Venice Short Quotes

How every fool can play upon the word! I think the best grace of wit will shortly turn into silence, and discourse grow commendable in none only but parrots.

That night we made love "the real way" which we had not yet attempted although married six months. Big mystery. No one knew where to put their leg and to this day I'm not sure we got it right. He seemed happy. You're like Venice he said beautifully. Early next day I wrote a short talk ("On Defloration") which he stole and had published in a small quarterly magazine. Overall this was a characteristic interaction between us. Or should I say ideal. Neither of us had ever seen Venice.

Local fog in Venice has a name: nebbia. It obliterates all reflections ... and everything that has a shape: buildings, people, colonnades, bridges, statues. Boat services are canceled, airplanes neither arrive, nor take off for weeks, stores are closed and mail ceases to litter one’s threshold. The effect is as though some raw hand had turned all those enfilades inside out and wrapped the lining around the city... the fog is thick, blinding, and immobile... this is a time for reading, for burning electricity all day long, for going easy on self-deprecating thoughts of coffee, for listening to the BBC World Service, for going to bed early. In short, a time for self-oblivion, induced by a city that has ceased to be seen. Unwittingly, you take your cue from it, especially if, like it, you’ve got company. Having failed to be born here, you at least can take some pride in sharing its invisibility...

those who travel in order to acquaint themselves with the different manners of men might spare themselves much pains by going to a carnival at Venice; for there they will see at once all which they can discover in the several courts of Europe. The same hypocrisy, the same fraud; in short, the same follies and vices dressed in different habits.

I think the best grace of wit will shortly turn into silence, and discourse grow commendable in none only but parrots.

Maybe I loved him. I certainly was a victim of that romantic possibility.

Some cities are pretty at night, others only during the day but a handful truly great places can be both pretty at nighttime and at daytime. Venice is one of them.

All lonely, beautifully silent and so very enchanting the city seems at night when every tourist, hotelier and tour guide have gone to bed, almost like a ghost town if it weren’t for the one or other lit window and a few lonely insomniac people walking the alleys here and there.

Anyway, it will give me something to brew about. And there is still a Jerusalem story* to do, and that story about a husband and wife in Venice† that I told you I wanted to do, where the husband suddenly sees his wife passing in one of those vaporettos on the Grand Canal, and yet he knew he had seen her off to fly home to England that morning! I might get about six longish short stories, that would fit into a book, and be sold separately to Journal or Good Housekeeping, in America.

Tell me, Eric,” he said, licking a droplet from the corner of his mouth. “Have you ever tasted blood?”        My mouth was so dry I could barely find the voice to answer him. “What an odd question...”        “But a valid one. Well, have you?”        “I’ve cut my lip before, so yes, I suppose I have tasted blood, but...”        “Not your own, you foolish boy.” He let out a short, derisive laugh and leaned in so that he was only a few inches from my face. “I mean the blood of another.”        “Good God, Stefan, of course not!”        “Pity...

As lovely as she was, sarcasm did not wear well on her. Still, she was a bright girl, and in our short time together we had built a bond of petty resentments that usually takes a lifetime to develop.

Reflection on the places and sights that seem to show us the essence of civilization supports the view that it has an ideal aspect: civilization is not so much what we have as a picture of what we need. For me, some representative objects civilization are, to start the list: the classical squares and crescents of the New Town in Edinburgh; a table set for lunch in a quiet, leafy garden; Venice seen across the lagoon; the golden glow of lamplight in a bookish room, glimpsed through a window walking home at night from the station. What they suggest moves beyond what they actually are: they point to an ideal, even when they fall short in reality

Then there are the fully intentional pleasures, which, although in some way tied up with sensory or perceptual experience, are modes of exploration of the world. Aesthetic pleasures are like this. Aesthetic pleasures are contemplative - they involve studying an object OUTSIDE of the self, to which one is GIVING something (namely, attention and all that flows from it), and not TAKING, as in the pleasure that comes from drugs and drinks. Hence such pleasures are not addictive - there is no pathway to reward that can be short-circuited here, and a serotonin injection is not a cheap way of obtaining the experience of PARISFAL or THE MERCHANT OF VENICE.

I knew Gigi would understand. My life started here, in Thailand. In a small commune run by women, for women. They say it takes a village to raise a child and that’s what I had. A whole village of like-minded women who looked out for one another and their offspring. Until the next adventure beckoned on the balmy breeze, and with babes strapped to their chests they followed their hearts and kept roaming. The communes are long since gone. Those beautiful barefoot women with a baby on a breast are now elsewhere. They were ahead of their time with their wildness, their sense of adventure … ‘Now Mom’s only battle is beating cancer. But she’s got her apothecary for that, and she’s winning. Every day she gets that little bit stronger.’ A year ago, she gave me the news of her diagnosis. Mom told me not to cut my travels short and rush home. It was under control. While Mom might be the best healer there is, she doesn’t like being the coddled patient. Still, she’s my everything, so rush home I did. I stayed for a few weeks and saw with my very own eyes that she was getting

The similarities in the physiological characteristics of Leopardi and Nietzsche are especially remarkable. The same sensitivity toward weather and seasons, toward place and environment, are found in both. Leopardi feels the slightest change in the thermometer and barometer. He could create only during the summer; he traveled about, always looking for the most suitable location for his creative activity. Nietzsche expresses himself about such peculiarities of his nature in the following manner: “Now after long practice, when I observe the effects of climatic and meteorological nature upon myself, as upon a very delicate and reliable instrument, and after a short journey, perhaps from Turin to Milan, calculate the change in the degree of humidity calculated physiologically in myself, then I look with horror at the sinister fact that my life until the last ten years, the most dangerous years, has always been spent in locations treacherous and absolutely forbidden to me. Naumburg, Schulpforta, Thuringia, in fact, Bonn, Liepzig, Basel, Venice, — all of them places of misfortune for my physiology. ...” Connected with this unusual sensitivity in Leopardi as well as in Nietzsche, is a contempt for all altruistic feelings. Both of them had to overcome this in order to be able to tolerate mankind. From Nietzsche's own words one can see that his shyness in presence of strong impressions, of attractions which demand too much of his sensitivity, fill him with suspicion toward selfless impulses.

eke out a poor income of about thirty pounds a year by making water-colour drawings of flowers and fruit (they are the cheapest models in Venice),

For years, in between our short trips overseas, my husband Dave and I started talking about a different kind of trip, a long-term trip. Both of us loved the food, wine, and people of Italy, and we began talking/dreaming about someday living in Italy for an entire year. We named this dream our Beautiful Dream—our “Bel Sogno.

Ottoman lands became the center of a new eastern Sephardi diaspora, Christian Europe became the home of a western dispersion. Spanish exiles, as well as conversos who wanted to end the duplicity of their existence as outward Christians, made their way in the fifteenth century to Italy, France, England, Germany, and the Low Countries. Insofar as some of these countries had previously expelled their Jews, the new arrivals set about gingerly, revealing very gradually their Jewish origins and customs in cities from Venice to London. Some of these settings proved more tolerant than others, especially those that had fallen under the arc of the sixteenth-century Protestant Reformation, whose guiding motto of Sola Scriptura indicated a renewed appreciation for the Bible, the Hebrew language, and, in some cases, Jews themselves.

He knew this was bound to happen but he kept himself at a safe distance, though he saw it come in every possible form, in trees felled to make way for new streets or cities, in chemicals that mimicked the human cells to invade the body, in every huff and puff of a CO2-emitting vehicle. What about the evil armies raised in the robotics classes of kindergarteners? What about the fake food with which the children had been fed? What about the devil winning the people’s vote on a ticket of broken promises, empty threats, and outright lies and a mission to send them straight to hell?

And so here it was, one of them bleak futures the Venice Biennale had flirted with in a bid to showcase the painful truths of the age.