Tradition Funny Quotes

The wolf said, "You know, my dear, it isn't safe for a little girl to walk through these woods alone." Red Riding Hood said, "I find your sexist remark offensive in the extreme, but I will ignore it because of your traditional status as an outcast from society, the stress of which has caused you to develop your own, entirely valid, worldview. Now, if you'll excuse me, I must be on my way.

The only thing known to go faster than ordinary light is monarchy, according to the philosopher Ly Tin Wheedle. He reasoned like this: you can't have more than one king, and tradition demands that there is no gap between kings, so when a king dies the succession must therefore pass to the heir instantaneously. Presumably, he said, there must be some elementary particles -- kingons, or possibly queons -- that do this job, but of course succession sometimes fails if, in mid-flight, they strike an anti-particle, or republicon. His ambitious plans to use his discovery to send messages, involving the careful torturing of a small king in order to modulate the signal, were never fully expanded because, at that point, the bar closed.

There was a small wooden gazebo built out over the water; Isabelle was sitting in it, staring out across the lake. She looked like a princess in a fairy tale, waiting at the top of her tower for someone to ride up and rescue her. Not that traditional princess behavior was like Isabelle at all. Isabelle with her whip and boots and knives would chop anyone who tried to pen her up in a tower into pieces, build a bridge out of the remains, and walk carelessly to freedom, her hair looking fabulous the entire time.

There is no list of rules. There is one rule. The rule is: there are no rules. Happiness comes from living as you need to, as you want to. As your inner voice tells you to. Happiness comes from being who you actually are instead of who you think you are supposed to be. Being traditional is not traditional anymore. It’s funny that we still think of it that way. Normalize your lives, people. You don’t want a baby? Don’t have one. I don’t want to get married? I won’t. You want to live alone? Enjoy it. You want to love someone? Love someone. Don’t apologize. Don’t explain. Don’t ever feel less than. When you feel the need to apologize or explain who you are, it means the voice in your head is telling you the wrong story. Wipe the slate clean. And rewrite it. No fairy tales. Be your own narrator. And go for a happy ending. One foot in front of the other. You will make it.

Your insult has offended me. If we were at the Peaks, we would have to duel in traditional alil'tiki'i fashion." "Which is what?" Teft asked. "With spears?" Rock laughed. "No, no. We upon the Peaks are not barbarians like you down here." "How then?" Kaladin asked, genuinely curious. "Well," Rock said, "is involving much mudbeer and singing." “How's that a duel?” "He who can still sing after the most drinks is winner. Plus, soon' everyone is so drunk that they forget what argument was about." Teft laughed. "Beats knives at dawn, I suppose.

It was funny how people were people everywhere you went, even if the people concerned weren't the people the people who made up the phrase "people are people everywhere" had traditionally thought of as people.

Tradition or not, I sometimes thought putting children on an old guy’s lap was already creepy enough. We didn’t need to mix alcohol into it.

Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it's impossible to determine warp, woof, or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which had come to assume greater importance than the weave itself and destroy any continuity. Thus it is that we are charmed by the funny-looking automobiles of the '30's, the curious fashions of the '20's, the particular moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see.

I treat my thoughts like an old person treats their valuables: I cannot for the life of me proceed to throwing them out.

In 1863, Abraham Lincoln declared two Thanksgivings. One was held in August. The second, held in November, was to give thanks for the nation's blessings. This fall celebration caught on and has been a tradition ever since.

There probably was a time when the idea of having a toilet inside a house was repulsive.

We all spend our lives kicking the crap out of ourselves for not being this way or that way, not having this thing or that thing, not being like this person or that person. For not living up to some standard we think applies across the board to all of us. We all spend our lives trying to follow the same path, live by the same rules. I think we believe that happiness lies in following the same list of rules. In being more like everyone else. That? Is wrong. There is no list of rules. There is one rule. The rule is: there are no rules. Happiness comes from living as you need to, as you want to. As your inner voice tells you to. Happiness comes from being who you actually are instead of who you think you are supposed to be. Being traditional is not traditional anymore. It’s funny that we still think of it that way. Normalize your lives, people. You don’t want a baby? Don’t have one. I don’t want to get married? I won’t. You want to live alone? Enjoy it. You want to love someone? Love someone. Don’t apologize. Don’t explain. Don’t ever feel less than. When you feel the need to apologize or explain who you are, it means the voice in your head is telling you the wrong story. Wipe the slate clean. And rewrite it. No fairy tales. Be your own narrator. And go for a happy ending. One foot in front of the other. You will make it.

One of the strategies which atheists adopt is proving the non-existence of God by demonstrating that He is not divine. ‘There is so much bad happening in this world, if God is out there would he allow all of that?’ It is a fallacy. A true atheist doesn’t want to prove that God is evil. A true atheist should, instead, prove God doesn’t exist at all. It’s laughable. I mean, I can understand westerners using this strategy, for according to the Judeo-Christian tradition, God is considered divine. There is a clear difference between the agents of evil and the agents of good. But if you are someone who has the privilege of knowing eastern philosophy, and you still take this path, which is proving the non-existence of God by proving he is evil, it’s funny and laughable, and a sign of ignorance.

It was funny how people were people everywhere you went, even if the people concerned weren’t the people the people who made up the phrase “people are people everywhere” had traditionally thought of as people.

There is some confusion as to what magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of magic. Magic in its earliest form is often referred to as “the art”. I believe this is completely literal. I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic. Art is, like magic, the science of manipulating symbols, words, or images, to achieve changes in consciousness. The very language about magic seems to be talking as much about writing or art as it is about supernatural events. A grimmoir for example, the book of spells is simply a fancy way of saying grammar. Indeed, to cast a spell, is simply to spell, to manipulate words, to change people's consciousness. And I believe that this is why an artist or writer is the closest thing in the contemporary world that you are likely to see to a Shaman. I believe that all culture must have arisen from cult. Originally, all of the faucets of our culture, whether they be in the arts or sciences were the province of the Shaman. The fact that in present times, this magical power has degenerated to the level of cheap entertainment and manipulation, is, I think a tragedy. At the moment the people who are using Shamanism and magic to shape our culture are advertisers. Rather than try to wake people up, their Shamanism is used as an opiate to tranquilize people, to make people more manipulable. Their magic box of television, and by their magic words, their jingles can cause everyone in the country to be thinking the same words and have the same banal thoughts all at exactly the same moment. In all of magic there is an incredibly large linguistic component. The Bardic tradition of magic would place a bard as being much higher and more fearsome than a magician. A magician might curse you. That might make your hands lay funny or you might have a child born with a club foot. If a Bard were to place not a curse upon you, but a satire, then that could destroy you. If it was a clever satire, it might not just destroy you in the eyes of your associates; it would destroy you in the eyes of your family. It would destroy you in your own eyes. And if it was a finely worded and clever satire that might survive and be remembered for decades, even centuries. Then years after you were dead people still might be reading it and laughing at you and your wretchedness and your absurdity. Writers and people who had command of words were respected and feared as people who manipulated magic. In latter times I think that artists and writers have allowed themselves to be sold down the river. They have accepted the prevailing belief that art and writing are merely forms of entertainment. They’re not seen as transformative forces that can change a human being; that can change a society. They are seen as simple entertainment; things with which we can fill 20 minutes, half an hour, while we’re waiting to die. It’s not the job of the artist to give the audience what the audience wants. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artists. It is the job of artists to give the audience what they need.

Seriously, why was it tradition to stand when the bride came in? It blocked her from seeing her groom, who was the only reason she was there in the first place.

A good many times I have been present at gatherings of people who, by the standards of the traditional culture, are thought highly educated and who have with considerable gusto been expressing their incredulity at the illiteracy of scientists. Once or twice I have been provoked and have asked the company how many of them could describe the Second Law of Thermodynamics. The response was cold: it was also negative. Yet I was asking something which is about the scientific equivalent of: Have you read a work of Shakespeare's?

The walking tour guides one through the city's various landmarks, reciting bits of information the listener might find enlightening. I learned, for example, that in the late 1500s my little neighborhood square was a popular spot for burning people alive. Now lined with a row of small shops, the tradition continues, though in a figurative rather than literal sense.

When I think of the books I love, there’s always a little laughter in the dark. I love Jane Eyre; I don’t love Wuthering Heights. I love Tolstoy; I don’t love Dostoevsky. I love Joyce; I don’t love Proust. I love Nabokov; I don’t love Pasternak. I don’t think I’m a funny person, but the fiction I grew up on was leavened with humor—I understand the other tradition and I admire it, but I just don’t love it. It never occurs to me to write as, say, A. S. Byatt writes, as I’m sure she would never dream in a squillion years of writing like me. The ironic theme in English writing—and I don’t mean po-mo irony, I mean the irony of someone like Defoe or Dickens—is either in you or it isn’t. Those who find Austen arch and cold and ironical, lacking the kind of intimate and metaphysical commitment of a writer like Emily Brontë cannot be convinced otherwise and vice versa. I appreciate both schools, but I can’t get out of the side I’m on. I don’t think I’d want to, though occasionally I have wet dreams about turning into Iris Murdoch.

How do I play an active role in crafting my children’s inheritance while I’m still very much here? I want to be aware of what I’m living and creating in the moment. And I want to leave them with behaviors, traditions, funny habits, and a sense of curiosity that outweighs any material inheritance.

In a funny way, Dad was always a bow-tie wearer, always a little more traditional than you might imagine. Because even though he had blue hair and tattoos and wore leather jackets and worked in a record store, he wanted to marry Mom back at a time when the rest of their friends were still having drunken one-night stands. "Girlfriend is such a stupid word," he said. "I couldn't stand calling her that. So, we had to get married, so I could call her "wife"'.

Every animal is a tradition, and together they are a vast part of our heritage as human beings. No animal completely lacks humanity, yet no person is ever completely human. By ourselves, we people are simply balls of protoplasm. We merge with animals through magic, metaphor, or fantasy, growing their fangs and putting on their feathers. Then we become funny or tragic; we can be loved, hated, pitied, and admired. For us, animals are all the strange, beautiful, pitiable, and frightening things that they have ever been: gods, slaves, totems, sages, tricksters, devils, clowns, companions, lovers, and far more.

D. T. Suzuki, the eminent scholar of Zen Buddhism, one day made this sarcastic comment on the Christian tradition to his friends, American mythologist Joseph Campbell and psychoanalyst Carl Jung: “Nature against Man, Man against Nature; God against Man, Man against God; God against Nature, Nature against God; very funny religion!

It's funny. We have all these ceremonies and traditions for putting rings on, but there's nothing for taking them off. But really, that's just as a big step. Letting go.

By educating me at home, my parents were able to give me individualized attention without the usual distractions that kids in regular school experience, like dating and friendship. Not to mention that traditional school can be dangerous. I’ve heard about kids catching the flu and chicken pox, even Judaism. And how about those poor kids lugging all those heavy books to and from school every day? My books never went anywhere, just like me. I felt so bad when I’d see kids on my street giggling and chasing each other around with those awkward backpacks.

Jeff- "A Hanukkah tradition is making potato pancakes. For something a little different, use a sweet potato. Anything you'd like to add, Walter?" Walter- "Accept Jesus as your Savior or you'll burn in Hell for all eternity.

Despite all their surface diversity, most jokes and funny incidents have the following logical structure: Typically you lead the listener along a garden path of expectation, slowly building up tension. At the very end, you introduce an unexpected twist that entails a complete reinterpretation of all the preceding data, and moreover, it's critical that the new interpretation, though wholly unexpected, makes as much "sense" of the entire set of facts as did the originally "expected" interpretation. In this regard, jokes have much in common with scientific creativity, with what Thomas Kuhn calls a "paradigm shift" in response to a single "anomaly." (It's probably not coincidence that many of the most creative scientists have a great sense of humor.) Of course, the anomaly in the joke is the traditional punch line and the joke is "funny" only if the listener gets the punch line by seeing in a flash of insight how a completely new interpretation of the same set of facts can incorporate the anomalous ending. The longer and more tortuous the garden path of expectation, the "funnier" the punch line when finally delivered.

At the end of the vacation, I took a steamer alone from Wuhan back up through the Yangtze Gorges. The journey took three days. One morning, as I was leaning over the side, a gust of wind blew my hair loose and my hairpin fell into the river. A passenger with whom I had been chatting pointed to a tributary which joined the Yangtze just where we were passing, and told me a story.In 33 B.C., the emperor of China, in an attempt to appease the country's powerful northern neighbors, the Huns, decided to send a woman to marry the barbarian king. He made his selection from the portraits of the 3,000 concubines in his court, many of whom he had never seen. As she was for a barbarian, he selected the ugliest portrait, but on the day of her departure he discovered that the woman was in fact extremely beautiful. Her portrait was ugly because she had refused to bribe the court painter. The emperor ordered the artist to be executed, while the lady wept, sitting by a river, at having to leave her country to live among the barbarians. The wind carried away her hairpin and dropped it into the river as though it wanted to keep something of hers in her homeland. Later on, she killed herself. Legend had it that where her hairpin dropped, the river turned crystal clear, and became known as the Crystal River. My fellow passenger told me this was the tributary we were passing. With a grin, he declared: "Ah, bad omen! You might end up living in a foreign land and marrying a barbarian!" I smiled faintly at the traditional Chinese obsession about other races being 'barbarians," and wondered whether this lady of antiquity might not actually have been better off marrying the 'barbarian' king. She would at least be in daily contact with the grassland, the horses, and nature. With the Chinese emperor, she was living in a luxurious prison, without even a proper tree, which might enable the concubines to climb a wall and escape. I thought how we were like the frogs at the bottom of the well in the Chinese legend, who claimed that the sky was only as big as the round opening at the top of their well. I felt an intense and urgent desire to see the world. At the time I had never spoken with a foreigner, even though I was twenty-three, and had been an English language student for nearly two years. The only foreigners I had ever even set eyes on had been in Peking in 1972. A foreigner, one of the few 'friends of China," had come to my university once. It was a hot summer day and I was having a nap when a fellow student burst into our room and woke us all by shrieking: "A foreigner is here! Let's go and look at the foreigner!" Some of the others went, but I decided to stay and continue my snooze. I found the whole idea of gazing, zombie like rather ridiculous. Anyway, what was the point of staring if we were forbidden to open our mouths to him, even though he was a 'friend of China'? I had never even heard a foreigner speaking, except on one single Linguaphone record. When I started learning the language, I had borrowed the record and a phonograph, and listened to it at home in Meteorite Street. Some neighbors gathered in the courtyard, and said with their eyes wide open and their heads shaking, "What funny sounds!" They asked me to play the record over and over again.

The show was to be one of the many British comedy shows that had been turned into American comedy shows.* (There is a long and noble tradition of this, that includes dragging such shows as Steptoe and Son, Fawlty Towers, and The Fall and Rise of Reginald Perrin across the Atlantic, recasting them, rewriting them, and frequently removing whatever it was that happened to make the show funny in the first place.)

taking it,’ he said as he fumbled for his wallet to pay for the bottle. With that, he grabbed June’s hand and practically lifted her up. ‘Come on, we’re going.’ June had another fit of the giggles. It was the longest mile for Pope. The valet was surprised to see them again so soon. They got into the elevator, only to have to wait ‘til they got back to the room before he could rip the dress off her. With them in the elevator car were a Chinese couple and their six-year-old son. Pope used June as a human shield to hide his erection, but to get even, he kept rubbing his hardness against her backside. She desperately tried to stop laughing but failed miserably, causing the family to wonder what was so funny. Thank God for magnetic keys, because if he’d had to fumble with a traditional key to open the door, he was certain that they would just have to do it right there. The rest of the evening was consumed with passion that was fiery, unreserved, and delirious. ‘I can’t remember having

We were always looking for the perfect man. Even those of us who were not signed up for the traditional, heteronormative experience were nevertheless fascinated with the anthropological, unicorn-like search for one. Married or single, we were either searching for him or trying to mold him from one we already had. This perfect specimen would consist of the following essential attributes: He shared his food and always ordered dessert. When we recommended a book, he bought it without needing a friend to second our suggestion first. He knew how to pack a diaper bag without being told. He was a Southern gentleman with a mother from the East Coast who fostered his quietly progressive sensibilities. He said “I love you” after 2.5 months. He didn’t get drunk. He knew how to do taxes. He never questioned our feminist ideals when we refused to squish bugs or change oil. He didn’t sit down to put on his shoes. He had enough money for retirement. He wished vehemently for male-hormonal birth control. He had a slight unease with the concept of women’s shaved vaginas, but not enough to take a stance one way or another. He thought Mindy Kaling was funny. He liked throw pillows. He didn’t care if we made more money than him. He liked women his own age. We were reasonable and irrational, cynical and naïve, but always, always on the hunt. Of course, this story isn’t about perfect men, but Ardie Valdez unfortunately didn’t know that yet when, the day after Desmond’s untimely death, Ardie’s phone lit up: a notification from her dating app.

It’s funny to me that most of the cooking in the world is done by women, and yet when you look at modern Western cuisine, it’s largely based on what a few dead Frenchmen have opined to be the correct way of doing things. It’s funny how these old European men used a label like “mother sauce” when there were no women to be found anywhere near those old professional kitchens. Cooking was something women did to nourish and nurture their families, whereas for men it was largely something they did professionally to gain money and status.

I heard you grew fangs in the forest and killed some Hybern beasts. Good for you, girl.' 'She saved his sorry ass is more like it,' Mor said, filling her glass of wine. 'Poor little Rhys got himself in a bind.' I held out my own glass for Mor to fill. 'He does need unusual amounts of coddling.' Azriel choked on his wine, and I met his gaze warm for once. Soft, even. I felt Rhys tense beside me and quickly looked away from the spymaster. A glance at the guilt in Rhys's eyes told me he was sorry. And fighting it. So strange, the High Fae with their mating and primal instincts. So at odds with their ancient traditions and learning.

I heard you grew fangs in the forest and killed some Hybern beasts. Good for you, girl.' 'She saved his sorry ass is more like it,' Mor said, filling her glass of wine. 'Poor little Rhys got himself in a bind.' I held out my own glass for Mor to fill. 'He does need unusual amounts of coddling.' Azriel choked on his wine, and I met his gaze0 warm for once. Soft, even. I felt Rhys tense beside me and quickly looked away from the spymaster. A glance at the guilt in Rhys's eyes told me he was sorry. And fighting it. So strange, the High Fae with their mating and primal instincts. So at odds with their ancient traditions and learning.

I know it’s late, but could you find a book for me? It’s called The Slavs: The Study of Pagan Traditions by Osvintsev.” Barabas sighed dramatically. “Kate, you make me despair. Let’s try that again from the top, except this time pretend you are an alpha.” “I don’t need a lecture. I just need the book.” “Much better. Little more growl in the voice?” “Barabas!” “And we’re there. Congratulations! There is hope for you yet. I will look into the book.” I hung up the phone and glared at Curran. “What’s so funny?” “You.” “Laugh while you can. You have to sleep eventually, and then I’ll take my revenge.” “You’re such a violent woman. Always with the threats. You should look into some meditation techniques . . .” I jumped on the couch and put the Beast Lord into an arm-lock.

Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it’s impossible to determine warp, woof or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which comes to assume greater importance than the weave itself and destroys any continuity. Thus it is that we are charmed by the funny-looking automobiles of the ’30s, the curious fashions of the ’20s, the peculiar moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of a continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see. I

Why do people go to church on Sundays? A question that is very complicated because I know what the answer is supposed to be but I do not really know the answer. . I think people go because it is a kind of tradition . I think some goes because someone told them if tgey do not they might go to hell . Maybe some go to look for a wife or husband ☺ . Maybe some go to church to display their latest designer shoes or handbags . Some goes just to please their Pastor . Some people go to church because they love the music or the preaching . Some goes because of some social reasons and friendship . Some have it in their mind that they will experience the presence of God in the church . Some goes to church because of miracle . Some goes to church when they are expecting something maybe child, comfort, marriage, work etc. . Some felt it is an obligation to give God a day out of the seven days he created Let me tell you that church is not there to entertain you, Ephesians 3:20... there are things going on in the church that some people barely know about. Ask yourself today why do I go to church. I am sure a sincere answer will help you.

Good morning.' Cassian's fingers idly smoothed her hair. 'Good morning to you, too.' He glanced toward the mantel- the small wooden clock in its centre, then lurched up. 'Shit.' Nesta frowned. 'You have somewhere to be?' He was already hopping into his pants, scanning the floor for the rest of his clothes. Nesta silently pointed to the other side of the bed, where his shirt lay atop her dress. 'Snowball fight. I'll be late.' Nesta had to unload every word of his statement. But she could only ask. 'What?' 'Annual tradition, with Rhys and Az. We go up tot he mountain cabin- remind me to take you there one day- and... Well, it's a long story, but we've done it pretty much every year for centuries, and I haven't won in years. If I don't win this year, I will never hear the end of it.' All of this was said while shoving himself into his shirt, leather jacket, and boots. Nesta just laughed. 'You three- the most feared warriors in all the land- have an annual snowball fight?' Cassian reached the door, throwing her a wicked grin. 'Did I mention we take a steam in the birchin attached to the cabin afterward?' From that wicked grin, she knew he meant completely naked.

What the hell is that?' Cassian was grinning that next evening as he waved a hand toward the pile of pine boughs dumped on the ornate red rug in the centre of the foyer. 'Solstice decorations. Straight from the market.' Snow clung to his broad shoulders and dark hair, and his tan cheeks were flushed with cold. 'You call that a decoration? He smirked. 'A heap of pine in the middle of the floor is Night Court tradition.' I crossed my arms. 'Funny.' 'I'm serious.' I glared, and he laughed. 'It's for the mantels, the banister, and whatever else, smartass. Want to help?' He shrugged off his heavy coat, revealing a black jacket and shirt beneath, and hung it in the hall closet. I remained where I was and tapped my foot. 'What?' he said, brows rising. It was rare to see Cassian in anything but his Illyrian leathers, but the clothes, while not as fine as anything Rhys or Mor usually favoured, suited him. 'Dumping a bunch of trees at my feet is really how you say hello these days? A little time in that Illyrian camp and you forget all your manners.' Cassian was on me in a second, hoisting me off the ground to twirl me until I was going to be sick. I beat at his chest, cursing at him. Cassian set me down at last. 'What did you get me for Solstice?' I smacked his arm. 'A heaping pile of shut the hell up.' He laughed again, and I winked at him. 'Hot cocoa or wine?' Cassian curved a wing around me, turning us toward the cellar door. 'How many good bottles does little Rhysie have left?

I see many so-called conservative commentators, including some faith leaders, focusing on favorable policy initiatives or court appointments to justify their acceptance of this damage, while de-emphasizing the impact of this president on basic norms and ethics. That strikes me as both hypocritical and wrong. The hypocrisy is evident if you simply switch the names and imagine that a President Hillary Clinton had conducted herself in a similar fashion in office. I've said this earlier but it's worth repeating: close your eyes and imagine these same voices if President Hillary Clinton had told the FBI director, 'I hope you will let it go,' about the investigation of a senior aide, or told casual, easily disprovable lies nearly every day and then demanded we believe them. The hypocrisy is so thick as to be almost darkly funny. I say this as someone who has worked in law enforcement for most of my life, and served presidents of both parties. What is happening now is not normal. It is not fake news. It is not okay. Whatever your politics, it is wrong to dismiss the damage to the norms and traditions that have guided the presidency and our public life for decades or, in many cases, since the republic was founded. It is also wrong to stand idly by, or worse, to stay silent when you know better, while a president so brazenly seeks to undermine public confidence in law enforcement institutions that were established to keep our leaders in check...without these checks on our leaders, without those institutions vigorously standing against abuses of power, our country cannot sustain itself as a functioning democracy. I know there are men and women of good conscience in the United States Congress on both sides of the aisle who understand this. But not enough of them are speaking out. They must ask themselves to what, or to whom, they hold a higher loyalty: to partisan interests or to the pillars of democracy? Their silence is complicity - it is a choice - and somewhere deep down they must know that. Policies come and go. Supreme Court justices come and go. But the core of our nation is our commitment to a set of shared values that began with George Washington - to restraint and integrity and balance and transparency and truth. If that slides away from us, only a fool would be consoled by a tax cut or different immigration policy.

Obama’s keynote address conflated the slave and the nation of immigrants who profited from him. To reinforce the majoritarian dream, the nightmare endured by the minority is erased. That is the tradition to which the “skinny kid with a funny name” who would be president belonged.

In a way, Trump’s mistreatment of the media had done Hillary a favor by freeing her of the decorum of a traditional campaign. But it also meant the reporters who spent their days trying to cover and explain Hillary to the American public never got to bridge, as one reporter who traveled with the first lady in the 1990s put it, the “disconnect between the kind of person you could convey or are in private and amongst us on these trips, so much sense of humor, very warm and engaging in what we see on television or in the news.” How could we communicate Hillary’s “funny, wicked, and wacky” side to voters if we never saw it for ourselves?

Foreword As a true blue Southern girl I have often wondered…if preppies could have their own handbook…why not us? And now at last, my two good friends Deborah Ford and Edie Hand have written the definitive handbook for Southern gals raised in the South. One must simply not leave home without it! It deserves a place on your shelf between Gone With the Wind and the Memphis Junior League cookbook, and I predict in years to come it will be passed down to daughters along with the family silver and great-grandmother’s lace doilies. It is funny, wise, charming, and smart, just like the two gals who wrote it. As modern Southern women we have learned to network with one another and share all the good advice and recipes and rules of accepted behavior that have been handed down to us (it’s a rough world out there). And so in keeping with that wonderful tradition I would like to share some advice my own wise Southern mother gave to me. When I was in high school contemplating whether to take Home Economics or not, my mother exclaimed: “Oh no, darling…you must never learn to cook and clean or they will expect you to do it!” It is advice that has served me well throughout the years. Good luck in all you do! -Fannie Flagg

I know it’s late, but could you find a book for me? It’s called The Slavs: Study of Pagan Tradition by Osvintsev.” Barabas sighed dramatically. “Kate, you make me despair. Let’s try that again from the top, except this time pretend you are an alpha.” “I don’t need a lecture. I just need the book.” “Much better. Little more growl in the voice?” “Barabas!” “And we’re there. Congratulations! There is hope for you yet. I will look into the book.” I hung up the phone and glared at Curran. “What’s so funny?” “You.” “Laugh while you can. You have to sleep eventually, and then I’ll take my revenge.” “You’re such a violent woman. Always with the threats. You should look into some meditation techniques . . .” I jumped on the couch and put the Beast Lord into an armlock.

One of the most potent combinations is comedy and horror. The pairing descends from the tradition of gallows humor, also known as sick humor or dark comedy. Typical example—a man awaits the guillotine and tells the executioner, "Just a trim, please. Dark comedy laughs at that which is not funny: death, disease, dismemberment, suicide, homicide, cannibal apocalypse. Ashman, so dedicated to the form of the musical, also "liked splatter movies," according to Nancy Parent. After Little Shop opened, he worked with her husband, Michael Serrian, on another potential Off-Broadway show, entitled Splatter! Ashman then realized that his new project was too close to Little Shop. Nevertheless, there is a structural similarity between musicals and the slasher film: both work toward a climax every five or ten minutes, either a musical number or the next decapitation.

Traditions, Commander Roberts mused silently, were funny things. They started when you least expected them and endured through everything the universe could throw at them.

Being traditional is not traditional anymore. It's funny that we still think of if that way. Normalize your lives, people. You don't want a baby? Don't have one. I don't want to get married? I won't. You want to live alone? Enjoy it. You want to love someone. Love someone. Don't apologize. Don't explain. Don't ever feel less than. When you feel the need to apologize or explain who you are, it means the voice in your head is telling you the wrong story. Wipe that slate clean. And rewrite it.

It was funny how people were people everywhere you went, even if the people concerned weren’t the people the people who made up the phrase “people are people everywhere” had traditionally thought of as people. And

Whatever you may say, genuine emotions are aroused by people. The first smile of a newborn, love confession, hang-loose chatting with friends, weekly meetings with dears, and a lot more other things initiated by two or several individuals trigger the feeling of happiness. There are more specific emotions native to females and males. Whereas the first ones are pleased at hearing sweet words. We live and work in the tradition of love and not hatred. As for us, it is the unconditional acceptance of all people, the scale of our love for them. Let's treat every person as a person in his uniqueness at eye level. Love is one of the strongest feelings one can ever have. It comes over you all of a sudden and totally absorbs before you manage to realize the fact. Emotions which arise with the feeling require some way of expression. Furtive glances, sweet words, touching, and romantic dates are a usual manifestation of affection. Still, there is a more inventive way to expose oneself – dedicating a special beautiful love quote to your beloved.

In better times, we're celebrate Christmas Eve by attending the nativity play at the Catholic church down the road, watching Joseph and Mary and Baby Jesus try to escape from Herod's soldiers and their wooden swords and AK-47s (it wasn't the most accurate version, but it was funny.)

11. No clerics. What would you think about a religion with no clergy? We here at SoulBoom are all for it. One of the miracles of the Twelve-Step Recovery Program at AA is the lack of leadership roles. The inmates are running the asylum! Elected servant-leaders run the meetings for limited terms while following the adage “principles above personalities.” As expertly quoted in the Twelve Traditions of the AA Big Book, “For our group purpose, there is but one ultimate authority—a loving God as He may express Himself in our group conscience. Our leaders are but trusted servants; they do not govern.” What if modern religion was like that? (Or politics, for that matter!) Leaders as trusted servants. We no longer need people with funny hats (whose only historical “expertise” was knowing how to read when most of the population didn’t) to interpret the holy writings for us. What if no member of this faith had more power or authority than any other member? What if, like at an AA meeting, there were regular, democratic elections, where a rotating staff of elected folks helped to serve the needs of the community… and nothing else?

Staying in a loveless or destructive relationship because of financial dependence is not an experience limited to women, but it is more common among women due to traditional gender roles. There is a group called Women in Financial Education (WIFE) that has a funny/sad slogan: “A man is not a financial plan.” I love this slogan, but it highlights a real problem. Not just women, but anyone who is dependent on another person financially, may be tempted to compromise their true values out of fear of not being able to make it on their own.

in order to discourage people from missing the annual communal work fest, the border to Uzbekistan is closed to everyone except foreigners. Every autumn. hundreds of thousands of doctors, teachers, nurses, bureaucrats and other public sector employees, as well as students, are called on to pick cotton - an old tradition from Soviet times that has been maintained; the only difference being that in the Soviet Union, the majority of the harvesting was done by machine, whereas now it is done by hand, as non one has troubled to maintain and repair the machines. As the flowering season is so short, the 1.4 million hectares of cotton have to be picked in the space of a few frantic weeks and many people have to sleep under the open sky or on cold, crammed floors. An impressive number of public sector employees and people from other affected groups used to take long family holidays to neighbouring countries during the cotton harvest, but a stop has been put to that now.

I guess. But not in the, uh, traditional way.

the Maori people of New Zealand have long practiced a type of tattooing known as ta moko, which is traditionally done with chisels.

You know what’s funny about black women?” Blue asked gently. “What’s that?” “They’re the only women in the world that you have to talk into letting you protect them.” “Maybe we’ve just forgotten how.” “Exactly,” he said. “And that’s why I’m here.” “Why?” “To help you remember.” The idea of protection is so central to everything that goes on between men and women, even when we don’t admit it. Probably especially when we don’t admit it. Blue’s decision to take matters into his own hands and create a safe environment for people to live their normal, ordinary, everyday lives seemed so extraordinary in the face of the chaos we routinely accept as a community that I didn’t quite know what to say. His unequivocal acceptance of the traditional male role appealed to me on a truly visceral level, but did that mean I had to become a more traditional female to balance things out? My mind was already on overload, but I thought I understood something I hadn’t before. Something personal. “Is that why you stopped singing?” He smiled. “I didn’t stop singing. I stopped recording.” The distinction was, I’m sure, crucial to a singer the same way a writer will always separate the act of writing from the choice to publish. “Is that why you stopped recording?” “That’s part of it.” “What’s the other part?” “The other part is a conversation for another day,” he said, standing up and buttoning his coat. “I’ve taken up enough of your time.” “No problem,” I said, walking him to the door. “But what did you come over here to tell me?” “Whatever you wanted to know,” he said, turning to face me. The truth sounds funny sometimes when you just say it right out. “I see.” “So how’d I do?” I opened the door and looked right into his eyes. “So far, so good.

In a research study called “How today’s fastest growing B2B businesses found their first ten customers,” startup veteran Lenny Rachitsky interviewed early members of teams from Slack, Stripe, Figma, and Asana. In studying how these earliest companies found their first customers, it was concluded that a significant number came from the founders tapping their personal networks: Only three sourcing strategies account for every B2B company’s very early growth. [These are: Personal network, Seek out customers where they are, Get press.] Thus, your choices are easy, yet limited. Almost every B2B business both hits up their personal network and heads to the places their potential customers were spending time. The question isn’t which of these two routes to pursue, but instead how far your own network will take you before you move on. It’s a huge advantage to have a strong personal network in B2B, which you can also build by bringing a connector investor or joining an incubator such as YC. Getting press is rarely the way to get started.44 Just as Uber’s ops hustle worked for solving the city-by-city Cold Start Problem, B2B startups have an equivalent card to play: they can manually reach out and onboard teams from their friends’ startups, building atomic networks quickly, as Slack did in their early launch. Or, many productivity products begin by launching within online communities—like Twitter, Hacker News, and Product Hunt—where dense pockets of early adopters are willing to try new products. In recent years, B2B products have started to emphasize memes, funny videos, invite-only mechanics, and other tactics traditionally associated with consumer startups. I expect that this will only continue, as the consumerization of enterprise products fully embraces meme-based go-to-market early on, instead of leading with direct sales.

Finally, the fourth reminder is the futility of continuing to spin around on this treadmill that is traditionally called samsara. Someone once said that she felt as if she were on a record that just kept going round and round; she had got stuck in this groove, and every time she went around, the groove got deeper and deeper. I've also heard people say that sometimes, when they hear them selves speak, they feel as if they're a tape recorder playing the same tape over and over and over. They get sick of it, but somehow they just keep playing it anyway because there is a funny little identity there that gives them some kind of security, painful though it may be. That's samsara.

Very few have a good opinion of the English, their funny traditions or Englishness. I, personally, have the highest opinion of them..

La Revue Nègre was a bold statement, drawing from the long history of both Black American vernacular dance and the minstrel and vaudeville theater in which Baker had performed in the United States. It contained elements of the shimmy and the shake, and challenged traditional Western European ideas of dance. “All of these moves that in the European mode would have been considered awkward become beautiful, sexy, silly, and savvy at the same time,” explains Dixon Gottschild. Later, as the performance evolved, Baker incorporated her famous banana skirt and, eventually, a pet cheetah who regularly made his way into the orchestra pit—elements that played into the idea of Baker as an exotic creature and added notes of vaudeville humor. Baker’s performances were complex, as are their legacy. Some have characterized her as a twentieth-century Sarah Baartman, another Black woman put on display for the titillation of fascinated, scandalized bourgeois white spectators. But she is often also criticized for exoticizing herself, knowingly participating in her own exploitation, playing into African stereotypes with her nudity, the banana skirt, and the cheetah. Others interpret La Revue Nègre as a means of reclaiming those stereotypes: Baker enthusiastically, and freely, participated in the performances and made lots of money doing it, and she surely understood that she was engaging with, and even subverting, stereotypes of Black femininity. She was also funny, and her performances always contained elements of humor and parody. From her early days as a chorus girl, she would add an element of knowingness by feigning being a bad dancer onstage for a laugh. She may have been sexualized and objectified by her largely white audience in Paris, but she also maintained significant control over what she was doing.

Our annual year-end bash was a tradition as sturdy as our conviction that socks and sandals were a fashion faux pas. From fashion outlaws, we became accepted as fashion forward style icons. -Kim Lee ‘The Big Apple Took a Bite Off Me’ Now on Amazon Books and Kindle

What’s most funny is that my composer friend confuses and confounds the racial stereotypes of everybody. He is very traditionally ‘well spoken’ - even posh - and a classical composer. He is also one of the best-dressed men going and manages to pull off 'out there’ fashions that most brothers would never try, such as tweed suits and ponchos. Black people sometimes hear the accent, see the clothes and assume 'he wants to be white’, because they have sadly internalised the idea that there are only certain types of authentic ways to be black. I’ve seen their shock too, when they realise how ‘black’ his politics are despite the suits, the piano and the RP. He actually knows far more about African history and culture than the vast majority of dashiki-wearing Afrocentrists. White people often make the same mistake and say the strangest of things to him, again thinking that he is not one of ‘those’ black people - you know, the ones that respect and love themselves.

Still, it does seem queer to worship a funny-plant like mistletoe, just because it grew on the sacred oak,' said Peter. 'I wouldn't have, if I'd lived in those days!' 'Oh yes you would!' said Daddy. 'You believe what you are taught, no matter in what century you live. There are very few people who are strong enough to think out everything for themselves, so nearly all of us believe what we are told to believe, worship what we see other people worshipping, and follow the customs we have known from childhood.

[Excerpt of an article by Arthur Gelb in The New York Times, read at trial] Although he seems at times to be doing his utmost to antagonize his audience, Mr. Bruce displays such a patent air of morality beneath the brashness that his lapses in taste are often forgivable... At times Mr. Bruce's act, devoid of the running series of staccato jokes that are traditional to the night-club comic, seems like a salvationist lecture; it is biting, sardonic, certainly stimulating and quite often funny- but never in a jovial way. His mocking diatribe rarely elicits a comfortable belly laugh. It requires concentration. But there is much in it to wring a rueful smile and appreciative chuckle. There is even more to evoke a fighting gleam in the eye. There are also spells of total confusion.

When we were finally asked whether we wanted to marry each other, the groom is supposed to answer yes right away, but the bride is expected to take her sweet time and cause a little bit of last-minute anxiety for the groom and his family. When my uncle asked whether I wanted to marry François, I said nothing. My family yelled the traditional response: “She has gone to pick flowers.” My uncle repeated his question. Again, I said nothing. The family yelled, “She has gone to bring rose water.” My uncle asked a third time. This time, I said yes. Everyone cheered as my uncle declared us husband and wife.