Watching Your Child Grow Up Quotes

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So many people will tell you ”no”, and you need to find something you believe in so hard that you just smile and tell them ”watch me”. Learn to take rejection as motivation to prove people wrong. Be unstoppable. Refuse to give up, no matter what. It’s the best skill you can ever learn.
Charlotte Eriksson
One characteristic of racism is that children are treated like adults and adults are treated like children. Watching a parent being debased like a child is the deepest shame. I cannot count the number of times I have seen my parents condescended to or mocked by white adults. This was so customary that when my mother had any encounter with a white adult, I was always hypervigilant, ready to mediate or pull her away. To grow up Asian in America is to witness the humiliation of authority figures like your parents and to learn not to depend on them: they cannot protect you.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
Katie is like my calendar, watching her grow and change. She is growing up so fast, learning to have opinions of her own, learning that I don’t have the answers to everything. And the moment a child begins to understand that, you know you’re in trouble.
Cecelia Ahern (Love, Rosie)
It was a very ordinary day, the day I realised that my becoming is my life and my home and that I don't have to do anything but trust the process, trust my story and enjoy the journey. It doesn't really matter who I've become by the finish line, the important things are the changes from this morning to when I fall asleep again, and how they happened, and who they happened with. An hour watching the stars, a coffee in the morning with someone beautiful, intelligent conversations at 5am while sharing the last cigarette. Taking trains to nowhere, walking hand in hand through foreign cities with someone you love. Oceans and poetry. It was all very ordinary until my identity appeared, until my body and mind became one being. The day I saw the flowers and learned how to turn my daily struggles into the most extraordinary moments. Moments worth writing about. For so long I let my life slip through my fingers, like water. I'm holding on to it now, and I'm not letting go.
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
You might say “no, you will never do that, that’s not you, not who I know, not who I thought you were”, and I will say "watch me".
Charlotte Eriksson
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
Oh, child! Somewhere inside you, your future has already unfurled like one of those coiled-up party streamers, once shiny, shaken loose, floating gracefully for a brief moment, now trampled underfoot after the party is over. The future you’re capable of imagining is already a thing of the past. Who did you think you would grow up to become? You could never have dreamt yourself up. Sit down. Let me tell you everything that’s happened. You can stop running now. You are alive in the woman who watches you as you vanish.
Dani Shapiro (Hourglass: Time, Memory, Marriage)
... and it was quite a sad thing, the way I watched you sleep like nothing could go wrong and I did not want to harm it, I did not want to blur it, but how could I not when everything I’ve ever known has slowly gone away and I know by now that that’s the way you let the new day in with new roads and views and chances to grow but it was quite a sad thing because I don’t want this to ever become ’then’ or ’was’ and it was quite an unfamiliar thing. The way I took off my shoes again, put down my bag and quietly went back to bed, slowly between the sheets of moments I don’t want to leave and it was quite a beautiful thing the way you had no idea but still must have known because you did not even open your eyes, but turned around and took my hand and you were still asleep, breathing in and out like nothing could go wrong, but still held my hand like you were glad I didn’t leave. ’Thank you for staying’ and it was quite a wonderful thing, the way I smiled and so did you, sound asleep, and that’s all I need to know for now. That’s all I want to know for now.
Charlotte Eriksson
When it comes to the education of our young, this privilege should only be given to those whose visions are solely in the uplifting benefit of the child. There is no room for the ego in the education of children! Children should not be looked after, nor educated, by those who have not made a sacrifice within their hearts, laying down their own personal agenda and dreams, for the total ascension of the child. Even if you are to educate the children simply sitting under a tree; if you have the vision and the heart of a sage, those children will grow to be mighty men and women under your watch! And even if you wine and dine the children, putting them up in a palace; if you do not have the vision and the selfless heart of a sage, all you do is in utter vanity!
C. JoyBell C.
Thurman asked, “Are you born again?” Reacher said, “Once was enough for me.” “I’m serious.” “So am I.” “You should think about it.” “My father used to say, ‘Why be born again when you can just grow up?’” “Is he no longer with us?” “He died a long time ago.” “He’s in the other place then, with an attitude like that.” “He’s in a hole in the ground in Arlington Cemetery.” “Another veteran?” “Marine.” “Thank you for his service.” “Don’t thank me, I had nothing to do with it.” Thurman said, “You should think about getting your life in order, you know, before it’s too late. Something might happen. The Book of Revelations says ‘The time is at hand.’” “As it has every day since it was written nearly 2000 years ago. Why would it be true now, when it wasn’t before?” “There are signs,” Thurman said, “And the possibility of precipitating events.” He said it primly and smugly, and with a degree of certainty, as if he had regular access to privilieged, insider information. Reacher said nothing in reply. They drove on past a small group of tired men, wrestling with a mountain of tangled steel. Their backs were bent and their shoulders were slumped. Not yet 8 o’clock in the morning, Reacher thought. More than 10 hours still to go. “God watches over them.” “You sure?” “He tells me so.” “Does he watch over you, too?” “He knows what I do.” “Does he approve?” “He tells me so.” “Then why is there a lightning rod on your church?
Lee Child (Nothing to Lose (Jack Reacher, #12))
...TV was entertainment of the last resort. There was nothing on during the day in the summer other than game shows and soap operas. Besides, a TV-watching child was considered available for chores: take out the trash, clean your room, pick up that mess, fold those towels, mow the lawn... the list was endless. We all became adept at chore-avoidance. Staying out of sight was a reliable strategy. Drawing or painting was another: to my mother, making art trumped making beds. A third choir-avoidance technique was to read. A kid with his or her nose in a book is a kid who is not fighting, yelling, throwing, breaking things, bleeding, whining, or otherwise creating a Mom-size headache. Reading a book was almost like being invisible - a good thing for all concerned.
Pete Hautman (Libraries of Minnesota (Minnesota Byways))
It’s like this big maze, see. With fire-breathing dragons and land mines and decoys at every turn. And the maze goes on for hundreds of miles, and just when you think maybe you’ve gotten through—a dead end. Years of wrong turns and mistakes and battles with those dragons, years of bruises, cuts, and burns, but eventually? You make it. You come out the other end of the maze, and you’re a little banged up, but you’re okay. And maybe you meet someone else who was in the maze at the same time, only you didn’t know it. So you talk to this person, compare notes on the maze, and you hear all the ways they made it through that you never thought of, and you tell them all the ways you made it through that they never thought of, and from this shared understanding you grow to love one another. And that love deepens with time. And maybe you and this other person have a child.” Mom starts crying, and so do I. “A perfect, lovely little kid, and you swear you’ll do everything you can to spare your kid from the fire-breathing dragons and the land mines and the decoys. I’ll draw them a map, you think, a detailed map of the maze outlining the quickest routes, pitfalls to avoid, shortcuts that took you years to learn, and maybe this way they won’t end up with bruises and burns like yours.” I squeeze Mom’s hand tighter, let the tears come. “Mom.” She smiles and cries. “You think you have so much time to work on the map, to make it just right. And then one day you wake up to find your perfect, lovely child is already there, right in the thick of the maze. You were so diligent, kept watch every night, and you don’t know when or how it happened, but it did. Your kid is in the maze without a map, and there’s nothing you can do but watch.
David Arnold (The Strange Fascinations of Noah Hypnotik)
Watching them, Harmony felt too shaken to take a step. Eddie and Sheba were young; but she herself had become old. Even if she wasn’t particularly old if you just counted years, the fact was years were no way to count. Happenings were the way to count, the big happening that separated her from youth or even middle age was the death of her daughter, Pepper. That death made her realize that life, once you got around to producing children, was no longer about being pretty or having boyfriends or making money – it was about protecting children; getting them raised to the point where they could try life as adults. It didn’t have to be just children that come out of your body, either. It could be anyone young who needed something you had to give. Some grown men were children; some grown women, too. Harmony knew that she had spent a good part of her life, taking care of just such men. But now that she felt old she didn’t think she wanted to spend much more of her energy protecting men who had had a good chance to grow up, but had blown it. If she never had another boyfriend – something she had been worrying about, on the plane – it might be a little dull in some areas, like sexual areas, but it wouldn’t be the end of the world. What would be the end of the world would be to let some little girl like Sheba get in the car with a bad man who would make a U-turn across the street and kill her right there in front of the pay phones, where pimps and crack dealers were making their calls.
Larry McMurtry (The Late Child)
Joe was the only constant thing in my life. And I loved him like a brother. But that phrase has a very precise meaning. A lot of those stock sayings do. Like when people say they slept like a baby. Do they mean they slept well? Or do they mean they woke up every ten minutes, screaming? I loved Joe like a brother, which meant a lot of things in our family. The truth was I never knew for sure if I loved him or not. And he never knew for sure if he loved me or not, either. We were only two years apart, but he was born in the fifties and I was born in the sixties. That seemed to make a lot more than two years’ worth of a difference to us. And like any pair of brothers two years apart, we irritated the hell out of each other. We fought and bickered and sullenly waited to grow up and get out from under. Most of those sixteen years, we didn’t know if we loved each other or hated each other. But we had the thing that army families have. Your family was your unit. The men on the bases were taught total loyalty to their units. It was the most fundamental thing in their lives. The boys copied them. They translated that same intense loyalty onto their families. So time to time you might hate your brother, but you didn’t let anybody mess with him. That was what we had, Joe and I. We had that unconditional loyalty. We stood back to back in every new schoolyard and punched our way out of trouble together. I watched out for him, and he watched out for me, like brothers did. For sixteen years. Not much of a normal childhood, but it was the only childhood I was ever going to get. And Joe was just about the beginning and end of it. And now somebody had killed him. I sat there in the back of the police Chevrolet listening to a tiny voice in my head asking me what the hell I was going to do about that.
Lee Child (Killing Floor (Jack Reacher, #1))
I have never understood people who want to keep their children as babies and regret every year that they grow older. I myself sometimes felt that I could hardly wait; I wanted to see exactly what Rosalind would be like in a year's time, a year after that, and so on. There is nothing more thrilling in this world, I think than having a child that is your, and yet is mysteriously a stranger. You are the gate through which it came into the world, and you will be allowed to have charge of it for a period; after that it will leave you and blossom out into its own free life -- and there it is, for you to watch, living its life in freedom. It is like a strange plant which you have brought home, planted, and can hardly wait to see how it will turn out.
Agatha Christie (Agatha Christie: An Autobiography)
Darcy rolled the quill between his fingers and looked with benign pity upon his cousin. “You should, you know. It’s a wonderful feeling to be the head of your home, with a wife who adores you and whom you adore in return.” Fitzwilliam whipped out his pocket watch. “Oh, look at that. I have to run." Ignoring him, Darcy turned his face to the fire, a besotted look in his eyes and a smile on his lips. “It’s a good feeling to care for your family and their well-being. It makes you finally grow up, I can tell you.” He sighed deeply and began attacking his figures once more, his mind filled with unlimited love and joy, thinking on his upcoming paternal responsibilities. “I myself find women to be unbelievably wonderful creations.” “I suppose you will continue with this treacle even as I beg you to stop.” “Well, think about it…” Darcy continued, looking up from his work. Fitzwilliam groaned. “They give back to you double and triple whatever little you hand them.” “I think I’m going to be ill, Darcy. Please stop.” “You hand them disparate items of food, and they give you back a wonderful meal. You provide them with four walls and a floor, and they give you back a loving home. You give them your seed,” Darcy’s eyes misted, his voice choked with emotion. “You give them your seed, and they give you back the most precious thing of all—a child…” They sat in silence together. “And God help you if you give them shit.” Fitzwilliam was calmly packing tobacco into his pipe, and his eyes met Darcy’s for a moment. Understanding flashed between them. “Amen to that, Cousin.” Darcy crashed down to earth, quickly resuming his work
Karen V. Wasylowski
They sit and stare and stare and sit Until they're hypnoti[z]ed by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keep them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? It rots the senses in the head! It kills imagination dead! It clogs and clutters up the mind! It makes a child so dull and blind He can no longer understand A fantasy, a fairyland! His brain becomes as soft as cheese! His powers of thinking rust and freeze! He cannot think-he only sees! 'All right' you'll cry. 'All right' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: They... used ... to... read! They'd read and read, And read and read, and then proceed To read some more, Great Scott! Gadzooks! One half their lives was reading books!... Oh books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall... ...They'll now begin to feel the need Of having something good to read. And once they start-oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did...
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
Mathilde watched as down the street came a little girl in a red snowsuit with purple racing stripes. Mittens, a cap too big for her head. Disoriented, the girl turned around and around and around. She began to climb the snow mountain that blocked her from the street. But she was so weak. Halfway up, she’d slip back down. She’d try again, digging her feet deeper into the drift. Mathilde held her breath each time, let it out when the girl fell. She thought of a cockroach in a wineglass, trying to climb up the smooth sides. When Mathilde looked across the street at a long brick apartment complex taking up the whole block, ornate in its 1920s style, she saw, in scattered windows, three women watching the little girl’s struggles. Mathilde watched the women as they watched the girl. One was laughing over her bare shoulder at someone in the room, flushed with sex. One was elderly, drinking her tea. The third, sallow and pinched, had crossed her skinny arms and was pursing her lips. At last, the girl, exhausted, slid down and rested, her face against the snow. Mathilde was sure she was crying. When Mathilde looked up again, the woman with crossed arms was staring angrily through all the glass and cold and snow directly at her. Mathilde startled, sure she’d been invisible. The woman disappeared. She reappeared on the sidewalk in inside clothes, tweedy and thin. She chucked her body into the snowdrift in front of the apartment building, crossed the street, grabbed the girl by the mittens and swung her over the mountain. Carried her across the street and did it again. Both mother and daughter were powdered with white when they went inside. Long after they were gone, Mathilde thought of the woman. What she was imagining when she saw her little girl fall and fall and fall. She wondered at the kind of anger that would crumple your heart up so hard that you could watch a child struggle and fail and weep for so long, without moving to help. Mothers, Mathilde had always known, were people who abandoned you to struggle alone. It occurred to her then that life was conical in shape, the past broadening beyond the sharp point of the lived moment. The more life you had, the more the base expanded, so that the wounds and treasons that were nearly imperceptible when they happened stretched like tiny dots on a balloon slowly blown up. A speck on the slender child grows into a gross deformity in the adult, inescapable, ragged at the edges. A
Lauren Groff (Fates and Furies)
I was thinking, The last thing I want to do is get in a wreck and lose another limb. I completely lost it and blew up at my father. “Why did you do that? I can’t get injured again! Pull over. I’ll drive!” I screamed. Dad is not the kind of person who would have ever taken that kind of behavior from me in the past, but I think he understood the paranoia. I’d asked him while I was in the hospital, “Did you ever think one of your kids would ever lose a limb?” And he said, “No, it never crossed my mind. I was always more afraid I would lost another limb.” It wasn’t until later that I realized how great it was of him that he kept his cool and understood where I was coming from. He just let me freak out and let me drive. I think in some ways it was the same kind of lesson he taught me as a child without ever saying a word. I watched him just get on with things with one arm. He never made a fuss about it. It was an example that growing up I didn’t know I’d need eventually. So I got in the driver’s seat and we continued on our way. After a while we stopped at a gas station to stretch our legs and get some snacks. I grabbed a lemon-line Gatorade and Dad grabbed something to drink and we got back in the car. I turned the car on, so the air and the radio were going as I tried and tried to get my Gatorade bottle open, but the top was too big and I couldn’t quite get my fingers to grab it, hold it, and twist it open. My finger strength just wasn’t there yet. So I put it between my legs and tried to hold it still while I twisted the top. I heard the creak of release as I managed to break the seal of the plastic orange cap but my legs were squeezing the bottle so hard that the bright yellow liquid squirted all over me. “Crap!” I yelled. I heard my dad snicker. I turned to look at him and he smirked while holding a can of Coke in his hand. “And that’s why I drink out of a can,” he declared with a smug grin. Click. Fizzzz. With one hand, Dad popped that can open and took a big slug of his soda.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
Out here you need to live in the moments. Watch the world. You're a young man, Jal, a child who's refused to grow up. Do it now, or you'll die a young man.
Mark Lawrence (Prince of Fools (The Red Queen's War, #1))
Gareth strode straight up to Lucien, seized his shoulder and spun him roughly around on his heel. The pistol went flying from the dummy's wooden hand. "I beg your pardon," Lucien said, raising his brows at Gareth's open display of hostility. "Where is she?" The duke turned back to his target and calmly reloaded his pistol. "Probably halfway to Newbury by now, I should think," he said, mildly. "Do go away, dear boy. This is no sport for children like yourself, and I wouldn't want you to get hurt." The condescending remark cut deep. Gareth marched around to face his brother. They were of equal height, equal build, and almost of equal weight, and his blue eyes blazed into Lucien's black ones as he seized the duke's perfect white cravat and yanked him close. Lucien's eyes went cold, and he reached up and caught Gareth's wrist in an iron grip of his own. All civility vanished. "Don't push me," the duke warned, menacingly. "I've had all I can take of your childish pranks and degenerate friends." "You dare call me a child?" "Yes, and I will continue to do so as long as you continue to act like one. You are lazy, feckless, dissolute, useless. You are an embarrassment to this family — especially to me. When you grow up and learn the meaning of responsibility, Gareth, perhaps I shall treat you with the respect I did your brother." "How dare you talk to me of responsibility when you banish an innocent young woman to fend for herself, and she with a six-month-old baby who happens to be your niece!  You're a cold-hearted, callous, unfeeling bastard!" The duke pushed him away, lifting his chin as he repaired the damage to his cravat. "She was handsomely paid. She has more than enough money to get back to those godforsaken colonies from which she came, more than enough to see herself and her bastard babe in comfort for the rest of her life. She is no concern of yours." Bastard babe. Gareth pulled back and sent his fist crashing into Lucien's jaw with a force that nearly took his brother's head off. The duke staggered backward, his hand going to his bloodied mouth, but he did not fall. Lucien never fell. And in that moment Gareth had never hated him more. "I'm going to find her," Gareth vowed, as Lucien, coldly watching him, took out a handkerchief and dabbed at his mouth. "And when I do, I'm going to marry her, take care of her and that baby as Charles should have done — as it's our duty to do. Then I dare you to call me a child and her little baby a bastard!" He spun on his heel and marched back across the lawn. "Gareth!" He kept walking. "Gareth!" He swung up on Crusader and thundered away.   ~~~~
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
I hope you know how hard it is for a parent to watch their child grow up. It’s even harder to watch her go down a path that could hurt her, but… I want you to come home at the end of all of this. Call us every day. I—we need to know you’re safe.
K. Weikel (Replay: Ghost (Replay, #7))
In the past, there was a strong tendency simply to regard children who had had a very stressful early life as ‘damaged’. But it looks increasingly as if what is happening is that early experience is being used to adapt the child to deal with contrasting kinds of social reality. The emotional make‐up which prepares you to live in a society in which you have to fend for yourself, watch your back and fight for every bit you can get, is very different from what is needed if you grow up in a society in which (to take the opposite extreme) you depend on empathy, reciprocity and co‐operation, and in which your security depends on maintaining good relations with others.
Richard G. Wilkinson (The Spirit Level: Why Equality is Better for Everyone)
ahead. He urged the horse a little faster and when he was within her hearing, he whistled. The piercing sound cut through the air and Vanni turned her mount toward him. She took one look at him, turned and kicked Chico’s flank, taking off. “Goddammit!” he swore. So, this was how it would be—not easy. He was going to have to take off the gloves. He risked being thrown by giving Liberty a snap with the end of his rein. The stallion reared. Paul hung on, then leaned low in the saddle while Liberty closed the space between them. By God, he was going to catch her, make her listen, get through to her. There was no one within shouting distance to distract them. For once in his life, he was going to finish! Even if he had to cover Vanessa’s mouth with his hand! It only took him a few minutes to catch up to her, thanks to Liberty, the champion of the stable. Pulling alongside Vanni he reached out over her hands and grabbed her reins, pulling Chico to a stop. The expression she turned on him was fierce. “What?” she demanded. “Listen to me!” he retorted. “Make it quick!” “Fine. Here’s quick. I love you. I’ve always loved you.I loved you before Matt saw you, but I didn’t have hisguts and I hung back. I’ve regretted that forever. Now I have—” “A baby coming,” she interrupted, lifting her chin. “Listen! I don’t know much about being a father! Just what I watched when I was growing up! And you know what I saw? I saw my parents with their arms around each other all the time! I saw them look at each other with all kinds of emotions—love and trust and commitment and—Vanni, here’s the ugly truth—if I made a baby, I’m not angry about that. It wasn’t on purpose, but I’m not angry. I’ll do my damn best, and I’m real sorry that I’m not in love with the baby’s mother. I’ll still take care of them—and not just by writing a check. I’ll be involved—take care of the child like a real father, support the mother the best I can. What that child is not going to see is his parents looking at each other like they’ve made a terrible mistake. I want him to see his dad with his arms around his wife and—” “Did you try?” she asked. “Did you give the woman who’s got your baby in her a chance?” “Is that what you want for her? She’s a decent person, Vanessa—she didn’t get pregnant on purpose. You want her stuck with a man who’s got another woman on his mind? I didn’t want this to happen to her—I’m not sticking her with half a husband! She deserves a chance to find someone who can give her the real thing.” “But she loves you. She does, doesn’t she? She wanted to get married.” “Vanessa, she’s scared and alone. It’s what comes to mind. She’ll be all right when she realizes I’m not going to let her down. And I’m not going to—” “All this because you couldn’t open your mouth and say how you felt, what you wanted,” she said hotly. “I wanted so little from you—just a word or gesture—some hint that you had feelings for me. Instead, you took your wounded little heart to another woman and—” She stopped her tirade as she saw his eyes narrow and his frown deepen. He glared at her for a long moment, then he jumped off the stallion, her mount’s reins still in his hands. He led the horses the short distance to the river’s edge, to a bank of trees. “What are you doing?” she asked, hanging on to the pommel. He secured the horses at a fallen tree, then reached up to her, grabbed her around the waist and pulled her none too gently out of the saddle. He whirled her around and pressed her up against a tree, holding her wrists over her head and pinioning her there with the whole length of his body. His face was close to hers. “You never opened your mouth, either,” he said. She was stunned speechless. She couldn’t remember a time Paul had ever behaved like this—aggressive, commanding. He leaned closer. “Open it now,” he demanded of her just before he covered her mouth with his.
Robyn Carr (Second Chance Pass)
He urged the horse a little faster and when he was within her hearing, he whistled. The piercing sound cut through the air and Vanni turned her mount toward him. She took one look at him, turned and kicked Chico’s flank, taking off. “Goddammit!” he swore. So, this was how it would be—not easy. He was going to have to take off the gloves. He risked being thrown by giving Liberty a snap with the end of his rein. The stallion reared. Paul hung on, then leaned low in the saddle while Liberty closed the space between them. By God, he was going to catch her, make her listen, get through to her. There was no one within shouting distance to distract them. For once in his life, he was going to finish! Even if he had to cover Vanessa’s mouth with his hand! It only took him a few minutes to catch up to her, thanks to Liberty, the champion of the stable. Pulling alongside Vanni he reached out over her hands and grabbed her reins, pulling Chico to a stop. The expression she turned on him was fierce. “What?” she demanded. “Listen to me!” he retorted. “Make it quick!” “Fine. Here’s quick. I love you. I’ve always loved you.I loved you before Matt saw you, but I didn’t have hisguts and I hung back. I’ve regretted that forever. Now I have—” “A baby coming,” she interrupted, lifting her chin. “Listen! I don’t know much about being a father! Just what I watched when I was growing up! And you know what I saw? I saw my parents with their arms around each other all the time! I saw them look at each other with all kinds of emotions—love and trust and commitment and—Vanni, here’s the ugly truth—if I made a baby, I’m not angry about that. It wasn’t on purpose, but I’m not angry. I’ll do my damn best, and I’m real sorry that I’m not in love with the baby’s mother. I’ll still take care of them—and not just by writing a check. I’ll be involved—take care of the child like a real father, support the mother the best I can. What that child is not going to see is his parents looking at each other like they’ve made a terrible mistake. I want him to see his dad with his arms around his wife and—” “Did you try?” she asked. “Did you give the woman who’s got your baby in her a chance?” “Is that what you want for her? She’s a decent person, Vanessa—she didn’t get pregnant on purpose. You want her stuck with a man who’s got another woman on his mind? I didn’t want this to happen to her—I’m not sticking her with half a husband! She deserves a chance to find someone who can give her the real thing.” “But she loves you. She does, doesn’t she? She wanted to get married.” “Vanessa, she’s scared and alone. It’s what comes to mind. She’ll be all right when she realizes I’m not going to let her down. And I’m not going to—” “All this because you couldn’t open your mouth and say how you felt, what you wanted,” she said hotly. “I wanted so little from you—just a word or gesture—some hint that you had feelings for me. Instead, you took your wounded little heart to another woman and—” She stopped her tirade as she saw his eyes narrow and his frown deepen. He glared at her for a long moment, then he jumped off the stallion, her mount’s reins still in his hands. He led the horses the short distance to the river’s edge, to a bank of trees. “What are you doing?” she asked, hanging on to the pommel. He secured the horses at a fallen tree, then reached up to her, grabbed her around the waist and pulled her none too gently out of the saddle. He whirled her around and pressed her up against a tree, holding her wrists over her head and pinioning her there with the whole length of his body. His face was close to hers. “You never opened your mouth, either,” he said. She was stunned speechless. She couldn’t remember a time Paul had ever behaved like this—aggressive, commanding. He leaned closer. “Open it now,” he demanded of her just before he covered her mouth with his.
Robyn Carr (Second Chance Pass)
Asleep at the wheel nearly dead I think and feeling nothing on my skin but the dark eyes of the antelopes all around me in the Wyoming night watching me pass—a small animal growling down the highway with both eyes aglow. To keep awake I force my head out the window as into a guillotine the black sleet-filled air slipping under each eyelid like a child’s thin silver spoon. Looking back into the car through the ice and tears I do not recognize that body sleeping there. I no longer know that leg pressed hard to the gas, the blue coat or scarf or the hand reaching out to the wheel. Folks, you know I am doing my best— pushing hard toward you through this winter sky but reduced to this— just this head out a window streaming through space like a bearded rock, a hunk of pocked iron with melting eyes. A trail of fiery mist is growing out of the back of my head and stretches now for miles across the night. The odds, I know, are a thousand to one I'll burn up before touching earth but if somehow I do make it home smashing across the farmyard and lighting up the sky I will throw a red glow across the barn's silver roof and crash into the rough wood of your back door smaller than a grain of sand making its one childlike knock. The porch light will hesitate then snap on, as it always does when a car comes up the lane late at night. The two sleepy old faces will come to the door in their long soft robes— will stand there bewildered rubbing their eyes looking around and wondering who it was at their door no sooner come than gone a cinder in the eye.
Anthony Sobin
A regular feature of a day’s filming would be visitors to set. They would generally be children and mostly the visits would be in aid of a children’s charity. Alan Rickman requested by far the most visits for charities that he supported. It seemed to me that he had a group in almost every day. And if anyone understood what a child wanted from a trip to the Harry Potter set, it was him. None of our visitors were that interested in meeting Daniel, Rupert, Emma or, for that matter, me. They wanted to meet the characters. They wanted to put on Harry’s glasses, to get a high five from Ron or a cuddle from Hermione. And since Daniel, Rupert and Emma were so similar in real life to their idea of the characters, they never disappointed. It was different for us Slytherins. I might have got the role of Draco in part because of the similarities between us, but I liked to think that I was not so Draco-esque that I’d be unpleasant to a group of nervous, excited youngsters. So I’d greet them, all smiles, and be as friendly and welcoming as I could be. “Hi, guys! Are you having fun? What’s your favourite set?” And crikey did I get that wrong. Without exception they’d look aghast and confused. Draco being a nice bloke was as anathema to them as Ron being a dickhead. They didn’t quite know how to process it. Alan understood this implicitly. He understood that while they might want to meet Alan Rickman, they’d much rather meet Severus Snape. Whenever he was introduced to these young visitors, he gave them the full Snape experience. They’d receive a clip round the ear and a terse, drawn-out instruction to tuck… your… shirt… in! The kids would be wide-eyed and joyfully terrified. It was a lovely thing to watch. I’d learn, as the years progressed, that some people find it difficult to distinguish between fact and fiction, between fantasy and reality. Sometimes that could be trying. But I wish I’d had Alan’s confidence to remain in character during some of those meet and greets at Leavesden Studios. There’s no doubt that in doing so, he brightened many a day.
Tom Felton (Beyond the Wand: The Magic and Mayhem of Growing Up a Wizard)
Nonviolence is nonsense – or to be more accurate – bookish nonviolence is nonsense. Nonviolence is to injustice, what homeopathy is to illness – it claims all the credit without any of the responsibility. Placebo brings comfort, not change. Does that mean, violence is the solution? That’s the problem, you see. This prehistoric world has an instinctual affinity to black and white concepts – to binary concepts – and a gigantic blind spot for grey areas. Justice is too grand an exercise to be contained by the primitive dualistic nonsense of violence and nonviolence. Let me put this into perspective with an example. Bullets are an act of violence, silence is an act of nonviolence – but there is a third option – the option of the slipper. Slippers are more effective in fighting bugs, than bullets – bullets make martyr of the bugs, slippers put them in their place. When the slippers of a nation’s civilians combine, even the mightiest of tyrant is bound to fall – be it a state head, court judge or law enforcement officer. Whenever a bunch of bugs turn the courts into a cradle of animal masculinity – whenever a bunch of bugs turn the parliament into a cradle of fundamentalism and bigotry – whenever a bunch of bugs turn the police stations into a cradle of badge-bearing barbarism – grab hold of that household bug-repellent you wear on your feet, and put them to some good, wholesome use. Treat the corrupt and bigoted like your children, and do with them as you would your own child when they go astray. When your child starts to bully other kids, if you adopt pacifism and pamper them further in the name of nonviolence, instead of taking stringent steps to nip their megalomania in the bud, it’s very much possible, they might grow up to be the next orange-haired terrorist to roam the oval office or the next musky moron who takes pleasure in destroying people’s livelihoods and providing safe haven to hate speech and disinformation to satisfy their giant ego and puny mind. So, I repeat – pick up the democratic superweapon from under your feet and put it to good use – treat the privileged orangutans like your children and put them in their rightful place, without actually harming them. Your world, your rules – remember that. Slippers are democracy’s first line of defense, bullets it’s last.
Abhijit Naskar (Bulletproof Backbone: Injustice Not Allowed on My Watch)
There are little eyes upon you and they’re watching night and day. There are little ears that quickly take in every word you say. There are little hands all eager to do anything you do; And a little child who’s dreaming of the day he’ll be like you. You’re the little fellow’s idol; You’re the wisest of the wise. In his little mind about you no suspicions ever rise. He believes in you devoutly, holds all that you say and do; He will say and do in your way when he’s grown up just as you. There’s a wide-eyed little fellow who believes you’re always right; And his eyes are always opened, and he watches day and night. You are setting an example, every day in all you do, for the little child who’s waiting, to grow up to be like you. Anonymous
Robin S. Sharma (Family Wisdom From The Monk Who Sold His Ferrari)
Otherwise, there were no long goodbyes or emotional scenes. That isn’t part of foster care. You just leave and you just die a little bit. Just a little bit because a little bit more of you understands that this is the way it’s going to be. And you grow hard around the edges, just a little bit. Not in some big way, but just a little bit because you have to, because if you don’t it only hurts worse the next time and a little bit more of you will die. And you don’t want that because you know that if enough little bits of you die enough times, a part of you leaves. Do you know what I mean? You’re still there, but a part of you leaves until you stand on the sidelines of life, simply watching, like a ghost that everyone can see and no one is bothered by. You become the saddest thing there is: a child of God who has given up.
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care.)
You are so much more than I bargained for,” I confessed, which gained her attention. “I knew I wanted to know you, that I had to. There was just something about you that no matter how hard I tried to shake it wouldn’t dissipate. But never in a million years did I realize I would fall so hard.” I let my thumb trail lightly over her lip. The wound was healing and was less sore but it still angered me that she had to face that night. “I love you,” I said as my gaze wandered back to meet hers. I could see the unshed tears that formed in her eyes as she smiled up at me. “Not just because you’re carrying my baby, but that was the turning point that made me realize the love I had for you. It was the moment I truly understood just how much I want you in my life. I want it all with you, the house, the babies, the growing old together and bickering about what to watch on Sunday night television.” She laughed as she blinked and the tears ran along her cheeks. “I love you,” I repeated. “And I love this baby,” I assured her as I rested my hand against her stomach. “I love you,” she said in a whisper as her tears continued to fall. “And I want all those things too. But just so we’re clear, I get to control what we watch on Sunday nights.” I didn’t argue; how could I when she wore that smile? She was happy, so fucking happy. And that was all I wanted. It was what I craved. Her smile, her laughter, it was as if those were the only things of importance with the acceptance of her safety, because never again would anyone hurt her or my child. That was a promise.
C.A. Harms (Trinity's Trust (Sawyer Brothers #5))
Kit listened to your parting sermon this morning. He was a very good boy today.” She lay on her back, her head turned to watch the baby. “And he’s thriving in your care. Sophie. You aren’t really going to give him up, are you? If Their Graces were tolerant of the tweenie’s situation, they might make allowances for you.” He regretted the words, because they opened the door for him to wonder again what exactly her position in the household was. He told himself it didn’t matter—it still didn’t matter—because again, he’d be leaving in the morning. She curled over on her side, pillowing her cheek on her hand as she gazed at the fire. “Their Graces would indulge me, did I ask it of them, but Kit needs a real family, brothers and sisters, a mama, a papa. I would spoil him shamelessly, and there’s much I do not know about raising a child.” He gave in to the temptation to touch her, reaching over and smoothing the side of his thumb along her hairline. “You’re a quick study. Every mother and aunt and granny in Town would be happy to help you.” Women were like that. They rallied around babies despite differences in age, class, standing, and even nationality. She did not react to his caress, not that he could see. “I think the country is a better place to grow up, especially for boys.” It occurred to him to offer her a place at Sidling. His aunt and uncle were forever grousing about their aging staff, but they refused to pension off the duffers and dodderers on their payroll. But then he’d never see her, for Sidling was one place he would not frequent if he could help it. Still, the idea was not without merit. It would be better than losing touch with her entirely. “He’s
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
You have never seen the sun set at this height. Come, look.’ The puller went to the edge and sat down, his legs hanging over the side. He saw that they hesitated. ‘Come. You can lie down and peer over the edge, if you like.’ Hillalum did not wish to seem like a fearful child, but he could not bring himself to sit at a cliff face that stretched for thousands of cubits below his feet. He lay down on his belly, with only his head at the edge. Nanni joined him. ‘When the sun is about to set, look down the side of the tower.’ Hillalum glanced downward, and then quickly looked to the horizon. ‘What is different about the way the sun sets here?’ ‘Consider, when the sun sinks behind the peaks of the mountains to the west, it grows dark down on the plain of Shinar. Yet here, we are higher than the mountaintops, so we can still see the sun. The sun must descend further for us to see night.’ Hillalum’s jaw dropped as he understood. ‘The shadows of the mountains mark the beginning of night. Night falls on the earth before it does here.’ Kudda nodded. ‘You can watch night travel up the tower, from the ground up to the sky. It moves quickly, but you should be able to see it.’ He watched the red globe of the sun for a minute, and then looked down and pointed. ‘Now!’ Hillalum and Nanni looked down. At the base of the immense pillar, tiny Babylon was in shadow. Then the darkness climbed the tower, like a canopy unfurling upward. It moved slowly enough that Hillalum felt he could count the moments passing, but then it grew faster as it approached, until it raced past them faster than he could blink, and they were in twilight. Hillalum rolled over and looked up, in time to see darkness rapidly ascend the rest of the tower. Gradually, the sky grew dimmer as the sun sank beneath the edge of the world, far away. ‘Quite a sight, is it not?’ said Kudda. Hillalum said nothing. For the first time, he knew night for what it was: the shadow of the earth itself, cast against the sky.
Ted Chiang (Stories of Your Life and Others)
Oh, child! Somewhere inside you, your future has already unfurled like one of those coiled-up party streamers, once shiny, shaken loose, floating gracefully for a brief moment, now trampled underfoot after the party is over. The future you’re capable of imagining is already a thing of the past. Who did you think you would grow up to become? You could never have dreamt yourself up. Sit down. Let me tell you everything that’s happened. You can stop running now. You are alive in the woman who watches as you vanish.
Dani Shapiro (Hourglass: Time, Memory, Marriage)
Out here you need to live in the moments. Watch the world. You’re a young man, Jal, a child who’s refused to grow up. Do it now, or you’ll die a young man.
Mark Lawrence (Prince of Fools (The Red Queen's War, #1))
And he pranced around in front of her until Nannerl angrily jumped up, extending her arms in a shove that she didn’t intend to be violent but was. The child fell hard on the floor and hit his head. He didn’t cry. He looked at her with immense surprise, while she, terrified, knelt on the floor: “Wolfgang! Wolfgang! Did you hurt yourself?” He said no, rubbing the sore place on his forehead. Everything vanished in an instant: excitement, the wish to play, the attempt to provoke his sister. She shed copious tears of guilt, and this left him even more bewildered. Then he stood up mechanically and insisted on getting into his nightclothes without any help from her; by himself he removed the heavy bed warmer, got into bed, and an instant before falling asleep gave her a warm smile of understanding. Their parents found them like that, he in a deep sleep, she curled up beside him watching, with reddened eyes. The night walk had made no dent in Leopold’s bad mood. With a gloomy face he went into the adjoining room, sat down on the bed, and began to untie his shoes. Meanwhile Anna Maria whispered to Nannerl, “What happened? Did you quarrel?” She didn’t answer. She was listening with growing anger to the sounds her father made: a rustling of garments hung on the clothes rack, an indistinct muttering of disappointment for who knows what foolish reason, until she went to him and burst out: “Tomorrow Wolfgang won’t play! Do you understand?” “What’s wrong with you? Be quiet or you’ll wake him! Holy shit!” Anna Maria said, joining her. “He’s exhausted! He’s not himself! He’s always tired and sick, he’s lost weight, he’s not growing, and he has two black pouches under his eyes worse than yours. You can’t make us perform like trained dogs every night. Wolfgang should go to bed early!” Leopold, impassive, slowly continued to undress. He was now half naked, but he didn’t care if his daughter saw him in that state; it was a way of communicating to her that her presence had for him the same value as that of a night table or a bedside rug. “I will tell you one time only, Nannerl, and I will not repeat it,” he replied in a low voice. “When you have your own children, you can bring them up as you see fit; for the moment it is I, I alone, who will make decisions for Wolfgang. He endures fatigue very well. Maybe it’s you who are weak, and your thoughtless actions are the proof.” Furious, Nannerl pushed to the floor the rack on which her father had so carefully hung his clothes and returned to her brother, slamming the door behind her.
Rita Charbonnier (Mozart's Sister: A Novel)
And so it began. The seed had been planted there all along. He was born with it. But it was dormant, fast asleep, deep inside the frontal lobe of his brain's left hemisphere. It woke up when it was ready, not one moment before, and it started to grow. And the wild child would eventually learn his ABC's and how to count to ten. And he would acquire thousands of words and learn how to puzzle them together into meaningful speech. And he would one day come to master, like it was second nature, all the elegant behaviors and customs and protocols and etiquettes separating him from the lower forms of life. Like standing in line and waiting your turn because patience is a virtue. And chewing with your mouth closed because it is rude to let others see the awful mess inside. And watching the clock because they told him he should never be late.
Steven Elkins (Nonesuch Man)