Ron Rash Quotes

We've searched our database for all the quotes and captions related to Ron Rash. Here they are! All 100 of them:

But nothing is solid and permanent. Our lives are raised on the shakiest foundations. You don't need to read history books to know that. You only have to know the history of your own life.
Ron Rash (One Foot in Eden)
It's a hard place this world can be. No wonder a baby cries coming in to it. Tears from the start
Ron Rash (Serena)
Don't love anything that can be taken away.
Ron Rash (Serena)
You got one choice at the beginning but if you didn't choose right, things got narrow real quick.
Ron Rash (Serena)
It’s ever been the way of the man of science or philosophy. Most folks stay in the dark and then complain they can’t see nothing.” – Snipes (185)
Ron Rash (Serena)
Nothing is but what is now
Ron Rash (Serena)
One thing's sure and nothing surer. The rich get richer and the poor get- children
Ron Rash (Serena)
And darkness. You can’t see it no more than you can see air, but when it’s all around you sure enough know it.
Ron Rash (Serena)
It struck her how eating was a comfort during a hard time because it reminded you that there had been other days, good days, when you’d eaten the same thing. Reminded you there were good days in life, when precious little else did. (268)
Ron Rash (Serena)
She realized that being starved for words was the same as being starved for food, because both left a hollow place inside you, a place you needed filled to make it through another day. Rachel remembered how growing up she’d thought living on a farm with just a father was as lonely as you could be. (130)
Ron Rash (Serena)
Then one morning she’d begun to feel her sorrow easing, like something jagged that had cut into her so long it had finally dulled its edges, worn itself down. That same day Rachel couldn’t remember which side her father had parted his hair on, and she’d realized again what she’d learned at five when her mother left – that what made losing someone you loved bearable was not remembering but forgetting. Forgetting the small things first, the smell of the soap her mother had bathed with, the color of the dress she’d worn to church, then after a while the sound of her mother’s voice, the color of her hair. It amazed Rachel how much you could forget, and everything you forgot made that person less alive inside you until you could finally endure it. After more time passed you could let yourself remember, even want to remember. But even then what you felt those first days could return and remind you the grief that was still there, like old barbed wire embedded in a tree’s heartwood.
Ron Rash (Serena)
A place where something so terrible had happened shouldn't continue to exist in the world
Ron Rash (Serena)
She walks in beauty.
Ron Rash (Serena)
Others can make us vulnerable and the sooner such vulnerabilities are dealt with the better
Ron Rash (Serena)
We want what's in this world but we also want what ain't.
Ron Rash (Serena)
What made losing someone you loved bearable was not remembering but forgetting. Forgetting small things first... it's amazing how much you could forget, and everything you forgot made that person less alive inside you until you could finally endure it. After more time passed you could let yourself remember, even want to remember. But even then what you felt those first days could return and remind you the grief was still there, like old barbed wire embedded in a tree's heartwood.
Ron Rash (Serena)
A small profit it better than a big loss
Ron Rash (Serena)
Spend a long time alone, especially if you're someone who's never been that social to begin with, and you find yourself craving solitude.
Ron Rash (Above the Waterfall)
Dead and still in the world was worse than dead and in the ground. Dead in the ground at least gave you the hope of heaven.
Ron Rash (The Cove)
You men notice so little, Pemberton. Physical strength is your gender's sole advantage.
Ron Rash (Serena)
The woman doesn't look up. It's as if she's deaf. Maybe she is. Maybe she's like the Cambodian women I've read about, the ones who witnessed so many atrocities that they have willed themselves blind. Maybe that's what you have to do sometimes to survive. You kill off part of yourself, your hearing or eyesight, your capacity for hope.
Ron Rash (Chemistry and Other Stories)
Maybe calling it being hitched ain’t the prettiest way to say you’re married, but it’s the truth to my mind and true in a good way, because you’re working together and depending on each other, and you’re sharing the load.
Ron Rash (The Cove)
Water has its own archaeology, not a layering but a leveling, and thus is truer to our sense of the past, because what is memory but near and far events spread and smoothed beneath the present's surface.
Ron Rash (Nothing Gold Can Stay: Stories)
Some claim heaven has streets of gold and all such things, but I hold a different notion. When we’re there, we’ll say to the angels, why, a lot of heaven’s glory was in the place we come from. And you know what them angels will say? They’ll say yes, pilgrim, and how often did you notice? What did you seek?
Ron Rash (Above the Waterfall)
We had some good times at school. I didn't know how good those times was till I left, but I guess that's the way of it
Ron Rash (Serena)
Not for the first time, it occurred to me that sorrow could be purified into song the same way a piece of coal is purified into a diamond.
Ron Rash (Saints at the River)
Superstitions are just coincidence or ignorance.
Ron Rash (The Cove)
The lift of her heart she'd felt on the outcrop she now felt again, and it wasn't just love. She'd felt love before, known its depths when her mother died. This was something rarer. Happiness, Laurel thought, that must be what this is.
Ron Rash (The Cove)
Then it became clear that it was a song, the loneliest sort of song because the notes changed so little, like one bird calling and waiting for another to answer. It was as lonely a sound as she’d ever heard.
Ron Rash (The Cove)
She’d never known fear had a taste, but it did.
Ron Rash (Serena)
A kind of annihilation, was what Serena called their coupling, and though Pemberton would never have thought to describe it that way, he knew her words had named the thing exactly.
Ron Rash (Serena)
I don’t even have a choice. Rachel thought how that was pretty much true of everything now, that you got one choice at the beginning but if you didn’t choose right, and she hadn’t, things got narrow real quick. Like trying to wade a river, she thought. You take a wrong step and set your foot on a wobbly rock or in a drop-off and you’re swept away, and all you can do then is try to survive. (83)
Ron Rash (Serena)
He carries what he feels for people deep inside. Even as a kid he was that way,” Aunt Margaret said. “Your momma knows that.” But I had wondered then as I did now what good love was that couldn’t be expressed.
Ron Rash (Saints at the River)
The worst thing the nineteen sixties did to this country was introduce drugs to rednecks,
Ron Rash (The World Made Straight)
It’s a hard place this world can be. No wonder a baby cries coming into it. Tears from the very start.
Ron Rash (Serena)
Force is as pitiless to the man who possesses it, or thinks he does, as it is to its victims; the second it crushes, the first it intoxicates. Those who use it and those who endure it are turned to stone… a soul which has entered the province of force will not escape this except by a miracle.
Ron Rash (The World Made Straight)
It struck her how eating was a comfort during a hard time because it reminded you that there had been other days, good days, when you’d eaten the same thing.
Ron Rash (Serena)
I listened to time clicking like hooves on pavement. But time isn't something you can rein in. It moves on without pause, taking us with it no matter how much we wish it otherwise.
Ron Rash (Saints at the River)
She had not remembered then what she remembers now, a memory like something buried in river silt that finally works free and rises to the surface...
Ron Rash (Something Rich and Strange: Selected Stories)
Something Rich and Strange She was less of what she had been, the blue rubbed from her eyes, flesh freed from the chandelier of bone. He touched what once had been a hand. The river whispered to him that it would not be long now.
Ron Rash (Nothing Gold Can Stay: Stories)
petrichord: the sound of water sliding over smooth stone.
Ron Rash (Above the Waterfall)
A Servant of History Her eyes were of the lightest blue as if time had rinsed away most of the colour, but there was a liveliness inside them.
Ron Rash (Nothing Gold Can Stay: Stories)
A great business investment, religion. I’ll take it over government bonds anytime.
Ron Rash (Serena)
My experience has been that altruism is invariably a means to conceal one’s personal failures.
Ron Rash (Serena)
Most folks stay in the dark and then complain they can’t see nothing.
Ron Rash (Serena)
The world lies all before us.
Ron Rash (Serena)
He suspected the workers thought of Serena as beyond gender, the same as they might some phenomenon of nature such as rain or lightning.
Ron Rash (Serena)
Rachel felt the grief grow so wide and deep it felt like a dark fathomless pool she'd never emerge from. Because there was nothing left to do now, nothing except endure it.
Ron Rash (Serena)
The world is ripe, and we'll pluck it like an apple from a tree.
Ron Rash (Serena)
What does eminent domain mean?” Stewart asked. “It means you’re shit out of luck,” Ross said.
Ron Rash (Serena)
all the while remembering what it had felt like when the world you knew had up and vanished, and you needed to find something to bring that world back, and you weren’t sure that you could.
Ron Rash (Above the Waterfall)
Jody had watched other classmates, including many in college prep, enter such a life with an impatient fatalism. They got pregnant or arrested or simply dropped out. Some boys, more defiant, filled the junkyards with crushed metal. Crosses garlanded with flowers and keepsakes marked roadsides where they'd died. You could see it coming in the smirking yearbook photos they'd left behind.
Ron Rash (Nothing Gold Can Stay: Stories)
Water has its own archaeology, not a layering but a leveling, and thus is truer to our sense of the past, because what is memory but near and far events spread and smoothed beneath the present’s surface.
Ron Rash (Something Rich and Strange: Selected Stories)
The song was wistful as the ballads Slidell and the Clayton brothers played, except words weren't needed to feel the yearning. That made the music all the more sorrowful, because this song wasn't about one lost love or one dead child or parent. It was as if the music was about every loss that had ever been.
Ron Rash
A brown trout sips one off the surface. Beneath the trout, mica-flecked sand gleams white. Come fall the female's caudal fin will nudge the grains to make a nest, the eggs spilling like pearls into a purse.
Ron Rash (Above the Waterfall)
One guy has his head on a table, eyes closed, vomit drooling from his mouth. Another pulls out his false teeth and clamps them on the ear of a gal at the next table. An immense woman in a purple jumpsuit is crying while another woman screams at her. And what I'm thinking is maybe it's time to halt all human reproduction. Let God or evolution or wathever put us here in the first place start again from scratch, because this isn't working.
Ron Rash (Burning Bright)
a copperhead lay coiled. Part of me not sight knew it was there. The atavistic like flint rock sparked. Amazon tribes see Venus in daylight. My grandfather needed no watch to tell time. What more might we recover if open to it? Perhaps even God.
Ron Rash (Above the Waterfall)
I missed that one,' Henryson said. 'The war, I mean.' 'Don't worry,' Snipes said. 'Another one's always coming down the pike. That's something all your historians and philosophers agree on. A feller over in Germany looks to be ready to set a match to Europe soon enough, and quick as they snuff him out there'll be another to take his place.
Ron Rash (Serena)
Some of the highlanders considered the true Christmas to be on January fourteenth. Old Christmas, they called it, believing it was the day the magi visited the Christ child.
Ron Rash (Serena)
I guess sometimes you’ve got the hope-fors so much it makes you imagine all sorts of things.
Ron Rash (Serena)
He couldn’t imagine such a moment, believed instead that Serena’s beauty was like certain laws of math and physics, fixed and immutable
Ron Rash
Do this one thing.
Ron Rash (Serena)
An image came back to him with such vividness that it might have been framed before him in glass
Ron Rash (Serena)
He'd felt incredibly lucky they'd found one another, though Serena had already told him their meeting wasn't mere good fortune but inevitability.
Ron Rash
You Men notice so little Pemberton, Physical strength is your genders sole advantage" - Serena
Ron Rash (Serena)
a day so perfect that the earth itself seemed sorry to let it pass, so slowed down its roll into evening and let it linger.
Ron Rash (Serena)
So people surprise us. They can lie to each other, as my brother had done to me, and as I had lied to him that September evening at Panther Creek, and now it appeared those two lies could only lead to one imponderable truth.
Ron Rash (The Risen)
She is waiting. Each spring the hard rains come and the creek rises and quickens, and more of the bank peels off, silting the water brown ad bringing to light another layer of dark earth, Decades pass. She is patient, shelled inside the blue tarp. Each spring the water laps closer, paling roots, loosening stones, scuffing and smoothing. She is waiting and one day a bit of blue appears in the bank and then more blue. The rain pauses and the sun appears but she is ready now and the bank trembles a moment and heaves the stands of tarp unfurl and she spills into the stream and is free. Bits of bone gather in an eddy, form a brief necklace. The current moves on toward the sea.
Ron Rash (The Risen)
Nietzsche once said “that for which we find words is something already dead in our hearts.” I didn’t believe that, but to willfully defy the quote was to tempt fate—and if to find it true, to know nothing remained but emptiness.
Ron Rash (The Risen)
It amazed Rachel how much you could forget, and everything you forgot made that person less alive inside you until you could finally endure it. After more time passed you could let yourself remember, even want to remember. But even then what you felt those first days could return and remind you the grief was still there, like old barbed wire embedded in a tree's heartwood. And now this brown-eyed child. Don't love it, Rachel told herself. Don't love anything that can be taken away.
Ron Rash (Serena)
Then her mind had wandered into a place she could not follow, taking with it all the people she knew, their names and connections, whether they still lived or whether they’d died. But her body lingered, shed of an inner being, empty as a cicada husk.
Ron Rash (Burning Bright)
But as Rachel watched the sheriff enter the front door, it was hard to believe the farmhouse itself was still there, because a place where something so terrible had happened shouldn't continue to exist in the world. The earth itself shouldn't be able to abide it.
Ron Rash (Serena)
A mown hay field appears, its blond stubble blackened by a flock of starlings. As I pass, the field seems to lift, peek to see what's under itself, then resettles. A pickup passes from the other direction. The flock lifts again and this time keeps rising, a narrowing swirl as if sucked through a pipe and then an unfurl of rhythm sudden sprung, becoming one entity as it wrinkles, smooths out, drifts down like a snapped bedsheet. Then swerves and shifts, gathers and twists. Murmuration: ornithology's word-poem for what I see.
Ron Rash (Above the Waterfall)
Another memory comes, not of the final time I saw Ligeia but a week before she disappeared, something mundane yet vivid. The mystery of memory. There's surely some scientific explanation for why the brain decides Don't let go of this. I've read novels and cannot recall a single character's name and yet I remember a red bicycle glanced once in a hardware-store window, a mole on a stranger's chin, a kitchen match lying beside a hearth. These remain, as does Ligeia reaching into her locker, a book crooked in her arm sliding free.
Ron Rash (The Risen)
After hours of wearing stifling suits while seated on rigid pews and high-backed dining chairs, to enter water and splay our limbs was freeing. The midday sun fell full on the pool, so when we waded in up to our waists, heat and cold balanced as if by a carpenter's level. That was the best sensation, knowing in a moment, but not quite yet, I'd dive into cold but emerge into warmth. Years later at Wake Forest, when I still believed I might create literature, I'd write a mediocre poem about those mornings in church and afterward the 'baptism of nature.
Ron Rash (The Risen)
Maybe that was what happened when people grew up in a place where mountains shut them in, kept everything turned inward, buffered them from everything else. How long did it take before that landscape become internalized, was passed down from generation to generation like blood type or eye color?
Ron Rash
My mother had brought me here when I was fifteen, on a Sunday after I’d read Look Homeward, Angel for the first time. She’d loved the novel, memorizing whole paragraphs, and, of course, naming me after the book’s main character. It is a novel you have to read as a young person or you don’t get it.
Ron Rash (The Risen)
I turn onto North Market Street to pass Thomas Wolfe’s house. I’d planned to do my dissertation on Wolfe. My advisor argued against it. Wolfe is all but forgotten now, she said, which seemed all the more reason to do it, so he would not be forgotten, or only, as Wolfe himself wrote, by the wind grieved. The
Ron Rash (The Risen)
There Peter was, looking straight into the very eyes of God, walking the Sea of Galilee and then all of the sudden up to his neck in water. Some would argue he lacked the true believing, I say he had enough faith to go it a ways, and when he couldn't go farther Christ fetched him up. What am I saying? I'm saying that the walk to God ain't easy for the best of us. Now some would say, Preacher, if Peter had misdoubts there in the very glory of the Lord, what of us left here that ain't seen the dead raised nor the leper folk healed. All we seen is hard trial and sorrows. I'd not deny it. Burdens are plenty in this world and they can pull us down in the lamentation. But the good Lord knows we need to see at least the hem of the robe of glory, and we do. Ponder a pretty sunset or the dogwoods all ablossom. Every time you see such it's the hem of the robe of glory. Brothers and sister, how do you expect to see what you don't seek? Some claim heaven has streets of gold and all such things, but I hold a different notion. When we’re there, we’ll say to the angels, why, a lot of heaven’s glory was in the place we come from. And you know what them angels will say? They’ll say yes, pilgrim, and how often did you notice? What did you seek?
Ron Rash
What made losing someone you loved bearable was not remembering but forgetting. Forgetting small things first, the smell of the soap her mother had bathed with, the color of the dress she’d worn to church, then after a while the sound of her mother’s voice, the color of her hair. It amazed Rachel how much you could forget, and everything you forgot made that person less alive inside you until you could finally endure it. After more time passed you could let yourself remember, even want to remember. But even then what you felt those first days could return and remind you the grief was still there, like old barbed wire embedded in a tree’s heartwood.
Ron Rash (Serena)
Jacob closed his eyes but did not sleep. Instead, he imagined towns where hungry men hung on boxcars looking for work that couldn’t be found, shacks where families lived who didn’t even have one swaybacked milk cow. He imagined cities where blood stained the sidewalks beneath buildings tall as ridges. He tried to imagine a place worse than where he was.
Ron Rash (Something Rich and Strange: Selected Stories)
Of course, who can forget that first love, or first sex, or first drink - especially if they all occur together. I also remember how, after Ligeia had left our lives, I'd worried for months that she might reappear and tell Bill what I'd never confessed to him. But after a while nostalgia supplanted guilt and our summer at Panther Creek became more a tender coming-of-age story, a summer of love complete with bucolic setting.
Ron Rash (The Risen)
The Release In those last moments before the platter of salt and dirt lay on his stomach, wax-light had waved across a mute heart, his son waited by the bed. Raised to believe the soul left the body with its last breath, he listened for death's rattle, then pressed his lips like a kiss to his father's lips, and took into his mouth the breath that had given him breath, a life distilled to one stir of air soft as moth wings against palms, held a moment, then let go.
Ron Rash (Raising the Dead)
What about you, Snipes?" Dunbar asked. "You think there to be mountain lions up here or is it just folks' imaginings?" Snipes pondered the question a few moments before speaking. They's many a man of science would claim there aint because you got no irredeemable evidence like panther scat or fur or tooth or tail. In other words, some part of the animal in questions. Or better yet having the actual critter itself, the whole think kit and caboodle head to tail, which all your men of science argue is the best proof of all a thing exists, whether it be a panther, or a bird, or even a dinosaur." To put it another way, if you was to stub your toe and tell the man of science what happened he'd not believe a word of it less he could see how it'd stoved up or was bleeding. But your philosophers and theologians and such say there’s things in the world that’s every bit as real even though you can’t see them.” Like what?” Dunbar asked. Well,” Snipes said. “They’s love, that’s one. And courage. You can’t see neither of them, but they’re real. And air, of course. That’s one of your most important examples. You wouldn’t be alive a minute if there wasn’t air, but nobody’s ever seen a single speck of it.” … “All I’m saying is there is a lot more to this old world than meets the eye.” … “And darkness. You can’t see it no more than you can see air, but when its all around you sure enough know it.” (Serena, 65-66)
Ron Rash
When deep summer comes and the dog star raises with the morning sun, the land can scab up and a man watch his spring crop wrinkle brown like something on fire. It's the season snakes go blind. Their eyeballs coat over like pearls and they get mean. A rattlesnake allows no warning and a milk snake that would have cut the dust to the tall grass in June quiles up and strikes at anything that steps its way. It's a time when foxes and dogs go mad. They'll come shackling toward you, their lips snarly and chins white with slobber. You'll raise your gun and they'll come on like they just want to get it done with.
Ron Rash (One Foot in Eden)
How far could you trace back such a chain, he wondered, past the Harmon girl being chosen that night to bring his food, past the tree shattering a man's backbone due to a badly notched trunk, past that to an axe unsharpened because a man drank too much the night before, past that to why the man had gotten drunk in the first place? Was it something you never found the end to? Or was there no chain at all, just a moment when you did or didn't step close to a young woman and let you fingers brush a fall of blonde hair behind her ears, did or did not lean to that uncovered ear and tell her that you found her quite fetching." ~G. Pemberton (58)
Ron Rash
Something Rich and Strange She takes a step and the water rises higher on her knees. Four more steps, she tells herself. Just four more and I'll turn back. She takes another step and the bottom is no longer there and she is being shoved downstream and she does not panic because she has passed the Red Cross courses. The water shallows and her face breaks the surface and she breathes deep. She tries to turn her body so she won' t hit her head on a rock and for the first time she's afraid and she's suddenly back underwater and hears the rush of water against her ears. She tries to hold her breath but her knee smashes against a boulder and she gasps in pain and water pours into her mouth. Then for a few moments the water pools and slows. She rises coughing up water, gasping air, her feet dragging the bottom like an anchor trying to snag waterlogged wood or rock jut and as the current quickens again she sees her family running along the shore and she knows they are shouting her name though she cannot hear them and as the current turns her she hears the falls and knows there is nothing that will keep from it as the current quickens and quickens and another rock smashes against her knee but she hardly feels it as she snatches another breath and she feels the river fall and she falls with it as water whitens around her and she falls deep into the whiteness and she rises her head scrapes against a rock ceiling and the water holds her there and she tells herself don't breathe but the need rises inside her beginning in the upper stomach then up through her chest and throat and as that need reaches her mouth her mouth and nose open and the lungs explode in pain and then the pain is gone as bright colors shatter around her like glass shards, and she remembers her sixth-grade science class, the gurgle of the aquarium at the back of the room, the smell of chalk dust that morning the teacher held a prism out the window so it might fill with color, and she has a final, beautiful thought - that she is now inside that prism and knows something even the teacher does not know, that the prism's colors are voices, voices that swirl around her head like a crown, and at that moment her arms and legs she did not even know were flailing cease and she becomes part of the river.
Ron Rash (Nothing Gold Can Stay: Stories)
He’d watched the old man live his life “by the signs.” Whether a moon waxed or waned decided when the crops were planted and harvested, the hogs slaughtered and the timber cut, even when a hole was best dug. A red sunrise meant coming rain, as did the call of a raincrow. Other signs that were harbingers of a new life, or a life about to end. Boyd was fourteen when he heard the corpse bird in the woods behind the barn. His grandfather had been sick for months but recently rallied, gaining enough strength to leave his bed and take short walks around the farm. The old man had heard the owl as well, and it was a sound of reckoning to him as final as the thump of dirt clods on his coffin. It’s come to fetch me, the old man had said, and Boyd hadn’t the slightest doubt it was true. Three nights the bird called from the woods behind the barn. Boyd had been in his grandfather’s room those nights, had been there when his grandfather let go of his life and followed the corpse bird into the darkness.
Ron Rash (Something Rich and Strange: Selected Stories)
His great-aunt had been born on this land, lived on it eight decades, and knew it as well as she knew her husband and children. That was what she’d always claimed, and could tell you to the week when the first dogwood blossom would brighten the ridge, the first blackberry darken and swell enough to harvest. Then her mind had wandered into a place she could not follow, taking with it all the people she knew, their names and connections, whether they still lived or whether they’d died. But her body lingered, shed of an inner being, empty as a cicada husk. Knowledge of the land was the one memory that refused to dissolve. During her last year, Jesse would step off the school bus and see his great-aunt hoeing a field behind her farmhouse, breaking ground for a crop she never sowed, but the rows were always straight, right-depthed. Her nephew, Jesse’s father, worked in an adjoining field. The first few times, he had taken the hoe from her hands and led her back to her house, but she’d soon be back in the field. After a while neighbors and kin just let her hoe.
Ron Rash (Something Rich and Strange: Selected Stories)
You cut up your feet pretty good, but nothing deep enough to need stitches. That was almost a mile walk and you sick as him, and barefoot to boot. I don’t know how you did it. You must love that child dear as life.” “I tried not to,” Rachel said. “I just couldn’t find a way to stop myself.
Ron Rash (Serena)
A car horn startled her, and she knew if she lived here the rest of her life, she'd never get used to the busyness of town life, how something was always coming and going and whatever that something was always had a noise. Not soothing like the sound of a creek or rain on a tin roof or a mourning dove's call, but harsh and grating, no pattern to it, nothing to settle the mind upon. Except in the early morning, those moments before the city waked with all its grime and noise. She could look out the window at the mountains, and their stillness settled inside her like a healing balm
Ron Rash (Serena)
It was the kind of early fall day Rachel had always loved, not warm or cold, the sky all deep-blue and cloudless and no breeze, the crops proud and ripe and the leaves so pretty but hardly a one yet fallen—a day so perfect that the earth itself seemed sorry to let it pass, so slowed down its roll into evening and let it linger.
Ron Rash (Serena)
This is what we want,” she said, her voice deepening, the emotion so often controlled fully unbridled now. “To be like this always. No past or future, pure enough to live totally in the present.
Ron Rash (Serena)
I’d see that look again when I taught at the community college, always in the eyes of women who’d grown up hard, a distrust of anything spoken softly.
Ron Rash (The Risen)
That world that opens up before you when a new sorrow enters your heart. Or you are shaken by profound music…Or when you see the miracle of the emerging new day. Then you know that we are strangers on this earth. martin a. hansen The Liar
Ron Rash (The Caretaker)
Pemberton felt again what he’d never known with another woman— a sense of being unshackled into some limitless possibility, limitless though at the same time somehow contained within the two of them.
Ron Rash
It’s ever been the way of the man of science or philosophy. Most folks stay in the dark and then complain they can’t see nothing.
Ron Rash (Serena)
All we'll ever need is within each other," Serena said, her voice barely more than a whisper. "Even when we have our child, it will only be an image of what we already are.
Ron Rash
wisely reconsidered and let the hand
Ron Rash (Serena)
Pemberton felt something shift inside him, something small but definite, the way a knob's slight twist allowed a door to swing wide open.
Ron Rash (Serena)