Tower Of Terror Quotes

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Diversity is an aspect of human existence that cannot be eradicated by terrorism or war or self-consuming hatred. It can only be conquered by recognizing and claiming the wealth of values it represents for all.
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
We are benefiting from one thing, and that is the attacks on the twin towers and the pentagon and the American struggle in Iraq. These events swung American public opinion in our favor
Benjamin Netanyahu
The longer you wait on those steps”—she motions toward the tower—“the greater your fear has a chance to grow. Cross the parapet before the terror owns you.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
The acknowledgement of a single possibility can change everything.
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
And then, on September 11, the world fractured. It's beyond my skill as a writer to capture that day and the days that would follow--the planes, like specters, vanishing into steel and glass; the slow-motion cascade of the towers crumbling into themselves; the ash-covered figures wandering the streets; the anguish and the fear. Nor do I pretend to understand the stark nihilism that drove the terrorists that day and that drives their brethren still. My powers of empathy, my ability to reach into another's heart, cannot penetrate the blank stares of those would murder innocents with abstract, serene satisfaction.
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
To fear God is, not to cower before him in terror, but to bow before him in awe.
Watch Tower Bible and Tract Society
Body terrorism is a hideous tower whose primary support beam is the belief that there is a hierarchy of bodies. We uphold the system by internalizing this hierarchy and using it to situate our own value and worth in the world.
Sonya Renee Taylor (The Body Is Not an Apology: The Power of Radical Self-Love)
Good stories will tell you that facing the lie is the worst terror of all. And there is no talisman or magic sword that is half so potent a weapon as truth
Tad Williams (To Green Angel Tower (Memory, Sorrow, and Thorn, #3))
Occupation, curfew, settlements, closed military zone, administrative detention, siege, preventive strike, terrorist infrastructure, transfer. Their WAR destroys language. Speaks genocide with the words of a quiet technician. Occupation means that you cannot trust the OPEN SKY, or any open street near to the gates of snipers tower. It means that you cannot trust the future or have faith that the past will always be there. Occupation means you live out your live under military rule, and the constant threat of death, a quick death from a snipers bullet or a rocket attack from an M16. A crushing, suffocating death, a slow bleeding death in an ambulance stopped for hours at a checkpoint. A dark death, at a torture table in an Israeli prison: just a random arbitrary death. A cold calculated death: from a curable disease. A thousand small deaths while you watch your family dying around you. Occupation means that every day you die, and the world watches in silence. As if your death was nothing, as if you were a stone falling in the earth, water falling over water. And if you face all of this death and indifference and keep your humanity, and your love and your dignity and YOU refuse to surrender to their terror, then you know something of the courage that is Palestine.
Suheir Hammad
This was an evil choice. Which way should he choose? And if both led to terror and death, what good lay in choice?
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
The Lake In spring of youth it was my lot To haunt of the wide world a spot The which I could not love the less- So lovely was the loneliness Of a wild lake, with black rock bound, And the tall pines that towered around. But when the Night had thrown her pall Upon that spot, as upon all, And the mystic wind went by Murmuring in melody- Then-ah then I would awake To the terror of the lone lake. Yet that terror was not fright, But a tremulous delight- A feeling not the jewelled mine Could teach or bribe me to define- Nor Love-although the Love were thine. Death was in that poisonous wave, And in its gulf a fitting grave For him who thence could solace bring To his lone imagining- Whose solitary soul could make An Eden of that dim lake.
Edgar Allan Poe (The Complete Stories and Poems)
It is the one great weakness of journalism as a picture of our modern existence, that it must be a picture made up entirely of exceptions. We announce on flaring posters that a man has fallen off a scaffolding. We do not announce on flaring posters that a man has not fallen off a scaffolding. Yet this latter fact is fundamentally more exciting, as indicating that that moving tower of terror and mystery, a man, is still abroad upon the earth. That the man has not fallen off a scaffolding is really more sensational; and it is also some thousand times more common. But journalism cannot reasonably be expected thus to insist upon the permanent miracles. Busy editors cannot be expected to put on their posters, "Mr. Wilkinson Still Safe," or "Mr. Jones, of Worthing, Not Dead Yet." They cannot announce the happiness of mankind at all. They cannot describe all the forks that are not stolen, or all the marriages that are not judiciously dissolved. Hence the complex picture they give of life is of necessity fallacious; they can only represent what is unusual. However democratic they may be, they are only concerned with the minority.
G.K. Chesterton (The Ball and the Cross (Dover Literature: Literary Fiction))
The terror ran endlessly on in his mind, making him feel like a rat trapped on an exercise wheel. And when he tried to look ahead to some better, brighter time, he could see only darkness.
Stephen King
I am an instrument of control and have been an instrument of terror, and I can tell you much of the nature of control, and terror, and control by terror, which you do not now think you need to know. But
A.S. Byatt (Babel Tower (Vintage International))
She was struck by the selfish thought that this was not fair to her. That she’d been in the middle of a different story, one that had nothing to do with this. She was a person who was finding her daughter, making things right with her daughter, and there was no room in that story for the idiocy of extreme religion, the violence of men she’d never met. Just as she’d been in the middle of a story about divorce when the towers fell in New York City, throwing everyone’s careful plans to shit. Just as she’d once been in a story about raising her own brother, growing up with her brother in the city on their own, making it in the world, when the virus and the indifference of greedy men had steamrolled through. She thought of Nora, whose art and love were interrupted by assassination and war. Stupid men and their stupid violence, tearing apart everything good that was ever built. Why couldn’t you ever just go after your life without tripping over some idiot’s dick?
Rebecca Makkai (The Great Believers)
Now days are dragon-ridden, the nightmare Rides upon sleep: a drunken soldiery Can leave the mother, murdered at her door, To crawl in her own blood, and go scott-free; The night can sweat with terror as before We pieced our thoughts into philosophy, And planned to bring the world under rule, Who are but weasels fighting in a hole.
W.B. Yeats
Where is God when it hurts? We know one answer because God came to earth and showed us. You need only follow Jesus around and note how he responded to the tragedies of his day: large-scale tragedies such as an act of government terrorism in the temple or a tower collapsing on eighteen innocent bystanders; as well as small tragedies, such as a widow who has lost her only son or even a Roman soldier whose servant has fallen ill. At moments like these Jesus never delivered sermons about judgment or the need to accept God’s mysterious providence. Instead he responded with compassion – a word from Latin which simply means, “to suffer with” – and comfort and healings. God stands on the side of those who suffer. (pp.27-28/What Good Is God?)
Philip Yancey (What Good Is God?: In Search of a Faith That Matters)
Watching the towers fall in New York, with civilians incinerated on the planes and in the buildings, I felt something that I couldn’t analyze at first and didn't fully grasp (partly because I was far from my family in Washington, who had a very grueling day) until the day itself was nearly over. I am only slightly embarrassed to tell you that this was a feeling of exhilaration. Here we are then, I was thinking, in a war to the finish between everything I love and everything I hate. Fine. We will win and they will lose. A pity that we let them pick the time and place of the challenge, but we can and we will make up for that.
Christopher Hitchens (Christopher Hitchens and His Critics: Terror, Iraq, and the Left)
Zalia felt cold terror squeeze her heart. And yet buried in it, warm, was that hope.
Stephen King (Wolves of the Calla (The Dark Tower, #5))
Whenever purity is paramount, terror is close at hand.
Lawrence Wright (The Looming Tower: Al-Qaeda and the Road to 9/11)
The primary vice of a bad person is precisely that he is more preoccupied with others than himself. Rousseau is describing a precise libidinal mechanism: the inversion which generates the shift of the libidinal investment from the object to the obstacle itself. This could well be applied to fundamentalist violence - be it Oklahoma City Federal Building, the Twin Towers - was what really mattered, not achieving the noble goal of a truly Christian or Muslim society.
Slavoj Žižek (Against the Double Blackmail: Refugees, Terror and Other Troubles with the Neighbours)
If there is any solace to be found in the carnage of September 11th, may I find it in understanding that the potential to do great good can handily rival the tendency to carry out great evil. And out of that understanding may I commit in my own life to make certain that in such a critical rivalry I will ensure that towers will never fall because of me, but people will be raised up due to me.
Craig D. Lounsbrough
All in the immediate vicinity of the ship, is the blackness of eternal night, and a chaos of foamless water; but, about a league on either side of us, may be seen, indistinctly and at intervals, stupendous ramparts of ice, towering away into the desolate sky, and looking like the walls of the universe.
Edgar Allan Poe (MS. Found in a Bottle (Annotated Edition))
The black can be sooty, soily, glazed, cindery, blackboard black, kohl black, coal black, noir, schwarz, nero. I don’t know how many words and phrases there are to describe black—slate black, cast-iron black, jet black, flat-screen-TV black, ink black, burnt black, liturgical black, hell black—but the raven’s black is as various and as a dense as there are meanings and values attached to the very idea of black, black representing death, mourning, negation, sin, solemnity, the vacancy of space, and all the horrors of human terror and the exercise of power.
Christopher Skaife (The Ravenmaster: My Life with the Ravens at the Tower of London)
She hardly knew what to do, it had been so long since such strong feelings had borne down on her. It was like carrying another creature inside her, and nothing so benign and natural as a baby. Undamped, untamed, the pain and exultation of her attachment to them blew through Liga like a storm-wind carrying sharp leaves and struggling birds. How long she had known her daughters, and how well, and in what extraordinary vividness and detail! How blithely she had done the work of rearing them - it seemed to her now that she had had cause for towering, disabling anxieties about them; that what had seemed little plaints and sorrows in their childhoods were in fact off-drawings from much greater tragedies, from which she had tried to keep them but could not. And the joys she had had of them, too, their embraces and laughter - it was all too intense to be endured, this connection with them, which was a miniature of the connection with the forces that drove planet and season - the relentlessness of them, the randomness, the susceptibility to glory, to accident, to disaster. How soft had been her life in that other place, how safe and mild! And here she was, back where terrors could immobilize her, and wonders too; where life might become gulps of strong ale rather than sips of bloom-tea. She did not know whether she was capable of lifting the cup, let alone drinking the contents.
Margo Lanagan (Tender Morsels)
I looked at the headline: “The Devil Made Him Do It." It was an opinion piece about the German composer Karlheinz Stockhausen and the “disjointed" but “grotesque" remarks he had made at a press conference. Lamenting the relative impotence of the arts in comparison to terrorism, Stockhausen had called the attacks “the greatest work of art that is possible in the whole cosmos." I guess he thought of it as a Wagnerian spectacle, an opera of airplanes and towers. “Five thousand people are dispatched into eternity, in a single moment," he said. “I couldn’t do that. In comparison with that, we’re nothing as composers.
Supervert (Necrophilia Variations)
To look up at the towering medieval universe is much more like looking at a great building. The ‘space’ of modern astronomy may arouse terror, or bewilderment or vague reverie; the spheres of the old present us with an object in which the mind can rest, overwhelming in its greatness but satisfying in its harmony. That is the sense in which our universe is romantic, and theirs was classical.
C.S. Lewis (The Discarded Image: An Introduction to Medieval and Renaissance Literature)
Her distress belied a deeper terror, a terror which Robin felt as well, which was that Anthony had been expendable. That they were expendable. That this tower - this place where they for the first time had found belonging - treasured and loved them when they were alive and useful but didn't, in fact, care about them at all. That they were, in the end, only vessels for the language they spoke.
R.F. Kuang (Babel)
Left to their own devices, human bodies rot, decompose, come apart, and sink gloriously back into the earth from whence they came. Using embalming and heavy protective caskets to stop this process is a desperate attempt to stave off the inevitable, and demonstrates our clear terror of decomposition. The death industry markets caskets and embalming under the rubric of helping bodies look “natural,” but our current death customs are as natural as training majestic creatures like bears and elephants to dance in cute little outfits, or erecting replicas of the Eiffel Tower and Venetian canals in the middle of the harsh American desert.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Oh, say can you see by the dawn’s early light What so proudly we hailed at the twilight’s last gleaming? Whose broad stripes and bright stars thru the perilous fight, O’er the ramparts we watched were so gallantly streaming? And the rocket’s red glare, the bombs bursting in air, Gave proof through the night that our flag was still there. Oh, say does that star-spangled banner yet wave O’er the land of the free and the home of the brave? On the shore, dimly seen through the mists of the deep, Where the foe’s haughty host in dread silence reposes, What is that which the breeze, o’er the towering steep, As it fitfully blows, half conceals, half discloses? Now it catches the gleam of the morning’s first beam, In full glory reflected now shines in the stream: ‘Tis the star-spangled banner! Oh long may it wave O’er the land of the free and the home of the brave! And where is that band who so vauntingly swore That the havoc of war and the battle’s confusion, A home and a country should leave us no more! Their blood has washed out their foul footsteps’ pollution. No refuge could save the hireling and slave From the terror of flight, or the gloom of the grave: And the star-spangled banner in triumph doth wave O’er the land of the free and the home of the brave! Oh! thus be it ever, when freemen shall stand Between their loved home and the war’s desolation! Blest with victory and peace, may the heav’n rescued land Praise the Power that hath made and preserved us a nation. Then conquer we must, when our cause it is just, And this be our motto: “In God is our trust.” And the star-spangled banner in triumph shall wave O’er the land of the free and the home of the brave!
Francis Scott Key (The Star-Spangled Banner)
I am leaving this tower and returning home. When I speak with family, and comments are always the same, 'Won't you be glad to get back to the real world?' This is my question after two weeks of time, only two weeks, spent with prairie dogs, 'What is real?' What is real? These prairie dogs and the lives they live and have adapted to in grassland communities over time, deep time? What is real? A gravel pit adjacent to one of the last remaining protected prairie dog colonies in the world? A corral where cowboys in an honest day's work saddle up horses with prairie dogs under hoof for visitors to ride in Bryce Canyon National Park? What is real? Two planes slamming into the World Trade Center and the wake of fear that has never stopped in this endless war of terror? What is real? Forgiveness or revenge and the mounting deaths of thousands of human beings as America wages war in Afghanistan and Iraq? What is real? Steve's recurrence of lymphoma? A closet full of shoes? Making love? Making money? Making right with the world with the smallest of unseen gestures? How do we wish to live And with whom? What is real to me are these prairie dogs facing the sun each morning and evening in the midst of man-made chaos. What is real to me are the consequences of cruelty. What is real to me are the concentric circles of compassion and its capacity to bring about change. What is real to me is the power of our awareness when we are focused on something beyond ourselves. It is a shaft of light shining in a dark corner. Our ability to shift our perceptions and seek creative alternatives to the conundrums of modernity is in direct proportion to our empathy. Can we imagine, witness, and ultimately feel the suffering of another.
Terry Tempest Williams
And that's how romance works. It exploits the Achilles' heel of exceptional women: their desire th think the best of men and stand by their side. Contrary to popular belief, men are not turned off by powerful women. Rather, they long for them, court them, wine and dine them, and ultimately either ruin them or lock them in their towers. It was the violence of romance that conquered women, more than witch pyres and swords and pillaging. Once trapped, the protection rackets run by their captors kept terrorized females dependent and compliant so as not to disturb the precarious and conditional security they were offered. They were then fattened up and put to work on their backs, either as breeders or playthings.
Tyson Yunkaporta (Sand Talk: How Indigenous Thinking Can Save the World)
Nicht nur Menschen, auch Rechtsgrundsätze wurden [...] von den Trümmern der Twin Towers erschlagen.
Heribert Prantl (Der Terrorist als Gesetzgeber. Wie man mit Angst Politik macht)
Jake looked at the kids, the more he thought that their expressions looked like grimaces of terror.
Stephen King (The Waste Lands (The Dark Tower, #3))
I smelled war on the horizon, with more deaths and trouble to come" Bombing of the Twin Towers From Rape of a Nation by Sara Niles
Sara Niles
To his astonishment and terror, and lasting delight, Sam saw a vast shape crash out of the trees and come careering down the slope.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Before I take a step, someone starts to clap. Without a word, every person in the courtyard gazes up at the north tower scraping the gray sky. The applause stops, and a deep, firm voice shouts from above, “Let her stay.” Barbs of terror dig under my skin. The courtyard goes as still as a sky burial. This is the first time many of these girls have heard a man speak.
Emily R. King (The Hundredth Queen (The Hundredth Queen, #1))
This was when he first suspected that the kindly child-loving God extolled by his headmistress might not exist. As it turned out, most major world events suggested the same. But for Theo’s sincerely godless generation, the question hasn’t come up. No one in his bright, plate-glass, forward-looking school ever asked him to pray, or sing an impenetrable cheery hymn. There’s no entity for him to doubt. His initiation, in front of the TV, before the dissolving towers, was intense but he adapted quickly. These days he scans the papers for fresh developments the way he might a listings magazine. As long as there’s nothing new, his mind is free. International terror, security cordons, preparations for war — these represent the steady state, the weather. Emerging into adult consciousness, this is the world he finds.
Ian McEwan
The smile that curled his lips was as arrogant as it was beautiful. “You need to accept the fact that you’re Orange and that you’re always going to be alone because of it.” A measure of calm had returned to Clancy’s voice. His nostrils flared when I tried to turn the door handle again. He slammed both hands against it to keep me from going anywhere, towering over me. “I saw what you want,” Clancy said. “And it’s not your parents. It’s not even your friends. What you want is to be with him, like you were in the cabin yesterday, or in that car in the woods. I don’t want to lose you, you said. Is he really that important?” Rage boiled up from my stomach, burning my throat. “How dare you? You said you wouldn’t—you said—” He let out a bark of laughter. “God, you’re naive. I guess this explains how that League woman was able to trick you into thinking you were something less than a monster.” “You said you would help me,” I whispered. He rolled his eyes. “All right, are you ready for the last lesson? Ruby Elizabeth Daly, you are alone and you always will be. If you weren’t so stupid, you would have figured it out by now, but since it’s beyond you, let me spell it out: You will never be able to control your abilities. You will never be able to avoid being pulled into someone’s head, because there’s some part of you that doesn’t want to know how to control them. No, not when it would mean having to embrace them. You’re too immature and weak-hearted to use them the way they’re meant to be used. You’re scared of what that would make you.” I looked away. “Ruby, don’t you get it? You hate what you are, but you were given these abilities for a reason. We both were. It’s our right to use them—we have to use them to stay ahead, to keep the others in their place.” His finger caught the stretched-out collar of my shirt and gave it a tug. “Stop it.” I was proud of how steady my voice was. As Clancy leaned in, he slipped a hazy image beneath my closed eyes—the two of us just before he walked into my memories. My stomach knotted as I watched my eyes open in terror, his lips pressed against mine. “I’m so glad we found each other,” he said, voice oddly calm. “You can help me. I thought I knew everything, but you…” My elbow flew up and clipped him under the chin. Clancy stumbled back with a howl of pain, pressing both hands to his face. I had half a second to get the hell out, and I took it, twisting the handle of the door so hard that the lock popped itself out. “Ruby! Wait, I didn’t mean—!” A face appeared at the bottom of the stairs. Lizzie. I saw her lips part in surprise, her many earrings jangling as I shoved past her. “Just an argument,” I heard Clancy say, weakly. “It’s fine, just let her go.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Aragon felt a shudder run through him at the sound, a strange cold thrill; and yet it was not fear or terror that he felt: rather it was like the sudden bite of a keen air, or the slap of a cold rain that wakes an uneasy sleeper.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
THE LAKE IN youth's spring it was my lot To haunt of the wide earth a spot The which I could not love the less; So lovely was the loneliness Of a wild lake, with black rock bound, And the tall pines that tower'd around. But when the night had thrown her pall Upon that spot—as upon all, And the wind would pass me by In its stilly melody, My infant spirit would awake To the terror of the lone lake. Yet that terror was not fright— But a tremulous delight, And a feeling undefined, Springing from a darken'd mind. Death was in that poison'd wave And in its gulf a fitting grave For him who thence could solace bring To his dark imagining; Whose wildering thought could even make An Eden of that dim lake.  
Edgar Allan Poe (Tamerlane & Other Poems: A Collection of Poems)
Here’s a little thought experiment. Imagine that, on September 11, 2001, when the Twin Towers came down, the President of the United States was not George W. Bush, but Ann Coulter. What would have happened then? On September 12, President Coulter would have ordered the US military forces to drop 35 nuclear bombs throughout the Middle East, killing all of our actual and potential enemy combatants, and their wives and children. On September 13, the war would have been over and won, without a single American life lost.
Satoshi Kanazawa (Social Class & Social Policy)
As you know, I am from a planet that has been engaged in senseless slaughter since the beginning of time. I myself have seen the bodies of schoolgirls who were boiled alive in a water tower by my own countrymen, who were proud of fighting pure evil at the time.” This was true. Billy saw the boiled bodies in Dresden. “And I have lit my way in a prison at night with candles from the fat of human beings who were butchered by the brothers and fathers of those schoolgirls who were boiled. Earthlings must be the terrors of the Universe!
Kurt Vonnegut Jr. (Slaughterhouse-Five)
It’s time, little one,” he coaxes from above me. I take a deep breath as I crawl to where he instructs me. My heart is racing and I feel like tears could be close again. But I am resolved. I am going to do this. I know my own wilful obstinacy will see me into the stocks and from there it really is up to Shaw. He positions me in front of the stocks and waits a few seconds, letting me absorb their magnitude, before speaking. “Kneel.” Just one word but it seals my fate. I comply immediately, wordlessly, allowing my terror to turn into the first shoots of arousal. This is really happening…
Felicity Brandon (Submission at The Tower: The Depths of Desire)
Everyone thought the mob was done after RICO.... And they were. Then the Towers came down. Overnight, the feds shifted three-quarters of their personnel into anti-terrorism and the mob made a comeback. Shit, they even made a fortune overcharging for debris removal from Ground Zero.... 9/11 saved the mafia.
Don Winslow (The Force)
I like the idea of it. Just look at the world around you. Wars, terror, starvation, poverty, disease. Take the Middle East conflict, for example. An area on earth that contains so much hatred, so many frustrations, that a bomber is always lurking around the next corner, and where checkpoints and walls have become a permanent part of daily life. When I look at such a world from here in my little Danish ivory tower, it's a very appealing idea that there might exist at least--at the very least--36 righteous people on this earth. Small human pillars to ensure that we maintain a minimum of kindness and righteousness.
A.J. Kazinski (The Last Good Man (Niels Bentzon, #1))
But no one leaves. - Let us set out once more on our native roads, burdened with my vice, that vice that since the age of reason has driven roots of suffering into my side - that towers to heaven, beats me, hurls me down, drags me on. Ultimate innocence, final timidity. All's said. Carry no more my loathing and treacheries before the world. Come on! Marching, burdens, the desert, boredom and anger. Hire myself to whom? What beasts adore? What sacred images destroy? What hearts shall I break? What lie maintain? - Through what blood wade? Better to keep away from justice. - A hard life, outright stupor, - with a dried-out fist to lift the coffin lid, lie down, and suffocate. No old age this way, no danger: terror is very un-French. - Ah! I am so forsaken I will offer at any shrine impulses toward perfection. Oh my self-denial, my marvelous Charity! my Selfless love! And still here below! De Profundis Domine, what an ass I am!
Arthur Rimbaud (A Season in Hell)
Over the years I have read many, many books about the future, my ‘we’re all doomed’ books, as Connie liked to call them. ‘All the books you read are either about how grim the past was or how gruesome the future will be. It might not be that way, Douglas. Things might turn out all right.’ But these were well-researched, plausible studies, their conclusions highly persuasive, and I could become quite voluble on the subject. Take, for instance, the fate of the middle-class, into which Albie and I were born and to which Connie now belongs, albeit with some protest. In book after book I read that the middle-class are doomed. Globalisation and technology have already cut a swathe through previously secure professions, and 3D printing technology will soon wipe out the last of the manufacturing industries. The internet won’t replace those jobs, and what place for the middle-classes if twelve people can run a giant corporation? I’m no communist firebrand, but even the most rabid free-marketeer would concede that market-forces capitalism, instead of spreading wealth and security throughout the population, has grotesquely magnified the gulf between rich and poor, forcing a global workforce into dangerous, unregulated, insecure low-paid labour while rewarding only a tiny elite of businessmen and technocrats. So-called ‘secure’ professions seem less and less so; first it was the miners and the ship- and steel-workers, soon it will be the bank clerks, the librarians, the teachers, the shop-owners, the supermarket check-out staff. The scientists might survive if it’s the right type of science, but where do all the taxi-drivers in the world go when the taxis drive themselves? How do they feed their children or heat their homes and what happens when frustration turns to anger? Throw in terrorism, the seemingly insoluble problem of religious fundamentalism, the rise of the extreme right-wing, under-employed youth and the under-pensioned elderly, fragile and corrupt banking systems, the inadequacy of the health and care systems to cope with vast numbers of the sick and old, the environmental repercussions of unprecedented factory-farming, the battle for finite resources of food, water, gas and oil, the changing course of the Gulf Stream, destruction of the biosphere and the statistical probability of a global pandemic, and there really is no reason why anyone should sleep soundly ever again. By the time Albie is my age I will be long gone, or, best-case scenario, barricaded into my living module with enough rations to see out my days. But outside, I imagine vast, unregulated factories where workers count themselves lucky to toil through eighteen-hour days for less than a living wage before pulling on their gas masks to fight their way through the unemployed masses who are bartering with the mutated chickens and old tin-cans that they use for currency, those lucky workers returning to tiny, overcrowded shacks in a vast megalopolis where a tree is never seen, the air is thick with police drones, where car-bomb explosions, typhoons and freak hailstorms are so commonplace as to barely be remarked upon. Meanwhile, in literally gilded towers miles above the carcinogenic smog, the privileged 1 per cent of businessmen, celebrities and entrepreneurs look down through bullet-proof windows, accept cocktails in strange glasses from the robot waiters hovering nearby and laugh their tinkling laughs and somewhere, down there in that hellish, stewing mess of violence, poverty and desperation, is my son, Albie Petersen, a wandering minstrel with his guitar and his keen interest in photography, still refusing to wear a decent coat.
David Nicholls (Us)
As he passed through the winding corridors and the subterranean apartments, Tarzan saw nothing of the hyenas. "They will return," he said to himself. In the crater between the towering walls Bukawai, cold with terror, trembled, trembled as with ague. "They will return!" he cried, his voice rising to a fright-filled shriek. And they did.
Edgar Rice Burroughs (Tarzan: The Complete Adventures)
Oh Florence, Florence, patroness of the lovely tyrannicides! Where the tower of the Old Palace pierces the sky like a hypodermic needle, Perseus, David and Judith, lords and ladies of the Blood, Greek demi-gods of the Cross, rise sword in hand above the unshaven formless decapitation of the monsters, tubs of guts, mortifying chunks for the pack. Pity the monsters! Pity the monsters! Perhaps, one always took the wrong side - Ah, to have known, to have loved too many David and Judiths! My heart bleeds for the monster. I have seen the Gorgon. The erotic terror of her helpless, big-bosomed body lay like slop. Wall-eyed, staring the despot to stone, her severed head swung like a lantern in the victor’s hand.
Robert Lowell
Elide said quietly, “Marion was my mother’s name. She died defending Aelin Galathynius from her assassin. My mother bought Aelin time to run—to get away so she could one day return to save us all. My uncle, Vernon, watched and smiled as my father, the Lord of Perranth, was executed outside our castle. Then he took my father’s title and lands and home. And for the next ten years, my uncle locked me in the highest tower of Perranth Castle, with only my nursemaid for company. When I broke my foot and ankle, he did not trust healers enough to let them treat it. He kept bars on the tower windows to keep me from killing myself, and shackled my ankles to keep me from running. I left for the first time in a decade when he shoved me into a prison wagon and dragged me down to Morath. There, he made me work as a servant—for the humiliation and terror he delights in. I planned and dreamed of escaping every day. And when the time came … I took my chance. I did not know about the ilken, had only heard rumors of fell things being bred in the mountains beyond the Keep. I have no lands, no money, no army to offer Aelin Galathynius. But I will find her—and help her in whatever way I can. If only to keep just one girl, just one, from ever enduring what I did.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
From The Ghost Wars- on the concept of the Torah as ancient science fiction. “Take the story of the fall of the tower of Babel. Let’s say this represents not an act of God, nor a metaphor for this planet’s diverse linguistic heritage; but a catastrophic act of terrorism by the Divisionists to sever mankind from the neural net. The internet in this situation becomes mankind’s attempt to build a physical replacement for a natural ability long lost. Think of it as a wooden leg or a pacemaker.
Cole J. Davis
And here he was a little halfling from the Shire, a simple hobbit of the quiet countryside, expected to find a way where the great ones could not go, or dared not go. It was an evil fate. But he had taken it on himself in his own sitting-room in the far-off spring of another year, so remote now that it was like a chapter in a story of the world's youth, when Trees of Silver and Gold were still in bloom. This was an evil choice. Which way he choose? And if both led to terror and death, what good lay in choice?
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
I could never imagine submitting myself to a state of unconsciousness at the same time everyone else goes under. I can only sleep—really sleep, not the thin-lipped rest I’ve learned to live on during the week—when sunlight explodes off the Freedom Tower and forces me to the other side of the bed, when I can hear Luke puttering around the kitchen, making egg-white omelettes, the neighbors next door arguing over who took the trash out last. Banal, everyday reminders that life is so boring it can’t possibly terrorize anyone. That dull fuzz in my ears, that’s when I sleep.
Jessica Knoll (Luckiest Girl Alive)
A steel-grey sedan pulled up a disused track and parked beneath the grim walls of Glamtallon Castle. Alec MacCrimmon, unofficial county historian and caretaker of the timeworn tower, turned off the ignition but refused to leave the relative comfort of his car. With hands clasped so tight to the steering wheel that his knuckles turned white, he glanced up at the fortress and shivered. Even though bathed in the golden rays of the late afternoon sun, the lichen-festooned edifice exuded an algid chill. MacCrimmon never liked the look or feel of the place. He especially disliked being anywhere near it so close to sunset.
Richard H. Fay (Trio of Terror: Three Horror Stories)
Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta. “For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately. “She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.” Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery. Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him… “Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?” “Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.” “Oh. Well, find something you like here…” She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.” “You belong to it,” he returned. “We adopted you years ago.” “So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.” “You could take your hair down,” he continued thoughtfully. She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it. “How old are you?” he asked, trying to remember. “Twenty, isn’t it?” “I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?” He looked surprised. Where had the years gone? She hadn’t aged, not visibly.
Diana Palmer (Paper Rose (Hutton & Co. #2))
BESTIARY " charybdis: when i suck in / i make deadly / whirlpools / ask anyone who’s managed / to climb out / alive dragon: patrol or pillage / he exhales and a whole village / burns / iron scaled sentry / guardian of the ivory / tower i wrap my legs around / everyone thinks / he’s a brute / but for me / he lifts his breast plate / for me he welcome the quiver / and the arrow’s teeth. golem: take his hair in your hands / his dead / skin cells / his discarded undergarments / take them / and make of them a new boy this effigy / his likeness and nothing / like him / breathe life into its clenched carapace // my god / i think i saw it / move medusa: when i saw / my face / reflected in terror / in his eyes / i turned to stone / or a pillar of salt watching my village burn / he was the village burning / maybe that’s a different story / maybe in the end only the snakes wept siren: he cries / and i / lashed to the mast of a ship / steer my body toward the sound / sheets bound around wrists and ankles tears make grief / a lighthouse you wear / when i hear him a huge wood wheel turns in my stomach / and i break / open on / his jagged coast werewolf: there are many words for transformation / metamorphosis metaphor / medication / go to sleep / beside the man you love wake up next to a dog / maybe the moon brought it out of him hound hungry for blood / maybe its your fault / or maybe it was there inside him / howling all along
Sam Sax
They had forgotten that there exists in the modern world, perhaps for the first time in history, a class of people whose interest is not that things should happen well or happen badly, should happen successfully or happen unsuccessfully, should happen to the advantage of this party or the advantage of that part, but whose interest simply is that things should happen. It is the one great weakness of journalism as a picture of our modern existence, that it must be a picture made up entirely of exceptions. We announce on flaring posters that a man has fallen off a scaffolding. We do not announce on flaring posters that a man has not fallen off a scaffolding. Yet this latter fact is fundamentally more exciting, as indicating that that moving tower of terror and mystery, a man, is still abroad upon the earth. That the man has not fallen off a scaffolding is really more sensational; and it is also some thousand times more common. But journalism cannot reasonably be expected thus to insist upon the permanent miracles. Busy editors cannot be expected to put on their posters, “Mr. Wilkinson Still Safe,” or “Mr. Jones, of Worthing, Not Dead Yet.” They cannot announce the happiness of mankind at all. They cannot describe all the forks that are not stolen, or all the marriages that are not judiciously dissolved. Hence the complete picture they give of life is of necessity fallacious; they can only represent what is unusual. However democratic they may be, they are only concerned with the minority.
G.K. Chesterton (The Ball and the Cross)
The old God, wholly “spirit,” wholly the high-priest, wholly perfect, is promenading his garden: he is bored and trying to kill time. Against boredom even gods struggle in vain.[21] What does he do? He creates man—man is entertaining.... But then he notices that man is also bored. God’s pity for the only form of distress that invades all paradises knows no bounds: so he forthwith creates other animals. God’s first mistake: to man these other animals were not entertaining—he sought dominion over them; he did not want to be an “animal” himself.—So God created woman. In the act he brought boredom to an end—and also many other things! Woman was the second mistake of God.—“Woman, at bottom, is a serpent, Heva”—every priest knows that; “from woman comes every evil in the world”— every priest knows that, too. Ergo, she is also to blame for science.... It was through woman that man learned to taste of the tree of knowledge.—What happened? The old God was seized by mortal terror. Man himself had been his greatest blunder; he had created a rival to himself; science makes men godlike—it is all up with priests and gods when man becomes scientific!—Moral: science is the forbidden per se; it alone is forbidden. Science is the first of sins, the germ of all sins, the original sin. This is all there is of morality.—“Thou shall not know”:—the rest follows from that.—God’s mortal terror, however, did not hinder him from being shrewd. How is one to protect one’s self against science? For a long while this was the capital problem. Answer: Out of paradise with man! Happiness, leisure, foster thought—and all thoughts are bad thoughts!—Man must not think.—And so the priest invents distress, death, the mortal dangers of childbirth, all sorts of misery, old age, decrepitude, above all, sickness—nothing but devices for making war on science! The troubles of man don’t allow him to think.... Nevertheless—how terrible!—, the edifice of knowledge begins to tower aloft, invading heaven, shadowing the gods—what is to be done?—The old God invents war; he separates the peoples; he makes men destroy one another (—the priests have always had need of war....). War—among other things, a great disturber of science!—Incredible! Knowledge, deliverance from the priests, prospers in spite of war.—So the old God comes to his final resolution: “Man has become scientific—there is no help for it: he must be drowned!”...
Friedrich Nietzsche
Those who romanticize war often like to think of it, at least in areas of mortal peril, as nothing but “guts and glory.” Those who are inclined to pacifism, by contrast, often think of it as an unbroken sequence of horrors. Actually, however, people in wartime still fall in love, do the laundry, worry about pimples, drink beer, and do most of the same things that they do in times of peace. The patterns of daily life may be mundane, but they are remarkably tenacious. But, while people in wartime still go about their daily routines, the prospect of imminent death can give even quotidian chores a heightened intensity. When the first bombs were dropped on London in autumn of 1940, the population bore adversity better than almost anybody had expected. The danger was mixed with excitement, and the terror had a sort of apocalyptic magnificence.
Boria Sax (City of Ravens: The Extraordinary History of London, its Tower and Its Famous Ravens)
What we have here is a war—the war of matter and spirit. In the classical era, spirit was in harmony with matter. Matter used to condense spirit. What was unseen—the ghost of Hamlet’s father—was seen—in the conscience of the king. The spirit was trapped in the matter of theater. The theater made the unseen, seen. In the Romantic era, spirit overwhelms matter. The glass of champagne can’t contain the bubbles. But never in the history of humanity has spirit been at war with matter. And that is what we have today. The war of banks and religion. It’s what I wrote in Prayers of the Dawn, that in New York City, banks tower over cathedrals. Banks are the temples of America. This is a holy war. Our economy is our religion. When I came back to midtown a week after the attack—I mourned—but not in a personal way—it was a cosmic mourning—something that I could not specify because I didn’t know any of the dead. I felt grief without knowing its origin. Maybe it was the grief of being an immigrant and of not having roots. Not being able to participate in the whole affair as a family member but as a foreigner, as a stranger—estranged in myself and confused—I saw the windows of Bergdorf and Saks—what a theater of the unexpected—my mother would have cried—there were only black curtains, black drapes—showing the mourning of the stores—no mannequins, just veils—black veils. When the mannequins appeared again weeks later—none of them had blond hair. I don’t know if it was because of the mourning rituals or whether the mannequins were afraid to be blond—targets of terrorists. Even they didn’t want to look American. They were out of fashion after the Twin Towers fell. To the point, that even though I had just dyed my hair blond because I was writing Hamlet and Hamlet is blond, I went back to my coiffeur immediately and told him—dye my hair black. It was a matter of life and death, why look like an American. When naturally I look like an Arab and walk like an Egyptian.
Giannina Braschi
With one final flip the quarter flew high into the air and came down on the mattress with a light bounce. It jumped several inches off the bed, high enough for the instructor to catch it in his hand. Swinging around to face me, the instructor looked me in the eye and nodded. He never said a word. Making my bed correctly was not going to be an opportunity for praise. It was expected of me. It was my first task of the day, and doing it right was important. It demonstrated my discipline. It showed my attention to detail, and at the end of the day it would be a reminder that I had done something well, something to be proud of, no matter how small the task. Throughout my life in the Navy, making my bed was the one constant that I could count on every day. As a young SEAL ensign aboard the USS Grayback, a special operation submarine, I was berthed in sick bay, where the beds were stacked four high. The salty old doctor who ran sick bay insisted that I make my rack every morning. He often remarked that if the beds were not made and the room was not clean, how could the sailors expect the best medical care? As I later found out, this sentiment of cleanliness and order applied to every aspect of military life. Thirty years later, the Twin Towers came down in New York City. The Pentagon was struck, and brave Americans died in an airplane over Pennsylvania. At the time of the attacks, I was recuperating in my home from a serious parachute accident. A hospital bed had been wheeled into my government quarters, and I spent most of the day lying on my back, trying to recover. I wanted out of that bed more than anything else. Like every SEAL I longed to be with my fellow warriors in the fight. When I was finally well enough to lift myself unaided from the bed, the first thing I did was pull the sheets up tight, adjust the pillow, and make sure the hospital bed looked presentable to all those who entered my home. It was my way of showing that I had conquered the injury and was moving forward with my life. Within four weeks of 9/11, I was transferred to the White House, where I spent the next two years in the newly formed Office of Combatting Terrorism. By October 2003, I was in Iraq at our makeshift headquarters on the Baghdad airfield. For the first few months we slept on Army cots. Nevertheless, I would wake every morning, roll up my sleeping bag, place the pillow at the head of the cot, and get ready for the day.
William H. McRaven (Make Your Bed: Little Things That Can Change Your Life...And Maybe the World)
Gasher's right. You're pert. But you don't want to be pert with me, cully. You don't EVER want to be pert with me. Have you heard of people with short fuses? Well, I have no fuse at all, and there's a thousand could testify to it if I hadn't stilled their tongues for good. If you ever speak to me of Lord Perth again...ever, ever, EVER...I'll tear off the top of your skull and eat your brains. I'll have none of that bad-luck story in the Cradle of the Grays. Do you understand me?" He shook Jake back and forth like a rag, and the boy burst into tears. "Do you?" "Y-Y-Yes!" "Good." He set Jake upon his feet, where he swayed woozily back and forth, wiping at his streaming eyes and leaving smudges of dirt on his cheeks so dark they looked like mascara. "Now, my little cull, we're going to have a question and answer session here. I'll ask the questions and you'll give the answers. Do you understand?" Jake didn't reply. He was looking at a panel of the ventilator grille which circled the chamber. The Tick-Tock Man grabbed his nose between two of his fingers and squeezed it viciously. "Do you understand me?" "Yes!" Jake cried. His eyes, now watering with pain as well as terror, returned to Tick-Tock's face. He wanted to look back at the ventilator grille, wanted desperately to verify that what he had seen there was not simply a trick of his frightened, overloaded mind, but he didn't dare. He was afraid someone else--Tick-Tock himself, most likely--would follow his gaze and see what he had seen. "Good." Tick-Tock pulled Jack back over to the chair by his nose, sat down, and cocked his leg over the arm again. "Let's have a nice little chin, then.
Stephen King (The Waste Lands (The Dark Tower, #3))
spilling from his eyes. Cassis screamed, panting, and flapped her fingers wildly, like she was trying to cool down. Her face glowed red like molten embers.  “Water…water,” she gasped, and glanced around. The scintillating luminescence of fire raged inside her body. Talis shielded his eyes from the intensity of light pouring from her body. Another sorcerer flew to them, as if drawn by the attack, and scowled at Talis. Cassis lifted her hands at the sorcerer, as if in a grave struggle against the hand of death itself. The sorcerer curled his fingers, aiming at him, and prepared to strike.  “No, Cassis, stop!”  Rikar ran in a hobble towards her, and in a brief glance at his face, Talis could see love and fury and a terrific sadness. Despite the shouts of warning, Cassis released an enormous fireball at the enemy, vaporizing him in an instant. But she couldn’t contain the power. It burned too strong inside. The light rose to a frenzied brilliance as many apprentices around her started running away.  Her neck dropped. Her flaming, brilliant body exploded in a powerful wave, burning chunks of fire and flesh searing everywhere around her. Those fleeing nearby were cut down by the blast. Some were knocked against the stone walls. Some were blasted over the edge and plummeted helplessly to the ground far below. The ones refusing to leave her side were incinerated where they stood. Talis felt his stomach twist and flip around, and he vomited, coughing, choking on his own bile.  Gasping for air, for life, he tried to expel the image from his mind. A primal fear burrowed its way inside. What had just happened? Was this the terror of magic? He still felt the fire burning inside his body. Why would he risk his life and the lives of his friends? The power roared so strong. Could he ever learn to contain it? Or would he find a fate like that of Cassis? Rikar balled up his fists and pounded the ground, sobbing. Nikulo came over and tried to comfort him, but Rikar just pulled away and curled up. A lightning bolt shattered a nearby tower, jolting them to attention.
John Forrester (Fire Mage (Blacklight Chronicles, #1))
Days like that I feel that my mind is going 1,000,000 miles an hour, visions of the past, present, and future race through my mind. It races, like a train as if I was looking out the window of the car while it is speeding down the line. I am on a track that will never end.' 'I feel that I am going to derail from this runaway train that I am becoming. I cannot sleep at night, because of the fear inside me.' 'I feel restless, depressed, and loveless as well as not content with myself. I would have to say that my passion for life is gone; my imagination is the only thing that keeps me going.' 'I write the day's events that have gone by in my book of life of all the pastimes, while dreaming of what could have been in it, and besides what has not been in it.' 'If this does not stop, I am going to crack. I look into my mirror, and I do not see me, I see an impression of what I used to be.' 'I see my long brown hair that covers part of my face and covers my blue eyes of emotion. I see the cross around my neck that brings me confidence.' 'I hide behind a smile; I see the body in which nobody thinks is without drought flawless.' 'The bare body that is touched in all ways, yet I tried to hide behind my makeup. I gasp at my pale skin and the look of my body.' 'I am 95 pounds, really tiny; surely there is someone that would find me attractive?' 'I wonder if I can find someone who can think for themselves. I want someone who will love me, for who I am- and not what they want me to be.' 'Most importantly, I need someone that will not use me. Is that too much to ask for?' 'Fear!' 'Anxiety is something that I have inside, it is the source of the things which lead to distress. Not finding someone that loves me, for who I am, is some of my fears.' 'I fear the fact that I am most likely going to be alone forever. Another being that everyone that has meaning in my life is fading away from me it seems.' 'I fear not having a family by my side at all times. I have tears about the overwhelming struggle to rebuild my reputation, which has been destroyed.' 'I ask this question if I was to die tomorrow would anybody come to my wake, to see me lying there?' 'I fear what society has done to me. I fear that I have no trust in anyone or anything. I fear that my life has no meaning.' 'I fear that I will never get out of this hell.' 'I just want to start my life and get a degree in nursing someday from- 'The Conemaugh School of Nursing,' if I can make it through all of this. I do not think that is too much to ask for or is it?' 'I think that if I could be left alone, with the one that I want. I could have a life; you know what I am sure of it. I fear that the towering entity will never collapse, and the demons will keep playing in my head. I fear that I will never have a social ability, to be part of the nobility of compatibility.' 'I fear that the terror will never stop in these innocent lives like mine, and they will not be saved. I fear that nobody will ever see my creativity or recognize me for the good in which I do for others. I feel like I am the only one left in this world, that I call my life.' 'All the beauty in life has been dejected, and it is all ablaze around me. Yes, I fear to be in the outside realm of things.' 'I want to scream yet no one is going to hear it. I ask- am I becoming institutionalized?
Marcel Ray Duriez (Walking the Halls (Nevaeh))
Na verdade, é fácil ver os efeitos da magia nos negócios, particularmente em um lugar como o Walt Disney World. Basta observar os convidados. A criança que vê o Mickey pela primeira vez, em tamanho natural e pessoalmente; o adolescente que acaba de sair da queda livre de 13 andares do The Twilight Zone Tower of Terror; ou os pais que voltam ao hotel depois de um longo dia e encontram um Ursinho Puff de pelúcia com biscoitos e leite esperando pacientemente na cama pelos filhos. Cada um desses é um momento mágico no qual o vínculo entre o cliente e a empresa é forjado e fortalecido.
DISNEY INSTITUTE AGENCIA LITERARIA RIFF LTDA (O JEITO DISNEY DE ENCANTAR OS CLIENTES (Portuguese Edition))
In 2013, Tokhtakhounov was indicted for money laundering in connection with an illegal gambling ring that operated out of Trump Tower. Several months after this indictment, Tokhtakhounov was a VIP guest at Donald Trump’s Miss Universe contest in Moscow.)
Andrew G. McCabe (The Threat: How the FBI Protects America in the Age of Terror and Trump)
He was gone, in the wind, back to Russia, where he has been living openly. (And from there, he allegedly continued to run criminal enterprises in the United States. In 2013, Tokhtakhounov was indicted for money laundering in connection with an illegal gambling ring that operated out of Trump Tower. Several months after this indictment, Tokhtakhounov was a VIP guest at Donald Trump’s Miss Universe contest in Moscow.) We’ve never had a chance to get him again. In the scheme of things, the evident corruption behind a figure-skating medal may seem trivial. But for me and for a lot of guys on our squad, this was a critical turn of events. One of our worst fears was that the top tier of the vory v zakone would use money to undermine Western institutions in which many millions of Americans have reflexive faith. That fear had now been realized, and we asked ourselves what institutions might be next, and we asked whether any American public official might be susceptible to a two-hundred-million-dollar bribe, and we asked whether democracy itself might become a target.
Andrew G. McCabe (The Threat: How the FBI Protects America in the Age of Terror and Trump)
The towering bulk of my stepfather was poised with hand drawn back about to strike the bleeding face of my mother. Fright found a voice: ‘Oh Do-o-on’t!’ I shrieked. ‘Don’t hit her – you leave her alone!’ I felt the raw tremulous sounds heave up from my chest and thought I would vomit. He swung around, his mouth agape, arm still aloft, and stared at me as though I were an apparition … stared at my child-frame vibrating now in a paroxysm of shock. ‘I’ll kill you!’ I promised ludicrously in a high shrill that reverberated in my skull and seemed alien to my ears, and I thought he would do the same to me. But he stopped, took a swaying stride forward and leaned on the dresser and, flinging out the great arm of which I was in mortal terror, he growled, ‘Get t’ bloody bed!
Jennie Linnane (Ironbark Hill (Ironbark Hill, #1))
Women should donate their period blood to the Red Cross. It was only minor injuries... By that I mean only minors were injured. Osama’s Original Tower of Terror: THE RIDE! I've met a guy named Dick... But never met a woman named Pussy. Sign
Mike Sov (I Like Poop)
Tokhtakhounov was indicted and arrested by Italian police on charges of conspiracy to rig the competition. For months the FBI worked with the Italians and with Interpol to get him extradited. Before long, word came to the squad that a Russian oligarch had pledged two hundred million dollars to get Tokhtakhounov out of jail. Next thing we knew, his release was ordered by the Italian Supreme Court. He was gone, in the wind, back to Russia, where he has been living openly. (And from there, he allegedly continued to run criminal enterprises in the United States. In 2013, Tokhtakhounov was indicted for money laundering in connection with an illegal gambling ring that operated out of Trump Tower. Several months after this indictment, Tokhtakhounov was a VIP guest at Donald Trump’s Miss Universe contest in Moscow.) We’ve never had a chance to get him again. In the scheme of things, the evident corruption behind a figure-skating medal may seem trivial. But for me and for a lot of guys on our squad, this was a critical turn of events. One of our worst fears was that the top tier of the vory v zakone would use money to undermine Western institutions in which many millions of Americans have reflexive faith. That fear had now been realized, and we asked ourselves what institutions might be next, and we asked whether any American public official might be susceptible to a two-hundred-million-dollar bribe, and we asked whether democracy itself might become a target. HOW WE WORK Enterprise Theory Muddy Wingtips Most FBI investigations are conducted by the Bureau’s criminal, counterterrorism, or counterintelligence divisions.
Andrew G. McCabe (The Threat: How the FBI Protects America in the Age of Terror and Trump)
Of course, most of us, in the service of sanity, don’t fixate on the end. We go about the world focused on worldly concerns. We accept the inevitable and direct our energies to other things. Yet the recognition that our time is finite is always with us, helping to shape the choices we make, the challenges we accept, the paths we follow. As cultural anthropologist Ernest Becker maintained, we are under a constant existential tension, pulled toward the sky by a consciousness that can soar to the heights of Shakespeare, Beethoven, and Einstein but tethered to earth by a physical form that will decay to dust. “Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order blindly and dumbly to rot and disappear forever.”2 According to Becker, we are impelled by such awareness to deny death the capacity to erase us. Some soothe the existential yearning through commitment to family, a team, a movement, a religion, a nation—constructs that will outlast the individual’s allotted time on earth. Others leave behind creative expressions, artifacts that extend the duration of their presence symbolically. “We fly to Beauty,” said Emerson, “as an asylum from the terrors of finite nature.”3 Others still seek to vanquish death by winning or conquering, as if stature, power, and wealth command an immunity unavailable to the common mortal. Across the millennia, one consequence has been a widespread fascination with all things, real or imagined, that touch on the timeless. From prophesies of an afterlife, to teachings of reincarnation, to entreaties of the windswept mandala, we have developed strategies to contend with knowledge of our impermanence and, often with hope, sometimes with resignation, to gesture toward eternity. What’s new in our age is the remarkable power of science to tell a lucid story not only of the past, back to the big bang, but also of the future. Eternity itself may forever lie beyond the reach of our equations, but our analyses have already revealed that the universe we have come to know is transitory. From planets to stars, solar systems to galaxies, black holes to swirling nebulae, nothing is everlasting. Indeed, as far as we can tell, not only is each individual life finite, but so too is life itself. Planet earth, which Carl Sagan described as a “mote of dust suspended on a sunbeam,” is an evanescent bloom in an exquisite cosmos that will ultimately be barren. Motes of dust, nearby or distant, dance on sunbeams for merely a moment. Still, here on earth we have punctuated our moment with astonishing feats of insight, creativity, and ingenuity as each generation has built on the achievements of those who have gone before, seeking clarity on how it all came to be, pursuing coherence in where it is all going, and longing for an answer to why it all matters. Such is the story of this book.
Brian Greene (Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe)
Then suddenly Merry felt it at last, beyond doubt: a change. Wind was in his face! Light was glimmering. Far, far away, in the South the clouds could be dimly seen as remote grey shapes, rolling up, drifting: morning lay beyond them. But at that moment there was a flash, as if lightning had sprung from the earth beneath the city. For a searing second it stood dazzling far off in black and white, its topmost tower like a glittering needle; and then as the darkness closed again there came rolling over the fields a great boom. At that sound the bent shape of the king sprang suddenly erect. Tall and proud he seemed again; and rising in his stirrups he cried in a loud voice, more clear than any there had ever heard a mortal man achieve before: "Arise, arise, Riders of Théoden! Fell deeds awake: fire and slaughter! spear shall be shaken, shield be splintered, a sword-day, a red day, ere the sun rises! Ride now, ride now! Ride to Gondor!" With that he siezed a great horn from Guthláf his banner-bearer and he blew such a blast upon it that it burst asunder. And straightaway all the horns in the host were lifted up in music, and the blowing of the horns of Rohan in that hour was like a storm on the plain and a thunder in the mountains. "Ride now, ride now! Ride to Gondor!" Suddenly the King cried to Snowmane and the horse sprang away. Behind him his banner blew in the wind, white horse upon a field of green, but he outpaced it. After him thundered the knights of his house, but he was ever before them. Éomer rode there, the white horsetail on his helm floating in his speed, and the front of the first éored roared like a breaker foaming to the shore, but Théoden could not be overtaken. Fey he seemed, or the battle-fury of his fathers ran like new fire in his veins, and he was borne up on Snowmane like a god of old, even as Oromë the Great in the battle of the Valar when the world was young. His golden shield was uncovered, and lo! it shone like an image of the Sun, and the grass flamed into green about the white feet of his steed. For morning came, morning and a wind from the sea; and darkness was removes, and the hosts of Mordor wailed, and terror overtook them, and they fled, and died, and the hoofs of wrath overtook them. And then all the host of Rohan burst into song, and they sang as they slew, for the joy of battle was on them, and the sound of their singing that was fair and terrible came even to the city.
Tolkien. J.R.R. (J.R.R. Tolkien 4-Book Boxed Set: The Hobbit and The Lord of the Rings)
After traversing the open plain, the road led through a grove of young ebony trees, where guinea-fowls and a hartebeest were seen; it then wound, with all the characteristic eccentric curves of a goat-path, up and down a succession of land-waves crested by the dark green foliage of the mango, and the scantier and lighter-coloured leaves of the enormous calabash. The depressions were filled with jungle of more or less density, while here and there opened glades, shadowed even during noon by thin groves of towering trees. At our approach fled in terror flocks of green pigeons, jays, ibis, turtledoves, golden pheasants, quails and moorhens, with crows and hawks, while now and then a solitary pelican winged its way to the distance.
Henry Morton Stanley (How I Found Livingstone: Travels, adventures, and discoveres in Central Africa, including an account of four months' residence with Dr. Livingstone, by Henry M. Stanley)
Nothing about Vader seemed natural—not his towering height, his deep voice, his antiquated diction—yet despite those qualities and the mask and respirator, Tarkin believed him to be more man than machine. Although he had clearly twisted the powers of the Force to his own dark purposes, Vader’s innate strength was undeniable. His contained rage was genuine, as well, and not simply the result of some murderous cyberprogram. But the quality that made him most human was the fierce dedication he demonstrated to the Emperor. It was that genuflecting obedience, the steadfast devotion to execute whatever task the Emperor assigned, that had given rise to so many rumors about Vader: that he was a counterpart to the Confederacy’s General Grievous the Emperor had been holding in reserve; that he was an augmented human or near-human who had been trained or had trained himself in the ancient dark arts of the Sith; that he was nothing more than a monster fashioned in some clandestine laboratory. Many believed that the Emperor’s willingness to grant so much authority to such a being heralded the shape of things to come, for it was beyond dispute that Vader was the Empire’s first terror weapon.
John Jackson Miller (The Rise of the Empire)
Landlords—many of whom were absentee, and many were Chinese—hated my guts. They saw me coming and said, ‘There’s that Communist Ed Lee!’” The housing battles of the 1970s were the crucible for an entire generation of new activists in San Francisco. The city was a finite peninsula of competing dreams and ambitions. Was it to become a Manhattan of the West, whose office towers and high-rise apartment buildings overshadowed everything else, or remain an affordable, human-scale city of light nestled into the hills and hollows?
David Talbot (Season of the Witch: Enchantment, Terror and Deliverance in the City of Love)
I can’t hear you, people! Make some noise if you want a good show. How about death? Do you wanna see lots and lots of death tonight?” I took in the applause, the hollering, the hammering feet, basking in it. Then my arm shot up, pointing one finger to the ceiling. The guard-tower window exploded. A man plummeted from the tower, slamming on the concrete floor behind me with a splat like someone stomping on a tomato. He’d been torn open from throat to groin, his chest a ragged ruin of splintered, wrenched-back ribs and mangled organs. His dead eyes were still open, jaw wrenched wide in terror. Then came the rain. The second sniper, one piece at a time. Hands. Feet. Arms, wrenched off at the elbows. His severed head bounced like a basketball as it hit the concrete, rolling across the floor and coming to a stop next to Warden Lancaster’s Italian leather shoe. A horrified silence fell across the room. The guards looked at one another, uncertain, hands on their guns but not sure if they should draw. Lancaster stared down at the severed head, frozen like a deer in the headlights. “Well,” I said, “you’re about to get everything you asked for. What do you think, Warden? Is this good and messy enough for you? Wouldn’t want you to think I ‘pussied out’ again.” His gaze snapped toward me. He took a halting step back, away from the carnage. “How? How did you—” A third body dove from the shattered window. Not in a guard’s uniform, but a billowing white leather coat. She landed as graceful as a raptor, absorbing the impact with one knee and the outstretched fingers of a single hand, and slowly rose to her full willowy height. Her eyes blazed like molten copper, as radiant as her twist of scarlet hair. “If anyone in this room believes themselves to be a righteous soul,” Caitlin said, “I suggest you kneel down and pray. If nobody answers…then you belong to me.
Craig Schaefer (The Killing Floor Blues (Daniel Faust, #5))
Over the following weeks, news stations mercilessly looped footage of the crumbling towers. Again and again and again, I witnessed thousands of innocents massacred in the name of my God. It finally became too much. I had to learn the truth about my faith once and for all. I had to figure out how to reconcile my Islam, a religion of peace, with the Islam on television, a religion of terror.
Nabeel Qureshi (Seeking Allah, Finding Jesus: A Devout Muslim Encounters Christianity)
Later on, however . . . (Hebrews 12:11) There is a legend that tells of a German baron who, at his castle on the Rhine, stretched wires in the air from tower to tower so that the wind might treat them as a wind harp and thereby create music as it blew across them. Yet as the soft breezes swirled around the castle, no music was born. One night, however, a fierce storm arose, and the hill where the castle sat was struck with the fury of the violent wind. The baron looked out his doorway on the terror of the wind, and the wind harp was filling the air with melodies that rang out even above the noise of the storm. It had taken a fierce storm to produce the music! Haven’t we all known people whose lives have never produced any pleasing music during their days of calm prosperity but who, when fierce winds have blown across their lives, have astonished us by the power and beauty of their music? Rain, rain Beating against the pane! How endlessly it pours Out of doors From the darkened sky— I wonder why! Flowers, flowers, Springing up after showers, Blossoming fresh and fair, Everywhere! God has now explained Why it rained! You can always count on God to make the “later on” of difficulties a thousand times richer and better than the present, if we overcome them correctly. “No discipline seems pleasant at the time. . . . Later on, however, it produces a harvest of righteousness and peace” (Heb. 12:11). What a yield!
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
The Altamont Correctional Facility had originally been built as a hospital for the criminally insane, a hundred and fifty years ago. The Altamont Lunatic Asylum, as it was then called, was a grand Victorian Gothic complex of spires and crenellated towers. Its forbidding red-brick walls were stained dark with soot from a century of internal-combustion engines. Some forty years ago the mental hospital was shut down and converted into a medium-security prison, but it still looked like the sort of place a homicidal maniac escapes from, then terrorizes the nearby summer camp. It also reminded me a little of the high school I’d gone to in Malden. They’d done some renovation since the days of straitjackets and lobotomies. There was a concrete perimeter wall thirty feet high, topped with coils of razor wire, watchtowers, and banks of high-mast lights. Inside the walls, the old Gothic prison complex was surrounded by a luxuriant green lawn that wouldn’t have been out of place at Pebble Beach.
Joseph Finder (Vanished (Nick Heller, #1))
But they had forgotten something; they had forgotten journalism. They had forgotten that there exists in the modern world, perhaps for the first time in history, a class of people whose interest is not that things should happen well or happen badly, should happen successfully or happen unsuccessfully, should happen to the advantage of this party or the advantage of that part, but whose interest simply is that things should happen. It is the one great weakness of journalism as a picture of our modern existence, that it must be a picture made up entirely of exceptions. We announce on flaring posters that a man has fallen off a scaffolding. We do not announce on flaring posters that a man has not fallen off a scaffolding. Yet this latter fact is fundamentally more exciting, as indicating that that moving tower of terror and mystery, a man, is still abroad upon the earth. That the man has not fallen off a scaffolding is really more sensational; and it is also some thousand times more common. But journalism cannot reasonably be expected thus to insist upon the permanent miracles. Busy editors cannot be expected to put on their posters, "Mr. Wilkinson Still Safe," or "Mr. Jones, of Worthing, Not Dead Yet." They cannot announce the happiness of mankind at all. They cannot describe all the forks that are not stolen, or all the marriages that are not judiciously dissolved. Hence the complete picture they give of life is of necessity fallacious; they can only represent what is unusual. However democratic they may be, they are only concerned with the minority.
G.K. Chesterton (The Ball and the Cross)
Society's revenge matched its fright.
Barbara W. Tuchman (The Proud Tower: A Portrait of the World Before the War, 1890-1914)
In the intervening thirty years since Sadat’s death at the hands of Jihadists, thousands of terror attacks have occurred in nations across the globe. Two years after Sadat’s death the U.S. Embassy in Beirut, Lebanon was bombed, killing 63. Six were killed in the bombing of the World Trade Center in New York City on February 26, 1993. The next month, 250 civilians died in the attacks on Bombay, India.  A year later, three members of the Armed Islamic Group hijacked Air France flight 8969 in Algiers, killing seven. In 1996 the Khobar Towers in Saudi Arabia were bombed, killing 19 U.S. Air Force airmen living in the towers.
John Price (The End of America: The Role of Islam in the End Times and Biblical Warnings to Flee America)
A grassroots outpouring of sympathy for the victims of September 11 occurred on the streets in only two places in the Muslim world, both within days of the collapse of the twin towers and both among the Shia. The first was in Iran, where tens of thousands snubbed their government to go into the streets of Tehran and hold a candlelight vigil in solidarity with victims of the attacks. The second was in Karachi, where a local party that is closely associated with the city’s Shia33 broke with the public mood in Pakistan to gather thousands to denounce terrorism.34 What followed September 11 in Afghanistan and Iraq has only strengthened these feelings. The Shia in Afghanistan, between 20 and 25 percent of the population, were brutalized by the Taliban. The constitution adopted in that country in 2003 has broken with tradition to allow a Shia to become president and to recognize Shia law. The Shia have come out from the margins to join the government and take their place in public life. The violent face of Sunni militancy in Iraq underscores the divergent paths that Sunni and Shia politics are taking.
Vali Nasr (The Shia Revival: How Conflicts within Islam Will Shape the Future)
The error is always to reason within categories of ‘difference’ when the root of all conflicts is rather ‘competition’, mimetic rivalry between persons, countries, cultures. Competition is the desire to imitate the other in order to obtain the same thing he or she has, by violence if need be. No doubt terrorism is bound to a world ‘different’ from ours, but what gives rise to terrorism does not lie in that ‘difference’ that removes it further from us and makes it inconceivable to us. On the contrary, it lies in the desire for convergence and resemblance. Human relations are essentially relations of imitation, of rivalry. What is experienced now is a form of mimetic rivalry on a planetary scale. When I read the first documents of Bin Laden and verified his allusions to the American bombing of Japan, I felt at first that I was in a dimension that transcends Islam, a dimension of the entire planet. Under the label of Islam we find a will to rally and mobilize an entire third world of those frustrated and of victims in their relations of mimetic rivalry with the West. But the towers destroyed had as many foreigners as Americans. But their effectiveness, the sophistication of the means they employed, the knowledge that they had of the United States and their training, were not the authors of the attack in a sense at least partly American? Here we are in the middle of mimetic contagion.
Continuum (Evolution and Conversion: Dialogues on the Origins of Culture)
Designed in a 'Pueblo Deco' style, which blends Mission with Art Deco influences, the DCA tower is a composite modeled after real Hollywood landmarks built in the 1920's; possible influences include the Hollywood Tower at 6200 Franklin Avenue, The Hollywood Roosevelt Hotel at 7000 Hollywood Boulevard and the Chateau Marmont at 8221 Sunset Boulevard.
Leslie Le Mon (The Disneyland Book of Secrets 2014 - DCA: One Local's Unauthorized, Rapturous and Indispensable Guide to the Happiest Place on Earth)
The DCA Tower of Terror is a powerful visual landmark that looms over the park day and night. It's not just the tallest building at Disneyland Resort; it's the tallest building in Anaheim. Amtrak travelers know they're approaching the Anaheim train station when they see the Tower of Terror looming in the distance.
Leslie Le Mon (The Disneyland Book of Secrets 2014 - DCA: One Local's Unauthorized, Rapturous and Indispensable Guide to the Happiest Place on Earth)
When ObamaCare was being passed, Senator Chuck Grassley--a towering giant in this body; a strong, principled conservative--introduced a commonsense provision to ObamaCare that said: If you are going to force ObamaCare on the American people, if you are going to create these health insurance exchanges and you are going to force millions of people into these exchanges, then Congress should not operate by better rules than the American people. So he introduced a simple amendment designed to treat Members of Congress just like the American people so that we didn't have this two-class system.   It has been reported--I was not serving in this body at the time--that amendment was voted on and accepted because Democratic Senators believed the bill would go to conference and in the conference committee they could strip it out and it would magically disappear. But then, because of the procedural games it took to pass it, they didn't have the opportunity to do that, and suddenly, horror of all horrors, this bill saying Congress should be bound by the same rules as the American people became the law of the land.   So what happened? Majority leader Harry Reid and Democratic Senators had a closed-door meeting with the President here in the Capitol where they said, according to public news reports: Let us out of ObamaCare. We don't want to be in these exchanges.   One would assume they are reading the same news reports the rest of us are reading--that ObamaCare is a train wreck, that it is not working--and the last thing Members of Congress wanted to do was to have their health care jeopardized. And the President directed his administration to exempt Members of Congress and their staff, ignoring the language of the statute, disregarding the language of the statute and saying: You guys are friends of the administration. We are taking care of you.   I
Ted Cruz (TED CRUZ: FOR GOD AND COUNTRY: Ted Cruz on ISIS, ISIL, Terrorism, Immigration, Obamacare, Hillary Clinton, Donald Trump, Republicans,)
A towering blond woman in an emerald-green suit with lapels sharp enough to slice cheese stalks toward us, her expression set somewhere between rabid and murderous.  “You have got to be kidding me!” she shrieks as she comes alongside us and casts a tundra-cold glance in my direction.  Immediately, I think she’s talking about my clothing, which, while not precisely appropriate, wouldn’t seem to merit a Teutonic hissy fit. But her eyes bounce away from me again, and she presses her hand to her ear. “If this guy doesn’t work out, I will have no problem jamming an ice pick up your skinny ass, Paolo,” she says, and I finally notice the Bluetooth device tucked up next to a chignon tight enough to give her cat eyes.  She clips away, leaving flowers to shrivel and birds to drop from the sky in her wake.  “Jesus,” Ethan mutters, and I realize I’ve actually grabbed onto his arm in terror. “Here’s hoping she’s not the HR rep.”  I allow myself a moment’s enjoyment before releasing him. “Here’s hoping she doesn’t even work here.”  He smiles. “Here’s hoping she’s leaving on a ten-year cruise.”  “To Antarctica.”  “To reunite with her clan, the snow beasts.” 
Noelle August (Boomerang (Boomerang, #1))
However, in order for the State to raise the price of this or any other services, some degree of public support is needed. Thus, the State will tend to provoke or allow crime or the threat of foreign aggression to increase, so that it may cite these security threats when expanding its own budget for defense. Take, for example, the destruction of the twin World Trade Center towers. Subsequent to the terror attacks on 9/11, the Department of Defense budget was massively increased, federal agents took over the role of providing airport security, and the Department of Homeland Security was born.
Christopher Chase Rachels (A Spontaneous Order: The Capitalist Case For A Stateless Society)
After traversing the open plain, the road led through a grove of young ebony trees, where guinea-fowls and a hartebeest were seen; it then wound, with all the characteristic eccentric curves of a goat-path, up and down a succession of land-waves crested by the dark green foliage of the mango, and the scantier and lighter-coloured leaves of the enormous calabash. The depressions were filled with jungle of more or less density, while here and there opened glades, shadowed even during noon by thin groves of towering trees. At our approach fled in terror flocks of green pigeons, jays, ibis, turtledoves, golden pheasants, quails and moorhens, with crows and hawks, while now and then a solitary pelican winged its way to the distance. Nor was this enlivening prospect without its pairs of antelope, and monkeys which hopped away like Australian kangaroos; these latter were of good size, with round bullet heads, white breasts, and long tails tufted at the end. We arrived at Kikoka by 5 P.M., having loaded and unloaded our pack animals four times, crossing one deep puddle, a mud sluice, and a river, and performed a journey of eleven miles. The settlement of Kikoka is a collection of straw huts; not built after any architectural style, but after a bastard form, invented by indolent settlers from the Mrima and Zanzibar for the purpose of excluding as much sunshine as possible from the eaves and interior. A sluice and some wells provide them with water, which though sweet is not particularly wholesome or appetizing, owing to the large quantities of decayed matter which is washed into it by the rains, and is then left to corrupt in it. A
Henry Morton Stanley (How I Found Livingstone: Travels, adventures, and discoveres in Central Africa, including an account of four months' residence with Dr. Livingstone, by Henry M. Stanley)
He’d brought that damned gold couch with them, shredded cushions and all. It had earned him no shortage of comments from Hasar when it was hauled into the cargo hold, but he didn’t care. If they survived this war, he’d build a house for Yrene around the damn thing. Along with a stable for Farasha, currently terrorizing the poor soldiers tasked with mucking out her stall aboard the ship. A wedding gift from Hasar, along with Yrene’s own Muniqi horse.
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
The attack came sudden as a thunderbolt. Caraxes dove down upon Vhagar with a piercing shriek that was heard a dozen miles away, cloaked by the glare of the setting sun on Prince Aemond’s blind side. The Blood Wyrm slammed into the older dragon with terrible force. Their roars echoed across the Gods Eye as the two grappled and tore at one another, dark against a blood-red sky. So bright did their flames burn that fisherfolk below feared the clouds themselves had caught fire. Locked together, the dragons tumbled toward the lake. The Blood Wyrm’s jaws closed about Vhagar’s neck, her black teeth sinking deep into the flesh of the larger dragon. Even as Vhagar’s claws raked his belly open and Vhagar’s own teeth ripped away a wing, Caraxes bit deeper, worrying at the wound as the lake rushed up below them with terrible speed. And it was then, the tales tell us, that Prince Daemon Targaryen swung a leg over his saddle and leapt from one dragon to the other. In his hand was Dark Sister, the sword of Queen Visenya. As Aemond One-Eye looked up in terror, fumbling with the chains that bound him to his saddle, Daemon ripped off his nephew’s helm and drove the sword down into his blind eye, so hard the point came out the back of the young prince’s throat. Half a heartbeat later, the dragons struck the lake, sending up a gout of water that was said to have been as tall as Kingspyre Tower.
George R.R. Martin (Fire & Blood (A Targaryen History, #1))
But the subject of war never came up until Billy brought it up himself. Somebody in the zoo crowd asked him through the lecturer what the most valuable thing he had learned on Tralfamadore was so far, and Billy replied, “How the inhabitants of a whole planet can live in peace! As you know, I am from a planet that has been engaged in senseless slaughter since the beginning of time. I myself have seen the bodies of schoolgirls who were boiled alive in a water tower by my own countrymen, who were proud of fighting pure evil at the time.” This was true. Billy saw the boiled bodies in Dresden. “And I have lit my way in a prison at night with candles from the fat of human beings who were butchered by the brothers and fathers of those schoolgirls who were boiled. Earthlings must be the terrors of the Universe! If other planets aren’t now in danger from Earth, they soon will be. So tell me the secret so I can take it back to Earth and save us all: How can a planet live at peace?” Billy felt that he had spoken soaringly. He was baffled when he saw the Tralfamadorians close their little hands on their eyes. He knew from past experience what this meant: He was being stupid.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Серед заарештованих було 43 члени Ленінградського товариства глухонімих. Цю нібито «фашистську організацію» звинувачували в тому, що вони вступили в змову з німецькою розвідкою, щоб саморобною бомбою підірвати Сталіна та інших членів політбюро під час параду на Красній площі на честь Дня Революції. Розстріляно було 34 особи, решту — вислали в табори на десять і більше років. Насправді ж голова цього товариства доніс на кількох членів, що вони торгували якимись дрібничками в електричках, щоб заробити собі на хліб. Цей донос привернув увагу НКВС, після чого самого ж голову звинуватили в участі в змові та розстріляли. Наступного року в НКВС вирішили, що слідчі в цій справі також під підозрою. Місцевих міліціонерів також заарештували.
Niall Ferguson (The Square and the Tower: Networks and Power, from the Freemasons to Facebook)
But with Eyllwe … Had they given some sign of resistance, to prompt her to terrorize them? He couldn’t imagine it, that Aelin would consider hurting innocent people, let alone the people of her beloved friend. And yet she knew the risks that Perrington—Erawan posed. What he’d do to them all, if she did not band them together. By whatever means necessary.
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
No one loved him. His head burnt up lies and licentiousness in twilit rooms. The blue rustling of a woman's dress turned him into a pillar of stone and in the doorway stood the night-dark figure of his mother. Over his head reared the shadow of Evil. O, you nights and stars. At evening he walked by the mountain with the cripple; upon the icy summit lay the roseate gleam of sunset and his heart rang quietly in the twilight. The stormy pines sank heavily over them and the red huntsman stepped out of the forest. When night fell, his heart broke like crystal and darkness beat his brow. Beneath bare oak trees with icy hands he strangled a wild cat. At the right hand appeared the white form of an angel lamenting, and in the darkness the cripple's shadow grew. But he took up a stone and threw it at the man that he fled howling, and sighing the gentle countenance of the angel vanished in the shadow of the tree. Long he lay on the stony field and gazed astonished at the golden canopy of the stars. Pursued by bats he plunged into darkness. Breathless he stepped into the derelict house. In the courtyard he, a wild animal, drank from the blue waters of the well till he felt the chill. Feverish he sat on the icy steps, raging against God that he was dying. O, the grey countenance of terror, as he raised his round eyes over the slit throat of a dove. Hastening over strange stairways he encountered a Jewish girl and clutched at her black hair and he took her mouth. A hostile force followed him through gloomy streets and an iron clash rent his ear. By autumnal walls he, now an altar boy, quietly followed the silent priest; under arid trees in ecstasy he breathed the scarlet of that venerated garment. O, the derelict disc of the sun. Sweet torments consumed his flesh. In a deserted half-way house a bleeding figure appeared to him rigid with refuse. He loved the sublime works of stone more deeply; the tower which assails the starry blue firmament with fiendish grimace; the cool grave in which Man's fiery heart is preserved. Woe to the unspeakable guilt which declares all this. But since he walked down along the autumn river pondering glowing things beneath bare trees, a flaming demon in a mantle of hair appeared to him, his sister. On awakening, the stars about their heads went out.
Georg Trakl (Poems and Prose)
This day I remember well. It is the very first moment in my life when I saw desperation enacted by hate. I watched as the second plane flew into the second tower, the pit in my stomach plummeting to a place I have yet to recover. The devastation of those jumping, the visions of cement and debris falling from the sky like thunder. I remember not being able to reach my friends and coworkers, the fear paralyzing me as I imagined them fighting for their lives and the lives of countless others. I remember my cousin who was in the Pentagon who was narrowly spared that day. That day — like it did for so many — that changed me. Forever. And while we honor those lost and remember those who did such things, remember that it was everyone coming together that saved this nation. It was us standing beside one another regardless of politics or religion, race or gender, and no one cared about wealth or poverty, or anything else for that matter. In that moment America stood tall. Today we are completely undone … unraveled and our excuse is moot. I wish we could, as a nation, realize that 9/11 represented a multitude of things. Our freedom, our fear, our triumphant spirit to overcome tragedy and terrorism—foreign and domestic—and our ability to eliminate prejudice when confronting human decency. Today we remember the many lives lost, those still suffering, and those who bravely and courageously continue to do all they can to protect our freedom to speak out, to challenge oppressors, and to rise above the lunacy. New Yorkers are proof that communities of all colors, beliefs and socio economic statuses can come together in the face of adversity. I hope this country — state by state — can stop acting like children and instead act like human beings. That we can be worthy of the months and weeks and days that followed 9/11 when we rose to the occasion as a collective whole.
Dawn Garcia
There was a roar and a great confusion of noise. Fires leaped up and licked the roof. The throbbing grew to a great tumult, and the Mountain shook. Sam ran to Frodo and picked him up and carried him out to the door. And there upon the dark threshold of the Sammath Naur, high above the plains of Mordor, such wonder and terror came on him that he stood still forgetting all else, and gazed as one turned to stone. A brief vision he had of swirling cloud, and in the midst of it towers and battlements, tall as hills, founded upon a mighty mountain-throne above immeasurable pits; great courts and dungeons, eyeless prisons sheer as cliffs, and gaping gates of steel and adamant: and then all passed. Towers fell and mountains slid; walls crumbled and melted, crashing down; vast spires of smoke and spouting steams went billowing up, up, until they toppled like an overwhelming wave, and its wild crest curled and came foaming down upon the land. And then at last over the miles between there came a rumble, rising to a deafening crash and roar; the earth shook, the plain heaved and cracked, and Orodruin reeled. Fire belched from its riven summit. The skies burst into thunder seared with lightning. Down like lashing whips fell a torrent of black rain. And into the heart of the storm, with a cry that pierced all other sounds, tearing the clouds asunder, the Nazgûl came, shooting like flaming bolts, as caught in the fiery ruin of hill and sky they crackled, withered, and went out.
J.R.R. Tolkien (The Lord of the Rings)
At evening Father became an aged man; in dark rooms Mother's countenance turned to stone and the curse of the degenerate race weighed upon the youth. At times he remembered his childhood filled with sickness, terrors and darkness, secretive games in the starlit garden, or that he fed the rats in the twilit yard. Out of a blue mirror stepped the slender form of his sister and he fled as if dead into the dark. At night his mouth broke open like a red fruit and the stars grew bright above his speechless sorrow. His dreams filled the ancient house of his forefathers. At evening he loved to walk across the derelict graveyard, or he perused the corpses in a dusky death-chamber, the green spots of decay upon their lovely hands. By the convent gate he begged for a piece of bread; the shadow of a black horse sprang out of the darkness and startled him. When he lay in his cool bed, he was overcome by indescribable tears. But there was nobody who might have laid a hand on his brow. When autumn came he walked, a visionary, in brown meadows. O, the hours of wild ecstasy, the evenings by the green stream, the hunts. O, the soul that softly sang the song of the withered reed; fiery piety. Silent and long he gazed into the starry eyes of the toad, felt with thrilling hands the coolness of ancient stone and invoked the time-honoured legend of the blue spring. O, the silver fishes and the fruit that fell from crippled trees. The chiming chords of his footsteps filled him with pride and contempt for mankind. Along his homeward path he came upon a deserted castle. Ruined gods stood in the garden sorrowfully at eventide. Yet to him it seemed: here I have lived forgotten years. An organ chorale filled him with the thrill of God. But he spent his days in a dark cave, lied and stole and hid himself, a flaming wolf, from his mother's white countenance. O, that hour when he sank low with stony mouth in the starlit garden, the shadow of the murderer fell upon him. With scarlet brow he entered the moor and the wrath of God chastised his metal shoulders; O, the birches in the storm, the dark creatures that shunned his deranged paths. Hatred scorched his heart, rapture, when he did violence to the silent child in the fresh green summer garden, recognized in the radiant his deranged countenance. Woe, that evening by the window, when a horrid skeleton, Death, emerged from scarlet flowers. O, you towers and bells; and the shadows of night fell as stone upon him.
Georg Trakl (Poems and Prose)