Towel Advertisement Quotes

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Soft Structured Carries (SSC) OK when baby can sit unassisted. A soft structured carrier has buckles, straps, and snaps. The waist belt and shoulder straps are padded and connect with buckles. It can be put on quickly once the belts and buckles are figured out. Some manufacturers advertise wearing tiny infants in their SSC but, unless there is a separate crotch or bottom piece or the crotch or bottom piece is adjustable, it is not recommended to carry a newborn in a soft structured carrier. Most SSCs on the market are NOT adequate for a newborn and therefore we recommend against using a SSC with newborns. Anything you add to the carrier to make it work (rolled up receiving blankets, towels, cloth diapers, etc) for a newborn is also adding a potential hazard. A baby should not lay sideways in the cradle carry or cradle hold in a soft structured carrier. Most SSC are best used from about 6 months of age on.
Babywearing Institute (Babywearing Safely and Securely)
A few days later, I was hunting under the bathroom sink for a bottle of window cleaner. Which I had, in my naivete, assumed only cleaned windows. As per the label. While cleaning the mirror I’d been using the kitchen cleaner, which had falsely labeled itself as “all-purpose.” It was not all-purpose and made bathroom mirrors streaky. “Deceitful advertising,” I mumbled to myself. Once I found the window cleaner, the internet recommended I not use paper towels but since this wasn’t 1996, we didn’t have any newspaper. I also highly doubted that Tyler had microfiber cloths. The paper towels worked well enough. Which freed me up to indulge in one of my favorite pastimes: daydreaming about Tyler. It was one of the few ways to make chores entertaining. I imagined him coming home, finding me in the bathroom, washing the mirror. He would sneak in behind me, wrapping his arms around my waist, nuzzling my neck. I’d lean against his brawny frame, loving the way he felt and how he touched me. Shivers of anticipation would rack my frame, making me rely on his strength to keep me upright. Then he’d whisper words hotly against my ear. “There’s something I want to ask you.” My rib cage would constrict my breathing, my heart speeding like a jackhammer. “Yes?” “Madison . . . how did you get the mirror so clean?” Ugh. It had been so long since I’d been with someone that even my fantasies were lame.
Sariah Wilson (Roommaid)
To some degree, I get why our business likes ’em young. Advertisers want people they can convert, people who haven’t yet made up their minds about things like what their favorite paper towels are or what car they like to drive—people who might change their minds and switch to a different brand because of the ads they see. But as consumers get older, they decide what they like to use and they hardly ever deviate, which means advertisers need to move on to influence the next batch of potential paper towel devotees.
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls (and Everything in Between))
And so they ride through the city, father and child, seeing, each, a different place. Jane, with the liberation of childhood, without rationality or expectations, sees an anarchic landscape in which anything is possible and many things are provocative. She wrestles with language, scans advertisements, shop-signs, logos on vans and trucks. She pays professional attention to other children, in the way that animals are most sensitive to their own species. She searches out the things that tether her to a known world — a bus with a familiar destination, a hoarding that proclaims her favourite brand of chocolate, Volkswagen cars that are like her father’s. Hers is a heliocentric universe, and she is the sun. She is fettered by a child’s careless egotism, but freed from adult preconceptions. She does not know what to expect, and can therefore assess what she sees in its own terms. She does not interpret, and therefore can construct her own system of references. The Arabic script on the windows of the Bank of Kuwait becomes little dancing figures. The caryatids outside the church in Euston Road are ladies wearing bath towels with books on their heads. For her, the city is alternately mysterious and familiar, baffling and instructive. She tests her own capacities against the view from the window of the bus; she rhymes and puns, she counts, she classifies. She plays games with words and sounds, she flexes her imagination, she takes the place as she sees it and twists it to her own ends.
Penelope Lively (City of the Mind)