Motivational Darts Quotes

It is a human failing, to attribute the best of motives to those we know the least, and the worst to those we love best.

He turned to go, and I darted around to bar his path again. My desire to keep him there had, at some point, transcended the alignment of an actor’s motivation and his character’s. I desperately wanted him to stay, seized by the nonsensical idea that if he left, I would lose him, irretrievably. “Tell me in sadness, who is that you love,” I said, searching the parts of his face I could see for a flicker of reciprocal feeling.

If your work’s not urgent, you take it slow; if urgent, you are always on the go. If your jog is to stay fit, you run slow; if to win race, you dart like an arrow. The height of your goal dictates your motion: “Low goals—slow motion; high goals—fast motion.” Hence, when life is slow, you know where to go: “Either goals are low, or high but you’re slow.

their footfalls? Finally some combination thereof, or these many things as permutations of each other—as alternative vocabularies? However it was, by January I was winnowed, and soon dispensed with pills and analysis (the pills I was weaned from gradually), and took up my unfinished novel again, Our Lady of the Forest, about a girl who sees the Virgin Mary, a man who wants a miracle, a priest who suffers spiritual anxiety, and a woman in thrall to cynicism. It seems to me now that the sum of those figures mirrors the shape of my psyche before depression, and that the territory of the novel forms a map of my psyche in the throes of gathering disarray. The work as code for the inner life, and as fodder for my own biographical speculations. Depression, in this conceit, might be grand mal writer’s block. Rather than permitting its disintegration at the hands of assorted unburied truths risen into light as narrative, the ego incites a tempest in the brain, leaving the novelist to wander in a whiteout with his half-finished manuscript awry in his arms, where the wind might blow it away. I don’t find this facile. It seems true—or true for me—that writing fiction is partly psychoanalysis, a self-induced and largely unconscious version. This may be why stories threaten readers with the prospect of everything from the merest dart wound to a serious breach in the superstructure. To put it another way, a good story addresses the psyche directly, while the gatekeeper ego, aware of this trespass—of a message sent so daringly past its gate, a compelling dream insinuating inward—can only quaver through a story’s reading and hope its ploys remains unilluminated. Against a story of penetrating virtuosity—The Metamorphosis, or Lear on the heath—this gatekeeper can only futilely despair, and comes away both revealed and provoked, and even, at times, shattered. In lesser fiction—fiction as entertainment, narcissism, product, moral tract, or fad—there is also some element of the unconscious finding utterance, chiefly because it has the opportunity, but in these cases its clarity and force are diluted by an ill-conceived motive, and so it must yield control of the story to the transparently self-serving ego, to that ostensible self with its own small agenda in art as well as in life. * * * Like

A sudden yowl from up ahead had them all starting. A small tree smoked on one side, the faint glow of fire darting from a burning patch of dead foliage. The yowl came again. Matt hurried over and peered up the tree to see a calico cat, its green eyes staring down, as if in accusation. "No," Reyna said, stopping beside him. "We are not rescuing the cat." "But the tree -" "- is on fire. I see that. Have you ever owned a cat? If they can go up, they can come down. Guaranteed." Matt eyed the feline. It eyed him back, then yowled, as if to say Well, hurry it up. "It might be too scared to come down," he said. "It's a cat," Reyna said. "They don't get scared - just annoyed, which I'm going to get if you insist on playing hero and rescuing that faker." She scowled at the cat. "Yes, I mean you. Faker." The cat sniffed, then turned to Matt, clearly sensing the softer touch. Owen stepped forward. "If you'll feel better rescuing the cat, Matt, then go ahead. We aren't on a tight schedule." Reyna waved her arms around the smoking street. "Um, Ragnarök?" "And the longer you two bicker ..." "Fine," Reyna said. "I've got this." Before Matt could protest, she walked to the base of the tree, grabbed the lowest branch, and swung up. "Rodeo girl, remember? Also, five years of gymnastics, which my mother thought would make me more graceful and feminine. Her mistake." She shimmied along a branch. "Come on, faker. I'm your designated hero for today." She looked down at Matt. "And if you ever tell anyone I rescued a cat from a tree ..." Before Matt could answer, the cat sprang to the ground. "Arggh!" Reyna said. "You scared him out," Matt said. "He just needed the extra motivation. No, wait. It's a she. Calicos are almost always female." "Are they? Huh." Reyna swung out. The cat sat on the ground below, watching. "See?" Matt said. "She's grateful." "She's gloating. Let's go.

Hold your arrow and be focused to your game; the dart board is always in front of you not in back.

Endless miles She had walked endless miles, She had stood over countless emotional piles, Finally she had arrived there where all journeys ended, Where life nothing defended, Because here smiles emerged from the seeds of pain, Here hopes were bred by time and never slain, Life developed wings of hope and certainty, Where desires shared with reality a new fraternity, Because forlorn ceased here, pain became meaningless, It was a place with miles ceaseless, Here minds ruled with hearts, And cupid indiscriminately shot his darts, To pierce all alike, Causing raptures of smiles and only creating realities that you like, And after walking endless miles she was here now, Here, where she can forever live under the rainbow and its colourful bow, To feel everything yet feel what she wants to feel, her deeply desired sentiment, For which she walked endless miles, because to her it everything meant, And to be here you need not follow any precept or diktat, Just be true to yourself and follow your instinctive nostrum and believe in one fact, That to be there where you want to be, you will walk endless miles, Because you seek that true union with your deepest smiles.

Your fight against evil, Christian, is one of resistance. Do that and the devil will flee (James 4:7). The power to resist, including the motivation, happens by faith. Faith in the same Jesus that “disarmed the rulers and authorities and put them to open shame, by triumphing over them in him” (Col. 2:15). Your faith is your weapon against the enemy of everything good. “In all circumstances take up the shield of faith, with which you can extinguish all the flaming darts of the evil one” (Eph. 6:16). And yes, resisting the evil one by faith can sometimes feel like putting on shoes not made for your feet and a war you don’t have the stamina to win. But no worries. This cosmic conflict won’t last always, for the God of peace is coming. The shoes you have on don’t belong to you, but you will be victorious over the evil one as if they were. “The God of peace will soon crush Satan under your feet” (Rom. 16:20). Amen.

Rock and Roll adolescent hoodlums storm the streets of all nations. They rush into the Louvre and throw acid in the Mona Lisa's face. They open zoos, insane asylums, prisons, burst water mains with air hammers, chop the floor out of passenger plane lavatories, shoot out lighthouses, file elevator cables to one thin wire, turn sewers into the water supply, throw sharks and sting rays, electric eels and candiru into swimming pools (the candiru is a small eel-like fish or worm about one-quarter inch through and two inches long patronizing certain rivers of ill repute in the Greater Amazon Basin, will dart up your prick or your asshole or a woman's cunt faute de mieux, and hold himself there by sharp spines with precisely what motives is not known since no one has stepped forward to observe the candiru's life-cycle in situ), in nautical costumes ram the Queen Mary full speed into New York Harbor, play chicken with passenger planes and buses, rush into hospitals in white coats carrying saws and axes and scalpels three feet long, throw paralytics out of iron lungs (mimic their suffocations flopping about on the floor and rolling their eyes up), administer injections with bicycle pumps, disconnect artificial kidneys, saw a woman in half with a two-man surgical saw, they drive herds of squealing pigs into the Ka'bah, they shit on the floor of the United Nations and wipe their ass with treaties, pacts, alliances.