Traditional Clothes Quotes

We've searched our database for all the quotes and captions related to Traditional Clothes. Here they are! All 100 of them:

[My dad] didn't do much apart from the traditional winning of bread. He didn't take me to get my hair cut or my teeth cleaned; he didn't make the appointments. He didn't shop for my clothes. He didn't make my breakfast, lunch, or dinner. My mom did all of those things, and nobody ever told her when she did them that it made her a good mother.
Michael Chabon (Manhood for Amateurs)
A significant number of people believe tribal people still live and dress as they did 300 years ago. During my tenure as principal chief of the Cherokee Nation, national news agencies requesting interviews sometimes asked if they could film a tribal dance or if I would wear traditional tribal clothing for the interview. I doubt they asked the president of the United States to dress like a pilgrim for an interview.
Wilma Mankiller
Listen,” I began, “this is an established, traditional form that—” “Traditional nothing. Where are your clothes?” “Clothes?” I said weakly. “I don’t normally bother with them in this guise.” “Well, you could put on a pair of shorts, at least. You’re not decent.” “I’m not sure they’d go with the wings….” The demon frowned, blinked. “Hold on, enough of this!” “Lederhosen would. They’d compliment the leather.
Jonathan Stroud (Ptolemy's Gate (Bartimaeus, #3))
The genuine values in America arose from rational thought and breaking with tradition, not from blind allegiance to dirt and cloth.
Stefan Molyneux
I never leaf through a copy of National Geographic without realizing how lucky we are to live in a society where it is traditional to wear clothes.
Erma Bombeck
The monk assumes a robe, changes his name, shaves his head, enters a cell and takes a vow of poverty and chastity; in the East he has one loin cloth, one robe, one meal a day - and we all respect such poverty. But those men who have assumed the robe of poverty are still inwardly, psychologically, rich with the things of society because they are still seeking position and prestige; they belong to this order or that order, this religion or that religion; they still live in the divisions of a culture, a tradition. That is not poverty. poverty is to be completely free of society, though one may have a few more clothes, a few more meals - good God, who cares? But unfortunately in most people there is this urge for exhibitionism.
J. Krishnamurti (Freedom from the Known)
Everyone wears clothing, yes? Society divides these clothing up into Men & Women’s, Boys & Girls’, Jr. & Miss. But society cannot decide who wears what. While the fabric may be cut to suit a traditionally male or female body (boy or girls body), the second the buyer purchases the item, that clothing no longer becomes 'boys' or 'girls' clothes, but rather, the buyers clothes. This is an example of the individual defining the identity term vs. the identity term defining the individual.
Kent Marrero
White clothing for a killer was a tradition among the Parshendi. Although Szeth had not asked, his masters had explained why. White to be bold. White to not blend into the night. White to give warning. For if you were going to assassinate a man, he was entitled to see you coming.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Uwaaaaahh! Why does taking off traditional clothing sound so suggestive?! --Kaoru Hanabishi
Kou Fumizuki (Ai Yori Aoshi Vol. 1 (Ai Yori Aoshi, #1))
The order never varies. Two slices of bread-and-butter each, and China tea. What a hide-bound couple we must seem, clinging to custom because we did so in England. Here, on this clean balcony, white and impersonal with centuries of sun, I think of half-past-four at Manderley, and the table drawn before the library fire. The door flung open, punctual to the minute, and the performance, never-varying, of the laying of the tea, the silver tray, the kettle, the snowy cloth.
Daphne du Maurier (Rebecca)
Right-wing women have surveyed the world: they find it a dangerous place. They see that work subjects them to more danger from more men; it increases the risk of sexual exploitation. They see that creativity and originality in their kind are ridiculed; they see women thrown out of the circle of male civilization for having ideas, plans, visions, ambitions. They see that traditional marriage means selling to one man, not hundreds: the better deal. They see that the streets are cold, and that the women on them are tired, sick, and bruised. They see that the money they can earn will not make them independent of men and that they will still have to play the sex games of their kind: at home and at work too. They see no way to make their bodies authentically their own and to survive in the world of men. They know too that the Left has nothing better to offer: leftist men also want wives and whores; leftist men value whores too much and wives too little. Right-wing women are not wrong. They fear that the Left, in stressing impersonal sex and promiscuity as values, will make them more vulnerable to male sexual aggression, and that they will be despised for not liking it. They are not wrong. Right-wing women see that within the system in which they live they cannot make their bodies their own, but they can agree to privatized male ownership: keep it one-on-one, as it were. They know that they are valued for their sex— their sex organs and their reproductive capacity—and so they try to up their value: through cooperation, manipulation, conformity; through displays of affection or attempts at friendship; through submission and obedience; and especially through the use of euphemism—“femininity, ” “total woman, ” “good, ” “maternal instinct, ” “motherly love. ” Their desperation is quiet; they hide their bruises of body and heart; they dress carefully and have good manners; they suffer, they love God, they follow the rules. They see that intelligence displayed in a woman is a flaw, that intelligence realized in a woman is a crime. They see the world they live in and they are not wrong. They use sex and babies to stay valuable because they need a home, food, clothing. They use the traditional intelligence of the female—animal, not human: they do what they have to to survive.
Andrea Dworkin (Right-Wing Women)
At the beginning of time, according to the great Western tradition, the Word of God transformed chaos into Being through the act of speech. It is axiomatic, within that tradition, that man and woman alike are made in the image of that God. We also transform chaos into Being, through speech. We transform the manifold possibilities of the future into the actualities of past and present. To tell the truth is to bring the most habitable reality into Being. Truth builds edifices that can stand a thousand years. Truth feeds and clothes the poor, and makes nations wealthy and safe. Truth reduces the terrible complexity of a man to the simplicity of his word, so that he can become a partner rather than an enemy. Truth makes the past truly past, and makes the best use of the future's possibilities. Truth is the ultimate, inexhaustible natural resource. It's the light in the darkness. See the truth. Tell the truth.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
There's a long tradition that says women gossip, when in fact women are the memory of the world. We keep the family trees and the baby books. We manage the milk teeth. We keep the census of diseases, the records of divorces, battles and medals. We witness the wills. We wash the weddings our of the bedsheets. We know everything there is to know, and we keep it rolled into the newel posts, stuffed into the mattresses, smuggled inside our vaginas if it comes to that. Women's clothing is made without pockets, but we come into the world equipped
Maria Dahvana Headley (The Mere Wife)
traditional Winterian clothing for women consists of pleated, ivory, floor-length dresses, most of the men wear blue tunics and pants under lengths of white fabric that wrap in an X around their torsos.
Sara Raasch (Ice Like Fire (Snow Like Ashes, #2))
THERE HAVE ALWAYS BEEN ITINERANTS, drifters, hobos, restless souls. But now, in the second millennium, a new kind of wandering tribe is emerging. People who never imagined being nomads are hitting the road. They’re giving up traditional houses and apartments to live in what some call “wheel estate”—vans, secondhand RVs, school buses, pickup campers, travel trailers, and plain old sedans. They are driving away from the impossible choices that face what used to be the middle class. Decisions like: Would you rather have food or dental work? Pay your mortgage or your electric bill? Make a car payment or buy medicine? Cover rent or student loans? Purchase warm clothes or gas for your commute? For many the answer seemed radical at first. You can’t give yourself a raise, but what about cutting your biggest expense? Trading a stick-and-brick domicile for life on wheels?
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
To care about weaving, to make weavings, is to be in touch with a long human tradition. We people have woven, first baskets and then cloth, for at least ten thousand years. This book will give you many ways to become connected with that tradition.
Phylis Morrison
Whether you call it Attachment Parenting, natural parenting, or simple maternal instincts, this false "return" to traditional parenting is just a more explicit and deliberate version of the often unnamed parenting gender divide. Whether you're wearing you baby or not, whether you're using cloth diapers or teaching your four-week-old to use the toilet; it's still women who are doing the bulk of child care, no matter what the parenting philosophy. Putting a fancy name to the fact that we're still doing all the goddamn work doesn't make it any less sexist or unfair
Jessica Valenti (Why Have Kids?: A New Mom Explores the Truth About Parenting and Happiness)
Like Nadia, I wrestled with the evangelical tradition in which I was raised, often ungracefully. At times I've tried to wring the waters of my first baptism out of my clothes, shake them out of my hair, and ask for a do-over in some other community where they ordain women, vote for Democrats, and believe in evolution. But Jesus has this odd habit of allowing ordinary, screwed-up people to introduce him, and so it was ordinary, screwed-up people who first told me I was a beloved child of God, who first called me a Christian. I don't know where my story of faith will take me, but it will always begin here. That much can never change.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
The new migrants arrived with little more than the clothing on their backs and the traditions of their ancestors, traditions often denounced as perversions by some of the city's more irritated imams.
S.A. Chakraborty (The City of Brass (The Daevabad Trilogy, #1))
I have learned that each and every piece of cloth embodies the spirit, skill, and personal history of an individual weaver. . . . It ties together with an endless thread the emotional life of my people.
Nilda Callañaupa Alvarez
You know how this wine is blended? Different types of Pharisee have been harvested, trodden, and fermented together to produce its subtle flavour. Types that were most antagonistic to one another on earth. Some were all rules and relics and rosaries; others were all drab clothes, long faces, and petty traditional abstinences from wine or cards or the theatre. Both had in common their self-righteousness and the almost infinite distance between their actual outlook and anything the Enemy really is or commands. The wickedness of other religions was the really live doctrine in the religion of each; slander was its gospel and denigration its litany. How they hated each other up there where the sun shone!
C.S. Lewis (The Screwtape Letters)
the birth of the twins and what happened to them, although traditional, has transformed me as irreversibly as soaking cloth in a vat of dye.
Lisa See (The Tea Girl of Hummingbird Lane)
Even the simplest things had a glorious pointlessness to them. When buttons came in, about 1650, people couldn't get enough of them and arrayed them in decorative profusion on the backs and collars and sleeves of coats, where they didn't actually do anything. One relic of this is the short row of pointless buttons that are still placed on the underside of jacket sleeves near the cuff. These have been purely decorative and have never had a purpose, yet 350 years later on we continue to attach them as if they are the most earnest necessity.
Bill Bryson
It is interesting to observe in traditional cultures, especially in the Muslim world, that the marketplaces are comprised of rows of businesses dealing with the same product. In America, many would consider it foolish to open a business in proximity to another business already selling the same product. In Damascus, everyone knows where the marketplace for clothing is. There are dozens of stores strung together selling virtually the same material and fashions. Not only are the stores together, but when the time for prayer comes, the merchants pray together. They often attend the same study circles, have the same teachers, and are the best of friends. It used to be that when one person sold enough for the day, he would shut down, go home, and allow other merchants to get what they need. This is not make-believe or part of a utopian world. It actually happened. It is hard to believe that there were people like that on the planet. They exist to this day, but to a lesser extent. They are now old, and many of their sons have not embraced the beauty of that way of doing business.
Hamza Yusuf (Purification of the Heart: Signs, Symptoms and Cures of the Spiritual Diseases of the Heart)
Even sheets felt different at the cottage. On certain days...the sheets were aired out in the sun. I slipped in between two crisp pieces of cloth, like a book mark between two pages.
Amy Willard Cross (The Summer House : A Tradition of Leisure)
But the very pattern Olive wore appears on a ceramic figurine of the late nineteenth or early twentieth century that displays traditional Mohave face painting, tattoo, beads, and clothing.
Margot Mifflin (The Blue Tattoo: The Life of Olive Oatman (Women in the West))
There is a bench in the back of my garden shaded by Virginia creeper, climbing roses, and a white pine where I sit early in the morning and watch the action. Light blue bells of a dwarf campanula drift over the rock garden just before my eyes. Behind it, a three-foot stand of aconite is flowering now, each dark blue cowl-like corolla bowed for worship or intrigue: thus its common name, monkshood. Next to the aconite, black madonna lilies with their seductive Easter scent are just coming into bloom. At the back of the garden, a hollow log, used in its glory days for a base to split kindling, now spills white cascade petunias and lobelia. I can't get enough of watching the bees and trying to imagine how they experience the abundance of, say, a blue campanula blosssom, the dizzy light pulsing, every fiber of being immersed in the flower. ... Last night, after a day in the garden, I asked Robin to explain (again) photosynthesis to me. I can't take in this business of _eating light_ and turning it into stem and thorn and flower... I would not call this meditation, sitting in the back garden. Maybe I would call it eating light. Mystical traditions recognize two kinds of practice: _apophatic mysticism_, which is the dark surrender of Zen, the Via Negativa of John of the Cross, and _kataphatic mysticism_, less well defined: an openhearted surrender to the beauty of creation. Maybe Francis of Assissi was, on the whole, a kataphatic mystic, as was Thérèse of Lisieux in her exuberant momemnts: but the fact is, kataphatic mysticism has low status in religious circles. Francis and Thérèse were made, really made, any mother superior will let you know, in the dark nights of their lives: no more of this throwing off your clothes and singing songs and babbling about the shelter of God's arms. When I was twelve and had my first menstrual period, my grandmother took me aside and said, 'Now your childhood is over. You will never really be happy again.' That is pretty much how some spiritual directors treat the transition from kataphatic to apophatic mysticism. But, I'm sorry, I'm going to sit here every day the sun shines and eat this light. Hung in the bell of desire.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
I love the word 'fashion.' That's why I'm using it in the title of this book. Fashion is about change and about creating clothes within a historical context. To me, dismissing fashion as silly or unimportant seems like a denial of history and frequently a show of sexism—as if something that's traditionally a concern of women isn't valid as a field of academic inquiry. When the Parsons fashion department was founded in 1906, it was called 'costume design,' because fashion was then a verb: to fashion. But the word 'fashion' has evolved to mean something much more profound, and those who resist it seem to me to be on the wrong side of history.
Tim Gunn (Tim Gunn's Fashion Bible)
The obstinacy of antiquated institutions in perpetuating themselves resembles the stubbornness of the rancid perfume which should claim our hair, the pretensions of the spoiled fish which should persist in being eaten, the persecution of the child's garment which should insist on clothing the man, the tenderness of corpses which should return to embrace the living. "Ingrates!" says the garment, "I protected you in inclement weather. Why will you have nothing to do with me?" "I have just come from the deep sea," says the fish. "I have been a rose," says the perfume. "I have loved you," says the corpse. "I have civilized you," says the convent. To this there is but one reply: "In former days." To dream of the indefinite prolongation of defunct things, and of the government of men by embalming, to restore dogmas in a bad condition, to regild shrines, to patch up cloisters, to rebless reliquaries, to refurnish superstitions, to revictual fanaticisms, to put new handles on holy water brushes and militarism, to reconstitute monasticism and militarism, to believe in the salvation of society by the multiplication of parasites, to force the past on the present, – this seems strange. Still, there are theorists who hold such theories. These theorists, who are in other respects people of intelligence, have a very simple process; they apply to the past a glazing which they call social order, divine right, morality, family, the respect of elders, antique authority, sacred tradition, legitimacy, religion; and they go about shouting, "Look! take this, honest people." This logic was known to the ancients. The soothsayers practise it. They rubbed a black heifer over with chalk, and said, "She is white, Bos cretatus." As for us, we respect the past here and there, and we spare it, above all, provided that it consents to be dead. If it insists on being alive, we attack it, and we try to kill it. Superstitions, bigotries, affected devotion, prejudices, those forms all forms as they are, are tenacious of life; they have teeth and nails in their smoke, and they must be clasped close, body to body, and war must be made on them, and that without truce; for it is one of the fatalities of humanity to be condemned to eternal combat with phantoms. It is difficult to seize darkness by the throat, and to hurl it to the earth.
Victor Hugo (Les Misérables)
...Not yet dry behind the ears, not old enough to buy a beer, but old enough to die for his country. He can recite to you the nomenclature of a machine gun or grenade launcher and use either one effectively if he must. He digs foxholes and latrines and can apply first aid like a professional. He can march until he is told to stop, or stop until he is told to march. He obeys orders instantly and without hesitation, but he is not without spirit or individual dignity. He is self-sufficient. ...He sometimes forgets to brush his teeth, but never to clean his rifle. He can cook his own meals, mend his own clothes, and fix his own hurts. If you're thirsty, he'll share his water with you; if you are hungry, food. He'll even split his ammunition with you in the midst of battle when you run low. He has learned to use his hands like weapons and weapons like they were his hands. He can save your life-or take it, because that is his job. He will often do twice the work of a civilian, draw half the pay, and still find ironic humor in it all. He has seen more suffering and death than he should have in his short lifetime. He has wept in public and in private, for friends who have fallen in combat and is unashamed. He feels every note of the National Anthem vibrate through his body while at rigid attention, while tempering the burning desire to "square-away" those around him who haven't bothered to stand, remove their hat, or even stop talking. ...Just as did his father, grandfather, and great-grandfather, he is paying the price for our freedom. Beardless or not, he is not a boy. He is the American Fighting Man that has kept this country free for over two hundred years. He has asked nothing in return, except our friendship and understanding. Remember him, always, for he has earned our respect and admiration with his blood. And now we have women over there in danger, doing their part in this tradition of going to war when our nation calls us to do so. As you go to bed tonight, remember this. A short lull, a little shade, and a picture of loved ones in their helmets.
Sarah Palin (America by Heart: Reflections on Family, Faith, and Flag)
There’s a long tradition that says women gossip, when in fact women are the memory of the world. We keep the family trees and the baby books. We manage the milk teeth. We keep the census of diseases, the records of divorces, battles, and medals. We witness the wills. We wash the weddings out of the bedsheets. We know everything there is to know, and we keep it rolled into the newel posts, stuffed into the mattresses, smuggled inside our vaginas if it comes to that. Women’s clothing is made without pockets, but we come into the world equipped.
Maria Dahvana Headley (The Mere Wife)
Tradition? Kadash, did I ever tell you about my first sword trainer? Back when I was young, our branch of the Kholin family didn't have grand monasteries and beautiful practice grounds. My father found a teacher for me from two towns over. His name was Harth. Young fellow, not a true swordmaster -- but good enough. He was very focused on proper procedure, and wouldn't let me train until I'd learned how to put on a takama the right way. He wouldn't have stood for me fighting like this. You put on the skirt, then the overshirt, then you wrap your cloth belt around yourself three times and tie it. I always found that annoying. The belt was too tight, wrapped three times -- you had to pull it hard to get enough slack to tie the knot. The first time I went to duels at a neighboring town, I felt like an idiot. Everyone else had long drooping belt ends at the front of their takamas. I asked Harth why we did it differently. He said it was the right way, the true way. So, when my travels took me to Harth's hometown, I searched out his master, a man who had trained with the ardents in Kholinar. He insisted that this was the right way to tie a takama, as he'd learned from his master. I found my master's master's master in Kholinar after we captured it. The ancient, wizened ardent was eating curry and flatbread, completely uncaring of who ruled the city. I asked him. Why tie your belt three times, when everyone else thinks you should do it twice? The old man laughed and stood up. I was shocked to see that he was terribly short. 'If I only tie it twice,' he exclaimed, 'the ends hang down so low, I trip!' I love tradition, I've fought for tradition. I make my men follow the codes. I uphold Vorin virtues. But merely being tradition does not make something worthy, Kadash. We can't just assume that because something is old it is right.
Brandon Sanderson (Oathbringer (book 1 of 6) (Stormlight Archive #3, Part 1 of 6))
usually rents a white dress that’s been worn hundreds of times. The man wears something clean that’s not mining clothes. They fill out some forms at the Justice Building and are assigned a house. Family and friends gather for a meal or bit of cake, if it can be afforded. Even if it can’t, there’s always a traditional song we sing as the new couple
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Cixi’s lack of formal education was more than made up for by her intuitive intelligence, which she liked to use from her earliest years. In 1843, when she was seven, the empire had just finished its first war with the West, the Opium War, which had been started by Britain in reaction to Beijing clamping down on the illegal opium trade conducted by British merchants. China was defeated and had to pay a hefty indemnity. Desperate for funds, Emperor Daoguang (father of Cixi’s future husband) held back the traditional presents for his sons’ brides – gold necklaces with corals and pearls – and vetoed elaborate banquets for their weddings. New Year and birthday celebrations were scaled down, even cancelled, and minor royal concubines had to subsidise their reduced allowances by selling their embroidery on the market through eunuchs. The emperor himself even went on surprise raids of his concubines’ wardrobes, to check whether they were hiding extravagant clothes against his orders. As part of a determined drive to stamp out theft by officials, an investigation was conducted of the state coffer, which revealed that more “than nine million taels of silver had gone missing. Furious, the emperor ordered all the senior keepers and inspectors of the silver reserve for the previous forty-four years to pay fines to make up the loss – whether or not they were guilty. Cixi’s great-grandfather had served as one of the keepers and his share of the fine amounted to 43,200 taels – a colossal sum, next to which his official salary had been a pittance. As he had died a long time ago, his son, Cixi’s grandfather, was obliged to pay half the sum, even though he worked in the Ministry of Punishments and had nothing to do with the state coffer. After three years of futile struggle to raise money, he only managed to hand over 1,800 taels, and an edict signed by the emperor confined him to prison, only to be released if and when his son, Cixi’s father, delivered the balance. The life of the family was turned upside down. Cixi, then eleven years old, had to take in sewing jobs to earn extra money – which she would remember all her life and would later talk about to her ladies-in-waiting in the court. “As she was the eldest of two daughters and three sons, her father discussed the matter with her, and she rose to the occasion. Her ideas were carefully considered and practical: what possessions to sell, what valuables to pawn, whom to turn to for loans and how to approach them. Finally, the family raised 60 per cent of the sum, enough to get her grandfather out of prison. The young Cixi’s contribution to solving the crisis became a family legend, and her father paid her the ultimate compliment: ‘This daughter of mine is really more like a son!’ Treated like a son, Cixi was able to talk to her father about things that were normally closed areas for women. Inevitably their conversations touched on official business and state affairs, which helped form Cixi’s lifelong interest. Being consulted and having her views acted on, she acquired self-confidence and never accepted the com“common assumption that women’s brains were inferior to men’s. The crisis also helped shape her future method of rule. Having tasted the bitterness of arbitrary punishment, she would make an effort to be fair to her officials.
Jung Chang (Empress Dowager Cixi: The Concubine Who Launched Modern China)
... a family was an act of creation, the piecing together of disparate fragments into one cloth -- often harmonious, occasionally clashing and discordant, but sometimes unexpectedly beautiful and strong. Without contrast, there was no pattern... and each piece... would endure if sewn fast to the others with strong seams -- bonds of love and loyalty, traditions and faith.
Jennifer Chiaverini
In the temple, I sit on the cool floor next to Grandfather, beneath the stern benevolence of the goddess's glance. Grandfather is clad in only a traditional silk dhoti--no fancy modern clothes for him. That's one of the things I admire about him, how he is always unapologetically, uncompromisingly himself. His spine is erect and impatient; white hairs blaze across his chest.
Chitra Banerjee Divakaruni (Oleander Girl)
Iconographic tradition has theologically interpreted the manger and the swaddling cloths in terms of the theology of the Fathers. The child stiffly wrapped in bandages is seen as prefiguring the hour of his death: from the outset, he is the sacrificial victim, as we shall see more closely when we examine the reference to the first-born. The manger, then, was seen as a kind of altar.
Pope Benedict XVI (Jesus of Nazareth: The Infancy Narratives)
On St. Patrick's Day, the traditional Irish family would rise early and find a solitary sprig of shamrock to put on their somber Sunday best. Then they'd spend the morning in church listening to sermons about how thankful they should be that St. Patrick saved such a bunch of ungrateful sinners. Nobody wore green clothing as it was considered an unlucky color not suitable for church.
Rashers Tierney (F*ck You, I'm Irish: Why We Irish Are Awesome)
But Beatrice Blaine! There was a woman! Early pictures taken on her father's estate at Lake Geneva, Wisconsin, or in Rome at the Sacred Heart Convent—an educational extravagance that in her youth was only for the daughters of the exceptionally wealthy—showed the exquisite delicacy of her features, the consummate art and simplicity of her clothes. A brilliant education she had—her youth passed in renaissance glory, she was versed in the latest gossip of the Older Roman Families; known by name as a fabulously wealthy American girl to Cardinal Vitori and Queen Margherita and more subtle celebrities that one must have had some culture even to have heard of. She learned in England to prefer whiskey and soda to wine, and her small talk was broadened in two senses during a winter in Vienna. All in all Beatrice O'Hara absorbed the sort of education that will be quite impossible ever again; a tutelage measured by the number of things and people one could be contemptuous of and charming about; a culture rich in all arts and traditions, barren of all ideas, in the last of those days when the great gardener clipped the inferior roses to produce one perfect bud.
F. Scott Fitzgerald (This Side of Paradise)
Transgenderism depends for its very existence on the idea that there is an ‘essence’ of gender, a psychology and pattern of behaviour, which is suited to persons with particular bodies and identities.This is the opposite of the feminist view, which is that the idea of gender is the foundation of the political system of male domination. ‘Gender’, in traditional patriarchal thinking, ascribes skirts, high heels and a love of unpaid domestic labour to those with female biology, and comfortable clothing, enterprise and initiative to those with male biology. In the practice of transgenderism, traditional gender is seen to lose its sense of direction and end up in the minds and bodies of persons with inappropriate body parts that need to be corrected. But without ‘gender’, transgenderism could not exist. From a critical, feminist point of view, when transgender rights are inscribed into law and adopted by institutions, they instantiate ideas that are harmful to women’s equality and give authority to outdated notions of essential differences between the sexes. Transgenderism is indeed transgressive, but of women’s rights rather than an oppressive social system.
Sheila Jeffreys (Gender Hurts: A Feminist Analysis of the Politics of Transgenderism)
A weariness of the desert was the living always in company, each of the party hearing all that was said and seeing all that was done by the others day and night. Yet the craving for solitude seemed part of the delusion of self-sufficiency, a factitious making-rare of the person to enhance its strangeness in its own estimation. To have privacy, as Newcombe and I had, was ten thousand times more restful than the open life, but the work suffered by the creation of such a bar between the leaders and men. Among the Arabs there were no distinctions, traditional or natural, except the unconscious power given a famous sheikh by virtue of his accomplishment; and they taught me that no man could be their leader except he ate the ranks’ food, wore their clothes, lived level with them, and yet appeared better in himself.
T.E. Lawrence (Seven Pillars of Wisdom: A Triumph)
Harlem, physically at least, has changed very little in my parents’ lifetime or in mine. Now as then the buildings are old and in desperate need of repair, the streets are crowded and dirty, there are too many human beings per square block. Rents are 10 to 58 per cent higher than anywhere else in the city; food, expensive everywhere, is more expensive here and of an inferior quality; and now that the war is over and money is dwindling, clothes are carefully shopped for and seldom bought. Negroes, traditionally the last to be hired and the first to be fired, are finding jobs harder to get, and, while prices are rising implacably, wages are going down. All over Harlem now there is felt the same bitter expectancy with which, in my childhood, we awaited winter: it is coming and it will be hard; there is nothing anyone can do about it.
James Baldwin (Notes of a Native Son)
Secret Teachings on Preparing Shinobi Missions: The most important thing you should keep in mind when you go on a shinobi mission is to imitate well the language of the target province and the ways of the local people. This includes their appearances, the way of wearing clothes, the way of shaving the head, the way of making up their hair, the way of making up a sword or short sword, and the way of refinement and luxury.
Yoshie Minami (The Secret Traditions of the Shinobi: Hattori Hanzo's Shinobi Hiden and Other Ninja Scrolls)
AUTHOR’S NOTE The Morris dance . . . . . . is traditionally danced on May 1, to welcome in the summer. Its history is a bit confused, possibly because it’s often danced near pubs, but it is now the English folk dance. The dancers usually wear white, and have bells sewn on their clothes. It is danced by both men and women, and is certainly now danced in the United States too. I know this because I saw the Dark Morris danced in a bookshop in Chicago some years ago. I’d invented the Dark Morris for another book called Reaper Man (at least I think I invented it), and a Morris team (officially known as a side) turned up in all black, just for me. They danced it in silence and perfect time, without the music and bells of the “summer” dance. It was beautifully done. But it was also a bit creepy. So it might not be a good idea to try it at home. .
Terry Pratchett (Wintersmith (Discworld, #35))
She was of traditional build herself, but her figure was largely concealed by the folds of a generously cut shift dress made out of a flecked green fabric. It was like a tent, thought Mma Ramotswe--a camouflage tent of the sort that the Botswana Defence Force might use. But I do not sit in judgement on the dresses of others, she told herself, and a tent was a practical enough garment, if that is what one felt comfortable in.
Alexander McCall Smith (The Double Comfort Safari Club (No. 1 Ladies' Detective Agency, #11))
THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.
John Rawson (From The English Countryside: Tales Of Tragedy: Narrated In Dramatic Traditional Verse)
These antifamily traditions are too widely attested in our sources to be ignored (they are found in Mark, Q, and Thomas, for example), and they show that Jesus did not support what we today might think of as family values. But why not? Evidently because, as I have already emphasized, he was not teaching about the good society and about how to maintain it. The end was coming soon, and the present social order was being called radically into question. What mattered was not ultimately the strong family ties and social institutions of this world. What mattered was the new thing that was coming, the future kingdom. It was impossible to promote this teaching while trying to retain the present social structure. That would be like trying to put new wine into old wineskins or trying to sew a new piece of cloth to an old garment. As any wine master or seamstress can tell you, it just won’t work.
Bart D. Ehrman (Did Jesus Exist?: The Historical Argument for Jesus of Nazareth)
Sassafras had never wanted to weave, she just couldn't help it. There was something about the feel of raw fleece and finished threads and dainty patterned pieces that was as essential to her as dancing to Carmen De Lavallade, or singing to Aretha Franklin. Her mama had done it, and her mama before that; and making cloth was the only tradition Sassafras inherited that gave her a sense of womanhood that was rich and sensuous, not tired and stingy.
Ntozake Shange (Sassafrass, Cypress & Indigo)
Eat a lot of ham & retain a lot of water, Swell until your clothes tear; Go on like this and swell some more, Till you split out the seams of your skin, Itself & don't stop there; But pop all the buttons on your inner self, As well, then for the hard part, Swell & burst out of whatever comes next; Whatever final metaphysical envelope or dark, Is left so you can emerge at last wriggling, & dripping like a shrimp on a fork. --Traditional Sea Chanty
Blaster Al Ackerman (I Taught My Dog To Shoot A Gun)
On one hand the Christian missionaries sought to convert the heathen, by fire and sword if need be, to the gospel of peace, brotherhood, and heavenly beatitude; on the other, the more venturesome spirits wished to throw off the constraining traditions and customs, and begin life afresh, levelling distinctions of class, eliminating superfluities and luxuries, privileges and distinctions, and hierarchical rank. In short, to go back to the Stone Ages, before the institutions of Bronze Age civilization had crystallized. Though the Western hemisphere was indeed inhabited, and many parts of it were artfully cultivated, so much of it was so sparsely occupied that the European thought of it as a virgin continent against whose wildness he pitted his manly strength. In one mood the European invaders preached the Christian gospel to the native idolaters, subverted them with strong liquors, forced them to cover their nakedness with clothes, and worked them to an early death in mines; in another, the pioneer himself took on the ways of the North American Indian, adopted his leather costume, and reverted to the ancient paleolithic economy: hunting, fishing, gathering shellfish and berries, revelling in the wilderness and its solitude, defying orthodox law and order, and yet, under pressure, improvising brutal substitutes. The beauty of that free life still haunted Audubon in his old age.
Lewis Mumford (The Pentagon of Power (The Myth of the Machine, Vol 2))
Kuan Yin looks very traditional. Her hands are folded together. The thick cloth of her costume is folded perfectly," describes Lena. "Just as in the previous session, I’m reminded of the significance of the folds. I’m having an interesting vision that I haven’t thought about in many years. I see a beautiful tree where I used to go when I was a teenager. It stands majestic, atop the rolling hills behind the house where I grew up. Kuan Yin is at the tree looking very luminous. I see the bark of the tree, which looks very real, very three-dimensional. For some reason, Kuan Yin is touching the trunk of the tree. She suddenly seems very small next to me and she wants me to touch the tree. I’m not sure why. There is a tiny bird, with pretty feathers in its nest. It is about the size of a wren. I see the texture of the tree. I think it might be a birch. I’m not sure. ’Why should I touch the tree,’ I ask. She’s telling me that I created the tree, that it is another realm I was able to visit because life was too painful and lonely at home.” “You created the tree. You create your whole world with thoughts,” assures Kuan Yin. “Every time I try to touch the tree, Kuan Yin wants to help me touch it. There’s something different about this conversation. Usually we work on something about the earth. Because we’re revisiting my childhood, I get the impression Kuan Yin’s trying to show me something that maybe I created in my childhood.” “Well, do we all create our reality?” Kuan Yin asks of Lena. “I think she’s going to answer her own question,” comments Lena, from her trance. “Yes, you can create your reality. Once you free yourself from the negative effects of karma. I know it is sometimes difficult to differentiate between free will and karma. Focus upon your free will and your ability to create reality. I’m optimistic and hopeful you can do this.
Hope Bradford (Oracle of Compassion: The Living Word of Kuan Yin)
Although per capita income doubled during the half-century, not all sectors of society shared equally in this abundance. While both rich and poor enjoyed rising incomes, their inequality of wealth widened significantly. As the population began to move from farm to city, farmers increasingly specialized in the production of crops for the market rather than for home consumption. The manufacture of cloth, clothing, leather goods, tools, and other products shifted from home to shop and from shop to factory. In the process many women experienced a change in roles from producers to consumers with a consequent transition in status. Some craftsmen suffered debasement of their skills as the division of labor and power-driven machinery eroded the traditional handicraft methods of production and transformed them from self-employed artisans to wage laborers. The resulting potential for class conflict threatened the social fabric of this brave new republic.
James M. McPherson (Battle Cry of Freedom: The Civil War Era)
- The local prince had gotten a notion that the girl could spin straw into gold, the dwarf said. Brainless young idiot, but they’re all like that. If she could spin straw into gold, why was she living in a hovel? Anyway, Gramps said he’d do her spinning for her in return for part of the gold and her firstborn child. She agreed, but naturally when the baby was born she didn’t want to give him up. So Gramps agreed to a guessing game: if she could guess his name, she could keep the baby. Then he let her find out what his name was. She kept the baby and Gramps kept the gold, and everyone went home happy. - I think I’m beginning to get the idea, Cimorene said. It’s not just spinning straw into gold that’s a family tradition, is it? It’s the whole scheme. The dwarf nodded sadly. - Right the first time. Only I can never make it work properly. I can find plenty of girls who’re supposed to spin straw into gold, and most of them suggest the guessing game, but I’ve never had even one who managed to guess my name. - Oh, dear, said Cimorene. - I even changed my name legally, so it would be easier, the dwarf said sadly. Herman isn’t a difficult name to remember, is it? But no, the silly chits can’t do it. So I end up with the baby as well as the gold, and babies eat and cry and need clothes, and the gold runs out, and I have to find another girl to spin gold for, and it happens all over again, and I end up with another baby. It isn’t fair!
Patricia C. Wrede (Searching for Dragons (Enchanted Forest Chronicles, #2))
I think there ought to be a regulation that the president could return a salute inasmuch as he is commander in chief and civilian clothes are his uniform.” “Well, if you did return a salute,” the general said, “I don’t think anyone would say anything to you about it.” The next time I got a salute, I saluted back. A big grin came over the marine’s face, and down came his hand. From then on, I always returned salutes. When George Bush followed me into the White House, I encouraged him to keep up the tradition.
Ronald Reagan (An American Life: An Enhanced eBook with CBS Video: The Autobiography)
What is the purpose of a nation if not to empower human beings to live better together than they could individually? When government fails to meet the basic needs of humanity for food, shelter, clothing, and even more important—the room to grow and evolve—the people will begin to rely on one another, to pool their resources and rise above the artificial limitations of tradition or law. Each of us has something significant to contribute to society be it physical, material, intellectual, emotional, or spiritual
John Lewis (Across That Bridge: Life Lessons and a Vision for Change)
The witch is a dangerous person. Neither his appearance nor his behaviour betray his satanic nature. He does not wear special clothing, he does not have magical instruments. He does not boil potions, does not prepare poisons, does not fall into a trance, and does not perform incantations. He acts by means of the psychic power he was born. Malefaction is a congenital trait of his personality. The fact that he does evil and brings misfortune owes nothing to his predilections. It brings him not special pleasure. He simply is that way.
Ryszard Kapuściński
Men laid aside the social traditions and practices of barbarians, and assumed a social order worthy of rational and human beings. Ceasing to be predatory in their habits, they became co-workers, and found in fraternity, at once, the science of wealth and happiness. "What shall I eat and drink, and wherewithal shall I be clothed?" stated as a problem beginning and ending in self, had been an anxious and an endless one. But when once it was conceived, not from the individual but the fraternal standpoint, "What shall we eat and drink, and wherewithal shall we be clothed" -- its difficulties vanished.
Edward Bellamy
Christianity invented or blessed the invention of the technological Machine. The bulk of people in the Third World today have experienced Christianity not as separate from technology but almost as a part of it. Throngs of people went to school to learn to be modern — that is, to be Christian. Many ended up serving the administrative machinery of Christianity, hoping for a taste of greater modernism. It was a team of Christians who came into my village over twelve years ago to ask those who went to church on Sunday to grow cotton so that they could buy it from them. The naive villagers saw in it an immense opportunity to become modern — that is, to acquire bicycles, short-wave radios and clothes. What they did not see was that these white Christians had their own separate agenda. Because they were in control, they laid out what they wanted the villagers to do. It included using fertilizer and pesticides that were banned in France. No one had the money, but everyone bought on credit. They were barely able to pay their debts out of their sales. With bitterness, the villagers returned to their traditional farming, but the land was angry. Tortured by foreign chemicals, it “went into a coma.” Technology
Malidoma Patrice Somé (Ritual: Power, Healing and Community (Compass))
THE notion of dogma terrifies men who do not understand the Church. They cannot conceive that a religious doctrine may be clothed in a clear, definite and authoritative statement without at once becoming static, rigid and inert and losing all its vitality. In their frantic anxiety to escape from any such conception they take refuge in a system of beliefs that is vague and fluid, a system in which truths pass like mists and waver and vary like shadows. They make their own personal selection of ghosts, in this pale, indefinite twilight of the mind. They take good care never to bring these abstractions out into the full brightness of the sun for fear of a full view of their unsubstantiality. They favor the Catholic mystics with a sort of sympathetic regard, for they believe that these rare men somehow reached the summit of contemplation in defiance of Catholic dogma. Their deep union with God is supposed to have been an escape from the teaching authority of the Church, and an implicit protest against it. But the truth is that the saints arrived at the deepest and most vital and also the most individual and personal knowledge of God precisely because of the Church’s teaching authority, precisely through the tradition that is guarded and fostered by that authority.
Thomas Merton (New Seeds of Contemplation)
Giants in Jeans Sonnet 97 Age doesn’t make you wise, curiosity does. Intellect doesn't make you curious, growth does. Experience doesn't make you grow, expansion does. Travel doesn't make you expand, self-correction does. Cynicism doesn't help correction, awareness does. Books don't make you aware, accountability does. Law cannot make you accountable, humanity does. Appearance doesn't make you human, acceptance does. Wokeness doesn't make you accepting, character does. Clothes don't make character, conduct does. Etiquettes don't define conduct, goodness does. Tradition doesn't make you good, oneness does. Oneness is the mother of all civilized behavior. Without oneness we're ever headed for disaster.
Abhijit Naskar (Giants in Jeans: 100 Sonnets of United Earth)
The alienating effects of wealth and modernity on the human experience start virtually at birth and never let up. Infants in hunter-gatherer societies are carried by their mothers as much as 90 percent of the time, which roughly corresponds to carrying rates among other primates. One can get an idea of how important this kind of touch is to primates from an infamous experiment conducted in the 1950s by a primatologist and psychologist named Harry Harlow. Baby rhesus monkeys were separated from their mothers and presented with the choice of two kinds of surrogates: a cuddly mother made out of terry cloth or an uninviting mother made out of wire mesh. The wire mesh mother, however, had a nipple that dispensed warm milk. The babies took their nourishment as quickly as possible and then rushed back to cling to the terry cloth mother, which had enough softness to provide the illusion of affection. Clearly, touch and closeness are vital to the health of baby primates—including humans. In America during the 1970s, mothers maintained skin-to-skin contact with babies as little as 16 percent of the time, which is a level that traditional societies would probably consider a form of child abuse. Also unthinkable would be the modern practice of making young children sleep by themselves. In two American studies of middle-class families during the 1980s, 85 percent of young children slept alone in their own room—a figure that rose to 95 percent among families considered “well educated.” Northern European societies, including America, are the only ones in history to make very young children sleep alone in such numbers. The isolation is thought to make many children bond intensely with stuffed animals for reassurance. Only in Northern European societies do children go through the well-known developmental stage of bonding with stuffed animals; elsewhere, children get their sense of safety from the adults sleeping near them. The point of making children sleep alone, according to Western psychologists, is to make them “self-soothing,” but that clearly runs contrary to our evolution. Humans are primates—we share 98 percent of our DNA with chimpanzees—and primates almost never leave infants unattended, because they would be extremely vulnerable to predators. Infants seem to know this instinctively, so being left alone in a dark room is terrifying to them. Compare the self-soothing approach to that of a traditional Mayan community in Guatemala: “Infants and children simply fall asleep when sleepy, do not wear specific sleep clothes or use traditional transitional objects, room share and cosleep with parents or siblings, and nurse on demand during the night.” Another study notes about Bali: “Babies are encouraged to acquire quickly the capacity to sleep under any circumstances, including situations of high stimulation, musical performances, and other noisy observances which reflect their more complete integration into adult social activities.
Sebastian Junger (Tribe: On Homecoming and Belonging)
A bunch of people from one tribe boldly went into the land of another tribe looting, pillaging and raping and they brought back food, clothing and women as souvenirs of victory and they called this valor and patriotism. And the stories of these exploits would be passed on through generations as some sort of heroic saga. And nobody would question it, for questioning those stories would mean questioning the tribal traditions, which would be an act of treason. Now my question to you, the thinking human of a modern world is - this kind of behavior may have been accepted in those days as uncompromisable tradition when our ancestors were nothing more than mindless savages, but does such tribalism make any sense in a civilized abode such as ours!
Abhijit Naskar (Hurricane Humans: Give me accountability, I'll give you peace)
The mated males are biased. They want more females here for their own females. Many of the single males will likely have an issue, since it is tradition.” “Well if the single males want more females here, that’s the only way to do it. They’re only hurting themselves.” His fingers flexed slightly against hers. “Why do you think females would come here, anyway?” “Why wouldn’t they? I knew nothing about this sector and even after my tour I still don’t know much about it. Maybe if there was an attraction here— other than the males— it would bring more females.” He straightened and pushed up so that his hands caged her against the headboard. “This facility puts out the best warriors and we do some of the most intense and covert off-world missions. We will not have attractions here like a… carnival.” She blinked, realizing he’d misunderstood her. Unable to stop herself, a giggle escaped. She cupped the side of his face. Midnight black stubble already covered his jaw. She shivered, remembering the feel of it against her inner thighs not too long ago. “I didn’t mean that kind of attraction. I mean, give the females an incentive, like luxury housing or the chance to run a business here. There are so many business opportunities here for women. So far I’ve only seen one clothing shop and one bakery run by females.” He was silent a long moment as he watched her. “I think I might be biased too.” “How so?” “Because I want to change the law simply to please you.” The way he said it was almost grudging.
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
Everyone has been overjoyed with the birth of their first son, bringing celebratory sweets, new clothes for the baby, fennel tea to bolster her milk supply. They have showered on her all the traditional gifts, as if this is her first baby, their first child. What about the other times I’ve carried a baby in my womb, given birth, held my child in my arms? But no one acknowledges this, not even Jasu. Only Kavita has an aching cavity in her heart for what she’s lost. She sees the pride in Jasu’s eyes as he holds his son and forces herself to smile while saying a silent prayer for this child. She hopes she can give him the life he deserves. She prays she will be a good mother to her son, prays she has enough maternal love left in her heart for him, prays it didn’t die along with her daughters.
Shilpi Somaya Gowda (Secret Daughter)
Protestants have avoided signing themselves, mostly in protest of the Roman Catholic tradition. But, as I have told my Protestant students for years, the sign of the cross is no more Roman Catholic than a sermon is Protestant. Christians have crossed themselves from the earliest days. Tertullian, as a powerful apologist for the Christian faith in the late second and early third centuries, said this: At every forward step and movement, at every going in and out [this echoes the Shema], when we put on our clothes and shoes, when we bathe, when we sit at table, when we light the lamps, on couch, on seat, in all the ordinary actions of daily life, we trace upon the forehead the sign [of the Cross]. The Celtic Daily Prayer order for Morning Prayer begins with this: +In the name of the Father, and of the Son, and of the Holy Spirit. Amen.
Scot McKnight (Praying with the Church: Following Jesus Daily, Hourly, Today)
There is a passage in the Old French Queste del Saint Graal that epitomizes the true spirit of Western man. It tells of a day when the knights of Arthur’s court gathered in the banquet hall waiting for dinner to be served. It was a custom of that court that no meal should be served until an adventure had come to pass. Adventures came to pass in those days frequently so there was no danger of Arthur’s people going hungry. On the present occasion the Grail appeared, covered with a samite cloth, hung in the air a moment, and withdrew. Everyone was exalted, and Gawain, the nephew of King Arthur, rose and suggested a vow. “I propose,” he said, “that we all now set forth in quest to behold that Grail unveiled.” And so it was that they agreed. There then comes a line that, when I read it, burned itself into my mind. “They thought it would be a disgrace to go forth in a group. Each entered the forest at the point that he himself had chosen, where it was darkest, and there was no way or path.” No way or path! Because where there is a way or path, it is someone else’s path. And that is what marks the Western spirit distinctly from the Eastern. Oriental gurus accept responsibility for their disciples’ lives. They have an interesting term, “delegated free will.” The guru tells you where you are on the path, who you are, what to do now, and what to do next. The romantic quality of the West, on the other hand, derives from an unprecedented yearning, a yearning for something that has never yet been seen in this world. What can it be that has never yet been seen? What has never yet been seen is your own unprecedented life fulfilled. Your life is what has yet to be brought into being.
Joseph Campbell (Thou Art That: Transforming Religious Tradition (Collected Works of Joseph Campbell))
...if we seek the permanence of an object as something existing from its own side, we discover something inexpressible. If we take three sticks and place them together in a certain way, they will all stand up. If each of the sticks could stand under its own power, it would remain standing even if the others were removed, but they cannot. In this way we must understand dependent arising precisely. Another way of thinking about it is to consider clothing. Only when cloth is of the correct color, shape, and so forth is it labeled "clothing." Or think of a clock. Whenever we see a clock, we label it a clock, but if we were to separate the component pieces, then the "clock" would cease to exist, because no basis of imputation would remain. In actuality there was no truly existent clock in the first place—only the causes and conditions fit to be labeled a "clock.
Zongtrul Losang Tsöndru (Chöd in the Ganden Tradition: The Oral Instructions of Kyabje Zong Rinpoche)
Despite having minority traditions of their own, our present poor are absolute sheep and suckers for the popular culture which they cannot afford, the movies, sharp clothes, and up to Cadillacs. Indeed, it is likely that the popular culture is aimed somewhat at them, as the lowest common denominator. I do not mean that this is not a reasonable compensation, like the Englishman’s liquor and the Irishman’s betting on the horses. Everybody has got to have something, and so poor people show off and feel big by means of the standard of living. But in these circumstances it is immensely admirable that the Beat Generation has contrived a pattern of culture that, turning against the standard culture, costs very little and gives livelier satisfaction. It is a culture communally shared, in small groups. Much of it is handmade, not canned. Some of it is communally improvised.
Paul Goodman (Growing Up Absurd: Problems of Youth in the Organized Society)
Man is, at one and the same time, a solitary being and a social being. As a solitary being, he attempts to protect his own existence and that of those who are closest to him, to satisfy his personal desires, and to develop his innate abilities. As a social being, he seeks to gain the recognition and affection of his fellow human beings, to share in their pleasures, to comfort them in their sorrows, and to improve their conditions of life. Only the existence of these varied, frequently conflicting, strivings accounts for the special character of a man, and their specific combination determines the extent to which an individual can achieve an inner equilibrium and can contribute to the well-being of society. It is quite possible that the relative strength of these two drives is, in the main, fixed by inheritance. But the personality that finally emerges is largely formed by the environment in which a man happens to find himself during his development, by the structure of the society in which he grows up, by the tradition of that society, and by its appraisal of particular types of behavior. The abstract concept “society” means to the individual human being the sum total of his direct and indirect relations to his contemporaries and to all the people of earlier generations. The individual is able to think, feel, strive, and work by himself; but he depends so much upon society—in his physical, intellectual, and emotional existence—that it is impossible to think of him, or to understand him, outside the framework of society. It is “society” which provides man with food, clothing, a home, the tools of work, language, the forms of thought, and most of the content of thought; his life is made possible through the labor and the accomplishments of the many millions past and present who are all hidden behind the small word “society.
Albert Einstein (Why Socialism?)
One further complication in the link between self-sufficiency and simplicity is worth noting. Self-sufficiency may be part of the traditional notion and the Romantic ideal of simple living, but in fairly obvious ways using technology can simplify our lives considerably. Which is simpler, washing all your clothes and sheets by hand, or using a washing machine? Collecting and chopping wood to make a fire to cook over, or turning on the gas burner and pushing the electric ignition button? Walking across town and back to deliver a message, or making a phone call? The point here is that the concept of simple living contains crosscurrents. Reducing our dependence on infrastructure and technology may bring us closer to simple living in one sense—we are more self-sufficient—but takes us away from it in other ways since it makes basic tasks much more difficult, arduous, and time-consuming. And in some ways technology can even help us to be more self-sufficient, as when we use a washing machine to do our own laundry instead of using servants or sending it out.
Emrys Westacott (The Wisdom of Frugality: Why Less Is More - More or Less)
We do have some strong traditions of community in the United States, but it’s interesting to me that our traditionally patriotic imagery in this country celebrates the individual, the solo flier, independence. We celebrate Independence Day; we don’t celebrate We Desperately Rely on Others Day. Oh, I guess that’s Mother’s Day [laughter]. It does strike me that our great American mythology tends to celebrate separate achievement and separateness, when in fact nobody does anything alone. Nobody in this auditorium is wearing clothing that you made yourself from sheep that you sheared and wool that you spun. It’s ridiculous to imagine that we don’t depend on others for the most ordinary parts of our existence, let alone the more traumatic parts when we need a surgeon or someone to put out the fire in our home. In everyday ways we are a part of a network. I guess it’s a biological way of seeing the world. And I don’t understand the suggestion that interdependence is a weakness. Animals don’t pretend to be independent from others of their kind—I mean no other animal but us. It seems like something we should get over [laughter].
Barbara Kingsolver (The Bean Trees)
Good morning.' Cassian's fingers idly smoothed her hair. 'Good morning to you, too.' He glanced toward the mantel- the small wooden clock in its centre, then lurched up. 'Shit.' Nesta frowned. 'You have somewhere to be?' He was already hopping into his pants, scanning the floor for the rest of his clothes. Nesta silently pointed to the other side of the bed, where his shirt lay atop her dress. 'Snowball fight. I'll be late.' Nesta had to unload every word of his statement. But she could only ask. 'What?' 'Annual tradition, with Rhys and Az. We go up tot he mountain cabin- remind me to take you there one day- and... Well, it's a long story, but we've done it pretty much every year for centuries, and I haven't won in years. If I don't win this year, I will never hear the end of it.' All of this was said while shoving himself into his shirt, leather jacket, and boots. Nesta just laughed. 'You three- the most feared warriors in all the land- have an annual snowball fight?' Cassian reached the door, throwing her a wicked grin. 'Did I mention we take a steam in the birchin attached to the cabin afterward?' From that wicked grin, she knew he meant completely naked.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, 'It ain’t no disgrace to be poor, but it might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'if you’re so smart, why ain’t you rich?' There will also be an American flag no larger than a child’s hand – glued to a lollipop stick and flying from the cash register. America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves To quote the American humorist Kin Hubbard, 'It ain't no disgrace to be poor, but might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'If you're so smart, why ain't You rich? ' There will also be an American flag no larger than a child's hand-glued to a lollipop stick and, flying from the cash register. Americans, like human beings everywhere, believe many things that are obviously untrue, the monograph went on. Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say, Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent, is a mass of undignified poor. They do not love one another because they do not love themselves. Once this is understood the disagreeable behavior of American enlisted men in German prisons ceases to be a mystery. Every other army in history, prosperous or not, has attempted to clothe even its lowliest soldiers so as to make them impressive to themselves and others as stylish experts in drinking and copulation and looting and sudden death. The American Army, however, sends its enlisted men out to fight and die in a modified business suit quite evidently made for another man, a sterilized but unpressed gift from a nose-holding charity which passes out clothing to drunks in the slums. When a dashingly-clad officer addresses such a frumpishly dressed bum, he scolds him, as an officer in an army must. But the officer's contempt is not, as in 'other armies, avuncular theatricality. It is a genuine expression of hatred for the poor, who have no one to blame for their misery but themselves. A prison administrator dealing with captured American enlisted men for the first time should be warned: Expect no brotherly love, even between brothers. There will be no cohesion between the individuals. Each will be a sulky child who often wishes he were dead.
Kurt Vonnegut Jr. (Breakfast of Champions)
Nevertheless, in certain respects and in certain places, despite philosophy, despite progress, the spirit of the cloister lingers on, in the middle of the nineteenth century, and a bizarre new outbreak of asceticism now astounds the civilized world. The persistence of antiquated institutions in perpetuating themselves is like the stubbornness of stale scent clinging to your hair, the urgency of spoiled fish clamouring to be eaten, the oppression of childish garb expecting to clothe the adult, and the tenderness of corpses wanting to come back to kiss the living. 'Ungrateful wretch!' says the garment. 'I protected you in bad weather. Why will you have nothing more to do with me?' 'I come from the open sea,' says the fish. 'I was a rose,' says the perfume. 'I loved you,' says the corpse. 'I civilized you,' says the convent. There is only one answer to this: once upon a time. To dream of the indefinite protraction of defunct things and of embalmment as a way of governing mankind, to restore ravaged dogmas, regild shrines, patch up cloisters, re-bless reliquaries, revitalize superstitions, refuel fanaticisms, replace the handles on holy-water sprinklers and on sabres, recreate monasticism and militarism, to believe in the salvation of society by the multiplication of the parasites, to force the past on the present - this seems strange. Still, there are theorists who propound these theories. Such theorists, and they are intelligent people, have a very simple method: they put a gloss on the past, a gloss they call 'social order', 'divine right', 'morality', 'family', 'respect for elders', 'ancient authority', 'sacred tradition', 'legitimacy', 'religion', and they go about shouting, 'Look! Take this, honest people.' This logic was known to the ancients The haruspices practiced it. They rubbed a black heifer with chalk and said, 'It's white.' We ourselves respect the past in certain instances and in all cases grant it clemency, provided it consents to being dead. If it insists on being alive, we attack and try to kill it. Superstitions, bigotries, false pieties, prejudices, these spectres, for all that they are spectres, cling to life. They have teeth and nails in their vaporousness, and they must be tackled head-on, and war must be waged against them, and it must be waged constantly. For it is one of the fates of humanity to be doomed to eternal battle against phantoms. Shades are difficult to throttle and destroy.
Victor Hugo (Les Misérables)
When she first arrived, Mi-ran was impressed. The dormitories were modern and each of the four girls who would share one room had her own bed rather than use the Korean bed mats laid out on a heated floor, the traditional way of keeping warm at night while expending little fuel. But as winter temperatures plunged Chongjin into a deep freeze, she realized why it was that the school had been able to give her a place in its freshman class. The dormitories had no heating. Mi-ran went to sleep each night in her coat, heavy socks, and mitten with a towel draped over her head. When she woke up, the towel would be crusted with frost from the moisture of her breath. In the bathroom, where the girls washed their menstrual rags (nobody had sanitary napkins, so the more affluent girls used gauze bandages while the poor girls used cheap synthetic cloths), it was so cold that the rags would freeze solid within minutes of being hung up to dry. Mi-ran hated the mornings. Just as in Jun-sang's school, they were roused by a military-style roll call at 6:00 A.M., but instead of marching off like proud soldiers, they shivered into the bathroom and splashed icy water on their faces, under a grotesque canopy of frozen menstrual rags.
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
One of the things I loved about Chris was his sense of humor, which seemed perfectly matched with mine, even at its most offbeat. April Fools’ Day was always a major highlight. A month before our daughter was due, I woke him up in the middle of the night. “Don’t panic,” I told him, “but I think I’m going into labor.” “Do we have a bag?” he asked, jumping up immediately. “No, no, don’t worry.” I slipped out of bed and went to take a shower. Chris immediately got dressed and, calmly but very quickly, gathered my clothes and packed a suitcase. “I’m ready!” he announced, barging into the bathroom. “Babe, do you know what day it is?” I asked sweetly. It was two A.M., April 1. “Are you kidding me?” he said, disbelieving. I laughed and plunged back into the shower. He quickly got revenge by flushing the toilet, sending a burst of cold water across my body. In retrospect, maybe I’d been a little cruel, but we did love teasing each other. At our wedding, we’d smooshed cake into each other’s faces. That began a tradition that continued at each birthday--whether it was ours or not. The routine never seemed to get old. We’d giggle and laugh, chasing each other as if we were crazy people. Our friends and neighbors got used to it--and learned to stay out of the line of fire.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
The secrets of the kitchen were revealed to you in stages, on a need-to-know basis, just like the secrets of womanhood. You started wearing bras; you started handling the pressure cooker for lentils. You went from wearing skirts and half saris to wearing full saris, and at about the same time you got to make the rice-batter crepes called dosas for everyone’s tiffin. You did not get told the secret ratio of spices for the house-made sambar curry powder until you came of marriageable age. And to truly have a womanly figure, you had to eat, to be voluptuously full of food. This, of course, was in stark contrast to what was considered womanly or desirable in the West, especially when I started modeling. To look good in Western clothes you had to be extremely thin. Prior to this, I never thought about my weight except to think it wasn’t ever enough. Then, with modeling, I started depending on my looks to feed myself (though my profession didn’t allow me to actually eat very much). When I started hosting food shows, my career went from fashion to food, from not eating to really eating a lot, to put it mildly. Only this time the opposing demands of having to eat all this food and still look good by Western standards of beauty were off the charts. This tug-of-war was something I would struggle with for most of a decade.
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
Images of people in the Middle East dressing like Westerners, spending like Westerners, that is what the voters watching TV here at home want to see. That is a visible sign that we really are winning the war of ideas—the struggle between consumption and economic growth, and religious tradition and economic stagnation. I thought, why are those children coming onto the streets more and more often? It’s not anything we have done, is it? It’s not any speeches we have made, or countries we have invaded, or new constitutions we have written, or sweets we have handed out to children, or football matches between soldiers and the locals. It’s because they, too, watch TV. They watch TV and see how we live here in the West. They see children their own age driving sports cars. They see teenagers like them, instead of living in monastic frustration until someone arranges their marriages, going out with lots of different girls, or boys. They see them in bed with lots of different girls and boys. They watch them in noisy bars, bottles of lager upended over their mouths, getting happy, enjoying the privilege of getting drunk. They watch them roaring out support or abuse at football matches. They see them getting on and off planes, flying from here to there without restriction and without fear, going on endless holidays, shopping, lying in the sun. Especially, they see them shopping: buying clothes and PlayStations, buying iPods, video phones, laptops, watches, digital cameras, shoes, trainers, baseball caps. Spending money, of which there is always an unlimited supply, in bars and restaurants, hotels and cinemas. These children of the West are always spending. They are always restless, happy and with unlimited access to cash. I realised, with a flash of insight, that this was what was bringing these Middle Eastern children out on the streets. I realised that they just wanted to be like us. Those children don’t want to have to go to the mosque five times a day when they could be hanging out with their friends by a bus shelter, by a phone booth or in a bar. They don’t want their families to tell them who they can and can’t marry. They might very well not want to marry at all and just have a series of partners. I mean, that’s what a lot of people do. It is no secret, after that serial in the Daily Mail, that that is what I do. I don’t necessarily need the commitment. Why should they not have the same choices as me? They want the freedom to fly off for their holidays on easy Jet. I know some will say that what a lot of them want is just one square meal a day or the chance of a drink of clean water, but on the whole the poor aren’t the ones on the street and would not be my target audience. They aren’t going to change anything, otherwise why are they so poor? The ones who come out on the streets are the ones who have TVs. They’ve seen how we live, and they want to spend.
Paul Torday (Salmon Fishing in the Yemen)
What the hell is that?' Cassian was grinning that next evening as he waved a hand toward the pile of pine boughs dumped on the ornate red rug in the centre of the foyer. 'Solstice decorations. Straight from the market.' Snow clung to his broad shoulders and dark hair, and his tan cheeks were flushed with cold. 'You call that a decoration? He smirked. 'A heap of pine in the middle of the floor is Night Court tradition.' I crossed my arms. 'Funny.' 'I'm serious.' I glared, and he laughed. 'It's for the mantels, the banister, and whatever else, smartass. Want to help?' He shrugged off his heavy coat, revealing a black jacket and shirt beneath, and hung it in the hall closet. I remained where I was and tapped my foot. 'What?' he said, brows rising. It was rare to see Cassian in anything but his Illyrian leathers, but the clothes, while not as fine as anything Rhys or Mor usually favoured, suited him. 'Dumping a bunch of trees at my feet is really how you say hello these days? A little time in that Illyrian camp and you forget all your manners.' Cassian was on me in a second, hoisting me off the ground to twirl me until I was going to be sick. I beat at his chest, cursing at him. Cassian set me down at last. 'What did you get me for Solstice?' I smacked his arm. 'A heaping pile of shut the hell up.' He laughed again, and I winked at him. 'Hot cocoa or wine?' Cassian curved a wing around me, turning us toward the cellar door. 'How many good bottles does little Rhysie have left?
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
A friend of mine who spent years in India with a great teacher from the ancient forest tradition tells a moving story... Years after his beloved teacher had died, he was back in India staying at the home of his guru's most devoted Indian disciple. "I must show you something," the disciple said to my friend one day. "This is what he left for me." My friend was excited, of course. Any trace of his teacher was nectar to him. He watched as the elderly man opened the creaking doors of an ancient wooden wardrobe and took something from the back of the bottom shelf. It was wrapped in an old, dirty cloth. "Do you see?" he asked my friend. "No. See what?" The disciple unwrapped the object, revealing an old, beat-up aluminum pot, the kind of ordinary pot one sees in every Indian kitchen. Looking deeply into my friend's eyes, he told him, "He left this for me when he went away. Do you see? Do you see?" "No, Dada," he replied. "I don't see." According to my friend, Dada looked at him even more intensely, this time with a mad glint in his eyes. "You don't have to shine," he said. "You don't have to shine." He rewrapped the pot and put it back on the bottom shelf of the wardrobe. My friend had received the most important teaching... He did not have to transform himself in the way he imagined: He just had to learn to be kind to himself. If he could hold himself with the care Dada showed while clutching the old pot, it would be enough. His ordinary self, wrapped in all of its primitive agony, was precious too.
Epstein Mark
...He can recite to you the nomenclature of a machine gun or grenade launcher and use either one effectively is he must. He digs foxholes and latrines and can apply first aid like a professional. He can march until he is told to stop, or stop until he is told to march. He obeys orders instantly and without hesitation, but he is not without spirit or individual dignity. He is self-sufficient. ...He sometimes forgets to brush his teeth, but never to clean his rifle. He can cool his own meals, mend his own clothes, and fix his own hurts. ...He'll even split his ammunition with you in the midst of battle when you run low. He has learned to use his hands like weapons and weapons like they were his hands. He can save your life- or take it, because that is his job. He will often do twice the work of a civilian, draw half the pay, and still find ironic humor in it all. He has seen more suffering and death than he should have in his short lifetime. He has wept in public and in private, for friends who have fallen in combat and is unashamed. He feels every note of the National Anthem vibrate through his body while at rigid attention, while tempering the burning desire to "square-away" those around him who haven't bothered to stand, remove their hat, or even stop talking. ...Just as did his father, grandfather, and great-grandfather, he is paying the price for our freedom. Beardless or not, he is not a boy. He is the American Fighting Man that has kept this country free for over two hundred years. He has asked nothing in return, except our friendship and understanding. Remember him, always, for he has earned our respect and admiration with his blood. And now we even have women over there in danger, doing their part in this tradition of going to war when our nation calls us to do so. As you go to bed tonight, remember this. A short lull, a little shade, and a picture of loved ones in their helmets.
Sarah Palin (America by Heart: Reflections on Family, Faith, and Flag)
Few things once seemed to me more frigid and far-fetched than those interpretations […] of the Song of Songs, which identify the Bridegroom with Christ and the bride with the Church. Indeed, as we read the frank erotic poetry of the latter and contrast it with the edifying headlines in our Bibles, it is easy to be moved to a smile, even a cynically knowing smile, as if the pious interpreters were feigning an absurd innocence. […] First, the language of nearly all great mystics, not even in a common tradition, some of them Pagan, some Islamic, most Christian, confronts us with evidence that the image of marriage, of sexual union, is not only profoundly natural but almost inevitable as a means of expressing the desired union between God and man. The very word ‘union’ has already entailed some such idea. Secondly, the god as bridegroom, his ‘holy marriage’ with the goddess, is a recurrent theme and a recurrent ritual in many forms of Paganism […] And if, as I believe, Christ, in transcending and thus abrogating, also fulfils, both Paganism and Judaism, then we may expect that He fulfils this side of it too. This, as well as all else, is to be ‘summed up’ in Him. Thirdly, the idea appears, in a slightly different form, within Judaism. For the mystics God is the Bridegroom of the individual soul. For the Pagans, the god is the bridegroom of the mother-goddess, the earth, but his union with her also makes fertile the whole tribe and its livestock, so that in a sense he is their bridegroom too. The Judaic conception is in some ways closer to the Pagan than to that of the mystics, for in it the Bride of God is the whole nation, Israel. This is worked out in one of the most moving and graphic chapters of the whole Old Testament (Ezek. 16). Finally, this is transferred in the Apocalypse from the old Israel to the new, and the Bride becomes the Church, ‘the whole blessed company of faithful people’. It is this which has, like the unworthy bride in Ezekiel, been rescued, washed, clothed, and married by God—a marriage like King Cophetua’s.
C.S. Lewis (Reflections on the Psalms)
Hey, can I help you—whoa!” As he wheeled around and settled into his attack stance, the black human salesperson jumped back and put his palms up. “Forgive me,” Xcor muttered. At least he hadn’t outed one of his weapons. “No problem.” The handsome, well-dressed man smiled. “You looking for something specific?” Xcor glanced around, and nearly walked back to that fancy stairwell. “I require a new shirt.” “Oh, cool, you got a hot date?” “And pants. And socks.” Come to think of it, he never wore underwear. “And undergarments. And a jacket.” The salesman smiled and raised a hand as if he were going to clap his customer on the shoulder—but then caught himself as he clearly rethought the contact. “What kind of look are you going for?” he asked instead. “Clothed.” The guy paused like he wasn’t sure whether that was a joke. “Ah . . . okay, I can work with non-naked. Plus it’s legal. Come on with me.” Xcor followed, because he didn’t know what else to do—he’d gotten this ball rolling; there was no reason not to follow through. The man stopped in front of a display of shirts. “So I’m going to go with the it’s-a-date thing, unless you tell me otherwise. Casual? You didn’t mention a suit.” “Casual. Yes. But I want to look. . . .” Well, not like himself, at any rate. “Presentable.” “Then I think what you’re going to want is a button-down.” “A button-down.” The guy regarded him steadily. “You’re not from here, are you.” “No, I’m not.” “I can tell by the accent.” The salesman passed a hand over the dizzying array of folded-up squares with collars. “These are our traditional cuts. I can tell without measuring you that the European stuff isn’t going to do you right—you’re too muscled in the shoulders. Even if we could get the neck and arm size right, you’d bust out of them. Do you like any of these colors?” “I don’t know what to like.” “Here.” The man picked up a blue one that reminded Xcor of the backdrop on his phone. “This is good with your eyes. Not that I go that way—but you gotta work with what you got. Do you have any idea of your size?” “XXXL.” “We need to be a little more exact.
J.R. Ward (The King (Black Dagger Brotherhood, #12))
The persistence of superannuated institutions in striving to perpetuate themselves is like the obstinacy of a rancid odour clinging to the hair; the pretension of spoiled fish that insists on being eaten, the tenacious folly of a child's garment trying to clothe a man, or the tenderness of a corpse returning to embrace the living. "Ingrates!" exclaims the garment. "I shielded you in weakness. Why do you reject me now?" "I come from the depths of the sea," says the fish; "I was once a rose," cries the odour; "I loved you," murmurs the corpse; "I civilized you," says the convent. To this there is but one reply; "In the past." To dream of the indefinite prolongation of things dead and the government of mankind by embalming; to restore dilapidated dogmas, regild the shrines, replaster the cloisters, reconsecrate the reliquaries, revamp old superstitions, replenish fading fanaticism, put new handles in worn-out sprinkling brushes, reconstitute monasticism; to believe in the salvation of society by the multiplication of parasites; to foist the past upon the present, all this seems strange. There are, however, advocates for such theories as these. These theorists, men of mind too, in other things, have a very simple process; they apply to the past a coating of what they term divine right, respect for our forefathers, time-honored authority, sacred tradition, legitimacy; and they go about, shouting, "Here! take this, good people!" This logic was familiar to the ancients; their soothsayers practised it. Rubbing over a black heifer with chalk, they would exclaim, "She is white" Bos cretatus. As for ourselves, we distribute our respect, here and there, and spare the past entirely, provided it will but consent to be dead. But, if it insists upon being alive, we attack it and endeavor to kill it. Superstitions, bigotries, hypocrisies, prejudices, these phantoms, phantoms though they are, are tenacious of life; they have teeth and nails in their shadowy substance, and we must grapple with them, body to body, and make war upon them and that, too, without cessation; for it is one of the fatalities of humanity to be condemned to eternal struggle with phantoms. A shadow is hard to seize by the throat and dash upon the ground.
Victor Hugo (Les Misérables)
The first signal of the change in her behavior was Prince Andrew’s stag night when the Princess of Wales and Sarah Ferguson dressed as policewomen in a vain attempt to gatecrash his party. Instead they drank champagne and orange juice at Annabel’s night club before returning to Buckingham Palace where they stopped Andrew’s car at the entrance as he returned home. Technically the impersonation of police officers is a criminal offence, a point not neglected by several censorious Members of Parliament. For a time this boisterous mood reigned supreme within the royal family. When the Duke and Duchess hosted a party at Windsor Castle as a thank you for everyone who had helped organize their wedding, it was Fergie who encouraged everyone to jump, fully clothed, into the swimming pool. There were numerous noisy dinner parties and a disco in the Waterloo Room at Windsor Castle at Christmas. Fergie even encouraged Diana to join her in an impromptu version of the can-can. This was but a rehearsal for their first public performance when the girls, accompanied by their husbands, flew to Klosters for a week-long skiing holiday. On the first day they lined up in front of the cameras for the traditional photo-call. For sheer absurdity this annual spectacle takes some beating as ninety assorted photographers laden with ladders and equipment scramble through the snow for positions. Diana and Sarah took this silliness at face value, staging a cabaret on ice as they indulged in a mock conflict, pushing and shoving each other until Prince Charles announced censoriously: “Come on, come on!” Until then Diana’s skittish sense of humour had only been seen in flashes, invariably clouded by a mask of blushes and wan silences. So it was a surprised group of photographers who chanced across the Princess in a Klosters café that same afternoon. She pointed to the outsize medal on her jacket, joking: “I have awarded it to myself for services to my country because no-one else will.” It was an aside which spoke volumes about her underlying self-doubt. The mood of frivolity continued with pillow fights in their chalet at Wolfgang although it would be wrong to characterize the mood on that holiday as a glorified schoolgirls’ outing. As one royal guest commented: “It was good fun within reason. You have to mind your p’s and q’s when royalty, particularly Prince Charles, is present. It is quite formal and can be rather a strain.
Andrew Morton (Diana: Her True Story in Her Own Words)
Ah! you cliques of the city!—don’t you know you had forebears with handlebar mustaches, who came down to the river in the morning bearing masts and booms on their shoulders? who killed their own bulls with a mighty club? who made their own clothes and tilled their own earth? For a million of your clever fashionable phrases, would you exchange one single such accomplishment? I know I would—and Oh God but I’m just as futile as you are, you city vermin; I too am vermin, vermin trying to struggle back to manhood, with small success. Here is our second illuminative nugget, with no emotions this time: that the fear of the family album is pursuant to the city’s general fear of time and particularly of the past (“Oh the stupid Victorian 19th Century!” they keep crying, as though Victorianism were the whole sum of that great century). Fear of the past is in the city, thus a love, a frantic need of the present—with all the hedonistic overtones involved, the psychological doctrines of “alertness” and the so-called liberation of sexuality: in other words, giving the moment over to the dictates of sexuality (divorce is such a dictate) and leaving time, the future—which is to them equivalent to the past, as a moral factor rather than a hedonistic factor of the “pulsing present”—leaving the future to the dogs, childless marriages, or one-child “families,” broken-up families, and thus leaving the future of mankind and the race to the dogs: to the destruction at the hands of a society’s inward atom bomb of organic-familial-societal disintegration: in short, the end of a race, as in Rome. This fear of reaching back into the past, into lineality and tradition, and of extending similarly forward into the future, is like a plant drying up, dying. Where I say this, they speak of the “reality of the moment” and the danger of suppressing the urges of the moment for any reason—but I find good reason if it is to spell the continuation of our own cultural mankind. Perhaps that’s what they don’t want, like children who resent all brothers and sisters burgeoning in their mother’s womb, resenting the future after them, feeling they should be the last, final men, that none must follow—a childish emotion. But to give oneself over to childish emotions is the aim of these city intellectuals, they abstrusely find much to “scientifically” substantiate this desire in the cult of psychoanalysis and its sub-cults, the Orgone “Institute” for one splendid example, and so they go ahead blithely, and I am not the one to oppose their concepts, their march off the ship’s plank—since I am marching to a plank of my own, since I do not wish to be reviled as a neurotic and an atavistic neo-fascist, since the other night, when mentioning these objections of mine, a city intellectual had apoplexy right before me. Oh
Jack Kerouac (The Unknown Kerouac: Rare, Unpublished & Newly Translated Writings)
The diversity of India is tremendous; it is obvious: it lies on the surface and anybody can see it. It concerns itself with physical appearances as well as with certain mental habits and traits. There is little in common, to outward seeming, between the Pathan of the Northwest and the Tamil in the far South. Their racial stocks are not the same, though there may be common strands running through them; they differ in face and figure, food and clothing, and, of course, language … The Pathan and Tamil are two extreme examples; the others lie somewhere in between. All of them have still more the distinguishing mark of India. It is fascinating to find how the Bengalis, the Marathas, the Gujaratis, the Tamils, the Andhras, the Oriyas, the Assamese, the Canarese, the Malayalis, the Sindhis, the Punjabis, the Pathans, the Kashmiris, the Rajputs, and the great central block comprising the Hindustani-speaking people, have retained their peculiar characteristics for hundreds of years, have still more or less the same virtues and failings of which old tradition or record tells us, and yet have been throughout these ages distinctively Indian, with the same national heritage and the same set of moral and mental qualities.    There was something living and dynamic about this heritage, which showed itself in ways of living and a philosophical attitude to life and its problems. Ancient India, like ancient China, was a world in itself, a culture and a civilization which gave shape to all things. Foreign influences poured in and often influenced that culture and were absorbed. Disruptive tendencies gave rise immediately to an attempt to find a synthesis. Some kind of a dream of unity has occupied the mind of India since the dawn of civilization. That unity was not conceived as something imposed from outside, a standardization of externals or even of beliefs. It was something deeper and, within its fold, the widest tolerance of beliefs and customs was practiced and every variety acknowledged and even encouraged.    In ancient and medieval times, the idea of the modern nation was non-existent, and feudal, religious, racial, and cultural bonds had more importance. Yet I think that at almost any time in recorded history an Indian would have felt more or less at home in any part of India, and would have felt as a stranger and alien in any other country. He would certainly have felt less of a stranger in countries which had partly adopted his culture or religion. Those, such as Christians, Jews, Parsees, or Moslems, who professed a religion of non-Indian origin or, coming to India, settled down there, became distinctively Indian in the course of a few generations. Indian converts to some of these religions never ceased to be Indians on account of a change of their faith. They were looked upon in other countries as Indians and foreigners, even though there might have been a community of faith between them.6
Fali S. Nariman (Before Memory Fades: An Autobiography)
The alienating effects of wealth and modernity on the human experience start virtually at birth and never let up. Infants in hunter-gatherer societies are carried by their mothers as much as 90 percent of the time, which roughly corresponds to carrying rates among other primates. One can get an idea of how important this kind of touch is to primates from an infamous experiment conducted in the 1950s by a primatologist and psychologist named Harry Harlow. Baby rhesus monkeys were separated from their mothers and presented with the choice of two kinds of surrogates: a cuddly mother made out of terry cloth or an uninviting mother made out of wire mesh. The wire mesh mother, however, had a nipple that dispensed warm milk. The babies took their nourishment as quickly as possible and then rushed back to cling to the terry cloth mother, which had enough softness to provide the illusion of affection. Clearly, touch and closeness are vital to the health of baby primates—including humans. In America during the 1970s, mothers maintained skin-to-skin contact with babies as little as 16 percent of the time, which is a level that traditional societies would probably consider a form of child abuse. Also unthinkable would be the modern practice of making young children sleep by themselves. In two American studies of middle-class families during the 1980s, 85 percent of young children slept alone in their own room—a figure that rose to 95 percent among families considered “well educated.” Northern European societies, including America, are the only ones in history to make very young children sleep alone in such numbers. The isolation is thought to make many children bond intensely with stuffed animals for reassurance. Only in Northern European societies do children go through the well-known developmental stage of bonding with stuffed animals; elsewhere, children get their sense of safety from the adults sleeping near them. The point of making children sleep alone, according to Western psychologists, is to make them “self-soothing,” but that clearly runs contrary to our evolution. Humans are primates—we share 98 percent of our DNA with chimpanzees—and primates almost never leave infants unattended, because they would be extremely vulnerable to predators. Infants seem to know this instinctively, so being left alone in a dark room is terrifying to them. Compare the self-soothing approach to that of a traditional Mayan community in Guatemala: “Infants and children simply fall asleep when sleepy, do not wear specific sleep clothes or use traditional transitional objects, room share and cosleep with parents or siblings, and nurse on demand during the night.” Another study notes about Bali: “Babies are encouraged to acquire quickly the capacity to sleep under any circumstances, including situations of high stimulation, musical performances, and other noisy observances which reflect their more complete integration into adult social activities
Sebastian Junger (Tribe: On Homecoming and Belonging)
It was all terribly tasteful and immaculate, and Genar-Hofoen was already starting to look forward to the evening, when he intended to dress in his best clothes and hit the town, which in this case was Night City, located one level almost straight down, where, traditionally, anything on Tier that could breathe a nitrogen-oxygen atmosphere and tolerate one standard gravity - and had any sort of taste for diversion and excitement - tended to congregate.
Iain M. Banks (Excession (Culture, #5))
Kimbanguism is an extremely peace-loving religion, yet brimming with military allusions. Those symbols were not originally part of the religion, but were copied in the 1930s from the Salvation Army, a Christian denomination that, unlike theirs, was not banned at that time. The faithful believed that the S on the Christian soldiers’ uniform stood not for “Salvation” but for “Simon,” and became enamored of the army’s military liturgy. Today, green is still the color of Kimbanguism, and the hours of prayer are brightened up several times a day by military brass bands. Those bands, by the way, are truly impressive. It is a quiet Monday evening when I find myself on the square. While the martial music rolls on and on, played first by the brass section, then by flutes, the faithful shuffle forward to be blessed by the spiritual leader. In groups of four or five, they kneel before the throne. The spiritual leader himself is standing. He wears a gray, short-sleeved suit and gray socks. He is not wearing shoes. In his hand he holds a plastic bottle filled with holy water from the “Jordan,” a local stream. The believers kneel and let themselves be anointed by the Holy Spirit. Children open their mouths to catch a spurt of holy water. A young deaf man asks for water to be splashed on his ears. And old woman who can hardly see has her eyes sprinkled. The crippled display their aching ankles. Fathers come by with pieces of clothing belonging to their sick children. Mothers show pictures of their family, so the leader can brush them with his fingers. The line goes on and on. Nkamba has an average population of two to three thousand, plus a great many pilgrims and believers on retreat. People come from Kinshasa and Brazzaville, as well as from Brussels or London. Thousands of people come pouring in, each evening anew. For an outsider this may seem like a bizarre ceremony, but in essence it is no different from the long procession of believers who have been filing past a cave at Lourdes in the French Pyrenees for more than a century. There too, people come from far and near to a spot where tradition says unique events took place, there too people long for healing and for miracles, there too people place all their hope in a bottle of spring water. This is about mass devotion and that usually says more about the despair of the masses than about the mercy of the divine. After the ceremony, during a simple meal, I talk to an extremely dignified woman who once fled Congo as a refugee and has been working for years as a psychiatric nurse in Sweden. She loves Sweden, but she also loves her faith. If at all possible, she comes to Nkamba each year on retreat, especially now that she is having problems with her adolescent son. She has brought him along. “I always return to Sweden feeling renewed,” she says.
David Van Reybrouck (Congo: The Epic History of a People)
P 271 There's a little songbird eaten whole, bones and everything, by French aristocrats. Illegal, and, by custom, enjoyed with a cloth over the face and head, like an executioners's hood. Maybe what we lack is tradition and elegance in our relentless destruction of nature
Rachel Kushner (The Mars Room)
Advika was given a chance at coaching to speak on any topic she wishes, as it was their fun day. As she was a good speaker she drafted a poem for people like her who too were in the same level game of life, dealing with the same hell, just different devils - “If you like wearing short clothes, wear it, If you like makeup, do it, If you like going to pubs, go for it, If you love pretending fake, pretend it, If you like drinking, smoking, just do it, But If I like traditional clothes, let me wear it, If I don’t put makeup, let me be that way, If I don’t go to pubs, don’t force me to come along, If I stay real and hate pretending fake, deal with it, If I don’t want to drink, smoke, then don’t tag me as old-fashioned. If I do not go with the trend just let me breathe in my comfort zone do not try to steal oxygen to make me die someday just because I do not fit in your space. Great ones usually do not fit it, so it is okay! Everybody is unique so what if I am antique.
Garima Pradhan
Advika was given a chance at coaching to speak on any topic she wishes, as it was their fun day. As she was a good speaker she drafted a poem for people like her who too were in the same level game of life, dealing with the same hell, just different devils - “If you like wearing short clothes, wear it, If you like makeup, do it, If you like going to pubs, go for it, If you love pretending fake, pretend it, If you like drinking, smoking, just do it, But If I like traditional clothes, let me wear it, If I don’t put makeup, let me be that way, If I don’t go to pubs, don’t force me to come along, If I stay real and hate pretending fake, deal with it, If I don’t want to drink, smoke, then don’t tag me as old-fashioned. If I do not go with the trend just let me breathe in my comfort zone do not try to steal oxygen to make me die someday just because I do not fit in your space. Great ones usually do not fit it, so it is okay! Everybody is unique so what if I am antique.
Garima Pradhan (A Girl That Had to be Strong)
WHEN SOMEONE SEES his neighbor acquiring some worldly property, whether some kind of food or clothing, or a house, or accumulating money, he works hard to get the same, because he thinks, “If my friend has this, I should also have it!” —ORCHOT TZADDIKIM (1540)
Alan Morinis (Every Day, Holy Day: 365 Days of Teachings and Practices from the Jewish Tradition of Mussar)
What is a “woman”? Who gets to be one? Who gets to decide who “counts”? In our quest for equality, should feminists strive for the right to embody even the toxic aspects of masculinity, or should we focus on dismantling it before reaching for equality at all? Why should women who have traditionally been underserved or exploited by mainstream feminism (women of colour, trans women, sex workers) have that label foisted upon them? What do we do with the uncomfortable truth that many women’s rights pioneers were explicitly, actively racist? How do we honour their contributions without erasing the oppression of women of colour that still taints feminism today? How do we reconcile the tension between celebrating womanhood and rejecting gender essentialism? How do we reconcile the tension between fighting oppressive beauty standards and wanting to express ourselves through makeup and clothes?
Lindy West
In my own field of education, the glorious tradition of a classical, liberal education, where men pursue truth, has been turned into something akin to the celebration of "fatal superstition" where we choose our values and governing ideologies on any given day in the same manner that "men choose their clothes".
Everett Piper (Not a Day Care: The Devastating Consequences of Abandoning Truth)
Marry me, and I’ll restore Ramsay House. I’ll turn it into a palace. We’ll consider it part of your bride-price.” “My what?” “A Romany tradition. The groom pays a sum to the bride’s family before the wedding. Which means I’ll also settle Leo’s accounts in London—” “He still owes you money?” “Not to me. Other creditors.” “Oh, no,” Amelia said, her stomach dropping. “I’ll take care of you and your household,” Cam continued with relentless patience. “Clothes, jewelry, horses, books … school for Beatrix … a season in London for Poppy. The best doctors for Winnifred. She can go to any clinic in the world.” A calculated pause. “Wouldn’t you like to see her well again?” “That’s not fair,” she whispered. “In return, all you have to do is give me what I want.” His hand came up to her wrist, sliding along the line of her arm. A ticklish pleasure ran beneath the layers of silk and wool. Amelia fought to steady her voice. “I would feel as if I’d made a bargain with the devil.” “No, Amelia.” His voice was dark velvet. “Just with me.” “I’m not even certain what it is you want.” Cam’s head lowered over hers. “After last night, I find that hard to believe.” “You could get that from countless other women. F-far more cheaply, I might add, and with much less trouble.” “I want it from you. Only you.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
The historic importance of the Khidr story is unfortunate, given another lesson that emerges from it in Islamic tradition: don’t kill children, unless you know they’re going to grow up to be unbelievers. One early Muslim, Najda, recalled, “The Messenger of Allah (may peace be upon him) used not to kill the children, so thou shouldst not kill them unless you could know what Khadir had known about the child he killed, or you could distinguish between a child who would grow up to be a believer (and a child who would grow up to be a non-believer), so that you killed the (prospective) non-believer and left the (prospective) believer aside.”26 This interpretation may help to explain the persistent phenomenon of honor killing in Islamic countries and even among Muslims in the West, in which a Muslim kills a daughter or other relative who has “shamed” him by engaging in allegedly un-Islamic activity, such as dating a non-Muslim boy or adopting Western clothing. Muslims who take the Koran literally can find a justification in this passage for such acts by claiming his victim was turning into an unbeliever.
Robert Spencer (The Complete Infidel's Guide to the Koran)
He is a good man, but even a good man can fall for a glamorous woman. That is well known.” “That is very well known,” agreed Mma Ramotswe. “Look at Adam. Look how he fell for Eve.” “Just because she had no clothes on, he fell for her,” said Mma Makutsi. “That sometimes helps,” said Mma Ramotswe.
Alexander McCall Smith (Tea Time for the Traditionally Built (No. 1 Ladies' Detective Agency #10))
Children displaced from their families, unconnected to their teachers, and not yet mature enough to relate to one another as separate beings, automatically regroup to satisfy their instinctive drive for attachment. The culture of the group is either invented or borrowed from the peer culture at large. It does not take children very long to know what tribe they belong to, what the rules are, whom they can talk to, and whom they must keep at a distance. Despite our attempts to teach our children respect for individual differences and to instill in them a sense of belonging to a cohesive civilization, we are fragmenting at an alarming rate into tribal chaos. Our very own children are leading the way. The time we as parents and educators spend trying to teach our children social tolerance, acceptance, and etiquette would be much better invested in cultivating a connection with them. Children nurtured in traditional hierarchies of attachment are not nearly as susceptible to the spontaneous forces of tribalization. The social values we wish to inculcate can be transmitted only across existing lines of attachment. The culture created by peer orientation does not mix well with other cultures. Because peer orientation exists unto itself, so does the culture it creates. It operates much more like a cult than a culture. Immature beings who embrace the culture generated by peer orientation become cut off from people of other cultures. Peer-oriented youth actually glory in excluding traditional values and historical connections. People from differing cultures that have been transmitted vertically retain the capacity to relate to one another respectfully, even if in practice that capacity is often overwhelmed by the historical or political conflicts in which human beings become caught up. Beneath the particular cultural expressions they can mutually recognize the universality of human values and cherish the richness of diversity. Peer-oriented kids are, however, inclined to hang out with one another exclusively. They set themselves apart from those not like them. As our peer-oriented children reach adolescence, many parents find themselves feeling as if their very own children are barely recognizable with their tribal music, clothing, language, rituals, and body decorations. “Tattooing and piercing, once shocking, are now merely generational signposts in a culture that constantly redraws the line between acceptable and disallowed behavior,” a Canadian journalist pointed out in 2003. Many of our children are growing up bereft of the universal culture that produced the timeless creations of humankind: The Bhagavad Gita; the writings of Rumi and Dante, Shakespeare and Cervantes and Faulkner, or of the best and most innovative of living authors; the music of Beethoven and Mahler; or even the great translations of the Bible. They know only what is current and popular, appreciate only what they can share with their peers. True universality in the positive sense of mutual respect, curiosity, and shared human values does not require a globalized culture created by peer-orientation. It requires psychological maturity — a maturity that cannot result from didactic education, only from healthy development. Only adults can help children grow up in this way. And only in healthy relationships with adult mentors — parents, teachers, elders, artistic, musical and intellectual creators — can children receive their birthright, the universal and age-honored cultural legacy of humankind. Only in such relationships can they fully develop their own capacities for free and individual and fresh cultural expression.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)