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Daniel Boorstin in The Image: or What Happened to the American Dream offers a conducted literary tour of the new photographic world of travel. One has merely to look at the new tourism in a literary perspective to discover that it makes no sense at all. To the literary man who has read about Europe, in leisurely anticipation of a visit, an ad that whispers: “You are just fifteen gourmet meals from Europe on the world’s fastest ship” is gross and repugnant. Advertisements of travel by plane are worse: “Dinner in New York, indigestion in Paris.” Moreover, the photograph has reversed the purpose of travel, which until now had been to encounter the strange and unfamiliar.
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