Tracy Chapman Quotes

Some folks call her a runaway. A failure in the race. But she knows where her ticket takes her. She will find her place in the sun

Love is hate War is Peace No is Yes And we're all free.

We all must live our lives always feeling, always thinking the moment has arrived.

Now love's the only thing thats free. We must take it where it's found. Pretty soon it may be costly.

But John Chapman told us he didnt eat meat cause he couldnt stand for somethin livin to be killed jest to keep him alive.

The apartment was entirely, was only, for her: a wall of books, both read and unread, all of them dear to her not only in themselves, their tender spines, but in the moments or periods they evoked. She had kept some books since college that she had acquired for courses and never read—Fredric Jameson, for example, and Kant’s Critique of Judgment—but which suggested to her that she was, or might be, a person of seriousness, a thinker in some seeping, ubiquitous way; and she had kept, too, a handful of children’s books taken fro her now-dismantled girlhood room, like Charlotte’s Web and the Harriet the Spy novels, that conjured for her an earlier, passionately earnest self, the sober child who read constantly in the back of her parents’ Buick, oblivious to her brother punching her knee, oblivious to her parents’ squabbling, oblivious to the traffic and landscapes pressing upon her from outside the window. She had, in addition to her books, a modest shelf of tapes and CDs that served a similar, though narrower, function…she was aware that her collection was comprised largely of mainstream choices that reflected—whether popular or classical—not so much an individual spirit as the generic tastes of her times: Madonna, the Eurythmics, Tracy Chapman from her adolescence; Cecilia Bartoli, Anne-Sophie Mutter, Mitsuko Uchida; more recently Moby and the posthumously celebrated folk-singing woman from Washington, DC, who had died of a melanoma in her early thirties, and whose tragic tale attracted Danielle more than her familiar songs. Her self, then, was represented in her books; her times in her records; and the rest of the room she thought of as a pure, blank slate.

Why do the babies starve When there's enough food to feed the world Why when there're so many of us Are there people still alone

It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches. And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo. And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995). But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?

All That You Have Is Your Soul Oh my mama told me 'Cause she say she learned the hard way Say she wanna spare the children She say don't give or sell your soul away 'Cause all that you have is your soul Don't be tempted by the shiny apple Don't you eat of a bitter fruit Hunger only for a taste of justice Hunger only for a world of truth 'Cause all that you have is your soul I was a pretty young girl once I had dreams I had high hopes I married a man he stole my heart away He gave his love but what a high price I paid And all that you have is your soul Why was I such a young fool Thought I'd make history Making babies was the best I could do Thought I'd made something that could be mine forever Found out the hard way one can't possess another And all that you have is your soul I thought thought that I could find a way To beat the system To make a deal and have no debts to pay I'd take it all take it all I'd run away Me for myself first class and first rate But all that you have is your soul Here I am waiting for a better day A second chance A little luck to come my way A hope to dream a hope that I can sleep again And wake in the world with a clear conscience and clean hands 'Cause all that you have is your soul All that you have All that you have All that you have Is your soul

Chapman, G.D. The Five Love Languages (Moody Press, 2015) DeMarco, M.J. The Millionaire Fastlane (Viperion Publishing, 2011) Dunn, J. The SoulMate Experience (A Higher Possibility, first edition, 2011) Goldsmith, M. What Got You Here Won’t Get You There: How Successful People become even more successful (Profile Books, 2008) Gottman, J.M. The Seven Principles For Making a Marriage Work (Orion, 2007) Harv Eker, T. Secrets of the Millionaire Mind (Piatkus, 2007) Hill, N., Think and Grow Rich (Wilder Publications, 2007) Kelly, M. The Rhythm of Life (Simon & Schuster, 2006) Pavlina, S., Personal Development for Smart People (Hay House, 2009) Ramsey, D. Total Money Makeover (Thomas Nelson Publishers, reprint edition, 2013) Stevenson, S. Sleep Smarter: 21 Proven Tips to Sleep Your Way to a Better Body, Better Health, and Bigger Success. (Model House Publishing, 2014) Tracy, B. Eat That Frog! (Berrett-Koehler Publishers, 2007) Whitsett, D. The Non-Runner’s Marathon Trainer (McGraw Hill, 1998). Williamson, M. A Return To Love (Thorsons, 1996)

Mars comes from God. The Moon is with Apollo.

I rape you better, YO, Tracy Chapman.

Tracy Chapman puts me through a moral Simpactor, breaking me into tiny pieces of uniform diameter so that I can absorb my own inadequacy.

Don’t you know They’re talkin’ ’bout a revolution It sounds like a whisper... While they’re standing in the welfare lines Crying at the doorsteps of those armies of salvation Wasting time in the unemployment lines Sitting around waiting for a promotion... – Tracy Chapman Talkin’ ‘bout a Revolution

Don't be tempted by the shiny apple Don't you eat of a bitter fruit Hunger only for a taste of justice Hunger only for a world of truth 'Cause all that you have is your soul

7 Satellites and 3.000 deaths in Subcity sings Tracy Chapman.

Martin Luther King and Tracy Chapman sing for Sting.

I recognized some of the songs—one was by Tracy Chapman—but most of them were new to me, and if there’s one thing I enjoy in this life, it’s listening to a fantastic song for the first time.

The beauty, quality, and deeply personal nature of Chapman’s music, which had clearly resonated with so many early listeners in Boston, did so in exactly the same way with a large national audience. While she didn’t fit into any clear category, the fact that she was different and had manifested a deeply personal message resonated powerfully with the world. Chapman was recently asked what advice she might have given herself when she was starting out, and she responded, “It really is okay to be yourself.... If you are living a life that feels right to you, if you’re willing to take creative chances or a creative path that feels like it’s mostly in keeping with your sensibilities, you know, aesthetic and artistic, then that’s what matters.

Tracy Chapman’s music is a reflection of her life experiences, her purpose. Ian Schrager’s hotels are a reflection of his life experiences, his purpose. And Supreme’s hats and skate decks are a reflection of James Jebbia’s dreams and desires. Each of them took their own experiences—the ups, the downs, the good and the bad—and turned them into something sharable, a real-world reflection of themselves. And because it combined their purpose with their singular talent, it flourished.

For a full week after trying to reach the editor of The Atlantic, I occupied myself with other things. On October 31 I made some cheerful notes about Tracy Chapman’s singing and about Bizet’s Carmen. On the first of November I wrote at length about my ingrown toenail. But it just wasn’t enough.

...while riot grrrl is part of the punk rock/alternative rock feminism of the 1990s, it's by no means the majority of it. Despite the slogan, not every girl was a riot grrrl, and there's a huge swath of awesome women in '90s music who aren't riot grrrls. In no particular order: L7, Hole, PJ Harvey, Belly, Throwing Muses, Seven Year Bitch, Babes in Toyland, Liz Phair, Bjork, Juliana Hatfield, Gwen Stefani/No Doubt, Shirley Manson/Garbage, the Breeders, Luscious Jackson, Elastica, Sleater-Kinney, and may more women were part of either the alternative or indie rock music scene. Beyond that, the decade was pretty amazing for singer-songwriters like Tori Amos, Sarah McLachlan, Jewel, Fiona Apple, Alanis Morissette, Tracy Chapman, and Melissa Etheridge; for the R&B and hip-hop artists like Salt-n-Peppa, Queen Latifah, TLC, En Vogue, and Missy Elliott; and, at the tail end of the decade, all the pop you could ever want with the Spice Girls, Britney Spears, Christina Aguilera, and Destiny's Child. So, if you read this book, then run to Spotify to listen to riot grrrl bands, and find they're not for you, remember: there's more than one way to be a girl, and there's more than one kind of music to power you to your goals. What you listen to will never be as important as what you do.

A white bag is not a white balloon.

I'd like to live as if only love mattered as if redemption was in sight as if the search to live honestly is all that anyone needs