Tough But Soft Quotes

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i am water soft enough to offer life tough enough to drown it away
Rupi Kaur (Milk and honey)
When God Created Mothers" When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one." And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands." The angel shook her head slowly and said. "Six pairs of hands.... no way." It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have." That's on the standard model?" asked the angel. God nodded. One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word." God," said the angel touching his sleeve gently, "Get some rest tomorrow...." I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower." The angel circled the model of a mother very slowly. "It's too soft," she sighed. But tough!" said God excitedly. "You can imagine what this mother can do or endure." Can it think?" Not only can it think, but it can reason and compromise," said the Creator. Finally, the angel bent over and ran her finger across the cheek. There's a leak," she pronounced. "I told You that You were trying to put too much into this model." It's not a leak," said the Lord, "It's a tear." What's it for?" It's for joy, sadness, disappointment, pain, loneliness, and pride." You are a genius, " said the angel. Somberly, God said, "I didn't put it there.
Erma Bombeck (When God Created Mothers)
And I’m terrified he’ll see through the tough iceberg layer, and he’ll discover not a soft, sweet girl, but an ugly fucking disaster underneath.
Amber Smith (The Way I Used to Be (The Way I Used to Be, #1))
We girls, we're tough, darling. Soft on the outside but, deep down, we're tough.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here – it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide from under it with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way, you stand a better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference - the only difference in their eyes - between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that it’s nothing personal. Well, fuck them. Make it personal.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
When tough times come, it is particularly important to offset them with much gentle softness. Be a pillow.
Vera Nazarian (The Perpetual Calendar of Inspiration)
In the company of women like this— sharp-edged as raw diamonds but with soft hands and hearts, not strong in spite of anything but powerful because of everything— I feel invincible. Every chink and rut and battering wind has made us tough and brave and impossible to strike down. We are mountains— or perhaps temples, with foundations that could outlast time itself.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
Ego Tripping I was born in the congo I walked to the fertile crescent and built the sphinx I designed a pyramid so tough that a star that only glows every one hundred years falls into the center giving divine perfect light I am bad I sat on the throne drinking nectar with allah I got hot and sent an ice age to europe to cool my thirst My oldest daughter is nefertiti the tears from my birth pains created the nile I am a beautiful woman I gazed on the forest and burned out the sahara desert with a packet of goat's meat and a change of clothes I crossed it in two hours I am a gazelle so swift so swift you can't catch me For a birthday present when he was three I gave my son hannibal an elephant He gave me rome for mother's day My strength flows ever on My son noah built new/ark and I stood proudly at the helm as we sailed on a soft summer day I turned myself into myself and was jesus men intone my loving name All praises All praises I am the one who would save I sowed diamonds in my back yard My bowels deliver uranium the filings from my fingernails are semi-precious jewels On a trip north I caught a cold and blew My nose giving oil to the arab world I am so hip even my errors are correct I sailed west to reach east and had to round off the earth as I went The hair from my head thinned and gold was laid across three continents I am so perfect so divine so ethereal so surreal I cannot be comprehended except by my permission I mean...I...can fly like a bird in the sky...
Nikki Giovanni
I didn't just foster the delusions. I lived them. Even after the world crashed, I clung to them. But after he died, I told myself no more. No more brave fronts or false hopes or pretending everything's okay when nothing is. I thought I was being tough by pretending, calling it being optimistic, brave, keeping my head up or whatever bullshit seemed to fit the moment. That's not tough. That's the very definition of soft.
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
When your team is winning, be ready to be tough, because winning can make you soft. On the other hand, when your team is losing, stick by them. Keep believing
Bo Schembechler
Leaders trust their guts. "Intuition" is one of those good words that has gotten a bad rap. For some reason, intuition has become a "soft" notion. Garbage! Intuition is the new physics. It's an Einsteinian, seven-sense, practical way to make tough decisions. Bottom line, circa 2001 to 2010: The crazier the times are, the more important it is for leaders to develop and to trust their intuition.
Tom Peters
The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here – it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide from under it with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way, you stand a better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference - the only difference in their eyes - between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that it’s nothing personal. Well, fuck them. Make it personal. Quellcrist Falconer Things I Should Have Learned by Now, Volume II
Richard K. Morgan
Soft as butter they can be, and yet sometimes as tough as old tree-roots.
J.R.R. Tolkien (The Lord of the Rings)
We must combine the toughness of the serpent and the softness of the dove, a tough mind and a tender heart.
Martin Luther King Jr.
What, Tough Girl's crying now? What a pansy," cracked Michael. "Watch it, dude," Dylan said softly. "Don't fuck with her when she's crying.
Kinsey W. Holley (Yours, Mine and Howls (Werewolves in Love, #2))
For me, that strong back is grounded confidence and boundaries. The soft front is staying vulnerable and curious. The mark of a wild heart is living out these paradoxes in our lives and not giving into the either/or BS that reduces us. It’s showing up in our vulnerability and our courage, and, above all else, being both fierce and kind.
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
In my experience, the balancing act women in politics have to master is challenging at every level, but it gets worse the higher you rise. If we’re too tough, we’re unlikable. If we’re too soft, we’re not cut out for the big leagues. If we work too hard, we’re neglecting our families. If we put family first, we’re not serious about the work. If we have a career but no children, there’s something wrong with us, and vice versa. If we want to compete for a higher office, we’re too ambitious. Can’t we just be happy with what we have? Can’t we leave the higher rungs on the ladder for men? Think how often you’ve heard these words used about women who lead: angry, strident, feisty, difficult, irritable, bossy, brassy, emotional, abrasive, high-maintenance, ambitious (a word that I think of as neutral, even admirable, but clearly isn’t for a lot of people).
Hillary Rodham Clinton (What Happened)
We girls, we’re tough, darling. Soft on the outside but deep down, we’re tough. Doesn’t feel like it now but none of this is going to beat you.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
He was neutral on prayer, skeptical of free speech, sympathetic to tax protestors, indifferent to Indians, afraid of blacks, tough on pornographers, soft on criminals, and fairly consistent in his protection of the environment
John Grisham (The Pelican Brief)
She wasn’t soft or pretty; she was hard-edged and cold, like one of those cold bronze statues surrounded by high fences and crowned in razor wire. Don’t touch me, such defenses said, but it wasn’t enough to halt a breach, no. She had thought people only picked the soft-petaled, sweet-smelling flowers, but some people took thorns as a challenge.
Nenia Campbell (Escape (Horrorscape, #4))
John lifted his head and looked down at her. His eyes were worried and he was careful as he brushed at her hair. She smiled. "Nah, I'm fine. I'm more than fine." A sly grin bloomed as he mouthed, ain't that the truth. "Hold up there, big man. You think you can make me blush like I'm some girl ? Pulling that sweet talk?" As he nodded, she rolled her eyes. "I'll have you know I'm not the kind of female who goes all dizzy, popping a stiletto off the floor just because some guy kisses her deep." John was all male as he cocked a brow. And damn it if she didn't feel a tingle in her cheeks. " Listen, John Matthew." She took his chin in her hand. "You're not turning me into one of these females who goes gaga over her lover. Not happening. I'm not hard-wired for that." Her voice was stern and she meant every word, except the instant he rolled his hips and that huge arousal pushed into her, she purred. She purred. The sound was utterly foreign and she'd have sucked it back down her throat if she could have. Instead, she just left out another of those decidedly non-tough-guy moans. John bowed his head to her breast and started suckling on her as he somehow manage to keep thrusting in slow, even penetrations. Swept away, her hands found his hair again, spearing through the thick softness. " Oh, John..." And then he stopped dead, lifted his lips from her nipple, and smiled so wide it was a wonder he didn't bust off his front teeth. His expression was one of total and complete gotcha. " You are a bastard, " she said on a laugh. He nodded. And pressed into her with his full lenght again. It was perfect that he was giving her shit and showing her a little of who was boss. Just perfect. Somehow it made her respect him even more, but then, she'd always loved strength in all its forms. Even the teasing kind. "I'm not surrendering , you know." He pursed his lips and shook his head, all oh, no, of course not. And then he started to pull out of her. As she growled low in her throat, she sank her nails into his ass. "Where do you think you're going ?
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
Max. God, but she was stubborn. And tough. And closed in. Closed off. Except when she was holding Angel, or ruffling the Gasman’s hair, or pushing something closer to Iggy’s hand so he could find it easily without knowing anyone had helped him. Or when she was trying to untangle Nudge’s mane of hair. Or-sometimes-when she was looking at Fang. He shifted on the hard ground, a half-dozen flashes of memory cycling through his brain. Max looking at him and laughing. Max leaping off a cliff, snapping out her wings, flying off, so incredibly powerful and graceful that it took his breath away. Max punching someone’s lights out, her face like stone. Max kissing that weiner Sam on Anne’s front porch. Gritting his teeth, Fang rolled onto his side. Max kissing him on the beach, after Ari had kicked Fang’s butt. Just now, her mouth soft under his. He wished she were here, if not next to him, then somewhere in the cave, so he could hear her breathing. It was going to be hard to sleep without that tonight.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
She stood up and took the book from him, and as he smiled over his shoulder at some other kids, she threw it away and kicked him as hard as she could in the vicinity of the groin. Well, as you might imagine, Ludwig Schmeikl certainly buckled, and on the way down, he was punched in the ear. When he landed, he was set upon. When he was set upon, he was slapped and clawed and obliterated by a girl who was utterly consumed with rage. His skin was so warm and soft. Her knuckles and fingernails were so frighteningly tough, despite their smallness. You Saukerl." Her voice, too, was able to scratch him. "You Arschloch. Can you spell Arschloch for me?
Markus Zusak (The Book Thief)
The personal, as every one’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, TAKE IT PERSONALLY. Get angry. The Machinery of Justice will not serve you here—it is slow and cold, and it is theirs, hardware and soft. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it PERSONAL. Do as much damage as you can. GET YOUR MESSAGE ACROSS. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference, the ONLY difference in their eyes, between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that IT’S NOTHING PERSONAL. Well, fuck them. Make it personal.   QUELLCRIST FALCONER Things I Should Have Learnt by Now Volume II
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
He rolled his eyes and took my hand. His hand was hard and calloused, tough with muscle and old scars. The night settled around us like a blanket. I could hear the water lapping against the dock. We were totally alone. “You’re . . . ,” he began, and I waited, heart throbbing in my throat. “Such a pain,” he concluded. “What?” I asked, just as his head swooped in and his mouth touched mine. I tried to speak, but one of Fang’s hands held the back of my head, and he kept his lips pressed against me, kissing me softly but with a Fanglike determination. Oh, jeez, I thought distractedly. Jeez, this is Fang, and me, and . . . Fang tilted his head to kiss me more deeply, and I felt totally lightheaded. Then I remembered to breathe through my nose, and the fog cleared a tiny bit. Somehow we were pressed together, Fang’s arms around me now, sliding under my wings, his hands flat against my back. It was incredible. I loved it. I loved him. It was a total disaster. Gasping, I pulled back. “I, uh—,” I began oh so coherently, and then I jumped up, almost knocking him over, and raced down the dock. I took off, flying fast, like a rocket.
James Patterson (The Final Warning (Maximum Ride, #4))
And so, by the end, you have tried soft love and tough love, feelings and reason, truth and lies, promises and threats, hope and stoicism.
Julian Barnes (The Only Story)
For too long, we’d been told there were only two options: to be either tough on crime or soft on crime—an oversimplification that ignored the realities of public safety. You can want the police to stop crime in your neighborhood and also want them to stop using excessive force. You can want them to hunt down a killer on your streets and also want them to stop using racial profiling. You can believe in the need for consequence and accountability, especially for serious criminals, and also oppose unjust incarceration. I believed it was essential to weave all these varied strands together.
Kamala Harris (The Truths We Hold: An American Journey)
I liked to think I had a tough everything, but I did have one weakness.   One.  In my entire child/woman body, and we both knew it.   Dante.  He was the chink in my armor.  My soft underbelly.
R.K. Lilley (Breaking Him (Love is War, #1))
A smile bloomed again in his eyes. "I love that you let me bring out that softness in you. You've always been such a tough little trooper, but under that snappy, tough act you put on, you're butter-soft. Sweet as honey. And I can get there! Make that softness come up. I'm so ... honored by it
Ramona Wray (Hex: A Witch and Angel Tale)
Dad said High Lonesome, as the area was known, wasn't a place for the soft of head or the weak of heart, and he said that was why he and I made out just fine there, because we were both tough nuts.
Jeannette Walls (Half Broke Horses)
He’s tough because he’s never had a soft place to land,” Dad says. “Not a lot of kindness offered to Levi Fanning around here, for a long time, and I bet that makes it pretty hard for him sometimes. Especially when he needs to figure the soft things out.
Kate Clayborn (Georgie, All Along)
There are two ways to respond when life hands you something unpleasant,” the grandmother said, smiling down at the infant in her lap. “You can get soft or you can get tough. Our Ethan has just decided to get tough, it seems. But he’ll come around eventually, I think. He’s got a good heart under there somewhere. And he has time—God knows, he’s, what, seventeen now? He has time to get himself on the right path again.
Cynthia Hand (The Afterlife of Holly Chase)
You wouldn't think it would be Toby--she was so tough and hard--but if you're drowning, a soft squashy thing is no good to hold on to. You need something more solid.
Margaret Atwood (The Year of the Flood (MaddAddam, #2))
On the inside, the copycats of the ruffians are more delicate than the copycats of prudes.
Criss Jami (Killosophy)
Man when living is soft and tender; when dead he is hard and tough. All animals and plants are tender and fragile; when dead they become withered and dry. Therefore it is said: the hard and the tough are parts of death; the soft and tender are parts of life. This is the reason why the soldiers when they are too tough cannot carry the day; the tree when it is too tough will break. The position of the strong and great is low, and the position of the weak and tender is high.
Alan W. Watts (Nature, Man and Woman)
As she watched, he examined the can intently, read the ingredients, then returned it to the shelf and chose another, repeating his thorough study of it. The contrast between his rough, tough-guy appearance and the domestic act he was performing did funny things to her head. She had a sudden, breathtaking vision of a dark-haired little boy sitting in the seat of the cart, laughing up at Cian, grabbing at his swinging braids with chubby little fists, while his daddy inspected the ingredients on a jar of baby food. Her mind’s eye picture of sexy, strong man with beautiful, helpless child made something soft and warm blossom behind her chest.
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
Both men and women experience pressure to conform to social standards of attractiveness. Men to look strong and be tough, women to look pretty and soft. Men to be masculine, women to be feminine. Men get judged for being "too feminine", women get criticized for being "too masculine". Gender policing affects us all.
Miya Yamanouchi (Embrace Your Sexual Self: A Practical Guide for Women)
It is pretty difficult to imagine a single person having, simultaneously, the characteristics of the serpent and the dove, but this is what Jesus expects. We must combine the toughness of the serpent and the softness of the dove, a tough mind and a tender heart.
Martin Luther King Jr. (Strength to Love)
Then a soft voice whispers right against my ear. “They’re already going AWOL on you, lass? You’re fucked.” I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him. “Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.” And then Logan does something that melts my insides and turns my knees to quivery goo. He laughs. And it’s beautiful. It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs? He’s heart-stopping.
Emma Chase (Royally Endowed (Royally, #3))
The young officers who had come back [from WW1], hardened by their terrible experience and disgusted by the attitude of the younger generation to whom this experience meant just nothing, used to lecture us for our softness. Of course they could produce no argument that we were capable of understanding. They could only bark at you that war was ‘a good thing’, it ‘made you tough’, ‘kept you fit’, etc. etc. We merely sniggered at them. Ours was the one-eyed pacifism that is peculiar to sheltered countries with strong navies.
George Orwell
A tough will counts. So does desire. So does a rich soft wanting. Without rich wanting nothing arrives.
Carl Sandburg (The People, Yes)
A hard head makes a soft ass.
Will Leamon (Mama, Me & 'em: Bittersweet Memories)
Be an egg, Susan thought. One could be soft with fear inside, but hard as slate outside.
Alan Hlad (The Long Flight Home)
Then you have some tough decisions to make, and you should make them soon.” He bends to drop a soft kiss on my nose. “Because I won’t give up until you’re completely mine, Banner, and I won’t wait much longer.
Kennedy Ryan (Block Shot (Hoops, #2))
I drive a beat-up Mercury Cougar, with the windows down and the music up. I seek my identity in toughness - but it is Morrie's softness that draws me, and because he doesn't look at me as a kid trying to be something more than I am, I relax.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
I think I might like to grow thorns. Tough spines that barb anyone who grabs at me, tries to take from me, moves toward me any way other than delicately. Or thick boney horns I can point in front of me to shield the soft, sensitive parts. Not cruel, protected.
Heather Durham (Going Feral: Field Notes on Wonder and Wanderlust)
She knew about young boys—she'd spent the last year taking care of them. They were tough and reckless and yet at the same time so very sweet and vulnerable. Their cheeks were soft and their eyes apologized even as they fought to assert their independence with too smart mouths.
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
Oh, and David Copperfield too.” “That’s for me. I must have ten copies by now.” I smiled. “It’s my most favorite of all Dickens. It’s so inspiring, thinking that David Copperfield was based on Dickens’s own life, that someone could overcome that kind of suffering and poverty to finally achieve happiness.” I had said too much. He was giving me the look. I hated the look. It was the “You’ve had it tough, huh, kid?” look. It made me feel pathetic. Hearne spoke softly. “I know what you mean. I had kind of a Copperfield childhood myself.” I stared at him, shocked that the sophisticated man in front of me could have ever known poverty or suffering. Had he really recast himself? My surprise registered with him.
Ruta Sepetys (Out of the Easy)
When you don the pelt of a particular animal--snake, beaver, marmoset--the effect on the viewer is dramatic [...]. You will instantly and shockingly be perceived as having the same traits as your chosen varmint. [...] The wearing of moleskin says, "I am soft and velvety and mysterious and like to hide underground." A mink coat says, "I'm a tough cookie. Though I may not have the wherewithal to actually kill you, please expect to be nipped on a regular basis." The pelts of predators always give the impression that you are a man-stealing, window-smashing home wrecker. This also applies to animal-printed fabric. The message of a leopard-print jumpsuit is clear, "I am a huntress who delights in eating the offal of her prey.
Simon Doonan (Eccentric Glamour: Creating an Insanely More Fabulous You)
I'd say he's not much older than you," Mother said when she noticed. "Really?" Lynn peered closer at his face. "How can you tell?" "Well," Mother peered up at the gray sky as she considered how to answer, "I guess it's in the way his skin isn't so tough, he's still got the little bit of baby soft on him.
Mindy McGinnis (Not a Drop to Drink (Not a Drop to Drink, #1))
When I drew pictures of Mother and me, I used Peach for her and Chestnut for myself. "Why is your skin named after something soft and sweet and mine is something hard and bitter?" "Because you are so much tougher," she said. I thought that was a very good answer. And maybe it's true. But I am forced to be tough.
Jael Richardson (Gutter Child)
The swaying figure's white, haggard face was rough with beard-stubble. His shirt was in tatters which blew back behind him in twisted ribbons, showing the starved stack of his ribs. A filthy rag was wrapped around his right hand. He looked sick, sick and dying, but even so he also looked tough enough to make Andolini feel like a soft-boiled egg.
Stephen King (The Drawing of the Three (The Dark Tower, #2))
And I’m terrified he’ll see through the tough iceberg layer, and he’ll discover not a soft, sweet
Amber Smith (The Way I Used to Be (The Way I Used to Be, #1))
I love that she's tough as nails one moment and soft as suede the next.
Jodi Picoult (The Storyteller)
Most likely, they were writing the same type of macho bullshit that I wrote, trying to sound tough with their words in case words were all that made it home.
Clint Van Winkle (Soft Spots: A Marine's Memoir of Combat and Post-Traumatic Stress Disorder)
i am water soft enough to offer life tough enough to drown it away
Rupi Kaur (Milk and Honey)
Killing Us Softly 4,6 and Katz’s DVD is titled Tough Guise: Violence, Media, and the Crisis in Masculinity.7) As
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
Look what pressure(cooker) does to Rice. It makes the hard and tough rice go soft.
Gaurav Rao
she is water soft enough to offer life tough enough to drown it away
Rupi Kaur (Milk and honey)
A cowboy’s hands are as strong as steel, as tough as leather, but soft enough to touch a butterfly’s wing and the skin of a woman without disturbing the beauty of either.
Carol Crandell (The Weaver's Tale: A Story of the Malheur River Country
you were a kid and couldn’t defend yourself. Girls wear pink, boys wear blue. Boys are tough. Girls are sweet. Women are caregivers with soft bodies. Men are leaders with hard muscles. Girls get looked at. Guys do the looking. Hairy armpits. Pretty fingernails. This one can but that one can’t. The Gender Commandments were endless, once you started thinking about them, and they were enforced 24/7 by a highly motivated volunteer army of parents, neighbors, teachers, coaches, other kids, and total strangers—basically, the whole human race.
Tom Perrotta (Mrs. Fletcher)
Among the Wise I am the only one that goes in for hobbit-lore: an obscure branch of knowledge, but full of surprises. Soft as butter they can be, and yet sometimes as tough as old tree-roots.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
It was like... it was like women were made to do that to men. Like men were made with a big soft spot, and no matter how tough they got they couldn't protect themselves there. Like maybe, when God took that rib from the man to make the woman, the way the priests told it from their Scripture books, He left a hole in the man. One that she could always slide into. And the man couldn't stop her doing it, either.
George Bryan Polivka (Blaggard's Moon (Trophy Chase Trilogy, #0))
I tried a bite, and found it strangely soft. I’d assumed steak to be a warrior’s meal—but I was accustomed to meat being stringy and tough. That seemed like what a warrior should eat. Not this soft, melting pillow-meat.
Brandon Sanderson (Defiant (Skyward, #4))
The little blue engine looked up at the hill. His light was weak, his whistle was shrill. He was tired and small, and the hill was tall, And his face blushed red as he softly said, “I think I can, I think I can, I think I can.” So he started up with a chug and a strain, And he puffed and pulled with might and main. And slowly he climbed, a foot at a time, And his engine coughed as he whispered soft, “I think I can, I think I can, I think I can.” With a squeak and a creak and a toot and a sigh, With an extra hope and an extra try, He would not stop — now he neared the top — And strong and proud he cried out loud, “I think I can, I think I can, I think I can!” He was almost there, when — CRASH! SMASH! BASH! He slid down and mashed into engine hash On the rocks below... which goes to show If the track is tough and the hill is rough, THINKING you can just ain’t enough!
Shel Silverstein (Where the Sidewalk Ends)
Yubbazubbies, you are yummy, you are succulent and sweet, you are splendidly delicious, quite delectable to eat, how I smack my lips with relish when you bump against my knees, then nuzzle up beside me, chirping, "Eat us if you please!" You are juicy, Yubbazubbies, you are tender, never tough, you are appetizing morsels, I can never get enough, you have captivating flavors and a tantalizing smell, a bit like candied apple, and a bit like caramel. Yubbazubbies, you are luscious, you are soft and smooth as silk, like a dish of chicken dumplings, or a glass of chocolate milk, even when I'm hardly hungry, I am sure to taste a few, and I'm never disappointed, Yubbazubbies, I love you.
Jack Prelutsky (The New Kid on the Block)
I recommend the French beret, for it gives the impression of just the right soft toughness, a veritable wave of sophisticated brain matter. It is the kind of hat that inspires a person to grow into it, to become the person they never knew they could be. The space between the top of the head and the beginnings of hat is among the most intimate of areas: earlobe behinds, elbow insides, and anuses. One must pay heed to such spaces for they hold a potential not fully known (but generally agreed to be vast).
Meia Geddes (Love Letters to the World)
His toughness is external only. But like all soft people he can commit the most dastardly acts at certain moments, prompted by his own weakness, which makes him a coward. He leaves a woman in the cruelest manner because he cannot face the breaking of the connection.
Anaïs Nin (Henry and June: From "A Journal of Love," The Unexpurgated Diary (1931–1932) of Anaïs Nin)
Maybe if she hadn’t grown up with a big brother, if she hadn’t grown up with that tough Aussie tomboy mentality: if a boy hits you, you hit him right back! Perhaps if she’d wept softly and prettily the first time that Perry hit her, then maybe it wouldn’t keep happening.
Liane Moriarty (Big Little Lies)
There are certain things you love putting into your mouth—Nibs, Good & Plentys, dry-roasted peanuts, lima beans cooked not too soft—and the rest is more or less disagreeable mush, or meat that gives the teeth too tough a fight and if you think about it almost makes you gag.
John Updike (Rabbit at Rest (Rabbit Angstrom #4))
Both deliberately and unconsciously, we often develop, a social exterior designed specifically to disguise our weaknesses and lacks. For instance, you may think you are dealing with someone who is tough and cynical, without realizing that deep inside they have a soft sentimental core.
Robert Greene (The Art of Seduction)
Do you know how happy you make me?” I asked. “No,” she said softly. “I thought I knew what laughter and light were,” I said tipping my head to the side, considering her, “But then you came into my life and proved that I didn’t know shit.” I think she stopped breathing for a second but then she melted against me, putting her ear to my chest. “You taught me… You teach me every day what it is to live again,” she murmured. “You and me ‘til the wheels fall off?” I asked. “You better believe it mister,” she said, trying to sound tough and I laughed. Sounded like heaven to me.
A.J. Downey (Shattered & Scarred (The Sacred Hearts MC #1))
once upon a time, i met a flower. she was so innocent, yet so wise. she was glitter and wildness. softness and sweet fragrance. she was a flock of fireflies that danced through the forest and swam naked in moonlight. she was the first soul i bared myself to, only one i was completely honest with about the things that shamed me...we wandered through the world in a bubble of our own making, floating free, full of pastels so colorful, full of fairy dust, sunbeams, and feathers. we drew people towards us like sirens in the water, wanting what we had. but we fluttered away like butterflies hopping from lily pad to lily pad, giggling all the while. we told each other the real hard truth, and listened, and laughed and cried out our hearts. when i was going through a tough time, she once told me to pick a place, anywhere in the world, and she’d be there with me, even if she couldn't be...she was my flower. she taught me about generosity, about giving with deep trust that it would return somehow somewhere. and it always does. she taught me to love people for who they are, and to just let them be, in their own flower field. i met a flower. she taught me to live in love. to bloom, and listen. now i am alive, in love
D. Bodhi Smith
I could not immunize myself against the germ warfare of object and dream. There seemed to be no bridge between mind and matter, between myself and the world, no point of reference that was not a handy deception…I tried to copy other children but lacked their tough skin. I was a glove turned inside-out, softness showing.
Jeanette Winterson (Gut Symmetries)
Watching him climb, William’s perception shifted again with a bone-rattling jolt. Christian was not soft, he realized. There was nothing of the coddled child in him. He was hard and tough as sinew. Refined? Refined as a purebred stallion, perhaps, or an elemental sprite. But not weak, no. He was a powerful and strong man. For
Eli Easton (The Lion and the Crow)
One post gave Musk a hard time for banning stuffed animals from the house when their twins turned seven. Asked about this, Justine said, “Elon is hard-core. He grew up in a tough culture and tough circumstances. He had to become very tough to not only thrive but to conquer the world. He doesn’t want to raise soft overprivileged kids with no direction.
Ashlee Vance (Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future)
At that time he was a mere puppy, soft from the making, without form, ready for the thumb of circumstance to begin its work upon him. But now it was different. The thumb of circumstance had done its work only too well. By it he had been formed and hardened into the Fighting Wolf, fierce and implacable, unloving and unlovable. To accomplish the change was like a reflux of being, and this when the plasticity of youth was no longer his; when the fibre of him had become tough and knotty; when the warp and the woof of him had made of him an adamantine texture, harsh and unyielding; when the face of his spirit had become iron and all his instincts and axioms had crystallised into set rules, cautions, dislikes, and desires.
Jack London (White Fang)
The downside is that your workers are working harder and having to concentrate more, and the accidents they have are just a little worse, just a little more frequent. The trouble is that you can’t go back, because now your competitors have done the same thing and the Thingumabob market has gotten a bit more aggressive, and the question comes down to this: how much further can you squeeze the margin without making your factory somewhere no one will work? And the truth is that it’s a tough environment for unskilled workers in your area and it can get pretty bad. Suddenly, because the company can’t survive any other way, soft-hearted Alf Fingermuffin is running the scariest, most dangerous factory in town. Or he’s out of busines...
Nick Harkaway (The Gone-Away World)
Gender is not wild, it’s prescribed. When we say, “Girls are nurturing and boys are ambitious. Girls are soft and boys are tough. Girls are emotional and boys are stoic,” we are not telling truths, we are sharing beliefs—beliefs that have become mandates. If these statements seem true, it’s because everyone has been so well programmed. Human qualities are not gendered.
Glennon Doyle (Untamed)
It takes grace to remain kind in cruel situations." "There is no bigger illusion in the world than the idea that a woman will bring dishonor into a home if she tries to keep her heart and her body safe." "You are every hope I've ever had in human form." "He placed his hands on my mind before reaching for my waist my hips or my lips." "I am water soft enough to offer life tough enough to drown it away.
Rupi Kaur (Milk and honey)
In her orchard the trees had been born from deaths; they marked and grew from the remains of the children that passed through her. She never picked the fruit that fell from them, believing it a kind of cannibalism, but out of those soft, unshaped figures had grown tall, strong, tough-barked trees that blossomed and called birds to their branches and clambered out over the orchard walls to the world beyond.
Nadifa Mohamed (The Orchard of Lost Souls)
I needed a slob summer. The machine was abused. Softness at the waist. Tremor of the hands. Bad tastes in the morning. A heaviness of muscle and bone, a tendency to sigh. Each time you wonder, Can you get it back? The good toughness and bounce and tirelessness, the weight down to a rawhide two oh five, a nasty tendency to sing during the morning shower, the conviction each day will contain wondrous things?
John D. MacDonald (Bright Orange for the Shroud)
The country is proud of its dead poets. It takes terrific satisfaction in the poets’ testimony that the USA is too tough, too big, too much, too rugged, that American reality is overpowering. And to be a poet is a school thing, a skirt thing, a church thing. The weakness of the spiritual powers is proved in the childishness, madness, drunkenness, and despair of these martyrs. Orpheus moved stones and trees. But a poet can’t perform a hysterectomy or send a vehicle out of the solar system. Miracle and power no longer belong to him. So poets are loved, but loved because they just can’t make it here. They exist to light up the enormity of the awful tangle and justify the cynicism of those who say, ‘If I were not such a corrupt, unfeeling bastard, creep, thief, and vulture, I couldn’t get through this either. Look at these good and tender and soft men, the best of us. They succumbed, poor loonies.
Saul Bellow (Humboldt's Gift)
A mother is another name for unyielding, aggressive power. She is the embodiment of indulgence and restraint. She is the keeper, the protector. She restricts to keep all harm away. She beholds the baby with her softness, yet forms a tough cast around it to keep intruders at bay. She is the first teacher starting the learning process in confinement, by sharing the system of body and life even before the baby is born. She is the form of knowledge that results from reflex.
Koral Dasgupta (Ahalya)
The best benchside exoticisms January could offer were all on show—the starling, the dandelion, the blown seeds and the birds skeining against the grey clouds, hazing it and mazing it, a featherlight kaleidoscope noon-damp and knowing the sky was never truly grey, just filled with a thousand years of birds’ paths, and wishful seeds, a bird-seed sky as something meddled and ripe and wish-hot, the breeze bird-breath soft like a—what—heart stopped in a lobby above one’s lungs as well it might, as might it will—seeds take a shape too soft to be called a burr, like falling asleep on a bench with the sun on your face, seeds in a shape too soft to be called a globe, too breakable to be a constellation, too tough to not be worth wishing upon, the crowd of birds, an unheard murmuration (pl. n.) not led by one bird but a cloud-folly of seeds, blasted by one of countless breaths escaping from blasted wished-upon clock as a breath, providing a clockwork with no regard to time nor hands, flocking with no purpose other than the clotting and thrilling and thrumming, a flock as gathered ellipses rather than lines of wing and bone and beak, falling asleep grey-headed rather than young and dazzling—more puff than flower—collecting the ellipses of empty speech bubbles, the words never said or sayable, former pauses in speech as busy as leaderless birds, twisting, blown apart softly, to warm and colour even the widest of skies.
Eley Williams (The Liar's Dictionary)
Making money in the markets is tough. The brilliant trader and investor Bernard Baruch put it well when he said, “If you are ready to give up everything else and study the whole history and background of the market and all principal companies whose stocks are on the board as carefully as a medical student studies anatomy—if you can do all that and in addition you have the cool nerves of a gambler, the sixth sense of a clairvoyant and the courage of a lion, you have a ghost of a chance.” In retrospect, the mistakes that led to my crash seemed embarrassingly obvious. First, I had been wildly overconfident and had let my emotions get the better of me. I learned (again) that no matter how much I knew and how hard I worked, I could never be certain enough to proclaim things like what I’d said on Wall $ treet Week: “There’ll be no soft landing. I can say that with absolute certainty, because I know how markets work.” I am still shocked and embarrassed by how arrogant I was. Second, I again saw the value of studying history. What had happened, after all, was “another one of those.” I should have realized that debts denominated in one’s own currency can be successfully restructured with the government’s help, and that when central banks simultaneously provide stimulus (as they did in March 1932, at the low point of the Great Depression, and as they did again in 1982), inflation and deflation can be balanced against each other. As in 1971, I had failed to recognize the lessons of history. Realizing that led me to try to make sense of all movements in all major economies and markets going back a hundred years and to come up with carefully tested decision-making principles that are timeless and universal. Third, I was reminded of how difficult it is to time markets. My long-term estimates of equilibrium levels were not reliable enough to bet on; too many things could happen between the time I placed my bets and the time (if ever) that my estimates were reached. Staring at these failings, I realized that if I was going to move forward without a high likelihood of getting whacked again, I would have to look at myself objectively and change—starting by learning a better way of handling the natural aggressiveness I’ve always shown in going after what I wanted. Imagine that in order to have a great life you have to cross a dangerous jungle. You can stay safe where you are and have an ordinary life, or you can risk crossing the jungle to have a terrific life. How would you approach that choice? Take a moment to think about it because it is the sort of choice that, in one form or another, we all have to make.
Ray Dalio (Principles: Life and Work)
I fell in love with you, and I knew I could never have you. I couldn't pretend to be Pru any longer. I loved you so much, and I couldn't-" Her words were abruptly smothered. He was kissing her, she realized dazedly. What did it mean? What did he want? What... but her thoughts dissolved, and she stopped trying to make sense of anything. His arms had closed around her, one hand gripping the back of her neck. Shaken to her soul, she molded against him. Taking her sobs into his mouth, he licked deep, his kiss strong and savage. It had to be a dream, and yet her senses insisted it was real, the scent and warmth and toughness of him engulfing her. He pulled her even more tightly against him, making it difficult to breathe. She didn't care. The pleasure of the kiss suffused her, drugged her, and when he pulled his head back, she protested with a bewildered moan. Christopher forced her to look back at him. "Loved?" he asked hoarsely. "Past tense?" "Present tense," she managed to say. "You told me to find you." "I didn't mean to send you that note." "But you did. You wanted me." "Yes." More tears escaped her stinging eyes. He bent and pressed his mouth to them, tasting the salt of grief. Those gray eyes looked into hers, no longer bright as hellfrost, but soft as smoke. "I love you, Beatrix." Maybe she was capable of swooning after all. It certainly felt like a swoon, her knees giving way, her head lolling against his shoulder as he lowered them both to the threadbare carpet. Fitting his arm beneath her neck, Christopher covered her mouth with his again. Beatrix answered helplessly, unable to withhold anything. Their legs tangled, and he let his thigh nuzzle between hers.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Lutch Crawford always talked straight to the point. That’s how he got so much work done. “Fawn, about the other night, with all that moon. How do you feel now?” “I feel the same way,” she said tightly. Lutch had a little habit of catching his lower lip with his teeth and letting go when he was thinking was hard. There was a pause about long enough to do this. Then he said, “You been hearing rumors about you and me?” “Well I—” She caught her breath. “Oh, Lutch—” I heard the wicker, sharp and crisp, as she came up out of it. “Hold on!” Lutch snapped. “There’s nothing to it, Fawn. Forget it.” I heard the wicker again, slow, the front part, the back part. She didn’t say anything. “There’s some things too big for one or two people to fool with, honey,” he said gently. “This band’s one of ’em. For whatever it’s worth, it’s bigger than you and me. It’s going good and it’ll go better. It’s about as perfect as a group can get. It’s a unit. Tight. So tight that one wrong move’ll blow out all its seams. You and me, now—that’d be a wrong move.” “How do you know? What do you mean?” “Call it a hunch. Mostly, I know that things have been swell up to now, and I know that you—we—anyway, we can’t risk a change in the good old status quo.” “But—what about me?” she wailed. “Tough on you?” I’d known Lutch a long time, and this was the first time his voice didn’t come full and easy. “Fawn, there’s fourteen cats in this aggregation and they all feel the same way about you as you do about me. You have no monopoly. Things are tough all over. Think of that next time you feel spring fever coming on.” I think he bit at his lower lip again. In a soft voice like Skid’s guitar with the bass stop, he said, “I’m sorry, kid.” “Don’t call me kid!” she blazed. “You better go practice your scales,” he said thickly. The door slammed. After a bit he let me out. He went and sat by the window, looking out. “Now what did you do that for?” I wanted to know. “For the unit,” he said, still looking out the window. “You’re crazy. Don’t you want her?” What I could see of his face answered that question. I don’t think I’d realized before how much he wanted her. I don’t think I’d thought about it. He said, “I don’t want her so badly I’d commit murder for an even chance at her. You do. If anyone wants her worse than I do, I don’t want her enough. That’s the way I see it.
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume V: The Perfect Host)
When I finally made it across the dune, I found her gazing at the ocean and holding a weathered fence post as if it were the mast of a sailboat. 'That was quite a sprint you did on that soft sand,' I said, huffing and puffing. She smiled, but didn't respond. So I clarified, 'That sand is hard to get through.' She laughed. 'It's easier to get through the tough stuff if I give it a little muscle.' I looked at her out of the corner of my eye and said coyly, 'I think there's a life lesson there.' 'Nah,' she refuted. 'I've exercised my whole life. Lots of practice. It comes naturally now.' Like I said.
Emily Colson (Dancing with Max: A Mother and Son Who Broke Free)
His hands came to her wrists, squeezed reflexively, before he got quickly to his feet. "You're mixing things up." Panic arrowed straight into his heart. "I told you sex complicates things." "Yes,you did.And of course since you're the only man I've been with, how could I knew the difference between sex and love? Then again, that doesn't take into account that I'm a smart and self-aware woman, and I know the reason you're the only man I've been with is that you're the only man I've loved.Brian..." She stepped toward him, humor flashing into her eyes when he stepped back. "I've made up my mind.You know how stubborn I am." "I train your father's horses." "So what? My mother groomed them." "That's a different matter." "Why? Oh, because she's a woman.How foolish of me not to realize we can't possibly love each other, build a life with each other.Now if you owned Royal Meadows and I worked here, then it would be all right." "Stop making me sound ridiculous." "I can't." She spread her hands. "You are ridiculous.I love you anyway. Really, I tried to approach it sensibly.I like doing things in a structured order that makes a beeline for the goal.But..." She shrugged, smiled. "It just doesn't want to work that way with you.I look at you and my heart,well, it just insists on taking over.I love you so much,Brian. Can't you tell me? Can't you look at me and tell me?" He skimmed his fingertips over the bruise high on her temple. He wanted to tend to it, to her. "If I did there'd be no going back." "Coward." She watched the heat flash into his eyes,and thought how lovely it was to know him so well. "You won't push me into a corner." Now she laughed. "Watch me," she invited and proceeded to back him up against the steps. "I've figured a lot of things out today,Brian.You're scared of me-of what you feel for me. You were the one always pulling back when we were in public, shifting aside when I'd reach for you.It hurt me." The idea quite simply appalled him. "I never meant to hurt you." "No,you couldn't.How could I help but fall for you? A hard head and a soft heart.It's irresistable. Still, it did hurt. But I thought it was just the snob in you.I didn't realize it was nerves." "I'm not a snob, or a coward." "Put your arms around me.Kiss me. Tell me." "Damn it." he grabbed her shoulders, then simply held on, unable to push her back or draw her in. "It was the first time I saw you, the first instant. You walked in the room and my heart stopped. Like it had been struck by lightning.I was fine until you walked into the room." Her knees wanted to buckle.Hard head, soft heart, and here, suddenly, a staggering sweep of romance. "Why didn't you tell me? Why did you make me wait?" "I thought I'd get over it." "Get over it?" Her brow arched up. "Like a head cold?" "Maybe." He set her aside, paced away to stare out at the hills. Keeley closed her eyes, let the breeze ruffle her hair, cool her cheeks. When the calm descended, she opened her eyes and smiled. "A good strong head cold's tough to shake off.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here—it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous, marks the difference—the only difference in their eyes—between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life, and that it’s nothing personal. Well, fuck them. Make it personal. QUELLCRIST FALCONER
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
Now he took my hands. “I know people, and I know what’s inside of you.” “You do?” “Yes. I know you, Jamie. I see you. I saw how you suffered, and how you gave up on men. And I understand that. You were trying to be tough. You tried to play the game. But I saw through it.” “Wait a minute…” He continued, “Jamie, I’m glad I saw through it. I feel lucky that I saw through it.” Tears welled in my eyes and Drew gently kissed my lips. “I want you,” he said softly, “Not just in bed. I want you. All of you.” “I hope so,” I said softly. “I’m here. Not just for a few days or a few months. I’m here for you long term.
Jackie Pilossoph (Jackpot!)
The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here—it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous, marks the difference—the only difference in their eyes—between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life, and that it’s nothing personal. Well, fuck them. Make it personal. QUELLCRIST FALCONER Things I Should Have Learned by Now Volume II
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
Rocks are space,” I thought, “and space is illusion.” I had a million thoughts. Japhy had his. I was amazed at the way he meditated with his eyes open. And I was mostly humanly amazed that this tremendous little guy who eagerly studied Oriental poetry and anthropology and ornithology and everything else in the books and was a tough little adventurer of trails and mountains should also suddenly whip out his pitiful beautiful wooden prayerbeads and solemnly pray there, like an oldfashioned saint of the deserts certainly, but so amazing to see it in America with its steel mills and airfields. The world ain’t so bad, when you got Japhies, I thought, and felt glad. All the aching muscles and the hunger in my belly were bad enough, and the surroundant dark rocks, the fact that there is nothing there to soothe you with kisses and soft words, but just to be sitting there meditating and praying for the world with another earnest young man—’twere good enough to have been born just to die, as we all are. Something will come of it in the Milky Ways of eternity stretching in front of all our phantom unjaundiced eyes, friends. I felt like telling Japhy everything I thought but I knew it didn’t matter and moreover he knew it anyway and silence is the golden mountain. “Yodelayhee,
Jack Kerouac (The Dharma Bums: (Penguin Classics Deluxe Edition))
Don’t run from me,” he repeated. “I can’t protect you if I’m not there.” Her eyes shimmered with unshed tears, but she lifted her stubborn chin and nodded. “I promise.” The need to protect her filled him. “Why didn’t you tell me he hurt you?” His gaze dropped to her breast. Her face colored daintily as she tugged her blouse together and buttoned it. “It’s nothing.” Matt stared into her soft blue eyes. As tough as she tried to act, she was delicate, fragile. He wanted to put her up on a safe shelf until this mess was over. Not let anyone near her. Remorse filled his eyes. “I’m sorry you were hurt.” The knowledge that he’d never hurt her made her smile.
Cheryl Yeko (Abducting Casey)
Night does not communicate with the day. it burns up in it. Night is carried to the stake at dawn. And its people along with it — the drinkers, the poets, the lovers. We are a people of the banished, of the condemned. I do not know you. You want to join us. Your fear and confusion propel you into our arms; you want to nestle in there, but your tough body keeps clinging to its certainties; it pushes desire away, refuses to surrender. I don’t blame you. You live in another prison, a world of strength and bravery where you think you can be carried aloft in triumph; you think you can win the goodwill of the powerful, you seek glory and wealth. But when night falls, you tremble. You don’t drink, for you are afraid; you know that the burning sensation of alcohol plunges you into weakness, into an irresistible need to find caresses, a vanished tenderness, the lost world of childhood, gratification, the need to find peace when faced with the glistering uncertainty of darkness. You think you desire my beauty, the softness of my skin, the brilliance of my smile, the delicacy of my limbs, the crimson of my lips, but actually, what you want without realizing it is for your fears to disappear, for healing, union, return, oblivion. This power inside you devours you in solitude. So you suffer, lost in an infinite twilight, one foot in day and the other in night.
Mathias Énard (Parle-leur de batailles, de rois et d'éléphants)
Who is Ungit?’ said he, still holding my hand. Then he led me across the floor; and, a long way off before we came to it, I saw that mirror on the wall, just where it always had been. At the sight of it my terror increased, and I fought with all my strength not to go on. But his hand had grown very big now and it was as soft and clinging as Batta’s arms, or as the tough clay we had been digging, or as the dough of a huge loaf. I was not so much dragged as sucked along till we stood right in front of the mirror. And in it I saw him, looking as he had looked that other day when he led me to the mirror long ago. But my face was the face of Ungit as I had seen it that day in her house. ‘Who is Ungit?’ asked the King. ‘I am Ungit.
C.S. Lewis (Till We Have Faces: A Myth Retold)
Up on the bridge of the Anubis, the storm paws loudly on the glass, great wet flippers falling at random in out of the night whap! the living shape visible just for the rainbow edge of the sound—it takes a certain kind of maniac, at least a Polish cavalry officer, to stand in this pose behind such brittle thin separation, and stare each blow full in its muscularity. Behind Procalowski the clinometer bob goes to and fro with his ship’s rolling: a pendulum in a dream. Stormlight has turned the lines of his face black, black as his eyes, black as the watchcap cocked so tough and salty aslant the furrows of his forehead. Light clusters, clear, deep, on the face of the radio gear . . . fans up softly off the dial of the pelorus . . . spills out portholes onto the white river.
Thomas Pynchon (Gravity's Rainbow)
You’ve said, “You can lie or distort the story of the French Revolution as long as you like and nothing will happen. Propose a false theory in chemistry and it will be refuted tomorrow.” How does your approach to the world as a scientist affect and influence the way you approach politics? Nature is tough. You can’t fiddle with Mother Nature, she’s a hard taskmistress. So you’re forced to be honest in the natural sciences. In the soft fields, you’re not forced to be honest. There are standards, of course; on the other hand, they’re very weak. If what you propose is ideologically acceptable, that is, supportive of power systems, you can get away with a huge amount. In fact, the difference between the conditions that are imposed on dissident opinion and on mainstream opinion is radically different. For example, I’ve written about terrorism, and I think you can show without much difficulty that terrorism pretty much corresponds to power. I don’t think that’s very surprising. The more powerful states are involved in more terrorism, by and large. The United States is the most powerful, so it’s involved in massive terrorism, by its own definition of terrorism. Well, if I want to establish that, I’m required to give a huge amount of evidence. I think that’s a good thing. I don’t object to that. I think anyone who makes that claim should be held to very high standards. So, I do extensive documentation, from the internal secret records and historical record and so on. And if you ever find a comma misplaced, somebody ought to criticize you for it. So I think those standards are fine. All right, now, let’s suppose that you play the mainstream game. You can say anything you want because you support power, and nobody expects you to justify anything. For example, in the unimaginable circumstance that I was on, say, Nightline, and I was asked, “Do you think Kadhafi is a terrorist?” I could say, “Yeah, Kadhafi is a terrorist.” I don’t need any evidence. Suppose I said, “George Bush is a terrorist.” Well, then I would be expected to provide evidence—“Why would you say that?” In fact, the structure of the news production system is, you can’t produce evidence. There’s even a name for it—I learned it from the producer of Nightline, Jeff Greenfield. It’s called “concision.” He was asked in an interview somewhere why they didn’t have me on Nightline. First of all, he says, “Well, he talks Turkish, and nobody understands it.” But the other answer was, “He lacks concision.” Which is correct, I agree with him. The kinds of things that I would say on Nightline, you can’t say in one sentence because they depart from standard religion. If you want to repeat the religion, you can get away with it between two commercials. If you want to say something that questions the religion, you’re expected to give evidence, and that you can’t do between two commercials. So therefore you lack concision, so therefore you can’t talk. I think that’s a terrific technique of propaganda. To impose concision is a way of virtually guaranteeing that the party line gets repeated over and over again, and that nothing else is heard.
Noam Chomsky (On Anarchism)
The political rhetoric of the ruling class claims to want to decrease the rate of violence. It advocates making the deadliest weapons, from handguns to assault rifles, freely available to as many people as possible; increasing the rate of capital punishment; imprisoning as many people as possible; and making the conditions in which they are incarcerated more and more brutalizing; depriving prison inmates of the opportunity to acquire education which could help them to renounce their criminal violence. All this is pursued in the name of being "tough on crime" and "tough on criminals"; but however "tough" these policies may be on criminals, they are, in fact, the most effective way to promote crime and violence. This deceptive rhetoric still fools millions of voters. This brilliant strategy also labels those policies that would decrease the rates of crime and violence, as being "soft on crime.
James Gilligan (Preventing Violence (Prospects for Tomorrow))
But more than that, what's up with this rice?! It's mellow and mild, without the first hint of any vinegary tang! This isn't your normal sushi rice!" "Exactly! For this recipe, I used red vinegar. The vinegar used in sushi rice is typically rice vinegar made from a blend of rice and wheat or corn that is fermented. But red vinegar is made from fermented sake lees! By the time Edomae sushi- sushi as we know it today- first became popular in the 1820s, red vinegar was already a condiment... But since the brewing and aging process can take up to five or six years, it has become a luxury vinegar in the present day Isn't that right, Senpai?!" "You are correct!" Oh, I get it! Because of how it's made, red vinegar has less sugar and a mellower flavor! Plus, mixing it with rice won't make the rice as tough, leaving the finished sushi rice soft and fluffy! But that also makes balancing the flavors of the sushi rice and its toppings a much more delicate task.
Yūto Tsukuda (食戟のソーマ 26 [Shokugeki no Souma 26] (Food Wars: Shokugeki no Soma, #26))
These samurai swords were made from a special type of steel called tamahagane, which translates as “jewel steel,” made from the volcanic black sand of the Pacific (this consists mostly of an iron ore called magnetite, the original material for the needle of compasses). This steel is made in a huge clay vessel four feet tall, four feet wide, and twelve feet long called a tatara. The vessel is “fired”—hardened from molded clay into a ceramic—by lighting a fire inside it. Once fired, it is packed meticulously with layers of black sand and black charcoal, which are consumed in the ceramic furnace. The process takes about a week and requires constant attention from a team of four or five people, who make sure that the temperature of the fire is kept high enough by pumping air into the tatara using a manual bellows. At the end the tatara is broken open and the tamahagane steel is dug out of the ash and remnants of sand and charcoal. These lumps of discolored steel are very unprepossessing, but they have a whole range of carbon content, some of it very low and some of it high. The samurai innovation was to be able to distinguish high-carbon steel, which is hard but brittle, from low-carbon steel, which is tough but relatively soft. They did this purely by how it looked, how it felt in their hands, and how it sounded when struck. By separating the different types of steel, they could make sure that the low-carbon steel was used to make the center of the sword. This gave the sword an enormous toughness, almost a chewiness, meaning that the blades were unlikely to snap in combat. On the edge of the blades they welded the high-carbon steel, which was brittle but extremely hard and could therefore be made very sharp. By using the sharp high-carbon steel as a wrapper on top of the tough low-carbon steel they achieved what many thought impossible: a sword that could survive impact with other swords and armor while remaining sharp enough to slice a man’s head off. The best of both worlds.
Mark Miodownik (Stuff Matters: Exploring the Marvelous Materials That Shape Our Man-Made World)
Toward the end of the three weeks, I have lunch with a representative from the foundation. She wants to know what could be done to make the girls more “confident.” I rattle on, about girl-only classrooms, giving them room away from the boys, time to talk, permission to question and complain without being afraid of being seen as whiners, complainers, bad girls, tough girls. But I know that all of them, boys and girls both, are still only partly formed, soft as Playdoh. They are like golems — their bodies in full flower and everything else a work-in-progress. I don’t dare say there are essential gender differences here, though I wonder more and more. “But girls have so many more role models now,” the foundation representative says. She is a petite, elegant, beautiful woman in a black suit, perfectly coifed. More role models. Which ones, I wonder? An increasingly impossible physical ideal? A clear-cut choice between career and family? They’ve seen their mothers suffer from trying to do both. They know all about the “second shift” of endless work. When I was 15, my role models were burning bras, marching in the street, starting clinics, passing laws and getting arrested. Role models now are selling diet books and making music videos. The simple fact is, I don’t know. I don’t know how to help them. I know that I have to keep checking my watch during lunch and rush off to make the final bell for sixth period, and that all of these children who are almost grown have spent their entire lives ruled by a clock and the demands of strangers. They have grown up in a fragmented and chaotic place over which they have no control. I know they’ve rarely thought about the possibility of getting out; they don’t see any place to get out to, anywhere to go not ruled by bureaucratic entanglements and someone else’s schedule and somebody else’s plans. If girls are somehow wired toward pliancy, then the helpless role of student in the shadow of the institution is the worst place they can be. If we want to teach them independence, the first thing to do would be to give it to them.
Sallie Tisdale (Violation: Collected Essays)
Cook," said Stubb, rapidly lifting a rather reddish morsel to his mouth, "don't you think this steak is rather overdone? You've been beating this steak too much, cook; it's too tender. Don't I always say that to be good, a whale-steak must be tough? There are those sharks now over the side, don't you see they prefer it tough and rare? What a shindy they are kicking up! Cook, go and talk to 'em; tell 'em they are welcome to help themselves civilly, and in moderation, but they must keep quiet. Blast me, if I can hear my own voice. Away, cook, and deliver my message. Here, take this lantern," snatching one from his sideboard; "now then, go and preach to 'em!" Sullenly taking the offered lantern, old Fleece limped across the deck to the bulwarks; and then, with one hand dropping his light low over the sea, so as to get a good view of his congregation, with the other hand he solemnly flourished his tongs, and leaning far over the side in a mumbling voice began addressing the sharks, while Stubb, softly crawling behind, overheard all that was said. "Fellow-critters: I'se ordered here to say dat you must stop dat dam noise dare. You hear? Stop dat dam smackin' ob de lips!
Herman Melville (Moby Dick)
The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here—it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous, marks the difference—the only difference in their eyes—between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life, and that it’s nothing personal. Well, fuck them. Make it personal.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, TAKE IT PERSONALLY. Get angry. The Machinery of Justice will not serve you here - it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it PERSONAL. Do as much damage as you can. GET YOUR MESSAGE ACROSS. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference, the ONLY difference in their eyes, between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that IT’S NOTHING PERSONAL. Well, fuck them. Make it personal.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
The boys who have done you harm are surrounded by girls you will choose never to be. girls who are disgusting, who bleed and weep and wail. Girls who spend too much time in the bathroom. Girls who are never ready on time. Girls who titter, who are soft, who wear pretty clothes that are easily dirties, girls in hoop earrings and perfect wings of black eyeliner, girls who don't know what's cool. Girls who read the wrong books, twirl their hair around, are pursued, are hunted. You will remake yourself into something else: a boys' girl, a tough girl, a girl without needs or feelings, a girl who wisecracks and drinks whiskey in the backseat of cars, a girl cool as the first frost in winter, a girl so totally unlike other girls. If you cannot be loved and safe, you will be clever, mean, a girl as vicious as the serrated edge of a hunting knife. If you cannot be pretty, you will disdain beauty and its trappings. If you cannot be heard, you will be silent on purpose. You will find your knights again, a different set of boys, this time united against a common enemy: the softness and fragility of girls, of anything girlish within you, of anything girlish in any other girl. Against girls who are sad and silly and weeping (you don't cry), girls who complain (you protest nothing), girls who make demands (you never ask). This time, however, you will not be queen. Some of these boys will never even know your name.
Sarah McCarry (Here We Are)
He got out a tube and since she’d yet to put the sweater on, squeezed ointment onto his fingers and began to gently rub it on her abraded skin. She recognized the scent. “That’s for horses.” “So?” She laughed and let him fuss. “Does this make me your mare now?” “No, you’re too young and delicate of bone for that. You’re still a filly.” “Are you going to train me, Donnelly?” “Oh, you’re out of my league, Miss Grant.” He glanced up, cocked a brow when he saw her grinning at him. “And what amuses you?” “You can’t help it can you? You have to tend.” “I put the marks on you,” he muttered as he smoothed on the ointment. “It follows I should see to them.” She lifted a hand to toy with the ends of his damp, gold-tipped hair. “I like being seen to by a man with a tough mind and a soft heart.” That soft heart sighed a little, ached a little. But he spoke lightly. “It’s no hardship running my fingers over skin like yours.” With his eyes on hers, he used the pad of his thumb to spread ointment over the gentle swell of her breast. “Particularly since you don’t seem to have a qualm about standing here half naked and letting me.” “Should I blush and flutter?” “You’re not the fluttering sort. I like that about you.” Satisified, he capped the tube, then tugged the sweater over her head himself. “But I can’t have such a fine piece of God’s work catching a chill. There you are.” He lifted her hair out of the neck. “You don’t have a hair dryer.” “There’s air everywhere in here.” She laughed and dragged her fingers through her damp curls. “It’ll have to do.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
We end up at an outdoor paintball course in Jersey. A woodsy, rural kind of place that’s probably brimming with mosquitos and Lyme disease. When I find out Logan has never played paintball before, I sign us both up. There’s really no other option. And our timing is perfect—they’re just about to start a new battle. The worker gathers all the players in a field and divides us into two teams, handing out thin blue and yellow vests to distinguish friend from foe. Since Logan and I are the oldest players, we both become the team captains. The wide-eyed little faces of Logan’s squad follow him as he marches back and forth in front of them, lecturing like a hot, modern-day Winston Churchill. “We’ll fight them from the hills, we’ll fight them in the trees. We’ll hunker down in the river and take them out, sniper-style. Save your ammo—fire only when you see the whites of their eyes. Use your heads.” I turn to my own ragtag crew. “Use your hearts. We’ll give them everything we’ve got—leave it all on the field. You know what wins battles? Desire! Guts! Today, we’ll all be frigging Rudy!” A blond boy whispers to his friend, “Who’s Rudy?” The kid shrugs. And another raises his hand. “Can we start now? It’s my birthday and I really want to have cake.” “It’s my birthday too.” I give him a high-five. “Twinning!” I raise my gun. “And yes, birthday cake will be our spoils of war! Here’s how it’s gonna go.” I point to the giant on the other side of the field. “You see him, the big guy? We converge on him first. Work together to take him down. Cut off the head,” I slice my finger across my neck like I’m beheading myself, “and the old dog dies.” A skinny kid in glasses makes a grossed-out face. “Why would you kill a dog? Why would you cut its head off?” And a little girl in braids squeaks, “Mommy! Mommy, I don’t want to play anymore.” “No,” I try, “that’s not what I—” But she’s already running into her mom’s arms. The woman picks her up—glaring at me like I’m a demon—and carries her away. “Darn.” Then a soft voice whispers right against my ear. “They’re already going AWOL on you, lass? You’re fucked.” I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him. “Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.” And then Logan does something that melts my insides and turns my knees to quivery goo. He laughs. And it’s beautiful. It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs? He’s heart-stopping. He swaggers confidently back to his side and I sneer at his retreating form. The uniformed paintball worker blows a whistle and explains the rules. We get seven minutes to hide first. I cock my paintball shotgun with one hand—like Charlize Theron in Fury fucking Road—and lead my team into the wilderness. “Come on, children. Let’s go be heroes.” It was a massacre. We never stood a chance. In the end, we tried to rush them—overpower them—but we just ended up running into a hail of balls, getting our hearts and guts splattered with blue paint. But we tried—I think Rudy and Charlize would be proud
Emma Chase (Royally Endowed (Royally, #3))
I struggle with an embarrassing affliction, one that as far as I know doesn’t have a website or support group despite its disabling effects on the lives of those of us who’ve somehow contracted it. I can’t remember exactly when I started noticing the symptoms—it’s just one of those things you learn to live with, I guess. You make adjustments. You hope people don’t notice. The irony, obviously, is having gone into a line of work in which this particular infirmity is most likely to stand out, like being a gimpy tango instructor or an acrophobic flight attendant. The affliction I’m speaking of is moral relativism, and you can imagine the catastrophic effects on a critic’s career if the thing were left to run its course unfettered or I had to rely on my own inner compass alone. To be honest, calling it moral relativism may dignify it too much; it’s more like moral wishy-washiness. Critics are supposed to have deeply felt moral outrage about things, be ready to pronounce on or condemn other people’s foibles and failures at a moment’s notice whenever an editor emails requesting twelve hundred words by the day after tomorrow. The severity of your condemnation is the measure of your intellectual seriousness (especially when it comes to other people’s literary or aesthetic failures, which, for our best critics, register as nothing short of moral turpitude in itself). That’s how critics make their reputations: having take-no-prisoners convictions and expressing them in brutal mots justes. You’d better be right there with that verdict or you’d better just shut the fuck up. But when it comes to moral turpitude and ethical lapses (which happen to be subjects I’ve written on frequently, perversely drawn to the topics likely to expose me at my most irresolute)—it’s like I’m shooting outrage blanks. There I sit, fingers poised on keyboard, one part of me (the ambitious, careerist part) itching to strike, but in my truest soul limply equivocal, particularly when it comes to the many lapses I suspect I’m capable of committing myself, from bad prose to adultery. Every once in a while I succeed in landing a feeble blow or two, but for the most part it’s the limp equivocator who rules the roost—contextualizing, identifying, dithering. And here’s another confession while I’m at it—wow, it feels good to finally come clean about it all. It’s that … once in a while, when I’m feeling especially jellylike, I’ve found myself loitering on the Internet in hopes of—this is embarrassing—cadging a bit of other people’s moral outrage (not exactly in short supply online) concerning whatever subject I’m supposed to be addressing. Sometimes you just need a little shot in the arm, you know? It’s not like I’d crib anyone’s actual sentences (though frankly I have a tough time getting as worked up about plagiarism as other people seem to get—that’s how deep this horrible affliction runs). No, it’s the tranquillity of their moral authority I’m hoping will rub off on me. I confess to having a bit of an online “thing,” for this reason, about New Republic editor-columnist Leon Wieseltier—as everyone knows, one of our leading critical voices and always in high dudgeon about something or other: never fearing to lambaste anyone no matter how far beneath him in the pecking order, never fearing for a moment, when he calls someone out for being preening or self-congratulatory, as he frequently does, that it might be true of himself as well. When I’m in the depths of soft-heartedness, a little dose of Leon is all I need to feel like clambering back on the horse of critical judgment and denouncing someone for something.
Laura Kipnis (Men: Notes from an Ongoing Investigation)
The journey up to battle camp started badly. “If you can’t even load a bloody truck with all your kit properly, then you’ve got no bloody chance of passing what’s ahead of you, I can assure you of that!” Taff, our squadron DS, barked at us in the barracks before leaving. I, for one, was more on edge than I had ever felt so far on Selection. I was carsick on the journey north, and I hadn’t felt that since I’d been a kid heading back to school. It was nerves. We also quizzed Taff for advice on what to expect and how to survive the “capture-initiation” phase. His advice to Trucker and me was simple: “You two toffs just keep your mouths shut--23 DS tend to hate recruits who’ve been to private school.” The 23 SAS were running the battle camp (it generally alternated between 21 and 23 SAS), and 23 were always regarded as tough, straight-talking, hard-drinking, fit-as-hell soldiers. We had last been with them at Test Week all those months earlier, and rumor was that “the 23 DS are going to make sure that any 21 recruits get it the worst.” Trucker and I hoped simply to try and stay “gray men” and not be noticed. To put our heads down and get on and quietly do the work. This didn’t exactly go according to plan. “Where are the lads who speak like Prince Charles?” The 23 DS shouted on the first parade when we arrived. “Would you both like newspapers with your morning tea, gents?” the DS sarcastically enquired. Part of me was tempted to answer how nice that would be, but I resisted. The DS continued: “I’ve got my eye on you two. Do I want to have to put my life one day in your posh, soft hands? Like fuck I do. If you are going to pass this course you are going to have to earn it and prove yourself the hard way. You both better be damned good.” Oh, great, I thought. I could tell the next fortnight was going to be a ball-buster.
Bear Grylls (Mud, Sweat and Tears)
Cutting Board Maintenance Moisturize! Once a month I spend some quality time, just me and my cutting board family. Wood is porous and kind of alive—it expands and contracts, absorbs moisture and dries out. Without any TLC even the best wooden cutting board can crack, warp, or even rot from the inside. Luckily, all you need to prevent all of that is monthly moisturization. 1. Start with a clean and dry board: Using a soft dish sponge, scrub clean with dish soap. Remove any tough stains with a mixture of baking soda and water. Never use any harsh abrasives like bleach or steel wool. Rinse and then dry the board with a towel and leave it standing on its edge to fully dry. (If you can, it’s best to store your board standing on its edge when not in use so moisture doesn’t fester underneath.) When washing your board, be sure to wet both sides. This ensures that both sides are equally moist and dry at the same rate to prevent warping. 2. Apply a generous layer of food-grade mineral oil: Lay the board flat so excess oil doesn’t run off, and use your hands to spread a thick layer of mineral oil all over one side, rubbing into the edges and any grooves. Why mineral oil? Unlike most other oils, such as canola, olive, or coconut, mineral oil is totally flavorless and won’t grow rancid 3. Give it time to soak in: Let it sit for a few hours and preferably overnight to drink in as much oil as possible. 4. Buff and repeat: Use a towel to rub away any excess oil the board didn’t soak up. Next, buff the board, rubbing in any last remnants of oil. It should not feel slick or greasy when you’re done. Flip and repeat on the other side. • Level up: To give your board an almost velvety feel, after oiling both sides, rub them down with board cream. Board cream is a mixture of food-grade mineral oil and beeswax that you can purchase or make yourself. Using a towel, rub a thin, even layer all over the board. No need to wipe it off after.
Sohla El-Waylly (Start Here: Instructions for Becoming a Better Cook)
Lemon Barley Chicken Soup: The first thing you have to do is make chicken broth. Over here in France, I can’t seem to find acceptable packaged chicken broth, so I make it from scratch; it’s really not tricky. Remove the skin from four or five chicken thighs. Put them in a big pot, along with a cut-up onion, a carrot or two, some celery, salt and pepper, and lots of water. Cook this mélange very, very slowly (bubbles just rising) for a few hours (at least three). When you’ve got the broth under way, cook the barley: take 1 cup of barley and simmer it slowly in 4 to 5 cups of water. When it’s soft, drain the barley, but reserve any remaining barley water so you can add it to the broth. When the broth is ready, skim off the froth. Then remove the chicken thighs and when they’re cool enough, strip the meat off the bones, saving it for the soup. Strain the broth and put it to the side. Now that you’ve got chicken broth, it’s time for the soup itself—the rest is even easier. Cut up some leeks, if you have them, though an onion works just fine, too. If you’ve got leeks, put some butter in your (now emptied) stockpot over low heat; use olive oil instead if you have onions. While the leeks/onions are softening, finely mince a knob of ginger and 2 or 3 garlic cloves. If you can get some, you can also crush some lemongrass and put it in at this point. I never seem to cook it right (it always stays tough), but it adds great flavor. Dump all that in with the softened leeks/onions. Cook until you can smell it, but take care to avoid browning. Then add the cut-up chicken and the barley, and pour in the broth. Simmer it over low heat for about half an hour. Add salt to taste. To get a great lemon kick, squeeze 2 lemons and beat the juice well with 2 egg yolks. With the pot removed from the heat source, briskly whisk this mixture into the soup, being careful that the eggs don’t separate and curdle. Then return the pot to the heat and stir vigorously for a bit, until the eggs are cooked. This soup is excellent for sick people (ginger, hot lemon, and chicken; need I say more?) and a tonic for sad people (total comfort). And it’s even better the next day.
Eloisa James (Paris In Love)
Why aren't you training, Nesta?' 'I don't want to.' 'Why not?' Cassian muttered, 'Don't waste your breath, Az.' She glared at him. 'I'm not training in that miserable village.' Cassian glared right back. 'You've been given an order. You know the consequences. If you don't get off that fucking rock by the end of the week, what happens next is out of my hands.' 'So you'll tattle to your precious High Lord?' she crooned. 'Big, tough warrior needs oh-so-powerful Rhysand to fight his battles?' 'Don't you talk about Rhys with that tone,' Cassian snarled. 'Rhys is an asshole,' Nesta snapped. 'He is an arrogant, preening asshole.' Azriel sat back in his seat, eyes simmering with anger, but said nothing. 'That's bullshit,' Cassian spat, the Siphons on the backs of his hands burning like ruby flames. 'You know that's bullshit, Nesta.' 'I hate him,' she seethed. 'Good. He hates you, too,' Cassian shot back. 'Everyone fucking hates you. Is that what you want? Because congratulations, it's happened.' Azriel let out a long, long breath. Cassian's words pelted her, one after another. Hit her somewhere low and soft, and hit hard. Her fingers curled into claws, scraping along the table as she flung back at him, 'And I suppose now you'll tell me that you are the only person who doesn't hate me, and I'm supposed to feel something like gratitude, and agree with you?' 'Now I tell you I'm done.' The words rumbled between them. Nesta blinked, the only sign of her surprise. Azriel tensed, surprised as well. But she sliced into Cassian before he could go on. 'Does that mean you're done panting after me as well? Because what a relief that will be, to know you've finally taken the hint.' Cassian's muscled chest heaved, his throat working. 'You want to rip yourself apart, go right ahead. Implode all you like.' He stood, meal half-finished. 'The training was supposed to help you. Not punish you. I don't know why you don't fucking get that.' 'I told you: I'm not training in that miserable village.' 'Fine.' Cassian stalked out, his pounding steps fading down the hall. Alone with Azriel, Nesta bared her teeth at him. Azriel watched her with that cool quiet, keeping utterly still. Like he saw everything in her head. Her bruised heart. She couldn't bear it. So she stood, only two bites taken from her food, and left the room as well.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #5))
At Ardennes she conceived a desire to strangle the young woman who prepped and held down garde manger. The woman, Becky Hemerling, was a culinary-institute grad with wavy blond hair and a petite flat body and fair skin that turned scarlet in the kitchen heat. Everything about Becky Hemerling sickened Denise—her C.I.A. education (Denise was an autodidact snob), her overfamiliarity with more senior cooks (especially with Denise), her vocal adoration of Jodie Foster, the stupid fish-and-bicycle texts on her T-shirts, her overuse of the word “fucking” as an intensifier, her self-conscious lesbian “solidarity” with the “latinos” and “Asians” in the kitchen, her generalizations about “right-wingers” and “Kansas” and “Peoria,” her facility with phrases like “men and women of color,” the whole bright aura of entitlement that came of basking in the approval of educators who wished that they could be as marginalized and victimized and free of guilt as she was. What is this person doing in my kitchen? Denise wondered. Cooks were not supposed to be political. Cooks were the mitochondria of humanity; they had their own separate DNA, they floated in a cell and powered it but were not really of it. Denise suspected that Becky Hemerling had chosen the cooking life to make a political point: to be one tough chick, to hold her own with the guys. Denise loathed this motivation all the more for harboring a speck of it herself. Hemerling had a way of looking at her that suggested that she (Hemerling) knew her better than she knew herself—an insinuation at once infuriating and impossible to refute. Lying awake beside Emile at night, Denise imagined squeezing Hemerling’s neck until her blue, blue eyes bugged out. She imagined pressing her thumbs into Hemerling’s windpipe until it cracked.    Then one night she fell asleep and dreamed that she was strangling Becky and that Becky didn’t mind. Becky’s blue eyes, in fact, invited further liberties. The strangler’s hands relaxed and traveled up along Becky’s jawline and past her ears to the soft skin of her temples. Becky’s lips parted and her eyes fell shut, as if in bliss, as the strangler stretched her legs out on her legs and her arms out on her arms…    Denise couldn’t remember being sorrier to wake from a dream.    “If you can have this feeling in a dream,” she said to herself, “it must be possible to have it in reality.
Jonathan Franzen (The Corrections)
BULGARIA had more cause than any other of the Balkan countries to be grateful to Nazi Germany, because of the considerable territorial aggrandizement she received at the expense of Rumania, Yugoslavia, and Greece. And yet Bulgaria was not grateful, neither her government nor her people were soft enough to make a policy of “ruthless toughness” workable. This showed not only on the Jewish question. The Bulgarian monarchy had no reason to be worried about the native Fascist movement, the Ratnizi, because it was numerically small and politically without influence, and the Parliament remained a highly respected body, which worked smoothly with the King. Hence, they dared refuse to declare war on Russia and never even sent a token expeditionary force of “volunteers” to the Eastern front. But most surprising of all, in the belt of mixed populations where anti-Semitism was rampant among all ethnic groups and had become official governmental policy long before Hitler’s arrival, the Bulgarians had no “understanding of the Jewish problem” whatever. It is true that the Bulgarian Army had agreed to have all the Jews—they numbered about fifteen thousand—deported from the newly annexed territories, which were under military government and whose population was anti-Semitic; but it is doubtful that they knew what “resettlement in the East” actually signified. Somewhat earlier, in January, 1941, the government had also agreed to introduce some anti-Jewish legislation, but that, from the Nazi viewpoint, was simply ridiculous: some six thousand able-bodied men were mobilized for work; all baptized Jews, regardless of the date of their conversion, were exempted, with the result that an epidemic of conversions broke out; five thousand more Jews—out of a total of approximately fifty thousand—received special privileges; and for Jewish physicians and businessmen a numerus clausus was introduced that was rather high, since it was based on the percentage of Jews in the cities, rather than in the country at large. When these measures had been put into effect, Bulgarian government officials declared publicly that things were now stabilized to everybody’s satisfaction. Clearly, the Nazis would not only have to enlighten them about the requirements for a “solution of the Jewish problem,” but also to teach them that legal stability and a totalitarian movement could not be reconciled.
Hannah Arendt (Eichmann in Jerusalem: A Report on the Banality of Evil)
He'd found a sweet-water stream that I drank from, and for dinner we found winkles that we ate baked on stones. We watched the sun set like a peach on the sea, making plans on how we might live till a ship called by. Next we made a better camp beside a river and had ourselves a pretty bathing pool all bordered with ferns; lovely it was, with marvelous red parrots chasing through the trees. Our home was a hut made of branches thatched with flat leaves, a right cozy place to sleep in. We had fat birds that Jack snared for our dinner, and made fire using a shard of looking glass I found in my pocket. We had lost the compass in the water, but didn't lament it. I roasted fish and winkles in the embers. For entertainment we even had Jack's penny whistle. It was a paradise, it was." "You loved him," her mistress said softly, as her pencil resumed its hissing across the paper. Peg fought a choking feeling in her chest. Aye, she had loved him- a damned sight more than this woman could ever know. "He loved me like his own breath," she said, in a voice that was dangerously plaintive. "He said he thanked God for the day he met me." Peg's eyes brimmed full; she was as weak as water. The rest of her tale stuck in her throat like a fishbone. Mrs. Croxon murmured that Peg might be released from her pose. Peg stared into space, again seeing Jack's face, so fierce and true. He had looked down so gently on her pitiful self; on her bruises and her bony body dressed in salt-hard rags. His blue eyes had met hers like a beacon shining on her naked soul. "I see past your always acting the tough girl," he insisted with boyish stubbornness. "I'll be taking care of you now. So that's settled." And she'd thought to herself, so this is it, girl. All them love stories, all them ballads that you always thought were a load of old tripe- love has found you out, and here you are. Mrs. Croxon returned with a glass of water, and Peg drank greedily. She forced herself to continue with self-mocking gusto. "When we lay down together in our grass house we whispered vows to stay true for ever and a day. We took pleasure from each other's bodies, and I can tell you, mistress, he were no green youth, but all grown man. So we were man and wife before God- and that's the truth." She faced out Mrs. Croxon with a bold stare. "You probably think such as me don't love so strong and tender, but I loved Jack Pierce like we was both put on earth just to find each other. And that night I made a wish," Peg said, raising herself as if from a trance, "a foolish wish it were- that me and Jack might never be rescued. That the rotten world would just leave us be.
Martine Bailey (A Taste for Nightshade)
Wrath…” “What,” he murmured against her, working her with his nose. “You don’t like?” “Shut up and get back to doing—” His tongue slipping under the panties cut her off…and made him have to slow himself down. She was so slick and wet and soft and willing, it was all he could do to keep himself from hauling her on the rug and going at her deep and hard. And then they’d both miss out on the fun of anticipation. Moving the cotton aside with his hand, he kissed her pink flesh, then delved in. She was oh, so ready for him, and he knew it because of the honey that he swallowed as he dragged upward in a long, slow lick. But it wasn’t enough, and holding the panties to the side was distracting. With his fang, he punctured them, then split them apart right up the middle, leaving the two halves to hang off her hips. His palms went up to her ass and squeezed hard as he quit fooling around and got busy working out his female with his mouth. He knew exactly what she liked best, the sucking and the licking and the going in with his tongue. Closing his eyes, he took it all in, the scent and the taste and the feel of her shuddering against him as she peaked and came apart. Behind the fly of his leathers, his cock was screaming for attention, the rasp of the buttons not nearly sufficient to satisfy what it was demanding, but tough shit. His erection was going to have to chill for a while, because this was too sweet to stop anytime soon. When Beth’s knees wobbled, he took her down to the floor and stretched one of her legs up, keeping to his pace while shoving her fleece to her neck and putting his hand under her bra. As she orgasmed again, she grabbed onto one of the desk legs, pulling hard and bracing her free foot into the rug. His pursuit pushed them both farther and farther beneath where he discharged his kingly duties until he had to crouch down to fit his shoulders. Eventually her head was out the other side and she was gripping the pansy-ass chair he sat in and dragging it with her. As she cried out his name once more, he prowled up her body and glared at the stupid, nancy chair. “I need something heavier to sit in.” Last coherent thing he said. His body found the entrance to hers with an ease that spoke of all the practice they’d had and…Oh, yeah, still as good as the first time. Wrapping his arms around her, he rode her hard, and she was right there with him as the storm rolling through his body gathered in his balls until they stung. Together, he and his shellan moved as one, giving, receiving, going faster and faster until he came and kept going and came again and kept going until something hit his face. In full animal mode, he growled and swiped at it with his fangs. It was the drapes. He’d managed to fuck them out from under the desk, past the chair, and over to the wall. Beth burst out laughing and so did he, and then they were cradling each other.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
I worry about you too,” I said softly as I caressed her head resting against my chest. “You look tired.” Lark didn’t speak for a minute. When she finally looked at me, I saw a lot of different emotions swirling in those bright green eyes. “I feel like shit. I’m tired and dizzy. I can’t eat ninety percent of the food I used to eat. I feel awful, but I’m afraid to complain.” “Why?” “Maddy just had her baby and she was so tough about the whole thing. I’m surprised she didn’t give birth in the middle of the grocery store then go back to picking up things for dinner. Next to her, I’m a weakling. Also, Farah is going to be all brave and awesome too. I don’t want to be the whiner.” “First of all, Maddy’s got that natural breeder look about her. Some chicks are like that and you can’t let the exception be your rule. Besides, you’re having twins. You have more baby cooking to do than she did, so screw comparisons.” “I just don’t want people to think less of me.” “By people, do you mean Aaron?” “We barely met and got married and now I’m getting fat and I’m tired all the time. I don’t want him to lose interest.” “Oh, Lark, you’re so fucking stupid sometimes.” “Yeah, I know,” she said, grinning. “We have that in common.” “So true.” “Mom said that I’m like her and she had a guy like Aaron and she suffocated him and he ditched her. I know Mom sucks, but what if she’s right and I wear down Aaron and he stops loving me?” “Any man who would want Mom must be shit. Aaron isn’t shit.” “I know, but I get scared of messing up everything I have.” Kissing her forehead, I stood up and walked to the bedroom door. “Hey, Mister Clean, get over here.” Laughing, Lark followed me into the hallway where Aaron appeared, clearly loving his new nickname. “Listen up, Yul Brynner,” I said, sending Lark into giggles. “My sister is cooking up two kids that you stuck inside her. She needs more damn love than you’re giving. If you don’t do a better job of babying her, I’m going to have to replace you. Hmm, I just saw this guy Jake that I knew from high school. He’s ripped and works at the gym. The gym, Aaron.” My brother-in-law stared unaffected until I finished then he gazed down at his wife. Lark must have known what was coming because she started giggling. “My sweet muse,” he murmured and she laughed harder, “do you need more love than I’m giving?” Aaron swept Lark into his arms and cradled her like a kid. “Poor thing. I’ll just need to pay more attention.” As he kissed all over her, Lark stopped giggling and began moaning affirmations. “Good thing you obeyed because I think Jake might be gay.” After giving me a wink, Aaron gestured for me to go away. I was the one to obey this time. Leaving them to cuddle and more in the bedroom, I watched television and finished the popcorn. Professor joined me, but Pollack was wary. I think it was because I was always barking at her. In my defense, she started it.
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))
Christopher entered the room, having to bend his head to pass through the small medieval doorway. Straightening, he surveyed their surroundings briefly before his piercing gaze found Beatrix. He stared at her with the barely suppressed wrath of a man to whom entirely too much had happened. Beatrix wished she were a swooning sort of female. It seemed the only appropriate response to the situation. Unfortunately, no matter how she tried to summon a swoon, her mind remained intractably conscious. “I’m so sorry,” she croaked. No reply. Christopher approached her slowly, as if he thought she might try to bolt again. Reaching her, he took her upper arms in a hard grip that allowed no chance of escape. “Tell me why you did it,” he said, his voice low and vibrant with…hatred? Fury? “No, damn you, don’t cry. Was it a game? Was it only to help Prudence?” Beatrix looked away with a wretched sob. “No, it wasn’t a game…Pru showed me your letter, and she said she wasn’t going to answer it. And I had to. I felt as if it had been written for me. It was only supposed to be once. But then you wrote back, and I let myself answer just once more…and then one more time, and another…” “How much of it was the truth?” “All of it,” Beatrix burst out. “Except for signing Pru’s name. The rest of it was real. If you believe nothing else, please believe that.” Christopher was quiet for a long moment. He had begun to breathe heavily. “Why did you stop?” She sensed how difficult it was for him to ask. But God help her, it was infinitely worse to have to answer. “Because it hurt too much. The words meant too much.” She forced herself to go on, even though she was crying. “I fell in love with you, and I knew I could never have you. I couldn’t pretend to be Pru any longer. I loved you so much, and I couldn’t--” Her words were abruptly smothered. He was kissing her, she realized dazedly. What did it mean? What did he want? What…but her thoughts dissolved, and she stopped trying to make sense of anything. His arms had closed around her, one hand gripping the back of her neck. Shaken to her soul, she molded against him. Taking her sobs into his mouth, he licked deep, his kiss strong and savage. It had to be a dream, and yet her senses insisted it was real, the scent and warmth and toughness of him engulfing her. He pulled her even more tightly against him, making it difficult to breathe. She didn’t care. The pleasure of the kiss suffused her, drugged her, and when he pulled his head back, she protested with a bewildered moan. Christopher forced her to look back at him. “Loved?” he asked hoarsely. “Past tense?” “Present tense,” she managed to say. “You told me to find you.” “I didn’t mean to send you that note.” “But you did. You wanted me.” “Yes.” More tears escaped her stinging eyes. He bent and pressed his mouth to them, tasting the salt of grief. Those gray eyes looked into hers, no longer bright as hellfrost, but soft as smoke. “I love you, Beatrix.” Maybe she was capable of swooning after all.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
...When my nephew was three, [his mother] was worrying about getting him into the right preschool. Kid's fifteen now. He's under pressure to make sure he gets good grades so he can get into a good school. He needs to show good extracurricular activities to get into a good school. He needs to be popular with his classmates. Which means be just like them. Dress right, use the proper slang, listen to proper music, go away on the proper vacations. Live in the right neighborhood, be sure his parents drive the right car, hang with the right group, have the right interests. He has homework. He has soccer practice and guitar lessons. The school decides what he has to learn, and when, and from whom. The school tells him which stairwell he can go up. It tells him how fast to move through the corridors, when he can talk, when he can't, when he can chew gum, when he can have lunch, what he is allowed to wear..." Rita paused and took a drink. "Boy", I said. "Ready for corporate life." She nodded. "And the rest of the world is telling him he's carefree," she said. "And all the time he's worried that the boys will think he's a sissy, and the school bully will beat him up, and the girls will think he's a geek." "Hard times," I said. "The hardest," she said. "And while he's going through puberty and struggling like hell to come to terms with the new person he's becoming, running through it all, like salt in a wound, is the self-satisfied adult smirk that keeps trivializing his angst." "They do learn to read and write and do numbers," I said. "They do. And they do that early. And after that, it's mostly bullshit. And nobody ever consults the kid about it." "You spend time with this kid," I said. "I do my Auntie Mame thing every few weeks. He takes the train in from his hideous suburb. We go to a museum, or shop, or walk around and look at the city. We have dinner. We talk. He spends the night, and I usually drive him back in the morning." "What do you tell him?" I said. "I tell him to hang on," Rita said. She was leaning a little forward now, each hand resting palm-down on the table, her drink growing warm with neglect. "I tell him that life in the hideous suburb is not all the life there is. I tell him it will get better in a few years. I tell him that he'll get out of that stultifying little claustrophobic coffin of a life, and the walls will fall away and he'll have room to move and choose, and if he's tough enough, to have a life of his own making." As she spoke, she was slapping the tabletop softly with her right hand. "If he doesn't explode first," she said. "Your jury summations must be riveting," I said. She laughed and sat back. "I love that kid," she said. "I think about it a lot." "He's lucky to have you. Lot of them have no one." Rita nodded. "Sometimes I want to take him and run," she said. The wind shifted outside, and the rain began to rattle against the big picture window next to us. It collected and ran down, distorting reality and blurring the headlights and taillights and traffic lights and colorful umbrellas and bright raincoats into a kind of Parisian shimmer. "I know," I said.
Robert B. Parker (School Days (Spenser, #33))
Perhaps I ought to stuff up these sleeping things and go to bed. But I’m still too wide awake I’d only writhe about. If I had got him on the phone if we’d talked pleasantly I should have calmed down. He doesn’t give a fuck. Here I am torn to pieces by heartbreaking memories I call him and he doesn’t answer. Don’t bawl him out don’t begin by bawling him out that would muck up everything. I dread tomorrow. I shall have to be ready before four o’clock I shan’t have had a wink of sleep I’ll go out and buy petits fours that Francis will tread into the carpet he’ll break one of my little ornaments he’s not been properly brought up that child as clumsy as his father who’ll drop ash all over the place and if I say anything at all Tristan will blow right up he never let me keep my house as it ought to be yet after all it’s enormously important. Just now it’s perfect the drawing room polished shining like the moon used to be. By seven tomorrow evening it’ll be utterly filthy I’ll have to spring-clean it even though I’ll be all washed out. Explaining everything to him from a to z will wash me right out. He’s tough. What a clot I was to drop Florent for him! Florent and I we understood one another he coughed up I lay on my back it was cleaner than those capers where you hand out tender words to one another. I’m too softhearted I thought it was a terrific proof of love when he offered to marry me and there was Sylvie the ungrateful little thing I wanted her to have a real home and a mother no one could say a thing against a married woman a banker’s wife. For my part it gave me a pain in the ass to play the lady to be friends with crashing bores. Not so surprising that I burst out now and then. “You’re setting about it the wrong way with Tristan” Dédé used to tell me. Then later on “I told you so!” It’s true I’m headstrong I take the bit between my teeth I don’t calculate. Maybe I should have learned to compromise if it hadn’t been for all those disappointments. Tristan made me utterly sick I let him know it. People can’t bear being told what you really think of them. They want you to believe their fine words or at least to pretend to. As for me I’m clear-sighted I’m frank I tear masks off. The dear kind lady simpering “So we love our little brother do we?” and my collected little voice: “I hate him.” I’m still that proper little woman who says what she thinks and doesn’t cheat. It made my guts grind to hear him holding forth and all those bloody fools on their knees before him. I came clumping along in my big boots I cut their fine words down to size for them—progress prosperity the future of mankind happiness peace aid for the underdeveloped countries peace upon earth. I’m not a racist but don’t give a fuck for Algerians Jews Negroes in just the same way I don’t give a fuck for Chinks Russians Yanks Frenchmen. I don’t give a fuck for humanity what has it ever done for me I ask you. If they are such bleeding fools as to murder one another bomb one another plaster one another with napalm wipe one another out I’m not going to weep my eyes out. A million children have been massacred so what? Children are never anything but the seed of bastards it unclutters the planet a little they all admit it’s overpopulated don’t they? If I were the earth it would disgust me, all this vermin on my back, I’d shake it off. I’m quite willing to die if they all die too. I’m not going to go all soft-centered about kids that mean nothing to me. My own daughter’s dead and they’ve stolen my son from me.
Simone de Beauvoir (The Woman Destroyed)
She smiles at me, revealing a missing incisor. "I know it's crazy, but it's true--ha-ha, c'mon, lovely. Sing with me. I know you know it. Don't lie." And it's true. I know the lyrics and I love Arthur as much as the next looney tune, and there is some deep lizard-brain part of me that wants to blast it all to hell and start singing along with this insane lady graveyard-shift cabbie and just sob the remainder of my mascara off and get whatever hackneyed life Advice she desperately wants to give me about being tough or soft or how to live my life as woman-hear-me-roar crap and all that shit from the Seventies.
Dana Czapnik (The Falconer)
The scribe objects. You can’t put it like that, I can’t write that. But the client is a tough small woman forty years old. She insists. She needs her letter to open out full of pleated revolving silk and the soft lobes of her ears where she flaunts those thin silver wires. She wants to tell her dream to the only one who will get the drift. How she saw their children lying every one dressed out in their simplest fears. They glowed, the shape of their sentence outlined in sea green. Among those beloved exiles one sighed happy, as a curtain lightened and the grammar changed, and the wall showed pure white in the shape of a bird’s wing. But when she whispered it to the scribe he frowned and she saw she had got it wrong, she had come to a place where they all spoke the one language: it rose up before her like a quay wall draped in sable weeds. He said, You can’t put those words into your letter. It will weigh too heavy, it will cost too much, it will break the strap of the postman’s bag, it will crack his collarbone. The bridges are all so bad now, with that weight to shift he’s bound to stumble. He’ll never make it alive.
Eiléan Ní Chuilleanáin (The Boys of Bluehill)
but a lot o' molls and a lot of sucker guys. Them? Say, they never learn no better. Tough guys ain't no different from soft guys, see? They all fall for the dames just as hard and just as worse. There's many a good guy in this place that's been gave a tumble by them, see?
Ben Hecht (A Thousand and One Afternoons in Chicago)
I like rowan trees," he said softly. "They're slim and small, but they're tough and they'll grow anywhere. They take root in stony soil. They're a mystic tree. Diviners use rowan to find precious metal. And they are beautiful." He looked at her, his blue eyes serious for once, telling her without words that he found her beautiful also. "They make good firewood, too," Ro said, trying to lighten the moment.
Nancy Springer (Rowan Hood: Outlaw Girl of Sherwood Forest (Rowan Hood, #1))
We can see two forms of [contradictory behaviour]: Early on in life some people sense a softness, vulnerability, or insecurity that might prove embarrassing or uncomfortable. They unconsciously develop the opposite trait, a resilience or toughness that lies on the outside like a protective shell. The other scenario is that a person has a quality that they feel might be antisocial - for instance, too much ambition or an inclination to be selfish. They develop the opposite quality, something very prosocial.
Robert Greene (The Laws of Human Nature)
Lex would sink into her softness. Wicker would seek out the toughness. But I want it all.
Angel Lawson (Princes of Ash (Royals of Forsyth University, #8))
She pointed to a sundress with bright yellow lemons on it. "That's cute. I love lemons." Ay, Dios mio! Carolina cringed. She sounded like a fool. It was like Baby's "I carried a watermelon" line in Dirty Dancing. Why was she so awkward? "You'd look stunning in that." Enrique signaled to a woman who worked there. A saleswoman walked over to them from the back of the shop. She quickly and professionally assessed Carolina's body and then picked one of the bright dresses off the rack. "This should fit you. Shall I put it in a room for you, miss?" "Sure." Carolina followed her right to the dressing room. The dark hair on her arms stood at full attention and her heart raced. Nerves and anticipation swirled through her--- this whole day seemed like a fantasy, but it was tough for her to just live in the moment. She undressed and slipped the dress over her head. The soft fabric caressed her body, accentuating her curves. She stared at her figure in the mirror. She looked... sexy. Carolina had never seen herself as sensual, but in this dress, in the soft, warm glow of the dressing room lights, she was a knockout. The saleswoman had also placed some bright red pumps in the room. Carolina loved high heels and never had a problem walking in them, because she had spent so many years dancing with the Ballet Folklórico. Carolina's eyes practically bugged out of her head when she saw their bottoms, and she stroked the red soles--- they were Louboutins, an identifying detail she knew about from Blanca's endless fashion magazines. Blanca dreamed of owning a pair one day. She would be so jealous. Luckily, they were the same size, so Carolina would let Blanca borrow them. There was only one problem with Carolina's outfit--- her underwear didn't work with the dress. Her broad, wide bra elastics showed under the thin spaghetti straps, and her panties were too dark. She leaned out of the curtain. "Ma'am." The saleslady walked back over to her. "Can I get you something else?" "Yes. A bra and some panties." Carolina told the lady her sizes, and the lady went around the corner, returning later with an adorable matching yellow lace bra and thong. A thong. Her face crinkled. "Do you have anything with, uh, fuller coverage?" "Of course, dear. But not in the yellow. Do you want to match the bra?" Carolina did want to match the bra. It was such a cute set. She exhaled, stepping out of her comfort zone and into the lingerie. She again looked at herself in the mirror. She practically couldn't recognize herself--- a gorgeous young woman on a romantic day trip with a man whom she really liked.
Alana Albertson (Kiss Me, Mi Amor (Love & Tacos, #2))
I believe that we shocked each other by how swiftly we went from being the people who knew each other best in the world to being a pair of the most mutually incomprehensible strangers who ever lived. But it was vital to my survival to have a one bedroom of my own i saw the aprtment almost as a sanatorium a hospice clinci for my own recovery I painted the walls in the warmest colors i could find and bought myself flowers every week as if i were visiting myself in the hospital is this lifetime supposed to be only about duty why are you studying Italian so that just in case Italy ever invades Ethiopia again and is actually successful this time? ciao comes from if you must know it's an abbreviation of a phrase used by medieval venetians as an intimate salutation Sono il Suo Schiavo meaning i am your slave. om Naamah Shivaya meaning I honor the divinity that resides whin me. I wanted to experience both , I wanted worldly enjoyment and divine transcendence the dual glories of a human life I wanted what the Greeks called kalos kai agathos the singular balance of the good and he beautiful I'd been missing both during these last hard years because both pleasure and devotion require a stress free space in which to flourish and I'd been living in a giant trash compactor of nonstop anxiety , As for how to balance the urge for pleasure against the longing for devotion. four feet on the ground a head full of foliage looking at the world through the heart. it was more than I wanted to toughly explore one aspect of myself set against the backdrop of each country in a place that has traditionally done that one thing very well. same guatemalan musicians are always playing id rather be a sparrow than a snail on their bamboo windpipes oh how i want italian to open itself up to me i havent felt so starved for comprehension since then dal centro della mia vita venne una grande fontanana dolce sitl nuovo Dante wrote his divine comedy in terza rima triple rhyme a chain of rhymes with each rhyme repeating here times every five lines. lamor che move il sole e laltre stelle we are the masters of bel far niente larte darrangiarsi The reply in italy to you deserve a break today would probably be yeah no duh that's why I'm planning on taking a break at noon to go over to your house and sleep with your wife, I walked home to my apartment and soft-boiled a pair of fresh brown eggs for my lunch i peeled the eggs and arranged them on a plate beside the seven stalks of the asparagus (which were so slim and snappy they didn't need to be cooked at all,)I put some olives on the plate too and the four knobs of goat cheese I'd picked up yesterday from the fromagerie down the street tend two slices of pink oily salmon for dessert a lovely peach which the woman at the market had given to me for free and which was still warm form the roman sunlight for the longest time I couldn't even touch this food because it was such a masterpiece of lunch a true expression of the art of making something out of nothing finally when i had fully absorbed the prettiness of my meal i went and sat in apatch of sunbeam on my clean wooden floor and ate every bit of it with my fingers while reading my daily newspaper article in Italian happiness inhabited my every molecule. I am inspired by the regal self assurance of this town so grounded and rounded so amused and monumental knowing that she is held securely in the palm of history i would like to be like rome when i am an old lady. I linger over my food and wine for many hours because nobody in
Elizabeth Gilbert (Eat, Pray, Love)
And your kids need their dad.” A soft chuckle, “They’re tough kids, man. Take care of them for me, okay?
Lucas Pederson (Leviathan: Ghost Rig)
I’ve been criticized for being too chummy with and soft on athletes. That critique is born of a very particular type of journalism: one in which predominantly white, middle-aged writers and broadcasters paternalistically judge young, often black, athletes. I’ll ask tough questions, if need be. But they’ll be in service of explaining rather than judging. The viewer can then judge for him- or herself.
Stuart Scott (Every Day I Fight)
I’ve never felt soft like this before. I’ve felt weak. Powerless. Terrified. And I’ve felt tough—with internal armor I would never take off. But I’ve never felt soft. Vulnerable in a good way, knowing it was safe. Not like I do with Aidan. It’s a gift. A blessing. I revel in it as my body responds to his tender advances.
Claire Kent (Sanctuary (Kindled, #6))
It's truthfully difficult growing up a woman. When I was a girl, we lived in a small town for the most part and nobody cared to know about anything other than what they already knew. And I was something they didn't know. I really think it was harder for me than the average... girls hate you when you're adorable. Every girl in a small town wants to be the only one worth loving and I've always just had this champagne-bottle personality, unafraid to be soft. But girls took that from me, they really did. They hurt me until I had to toughen up. The best thing about being a woman is that, by now, I've learned how becoming even more like myself is more powerful than any tough exterior I could ever put on. They hate that. It really kills them.
C. JoyBell C.
Bend don’t break. Being soft is powerful. You don’t need to be “tough” to be an effective leader.
Victoria Montgomery Brown (Digital Goddess: The Unfiltered Lessons of a Female Entrepreneur)
Good. And I hope this tough girl persona isn’t an act. I need you to be strong and unbreakable. When it comes to sex, I’m not hearts and flowers. I’m raw, animalistic need. I’m a beast in human form. I can’t be gentle or sweet.” His lips press softly on my lips, a stark contrast to his harshly spoken words. “I am going to ruin you, baby. That is my only warning.
K. Webster (Crybaby (Taboo Treat))
ChiroCynergy - Dr. Matthew Bradshaw | Active Release Technique (A.R.T.) in Leland, NC What exactly is Active Release Technique (A.R.T.)? ART is a patented, state-of-the-art, soft tissue management system developed by Dr. Michael Leahy (an Air Force engineer/chiropractor) that treats problems occurring with: - Muscles - Tendons - Ligaments - Fascia - Nerves Injuries to these tissues can occur in 3 different ways: Acute trauma injury – a sprained ankle playing racquetball is a great example of this type of injury. Compression injury – an example of a compression injury would be back stiffness and pain and/or numbness down the leg (sciatica) caused by sitting behind a computer frequently and for long periods of time. Sitting causes reduced oxygen flow to the tissues, which in turn causes the numbness and/or pain. Overuse injuries – frequently seen in people whose jobs involve typing all day. The repetitive motion can produce wrist and hand pain (i.e. carpal tall syndrome) due to the accumulation of small tears in the tissues. Each of these changes causes your body to produce tough, dense scar tissue in the affected area. This scar tissue binds up and ties down tissues that need to move freely. As scar tissue builds up: Muscles become shorter and weaker. Tension on tendons causes tendonitis. Nerves can become trapped. This can result in reduced ranges of motion, loss of strength, and pain. With trapped nerves, you may also feel tingling, numbness, shooting pains, burning sensations, weakness, muscle atrophy and circulatory changes. Even when most doctors say medications or surgery is the only answer, ART may still be able to resolve the symptoms and put you back on the field or back to work and into your best game. ChiroCynergy can help! We offer Active Release Technique (A.R.T.) in Leland, NC. Call us: (910) 368-1528 #chiropractor_Leland_nc #best_chiropractor_Leland_nc #chiropractor_near_Leland_nc #chiropractic_in_Leland_nc #best_chiropractor_in_Leland_nc #chiropractic_near_me #chiropractor_near_me #family_chiropractor_in_Leland_nc #female_chiropractors_in_Leland_nc #physical_therapy_in_Leland_nc #sports_chiropractor_in_Leland_nc #pregnancy_chiropractor_in_Leland_nc #sciatica_chiropractor_in_Leland_nc #car_accident_chiropractor_in_Leland_nc #Active_Release_Technique_in_Leland_nc #Cold_Laser_Therapy_in_Leland_nc #Spinal_Decompression_in_Leland_nc
ChiroCynergy - Dr. Matthew Bradshaw | Active Release Technique (A.R.T.) in Leland, NC
Society tells us that men like me aren't supposed to have soft sides. We're supposed to be tough and burly and scary looking. Why can't I choose who I am? Why can't I be in touch with both my masculine and feminine sides?
Casey Cox (The Reclusive Mountain Man (Movin' to the Mountains))
I wonder if you need Athalar's power for teleporting.' 'I can't tell if that's an insult or not,' Bryce said. Hunt lifted his brows. 'In that way?' 'If my powers only work if my big, tough male helps me out-' 'It can't be romantic?' Hunt demanded. Bryce huffed. 'I'm an independent female.' 'All right,' Hunt said, laughing softly. 'Let's just say that I'm like some magic token in a video game and when you... use me, you level up.' 'That's the dorkiest thing you've ever said,' Bryce accused, and Hunt sketched a bow.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
You want to know why I’m making this so difficult for you?” He hissed the words. “Yes. I do. Because I know you’re tough, but this is on another level.” “Because you drive me fucking crazy. I can’t stop thinking about you. I want your hands on my body and your mouth on mine.” He gestured at the bulge in his pants. “I’m half-hard for you all day at work.” He shook his head ruefully. “And living with you? That’s torture. I can’t escape. The problem is, I don’t think I want to escape. Last night was so hot.” I swallowed hard. Yeah, it was really hot for me too. “You know what I pictured the entire time I stroked myself?” His words were soft, winding around me, pulling me in. “What?” I breathed, though I thought I knew the answer. “You,” he said.
Sophia Travers (My Office Rival (Keep Your Enemy Closer, #2))
The Motto Sonnet Hard as steel and soft as flower, That's the motto for a civilized human. Tough as thunder, sweet as honey, That's the motto for a braveheart human. Not too much unguided sentiments, Not too much intellectual coldness, To give either of them total slack, Is to bring destruction and lifelessness. Corazón primero, después dinero,* Thus speaks the human of revolution. Humanidad primero, después verdad,** That's the motto for the being of evolution. Strength, warmth ‘n reason, all are needed. And all are to be guided by oneness uncorrupted. (*Heart first, money later. **Humanity first, truth later.)
Abhijit Naskar (Dervish Advaitam: Gospel of Sacred Feminines and Holy Fathers)
Be strong of nerves but soft of heart, and you'll make a deeper and more lasting impact upon the fabric of society than all the toughness in the world.
Abhijit Naskar (Şehit Sevda Society: Even in Death I Shall Live)
Gatsby was great, but most unlikely. Gatsby was too unreal. Although I thought Fitzgerald wrote as well as any American novelist in the twentieth century, Gatsby was as far from truth as Fu Manchu. He was too soft to be what he was storied to be. Gatsby might be a cat burglar, but Gatsby was definitely not a gangster. He lacked the force of will to compel tough men to his bidding simply by force of will. He failed another test; he was too weak for a broad.
Edward Bunker (Education of a Felon: A Memoir)
Leelah is a rare woman, brother, which I am sure you already realize. She's tough and strong, and can kick the ass of any man I know in a fight. Yet she still has the softness and sensitivity a woman should have.
M.K. Anthony (Guardians of Destiny (Legends of Breena, #2))
Humanistic mental toughness, which includes both the hard and soft sides of toughness, offers a more harmonized and holistic approach to leadership.
Ronald Duren Jr. (The Art of Forging Mettle: A Blueprint for the Evolution of Mental Toughness and Leadership for a Shifting World)
Where do we go from here? Have you decided what you want to do?” My heart is in my throat as I wait for her response. I never knew I wanted a baby like I want this one, but I do. With my whole being, I do. But Maggie’s the one who has to carry it for nine months. She whispers, “I want to keep it, which I know will be tough because I have another year of school, but no matter how at odds we’ve been over the years, this baby is special to me because it’s part of you.” Her eyes fill with tears, and it about kills me. I take her hand and tug her toward me until she’s out of her chair and in my lap. “That’s probably the best compliment anyone has ever given me,” I say softly as I kiss the top of her head. I hug her to my chest and ignore the stares of the customers around us. “Does this mean you’ll give me a chance to be more to you?” She sniffles and sits up to look at me. “How much more do you want to be?” Everything, Magnolia. I want to be everything to you.
Lex Martin (The Baby Blitz (Varsity Dads #3))
Marshall had taught me how not to be soft and weak when dealing with the communists. Lim Yew Hock taught me how not to be tough and flat-footed. Lim did not understand that the communist game was to make him lose the support of the masses, the Chinese-speaking people, and to destroy his credibility as a leader who was acting in their interests.
Lee Kuan Yew (The Singapore Story (Student Edition): Memoirs of Lee Kuan Yew)
Didn’t think so. Big, tough Roxy, putty in my hands. Surrendering everything to me.” Bringing the pole down again, I watch it darken her skin. “Only to us. Everyone else gets the bitch, we get the softness…” “Fuck you,” she whispers, almost groggily. “Not yet, Little Bird. I want to see what else you can take.
K.A. Knight (Den of Vipers)
It was wonderful to see the sparkle back in her eyes. He wanted to keep it there. For the first time in years he’d found himself actually caring about how someone else felt. He’d been spending so much time being a tough successful businessman that he’d almost forgotten how pleasurable it was to help make other people happy.
Emily Arden (Lie to me (Deception #2))
At first it appeared to be an intense need to right a wrong, to protect—typical of Preacher. He was that kind of man—tough on the outside and soft on the inside. Justice and loyalty—those values were everything to him. But in the days since what he saw had evolved. Preacher watched over Paige with an intensity that spoke of something more than the goodness of his heart. He would glance at her and his eyes would grow dark. Glow. He’d shake himself, look away, and his brow would furrow as though he were trying to make sense of feelings he hadn’t had before. Jack
Robyn Carr (Shelter Mountain (Virgin River, #2))
Ironically, it is often the most tough-minded, no-nonsense right-wingers who go all soft when it comes to economic competition. People who would never be so naïve as to suggest that athletes might “voluntarily” refrain from taking steroids will turn around and push for “industry self-regulation” over government intervention, as if corporations might just choose to stop polluting or refrain from producing false advertising. It’s difficult to imagine a more total misunderstanding of the underlying dynamic of capitalism. Part of the problem involves the familiar failure to distinguish between the virtues of the market and the virtues of particular firms in the market. When the competition is staged just right, corporations will deliver unparalleled levels of efficiency. But it is almost never in a particular firm’s interest to produce at a level that will generate efficient outcomes for society as a whole. Companies are forced to operate efficiently by the rules of the competition. If they can find any way around these rules, they will naturally go for it.
Joseph Heath (The Efficient Society: Why Canada Is As Close To Utopia As It Gets)
One sleepless night shortly after the boy’s arrival, I was going through a tough time, missing you. Bernard heard my sobs and crept into my bed. We held each other close. I could not help but relish his intimacy and his warm body next to mine. Wrapping my arms around the boy, we were aroused by the passionate auras surrounding the both of us. As an experienced ‘big brother’ I took charge. I kissed his tender lips before planting soft kisses on his closed lids, and soon I was nibbling at his delicate earlobes. He groaned with pleasure, desiring to do the same to me. Before I knew it, we were taking turns caressing each other’s nipples. Our seductive foreplay lasted for a long time until we could stave off our sexual urges no longer. He engulfed my manhood, licking, suckling and engorging mouthfuls of my rod. I could hold back no longer. Pressing his head against my crotch, I released my abundance into his orifice with forceful intensity. Yet he continued to nourish himself on my length; unwilling to relinquish his feed, he greedily guzzled the last drop of my seed down his yearning throat. His sensuality propelled me to share my lingering sustenance from his delectable tongue. We French kissed until we were drunk with the elixir of love. His youthful beauty did not fail to arouse me to another bout of sexual vitality. As I flipped him on his stomach, he lifted his derriere to receive my pulsing organ. He hungered for my entry and I – I was deliriously ready to feed this angelic sprite with my protruding protraction. Gently and lovingly I submerged myself into his person, gyrating slowly to the rhythmic flow of our entangled bewilderment. He opened willingly to my warmth as I plunged inside him, at times fast and furious and at others slow and gentle. In the process I ground his manhood onto the bed, coercing him into ecstatic moans before giving in to cries of whimpering ecstasies. My hand reached around his slender torso, working his hardness to the point of no return. He could not hold off any further. Jets of oozing cum shot onto my stroking palm. His sexiness sent my ejaculation spewing deep inside his opening as he swallowed my dripping seed between his pining fissures. He devoured his own seed from my fingers as I planted caresses on his amorous mouth, sharing every creamy bead of his milkiness between us. He wanted me in him, like I did you, long after our tantalizing desires had subsided. Our friendship took on an intimate significance that night, which we shared over and over again during our time together before Bernard left for Scotland and I to my new dig. Keep your news coming, Andy. Like you, I look forward to receiving your uplifting messages. Love and kisses, Young, Xoxoxo
Young (Unbridled (A Harem Boy's Saga, #2))
Something you have to say to me, my pretty little bad boy?” Genesis said softly, walking over to stand so close to Curtis he could feel Genesis’ heart beating. Curtis chuckled. “Why do you keep calling me a bad boy? You know I’m not.” “My brother told me what you did in the parking lot, how you took your cue from Ruxs.” Genesis held Curtis’ injured arm like it was newborn baby. “I think it’s amazing.” Curtis blushed terribly. “It was nothing.” “If you say so. But I find it very, very attractive.” Genesis’ voice had gotten even deeper, sexier. “All that toughness, wrapped up in such a pretty package.” Curtis
A.E. Via (Here Comes Trouble (Nothing Special #3))
Looking at him like he’d grown another head, she raised her hands up as she asked, “Don’t you have some other girl you want to harass? Maybe a girl who would actually appreciate it?” “Nope. You are the only girl I want to harass.” Which was the truth. Since he’d met Deanna, no other woman had existed for him. If he wasn’t with her, he was thinking about her. When he was with her, he wanted to stay with her, get to know her—and not only in the biblical sense, but that was definitely on top of his list. More attendees started filing out of the double doors, and Deanna’s head fell back as she let out a small groan. She might not have meant for the gesture to be or sound sexual, but that’s exactly what it’d been. He wanted to lean forward and press his lips to the soft skin on her neck, slide his hands up her dress and find out if she was wearing lace panties, silk panties, or no panties… “You win.You can drive me home.” She sounded anything but happy at her acquiescence, but Lucky was happy…Very happy. Well, this night had gone from bad, to worse, to horrible, to just plain humiliating. As Lucky opened the passenger side door to his SUV and held her hand while she got in, she immediately sent up a silent prayer that he didn’t notice the way a shiver ran up her arm from the touch of his large, rough hands. Deanna took a deep breath and pushed down the frustration and panic that was battling inside of her for top billing. Once he shut the door, she tugged her skirt down. When he got in, the entire left side of her body broke out in goosebumps from the intense stare he directed at her, but she kept her eyes trained ahead, looking out the windshield. She sat with her jaw set, her hands folded in her lap, and her back straight, hoping to convey that she just wanted to go home. “You’re quiet,” Lucky observed as they drove out of the parking lot. Proving his point, Deanna continued focusing out the window, at the moonlight dancing off the river. She knew she was being rude. She was a little too emotional and didn’t trust herself to speak. Especially considering the six glasses of wine she’d had this evening. Loose lips sank ships, and alcohol made her one Chatty Cathy capable of taking down an armada of ocean liners. “How was your evening tonight, Lucky?” he asked himself before answering his own question. “Oh, it was great, actually. Thanks for asking.” Deanna bit her lips to keep from smiling. She should’ve been annoyed at his adolescent behavior, and if it were any other guy, she was sure she would’ve been. But this was Lucky. And, whether she liked it or not (which, for the record, she didn’t), what should’ve been annoying or irritating on him always landed in the charming and amusing columns. “Of course!” he replied enthusiastically, still talking to himself. “I’m so glad you had a good time! What was the highlight of your evening, if you don’t mind me asking?” If he kept going, she was going to start cracking up, so she worked to maintain her composure. She didn’t want to give him the satisfaction. Which she was fully aware made her behavior even more adolescent than his. She was being ridiculous. Still, trying to disguise her amusement, Deanna sighed. “Fine. You win again. What do you want to talk about?” Lucky shook his head as he clicked his tongue. “Sorry, Pop-Tart. You had your chance.” Pop-Tart? Had he seriously just called her Pop-Tart!? Before she was able to form an appropriately indignant response, he continued the conversation he was having with himself. “Wow. Highlight of my evening…” He hissed through his teeth. “That’s a tough one. I’m going to have to go with the dance that I had with this smokin’-hot brunette.” Her cheeks burned at his description. Then she tried to remind herself that he was joking around, but the message got to her head and, she feared, her heart too late.
Melanie Shawn
Intelligence is the decisive factor in planning guerrilla operations. Where is the enemy? In what strength? What does he propose to do? What is the state of his equipment, his supply, his morale? Are his leaders intelligent, bold, and imaginative or stupid and impetuous? Are his troops tough, efficient, and well disciplined, or poorly trained and soft? Guerrillas expect the members of their intelligence service to provide the answers to these and dozens more detailed questions. “Guerrilla intelligence nets are tightly organized and pervasive. In a guerrilla area, every person without exception must be considered an agent — old men and women, boys driving ox carts, girls tending goats, farm laborers, storekeepers, schoolteachers, priests, boatmen, scavengers. The local cadres “put the heat” on everyone, without regard to age or sex, to produce all conceivable information. And produce it they do.
Sebastian Marshall (PROGRESSION)
...love is tough. It endures tragedy and joy and monotony. Love makes you laugh...there was no fairness in love. That love is never concerned with what's fair or 'never having to say you're sorry' or all the other things we learn about love from songs and romantic poetry...Love is not rational and it is not just; it is not evenhanded and it is not balanced; it is not gentle or soft. Love brawls. Love consumes. Love inspires. Love gives life its shape and form and meaning. But it is not fair... Love stands when everything else falls apart.
Claudia Welch (Sorority Sisters)
I realized I been kind of a jerk lately.” “Oh, you realized that, huh?” Megan said. “Let me finish, woman!” Doug said. Megan suddenly realized what an effort it was taking for him to talk to her at all, so she pressed her lips together and waited. “I was just pissed at you from jump ’cuz you snaked my room. But I thought on it and I figured out why you irritate me so much,” Doug said. Megan raised her eyebrows. “Why’s that?” “Well, ’cuz you came in there and you did all this stuff, you know? Like stuff no one else can do,” Doug said. For the first time since she’d met him, Doug was looking at her and his guard was down. He wasn’t making a sneer or putting on a tough front--he was just there, talking to her. “Like you got Miller talking about stuff that’s not baseball. And Ian and Caleb are actually afraid of you. And Sean, like, occasionally comes out of the garage now. And my mom? She’s a different person since you been there. She’s, y’know, calmer or something.” “Really?” “It’s like just having another female around has chilled her out or something, seriously. She’s only whacked me upside the head like once since you got here,” Doug said. Megan couldn’t help grinning. “Plus what you did for me…” Doug said. “That was pretty cool too. I still don’t know why you did it.” “Soft spot for lost causes?” Megan said with a shrug. “Well, whatever,” Doug said. “Thanks.” “You’re welcome,” Megan said. It was only one word, but she had a feeling he actually meant it.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
Okay, tough girl,” he said softly, nuzzling at her throat. “No questions. No talking. You go ahead and give ignoring what’s still between us your best shot. I’ll wait right here.
Jill Shalvis (Holiday Wishes (Heartbreaker Bay, #4.5))
We dance. Sweet, downcast, through-the-lashes-glances bely every beating she got at thirteen, every lash of the tongue from her dad at fourteen, every heroin high that let her out for awhile, every hour and day she had to be tough. She is so natural and soft. Her shoulders are down, hips loose and swinging as we close together. I swear I'm growing chest hair just looking at her. I've been a boy in public before, but I've never seen her like this. That's it exactly; I haven't seen her at all, except in glimpses, in half-confessional role-play sex. And here she is - pressed tight against my chest, hips grinding against my crotch to the bass bump of the music. Her thigh along mine is electric heaven. Two drag queens cannot decide whether we are breeders or in drag. I stroke my mascara-made mustache at them - but none of it matters with hands in suede and the way she smiles.
Various (The Naked I: Insides Out)
This is love for God: to obey his commands. And his commands are not burdensome, for everyone born of God overcomes the world. . . . 1 JOHN 5:3–4 AUGUST 23 Christianity has often been made out to be a soft kind of thing, something pleasant and nice. But Christianity is the toughest religion ever formulated in the history of the world. What is its symbol? Its symbol is a cross. Not one of those chaste gold crosses that hangs around a lady’s neck, but a tough crossbeam of wood—splintery and hard. That is the symbol of Christianity. This may sound oratorical and poetic, but it isn’t. It is practical through and through. It is what we must do now as a nation: this country will have to get back to a strong belief in the authority of government under God and have an enormous spiritual buildup if it is going to survive the confusions of our time. It is also what we need as individuals. Christianity is a tremendous religion, for it makes tremendous people who, when the going is not-so-good, know what to do. They just draw nearer to God and keep on keeping on—and victory comes.
Norman Vincent Peale (Positive Living Day by Day)
DR. FUHRMAN’S FAMOUS ANTI-CANCER SOUP SERVES 10 ½ cup dried split peas ½ cup dried beans (can use any variety) 4 cups water 4 medium onions chopped 6–8 medium zucchini, cut into 1-inch pieces 3 leek stalks, coarsely chopped 2 bunches kale, collard greens, or other greens, tough stems and center ribs removed and leaves chopped 5 pounds carrots, juiced (5–6 cups juice; see note) 2 bunches celery, juiced (2 cups juice; see note) 2 tablespoons Dr. Fuhrman’s VegiZest or Mrs. Dash 1 cup raw cashews 8 ounces fresh mushrooms (shiitake, cremini, and/or oyster), chopped Place the split peas, beans, and water in a very large pot over low heat. Bring to a boil and simmer for 30 minutes. Add the onions, zucchini, leeks, and kale to the pot. Add the carrot juice, celery juice, and VegiZest. Simmer until the onions, zucchini, and leeks are soft, about 40 minutes. Remove 2 cups of the soup liquid, being careful to leave the beans and at least half of the kale in the pot. Using a high-powered blender or food processor, blend the soup liquid with the cashews. Return the creamy mixture to the pot. Add the mushrooms and simmer for 30 minutes, or until the beans are soft. Note: Freshly juiced organic carrots and celery will maximize the flavor of this soup.
Joel Fuhrman (Eat to Live: The Amazing Nutrient-Rich Program for Fast and Sustained Weight Loss)
roughly divided in half between a column of vertebral bodies and a column of arches.Functionally, this arrangement very clearly evolved to contend with the dual requirements of stability and plasticity. The anterior column of vertebral bodies deals with weight-bearing, compressive forces, whereas the posterior column of arches deals with the tensile forces generated by movement. Within each column, in the dynamic relationship of bone to soft tissue, there is a balance of sthira and sukha. The vertebral bodies transmit compressive forces to the discs, which resist compression by pushing back. The column of arches transmits tension forces to all the Figure 2.7 Viewed from the side, attached ligaments (figure 2.8), which resist stretching the spine divided into an anterior by pulling back. In short, the structural elements column of vertebral bodies and of the spinal column are involved in an intricate dance discs, and a posterior column of arches and processes. that protects the central nervous system by neutralizing the forces of tension and compression. Discs and Ligaments If you look deeper, you can also see how sthira and sukha are revealed in the components of an intervertebral disc: The tough, fibrous layers
Anonymous
At her age, another woman would wear her hair shorter and her skirts lower. But Linda had that classic Nordic skin: pale, soft and clean looking. The kind of woman who doesn’t need to wear much if any makeup. She wore lightly-applied lipstick, but kept her blond hair basic. Sometimes she let it flow, easy and beautiful; other times, done up tightly with bobby pins. No matter, because she was Beauty, the men Beasts. Her clothes were simple, too, not plain, but easy on the eyes, like her face. Easy on the eyes. She was the kind of a good lookin’ dame you’d be proud to call your wife. She was innocent looking; yeah, well, that’s one in her favor. Because men trusted her, because she acted with such guileless innocence, she became confessor to numbers of men with no one else to turn to. The cigarette girl. “Hey, babe!” Gunnar Swernbernin shouted as he snuck up behind Linda at the Club Festival. “Eowww!” she shrieked as Gunnar grabbed her around the midsection. Linda turned quickly around and slapped her molester. The sound reverberated throughout the club. “Ouch!” Gunnar yelled. “You didn’t have to do that!” “Buster,” she yelled back, “the next time you touch me, prepare to die!
Richard E. Riegel (Tough City, Tougher Woman)
Working successfully with people is immensely challenging and tough. This is not touchy-feely, this is heartfelt emotionalism. This is not soft-skills, this is hardcore.
Tobias Mayer (The People's Scrum: Agile Ideas for Revolutionary Transformation)
Crying it out. Also known as Ferberizing (named for Dr. Richard Ferber), the method works like this: At bedtime, while your child is sleepy but still awake, put him in the crib, give a gentle pat, a soft “I love you,” and then leave the room. Cue the crying (you knew it was coming). And here’s where the going gets tough: Let your tot cry for a full five minutes (it’ll seem much longer). Then go back in and repeat the original routine—a quick pat, a gentle “good night,” and go. Repeat this process for as long as your little guy cries, extending the time you leave him alone by about five minutes each time until he falls asleep. Stretch the times your child spends on his own by a few more minutes the second night, and again on the third. You can expect the crying jags to diminish steadily over three nights, and—drumroll, please—virtually disappear somewhere between the fourth and seventh night, replaced perhaps by a bit of fussing or a short burst of tears. The next sound you’re likely to hear? Nothing . . . except maybe a tiny snore.
Heidi Murkoff (What to Expect the Second Year: From 12 to 24 Months)
Busted," she said. "You pretend to be all rough and tough, but on the inside you're a big softie." "I guarantee you there is nothing soft---
Robin Bielman (Take a Risk Bundle)
I highly recommend Kilbourne’s and Katz’s DVDs—they’ve changed the way I see the world and myself. (Jean Kilbourne’s latest DVD is Killing Us Softly 4,6 and Katz’s DVD is titled Tough Guise: Violence, Media, and the Crisis in Masculinity.7)
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
A big, tough samurai once went to see a little monk. “Monk,” he barked, in a voice accustomed to instant obedience, “teach me about heaven and hell!” The monk looked up at the mighty warrior and replied with utter disdain, “Teach you about heaven and hell? I couldn’t teach you about anything. You’re dumb. You’re dirty. You’re a disgrace, an embarrassment to the samurai class. Get out of my sight. I can’t stand you.” The samurai got furious. He shook, red in the face, speechless with rage. He pulled out his sword, and prepared to slay the monk. Looking straight into the samurai’s eyes, the monk said softly, “That’s hell.” The samurai froze, realizing the compassion of the monk who had risked his life to show him hell! He put down his sword and fell to his knees, filled with gratitude. The monk said softly, “And that’s heaven.” ZEN PARABLE
Fred Kofman (Conscious Business: How to Build Value Through Values)
Vanessa had no trouble imagining how the general could look scary as hell to his troops. But this morning, at the kitchen table with just his daughter and grandson, he was soft as a puppy. She reached across the table and patted his hand. He played with the baby’s foot with his other. “You’re not losing me, Daddy. Not ever.” “It’s okay, Vanni. You’re a young woman in your prime. Paul’s a fine young man, despite the fact that he’s fathering the nation…” “Daddy…” “Nah, he’s a good man. His incident aside.” She leaned toward him. “You’re not losing me,” she said again. “But I packed a bag this morning. I’m going home with him, Dad. Just for a few days. We’ll be back before the weekend.” “That doesn’t surprise me a bit. I’m surprised you didn’t take off in the dark of night.” Then she asked softly, “Did I disturb your sleep last night?” He shook his head. “I suppose we’re an odd family,” he said. “Not quite the stiff and upright family I had always thought we were, but the facts of our lives have changed all that. Relaxed our expectations… At least mine.” He looked down. “I heard you, yes. It wasn’t too disturbing. In fact, those are happy sounds.” He lifted his eyes. “There were other nights I heard you—and your brother. Nights of crying over loved ones lost. Your mother. Your husband. And I don’t doubt there were nights young Tom, at only fourteen, wondered what to do about a tough old three-star crying in his bed over his wife’s death.” “Oh, Daddy…” “Vanni—life is rough. It can’t help but be, especially for military families like ours. But we have to soldier on, be strong, do the best we can. If you tell me you’re happy with Paul…” “Oh, Dad, I love him so much. I loved him before I fell in love with him, if that makes sense. He loves me. And—he loves you.” “Any man who would do all he did after his best friend’s death—this is a man who deserves my respect.” “Thank
Robyn Carr (Second Chance Pass)
When we shut the book, Brandon turned to me and ran his thumbs over my cheeks, wiping the tears away and pressed a soft kiss to each cheek. He stood up and walked to the other side of the room, pulling Mom out of her chair, he wrapped his big arms around her and thanked her while she cried. This was one of the many reasons why I loved him. Beyond the tough guy exterior, was the most gentle and caring heart. What Chase and I had done had ultimately crushed Brandon. He had quietly stepped aside when he found out instead of taking it out on either of us. He had been there for me when I thought Chase broke my heart, and had helped me out of my catatonic mourning period when he died. He loved me and my baby, despite the mistakes I had made, and was now holding and thanking Chase’s mother for a book to help us tell Liam stories of “how great his dad was”, as Brandon had put it that day.
Molly McAdams (Taking Chances (Taking Chances, #1))
Kilbourne writes, “Advertising is an over $200 billion a year industry. We are each exposed to over 3000 ads a day. Yet, remarkably, most of us believe we are not influenced by advertising. Ads sell a great deal more than products. They sell values, images, and concepts of success and worth, love and sexuality, popularity and normalcy. They tell us who we are and who we should be. Sometimes they sell addictions.”5 I highly recommend Kilbourne’s and Katz’s DVDs—they’ve changed the way I see the world and myself. (Jean Kilbourne’s latest DVD is Killing Us Softly 4,6 and Katz’s DVD is titled Tough Guise: Violence, Media, and the Crisis in Masculinity.7) As
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
It was strange to Mike that he’d first become attracted to a feisty, tough character and now, even though most of the time she was soft-spoken and had trouble maintaining eye contact, his feelings toward her hadn’t changed all that much. He would welcome the old Brie back if she could fully recover—but he realized that even if she remained this vulnerable, he was feeling something strong. Something he wasn’t going to be able to let go of easily. “Where
Robyn Carr (Whispering Rock (Virgin River, #3))
One day I was through Strachan’s Corner just hanging out, and they must have picked up Scrooge earlier for a pep talk, so they were now dropping him back home in one of their police vehicle. Supt. Strachan was in the back seat talking with him, while a male officer was driving. So I asked her, what were some of the things you used to say to Scrooge? I used to tell him it is not worth it, You are hurting people. You are only going to end up in jail for the rest of your life, or you are going to end up in the grave. I knew that he was listening to me. I would talk to him and encourage him. My other colleagues used to say I was soft on crime because of what I was doing, but I could be tuff. I am a mother of two sons; just ask my sons how tuff I can be. If I feel that I have done the best that I can, and cannot do no more than that is it. This was what I was telling those kids down there. I told them if you do not change, you are going to die. Sad to say, that is what happened to some of them eventually. The best came out of you and others in another way. Supt. Allerdyce Strachan, the first female officer to rise to the rank of superintendent on the Royal Bahamas Police Force.
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
Dr. Fuhrman’s Famous Anticancer Soup Serves: 10 1 cup dried split peas ½ cup dried adzuki or cannellini beans 4 cups water 6 to 10 medium zucchini 5 pounds large organic carrots, juiced (6 cups juice; see Note) 2 bunches celery, juiced (2 cups juice; see Note) 2 tablespoons VegiZest* or other no-salt seasoning blend, adjusted to taste 1 teaspoon Mrs. Dash no-salt seasoning 4 medium onions, chopped 3 leek stalks, cut lengthwise and cleaned carefully, then coarsely chopped 2 bunches kale, collard greens, or other greens, tough stems and center ribs removed and leaves chopped 1 cup raw cashews 2½ cups chopped fresh mushrooms (shiitake, cremini, and/or white) Place the peas and beans and water in a very large pot over low heat. Bring to a boil, and reduce heat. Add the zucchini whole to the pot. Add the carrot juice, celery juice, VegiZest, and Mrs. Dash. Put the onions, leeks, and kale in a blender and blend with a little bit of the soup liquid. Pour this mixture into the soup pot. After at least 10 minutes, remove the softened zucchini with tongs and blend them in the blender with the cashews until creamy. Pour this mixture back into the soup pot. Add the mushrooms and continue to simmer until the beans are soft, about 2 hours total cooking time. Note: Freshly juiced organic carrots and celery will maximize the flavor of this soup. PER SERVING: CALORIES 296; PROTEIN 14g; CARBOHYDRATE 49g; TOTAL FAT 7.5g; SATURATED FAT 1.4g; SODIUM 172mg; FIBER 10.2g; BETA-CAROTENE 16,410mcg; VITAMIN C 90mg; CALCIUM 178mg; IRON 4.8mg; FOLATE 203mcg; MAGNESIUM 151mg; ZINC 3mg; SELENIUM 10.1mcg
Joel Fuhrman (The End of Heart Disease: The Eat to Live Plan to Prevent and Reverse Heart Disease (Eat for Life))
It Goes By So Fastly Why Do We Move Slowly but Not Fastly? And Step Softly but Not Hardly? Adjectives say something about the qualities of nouns. A cheetah is fast, a sloth is slow. A pillow is soft, the floor is hard.
Arika Okrent (Highly Irregular: Why Tough, Through, and Dough Don't Rhyme—And Other Oddities of the English Language)
Instead of him savoring imminent victory, his mind swept back to the taste of her sauce on his tongue—woodsmoke and black pepper, sweet heat. Much better than he was giving her credit for. But what knocked him flat was the smoothness of her finger—delicate, pliable, soft. So unlike her rigid poise, the angular cut of her high cheekbones. The slash of her pointed chin. Sharp edges that matched the cut of her words. Sharp edges at odds with the supple curve of her fingertip. For a moment, when he’d slipped his mouth around her pinky, he’d felt a jolt. An awakening. An awareness that maybe the hardness on her outside didn’t match the woman inside.
Chandra Blumberg (Stirring Up Love (Taste of Love, #2))
Before consonants or the back vowels ‘a,’ ‘o,’ and ‘u,’ it had a hard ‘g’ sound. Before the front vowels ‘i’ and ‘e,’ it was soft. This is also the case in French (garçon vs. gentil) and is still basically the case in English (game, go, gum vs. gin, gel).
Arika Okrent (Highly Irregular: Why Tough, Through, and Dough Don't Rhyme—And Other Oddities of the English Language)
The political climate in Washington always pushes policymakers toward being “tough” rather than “soft”—which is a dangerous way to frame international affairs. The real question is, can they be smart rather than stupid?
Fareed Zakaria (Ten Lessons for a Post-Pandemic World)
But as her body moves, all the yarn in the room suddenly gains tension. There's a swift swishing sound as the lines pull taut. She feels everything in the room move at once, from the big ropey lines supporting her weight, down to the tiny interlocking stitches pressed against her skin. "She rests in mid-air, suspended above her bed by the network of yarn slicing around the room. It holds her, and at the same time it caresses her. She feels its touch through the stitches on her arms, her legs, her stomach. It feels as if her weight is held in its giant hand, and it contemplates her like Yorick's skull. Hundreds of strings and lines of yarn, ranging from individual strands up to thick knitted cables now move on her. She is wrapped by long meaty loops that move around her legs, and her arms, and her neck; and thin little strings that slip between her fingers. A loop circles her hair and pulls it gently into a pony tail, and it lifts to supports her head. "She hangs quietly and meditatively for a while, feeling the caress of the yarn, gently tightening and loosening, and sliding over her body. It feels along her body. And as it feels her, she feels it. She can feel its affection through the way the yarn touches her. The caresses slide up and down her arms, her legs, between her fingers, and around her neck. "She can feel all the different textures of the different yarns. The scratchy itch of cheap wool, and the smooth toughness of nylon and polyester strings. In places there's even some slick and soft rayon and silk. And she's sure she can tell just by the touch of it, that her foot has been wrapped in a small scarf she made of an extremely fine cashmere. "But the thing doesn't just want to hold her.
A. Andiron (Binding Off: When a passion for knitting becomes passionate knitting)
i am water soft enough to offer life tough enough to drown it away
Rupi Kaur (Milk and Honey)
Being an American boy is a setup. We train boys to believe that the way to become a man is to objectify and conquer women, value wealth and power above all, and suppress any emotions other than competitiveness and rage. Then we are stunned when our boys become exactly what we have trained them to be. Our boys cannot follow our directions, but they are cheating and dying and killing as they try to. Everything that makes a boy human is a “real man’s” dirty secret. Our men are caged, too. The parts of themselves they must hide to fit into those cages are the slices of their humanity that our culture has labeled “feminine”—traits like mercy, tenderness, softness, quietness, kindness, humility, uncertainty, empathy, connection. We tell them, “Don’t be these things, because these are feminine things to be. Be anything but feminine.” The problem is that the parts of themselves that our boys have been banished from are not feminine traits; they are human traits. There is no such thing as a feminine quality, because there is no such thing as masculinity or femininity. “Femininity” is just a set of human characteristics a culture pours into a bucket and slaps with the label “feminine.” Gender is not wild, it’s prescribed. When we say, “Girls are nurturing and boys are ambitious. Girls are soft and boys are tough. Girls are emotional and boys are stoic,” we are not telling truths, we are sharing beliefs—beliefs that have become mandates. If these statements seem true, it’s because everyone has been so well programmed. Human qualities are not gendered. What is gendered is permission to express certain traits. Why? Why would our culture prescribe such strict gender roles? And why would it be so important for our culture to label all tenderness and mercy as feminine? Because disallowing the expression of these qualities is the way the status quo keeps its power. In a culture as imbalanced as ours—in which a few hoard billions while others starve, in which wars are fought for oil, in which children are shot and killed while gun manufacturers and politicians collect the blood money—mercy, humanity, and vulnerability cannot be tolerated. Mercy and empathy are great threats to an unjust society. So how does power squash the expression of these traits? In a misogynistic culture, all that is needed is to label them feminine. Then we can forever discount them in women and forever shame them out of men. Ta-da: no more messy, world-changing tenderness to deal with. We can continue on without our shared humanity challenging the status quo in any way.
Glennon Doyle (Untamed)
He had every right to be hardened by the cards life had dealt him but he had a heart as soft as clouds
Soroosh Shahrivar (Tajrish)
Cubes of Mita's Kuroushi Beef." "Oh, raw meat? At first glance, it looks raw, but it's actually been cooked. And when you bite it all the juice from the meat comes seeping out!" "Ohh... if it was raw, you wouldn't get such a succulent juice coming out of it. This has been cooked very skillfully." "One has soy sauce with Japanese mustard, and the other has soy sauce with wasabi on it. Two different sauces to enjoy." "We slowly roasted a prime tenderloin of the Mita Beef, and then cut away the meat on the outside... ... to take out the meat on the inside." "What an extravagant thing to do." "Hmm, this meat is top-notch, but Mamiya's skills have definitely improved. It's not easy to cook the meat so delicately..." "This one is wrapped in a bamboo sheath... I wonder what's inside. Oh, it's tilefish." "And underneath is..." "It's shredded snow peas with tilefish on top... ... wrapped in a bamboo sheath and steamed. Please pour some kuzu sauce on it... You can also place some wasabi on it if you want to." "The fish has been steamed to perfection. If he had steamed it any more, the flesh would have become tough, but if he had steamed it any less, it would still be a bit raw. It is just soft enough, and the juice is still left in it too..." "The snow peas have sucked up the flavor of the tilefish and have bloomed in flavor.
Tetsu Kariya (Vegetables)
Sometimes I wonder if I’m such a worrier because the tough outer shell around the softness of my soul never hardened all the way up.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
Suka, hiding from tough choices is a choice; and, Rumfuss, never changing means never improving. Arax, how can you demand freedom for yourself but not for those in your care? Dinesh, don’t let your greatness be only a matter of size. “Tellun . . .” Essix paused, momentarily unsure how to proceed. The elk seemed unimpeachable. And yet . . . “I respect you, but I do not understand you. I fear you are too distant.” “And Ninani?” Cabaro asked expectantly. Essix gazed upon the swan. “I believe that Ninani does her best.” “Fight bravely,” Ninani said, her voice music for the soul. “If I had it in me, I would join you. For what it’s worth, I believe you. I will help as I can.” Bolstered by the soft-spoken encouragement and disgusted by the others, the falcon spread her wings and took flight. As she
Brandon Mull (Tales of the Great Beasts (Spirit Animals, #0.5))
The Floribunda Rose Abundant blooms of sweet perfume, silky smooth to the touch, and intoxicating to the senses, floribunda can and will fool you. In reality she is tough, disease-resistant, prickly, and very hardy in colder zones. The proverbial iron fist in the velvet glove of plants.
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)
i can see it on my arm in invisible ink like a tattoo The yin to my yang the toughness to my unending softness
Lana Del Rey (Violet Bent Backwards Over the Grass)
Americans are peaches, soft and sweet on the surface, tough at heart. The English are coconuts: there’s sweet stuff there, only you have to make a bit of an effort to get to it.
Jo Baker (The Body Lies)
RECIPE FOR MURDER 1 stocky man who abuses his wife 1 small tender wife 1 medium-sized tough woman in love with the wife 1 double-barrelled shotgun 1 small Karoo town marinated in secrets 3 bottles of Klipdrift brandy 3 little ducks 1 bottle of pomegranate juice 1 handful of chilli peppers 1 mild gardener 1 fire poker 1 red-hot New Yorker 7 Seventh-day Adventists (prepared for The End of the World) 1 hard-boiled investigative journalist 1 soft amateur detective 2 cool policemen 1 lamb 1 handful of red herrings and suspects mixed together Pinch of greed Throw all the ingredients into a big pot and simmer slowly, stirring with a wooden spoon for a few years. Add the ducks, chillies and brandy towards the end and turn up the heat.
Sally Andrew (Recipes for Love and Murder (Tannie Maria Mystery, #1))
She isn’t tough. She’s strong, but not tough. She’s obviously capable and independent and whip-smart, but she’s also vulnerable. Sweet. Soft.
J.T. Geissinger (Dangerous Beauty (Dangerous Beauty, #1))
the greatest danger you face is your mind growing soft and your eye getting dull. When things get tough and you grow tired of the grind, your mind tends to drift into fantasies; you wish things were a certain way, and slowly, subtly, you turn inward to your thoughts and desires. If things are going well, you become complacent,
50 Cent (The 50th Law)
He's beaming at me like a proud papa. But the softness of his eyes has nothing to do with fatherhood and everything to do with sexual attraction. He takes a step toward me. "Claire?" he says, and I know exactly what he's asking. I want him, I have for a while. It's been a tough day, and I'd like nothing better than to crawl into his arms, have him obliter- ate all my fears and replace them with pleasure. But I've made too many bad choices before him, and now there are too many secrets between us. I shake head. my He blinks, steps back. "Okay. That's cool. Has nothing to do with the rest of the project. Or anything else." The longing on his face mirrors what I feel. "Maybe later," I say, wishing for sooner. "Maybe after this is all over..." "Probably smart," he in a flat voice that reveals that he says, doesn't think it's smart at all.
Barbara A. Shapiro (The Art Forger)
The personal, as every one’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, TAKE IT PERSONALLY. Get angry. The Machinery of Justice will not serve you here—it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it PERSONAL. Do as much damage as you can. GET YOUR MESSAGE ACROSS. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference, the ONLY difference in their eyes, between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that IT’S NOTHING PERSONAL, mil, fuck them. Make it personal.” QUELLCRIST FALCONER Things I Should Have Learnt by Now Volume II
Richard K. Morgan, Altered Carbon
Pete Carroll isn’t a saint; he’s a coach. After losing his job as an NFL head coach in the 1990s, Carroll stopped imitating what others did and followed his own path. It may sound like he’s an easygoing “player’s coach” who is “soft” on his team, but Carroll is one of only three coaches in history to win both an NCAA championship and a Super Bowl. He also believes in toughness.
Steve Magness (Do Hard Things: Why We Get Resilience Wrong and the Surprising Science of Real Toughness)
She was tough as nails and soft as silk.
Addison Cole (Sweet Escape at Bayside (Sweet with Heat: Bayside Summers #4))
Mrs. Littlejohn, I’m just the kind of nigga you would want to stand in front of Hitta,” I said, smirking. “That tough shit she into doesn’t scare me. She has only been tough because she’s never had a nigga let her be soft.” “And you’re the one that can?
Aubry J. (Redemption of Love: Exodus and Paxton's Story)
young boy you will grow they will tell you to be strong they will teach you to be tough i hope someone tells you to feel i hope they teach you to be love young man grown man let yourself be love
butterflies rising
We've all been trained to be tough To survive this world but I hope you remain soft with your heart. If you come across someone cruel, Remember: The way they treat you is often a reflection of how they treat themselves.
Dawn Lanuza (This is How It Starts)
I’ve spent much of my life lost in the woods of pain, relationships, religion, career, service, success, and failure. Looking back on those times, I can trace my lostness back to a decision to make something outside myself my Touch Tree. An identity. A set of beliefs. An institution. Aspirational ideals. A job. Another person. A list of rules. Approval. An old version of myself. Now when I feel lost, I remember that I am not the woods. I am my own tree. So I return to myself and reinhabit myself. As I do, I feel my chin rise and my body straighten. I reach deeply into the rich soil beneath me, made up of every girl and woman I’ve ever been, every face I’ve loved, every love I’ve lost, every place I’ve been, every conversation I’ve had, every book I’ve read and song I’ve sung, everything, everything, crumbling and mixing and decomposing underneath. Nothing wasted. My entire past there, holding me up and feeding me now. All of this too low for anyone else to see, just there for me to draw from. Then up and up all the way to my branches, my imagination, too high for anyone else to see—reaching beyond, growing toward the light and warmth. Then the middle, the trunk, the only part of me entirely visible to the world. Pulpy and soft inside, just tough enough on the outside to protect and hold me. Exposed and safe. I am as ancient as the earth I’m planted in and as new as my tiniest bloom. I am my own Touch Tree: strong, singular, alive. Still growing. I have everything I need, beneath me, above me, inside me. I am never gonna lose me.
Glennon Doyle (Untamed)