Herbert Moon Quotes

We've searched our database for all the quotes and captions related to Herbert Moon. Here they are! All 32 of them:

Everything had life to me,’ he heard Enkidu murmur, ‘the sky, the storm, the earth, water, wandering, the moon and its three children, salt, even my hand had life. It’s gone. It’s gone.
Herbert Mason (The Epic of Gilgamesh)
Full moon calls thee-- Shai-hulud shall thou see; Red the night, dusky sky, Bloody death didst thou die. We pray to a moon: she is round-- Luck with us will then abound, What we seek for shall be found In the land of solid ground.
Frank Herbert (Dune (Dune, #1))
forgive me also that I didn't fight like Lord Byron for the happiness of captive peoples that I watched only risings of the moon and museums
Zbigniew Herbert (Report from the Besieged City and Other Poems)
He recalled another thing the old woman had said about a world being the sum of many things – the people, the dirt, the growing things, the moons, the tides, the suns – the unknown sum called nature, a vague summation without any sense of the now. And he wondered: What is the now?
Frank Herbert (Dune)
So it went on continually, the recurrence of love and conflict between them. One day it seemed as if everything was shattered, all life spoiled, ruined, desolate and laid waste. The next day it was all marvellous again, just marvellous. One day she thought she would go mad from his very presence, the sound of his drinking was detestable to her. The next day she loved and rejoiced in the way he crossed the floor, he was sun, moon and stars in one.
D.H. Lawrence (The Rainbow: Annotated)
We pray to a moon: she is round— Luck with us will then abound, What we seek for shall be found In the land of solid ground.
Frank Herbert (Dune (Dune, #1))
When you live upon Arrakis,” she had said, “khala, the land is empty. The moons will be your friends, the sun your enemy.
Frank Herbert (Dune (Dune, #1))
Each in His Own Tongue A fire mist and a planet, A crystal and a cell, A jellyfish and a saurian, And caves where the cave men dwell; Then a sense of law and beauty, And a face turned from the clod — Some call it Evolution, And others call it God. A haze on the far horizon, The infinite, tender sky, The ripe, rich tint of the cornfields, And the wild geese sailing high; And all over upland and lowland The charm of the goldenrod — Some of us call it Autumn, And others call it God. Like tides on a crescent sea beach, When the moon is new and thin, Into our hearts high yearnings Come welling and surging in; Come from the mystic ocean, Whose rim no foot has trod — Some of us call it Longing, And others call it God. A picket frozen on duty, A mother starved for her brood, Socrates drinking the hemlock, And Jesus on the rood; And millions who, humble and nameless, The straight, hard pathway plod — Some call it Consecration, And others call it God.
William Herbert Carruth
predawn hush had come over the desert basin. He looked up. Straight overhead, the stars were a sequin shawl flung over blue-black. Low on the southern horizon, the night’s second moon peered through a thin dust haze—an unbelieving moon that looked at him with a cynical light.
Frank Herbert (Dune (Dune, #1))
He recalled another thing the old woman had said about a world being the sum of many things—the people, the dirt, the growing things, the moons, the tides, the suns—the unknown sum called nature, a vague summation without any sense of the now. And he wondered: What is the now?
Frank Herbert (Dune (Dune, #1))
THE DUKE Leto Atreides leaned against a parapet of the landing control tower outside Arrakeen. The night’s first moon, an oblate silver coin, hung well above the southern horizon. Beneath it, the jagged cliffs of the Shield Wall shone like parched icing through a dust haze. To his left, the lights of Arrakeen glowed in the haze—yellow . . . white . . . blue.
Frank Herbert (Dune (Dune Chronicles, #1))
Paul had been caught more by her tone—singsong and wavering—than by her words. “When you live upon Arrakis,” she had said, “khala, the land is empty. The moons will be your friends, the sun your enemy.” Paul had sensed his mother come up beside him away from her post guarding the door. She had looked at the Reverend Mother and asked: “Do you see no hope, Your Reverence?” “Not for the father.
Frank Herbert (Dune (Dune, #1))
Muad’dib’s Jihad was less than an eye-blink in this larger movement. The Bene Gesserit swimming in this tide, that corporate entity trading in genes, was trapped in the torrent as he was. Visions of a falling moon must be measured against other legends, other visions in a universe where even the seemingly eternal stars waned, flickered, died . . . What mattered a single moon in such a universe? Far
Frank Herbert (Dune Messiah (Dune, #2))
Paul sat down where Hawat had been, straightened the papers. One more day here, he thought. He looked around the room. We’re leaving. The idea of departure was suddenly more real to him than it had ever been before. He recalled another thing the old woman had said about a world being the sum of many things—the people, the dirt, the growing things, the moons, the tides, the suns—the unknown sum called nature, a vague summation without any sense of the now. And he wondered: What is the now?
Frank Herbert (Dune (Dune, #1))
This is likely one of the roots of Fremen emphasis on superstition (disregarding the Missionaria Protectiva’s ministrations). What matter that whistling sands are an omen? What matter that you must make the sign of the fist when first you see First Moon? A man’s flesh is his own and his water belongs to the tribe—and the mystery of life isn’t a problem to solve but a reality to experience. Omens help you remember this. And because you are here, because you have the religion, victory cannot evade you in the end.
Frank Herbert (Dune (Dune, #1))
Hoover wanted the new investigation to be a showcase for his bureau, which he had continued to restructure. To counter the sordid image created by Burns and the old school of venal detectives, Hoover adopted the approach of Progressive thinkers who advocated for ruthlessly efficient systems of management. These systems were modeled on the theories of Frederick Winslow Taylor, an industrial engineer, who argued that companies should be run “scientifically,” with each worker’s task minutely analyzed and quantified. Applying these methods to government, Progressives sought to end the tradition of crooked party bosses packing government agencies, including law enforcement, with patrons and hacks. Instead, a new class of technocratic civil servants would manage burgeoning bureaucracies, in the manner of Herbert Hoover—“ the Great Engineer”—who had become a hero for administering humanitarian relief efforts so expeditiously during World War I. As the historian Richard Gid Powers has noted, J. Edgar Hoover found in Progressivism an approach that reflected his own obsession with organization and social control. What’s more, here was a way for Hoover, a deskbound functionary, to cast himself as a dashing figure—a crusader for the modern scientific age. The fact that he didn’t fire a gun only burnished his image. Reporters noted that the “days of ‘old sleuth’ are over” and that Hoover had “scrapped the old ‘gum shoe, dark lantern and false moustache’ traditions of the Bureau of Investigation and substituted business methods of procedure.” One article said, “He plays golf. Whoever could picture Old Sleuth doing that?
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
The moons will be your friends, the sun your enemy.
Frank Herbert (Dune (Dune, #1))
A predawn hush had come over the desert basin. He looked up. Straight overhead, the stars were a sequin shawl flung over blue-black. Low on the southern horizon, the night's second moon peered through a thin dust haze--an unbelieving moon that looked at him with a cynical light.
Frank Herbert (Dune (Dune, #1))
My Fremen call themselves “Children of the Moon,” he thought.
Frank Herbert (Dune Messiah (Dune #2))
Crystal teeth flashed in the dim light. He saw the yawning mouth-cavern with, far back, the ambient movement of dim flame. The overpowering redolence of the spice swept over him. But the worm had stopped. It remained in front of him as First Moon lifted over the butte. The light reflected off the worm's teeth outlining the faery glow of chemical fires deep within the creature.
Frank Herbert (Children of Dune (Dune #3))
A haze on the far horizon, The infinite, tender sky, The ripe, rich tint of the cornfields, And the wild geese sailing high; And all over upland and lowland The charm of the goldenrod. Some of us call it Autumn, And others call it God. Like tides on a crescent sea beach, When the moon is new and thin, Into our hearts high yearnings Come welling and surging in; Come from the mystic ocean, Whose rim no foot has trod. Some of us call it Longing, And others call it God
William Herbert Carruth (Each in his own tongue: and other poems,)
A haze on the far horizon, The infinite, tender sky, The ripe, rich tint of the cornfields, And the wild geese sailing high; And all over upland and lowland The charm of the goldenrod. Some of us call it Autumn, And others call it God. Like tides on a crescent sea beach, When the moon is new and thin, Into our hearts high yearnings Come welling and surging in; Come from the mystic ocean, Whose rim no foot has trod. Some of us call it Longing, And others call it God.
William Herbert Carruth (Each in his own tongue: and other poems,)
He recalled another thing the old woman had said about a world being the sum of many things- the people, the dirt, the growing things, the moons, the tides, the suns- the unknown sum called nature, a vague summation without any sense of the now. And he wondered: What is the now?
Frank Herbert (Dune (Dune, #1))
world being the sum of many things—the people, the dirt, the growing things, the moons, the tides, the suns—the unknown sum called nature, a vague summation without any sense of the now. And he wondered: What is the now?
Frank Herbert (Dune (Dune, #1))
What mattered a single moon in such a universe?
Frank Herbert (Dune Messiah (Dune #2))
MUAD'DIB: the adapted kangaroo mouse of Arrakis, a creature associated in the Fremen earth-spirit mythology with a design visible on the planet's second moon. This creature is admired by Fremen for its ability to survive in the open desert.
Frank Herbert (Dune (Dune, #1))
the earth is the same everywhere wisdom teaches everywhere the man weeps with white tears mothers rock their children the moon rises and builds a white house for us
Zbigniew Herbert (Elegy for the Departure and Other Poems)
Such was not my suggestion,” he said. She heard the steel in his voice, the sense of command, and stared across the gray darkness of the stilltent at him. Paul was a silhouette against moon-frosted rocks seen through the tent’s transparent end.
Frank Herbert (Dune (Dune, #1))
So it went on continually, the recurrence of love and conflict between them. One day it seemed as if everything was shattered, all life spoiled, ruined, desolate and laid waste. The next day it was all marvellous again, just marvellous. One day she thought she would go mad from his very presence, the sound of his drinking was detestable to her. The next day she loved and rejoiced in the way he crossed the floor, he was sun, moon and stars in one.
David Herbert Lawrence
A shower of sweet odors from a garden roof nibbled at his senses, but no floral perfume could roll back that fallen moon.
Frank Herbert (Dune Messiah (Dune, #2))
Crystal teeth flashed in the dim light. He saw the yawning mouth-cavern with, far back, the ambient movement of dim flame. The overpowering redolence of the spice swept over him. But the worm had stopped. It remained in front of him as First Moon lifted over the butte. The light reflected off the worm’s teeth outlining the faery glow of chemical fires deep within the creature.
Frank Herbert (Children Of Dune)
Under autumn’s moon-blood red Beneath a foam-tipped wave The unseen mermaid spies the dead Sink to a watery grave.
Debbie Herbert (Siren's Secret (Dark Seas #1))