Tourism Sites Quotes

We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced by others. We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism." Another silence ensued. "They are taking pictures of taking pictures," he said.

Traveling is not only the art of getting lost, but true travelers, in a sense, never return home. If they do return, they never see home the same way they did before leaving. They begin to see the foreignness of home after experiencing being at home in other foreign lands. Traveling, I have learned, is not all about the touristy and the beautiful places as we see them in tourist guides. Traveling can be frightening in many ways, most important of which is the realization of how much sadness, pain, impoverishment, and despair exist next to, behind, under, over, and above the mountains, the blue lakes, the pristine beaches, the highly rated hotels and restaurants, the well-designed museums and historic and cultural sites, the fancy shops that, in many places, most locals can neither access nor afford. There are places so sad that the fanciest building one can see there is the airport! There are other places where the airports are run down and depressing, but once you step out of the airport, you discover that such places are full of life, meaning, and physical and spiritual nourishment. There are countries, namely the developed countries, where everything looks shiny and perfect, yet as soon as you enter, you encounter so much loneliness, depression, hate, racism, and lifelessness. Things are never as they appear at first glance. Traveling leaves us with more questions than answers – it is so bittersweet." [From “Can We Travel Without Being Tourists?” published on CounterPunch on March 15, 2024]

Dubrovnik, Croatia Dubrovnik’s old architecture, all wrapped within its ancient stone walls, have made this city a World Heritage Site. It’s an old sea port that sits above the Adriatic Sea. Its background, from medieval times was trade between the east and Europe and the city rivalled Venice for its reach and connections. Today, however, the principle economy is based on tourism. The old town is a warren of narrow, cobbled streets, sometimes steep, but pedestrianised which makes it easy to walk. However, be careful – signs do not always point to where they say they are going – many of them are old and the hotels, restaurants, bus stations have moved. The City Walls might look familiar to fans of Game of Thrones – many scenes were filmed here and there are Game of Thrones tours to visit the film’s settings. The area suffered a devastating earthquake in the 17th century, therefore much of the original architecture did not survive. The Sponza Palace, near the Bell Tower, is one of the few Gothic buildings left in the city. The Stradun is the main street in the Old Town – restaurants, shops and bars all pour out onto here. It’s lively, especially towards the end of the day. Don’t forget that the city’s location on the coast means that it also has beautiful beaches. Lapad Beach is two miles outside of town, and has a chilled atmosphere. Banje Beach is closer to the old town. It has an entrance fee and is livelier. One of the reasons Dubrovnok appeals to solo travellers is because it has a low crime rate. In addition, its cobbled streets and artistic shops all make browsing easy.

Bara Brith Cake (Recipe inspired by the Welsh Board of Tourism site, visitwales.com.) 1 pound of self-rising flour 1 teaspoon of spices (allspice, cinnamon, nutmeg, a pinch of clove, ginger) 6 ounces of brown sugar 1 medium-sized egg 1 tablespoon of orange zest (lemon zest works too) 2 tablespoons of orange juice 1 tablespoon of honey (you can substitute 2 tablespoons of marmalade for the juice and honey) 10½ fluid ounces of cold tea 1 pound mixed dried fruit (you can substitute fresh grated ginger for 2 tablespoons of this mixture) Extra honey for glazing Put the mixed dried fruit in a bowl, pour the tea over it, cover, and leave to soak overnight (you can replace ¼ of the tea with whiskey). The next day, mix the sugar, egg, orange juice, orange zest, and honey and add to the fruit mix. Sift in the flour and spices and mix well. Pour the mixture into a 2-pint loaf pan. Bake for 1 hour and 45 minutes at 325 degrees. The cake should be golden and firm to the touch in the middle. Baste the cake with honey while it’s still warm, then allow it to cool.

8 ETHIOPIA Lucy Welcomes You Home —National Museum of Ethiopia poster Many things come from Ethiopia—for example, humans. A long time ago, in the Awash Valley, a humanlike ape hominin lived. She could walk on two legs but also hung out in trees; indeed, a fall from one may have caused her demise. Some 3.2 million years later, in 1974, one of her descendants, the paleoanthropologist Donald Johanson, came across her skeleton, and subsequent research suggested that this may be the region from where we all originated. Our ancestor was named Lucy due to the Beatles song “Lucy in the Sky with Diamonds,” which played at Johanson’s campsite that night. It certainly catches our imagination better than her scientific name: AL 288-1. The National Museum of Ethiopia’s poster “Lucy Welcomes You Home” is a clever piece of marketing, as is the national tourism slogan “Land of Origins,” which has helped boost visitor numbers in a country putting itself on the map in many ways. Tourism accounts for almost 10 percent of Ethiopia’s GDP, with close to 1 million people a year venturing into an epic landscape of high mountains, tropical forests, burning deserts, nine World Heritage sites, including thousand-year-old churches hewn out of solid rock, and breathtaking waterfalls.

Historical Depth and Resilience "Vietnam is a testament to resilience, where history is honored and embraced, not as scars but as symbols of strength." Vietnam's history is layered with stories of resilience, from its ancient dynasties to its recent past. Sites like the Cu Chi Tunnels and the War Remnants Museum offer a solemn look into Vietnam's struggles and determination. Today, these historical places remind visitors of Vietnam’s enduring spirit and its people’s unbreakable bond with their homeland.(evisagov.vn)

Several days later Murray asked me about a tourist attraction known as the most photographed barn in America. We drove twenty-two miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the signs started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were forty cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides--pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced at once by others. "We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. This literally colors our vision. A religious experience in a way, like all tourism." Another silence ensued. "They are taking pictures of taking pictures," he said. 13 He did not speak for a while. We listened to the incessant clicking of shutter release buttons, the rustling crank of levers that advanced the film. "What was the barn like before it was photographed?" he said. "What did it look like, how was it different from other barns, how was it similar to other barns? We can't answer these questions because we've read the. signs, seen the people snapping the pictures. We can't get outside the aura. We're part of the aura. We're here, we're now." He seemed immensely pleased by this.

Resources » USVI Department of Tourism (www.visitusvi.com) Official tourism site with a ‘hot deals’ page » Virgin Islands Now (www.vinow.com) » St Thomas/St John This Week (www.virginislandsthisweek.com) » St Croix This Week (www.stcroixthisweek.com)

time. A new interdisciplinary community of scientists, environmentalists, health researchers, therapists, and artists is coalescing around an idea: neuroconservation. Embracing the notion that we treasure what we love, those concerned with water and the future of the planet now suggest that, as we understand our emotional well-being and its relationship to water, we are more motivated to repair, restore, and renew waterways and watersheds. Indeed, even as water is threatened, or perhaps because of the threat, public interest in water is very high. We treasure it—or, perhaps more accurately, we spend our treasure to access water for pleasure, recreation, and healing. Wealthy people pay a premium for houses on water, and the not so wealthy pay extra for rentals and hotel rooms sited at the oceanfront, on rivers, or at lakes. Those into outdoor sports, especially fishers and hunters, are fiercely protective of it and have founded numerous environmental organizations designed to protect water habitats for fish, birds, and animals. Over the last two decades, spas have become a sort of modern equivalent to ancient healing wells. As an industry, spas are a global business worth about $60 billion, and they generate another $200 billion in tourism. In 2013, there were 20,000 (up from 4,000 in 1999) spas in the United States producing an annual revenue of over $14 billion (a figure that has grown every year for fifteen years, including those of the recession), and tallying 164 million spa visits by clients.12 Ecotourism provides water adventures and guided trips, often in kayaks, rafts, or canoes. Ocean and river cruises are big business. Cities are creating urban architectures focused on waterscapes, happiness, and sustainability. Museums and public memorials of all sorts often feature water to foster reflection and meditation. And many communities are working to transform industrialized and polluted waterfronts into spaces that are pleasant, environmentally sound, and livable.

Theatre and tourism are kindred practices. Both are experiences of temporary escape to different, sometimes distant, places and times. Both immerse you in other lives or other ways of living. Both mix fantasy, pleasure, and play with the promise of authentic cultural knowledge. Whether you travel by plane or bus, or whether it is only your imagination that is transported, in both tourism and theatre, embodied presence—being there—is of the essence. Tourism and theatre are alike in other ways. They are both leisure industries, bound up with global economic and political processes, such as colonization or nation-building, and more local ones, such as rural revitalization or city planning. As the example of the Guthrie shows, they share imagery and ideologies, techniques and technologies. Since the advent of commercial leisure travel in the eighteenth century, tourism and theatre have ridden on the coattails of each other’s commercial success. It is remarkable then that scholars have rarely attempted to look at the relationship between them. But it is also telling. Contemporary critics routinely berate tourist attractions for being overly theatrical or theatrical productions for being too touristic, as if the conjunction of the two was supercharged with cultural danger. Where does our discomfort with seeing theatre in tourism and tourism in theatre come from? What if we were to take touristic theatre and theatrical tourism seriously, as aesthetically dynamic practices? As sites of public culture with social, economic, and political significance?

For the canny traveler, the map is dotted with tourist traps that were once something sincere, something worthy of reverence that gave way to branded merchandise. We follow the billboards that are as accurate as those guiding us to the Corn Palace or the World’s Largest Ball of Twine, kick at the dirt a bit, watch an overinflated PowerPoint or squint at a dusty artifact, peek at the gift shop, and go home with less money but nothing in value gained. These sites are mental stamps that one was in a place where something had once mattered, but the veil between Then and Now is thick and impermeable.

Ecuador travel guide with years of information development and tourism planning tools, traveltoecuador.net offers comprehensive information to help plan your trip. Travel details for visiting the Andes, the beaches, the Amazon and the Galapagos Islands. the site has contact information for the countries best tour operators, cruise companies, guides, hotels, restaurants and other attractions. The ultimate guide for visiting the country of Ecuador.

The preserved disrepair of colonial buildings are top selling points in tourist excursions throughout the world: colonial homes refitted as colonial-era hotels confer the nostalgic privilege of those who can pay their price; girls’ boarding schools are turned to the profit of “educational tourism”; slave quarters are now assigned as World Heritage sites; colonial ministries are updated as archival depots for the dissertation industry; plundered objects are refashioned as ethnological museums in metropolitan centers to valorize cultural difference. All are comforting affirmations that colonialisms are over, initiatives and gestures that firmly and safely consign those places and sometimes the people who once inhabited them as frozen icons of a shamed and distanced past.

I was amazed that the Pakistani authorities had done nothing to develop the tourism prospects of such a remarkable historical site. The ruins of Mohenjodaro were reasonably well maintained as it was a UNESCO Heritage site, but I could not spot any tourists. The Indian Foreign Secretary and his delegation were the only ones visiting Mohenjodaro, which was rather surprising given the archaeological importance of the place.