“
i am water
soft enough
to offer life
tough enough
to drown it away
”
”
Rupi Kaur (Milk and honey)
“
When God Created Mothers"
When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one."
And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands."
The angel shook her head slowly and said. "Six pairs of hands.... no way."
It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have."
That's on the standard model?" asked the angel. God nodded.
One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word."
God," said the angel touching his sleeve gently, "Get some rest tomorrow...."
I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower."
The angel circled the model of a mother very slowly. "It's too soft," she sighed.
But tough!" said God excitedly. "You can imagine what this mother can do or endure."
Can it think?"
Not only can it think, but it can reason and compromise," said the Creator.
Finally, the angel bent over and ran her finger across the cheek.
There's a leak," she pronounced. "I told You that You were trying to put too much into this model."
It's not a leak," said the Lord, "It's a tear."
What's it for?"
It's for joy, sadness, disappointment, pain, loneliness, and pride."
You are a genius, " said the angel.
Somberly, God said, "I didn't put it there.
”
”
Erma Bombeck (When God Created Mothers)
“
We girls, we're tough, darling. Soft on the outside but, deep down, we're tough.
”
”
Kristen Ashley (The Gamble (Colorado Mountain, #1))
“
And I’m terrified he’ll see through the tough iceberg layer, and he’ll discover not a soft, sweet girl, but an ugly fucking disaster underneath.
”
”
Amber Smith (The Way I Used to Be (The Way I Used to Be, #1))
“
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond!
I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive.
Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial!
I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers.
I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail.
But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant.
I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn.
I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity.
I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
”
”
George Carlin
“
The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here – it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide from under it with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way, you stand a better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference - the only difference in their eyes - between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that it’s nothing personal. Well, fuck them. Make it personal.
”
”
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
“
When tough times come, it is particularly important to offset them with much gentle softness. Be a pillow.
”
”
Vera Nazarian (The Perpetual Calendar of Inspiration)
“
In the company of women like this— sharp-edged as raw diamonds but with soft hands and hearts, not strong in spite of anything but powerful because of everything— I feel invincible. Every chink and rut and battering wind has made us tough and brave and impossible to strike down. We are mountains— or perhaps temples, with foundations that could outlast time itself.
”
”
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
“
Ego Tripping
I was born in the congo
I walked to the fertile crescent and built
the sphinx
I designed a pyramid so tough that a star
that only glows every one hundred years falls
into the center giving divine perfect light
I am bad
I sat on the throne
drinking nectar with allah
I got hot and sent an ice age to europe
to cool my thirst
My oldest daughter is nefertiti
the tears from my birth pains
created the nile
I am a beautiful woman
I gazed on the forest and burned
out the sahara desert
with a packet of goat's meat
and a change of clothes
I crossed it in two hours
I am a gazelle so swift
so swift you can't catch me
For a birthday present when he was three
I gave my son hannibal an elephant
He gave me rome for mother's day
My strength flows ever on
My son noah built new/ark and
I stood proudly at the helm
as we sailed on a soft summer day
I turned myself into myself and was
jesus
men intone my loving name
All praises All praises
I am the one who would save
I sowed diamonds in my back yard
My bowels deliver uranium
the filings from my fingernails are
semi-precious jewels
On a trip north
I caught a cold and blew
My nose giving oil to the arab world
I am so hip even my errors are correct
I sailed west to reach east and had to round off
the earth as I went
The hair from my head thinned and gold was laid
across three continents
I am so perfect so divine so ethereal so surreal
I cannot be comprehended except by my permission
I mean...I...can fly
like a bird in the sky...
”
”
Nikki Giovanni
“
I didn't just foster the delusions. I lived them. Even after the world crashed, I clung to them. But after he died, I told myself no more. No more brave fronts or false hopes or pretending everything's okay when nothing is. I thought I was being tough by pretending, calling it being optimistic, brave, keeping my head up or whatever bullshit seemed to fit the moment. That's not tough. That's the very definition of soft.
”
”
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
“
When your team is winning, be ready to be tough, because winning can make you soft. On the other hand, when your team is losing, stick by them. Keep believing
”
”
Bo Schembechler
“
Leaders trust their guts. "Intuition" is one of those good words that has gotten a bad rap. For some reason, intuition has become a "soft" notion. Garbage! Intuition is the new physics. It's an Einsteinian, seven-sense, practical way to make tough decisions. Bottom line, circa 2001 to 2010: The crazier the times are, the more important it is for leaders to develop and to trust their intuition.
”
”
Tom Peters
“
The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here – it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide from under it with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way, you stand a better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference - the only difference in their eyes - between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that it’s nothing personal. Well, fuck them. Make it personal.
Quellcrist Falconer
Things I Should Have Learned by Now, Volume II
”
”
Richard K. Morgan
“
Soft as butter they can be, and yet sometimes as tough as old tree-roots.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
What, Tough Girl's crying now? What a pansy," cracked Michael.
"Watch it, dude," Dylan said softly. "Don't fuck with her when she's crying.
”
”
Kinsey W. Holley (Yours, Mine and Howls (Werewolves in Love, #2))
“
We must combine the toughness of the serpent and the softness of the dove, a tough mind and a tender heart.
”
”
Martin Luther King Jr.
“
For me, that strong back is grounded confidence and boundaries. The soft front is staying vulnerable and curious. The mark of a wild heart is living out these paradoxes in our lives and not giving into the either/or BS that reduces us. It’s showing up in our vulnerability and our courage, and, above all else, being both fierce and kind.
”
”
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
“
In my experience, the balancing act women in politics have to master is challenging at every level, but it gets worse the higher you rise. If we’re too tough, we’re unlikable. If we’re too soft, we’re not cut out for the big leagues. If we work too hard, we’re neglecting our families. If we put family first, we’re not serious about the work. If we have a career but no children, there’s something wrong with us, and vice versa. If we want to compete for a higher office, we’re too ambitious. Can’t we just be happy with what we have? Can’t we leave the higher rungs on the ladder for men? Think how often you’ve heard these words used about women who lead: angry, strident, feisty, difficult, irritable, bossy, brassy, emotional, abrasive, high-maintenance, ambitious (a word that I think of as neutral, even admirable, but clearly isn’t for a lot of people).
”
”
Hillary Rodham Clinton (What Happened)
“
Max.
God, but she was stubborn. And tough. And closed in. Closed off. Except when
she was holding Angel, or ruffling the Gasman’s hair, or pushing something
closer to Iggy’s hand so he could find it easily without knowing anyone had
helped him. Or when she was trying to untangle Nudge’s mane of hair.
Or-sometimes-when she was looking at Fang.
He shifted on the hard ground, a half-dozen flashes of memory cycling
through his brain. Max looking at him and laughing. Max leaping off a cliff,
snapping out her wings, flying off, so incredibly powerful and graceful that
it took his breath away.
Max punching someone’s lights out, her face like stone.
Max kissing that weiner Sam on Anne’s front porch.
Gritting his teeth, Fang rolled onto his side.
Max kissing him on the beach, after Ari had kicked Fang’s butt.
Just now, her mouth soft under his.
He wished she were here, if not next to him, then somewhere in the cave, so
he could hear her breathing.
It was going to be hard to sleep without that tonight.
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
“
We girls, we’re tough, darling. Soft on the outside but deep down, we’re tough. Doesn’t feel like it now but none of this is going to beat you.
”
”
Kristen Ashley (The Gamble (Colorado Mountain, #1))
“
She wasn’t soft or pretty; she was hard-edged and cold, like one of those cold bronze statues surrounded by high fences and crowned in razor wire. Don’t touch me, such defenses said, but it wasn’t enough to halt a breach, no. She had thought people only picked the soft-petaled, sweet-smelling flowers, but some people took thorns as a challenge.
”
”
Nenia Campbell (Escape (Horrorscape, #4))
“
John lifted his head and looked down at her. His eyes were worried and he was careful as he brushed at her hair. She smiled.
"Nah, I'm fine. I'm more than fine."
A sly grin bloomed as he mouthed, ain't that the truth.
"Hold up there, big man. You think you can make me blush like I'm some girl ? Pulling that sweet talk?"
As he nodded, she rolled her eyes.
"I'll have you know I'm not the kind of female who goes all dizzy, popping a stiletto off the floor just because some guy kisses her deep."
John was all male as he cocked a brow. And damn it if she didn't feel a tingle in her cheeks.
" Listen, John Matthew." She took his chin in her hand. "You're not turning me into one of these females who goes gaga over her lover. Not happening. I'm not hard-wired for that."
Her voice was stern and she meant every word, except the instant he rolled his hips and that huge arousal pushed into her, she purred.
She purred.
The sound was utterly foreign and she'd have sucked it back down her throat if she could have. Instead, she just left out another of those decidedly non-tough-guy moans. John bowed his head to her breast and started suckling on her as he somehow manage to keep thrusting in slow, even penetrations. Swept away, her hands found his hair again, spearing through the thick softness.
" Oh, John..."
And then he stopped dead, lifted his lips from her nipple, and smiled so wide it was a wonder he didn't bust off his front teeth. His expression was one of total and complete gotcha.
" You are a bastard, " she said on a laugh.
He nodded. And pressed into her with his full lenght again. It was perfect that he was giving her shit and showing her a little of who was boss. Just perfect. Somehow it made her respect him even more, but then, she'd always loved strength in all its forms. Even the teasing kind.
"I'm not surrendering , you know."
He pursed his lips and shook his head, all oh, no, of course not. And then he started to pull out of her. As she growled low in her throat, she sank her nails into his ass.
"Where do you think you're going ?
”
”
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
“
She stood up and took the book from him, and as he smiled over his shoulder at some other kids, she threw it away and kicked him as hard as she could in the vicinity of the groin.
Well, as you might imagine, Ludwig Schmeikl certainly buckled, and on the way down, he was punched in the ear. When he landed, he was set upon. When he was set upon, he was slapped and clawed and obliterated by a girl who was utterly consumed with rage. His skin was so warm and soft. Her knuckles and fingernails were so frighteningly tough, despite their smallness.
You Saukerl." Her voice, too, was able to scratch him. "You Arschloch. Can you spell Arschloch for me?
”
”
Markus Zusak (The Book Thief)
“
He rolled his eyes and took my hand. His hand was hard and calloused, tough with muscle and old scars.
The night settled around us like a blanket. I could hear the water lapping against the dock. We were totally alone.
“You’re . . . ,” he began, and I waited, heart throbbing in my throat. “Such a pain,” he concluded.
“What?” I asked, just as his head swooped in and his mouth touched mine. I tried to speak, but one of
Fang’s hands held the back of my head, and he kept his lips pressed against me, kissing me softly but with a Fanglike determination.
Oh, jeez, I thought distractedly. Jeez, this is Fang, and me, and . . . Fang tilted his head to kiss me more deeply, and I felt totally lightheaded. Then I remembered to breathe through my nose, and the fog cleared a tiny bit. Somehow we were pressed together, Fang’s arms around me now, sliding under my
wings, his hands flat against my back.
It was incredible. I loved it. I loved him.
It was a total disaster.
Gasping, I pulled back. “I, uh—,” I began oh so coherently, and then I jumped up, almost knocking him
over, and raced down the dock. I took off, flying fast, like a rocket.
”
”
James Patterson (The Final Warning (Maximum Ride, #4))
“
The personal, as every one’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, TAKE IT PERSONALLY. Get angry. The Machinery of Justice will not serve you here—it is slow and cold, and it is theirs, hardware and soft. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it PERSONAL. Do as much damage as you can. GET YOUR MESSAGE ACROSS. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference, the ONLY difference in their eyes, between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that IT’S NOTHING PERSONAL. Well, fuck them. Make it personal.
QUELLCRIST FALCONER
Things I Should Have Learnt by Now
Volume II
”
”
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
“
And so, by the end, you have tried soft love and tough love, feelings and reason, truth and lies, promises and threats, hope and stoicism.
”
”
Julian Barnes (The Only Story)
“
He was neutral on prayer, skeptical of free speech, sympathetic to tax protestors, indifferent to Indians, afraid of blacks, tough on pornographers, soft on criminals, and fairly consistent in his protection of the environment
”
”
John Grisham (The Pelican Brief)
“
I liked to think I had a tough everything, but I did have one weakness. One. In my entire child/woman body, and we both knew it. Dante. He was the chink in my armor. My soft underbelly.
”
”
R.K. Lilley (Breaking Him (Love is War, #1))
“
A smile bloomed again in his eyes. "I love that you let me bring out that softness in you. You've always been such a tough little trooper, but under that snappy, tough act you put on, you're butter-soft. Sweet as honey. And I can get there! Make that softness come up. I'm so ... honored by it
”
”
Ramona Wray (Hex: A Witch and Angel Tale)
“
Dad said High Lonesome, as the area was known, wasn't a place for the soft of head or the weak of heart, and he said that was why he and I made out just fine there, because we were both tough nuts.
”
”
Jeannette Walls (Half Broke Horses)
“
For too long, we’d been told there were only two options: to be either tough on crime or soft on crime—an oversimplification that ignored the realities of public safety. You can want the police to stop crime in your neighborhood and also want them to stop using excessive force. You can want them to hunt down a killer on your streets and also want them to stop using racial profiling. You can believe in the need for consequence and accountability, especially for serious criminals, and also oppose unjust incarceration. I believed it was essential to weave all these varied strands together.
”
”
Kamala Harris (The Truths We Hold: An American Journey)
“
He’s tough because he’s never had a soft place to land,” Dad says. “Not a lot of kindness offered to Levi Fanning around here, for a long time, and I bet that makes it pretty hard for him sometimes. Especially when he needs to figure the soft things out.
”
”
Kate Clayborn (Georgie, All Along)
“
There are two ways to respond when life hands you something unpleasant,” the grandmother said, smiling down at the infant in her lap. “You can get soft or you can get tough. Our Ethan has just decided to get tough, it seems. But he’ll come around eventually, I think. He’s got a good heart under there somewhere. And he has time—God knows, he’s, what, seventeen now? He has time to get himself on the right path again.
”
”
Cynthia Hand (The Afterlife of Holly Chase)
“
You wouldn't think it would be Toby--she was so tough and hard--but if you're drowning, a soft squashy thing is no good to hold on to. You need something more solid.
”
”
Margaret Atwood (The Year of the Flood (MaddAddam, #2))
“
Be an egg, Susan thought. One could be soft with fear inside, but hard as slate outside.
”
”
Alan Hlad (The Long Flight Home)
“
Man when living is soft and tender; when dead he is hard and tough. All animals and plants are tender and fragile; when dead they become withered and dry. Therefore it is said: the hard and the tough are parts of death; the soft and tender are parts of life. This is the reason why the soldiers when they are too tough cannot carry the day; the tree when it is too tough will break. The position of the strong and great is low, and the position of the weak and tender is high.
”
”
Alan W. Watts (Nature, Man and Woman)
“
As she watched, he examined the can intently, read the ingredients, then returned it to the shelf and chose another, repeating his thorough study of it.
The contrast between his rough, tough-guy appearance and the domestic act he was performing did funny things to her head.
She had a sudden, breathtaking vision of a dark-haired little boy sitting in the seat of the cart, laughing up at Cian, grabbing at his swinging braids with chubby little fists, while his daddy inspected the ingredients on a jar of baby food. Her mind’s eye
picture of sexy, strong man with beautiful, helpless child made something soft and warm blossom behind her chest.
”
”
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
“
Both men and women experience pressure to conform to social standards of attractiveness. Men to look strong and be tough, women to look pretty and soft. Men to be masculine, women to be feminine. Men get judged for being "too feminine", women get criticized for being "too masculine". Gender policing affects us all.
”
”
Miya Yamanouchi (Embrace Your Sexual Self: A Practical Guide for Women)
“
Then a soft voice whispers right against my ear.
“They’re already going AWOL on you, lass? You’re fucked.”
I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him.
“Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.”
And then Logan does something that melts my insides and turns my knees to quivery goo.
He laughs.
And it’s beautiful.
It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs?
He’s heart-stopping.
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
The young officers who had come back [from WW1], hardened by their terrible experience and disgusted by the attitude of the younger generation to whom this experience meant just nothing, used to lecture us for our softness. Of course they could produce no argument that we were capable of understanding. They could only bark at you that war was ‘a good thing’, it ‘made you tough’, ‘kept you fit’, etc. etc. We merely sniggered at them. Ours was the one-eyed pacifism that is peculiar to sheltered countries with strong navies.
”
”
George Orwell
“
A tough will counts. So does desire.
So does a rich soft wanting.
Without rich wanting nothing arrives.
”
”
Carl Sandburg (The People, Yes)
“
On the inside, the copycats of the ruffians are more delicate than the copycats of prudes.
”
”
Criss Jami (Killosophy)
“
A hard head makes a soft ass.
”
”
Will Leamon (Mama, Me & 'em: Bittersweet Memories)
“
I drive a beat-up Mercury Cougar, with the windows down and the music up. I seek my identity in toughness - but it is Morrie's softness that draws me, and because he doesn't look at me as a kid trying to be something more than I am, I relax.
”
”
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
“
I think I might like to grow thorns. Tough spines that barb anyone who grabs at me, tries to take from me, moves toward me any way other than delicately. Or thick boney horns I can point in front of me to shield the soft, sensitive parts. Not cruel, protected.
”
”
Heather Durham (Going Feral: Field Notes on Wonder and Wanderlust)
“
It is pretty difficult to imagine a single person having, simultaneously, the characteristics of the serpent and the dove, but this is what Jesus expects. We must combine the toughness of the serpent and the softness of the dove, a tough mind and a tender heart.
”
”
Martin Luther King Jr. (Strength to Love)
“
She knew about young boys—she'd spent the last year taking care of them. They were tough and reckless and yet at the same time so very sweet and vulnerable. Their cheeks were soft and their eyes apologized even as they fought to assert their independence with too smart mouths.
”
”
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
“
Oh, and David Copperfield too.” “That’s for me. I must have ten copies by now.” I smiled. “It’s my most favorite of all Dickens. It’s so inspiring, thinking that David Copperfield was based on Dickens’s own life, that someone could overcome that kind of suffering and poverty to finally achieve happiness.” I had said too much. He was giving me the look. I hated the look. It was the “You’ve had it tough, huh, kid?” look. It made me feel pathetic. Hearne spoke softly. “I know what you mean. I had kind of a Copperfield childhood myself.” I stared at him, shocked that the sophisticated man in front of me could have ever known poverty or suffering. Had he really recast himself? My surprise registered with him.
”
”
Ruta Sepetys (Out of the Easy)
“
When you don the pelt of a particular animal--snake, beaver, marmoset--the effect on the viewer is dramatic [...]. You will instantly and shockingly be perceived as having the same traits as your chosen varmint. [...] The wearing of moleskin says, "I am soft and velvety and mysterious and like to hide underground." A mink coat says, "I'm a tough cookie. Though I may not have the wherewithal to actually kill you, please expect to be nipped on a regular basis." The pelts of predators always give the impression that you are a man-stealing, window-smashing home wrecker. This also applies to animal-printed fabric. The message of a leopard-print jumpsuit is clear, "I am a huntress who delights in eating the offal of her prey.
”
”
Simon Doonan (Eccentric Glamour: Creating an Insanely More Fabulous You)
“
I'd say he's not much older than you," Mother said when she noticed.
"Really?" Lynn peered closer at his face. "How can you tell?"
"Well," Mother peered up at the gray sky as she considered how to answer, "I guess it's in the way his skin isn't so tough, he's still got the little bit of baby soft on him.
”
”
Mindy McGinnis (Not a Drop to Drink (Not a Drop to Drink, #1))
“
When I drew pictures of Mother and me, I used Peach for her and Chestnut for myself. "Why is your skin named after something soft and sweet and mine is something hard and bitter?" "Because you are so much tougher," she said. I thought that was a very good answer. And maybe it's true. But I am forced to be tough.
”
”
Jael Richardson (Gutter Child)
“
The swaying figure's white, haggard face was rough with beard-stubble. His shirt was in tatters which blew back behind him in twisted ribbons, showing the starved stack of his ribs. A filthy rag was wrapped around his right hand. He looked sick, sick and dying, but even so he also looked tough enough to make Andolini feel like a soft-boiled egg.
”
”
Stephen King (The Drawing of the Three (The Dark Tower, #2))
“
The little blue engine looked up at the hill.
His light was weak, his whistle was shrill.
He was tired and small, and the hill was tall,
And his face blushed red as he softly said,
“I think I can, I think I can, I think I can.”
So he started up with a chug and a strain,
And he puffed and pulled with might and main.
And slowly he climbed, a foot at a time,
And his engine coughed as he whispered soft,
“I think I can, I think I can, I think I can.”
With a squeak and a creak and a toot and a sigh,
With an extra hope and an extra try,
He would not stop — now he neared the top —
And strong and proud he cried out loud,
“I think I can, I think I can, I think I can!”
He was almost there, when — CRASH! SMASH! BASH!
He slid down and mashed into engine hash
On the rocks below... which goes to show
If the track is tough and the hill is rough,
THINKING you can just ain’t enough!
”
”
Shel Silverstein (Where the Sidewalk Ends)
“
A cowboy’s hands are as strong as steel, as tough as leather, but soft enough to touch a butterfly’s wing and the skin of a woman without disturbing the beauty of either.
”
”
Carol Crandell (The Weaver's Tale: A Story of the Malheur River Country
“
i am water soft enough to offer life tough enough to drown it away
”
”
Rupi Kaur (Milk and Honey)
“
she is water
soft enough
to offer life
tough enough
to drown it away
”
”
Rupi Kaur (Milk and honey)
“
Look what pressure(cooker) does to Rice. It makes the hard and tough rice go soft.
”
”
Gaurav Rao
“
you were a kid and couldn’t defend yourself. Girls wear pink, boys wear blue. Boys are tough. Girls are sweet. Women are caregivers with soft bodies. Men are leaders with hard muscles. Girls get looked at. Guys do the looking. Hairy armpits. Pretty fingernails. This one can but that one can’t. The Gender Commandments were endless, once you started thinking about them, and they were enforced 24/7 by a highly motivated volunteer army of parents, neighbors, teachers, coaches, other kids, and total strangers—basically, the whole human race.
”
”
Tom Perrotta (Mrs. Fletcher)
“
Among the Wise I am the only one that goes in for hobbit-lore: an obscure branch of knowledge, but full of surprises. Soft as butter they can be, and yet sometimes as tough as old tree-roots.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
It was like... it was like women were made to do that to men. Like men were made with a big soft spot, and no matter how tough they got they couldn't protect themselves there. Like maybe, when God took that rib from the man to make the woman, the way the priests told it from their Scripture books, He left a hole in the man. One that she could always slide into. And the man couldn't stop her doing it, either.
”
”
George Bryan Polivka (Blaggard's Moon (Trophy Chase Trilogy, #0))
“
Yubbazubbies, you are yummy,
you are succulent and sweet,
you are splendidly delicious,
quite delectable to eat,
how I smack my lips with relish
when you bump against my knees,
then nuzzle up beside me,
chirping, "Eat us if you please!"
You are juicy, Yubbazubbies,
you are tender, never tough,
you are appetizing morsels,
I can never get enough,
you have captivating flavors
and a tantalizing smell,
a bit like candied apple,
and a bit like caramel.
Yubbazubbies, you are luscious,
you are soft and smooth as silk,
like a dish of chicken dumplings,
or a glass of chocolate milk,
even when I'm hardly hungry,
I am sure to taste a few,
and I'm never disappointed,
Yubbazubbies, I love you.
”
”
Jack Prelutsky (The New Kid on the Block)
“
I recommend the French beret, for it gives the impression of just the right soft toughness, a veritable wave of sophisticated brain matter. It is the kind of hat that inspires a person to grow into it, to become the person they never knew they could be. The space between the top of the head and the beginnings of hat is among the most intimate of areas: earlobe behinds, elbow insides, and anuses. One must pay heed to such spaces for they hold a potential not fully known (but generally agreed to be vast).
”
”
Meia Geddes (Love Letters to the World)
“
There are certain things you love putting into your mouth—Nibs, Good & Plentys, dry-roasted peanuts, lima beans cooked not too soft—and the rest is more or less disagreeable mush, or meat that gives the teeth too tough a fight and if you think about it almost makes you gag.
”
”
John Updike (Rabbit at Rest (Rabbit Angstrom #4))
“
Do you know how happy you make me?” I asked. “No,” she said softly. “I thought I knew what laughter and light were,” I said tipping my head to the side, considering her, “But then you came into my life and proved that I didn’t know shit.” I think she stopped breathing for a second but then she melted against me, putting her ear to my chest. “You taught me… You teach me every day what it is to live again,” she murmured. “You and me ‘til the wheels fall off?” I asked. “You better believe it mister,” she said, trying to sound tough and I laughed. Sounded like heaven to me.
”
”
A.J. Downey (Shattered & Scarred (The Sacred Hearts MC #1))
“
Watching him climb, William’s perception shifted again with a bone-rattling jolt. Christian was not soft, he realized. There was nothing of the coddled child in him. He was hard and tough as sinew. Refined? Refined as a purebred stallion, perhaps, or an elemental sprite. But not weak, no. He was a powerful and strong man. For
”
”
Eli Easton (The Lion and the Crow)
“
The downside is that your workers are working harder and having to concentrate more, and the accidents they have are just a little worse, just a little more frequent. The trouble is that you can’t go back, because now your competitors have done the same thing and the Thingumabob market has gotten a bit more aggressive, and the question comes down to this: how much further can you squeeze the margin without making your factory somewhere no one will work? And the truth is that it’s a tough environment for unskilled workers in your area and it can get pretty bad. Suddenly, because the company can’t survive any other way, soft-hearted Alf Fingermuffin is running the scariest, most dangerous factory in town. Or he’s out of busines...
”
”
Nick Harkaway (The Gone-Away World)
“
Gender is not wild, it’s prescribed. When we say, “Girls are nurturing and boys are ambitious. Girls are soft and boys are tough. Girls are emotional and boys are stoic,” we are not telling truths, we are sharing beliefs—beliefs that have become mandates. If these statements seem true, it’s because everyone has been so well programmed. Human qualities are not gendered.
”
”
Glennon Doyle (Untamed)
“
once upon a time, i met a flower. she was so innocent, yet so wise. she was glitter and wildness. softness and sweet fragrance. she was a flock of fireflies that danced through the forest and swam naked in moonlight. she was the first soul i bared myself to, only one i was completely honest with about the things that shamed me...we wandered through the world in a bubble of our own making, floating free, full of pastels so colorful, full of fairy dust, sunbeams, and feathers. we drew people towards us like sirens in the water, wanting what we had. but we fluttered away like butterflies hopping from lily pad to lily pad, giggling all the while. we told each other the real hard truth, and listened, and laughed and cried out our hearts. when i was going through a tough time, she once told me to pick a place, anywhere in the world, and she’d be there with me, even if she couldn't be...she was my flower. she taught me about generosity, about giving with deep trust that it would return somehow somewhere. and it always does. she taught me to love people for who they are, and to just let them be, in their own flower field. i met a flower. she taught me to live in love. to bloom, and listen. now i am alive, in love
”
”
D. Bodhi Smith
“
I needed a slob summer. The machine was abused. Softness at the waist. Tremor of the hands. Bad tastes in the morning. A heaviness of muscle and bone, a tendency to sigh. Each time you wonder, Can you get it back? The good toughness and bounce and tirelessness, the weight down to a rawhide two oh five, a nasty tendency to sing during the morning shower, the conviction each day will contain wondrous things?
”
”
John D. MacDonald (Bright Orange for the Shroud)
“
In her orchard the trees had been born from deaths; they marked and grew from the remains of the children that passed through her. She never picked the fruit that fell from them, believing it a kind of cannibalism, but out of those soft, unshaped figures had grown tall, strong, tough-barked trees that blossomed and called birds to their branches and clambered out over the orchard walls to the world beyond.
”
”
Nadifa Mohamed (The Orchard of Lost Souls)
“
The country is proud of its dead poets. It takes terrific satisfaction in the poets’ testimony that the USA is too tough, too big, too much, too rugged, that American reality is overpowering. And to be a poet is a school thing, a skirt thing, a church thing. The weakness of the spiritual powers is proved in the childishness, madness, drunkenness, and despair of these martyrs. Orpheus moved stones and trees. But a poet can’t perform a hysterectomy or send a vehicle out of the solar system. Miracle and power no longer belong to him. So poets are loved, but loved because they just can’t make it here. They exist to light up the enormity of the awful tangle and justify the cynicism of those who say, ‘If I were not such a corrupt, unfeeling bastard, creep, thief, and vulture, I couldn’t get through this either. Look at these good and tender and soft men, the best of us. They succumbed, poor loonies.
”
”
Saul Bellow (Humboldt's Gift)
“
The best benchside exoticisms January could offer were all on show—the starling, the dandelion, the blown seeds and the birds skeining against the grey clouds, hazing it and mazing it, a featherlight kaleidoscope noon-damp and knowing the sky was never truly grey, just filled with a thousand years of birds’ paths, and wishful seeds, a bird-seed sky as something meddled and ripe and wish-hot, the breeze bird-breath soft like a—what—heart stopped in a lobby above one’s lungs as well it might, as might it will—seeds take a shape too soft to be called a burr, like falling asleep on a bench with the sun on your face, seeds in a shape too soft to be called a globe, too breakable to be a constellation, too tough to not be worth wishing upon, the crowd of birds, an unheard murmuration (pl. n.) not led by one bird but a cloud-folly of seeds, blasted by one of countless breaths escaping from blasted wished-upon clock as a breath, providing a clockwork with no regard to time nor hands, flocking with no purpose other than the clotting and thrilling and thrumming, a flock as gathered ellipses rather than lines of wing and bone and beak, falling asleep grey-headed rather than young and dazzling—more puff than flower—collecting the ellipses of empty speech bubbles, the words never said or sayable, former pauses in speech as busy as leaderless birds, twisting, blown apart softly, to warm and colour even the widest of skies.
”
”
Eley Williams (The Liar's Dictionary)
“
I fell in love with you, and I knew I could never have you. I couldn't pretend to be Pru any longer. I loved you so much, and I couldn't-"
Her words were abruptly smothered.
He was kissing her, she realized dazedly. What did it mean? What did he want? What... but her thoughts dissolved, and she stopped trying to make sense of anything.
His arms had closed around her, one hand gripping the back of her neck. Shaken to her soul, she molded against him. Taking her sobs into his mouth, he licked deep, his kiss strong and savage. It had to be a dream, and yet her senses insisted it was real, the scent and warmth and toughness of him engulfing her. He pulled her even more tightly against him, making it difficult to breathe. She didn't care. The pleasure of the kiss suffused her, drugged her, and when he pulled his head back, she protested with a bewildered moan.
Christopher forced her to look back at him. "Loved?" he asked hoarsely. "Past tense?"
"Present tense," she managed to say.
"You told me to find you."
"I didn't mean to send you that note."
"But you did. You wanted me."
"Yes." More tears escaped her stinging eyes. He bent and pressed his mouth to them, tasting the salt of grief.
Those gray eyes looked into hers, no longer bright as hellfrost, but soft as smoke. "I love you, Beatrix."
Maybe she was capable of swooning after all.
It certainly felt like a swoon, her knees giving way, her head lolling against his shoulder as he lowered them both to the threadbare carpet. Fitting his arm beneath her neck, Christopher covered her mouth with his again. Beatrix answered helplessly, unable to withhold anything. Their legs tangled, and he let his thigh nuzzle between hers.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Lutch Crawford always talked straight to the point. That’s how he got so much work done. “Fawn, about the other night, with all that moon. How do you feel now?”
“I feel the same way,” she said tightly.
Lutch had a little habit of catching his lower lip with his teeth and letting go when he was thinking was hard. There was a pause about long enough to do this. Then he said, “You been hearing rumors about you and me?”
“Well I—” She caught her breath. “Oh, Lutch—” I heard the wicker, sharp and crisp, as she came up out of it.
“Hold on!” Lutch snapped. “There’s nothing to it, Fawn. Forget it.”
I heard the wicker again, slow, the front part, the back part. She didn’t say anything.
“There’s some things too big for one or two people to fool with, honey,” he said gently. “This band’s one of ’em. For whatever it’s worth, it’s bigger than you and me. It’s going good and it’ll go better. It’s about as perfect as a group can get. It’s a unit. Tight. So tight that one wrong move’ll blow out all its seams. You and me, now—that’d be a wrong move.”
“How do you know? What do you mean?”
“Call it a hunch. Mostly, I know that things have been swell up to now, and I know that you—we—anyway, we can’t risk a change in the good old status quo.”
“But—what about me?” she wailed.
“Tough on you?” I’d known Lutch a long time, and this was the first time his voice didn’t come full and easy. “Fawn, there’s fourteen cats in this aggregation and they all feel the same way about you as you do about me. You have no monopoly. Things are tough all over. Think of that next time you feel spring fever coming on.” I think he bit at his lower lip again. In a soft voice like Skid’s guitar with the bass stop, he said, “I’m sorry, kid.”
“Don’t call me kid!” she blazed.
“You better go practice your scales,” he said thickly.
The door slammed.
After a bit he let me out. He went and sat by the window, looking out.
“Now what did you do that for?” I wanted to know.
“For the unit,” he said, still looking out the window.
“You’re crazy. Don’t you want her?”
What I could see of his face answered that question. I don’t think I’d realized before how much he wanted her. I don’t think I’d thought about it. He said, “I don’t want her so badly I’d commit murder for an even chance at her. You do. If anyone wants her worse than I do, I don’t want her enough. That’s the way I see it.
”
”
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume V: The Perfect Host)
“
When I finally made it across the dune, I found her gazing at the ocean and holding a weathered fence post as if it were the mast of a sailboat.
'That was quite a sprint you did on that soft sand,' I said, huffing and puffing. She smiled, but didn't respond. So I clarified, 'That sand is hard to get through.'
She laughed. 'It's easier to get through the tough stuff if I give it a little muscle.'
I looked at her out of the corner of my eye and said coyly, 'I think there's a life lesson there.'
'Nah,' she refuted. 'I've exercised my whole life. Lots of practice. It comes naturally now.'
Like I said.
”
”
Emily Colson (Dancing with Max: A Mother and Son Who Broke Free)
“
His hands came to her wrists, squeezed reflexively, before he got quickly to his feet. "You're mixing things up." Panic arrowed straight into his heart. "I told you sex complicates things."
"Yes,you did.And of course since you're the only man I've been with, how could I knew the difference between sex and love? Then again, that doesn't take into account that I'm a smart and self-aware woman, and I know the reason you're the only man I've been with is that you're the only man I've loved.Brian..."
She stepped toward him, humor flashing into her eyes when he stepped back. "I've made up my mind.You know how stubborn I am."
"I train your father's horses."
"So what? My mother groomed them."
"That's a different matter."
"Why? Oh, because she's a woman.How foolish of me not to realize we can't possibly love each other, build a life with each other.Now if you owned Royal Meadows and I worked here, then it would be all right."
"Stop making me sound ridiculous."
"I can't." She spread her hands. "You are ridiculous.I love you anyway. Really, I tried to approach it sensibly.I like doing things in a structured order that makes a beeline for the goal.But..." She shrugged, smiled. "It just doesn't want to work that way with you.I look at you and my heart,well, it just insists on taking over.I love you so much,Brian. Can't you tell me? Can't you look at me and tell me?"
He skimmed his fingertips over the bruise high on her temple. He wanted to tend to it, to her. "If I did there'd be no going back."
"Coward." She watched the heat flash into his eyes,and thought how lovely it was to know him so well.
"You won't push me into a corner."
Now she laughed. "Watch me," she invited and proceeded to back him up against the steps. "I've figured a lot of things out today,Brian.You're scared of me-of what you feel for me. You were the one always pulling back when we were in public, shifting aside when I'd reach for you.It hurt me."
The idea quite simply appalled him. "I never meant to hurt you."
"No,you couldn't.How could I help but fall for you? A hard head and a soft heart.It's irresistable. Still, it did hurt. But I thought it was just the snob in you.I didn't realize it was nerves."
"I'm not a snob, or a coward."
"Put your arms around me.Kiss me. Tell me."
"Damn it." he grabbed her shoulders, then simply held on, unable to push her back or draw her in. "It was the first time I saw you, the first instant. You walked in the room and my heart stopped. Like it had been struck by lightning.I was fine until you walked into the room."
Her knees wanted to buckle.Hard head, soft heart, and here, suddenly, a staggering sweep of romance. "Why didn't you tell me? Why did you make me wait?"
"I thought I'd get over it."
"Get over it?" Her brow arched up. "Like a head cold?"
"Maybe." He set her aside, paced away to stare out at the hills.
Keeley closed her eyes, let the breeze ruffle her hair, cool her cheeks. When the calm descended, she opened her eyes and smiled. "A good strong head cold's tough to shake off.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here—it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous, marks the difference—the only difference in their eyes—between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life, and that it’s nothing personal. Well, fuck them. Make it personal. QUELLCRIST FALCONER
”
”
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
“
Now he took my hands. “I know people, and I know what’s inside of you.”
“You do?”
“Yes. I know you, Jamie. I see you. I saw how you suffered, and how you gave up on men. And I understand that. You were trying to be tough. You tried to play the game. But I saw through it.” “Wait a minute…” He continued, “Jamie, I’m glad I saw through it. I feel lucky that I saw through it.”
Tears welled in my eyes and Drew gently kissed my lips. “I want you,” he said softly, “Not just in bed. I want you. All of you.”
“I hope so,” I said softly. “I’m here. Not just for a few days or a few months. I’m here for you long term.
”
”
Jackie Pilossoph (Jackpot!)
“
The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here—it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous, marks the difference—the only difference in their eyes—between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life, and that it’s nothing personal. Well, fuck them. Make it personal. QUELLCRIST FALCONER Things I Should Have Learned by Now Volume II
”
”
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
“
Rocks are space,” I thought, “and space is illusion.” I had a million thoughts. Japhy had his. I was amazed at the way he meditated with his eyes open. And I was mostly humanly amazed that this tremendous little guy who eagerly studied Oriental poetry and anthropology and ornithology and everything else in the books and was a tough little adventurer of trails and mountains should also suddenly whip out his pitiful beautiful wooden prayerbeads and solemnly pray there, like an oldfashioned saint of the deserts certainly, but so amazing to see it in America with its steel mills and airfields. The world ain’t so bad, when you got Japhies, I thought, and felt glad. All the aching muscles and the hunger in my belly were bad enough, and the surroundant dark rocks, the fact that there is nothing there to soothe you with kisses and soft words, but just to be sitting there meditating and praying for the world with another earnest young man—’twere good enough to have been born just to die, as we all are. Something will come of it in the Milky Ways of eternity stretching in front of all our phantom unjaundiced eyes, friends. I felt like telling Japhy everything I thought but I knew it didn’t matter and moreover he knew it anyway and silence is the golden mountain. “Yodelayhee,
”
”
Jack Kerouac (The Dharma Bums: (Penguin Classics Deluxe Edition))
“
Making money in the markets is tough. The brilliant trader and investor Bernard Baruch put it well when he said, “If you are ready to give up everything else and study the whole history and background of the market and all principal companies whose stocks are on the board as carefully as a medical student studies anatomy—if you can do all that and in addition you have the cool nerves of a gambler, the sixth sense of a clairvoyant and the courage of a lion, you have a ghost of a chance.” In retrospect, the mistakes that led to my crash seemed embarrassingly obvious. First, I had been wildly overconfident and had let my emotions get the better of me. I learned (again) that no matter how much I knew and how hard I worked, I could never be certain enough to proclaim things like what I’d said on Wall $ treet Week: “There’ll be no soft landing. I can say that with absolute certainty, because I know how markets work.” I am still shocked and embarrassed by how arrogant I was. Second, I again saw the value of studying history. What had happened, after all, was “another one of those.” I should have realized that debts denominated in one’s own currency can be successfully restructured with the government’s help, and that when central banks simultaneously provide stimulus (as they did in March 1932, at the low point of the Great Depression, and as they did again in 1982), inflation and deflation can be balanced against each other. As in 1971, I had failed to recognize the lessons of history. Realizing that led me to try to make sense of all movements in all major economies and markets going back a hundred years and to come up with carefully tested decision-making principles that are timeless and universal. Third, I was reminded of how difficult it is to time markets. My long-term estimates of equilibrium levels were not reliable enough to bet on; too many things could happen between the time I placed my bets and the time (if ever) that my estimates were reached. Staring at these failings, I realized that if I was going to move forward without a high likelihood of getting whacked again, I would have to look at myself objectively and change—starting by learning a better way of handling the natural aggressiveness I’ve always shown in going after what I wanted. Imagine that in order to have a great life you have to cross a dangerous jungle. You can stay safe where you are and have an ordinary life, or you can risk crossing the jungle to have a terrific life. How would you approach that choice? Take a moment to think about it because it is the sort of choice that, in one form or another, we all have to make.
”
”
Ray Dalio (Principles: Life and Work)
“
Don’t run from me,” he repeated. “I can’t protect you if I’m not there.” Her eyes shimmered with unshed tears, but she lifted her stubborn chin and nodded.
“I promise.”
The need to protect her filled him. “Why didn’t you tell me he hurt you?” His gaze dropped to her breast. Her face colored daintily as she tugged her blouse together and buttoned it.
“It’s nothing.”
Matt stared into her soft blue eyes. As tough as she tried to act, she was delicate, fragile. He wanted to put her up on a safe shelf until this mess was over. Not let anyone near her. Remorse filled his eyes.
“I’m sorry you were hurt.”
The knowledge that he’d never hurt her made her smile.
”
”
Cheryl Yeko (Abducting Casey)
“
Up on the bridge of the Anubis, the storm paws loudly on the glass, great wet flippers falling at random in out of the night whap! the living shape visible just for the rainbow edge of the sound—it takes a certain kind of maniac, at least a Polish cavalry officer, to stand in this pose behind such brittle thin separation, and stare each blow full in its muscularity. Behind Procalowski the clinometer bob goes to and fro with his ship’s rolling: a pendulum in a dream. Stormlight has turned the lines of his face black, black as his eyes, black as the watchcap cocked so tough and salty aslant the furrows of his forehead. Light clusters, clear, deep, on the face of the radio gear . . . fans up softly off the dial of the pelorus . . . spills out portholes onto the white river.
”
”
Thomas Pynchon (Gravity's Rainbow)
“
You’ve said, “You can lie or distort the story of the French Revolution as long as you like and nothing will happen. Propose a false theory in chemistry and it will be refuted tomorrow.” How does your approach to the world as a scientist affect and influence the way you approach politics? Nature is tough. You can’t fiddle with Mother Nature, she’s a hard taskmistress. So you’re forced to be honest in the natural sciences. In the soft fields, you’re not forced to be honest. There are standards, of course; on the other hand, they’re very weak. If what you propose is ideologically acceptable, that is, supportive of power systems, you can get away with a huge amount. In fact, the difference between the conditions that are imposed on dissident opinion and on mainstream opinion is radically different. For example, I’ve written about terrorism, and I think you can show without much difficulty that terrorism pretty much corresponds to power. I don’t think that’s very surprising. The more powerful states are involved in more terrorism, by and large. The United States is the most powerful, so it’s involved in massive terrorism, by its own definition of terrorism. Well, if I want to establish that, I’m required to give a huge amount of evidence. I think that’s a good thing. I don’t object to that. I think anyone who makes that claim should be held to very high standards. So, I do extensive documentation, from the internal secret records and historical record and so on. And if you ever find a comma misplaced, somebody ought to criticize you for it. So I think those standards are fine. All right, now, let’s suppose that you play the mainstream game. You can say anything you want because you support power, and nobody expects you to justify anything. For example, in the unimaginable circumstance that I was on, say, Nightline, and I was asked, “Do you think Kadhafi is a terrorist?” I could say, “Yeah, Kadhafi is a terrorist.” I don’t need any evidence. Suppose I said, “George Bush is a terrorist.” Well, then I would be expected to provide evidence—“Why would you say that?” In fact, the structure of the news production system is, you can’t produce evidence. There’s even a name for it—I learned it from the producer of Nightline, Jeff Greenfield. It’s called “concision.” He was asked in an interview somewhere why they didn’t have me on Nightline. First of all, he says, “Well, he talks Turkish, and nobody understands it.” But the other answer was, “He lacks concision.” Which is correct, I agree with him. The kinds of things that I would say on Nightline, you can’t say in one sentence because they depart from standard religion. If you want to repeat the religion, you can get away with it between two commercials. If you want to say something that questions the religion, you’re expected to give evidence, and that you can’t do between two commercials. So therefore you lack concision, so therefore you can’t talk. I think that’s a terrific technique of propaganda. To impose concision is a way of virtually guaranteeing that the party line gets repeated over and over again, and that nothing else is heard.
”
”
Noam Chomsky (On Anarchism)
“
These samurai swords were made from a special type of steel called tamahagane, which translates as “jewel steel,” made from the volcanic black sand of the Pacific (this consists mostly of an iron ore called magnetite, the original material for the needle of compasses). This steel is made in a huge clay vessel four feet tall, four feet wide, and twelve feet long called a tatara. The vessel is “fired”—hardened from molded clay into a ceramic—by lighting a fire inside it. Once fired, it is packed meticulously with layers of black sand and black charcoal, which are consumed in the ceramic furnace. The process takes about a week and requires constant attention from a team of four or five people, who make sure that the temperature of the fire is kept high enough by pumping air into the tatara using a manual bellows. At the end the tatara is broken open and the tamahagane steel is dug out of the ash and remnants of sand and charcoal. These lumps of discolored steel are very unprepossessing, but they have a whole range of carbon content, some of it very low and some of it high. The samurai innovation was to be able to distinguish high-carbon steel, which is hard but brittle, from low-carbon steel, which is tough but relatively soft. They did this purely by how it looked, how it felt in their hands, and how it sounded when struck. By separating the different types of steel, they could make sure that the low-carbon steel was used to make the center of the sword. This gave the sword an enormous toughness, almost a chewiness, meaning that the blades were unlikely to snap in combat. On the edge of the blades they welded the high-carbon steel, which was brittle but extremely hard and could therefore be made very sharp. By using the sharp high-carbon steel as a wrapper on top of the tough low-carbon steel they achieved what many thought impossible: a sword that could survive impact with other swords and armor while remaining sharp enough to slice a man’s head off. The best of both worlds.
”
”
Mark Miodownik (Stuff Matters: Exploring the Marvelous Materials That Shape Our Man-Made World)
“
Toward the end of the three weeks, I have lunch with a representative from the foundation. She wants to know what could be done to make the girls more “confident.” I rattle on, about girl-only classrooms, giving them room away from the boys, time to talk, permission to question and complain without being afraid of being seen as whiners, complainers, bad girls, tough girls. But I know that all of them, boys and girls both, are still only partly formed, soft as Playdoh. They are like golems — their bodies in full flower and everything else a work-in-progress. I don’t dare say there are essential gender differences here, though I wonder more and more.
“But girls have so many more role models now,” the foundation representative says. She is a petite, elegant, beautiful woman in a black suit, perfectly coifed.
More role models. Which ones, I wonder? An increasingly impossible physical ideal? A clear-cut choice between career and family? They’ve seen their mothers suffer from trying to do both. They know all about the “second shift” of endless work. When I was 15, my role models were burning bras, marching in the street, starting clinics, passing laws and getting arrested. Role models now are selling diet books and making music videos.
The simple fact is, I don’t know. I don’t know how to help them. I know that I have to keep checking my watch during lunch and rush off to make the final bell for sixth period, and that all of these children who are almost grown have spent their entire lives ruled by a clock and the demands of strangers. They have grown up in a fragmented and chaotic place over which they have no control. I know they’ve rarely thought about the possibility of getting out; they don’t see any place to get out to, anywhere to go not ruled by bureaucratic entanglements and someone else’s schedule and somebody else’s plans. If girls are somehow wired toward pliancy, then the helpless role of student in the shadow of the institution is the worst place they can be. If we want to teach them independence, the first thing to do would be to give it to them.
”
”
Sallie Tisdale (Violation: Collected Essays)
“
The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here—it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous, marks the difference—the only difference in their eyes—between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life, and that it’s nothing personal. Well, fuck them. Make it personal.
”
”
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
“
The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, TAKE IT PERSONALLY. Get angry. The Machinery of Justice will not serve you here - it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it PERSONAL. Do as much damage as you can. GET YOUR MESSAGE ACROSS. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference, the ONLY difference in their eyes, between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that IT’S NOTHING PERSONAL. Well, fuck them. Make it personal.
”
”
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
“
Night does not communicate with the day. it burns up in it. Night is carried to the stake at dawn. And its people along with it — the drinkers, the poets, the lovers. We are a people of the banished, of the condemned. I do not know you. You want to join us. Your fear and confusion propel you into our arms; you want to nestle in there, but your tough body keeps clinging to its certainties; it pushes desire away, refuses to surrender. I don’t blame you. You live in another prison, a world of strength and bravery where you think you can be carried aloft in triumph; you think you can win the goodwill of the powerful, you seek glory and wealth. But when night falls, you tremble. You don’t drink, for you are afraid; you know that the burning sensation of alcohol plunges you into weakness, into an irresistible need to find caresses, a vanished tenderness, the lost world of childhood, gratification, the need to find peace when faced with the glistering uncertainty of darkness. You think you desire my beauty, the softness of my skin, the brilliance of my smile, the delicacy of my limbs, the crimson of my lips, but actually, what you want without realizing it is for your fears to disappear, for healing, union, return, oblivion. This power inside you devours you in solitude. So you suffer, lost in an infinite twilight, one foot in day and the other in night.
”
”
Mathias Énard (Parle-leur de batailles, de rois et d'éléphants)
“
The boys who have done you harm are surrounded by girls you will choose never to be. girls who are disgusting, who bleed and weep and wail. Girls who spend too much time in the bathroom. Girls who are never ready on time. Girls who titter, who are soft, who wear pretty clothes that are easily dirties, girls in hoop earrings and perfect wings of black eyeliner, girls who don't know what's cool. Girls who read the wrong books, twirl their hair around, are pursued, are hunted. You will remake yourself into something else: a boys' girl, a tough girl, a girl without needs or feelings, a girl who wisecracks and drinks whiskey in the backseat of cars, a girl cool as the first frost in winter, a girl so totally unlike other girls. If you cannot be loved and safe, you will be clever, mean, a girl as vicious as the serrated edge of a hunting knife. If you cannot be pretty, you will disdain beauty and its trappings. If you cannot be heard, you will be silent on purpose. You will find your knights again, a different set of boys, this time united against a common enemy: the softness and fragility of girls, of anything girlish within you, of anything girlish in any other girl. Against girls who are sad and silly and weeping (you don't cry), girls who complain (you protest nothing), girls who make demands (you never ask). This time, however, you will not be queen. Some of these boys will never even know your name.
”
”
Sarah McCarry (Here We Are)
“
He got out a tube and since she’d yet to put the sweater on, squeezed ointment onto his fingers and began to gently rub it on her abraded skin. She recognized the scent.
“That’s for horses.”
“So?”
She laughed and let him fuss. “Does this make me your mare now?”
“No, you’re too young and delicate of bone for that. You’re still a filly.”
“Are you going to train me, Donnelly?”
“Oh, you’re out of my league, Miss Grant.” He glanced up, cocked a brow when he saw her grinning at him. “And what amuses you?”
“You can’t help it can you? You have to tend.”
“I put the marks on you,” he muttered as he smoothed on the ointment. “It follows I should see to them.”
She lifted a hand to toy with the ends of his damp, gold-tipped hair. “I like being seen to by a man with a tough mind and a soft heart.”
That soft heart sighed a little, ached a little. But he spoke lightly. “It’s no hardship running my fingers over skin like yours.” With his eyes on hers, he used the pad of his thumb to spread ointment over the gentle swell of her breast. “Particularly since you don’t seem to have a qualm about standing here half naked and letting me.”
“Should I blush and flutter?”
“You’re not the fluttering sort. I like that about you.” Satisified, he capped the tube, then tugged the sweater over her head himself. “But I can’t have such a fine piece of God’s work catching a chill. There you are.” He lifted her hair out of the neck.
“You don’t have a hair dryer.”
“There’s air everywhere in here.”
She laughed and dragged her fingers through her damp curls. “It’ll have to do.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
We end up at an outdoor paintball course in Jersey. A woodsy, rural kind of place that’s probably brimming with mosquitos and Lyme disease. When I find out Logan has never played paintball before, I sign us both up.
There’s really no other option.
And our timing is perfect—they’re just about to start a new battle. The worker gathers all the players in a field and divides us into two teams, handing out thin blue and yellow vests to distinguish friend from foe.
Since Logan and I are the oldest players, we both become the team captains. The wide-eyed little faces of Logan’s squad follow him as he marches back and forth in front of them, lecturing like a hot, modern-day Winston Churchill.
“We’ll fight them from the hills, we’ll fight them in the trees. We’ll hunker down in the river and take them out, sniper-style. Save your ammo—fire only when you see the whites of their eyes. Use your heads.”
I turn to my own ragtag crew.
“Use your hearts. We’ll give them everything we’ve got—leave it all on the field. You know what wins battles? Desire! Guts! Today, we’ll all be frigging Rudy!”
A blond boy whispers to his friend, “Who’s Rudy?”
The kid shrugs.
And another raises his hand. “Can we start now? It’s my birthday and I really want to have cake.”
“It’s my birthday too.” I give him a high-five. “Twinning!”
I raise my gun. “And yes, birthday cake will be our spoils of war! Here’s how it’s gonna go.” I point to the giant on the other side of the field. “You see him, the big guy? We converge on him first. Work together to take him down. Cut off the head,” I slice my finger across my neck like I’m beheading myself, “and the old dog dies.”
A skinny kid in glasses makes a grossed-out face. “Why would you kill a dog? Why would you cut its head off?”
And a little girl in braids squeaks, “Mommy! Mommy, I don’t want to play anymore.”
“No,” I try, “that’s not what I—”
But she’s already running into her mom’s arms. The woman picks her up—glaring at me like I’m a demon—and carries her away.
“Darn.”
Then a soft voice whispers right against my ear.
“They’re already going AWOL on you, lass? You’re fucked.”
I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him.
“Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.”
And then Logan does something that melts my insides and turns my knees to quivery goo.
He laughs.
And it’s beautiful.
It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs?
He’s heart-stopping.
He swaggers confidently back to his side and I sneer at his retreating form. The uniformed paintball worker blows a whistle and explains the rules. We get seven minutes to hide first. I cock my paintball shotgun with one hand—like Charlize Theron in Fury fucking Road—and lead my team into the wilderness.
“Come on, children. Let’s go be heroes.”
It was a massacre.
We never stood a chance.
In the end, we tried to rush them—overpower them—but we just ended up running into a hail of balls, getting our hearts and guts splattered with blue paint.
But we tried—I think Rudy and Charlize would be proud
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
I struggle with an embarrassing affliction, one that as far as I know doesn’t have a website or support group despite its disabling effects on the lives of those of us who’ve somehow contracted it. I can’t remember exactly when I started noticing the symptoms—it’s just one of those things you learn to live with, I guess. You make adjustments. You hope people don’t notice. The irony, obviously, is having gone into a line of work in which this particular infirmity is most likely to stand out, like being a gimpy tango instructor or an acrophobic flight attendant. The affliction I’m speaking of is moral relativism, and you can imagine the catastrophic effects on a critic’s career if the thing were left to run its course unfettered or I had to rely on my own inner compass alone. To be honest, calling it moral relativism may dignify it too much; it’s more like moral wishy-washiness. Critics are supposed to have deeply felt moral outrage about things, be ready to pronounce on or condemn other people’s foibles and failures at a moment’s notice whenever an editor emails requesting twelve hundred words by the day after tomorrow. The severity of your condemnation is the measure of your intellectual seriousness (especially when it comes to other people’s literary or aesthetic failures, which, for our best critics, register as nothing short of moral turpitude in itself). That’s how critics make their reputations: having take-no-prisoners convictions and expressing them in brutal mots justes. You’d better be right there with that verdict or you’d better just shut the fuck up. But when it comes to moral turpitude and ethical lapses (which happen to be subjects I’ve written on frequently, perversely drawn to the topics likely to expose me at my most irresolute)—it’s like I’m shooting outrage blanks. There I sit, fingers poised on keyboard, one part of me (the ambitious, careerist part) itching to strike, but in my truest soul limply equivocal, particularly when it comes to the many lapses I suspect I’m capable of committing myself, from bad prose to adultery. Every once in a while I succeed in landing a feeble blow or two, but for the most part it’s the limp equivocator who rules the roost—contextualizing, identifying, dithering. And here’s another confession while I’m at it—wow, it feels good to finally come clean about it all. It’s that … once in a while, when I’m feeling especially jellylike, I’ve found myself loitering on the Internet in hopes of—this is embarrassing—cadging a bit of other people’s moral outrage (not exactly in short supply online) concerning whatever subject I’m supposed to be addressing. Sometimes you just need a little shot in the arm, you know? It’s not like I’d crib anyone’s actual sentences (though frankly I have a tough time getting as worked up about plagiarism as other people seem to get—that’s how deep this horrible affliction runs). No, it’s the tranquillity of their moral authority I’m hoping will rub off on me. I confess to having a bit of an online “thing,” for this reason, about New Republic editor-columnist Leon Wieseltier—as everyone knows, one of our leading critical voices and always in high dudgeon about something or other: never fearing to lambaste anyone no matter how far beneath him in the pecking order, never fearing for a moment, when he calls someone out for being preening or self-congratulatory, as he frequently does, that it might be true of himself as well. When I’m in the depths of soft-heartedness, a little dose of Leon is all I need to feel like clambering back on the horse of critical judgment and denouncing someone for something.
”
”
Laura Kipnis (Men: Notes from an Ongoing Investigation)
“
The journey up to battle camp started badly.
“If you can’t even load a bloody truck with all your kit properly, then you’ve got no bloody chance of passing what’s ahead of you, I can assure you of that!” Taff, our squadron DS, barked at us in the barracks before leaving.
I, for one, was more on edge than I had ever felt so far on Selection.
I was carsick on the journey north, and I hadn’t felt that since I’d been a kid heading back to school. It was nerves.
We also quizzed Taff for advice on what to expect and how to survive the “capture-initiation” phase.
His advice to Trucker and me was simple: “You two toffs just keep your mouths shut--23 DS tend to hate recruits who’ve been to private school.”
The 23 SAS were running the battle camp (it generally alternated between 21 and 23 SAS), and 23 were always regarded as tough, straight-talking, hard-drinking, fit-as-hell soldiers. We had last been with them at Test Week all those months earlier, and rumor was that “the 23 DS are going to make sure that any 21 recruits get it the worst.”
Trucker and I hoped simply to try and stay “gray men” and not be noticed. To put our heads down and get on and quietly do the work.
This didn’t exactly go according to plan.
“Where are the lads who speak like Prince Charles?” The 23 DS shouted on the first parade when we arrived.
“Would you both like newspapers with your morning tea, gents?” the DS sarcastically enquired.
Part of me was tempted to answer how nice that would be, but I resisted.
The DS continued: “I’ve got my eye on you two. Do I want to have to put my life one day in your posh, soft hands? Like fuck I do. If you are going to pass this course you are going to have to earn it and prove yourself the hard way. You both better be damned good.”
Oh, great, I thought.
I could tell the next fortnight was going to be a ball-buster.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Cutting Board Maintenance
Moisturize! Once a month I spend some quality time, just me and my cutting board family. Wood is porous and kind of alive—it expands and contracts, absorbs moisture and dries out. Without any TLC even the best wooden cutting board can crack, warp, or even rot from the inside. Luckily, all you need to prevent all of that is monthly moisturization.
1. Start with a clean and dry board: Using a soft dish sponge, scrub clean with dish soap. Remove any tough stains with a mixture of baking soda and water. Never use any harsh abrasives like bleach or steel wool. Rinse and then dry the board with a towel and leave it standing on its edge to fully dry. (If you can, it’s best to store your board standing on its edge when not in use so moisture doesn’t fester underneath.) When washing your board, be sure to wet both sides. This ensures that both sides are equally moist and dry at the same rate to prevent warping.
2. Apply a generous layer of food-grade mineral oil: Lay the board flat so excess oil doesn’t run off, and use your hands to spread a thick layer of mineral oil all over one side, rubbing into the edges and any grooves. Why mineral oil? Unlike most other oils, such as canola, olive, or coconut, mineral oil is totally flavorless and won’t grow rancid
3. Give it time to soak in: Let it sit for a few hours and preferably overnight to drink in as much oil as possible.
4. Buff and repeat: Use a towel to rub away any excess oil the board didn’t soak up. Next, buff the board, rubbing in any last remnants of oil. It should not feel slick or greasy when you’re done. Flip and repeat on the other side.
• Level up: To give your board an almost velvety feel, after oiling both sides, rub them down with board cream. Board cream is a mixture of food-grade mineral oil and beeswax that you can purchase or make yourself. Using a towel, rub a thin, even layer all over the board. No need to wipe it off after.
”
”
Sohla El-Waylly (Start Here: Instructions for Becoming a Better Cook)
“
Lemon Barley Chicken Soup: The first thing you have to do is make chicken broth. Over here in France, I can’t seem to find acceptable packaged chicken broth, so I make it from scratch; it’s really not tricky. Remove the skin from four or five chicken thighs. Put them in a big pot, along with a cut-up onion, a carrot or two, some celery, salt and pepper, and lots of water. Cook this mélange very, very slowly (bubbles just rising) for a few hours (at least three). When you’ve got the broth under way, cook the barley: take 1 cup of barley and simmer it slowly in 4 to 5 cups of water. When it’s soft, drain the barley, but reserve any remaining barley water so you can add it to the broth. When the broth is ready, skim off the froth. Then remove the chicken thighs and when they’re cool enough, strip the meat off the bones, saving it for the soup. Strain the broth and put it to the side. Now that you’ve got chicken broth, it’s time for the soup itself—the rest is even easier. Cut up some leeks, if you have them, though an onion works just fine, too. If you’ve got leeks, put some butter in your (now emptied) stockpot over low heat; use olive oil instead if you have onions. While the leeks/onions are softening, finely mince a knob of ginger and 2 or 3 garlic cloves. If you can get some, you can also crush some lemongrass and put it in at this point. I never seem to cook it right (it always stays tough), but it adds great flavor. Dump all that in with the softened leeks/onions. Cook until you can smell it, but take care to avoid browning. Then add the cut-up chicken and the barley, and pour in the broth. Simmer it over low heat for about half an hour. Add salt to taste. To get a great lemon kick, squeeze 2 lemons and beat the juice well with 2 egg yolks. With the pot removed from the heat source, briskly whisk this mixture into the soup, being careful that the eggs don’t separate and curdle. Then return the pot to the heat and stir vigorously for a bit, until the eggs are cooked. This soup is excellent for sick people (ginger, hot lemon, and chicken; need I say more?) and a tonic for sad people (total comfort). And it’s even better the next day.
”
”
Eloisa James (Paris In Love)
“
Wrath…”
“What,” he murmured against her, working her with his nose. “You don’t like?”
“Shut up and get back to doing—”
His tongue slipping under the panties cut her off…and made him have to slow himself down.
She was so slick and wet and soft and willing, it was all he could do to keep himself from hauling her on the rug and going at her deep and hard. And then they’d both miss out on the fun of anticipation.
Moving the cotton aside with his hand, he kissed her pink flesh, then delved in. She was oh, so ready for him, and he knew it because of the honey that he swallowed as he dragged upward in a long, slow lick.
But it wasn’t enough, and holding the panties to the side was distracting. With his fang, he punctured them, then split them apart right up the middle, leaving the two halves to hang off her hips. His palms went up to her ass and squeezed hard as he quit fooling around and got busy working out his female with his mouth. He knew exactly what she liked best, the sucking and the licking and the going in with his tongue.
Closing his eyes, he took it all in, the scent and the taste and the feel of her shuddering against him as she peaked and came apart.
Behind the fly of his leathers, his cock was screaming for attention, the rasp of the buttons not nearly sufficient to satisfy what it was demanding, but tough shit.
His erection was going to have to chill for a while, because this was too sweet to stop anytime soon.
When Beth’s knees wobbled, he took her down to the floor and stretched one of her legs up, keeping to his pace while shoving her fleece to her neck and putting his hand under her bra.
As she orgasmed again, she grabbed onto one of the desk legs, pulling hard and bracing her free foot into the rug.
His pursuit pushed them both farther and farther beneath where he discharged his kingly duties until he had to crouch down to fit his shoulders.
Eventually her head was out the other side and she was gripping the pansy-ass chair he sat in and dragging it with her.
As she cried out his name once more, he prowled up her body and glared at the stupid, nancy chair. “I need something heavier to sit in.”
Last coherent thing he said.
His body found the entrance to hers with an ease that spoke of all the practice they’d had and…Oh, yeah, still as good as the first time.
Wrapping his arms around her, he rode her hard, and she was right there with him as the storm rolling through his body gathered in his balls until they stung.
Together, he and his shellan moved as one, giving, receiving, going faster and faster until he came and kept going and came again and kept going until something hit his face.
In full animal mode, he growled and swiped at it with his fangs.
It was the drapes.
He’d managed to fuck them out from under the desk, past the chair, and over to the wall.
Beth burst out laughing and so did he, and then they were cradling each other.
”
”
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
“
I worry about you too,” I said softly as I caressed her head resting against my chest. “You look tired.”
Lark didn’t speak for a minute. When she finally looked at me, I saw a lot of different emotions swirling in those bright green eyes. “I feel like shit. I’m tired and dizzy. I can’t eat ninety percent of the food I used to eat. I feel awful, but I’m afraid to complain.”
“Why?”
“Maddy just had her baby and she was so tough about the whole thing. I’m surprised she didn’t give birth in the middle of the grocery store then go back to picking up things for dinner. Next to her, I’m a weakling. Also, Farah is going to be all brave and awesome too. I don’t want to be the whiner.”
“First of all, Maddy’s got that natural breeder look about her. Some chicks are like that and you can’t let the exception be your rule. Besides, you’re having twins. You have more baby cooking to do than she did, so screw comparisons.”
“I just don’t want people to think less of me.”
“By people, do you mean Aaron?”
“We barely met and got married and now I’m getting fat and I’m tired all the time. I don’t want him to lose interest.”
“Oh, Lark, you’re so fucking stupid sometimes.”
“Yeah, I know,” she said, grinning. “We have that in common.”
“So true.”
“Mom said that I’m like her and she had a guy like Aaron and she suffocated him and he ditched her. I know Mom sucks, but what if she’s right and I wear down Aaron and he stops loving me?”
“Any man who would want Mom must be shit. Aaron isn’t shit.”
“I know, but I get scared of messing up everything I have.”
Kissing her forehead, I stood up and walked to the bedroom door. “Hey, Mister Clean, get over here.”
Laughing, Lark followed me into the hallway where Aaron appeared, clearly loving his new nickname.
“Listen up, Yul Brynner,” I said, sending Lark into giggles. “My sister is cooking up two kids that you stuck inside her. She needs more damn love than you’re giving. If you don’t do a better job of babying her, I’m going to have to replace you. Hmm, I just saw this guy Jake that I knew from high school. He’s ripped and works at the gym. The gym, Aaron.”
My brother-in-law stared unaffected until I finished then he gazed down at his wife. Lark must have known what was coming because she started giggling.
“My sweet muse,” he murmured and she laughed harder, “do you need more love than I’m giving?”
Aaron swept Lark into his arms and cradled her like a kid. “Poor thing. I’ll just need to pay more attention.”
As he kissed all over her, Lark stopped giggling and began moaning affirmations.
“Good thing you obeyed because I think Jake might be gay.”
After giving me a wink, Aaron gestured for me to go away. I was the one to obey this time. Leaving them to cuddle and more in the bedroom, I watched television and finished the popcorn. Professor joined me, but Pollack was wary. I think it was because I was always barking at her. In my defense, she started it.
”
”
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))
“
Christopher entered the room, having to bend his head to pass through the small medieval doorway. Straightening, he surveyed their surroundings briefly before his piercing gaze found Beatrix. He stared at her with the barely suppressed wrath of a man to whom entirely too much had happened.
Beatrix wished she were a swooning sort of female. It seemed the only appropriate response to the situation.
Unfortunately, no matter how she tried to summon a swoon, her mind remained intractably conscious.
“I’m so sorry,” she croaked.
No reply.
Christopher approached her slowly, as if he thought she might try to bolt again. Reaching her, he took her upper arms in a hard grip that allowed no chance of escape. “Tell me why you did it,” he said, his voice low and vibrant with…hatred? Fury? “No, damn you, don’t cry. Was it a game? Was it only to help Prudence?”
Beatrix looked away with a wretched sob. “No, it wasn’t a game…Pru showed me your letter, and she said she wasn’t going to answer it. And I had to. I felt as if it had been written for me. It was only supposed to be once. But then you wrote back, and I let myself answer just once more…and then one more time, and another…”
“How much of it was the truth?”
“All of it,” Beatrix burst out. “Except for signing Pru’s name. The rest of it was real. If you believe nothing else, please believe that.”
Christopher was quiet for a long moment. He had begun to breathe heavily. “Why did you stop?”
She sensed how difficult it was for him to ask. But God help her, it was infinitely worse to have to answer.
“Because it hurt too much. The words meant too much.” She forced herself to go on, even though she was crying. “I fell in love with you, and I knew I could never have you. I couldn’t pretend to be Pru any longer. I loved you so much, and I couldn’t--”
Her words were abruptly smothered.
He was kissing her, she realized dazedly. What did it mean? What did he want? What…but her thoughts dissolved, and she stopped trying to make sense of anything.
His arms had closed around her, one hand gripping the back of her neck. Shaken to her soul, she molded against him. Taking her sobs into his mouth, he licked deep, his kiss strong and savage. It had to be a dream, and yet her senses insisted it was real, the scent and warmth and toughness of him engulfing her. He pulled her even more tightly against him, making it difficult to breathe. She didn’t care. The pleasure of the kiss suffused her, drugged her, and when he pulled his head back, she protested with a bewildered moan.
Christopher forced her to look back at him. “Loved?” he asked hoarsely. “Past tense?”
“Present tense,” she managed to say.
“You told me to find you.”
“I didn’t mean to send you that note.”
“But you did. You wanted me.”
“Yes.” More tears escaped her stinging eyes. He bent and pressed his mouth to them, tasting the salt of grief.
Those gray eyes looked into hers, no longer bright as hellfrost, but soft as smoke. “I love you, Beatrix.”
Maybe she was capable of swooning after all.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Perhaps I ought to stuff up these sleeping things and go to bed. But I’m still too wide awake I’d only writhe about. If I had got him on the phone if we’d talked pleasantly I should have calmed down. He doesn’t give a fuck. Here I am torn to pieces by heartbreaking memories I call him and he doesn’t answer. Don’t bawl him out don’t begin by bawling him out that would muck up everything. I dread tomorrow. I shall have to be ready before four o’clock I shan’t have had a wink of sleep I’ll go out and buy petits fours that Francis will tread into the carpet he’ll break one of my little ornaments he’s not been properly brought up that child as clumsy as his father who’ll drop ash all over the place and if I say anything at all Tristan will blow right up he never let me keep my house as it ought to be yet after all it’s enormously important. Just now it’s perfect the drawing room polished shining like the moon used to be. By seven tomorrow evening it’ll be utterly filthy I’ll have to spring-clean it even though I’ll be all washed out. Explaining everything to him from a to z will wash me right out. He’s tough. What a clot I was to drop Florent for him! Florent and I we understood one another he coughed up I lay on my back it was cleaner than those capers where you hand out tender words to one another. I’m too softhearted I thought it was a terrific proof of love when he offered to marry me and there was Sylvie the ungrateful little thing I wanted her to have a real home and a mother no one could say a thing against a married woman a banker’s wife. For my part it gave me a pain in the ass to play the lady to be friends with crashing bores. Not so surprising that I burst out now and then. “You’re setting about it the wrong way with Tristan” Dédé used to tell me. Then later on “I told you so!” It’s true I’m headstrong I take the bit between my teeth I don’t calculate. Maybe I should have learned to compromise if it hadn’t been for all those disappointments. Tristan made me utterly sick I let him know it. People can’t bear being told what you really think of them. They want you to believe their fine words or at least to pretend to. As for me I’m clear-sighted I’m frank I tear masks off. The dear kind lady simpering “So we love our little brother do we?” and my collected little voice: “I hate him.” I’m still that proper little woman who says what she thinks and doesn’t cheat. It made my guts grind to hear him holding forth and all those bloody fools on their knees before him. I came clumping along in my big boots I cut their fine words down to size for them—progress prosperity the future of mankind happiness peace aid for the underdeveloped countries peace upon earth. I’m not a racist but don’t give a fuck for Algerians Jews Negroes in just the same way I don’t give a fuck for Chinks Russians Yanks Frenchmen. I don’t give a fuck for humanity what has it ever done for me I ask you. If they are such bleeding fools as to murder one another bomb one another plaster one another with napalm wipe one another out I’m not going to weep my eyes out. A million children have been massacred so what? Children are never anything but the seed of bastards it unclutters the planet a little they all admit it’s overpopulated don’t they? If I were the earth it would disgust me, all this vermin on my back, I’d shake it off. I’m quite willing to die if they all die too. I’m not going to go all soft-centered about kids that mean nothing to me. My own daughter’s dead and they’ve stolen my son from me.
”
”
Simone de Beauvoir (The Woman Destroyed)