremy caught her by the arm. “Now hold it a minute, will you?” he said, gently pulling her back onto the curb. “You just dropped an awful lot of information in my lap. The least you can do is give me a moment to process it.” Madison put a hand over her mouth, trying to hold herself together. Then she looked up into his pale blue eyes. They were no longer ice cold but filled with compassion. “I guess I’ll begin by accepting your apology,” Jeremy said slowly. “And offer my own apology in return.” Madison laughed. “You apologize to me? Whatever for?” “Excuse me,” a man interrupted from behind them. He and a woman were walking with their tenspeeds. “This is a crosswalk. If you want to talk, there are plenty of places to do it over there.” He pointed back to the park, by the lake. They shared an embarrassed laugh.
Jahnna N. Malcolm (Perfect Strangers (Love Letters, #1))
C’mon, I won’t tell anyone your secrets . . . even if they’re really, really bad,” she promised, raising an eyebrow. “Mocking me will get you nowhere.” But he leaned down, his breath tickling the side of her neck, and a rush of warmth flooded Violet’s stomach. “There are other ways to break me, though.” Violet reached for his hand, drawing him out of the flow of traffic, away from the pushing and shoving of students, until they were tucked into a private pocket of space, just the two of them. “What do I have to do to make you talk?” She pressed against him, standing on her toes so her lips could reach his. She didn’t have to reach far; he was already meeting her halfway, his arm snaking around her waist. They didn’t speak for several long seconds as Violet savored the feel of his lips against hers, soft and familiar and achingly tender. She shivered inwardly, both loving and hating the way her body reacted—almost instantaneously—to his. She had very little control over herself when he touched her. She felt like a puppet, at his command. But they couldn’t stand there for long, pretending that no one could see them, when everyone could. She kissed him one last time . . . lightly, softly, sweetly. “So, now are you gonna tell me?” she teased, slipping her hand beneath his T-shirt so she could feel the warmth of his bare stomach. One side of his lip twitched upward. “There’s really nothing to tell, Vi. I don’t have any deep dark secrets or anything. What you see is what you get.” “How can you be so sure? What did she say exactly?” Violet’s fingers danced along his waistline, tracing a path to his back. Jay grinned down at her, reaching for her hand and leading her toward the lunchroom. “Nothing, really. She just kept saying ‘interesting,’ over and over again. If you ask me, she just noticed what everyone else already knows, that I’m incredibly interesting.
Kimberly Derting (The Last Echo (The Body Finder, #3))
Peninsula Freeway, and another off Penzance Beach Road, which wound in a dizzying climb high above sea level. She slowed for an intersection, the light green. She should make a right turn here, but that meant giving way to the oncoming traffic, which was streaming indifferently towards her, and what if some maniac failed to stop before she completed the turn? She tried to swallow. Her mouth was very dry. Someone sounded their horn at her. She continued through the intersection without turning. All those people there last Saturday, as close as bodies can get to one another, yet Janine hadn’t expected, sought or found any kind of togetherness. She knew from past experience that the other couples would look out for each other, the wives watching out for their husbands, always with a smile, a kiss, a comforting or loving caress, ‘Just checking that you’re happy’ kind of thing, and the husbands checking on how their wives were doing, ‘Are you okay? Love you’ kind of thing, even stopping to have sex with them before moving on to another play area. But that wasn’t Robert’s style. He would never so much as say ‘Enjoy yourself’ but go after the single women and younger wives, a glint of grasping need in his eyes, and last Saturday hadn’t been any different. He’d kept her there until three in the morning, long after most of the others had gone home. ‘Mum?’ ‘What?’ ‘Can I have a Happy Meal for lunch?’ ‘We’ll see.’ Beside her, Georgia began to sing. It had taken her husband about three months to wear her down. When he’d first proposed attending one of the parties, late last year, Janine had thought he was joking, but it soon became clear that he wasn’t. She’d felt vaguely discomfited, more from the tawdriness and risk of exposure than realising he probably didn’t want her sexually any more. ‘Why do you want to have sex with other women besides me?’ she’d asked, putting on a bit of a quiver. ‘But
Garry Disher (Snapshot (Peninsular Crimes, #3))
Nomi asked, “When did you know? When did you know that Lila was the one, and nobody else?” “People always ask themselves that question,” he said as he watched a small child fascinated by the poodle. “Still,” Nomi persisted, as if Elias was in possession of some secret formula. “It was all in the breathing,” he said. “What do you mean?” “When I realized she was in every breath I took,” he said. Nomi tried to understand what he was saying: How many breaths did a person take during the course of a day, maybe a hundred thousand? And she was there in every one? “When you find it, you just know. It’s as simple as that child running after the dog.” Nomi gazed at him without comprehending. “When you forget yourself,” he explained. “When your own wishes shrink. Forgetting yourself is a wonderful feeling, and with Lila, I forgot myself all the time. “Once,” he said, continuing, “we were meeting in Ein Karem. This is when we were already in our fifties. Lila arrived by taxi, and at a traffic light we found ourselves next to each other. When I saw her, I don’t know what happened to me. It was like my chest was bursting, I had to say it. I leaned out my window and said to the driver, ‘Tell her that I love her.’ He did. She blushed like a girl. Then the driver called back to me: ‘She loves the way you love her.’ “With her, I saw everything I did in a wonderful light that was sweet and bright: going to the market, filling the tank with gas, sitting in a movie theater. Whenever we came out of the long narrow hallway they always make you exit cinemas from, I would think that with her I’m forgiving; I always want the heroes of the film to fall in love and overcome their challenges and continue their love story. With her I was prepared to be taken anywhere and everywhere.
Anat Talshir (About the Night)
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Amanda Flowers
Prayer is spending time with God. ~ Sharon Espeseth         Covered     “And pray in the Spirit on all occasions with all kinds of prayers and requests” (Ephesians 6:18).     Looking back, I recall the many times that I had done stupid things, yet somehow I didn’t get hurt. Specifically, I remember my university days as being full of stupidity. For instance, one cold November evening I decided to leave a house party and walk home. This wouldn’t have been so bad, however, it was 2:00 in the morning, I hadn’t told anyone I was going, and I had to walk 45 minutes to get home. When I think back, I shudder. Any number of bad things could have happened to me.   I made some poor choices, and although I suffered the consequences I sometimes felt as if the consequences were not as bad as they could have been. It recently occurred to me that I was being watched over and protected. I now know that my family frequently prayed for me.   Although I wasn’t serving God at the time, I was being covered in prayer by those who were. I am now led to believe that people I didn’t even know were praying for me. I make this assumption, not because I now know these people, but because I witnessed people praying for complete strangers.   In church and at Bible studies, prayer requests are often made for those we do not know. As part of a Christian writer’s group, I receive prayer requests via email for people I may never meet in my lifetime. Listening to Christian radio stations, prayer requests are voiced for others throughout the country and the world. As a member of many Christian associations, I receive newsletters and phone calls requesting prayer for strangers.   More recently, I witnessed first hand the outpouring of love for strangers through prayer. I was traveling east with a van full of women. We were excited about the conference we were going to together. However, on our drive we saw a slowdown of traffic on the opposite highway. There were police cars, ambulance, and fire truck lights flashing. In the centre of it all was a car, overturned on its roof. Another car was near with a smashed front end. The accident scene looked horrible. We automatically stopped our chatter and took a moment to pray aloud for the victims in the accident. We prayed for complete strangers. Although we may never know who they were, we followed Jesus’ directive to love our neighbours.   It’s comforting to know that my family and I are being prayed for. And I will continue to pray for people I don’t even know.       Prayer is my "alone" time with God. ~ Ruth Smith Meyer        
Kimberley Payne (Feed Your Spirit: A Collection of Devotionals on Prayer (Meeting Faith Devotional Series Book 2))
I raised the very general topic of relations with the royal family, based on what I’d been reading in the English newspapers since I’d arrived. Diana said that the widely held belief that the Queen Mother had guided her during the period of her engagement was “completely untrue.” She’d received virtually no support or advice from the royal family, ever. I laughed when Diana good-naturedly referred to the royal family as “that lot.” She went on, “They never praise you when you do something right, but they certainly let you know when you’ve done something wrong. Diana proceeded to say that she had “little use for the upper classes.” This comment intrigued me, since she’d been born and raised among the aristocracy. Her attitude marked a true departure from her past. Diana found “ordinary people so much more real.” She loved her contact with people and related two incidents as examples. She had recently been driving her own car in London and had stopped for a traffic light. A total stranger recognized her, walked over, and immediately told her how worried he was about his wife’s illness. Diana was sympathetic to his anxiety and touched by his need. To me, this story demonstrated how sincerely her compassion for others came across. A complete stranger felt comfortable speaking to her about his deepest worry and she responded with natural concern.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
It’s a beautiful thing to be in Hollywood... the feeling of it... that classical glamour never dies.” She walked to the closet and back to the bed. “The actress lives a beautiful life once at a certain level... when her sink has a view and her phone calls aren’t rejections anymore, but producers, offices, playhouses in London, a director pitching his sacred screenplay. The food gets healthier, people around you are more positive... driving in traffic is even different because your car is nice, and the music you normally hate sounds different when life works... when you get the furniture you want... And mentors pass down movie posters from their mentors—so Hepburn never really dies. You keep it in your home... there’s room for everything... I treasure letters from other artists... studio invitations... Being a woman in Hollywood is entirely different than a man’s experience. All the time, by everyone, for everything, a woman is wanted... dinners... so many dinners... so many scripts lying around the room, in the sun... the people you have yet to meet... it’s not about fame—I do not care for the public praise... but what is truly compelling is when you make it big, you finally understand why there are palm trees in this city... Los Angeles suddenly turns on. Like a bulb you thought disliked you and would never light. But it lights. Of course, one must put the cocktail down, leave the house, and make more movies. But this is to say, the after hours are nice. When the camera is off and I return home, I get to love what is left.
Kristian Ventura (A Happy Ghost)
The streets of downtown Shanghai likewise seemed a continuous freak circus at first, unbelievably alive with all manner of people performing almost every physical and social function in public: yelling, gesturing, always acting, crushing throngs spilling through every kind of traffic, precariously amidst old cars and new ones and between coolies racing wildly to compete for ricksha fares, gingerly past "honey-carts" filled with excrement dragged down Bubbling Well Road, sardonically past perfumed, exquisitely gowned, mid-thigh-exposed Chinese ladies, jestingly past the Herculean bare-backed coolie trundling his taxi-wheelbarrow load of six giggling servant girls en route to home or work, carefully before singing peddlers bearing portable kitchens ready with delicious noodles on the spot, lovingly under gold-lettered shops overflowing with fine silks and brocades, dead-panning past village women staring wide-eyed at frightening Indian policemen, gravely past gambling mah-jongg ivories clicking and jai alai and parimutuel betting, slyly through streets hung with the heavy-sweet acrid smell of opium, sniffingly past southern restaurants and bright-lighted sing-song houses, indifferently past scrubbed, aloof young Englishmen in their Austins popping off to cricket on the Race Course, snickeringly round elderly white gentlemen in carriages with their wives or Russian mistresses out for the cool air along the Bund, and hastily past sailors looking for beer and women—from noisy dawn to plangent night the endless hawking and spitting, the baby's urine stream on the curb, the amah's scolding, the high falsetto of opera at Wing On Gardens where a dozen plays went on at once and hotel rooms next door filled up with plump virgins procured for wealthy merchants in from the provinces for business and debauch, the wail of dance bands moaning for slender bejeweled Chinese taxi dancers, the whiteness of innumerable beggars and their naked unwashed infants, the glamour of the Whangpoo with its white fleets of foreign warships, its shaggy freighters, its fan-sailed junks, its thousand lantern-lit sampans darting fire-flies on the moon-silvered water filled with deadly pollution. Shanghai!
Edgar Snow (Journey to the Beginning)
The Road to a Hassle-Free Journey: My Experience on a World-Class Indian Highway Traveling by road in India has always been an adventure—sometimes thrilling, sometimes frustrating. But my recent journey on the Agra Etawah Toll Road Project was nothing short of a revelation. This modern highway is a game-changer for anyone who loves road trips or frequently travels between Agra and Etawah. Designed with efficiency, safety, and traveler convenience in mind, this highway offers the kind of smooth, stress-free ride that every traveler dreams of. #modernroad A Highway That Makes Driving a Pleasure From the moment I merged onto the highway, I noticed the difference. The road was flawless—well-maintained with clearly marked lanes, proper lighting, and minimal congestion. Unlike older highways that come with uneven surfaces, sudden speed breakers, and chaotic traffic, this toll road is built for comfort and efficiency. Even the toll system is designed to keep things moving. With digital payment options, quick lane processing, and well-managed toll booths, the entire experience feels effortless. No long queues, no unnecessary delays—just a smooth transition from one point to another. Safety and Convenience at Every Turn What really sets the Agra Etawah Toll Road Project apart is the emphasis on safety. With dedicated lanes for different types of vehicles, well-monitored speed limits, and emergency services along the route, travelers can drive with complete peace of mind. Additionally, the highway is equipped with proper night-time illumination, making late-night travel much safer. As someone who enjoys night drives, I found the well-lit roads and clear signboards extremely reassuring. #indiabesthighway Well-Planned Rest Stops for Travelers Long drives require breaks, and this highway understands that. Strategically placed rest stops offer everything a traveler might need—fuel stations, food courts, and clean restrooms. I took a short break at one of these stops and was pleasantly surprised by the neatness and efficiency of the service. Gone are the days of struggling to find a decent place to rest on highways. With well-maintained facilities, this toll road ensures that your journey is not just about reaching the destination but enjoying the ride itself. Enhancing Regional Connectivity Beyond the traveler experience, this highway plays a crucial role in improving connectivity between key cities. Faster travel times mean more efficient business transport, reduced fuel consumption, and an overall boost in regional trade. Highways like these are reshaping India’s road network, making travel not just convenient but also economically beneficial. For anyone looking for a smooth, well-managed, and traveler-friendly road trip, this highway is a must-experience. The Agra Etawah Toll Road Project isn’t just another road—it’s a glimpse into the future of Indian highways. #modernroadmakers
devblogger
The Road to a Hassle-Free Journey: My Experience on a World-Class Indian Highway Traveling by road in India has always been an adventure—sometimes thrilling, sometimes frustrating. But my recent journey on the Agra Etawah Toll Road Project was nothing short of a revelation. This modern highway is a game-changer for anyone who loves road trips or frequently travels between Agra and Etawah. Designed with efficiency, safety, and traveler convenience in mind, this highway offers the kind of smooth, stress-free ride that every traveler dreams of. #modernroad A Highway That Makes Driving a Pleasure From the moment I merged onto the highway, I noticed the difference. The road was flawless—well-maintained with clearly marked lanes, proper lighting, and minimal congestion. Unlike older highways that come with uneven surfaces, sudden speed breakers, and chaotic traffic, this toll road is built for comfort and efficiency. Even the toll system is designed to keep things moving. With digital payment options, quick lane processing, and well-managed toll booths, the entire experience feels effortless. No long queues, no unnecessary delays—just a smooth transition from one point to another. Safety and Convenience at Every Turn What really sets the Agra Etawah Toll Road Project apart is the emphasis on safety. With dedicated lanes for different types of vehicles, well-monitored speed limits, and emergency services along the route, travelers can drive with complete peace of mind. Additionally, the highway is equipped with proper night-time illumination, making late-night travel much safer. As someone who enjoys night drives, I found the well-lit roads and clear signboards extremely reassuring. #indiabesthighway Well-Planned Rest Stops for Travelers Long drives require breaks, and this highway understands that. Strategically placed rest stops offer everything a traveler might need—fuel stations, food courts, and clean restrooms. I took a short break at one of these stops and was pleasantly surprised by the neatness and efficiency of the service. Gone are the days of struggling to find a decent place to rest on highways. With well-maintained facilities, this toll road ensures that your journey is not just about reaching the destination but enjoying the ride itself. Enhancing Regional Connectivity Beyond the traveler experience, this highway plays a crucial role in improving connectivity between key cities. Faster travel times mean more efficient business transport, reduced fuel consumption, and an overall boost in regional trade. Highways like these are reshaping India’s road network, making travel not just convenient but also economically beneficial. For anyone looking for a smooth, well-managed, and traveler-friendly road trip, this highway is a must-experience. The Agra Etawah Toll Road Project isn’t just another road—it’s a glimpse into the future of Indian highways. #modernroadmakers
geetublogger
A Highway Built for the Future: Traveling on the Agra Etawah Toll Road Traveling in India often comes with its fair share of challenges—unpredictable traffic, uneven roads, and long travel times. But my recent journey along the Agra Etawah Toll Road Project completely changed my perception of highway travel. This modern toll road is not just a convenience; it’s a blueprint for how all highways should be—fast, efficient, and traveler-friendly. #modernroadmakers A Smooth Start to the Journey The moment I merged onto this highway, I could immediately feel the difference. The road was well-maintained, with clearly marked lanes and minimal traffic congestion. Unlike older highways that often have unexpected bumps or unorganized toll plazas, this route was a smooth and uninterrupted drive. The toll system is well-planned, ensuring quick entry and exit. Digital payment options speed up the process, reducing the waiting time at toll booths. For someone like me who values efficiency while traveling, this was a refreshing change. Designed for Comfort and Safety What sets the Agra Etawah Toll Road Project apart is the emphasis on traveler comfort and safety. There are dedicated lanes for different types of vehicles, reducing the chances of sudden lane changes and road mishaps. The speed limits are enforced effectively, ensuring that all vehicles maintain a safe and consistent pace. Additionally, roadside emergency services provide peace of mind. Knowing that assistance is readily available in case of a breakdown or any other issue makes the drive stress-free. The lighting along the highway is also top-notch, making it one of the best routes for night travel. #modernroad The Perfect Drive with Scenic Surroundings One of the highlights of this road trip was the peaceful and scenic surroundings. Unlike highways in crowded urban areas, this route offers a beautiful stretch of open landscapes, giving travelers a sense of calm and relaxation. The clean air, smooth drive, and lack of unnecessary traffic make it one of the best roads for a long, uninterrupted journey. For those who love road trips, this highway is an absolute delight. I found myself truly enjoying the drive—no frustrating potholes, no sudden braking due to unexpected speed breakers, just a highway designed for a pleasant travel experience. Convenience at Every Stop Another great feature of this highway is the availability of well-maintained rest areas. Whether you need a quick snack, a restroom break, or fuel for your car, the highway offers convenient stops at strategic locations. I stopped at one of the roadside cafes and was pleasantly surprised by the cleanliness and service quality. It’s not just about reaching your destination; it’s about enjoying the journey. And this highway makes sure that every part of the journey is comfortable and hassle-free. #indiabesthighway Why This Highway Stands Out What makes this road special is not just its smooth driving experience but the way it’s helping to improve travel efficiency. The Agra Etawah Toll Road Project has significantly reduced travel time between these cities, making it a preferred route for business travelers, logistics companies, and daily commuters. Highways like these are the future of India’s road infrastructure. They improve regional connectivity, boost economic growth, and most importantly, make road travel a pleasure rather than a challenge. With India’s rapid progress in road development, this toll road stands as an example of how infrastructure should be built. If you’re someone who enjoys long drives or simply wants a hassle-free road trip experience, this is a highway worth exploring. It’s modern, efficient, and designed to make travel smoother than ever before. Next time you’re planning a journey through this region, take this route and experience the best of India’s highway network! #modernroadmakers #indiabesthighway
ashublogger
Theistic forces, be they Islamic, Jewish, Catholic, Protestant, or Mormon, teach that there is an absolute right and wrong. Theistic forces have an ethic that reveres the righteous judgments of a loving God and obeys civil and divine law voluntarily. The theistic mind-set instills a conscience to do what is right and obey laws that might be otherwise unenforceable. With such a commitment, you obey a red stop light, even if no other traffic is in sight. As a God-fearing person, you know that even if the police didn’t catch you if you were to steal, murder, or commit adultery, these acts are wrong, and God will ultimately hold you accountable. You know, just as your ancestors knew, that the consequences for not playing by the rules are not only temporal, but also eternal. These theistic forces were part of the shaping of America. From the Book of Mormon, we have learned that this is a “land of promise, . . . choice above all other lands, which the Lord God had preserved for a righteous people.
Russell M. Nelson (Accomplishing the Impossible: What God Does, What We Can Do)
The quiet light woke Perdita; a sort of soft white glow permeated the bedroom and it was very, very still. No birdsong. No rumble of a distant tractor. Perdita lay for a second confused as to where she was. Definitely not in Dulwich. She couldn’t hear any traffic. In fact, she couldn’t hear anything at all. Cautiously she slid out of bed, shivered her way over to the window and threw open the curtains. Wiping the glass free of condensation, she gasped. 
Georgia Hill (Pursued by Love)
Four A.M. “I love driving in the middle of the night! No traffic, the rhythm of the dotted fluorescent centerline, occasional diner with a guy alone in a corner booth, all the traffic lights set to flashing yellow, my heart charged with spiritual ecstasy from the approaching dawn! But the best part is the silence,
Tim Dorsey (Nuclear Jellyfish (Serge Storms, #11))
Smiling to myself, I pictured our family one sunny afternoon last fall. It had been a warm day, and we were on our way to the city aquarium. Dad had the car windows rolled down, and I recalled the feel of the wind in my hair and the scent of Mom’s perfume wafting from the seat in front of me. Mom and Dad were chatting and I was scrolling through my Instagram feed. But the moment the song sounded on the radio, I squealed. “Turn it up!” I said, leaning forward in my seat, enough that the belt tightened across my chest. As soon as Dad reached over and turned the knob, I started singing the lyrics aloud. Both Mom and Dad joined in. With the wind in my hair and the music filling the car, a warmth had filled my insides, almost as if I were wrapped in my favorite fuzzy blanket. The memory was fresh in my mind and I could still see Mom’s head bob up and down as she sang while Dad tapped his fingers on the steering wheel. “Come on, Dad!” I said, giggling. “Sing with us.” He glanced over his shoulder at me. “I’m waiting for my favorite part. I don’t want to stretch my singing muscles.” “What singing muscles?” Mom smiled at him. He put a finger in the air for her to wait. “Here we go.” When the chorus of the song began, Dad screeched out the lyrics in a really high voice. He was trying to mimic the singer’s voice but he wasn’t even close and the sound he made was terrible. I burst out laughing. He ignored me and continued to sing, all the while, waving a hand through the air with wide flourishes, as if conducting an orchestra. He tilted his head back and belted out the high notes. When we pulled up at a red traffic light and the car slowed to a stop, Dad was oblivious of the carload of people alongside us watching him. The passengers of the other car had their windows open too and I stared at them in horror. Their eyes were glued to Dad and they shook their heads and rolled their eyes. “Dad!” I called to him. “Those people are watching you.” But he didn’t hear me and continued to sing. I sank into my seat, my cheeks flushing. He finally realized he had an audience but instead of being embarrassed, he waved to them. “Hello, there!” he said. “Did you enjoy my singing?” The light turned green, and the carload of people cracked up laughing as their car lurched forward in their hurry to escape the weird man in the car next to theirs. Dad shrugged. “I guess not.’ Mom and I burst out laughing too, unable to hold it in any longer. Dad waved a dismissive hand. “They wouldn’t know good music if it hit them in the face.” Tears sprang from my eyes because I was laughing so hard. My dad could be so embarrassing sometimes, but that day, it didn’t bother me at all. Dad had always managed to make me laugh at the silliest things. He had a way of making me feel happy, regardless of what mood I was in. Deep down I thought he was a really cool dad. My friends thought so too. He wasn’t boring and super strict like their dads. He was fun to be around and everyone loved him for it, including my friends. Our little family was perfect, and I wouldn’t have changed it for the world.
Katrina Kahler (The Lost Girl - Part One: Books 1, 2 and 3: Books for Girls Aged 9-12)
He always has a ‘short cut.’ He goes miles out of the way along winding, narrow roads to avoid traffic lights or possible crowding on the highway. With him at the wheel, a twenty-minute drive can easily last an hour.” —Leigh, Sarasota, FL
Merry Bloch Jones (I Love Him, But . . .)
The realization that God is active in all that happens at every moment is the deepest knowledge we can have in this life of the things of God. It is a continuous revelation, an endlessly renewed traffic with God; the bridegroom is enjoyed without any stealth or secrecy, not in the wine cellar or the vineyard but openly and freely and fearing no one. It is peace, joy, love and a feeling of being at ease with God who is seen and known—or, rather, believed—to be present and always active in the most faultless way in every happening. It is a foretaste of paradise, which is, in this life, only sensed imperfectly through a veil of shadows, but when it comes to the moment of our death, the Holy Spirit, who secretly moves all the pieces on the board of life by his continual and fruitful activity, will say: “Let there be light.” Then we shall behold all the riches which faith alone knew were hidden in those depths of peace and contentment with God, who is with us all the time and by our side in all we do and suffer.
Jean-Pierre de Caussade (Abandonment to Divine Providence (Image Classics Book 14))
India’s Best Highway Infrastructure: Cruising the Agra-Etawah Toll Road A Highway I Didn’t Expect to Fall in Love With I’ve always believed the best travel stories come from the roads less talked about. On a recent trip from Agra to Etawah, I wasn’t expecting anything special—just another highway, another drive. But the Agra-Etawah Toll Road proved me wrong. It wasn’t just good—it was exceptional. A perfect example of India’s Best Highway Infrastructure in action. Smooth As Silk – The Road Experience The moment I entered the toll road, I knew this would be different. My car glided effortlessly across the freshly laid tarmac. No potholes, no uneven patches—just seamless travel. I could maintain a steady speed for miles without constantly braking or dodging obstacles. It’s the kind of experience that makes you fall in love with road trips all over again. #India'sBestHighwayInfrastructure More Than Just a Highway – It’s a Complete Travel Experience What stood out most was how well this highway is planned for people, not just cars. There were food courts, well-maintained restrooms, and shaded sitting areas that didn’t feel like an afterthought. I stopped at one just to grab a chai and take in the peaceful surroundings. Even the toll booths were efficient and quick—no long queues, no honking chaos. You can tell this road was built by people who actually care. #ModernRoadMakers Safety You Can Feel Another thing I appreciated? The sense of safety. Highway patrols were visible, signages were clear, and there were emergency call boxes every few kilometers. Even when I was driving in the evening, I felt calm and confident. The lighting, lane markings, and traffic behavior were all spot-on. It’s rare to feel this level of comfort while driving alone, especially in India. This route truly earns its place among the top for India’s Best Highway Infrastructure. A Scenic Surprise What caught me off guard was the scenery. As I drove, the landscapes shifted from open fields to stretches of trees, and the sunset painted everything golden. It was so beautiful I pulled over just to take a few pictures—and just breathe. It reminded me that sometimes, the road itself is the destination. #BestHighwayInfrastructure Final Words: Drive It to Believe It The Agra-Etawah Toll Road might not be the most famous highway in India, but in my experience, it’s easily one of the best. If you’re planning a road trip in Uttar Pradesh, take this route—not just for convenience, but for the experience. For me, this drive wasn’t just a part of the journey. It was the journey. And now, every time I think of India’s Best Highway Infrastructure, this road is the first thing that comes to mind.
sonamblogger
My father, who during their courtship was thrilled to discover my mother’s love for the color red, had proposed to her with a lab-created ruby. In this final year before meeting Joaquin, my mother could no longer stand to look at her left hand, seeing only a tiny traffic light blinking there, unnaturally pink-red, reminding her that everything had stopped.
Laura Furman (The O. Henry Prize Stories 2016)
Son, Treat life like a road trip. Sometimes, you will find traffic lights. Sometimes, you will go across the stop sign. Sometimes, you will encounter detours and unexpected turns. No matter what, enjoy the ride.
Gift Gugu Mona (Dear Son: An Imaginary Letter from a Loving Dad)
After all the jacks are in their boxes And the clowns have all gone to bed You can hear happiness staggering on down the street Footprints dressed in red And the wind whispers, "Mary" A broom is drearily sweeping Up the broken pieces of yesterday's life Somewhere, a queen is weeping Somewhere, a king has no wife And the wind, it cries, "Mary" The traffic lights, they turn blue tomorrow And shine their emptiness down on my bed The tiny island sags downstream 'Cause the life that lived is dead And the wind screams, "Mary" Will the wind ever remember The names it has blown in the past? And with this crutch, its old age and its wisdom It whispers, "No, this will be the last" And the wind cries, "Mary
Jimi Hendrix (The Wind Cries Mary Sheet Music)
And you don’t want to retire? “I’d rather walk into traffic.” He lights a cigarette and turns toward the locker room. “No, I just love this dumb fucking game.
Cat Sebastian (You Should Be So Lucky)
A Solo Explorer’s Drive on the Agra–Etawah Expressway Introduction Every solo traveller seeks a route that offers both comfort and discovery. The Agra–Etawah Toll Road Project is one such stretch in Uttar Pradesh that has redefined highway experiences. It connects two culturally significant cities while providing a world-class roadway for those who love the thrill of an uninterrupted journey. The Road That Connects More Than Cities Agra, globally known for the Taj Mahal, and Etawah, famous for its safari park and rustic charm, are now seamlessly linked by this toll road. For decades, travellers faced delays, uneven roads, and unpredictable traffic. With the launch of this project, commuting has become quicker, safer, and far more enjoyable. The highway is not just a passage—it’s a bridge to opportunities, tourism, and cultural exchange. A Traveller’s Experience Driving solo along this stretch feels like gliding over silk. Wide lanes, smooth surfaces, and reliable signages make the journey stress-free. What makes it even more remarkable is the balance between speed and safety. Modern toll systems and lane management ensure minimum waiting time, making the traveller’s road story an effortless one. It’s a reminder that #modernroadmakers long-distance driving truly liberating. Scenic Beauty Along the Way Unlike a monotonous highway, this toll road offers delightful glimpses of the countryside. From expansive farmlands to occasional clusters of local life, the view refreshes the mind. Stopping at roadside dhabas adds a flavour of authenticity to the ride—small breaks that add character to the overall travel experience. Safety and Planning For a solo explorer, safety is a prime concern. Here, the project shines again. Proper lighting, well-marked emergency zones, and accessible rest areas provide reassurance throughout the trip. The road not only saves time but also builds confidence in travellers who venture out alone. Conclusion The Agra Etawah Toll Road Project is more than an infrastructural achievement—it is a journey-maker. It transforms routine travel into a memorable adventure by combining speed, comfort, and scenic charm. For any solo wanderer, this highway stands as a symbol of India’s modern travel evolution. #agraetawahtollroadproject
reetublogger
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A Solo Explorer’s Drive on the Agra–Etawah Expressway Introduction Every solo traveller seeks a route that offers both comfort and discovery. The Agra–Etawah Toll Road Project is one such stretch in Uttar Pradesh that has redefined highway experiences. It connects two culturally significant cities while providing a world-class roadway for those who love the thrill of an uninterrupted journey. The Road That Connects More Than Cities Agra, globally known for the Taj Mahal, and Etawah, famous for its safari park and rustic charm, are now seamlessly linked by this toll road. For decades, travellers faced delays, uneven roads, and unpredictable traffic. With the launch of this project, commuting has become quicker, safer, and far more enjoyable. The highway is not just a passage—it’s a bridge to opportunities, tourism, and cultural exchange. A Traveller’s Experience Driving solo along this stretch feels like gliding over silk. Wide lanes, smooth surfaces, and reliable signages make the journey stress-free. What makes it even more remarkable is the balance between speed and safety. Modern toll systems and lane management ensure minimum waiting time, making the traveller’s road story an effortless one. It’s a reminder that #modernroadmakers long-distance driving truly liberating. Scenic Beauty Along the Way Unlike a monotonous highway, this toll road offers delightful glimpses of the countryside. From expansive farmlands to occasional clusters of local life, the view refreshes the mind. Stopping at roadside dhabas adds a flavour of authenticity to the ride—small breaks that add character to the overall travel experience. Safety and Planning For a solo explorer, safety is a prime concern. Here, the project shines again. Proper lighting, well-marked emergency zones, and accessible rest areas provide reassurance throughout the trip. The road not only saves time but also builds confidence in travellers who venture out alone. Conclusion The Agra Etawah Toll Road Project is more than an infrastructural achievement—it is a journey-maker. It transforms routine travel into a memorable adventure by combining speed, comfort, and scenic charm. For any solo wanderer, this highway stands as a symbol of India’s modern travel evolution. #agraetawahtollroadproject
Gungunblogger
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Bob Ricci
A Solo Explorer’s Drive on the Agra–Etawah Expressway Introduction Every solo traveller seeks a route that offers both comfort and discovery. The Agra–Etawah Toll Road Project is one such stretch in Uttar Pradesh that has redefined highway experiences. It connects two culturally significant cities while providing a world-class roadway for those who love the thrill of an uninterrupted journey. The Road That Connects More Than Cities Agra, globally known for the Taj Mahal, and Etawah, famous for its safari park and rustic charm, are now seamlessly linked by this toll road. For decades, travellers faced delays, uneven roads, and unpredictable traffic. With the launch of this project, commuting has become quicker, safer, and far more enjoyable. The highway is not just a passage—it’s a bridge to opportunities, tourism, and cultural exchange. A Traveller’s Experience Driving solo along this stretch feels like gliding over silk. Wide lanes, smooth surfaces, and reliable signages make the journey stress-free. What makes it even more remarkable is the balance between speed and safety. Modern toll systems and lane management ensure minimum waiting time, making the traveller’s road story an effortless one. It’s a reminder that #modernroadmakers long-distance driving truly liberating. Scenic Beauty Along the Way Unlike a monotonous highway, this toll road offers delightful glimpses of the countryside. From expansive farmlands to occasional clusters of local life, the view refreshes the mind. Stopping at roadside dhabas adds a flavour of authenticity to the ride—small breaks that add character to the overall travel experience. Safety and Planning For a solo explorer, safety is a prime concern. Here, the project shines again. Proper lighting, well-marked emergency zones, and accessible rest areas provide reassurance throughout the trip. The road not only saves time but also builds confidence in travellers who venture out alone. Conclusion The Agra Etawah Toll Road Project is more than an infrastructural achievement—it is a journey-maker. It transforms routine travel into a memorable adventure by combining speed, comfort, and scenic charm. For any solo wanderer, this highway stands as a symbol of India’s modern travel evolution. #agraetawahtollroadproject
Arohi Blogger
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Driving the Future: Agra Etawah Toll Road Project India’s road network is growing faster than ever, and one project that truly stands out in Uttar Pradesh is the Agra Etawah Toll Road Project. Developed by Modern Road Makers, this modern six-lane expressway has redefined the experience of road travel between two major cities — Agra and Etawah. For anyone who loves long drives, beautiful scenery, and smooth highways, this route is a must-experience journey. #agraetawahtollroadproject #modernroadmakers Connecting Two Worlds – Heritage and Nature The Agra Etawah Toll Road Project is a part of National Highway 19 (NH-19) and covers about 124.52 kilometers. It connects Agra, home of the Taj Mahal, to Etawah, a region known for its wildlife and the Etawah Lion Safari. This road doesn’t just shorten distance — it connects people, cultures, and opportunities. Passing through important towns like Firozabad, Shikohabad, and Jaswant Nagar, it has become an essential link for both travellers and local residents. Whether you are driving for work, leisure, or tourism, this highway ensures that your journey is smooth and comfortable. Modern Engineering at Its Best Built and maintained by Modern Road Makers, this toll road is an excellent example of high-quality construction and planning. Designed with long-term durability and safety in mind, it meets international highway standards. Key features include: Six-lane main carriageway with sturdy pavement. Service lanes for local movement. Flyovers and underpasses to keep traffic flowing easily. Toll plazas with FASTag support for quick transactions. Street lighting and signboards for safer night travel. Proper drainage systems for smooth monsoon operation. Everything about the project shows the dedication and engineering skill of Modern Road Makers, who have made sure that this road remains safe, efficient, and easy to maintain. #modernroadmakers My Travel Experience on the Route Driving on the Agra Etawah route is truly enjoyable. As you leave Agra, the smooth blacktop road and open landscape give a sense of calm. You can see fields, small villages, and local life passing by at a steady rhythm. The entire drive feels stress-free thanks to wide lanes and clean road conditions. If you love local food, the roadside dhabas and small restaurants are worth a stop. Many of them serve traditional North Indian meals — hot parathas, tea, and sweets that make your journey even better. Travelling during the early morning or evening also gives you breathtaking sunrise and sunset views. #agraetawahtollroadproject Benefits for Travellers and Locals The Agra Etawah Toll Road Project has brought many positive changes for both travellers and nearby communities. Reduced travel time – The journey that once took over 3 hours now takes just around 1.5 to 2 hours. Better tourism access – Tourists can easily visit the Taj Mahal and Etawah Safari Park in a single day. Boosted local economy – Small traders, transporters, and roadside businesses now earn more. Improved safety – Dividers, lighting, and underpasses make travel secure even at night. Smoother logistics – Truck and freight movement is faster, helping local industries thrive. Tips for an Enjoyable Drive Keep your FASTag active for quick toll payments. Refuel before entering the stretch; fuel pumps are available but spaced apart. Carry essentials like water and snacks. Avoid overspeeding; cameras are active throughout the route. Plan short breaks for food and rest at towns like Shikohabad or Firozabad. #modernroadmakers A Symbol of Modern Connectivity The Agra Etawah Toll Road Project reflects how far India’s infrastructure has come. With Modern Road Makers leading the development, this road is not just a connection between two cities — it’s a connection between tradition and progress. For travellers, it offers a blend of speed, beauty, and safety.
amanblogger
Exploring Smooth Journeys: The Agra Etawah Toll Road Project Travelling across Uttar Pradesh feels different now, thanks to one of the state’s most well-planned highways — the Agra Etawah Toll Road Project. Built and managed by Modern Road Makers, this route has become a symbol of how modern infrastructure can transform travel, trade, and tourism all at once. The Road That Connects Heritage and Growth Stretching over 124.52 kilometers, this toll road is part of National Highway 19 (NH-19). It connects the historical city of Agra, home of the Taj Mahal, with Etawah, a fast-growing district known for its wildlife sanctuary and trade connections. Earlier, this journey was known for heavy traffic and uneven roads. But since the development of the #agraetawahtollroadproject, the drive has become smooth, fast, and pleasant. The road passes through towns like Firozabad, Shikohabad, and Jaswant Nagar, bringing together both travelers and local communities in a network of progress. A Marvel of Modern Engineering The #modernroadmakers team has delivered an outstanding example of road construction and design through this project. The highway is wide, well-maintained, and equipped with modern facilities that make every drive comfortable. Here are some standout features of the Agra Etawah Toll Road Project: A six-lane structure designed to handle heavy and light vehicles with ease. Service roads for local traffic, ensuring smooth main-lane flow. FASTag-enabled toll plazas for seamless transactions. Reflective signage and LED lighting for safe night driving. Rainwater drainage and noise-control structures to protect the environment. Rest areas and emergency services placed thoughtfully along the way. Every detail reflects the careful planning and engineering excellence of Modern Road Makers, proving how infrastructure can truly enhance daily life. The Traveler’s Experience As someone who loves exploring India by car, driving on this road felt like a dream. The moment I crossed Agra’s outskirts and entered the toll road, I could feel the difference. The drive was smooth, the markings were clear, and there was an unusual sense of calm on the highway. Small roadside dhabas serve hot parathas and chai — perfect for quick breaks. Local vendors and friendly faces add charm to the journey, making it more than just a road trip. During early mornings, the fog-covered fields and golden sunlight create postcard-perfect views. It’s also easy to notice how organized the #agraetawahtollroadproject is — from lane management to toll operations, everything runs efficiently. It’s not just a road; it’s an experience that makes travelers appreciate how far India’s highway infrastructure has come.
sohanlalblogger
Driving into Development: The Agra Etawah Toll Road Project Travelling across Uttar Pradesh has become smoother and faster than ever, thanks to the Agra Etawah Toll Road Project. This modern six-lane highway, built by Modern Road Makers, connects the historical charm of Agra with the growing city of Etawah. For anyone who loves long drives or road trips, this stretch is a true delight — combining safety, speed, and scenic beauty. #agraetawahtollroadproject #modernroadmakers A Modern Highway in the Heart of Uttar Pradesh The Agra Etawah Toll Road Project is part of National Highway 19 (NH-19), previously known as NH-2. It covers a total distance of about 124.52 kilometers, linking key towns like Firozabad, Shikohabad, and Jaswant Nagar before reaching Etawah. This road is also a section of the Golden Quadrilateral, India’s most ambitious highway network connecting major metro cities. The highway was developed by Modern Road Makers, a company known for constructing high-quality roads and modern infrastructure across India. Their focus on durability, design, and safety is clearly visible throughout the entire route. Key Features of the Project The Agra Etawah Toll Road is not just another road — it’s a model of modern road construction. Some of its main features include: Six-lane main carriageway for smooth and speedy traffic flow. Service roads for local movement and smaller vehicles. 7 flyovers and 7 railway overbridges for uninterrupted travel. 3 major and 26 minor bridges ensuring strong connectivity. Over 200 culverts for proper water drainage. Two toll plazas equipped with FASTag systems for easy payments. Underpasses for pedestrians and light vehicles for safety. Noise barriers and safety walls along sensitive stretches. With these features, the highway offers one of the best driving experiences in the region. #modernroadmakers The Road Trip Experience If you’re travelling from Agra to Etawah, the journey feels both modern and refreshing. Once you leave the busy streets of Agra, the open stretch welcomes you with wide lanes and clear signs. The road passes through farmlands, villages, and small towns — giving a real glimpse of Uttar Pradesh’s countryside life. You’ll find dhabas and rest points at regular intervals, perfect for a short tea break or local snack. The road is well-maintained, and driving feels effortless, whether by car or bike. The smooth surface and well-marked lanes make it ideal for both local travellers and tourists heading toward destinations like the Etawah Safari Park. During evenings, the highway glows beautifully with soft lighting and passing headlights — a perfect sight for those who love night drives. Benefits for Travellers and Locals The Agra Etawah Toll Road Project has benefited everyone — travellers, transporters, and local residents. Faster travel: It has reduced the travel time between Agra and Etawah by nearly half. Safety first: Dividers, underpasses, and proper signage have made it safer for all. Boost to tourism: Easier connectivity has brought more tourists to Agra’s monuments and Etawah’s wildlife parks. Economic growth: Local markets, industries, and farmers now reach larger cities more efficiently. Comfort and convenience: Rest areas, petrol pumps, and smooth roads make long drives more enjoyable. #agraetawahtollroadproject Travel Tips for a Great Journey Keep FASTag ready: It helps you pass tolls quickly. Check fuel early: Refill before long stretches to avoid delays. Drive within limits: Follow lane rules and maintain speed. Avoid late-night driving: Fog and low visibility can occur in winters. Explore nearby spots: Stop at Firozabad for glass art or visit the Etawah Lion Safari. Conclusion The Agra Etawah Toll Road Project, developed by Modern Road Makers, is more than just a route — it’s a symbol of progress and better connectivity in Uttar Pradesh.
rathiblogger
Agra Etawah Toll Road – Driving Through India’s Best Highway Infrastructure If there’s one road that defines India’s progress in modern transportation, it’s the Agra Etawah Toll Road. Every stretch of this expressway tells a story of precision, technology, and unmatched comfort. Built and maintained by Modern Road Makers, this project stands tall as a symbol of India’s Best Highway Infrastructure — blending innovation with reliability. #modernroadmakers #indiasbesthighwayinfrastructure A Journey of Speed and Smoothness The Agra Etawah Toll Road forms a crucial 124-kilometer section of the Agra–Lucknow Expressway, connecting two of Uttar Pradesh’s most significant cities — Agra and Etawah. Designed as a six-lane, access-controlled expressway, it allows travelers to experience uninterrupted driving at high speeds while maintaining the utmost safety. For frequent travelers, business commuters, and tourists like me, this route is more than just a connection between destinations — it’s a symbol of India’s growth story. The journey that once took hours through congested roads now feels seamless and peaceful. Modern Road Makers: The Backbone of Excellence Behind the success of this world-class expressway stands Modern Road Makers, a name synonymous with engineering perfection. Their contribution to the Agra Etawah Toll Road Project goes beyond construction — it’s about vision. Using cutting-edge technology, premium road materials, and sustainable techniques, they’ve created a masterpiece that redefines quality and endurance. Their approach to highway development focuses on long-term performance and user comfort. Every detail — from lane markings to toll systems — has been executed with precision. This commitment is what makes Modern Road Makers a trusted name in creating India’s Best Highway Infrastructure. #agraetawahtollroadproject Highlights That Make It Stand Out Driving on this toll road feels like a premium experience. Here are a few features that make it truly special: Seamless Connectivity: It forms a vital link between Delhi, Agra, Etawah, and Lucknow, boosting trade and tourism. Intelligent Traffic Management: CCTV surveillance and patrol systems ensure driver safety 24/7. Eco-Conscious Construction: Solar-powered lighting and eco-friendly design help reduce the project’s carbon footprint. Travel Comfort: Rest zones, emergency support, and service areas enhance convenience for travelers. Such features have transformed road travel in northern India, bringing world-class standards to the heart of the country. A Traveler’s Experience on the Highway As someone who loves exploring by road, my drive along the Agra Etawah Toll Road was unforgettable. The wide lanes, smooth turns, and beautiful countryside views make the trip feel both relaxing and inspiring. You can truly sense the difference that expert planning and top-tier construction make. Whether you’re traveling for work or leisure, this expressway gives a taste of what #indiasbesthighwayinfrastructure looks like in real life — safe, efficient, and scenic. The Future of Indian Highways Projects like the Agra Etawah Toll Road are shaping the future of India’s transport network. With companies like Modern Road Makers leading the way, our highways are no longer just routes; they’re lifelines of economic growth and travel comfort. The success of this expressway proves that with strong vision, smart technology, and dedication to excellence, India is ready to compete with the best in global infrastructure development. Conclusion The Agra Etawah Toll Road Project is not merely a construction achievement — it’s a statement of how far India has come in creating world-class infrastructure. For travelers like me, every kilometer reaffirms the pride of driving through India’s Best Highway Infrastructure, crafted with care and precision by Modern Road Makers. #modernroadmakers #agraetawahtollroadproject #indiasbesthighwayinfrastructure
shivaniblogger
The Highway of Change: Inside the Agra Etawah Toll Road Project If you love road trips and long scenic drives, the Agra Etawah Toll Road Project is one of the most comfortable and well-built highways to experience in Uttar Pradesh. Developed by Modern Road Makers, this six-lane highway connects two important cities — Agra, known for its world-famous Taj Mahal, and Etawah, a growing district known for its wildlife and natural beauty. #agraetawahtollroadproject #modernroadmakers The Route That Connects Heritage and Growth The Agra Etawah Toll Road Project stretches for about 124.52 kilometers and forms an important part of National Highway 19 (NH-19). It begins near Agra, passes through Firozabad, Shikohabad, and Jaswant Nagar, and ends at Etawah. This road is a part of the Golden Quadrilateral, India’s ambitious network of highways that connects major cities across the country. For anyone travelling between Delhi, Kanpur, or Lucknow, this road acts as a vital link — saving both time and fuel. Built and maintained by Modern Road Makers, the project is designed with top-quality materials, smooth surfacing, and strong safety features. Key Features of the Highway This toll road stands out because of its design and world-class structure. Some of its main features include: A six-lane main carriageway for faster and safer driving. Service roads on both sides to manage local traffic. Flyovers, bridges, and underpasses for uninterrupted travel. Noise barriers and drainage systems for comfort and safety. Toll plazas equipped with FASTag technology for seamless payment. Proper signage, lighting, and lane markings for easy navigation. With such advanced features, the Agra Etawah Toll Road ensures a smooth, reliable, and comfortable travel experience for everyone. #modernroadmakers The Traveller’s Experience For travellers, the journey on this road feels refreshing and peaceful. Once you leave Agra, the highway opens up with wide lanes and a clean surface. The countryside views are relaxing, with farms, small villages, and stretches of greenery on both sides. There are plenty of small dhabas and tea stalls where you can stop for a quick meal or a cup of chai. Towns like Firozabad and Shikohabad also have good eateries and rest stops, making the journey even more enjoyable. If you’re driving during the evening, the cool breeze and golden sunset make it a perfect drive for photography lovers. For families and bikers alike, the Agra Etawah Toll Road Project is a route worth exploring.
Gauravblogger
Agra Etawah Toll Road – Driving Through India’s Best Highway Infrastructure If there’s one road that defines India’s progress in modern transportation, it’s the Agra Etawah Toll Road. Every stretch of this expressway tells a story of precision, technology, and unmatched comfort. Built and maintained by Modern Road Makers, this project stands tall as a symbol of India’s Best Highway Infrastructure — blending innovation with reliability. #modernroadmakers #indiasbesthighwayinfrastructure A Journey of Speed and Smoothness The Agra Etawah Toll Road forms a crucial 124-kilometer section of the Agra–Lucknow Expressway, connecting two of Uttar Pradesh’s most significant cities — Agra and Etawah. Designed as a six-lane, access-controlled expressway, it allows travelers to experience uninterrupted driving at high speeds while maintaining the utmost safety. For frequent travelers, business commuters, and tourists like me, this route is more than just a connection between destinations — it’s a symbol of India’s growth story. The journey that once took hours through congested roads now feels seamless and peaceful. Modern Road Makers: The Backbone of Excellence Behind the success of this world-class expressway stands Modern Road Makers, a name synonymous with engineering perfection. Their contribution to the Agra Etawah Toll Road Project goes beyond construction — it’s about vision. Using cutting-edge technology, premium road materials, and sustainable techniques, they’ve created a masterpiece that redefines quality and endurance. Their approach to highway development focuses on long-term performance and user comfort. Every detail — from lane markings to toll systems — has been executed with precision. This commitment is what makes Modern Road Makers a trusted name in creating India’s Best Highway Infrastructure. #agraetawahtollroadproject Highlights That Make It Stand Out Driving on this toll road feels like a premium experience. Here are a few features that make it truly special: Seamless Connectivity: It forms a vital link between Delhi, Agra, Etawah, and Lucknow, boosting trade and tourism. Intelligent Traffic Management: CCTV surveillance and patrol systems ensure driver safety 24/7. Eco-Conscious Construction: Solar-powered lighting and eco-friendly design help reduce the project’s carbon footprint. Travel Comfort: Rest zones, emergency support, and service areas enhance convenience for travelers. Such features have transformed road travel in northern India, bringing world-class standards to the heart of the country. A Traveler’s Experience on the Highway As someone who loves exploring by road, my drive along the Agra Etawah Toll Road was unforgettable. The wide lanes, smooth turns, and beautiful countryside views make the trip feel both relaxing and inspiring. You can truly sense the difference that expert planning and top-tier construction make. Whether you’re traveling for work or leisure, this expressway gives a taste of what #indiasbesthighwayinfrastructure looks like in real life — safe, efficient, and scenic. The Future of Indian Highways Projects like the Agra Etawah Toll Road are shaping the future of India’s transport network. With companies like Modern Road Makers leading the way, our highways are no longer just routes; they’re lifelines of economic growth and travel comfort. The success of this expressway proves that with strong vision, smart technology, and dedication to excellence, India is ready to compete with the best in global infrastructure development. Conclusion The Agra Etawah Toll Road Project is not merely a construction achievement — it’s a statement of how far India has come in creating world-class infrastructure. For travelers like me, every kilometer reaffirms the pride of driving through India’s Best Highway Infrastructure, crafted with care and precision by Modern Road Makers. #modernroadmakers #agraetawahtollroadproject #indiasbesthighwayinfrastructure
Ritublogger
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Miles of Progress: Experiencing the Agra Etawah Toll Road Project Few things define development as clearly as a well-built road — and the Agra Etawah Toll Road Project is a shining example of how modern infrastructure can reshape a region’s future. Built by Modern Road Makers, this stretch of highway has transformed travel, trade, and tourism across Uttar Pradesh, offering both locals and visitors a smoother journey between two significant cities. Connecting Agra’s Heritage to Etawah’s Growth Spanning an impressive 124.52 kilometers, the #agraetawahtollroadproject forms a crucial part of National Highway 19 (NH-19), one of India’s most vital transport routes. It links Agra, known worldwide for the Taj Mahal, with Etawah, an emerging hub for agriculture and industry. Along the way, the road passes through bustling towns like Firozabad, Shikohabad, and Jaswant Nagar, connecting people, markets, and communities. Once known for narrow lanes and heavy congestion, this route now stands as a modern expressway that saves both time and energy for thousands of daily commuters. Smart Engineering at Its Best Executed with precision by #modernroadmakers, the project highlights the best of contemporary road design. The highway features: Six broad lanes that ensure steady and safe traffic flow. Flyovers, underpasses, and service lanes for smoother local access. Modern toll plazas equipped with FASTag for digital, cashless transactions. Well-planned lighting systems that make night driving safe and convenient. Clean rest areas and fuel stations to support long-distance travelers. From its smooth surface to its well-marked lanes, everything about this highway reflects quality. Proper drainage, safety barriers, and reflective signs ensure travelers experience reliability at every turn. A Traveler’s Perspective on the Agra-Etawah Drive For anyone who loves road trips, driving on the Agra Etawah Toll Road feels like a breath of fresh air. The wide, scenic route offers a perfect blend of comfort and beauty. You can enjoy the view of open fields, small villages, and the occasional rest stop that adds life to the journey. Unlike older highways where constant traffic jams tested patience, this road is calm, well-regulated, and smooth. I personally found it one of the most enjoyable drives in northern India — perfect for those who appreciate clean, organized, and modern travel experiences. The route also feels safer than before, thanks to visible lane markings, lighting, and proper signage. Whether you’re driving at sunrise or returning under the evening sky, the highway ensures a steady and stress-free experience. Economic and Social Transformation The Agra Etawah Toll Road Project isn’t just about travel convenience — it’s also a major boost to the local economy. With faster connections to major cities, industries around Firozabad and Etawah now enjoy better logistics and access to wider markets. Farmers can transport produce quickly, manufacturers ship goods efficiently, and travelers find new routes to explore. The tourism sector too has flourished — with Agra’s global appeal and attractions like the Etawah Safari Park, more visitors are extending their trips beyond traditional tourist spots. The corridor has become a true engine of progress, creating jobs, saving time, and improving safety for everyone who uses it.
Gauravblogger
The Agra Etawah Toll Road – A Journey Through India’s Best Highway Infrastructure Traveling through India often brings surprises — but the Agra Etawah Toll Road isn’t just a pleasant surprise; it’s a showcase of excellence. As someone who loves exploring highways, I can confidently say that this stretch stands as a symbol of India’s Best Highway Infrastructure — smooth, scenic, and supremely engineered. A Perfect Blend of History and Modernity Spanning approximately 124 kilometers, the Agra Etawah Toll Road connects the historical charm of Agra with the natural beauty and progress of Etawah. This section forms an important part of the Agra–Lucknow Expressway, one of India’s most ambitious infrastructure projects. The first thing you notice on this road is the flawless surface — six lanes of pure driving comfort. Every curve, lane marking, and toll system has been crafted with precision. Built and maintained by Modern Road Makers, this road doesn’t just connect destinations — it connects India’s heritage with its modern engineering brilliance. As I drove past the well-marked lanes and scenic stretches, it was clear why the #agraetawahtollroadproject is often called a benchmark for design and execution. It’s not just about speed; it’s about safety, sustainability, and comfort. Engineering That Defines Excellence What makes this highway stand out is its attention to detail. Modern Road Makers used cutting-edge construction techniques and durable materials to ensure a long-lasting, low-maintenance road. From sturdy overpasses to smart drainage systems, every element is designed to handle both the weather and the growing traffic load efficiently. The solar-powered lighting system along parts of the route adds a sustainable touch, reducing carbon footprint while ensuring visibility at night. As I cruised along, the evenly spaced signboards and digital monitoring systems reflected true world-class planning — something you expect from #modernroadmakers but rarely see so perfectly executed in one place. A Traveler’s Delight As a traveler, the journey on the Agra Etawah Toll Road is one to remember. Wide lanes ensure smooth movement even during peak hours. Clean rest stops and fuel stations are strategically placed to make long drives comfortable. There’s even greenery on both sides of the road — giving it a refreshing and eco-friendly vibe. You can easily stop for a quick tea break or simply admire the symmetry of this engineering marvel. Driving here feels effortless, with no jerks, no potholes, and no confusion — just a seamless experience that proves how far India’s road network has come under projects like #indiasbesthighwayinfrastructure. Connecting Communities and Opportunities Beyond travel convenience, the Agra Etawah Toll Road has played a major role in improving regional development. The reduced travel time between Agra, Etawah, and Lucknow has boosted tourism, trade, and logistics. Farmers, transporters, and small businesses all benefit from quicker access to markets. This isn’t just a highway; it’s an artery of growth for Uttar Pradesh. And much of the credit goes to Modern Road Makers, whose expertise and dedication continue to redefine what Indian infrastructure can achieve. A Symbol of Modern India The Agra Etawah stretch is more than a road — it’s a statement. It shows how technology, sustainability, and vision can come together to create something extraordinary. From the silent hum of vehicles gliding across its smooth surface to the glow of solar lights illuminating the night, everything about this project speaks progress.
Rahulblogger
Riding the Highway of Development: The Agra Etawah Toll Road Project India’s roads are not just pathways — they are lifelines of growth, connection, and progress. Among the many highways shaping India’s modern infrastructure, the Agra Etawah Toll Road Project stands out as one of the most impressive. Built by Modern Road Makers, this six-lane highway is a perfect blend of strong engineering and traveller-friendly design. It connects Agra, the city of heritage, with Etawah, a town surrounded by nature and wildlife. #agraetawahtollroadproject #modernroadmakers A Bridge Between Past and Future The Agra Etawah Toll Road Project stretches for 124.52 kilometers and forms an important section of National Highway 19 (NH-19). It’s not just a road — it’s a connector between history and modernity. Agra, known worldwide for the Taj Mahal, represents India’s glorious past, while Etawah stands as a symbol of natural beauty and rural life. This road connects them both — giving tourists, traders, and locals an easy and efficient route. The project passes through key locations such as Firozabad, Shikohabad, and Jaswant Nagar, linking not just cities but communities. #modernroadmakers Built for Safety, Comfort, and Speed Developed by Modern Road Makers, this highway reflects top-notch construction quality and advanced road design. Every feature has been created to ensure smoother and safer travel for everyone. Key highlights of the Agra Etawah Toll Road Project include: Six-lane main carriageway with strong pavement structure. Service roads to manage local traffic efficiently. Modern toll plazas using FASTag for cashless payments. Bridges, underpasses, and flyovers to avoid congestion. Drainage systems and noise barriers for better comfort. Proper signage, road markings, and lighting to ensure safety during night travel. This isn’t just a highway — it’s a modern infrastructure model built with care and precision. #agraetawahtollroadproject The Traveller’s Perspective As a frequent traveller, I recently took a drive from Agra to Etawah, and it was nothing short of delightful. The moment I entered the toll stretch, the difference was clear — smooth surface, organized lanes, and minimal bumps. The scenic beauty adds charm to the drive. The green fields, small villages, and local stalls make it a journey worth remembering. If you love photography, you’ll find countless frames to capture — from sunlit fields to peaceful sunsets. There are several rest points, dhabas, and fuel stations along the way, making it easy to plan short breaks. The food at the roadside eateries gives a real taste of Uttar Pradesh — spicy, flavorful, and made with love. #modernroadmakers Why This Road Matters The Agra Etawah Toll Road Project isn’t just about convenience; it’s a road that powers growth. Here’s why it matters: Cuts travel time: What once took 3-4 hours can now be covered in nearly 1.5 to 2 hours. Promotes tourism: Easier travel between the Taj Mahal and Etawah Lion Safari attracts more visitors. Boosts local economy: Quicker transport of goods helps small traders and farmers. Reduces congestion: With multiple lanes and bypasses, traffic moves efficiently. Enhances road safety: Modern features lower the risk of accidents. The consistent maintenance by Modern Road Makers ensures that the road stays in excellent condition throughout the year. Tips for Travellers Keep your FASTag active for smooth toll payments. Start early in the day to enjoy peaceful travel and scenic views. Carry basic essentials like water, snacks, and a power bank. Take short breaks at Firozabad or Shikohabad for food and rest. Follow traffic rules — speed cameras are active on this stretch. #agraetawahtollroadproject
Rahulblogger