Torture Girl Quotes

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In the end, the tortures tearing the Lisbon girls pointed to a simple reasoned refusal to accept the world as it was handed down to them, so full of flaws.
Jeffrey Eugenides (The Virgin Suicides)
You, have this whole tall, dark stranger thing going on. Not to mention the tortured artist bit. And you, have that whole blonde cool and collected perfect smart thing going on. You're the boy all the girls want to rebel with. You, are the unattainable girl in homeroom who never gives a guy the time of day.
Sarah Dessen (The Truth About Forever)
Mr. Solomon was right the worst kind of torture is watching someone you love get hurt.
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
What girls do to each other is beyond description. No Chinese torture comes close.
Tori Amos (Tori Amos: Piece by Piece)
They had killed themselves over our dying forests, over manatees maimed by propellers as they surfaced to drink from garden hoses; they had killed themselves at the sight of used tires stacked higher than the pyramids; they had killed themselves over the failure to find a love none of us could ever be. In the end, the tortures tearing the Lisbon girls pointed to a simple reasoned refusal to accept the world as it was handed down to them, so full of flaws.
Jeffrey Eugenides (The Virgin Suicides)
Nothing says you care for me better than offering to torture my enemies." He grinned. "No sense doing things halfhearted. And to think, some girls have to endure listening to poetry.
Maria V. Snyder (Outside In (Insider, #2))
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
Will you listen to me just this once?” he nearly yelled. “I . . . I like you, Maddy. I mean, more than just as a friend. Are you so stubborn you can’t see that? Maybe last night meant nothing to you, but it meant something to me.” His eyes were vulnerable, almost tortured. “Did you ever even consider that I might love you, you stubborn, impossible girl?
Scott Speer (Immortal City (Immortal City, #1))
Her absence had felt like torture--almost a form of personal punishment. He had nobody to discuss his feelings with, and for the first time he realised with appalling clarity what a destructive hold she had over him.
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
When I find the motherfucker who tortured an innocent cat to death just to send us a warning, I'm going to clobber him with a baseball bat
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
Stop it!’ The girl jumped out of her chair, ‘Stop torturing me! Stop pretending you didn’t know each other, you planned all this, and then you waited for a wet day and then he was going to come in and then there is this story, and then he’d send the photos off, stop it! Leave me alone!’ She rushed to the door and tore it open and vanished down the hotel stairs.
Elizabeth Tebby Germaine (A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness)
This girl who equally drove me crazy and made me care about her more than I should. She was the only one who understood. The only one who could help make what I was more bearable, even if she occasionally tortured me in the process.
Stacey Kade (Queen of the Dead (The Ghost and the Goth, #2))
That is the idea -- that we should all be wicked if we did not hold to the Christian religion. It seems to me that the people who have held to it have been for the most part extremely wicked. You find this curious fact, that the more intense has been the religion of any period and the more profound has been the dogmatic belief, the greater has been the cruelty and the worse has been the state of affairs. In the so-called ages of faith, when men really did believe the Christian religion in all its completeness, there was the Inquisition, with all its tortures; there were millions of unfortunate women burned as witches; and there was every kind of cruelty practiced upon all sorts of people in the name of religion. You find as you look around the world that every single bit of progress in humane feeling, every improvement in the criminal law, every step toward the diminution of war, every step toward better treatment of the colored races, or every mitigation of slavery, every moral progress that there has been in the world, has been consistently opposed by the organized churches of the world. I say quite deliberately that the Christian religion, as organized in its churches, has been and still is the principal enemy of moral progress in the world. You may think that I am going too far when I say that that is still so. I do not think that I am. Take one fact. You will bear with me if I mention it. It is not a pleasant fact, but the churches compel one to mention facts that are not pleasant. Supposing that in this world that we live in today an inexperienced girl is married to a syphilitic man; in that case the Catholic Church says, 'This is an indissoluble sacrament. You must endure celibacy or stay together. And if you stay together, you must not use birth control to prevent the birth of syphilitic children.' Nobody whose natural sympathies have not been warped by dogma, or whose moral nature was not absolutely dead to all sense of suffering, could maintain that it is right and proper that that state of things should continue. That is only an example. There are a great many ways in which, at the present moment, the church, by its insistence upon what it chooses to call morality, inflicts upon all sorts of people undeserved and unnecessary suffering. And of course, as we know, it is in its major part an opponent still of progress and improvement in all the ways that diminish suffering in the world, because it has chosen to label as morality a certain narrow set of rules of conduct which have nothing to do with human happiness; and when you say that this or that ought to be done because it would make for human happiness, they think that has nothing to do with the matter at all. 'What has human happiness to do with morals? The object of morals is not to make people happy.
Bertrand Russell (Why I Am Not a Christian and Other Essays on Religion and Related Subjects)
the warmth in my mouth. that rush through my veins making my heartache my pulse quicken my head- just a bit dizzy. my legs- just a bit numb. my tongue years for more more of you right now. now. i can't wait anymore. this is torture. seriously. i'm in hell. waiting for you. i just want to shout to this giant crowd of people "how hard is it to make a latte, fuckers?" i love you, coffee.
Pamela Ribon (Why Girls Are Weird)
What girl doesn't love the tortured bad boy? I think when it comes to bad boys, girls/women have this desire to step forward and try to rescue that sort of individual. It is very appealing to the nurturer inside us I think." - author Lacey Weatherford during an interview on whether she was a bad boy kinda girl
Lacey Weatherford
I used to wonder how two people—one broken girl, and one broken boy—could ever move on from their dark and tortured pasts. But now I know. Together, that’s how. They fight their way through… together.
Tillie Cole (Souls Unfractured (Hades Hangmen, #3))
So, apart from casting runes, what other hobbies do you have? Forbidden rituals, human sacrifices, torturing? –
Simona Panova (Nightmarish Sacrifice (Cardew))
I just shook my head, knowing this was him evading the question. You," I said, "have this whole tall, dark stranger thing going on. Not to mention the tortured artist bit." Bit?" You know what I mean." He shook his head, clearly discounting this description. And you," he said, "have that whole blonde, cool and collected, perfect smart girl thing going on." You're the boy all the girls want to rebel with," I said. You," he replied, "are the unattainable girl in homeroom who never gives a guy the time of day.
Sarah Dessen (The Truth About Forever)
A depressed person is selfish because her self, the very core of who she is, will not leave her alone, and she can no more stop thinking about this self and how to escape it than a prisoner held captive by a sadistic serial killer can forget about the person who comes in to torture her everyday. Her body is brutalized by her mind.
Stacy Pershall (Loud in the House of Myself: Memoir of a Strange Girl)
I've been wanting to do that for a very long time," I growled Victor smiled through the pain and the blood. "Of course you have. I used to think Belikov was the savage one, but it's really you, isn't it? You're the animal with no control, no higher reasoning except to fight and kill." I clenched his shirt and leaned him over him. "Me? I'm not the one who tortured Lissa for my own benefit. I'm not the one who turned my daughter Strigoi. And I'm sure as hell not the one who used compulsion to kidnap a fifteen-year-old girl!
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Now, for the first time, I wonder if this is how my mother felt. If cancer was her prison; the chemo treatments, torture. I understand it. I would rather die.
Abigail Haas (Dangerous Girls)
Love is a strawberry blonde liar, tease-baby, princess-girl torture.
Mary Elizabeth (Innocents (Dusty, #1))
Or take this girl, for example. At a meeting just outside Paris, a fifteen-year-old girl came up to me and said that she'd been to see [The Double Life of] Véronique. She'd gone once, twice, three times and only wanted to say one thing really - that she realized that there is such a thing as a soul. She hadn't known before, but now she knew that the soul does exist. There's something very beautiful in that. It was worth making Véronique for that girl. It was worth working for a year, sacrificing all that money, energy, time, patience, torturing yourself, killing yourself, taking thousands of decisions, so that one young girl in Paris should realize that there is such a thing as a soul. It's worth it.
Krzysztof Kieślowski (Kieslowski on Kieslowski)
For the first time, she recognized the symptoms of infatuation which she had felt incipiently as a child, as a girl in her early teens, and later as a young woman. The recognition did not lessen the reality, the poignancy of the revelation by any suggestion or promise of instability. The past was nothing to her; offered no lesson which she was willing to heed. The future was a mystery which she never attempted to penetrate. The present alone was significant; was hers, to torture her as it was doing then with the biting conviction that she had lost that which she had held, she had been denied that which her impassioned, newly awakened being demanded.
Kate Chopin (The Awakening)
Nobody would commit suicide if the pain of being inside herself, the agony of the sleepless, tortured hours spent watching the world get smaller and uglier, were bearable or could be relieved by other people telling her how they wanted her to feel. A depressed person is selfish because her self, the very core of who she is, will not leave her alone, and she can no more stop thinking about this self and how to escape it than a prisoner held captive by a sadistic serial killer can forget about the person who comes in to torture her everyday. Her body is brutalized by her mind. It hurts to breathe, eat, walk, think. The gross maneuverings of her limbs are so overwhelming, so wearying, that the fine muscle movements or quickness of wit necessary to write, to actually say something, are completely out of the question.
Stacy Pershall (Loud in the House of Myself: Memoir of a Strange Girl)
I know that when I am dying, looking back, it will be women that I regret having argued with, women I sought to impress, to understand, was tortured by. Women I wish to see again, to see them smile and laugh and say, It was all as it should have been.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
The return of the voices would end in a migraine that made my whole body throb. I could do nothing except lie in a blacked-out room waiting for the voices to get infected by the pains in my head and clear off. Knowing I was different with my OCD, anorexia and the voices that no one else seemed to hear made me feel isolated, disconnected. I took everything too seriously. I analysed things to death. I turned every word, and the intonation of every word over in my mind trying to decide exactly what it meant, whether there was a subtext or an implied criticism. I tried to recall the expressions on people’s faces, how those expressions changed, what they meant, whether what they said and the look on their faces matched and were therefore genuine or whether it was a sham, the kind word touched by irony or sarcasm, the smile that means pity. When people looked at me closely could they see the little girl in my head, being abused in those pornographic clips projected behind my eyes? That is what I would often be thinking and such thoughts ate away at the façade of self-confidence I was constantly raising and repairing. (describing dissociative identity disorder/mpd symptoms)
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
Pater noster Our Father who art in heaven Stay there And we'll stay here on earth Which is sometimes so pretty With its mysteries of New York And its mysteries of Paris At least as good as that of the Trinity With its little canal at Ourcq Its great wall of China Its river at Morlaix Its candy canes With its Pacific Ocean And its two basins in the Tuileries With its good children and bad people With all the wonders of the world Which are here Simply on the earth Offered to everyone Strewn about Wondering at the wonder of themselves And daring not avow it As a naked pretty girl dares not show herself With the world's outrageous misfortunes Which are legion With legionaries With torturers With the masters of this world The masters with their priests their traitors and their troops With the seasons With the years With the pretty girls and with the old bastards With the straw of misery rotting in the steel of cannons.
Jacques Prévert
I never heard weeping like that before or after; not from a child, nor a man wounded in the palm, nor a tortured man, nor a girl dragged off to slavery from a taken city. If you heard the woman you most hate in the world weep so, you would go to comfort her. You would fight your way through fire and spears to reach her. And I knew who wept, and what had been done to her, and who had done it.
C.S. Lewis
People say you need to be strong, smart, and lucky to survive hard times, war, a natural disaster, or physical torture. But I say emotional abuse—anxiety, fear, guilt, and degradation—is far worse and much harder to survive.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
Real fairy tales are not for the faint hearted. In them, children get eaten by witches and chased by wolves; women fall into comas and are tortured by evil relatives. Somehow, all that pain and suffering is worthwhile, though, when it leads to the ending: happily ever after. Suddenly it no longer matters if you got a B- on your midterm in French or if you're the only girl in the school who doesn't have a date for the spring formal. Happily ever after trumps everything. But what if ever after could change?
Samantha van Leer (Between the Lines (Between the Lines, #1))
I no longer fear the pain...I fear no release from this torture...knowing that I've hurt him and he can't forgive me...that he won't be able to make me his good girl again.
Willow Madison (True Beginnings (True, #2))
I'm not worried about me," I whispered viciously. And as sono as I said it, I knew it was the truth. Apparently, the surefire antidiote for your own fear is concern for someone else. Pritkin looked surprised, the way he always did at the idea that anyone might actually care about him. It made me want to hit him. Of course, right then I wanted to do that anyway. "Nothing is going to happen," he repeated. "But even if it did, you don't need me. You don't need -" "That isn't true!" "Yes, it is." He looked at me and his lips quirked. "You can't fire a gun worth a damn. You hit like a girl. Your knowledge of magic is rudimentary at best. And you act like I'm torturing you if I make you run more than a mile." I blinked at him. "But I've known mages who aren't as resilient, who aren't as brave, who aren't -" he looked away for a moment. And then he looked back at me, green eyes burning. "You're the strongest person I know. And you will be fine.
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
I writhe to free my breast from his greedy mouth, but he ignores my attempts to escape his torture. Aleksey speaks, my breast still in his mouth. “Not a chance. I’ll hear you moan, little girl.
Mya Robarts (The V Girl: A Coming of Age Story)
What girls do to each other is beyond description. No Chinese torture comes close.
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
Yet genius of a sort must have existed among women as it must have existed among the working classes. Now and again an Emily Bronte or a Robert Burns blazes out and proves its presence. But certainly it never got itself on paper. When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet, of some mute and inglorious Jane Austen, some Emily Bronte who dashed her brains out on the moor or mopped and mowed about the highways crazed with the torture that her gift had put her to. […]any woman born with a great gift in the sixteenth century would certainly have gone crazed, shot herself, or ended her days in some lonely cottage outside the village, half witch, half wizard, feared and mocked at. For it needs little skill in psychology to be sure that a highly gifted girl who had tried to use her gift for poetry would have been so thwarted and hindered by other people, so tortured and pulled asunder by her own contrary instincts, that she must have lost her health and sanity to a certainty.
Virginia Woolf (A Room of One’s Own)
The Old Testament is crap. It’s full of misogyny, torture and inconsistencies. Jesus preached about love. All love.
C.J. Tudor (The Burning Girls)
Then what?” Chance yelled at my back. “You gonna finally man up and get your girl?” “Yes, she’s mine to torture,” I yelled back, now sporting a shit-eating grin. “Exclusively.
K.F. Germaine (Devious Minds (Devious Minds, #1))
Donneven," I said, in my best Monica imitation, and he laughed. "We're not talking about me." "We could be," he said, as I watched Bert take note of a group of what looked like ninth graders who had just come into the living room. "I'm not gorgeous," I said. "Sure you are." I just shook my head, knowing this was him evading the question. "You," I said, "have this whole tall, dark stranger thing going on. Not to mention the tortured artist bit." "Bit?" "You know what I mean." He shook his head, clearly discounting this description. "And you," he said, "have that whole blonde, cool and collected, perfect smart girl thing going on." "You're the boy all the girls want to rebel with," I said. "You," he replied, "are the unattainable girl in homeroom who never gives a guy the time of day.
Sarah Dessen (The Truth About Forever)
He opens one bottle and holds it out to me. ‘Drink this one.’ Inside is a milky blue liquid with what looks like thin slivers of glass floating in it. Surely he doesn’t mean for me to drink glass. ‘Am I going to regret consuming its contents?’ ‘No. But I imagine you’ll still call me every expletive you can possibly think of.’ He presses it into my palm. ‘I don’t like the sound of that.’ I sniff the vial and scrunch up my nose at a sharp tang that burns my nostrils. Like something that might come out of my chemistry set. ‘Ugh! What’s in this? It smells vile.’ ‘I knew a human girl once. She was stubborn, like you. Refused to drink the paltry contents of that bottle, like you . . .’ He pauses for dramatic effect. ‘And she died a horrible, painful death – torturous, really – because she wouldn’t take my advice.’ I scrutinise him. ‘There was no girl who died, was there?’ ‘There will be if you don’t drink what’s in that damned bottle.
Elizabeth May (The Falconer (The Falconer, #1))
Sacrifices and resentments leave a woman standing on the edge, but she doesn’t have the nerve to look down or jump. As a woman struggles through the days trying to soothe the hurt, but every time she turns around it spreads like wildfire. She is left alone in the middle of a crisis. As women, we ask ourselves over and over again, how long do I have to wait? When will the torture end?
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
The worst kind of torture is watching someone you love get hurt.
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
Prometheus on the rock. Do you know that story? Every day he's punished for giving mortals fire by being strapped to a rock and having his liver eaten out by an eagle. I always thought it was a poor punishment. That he'd just get used to the pain, and the eagle would have to think of some new torture. But you don't. And he does.
Kendare Blake (Girl of Nightmares (Anna, #2))
Body-waxing as a torture-slash-interrogation tactic is illegal under international law. FALSE. (But if the yells coming from Tina Walters’s bathroom were any indication, it totally should be true.)
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
And so these refined parents rejected their five-year-old girl to all kinds of torture. They beat her, kicked her, flogged her, for no reason that they themselves knew of. The child’s whole body was covered in bruises. Eventually they devised a new refinement. Under the pretext that the child dirtied her bed (as though a five-year-old deep in her angelic sleep could be punished for that), they forced her to eat excrement, smearing it all over her face. And it was the mother that did it! And that woman would lock her daughter up in the outhouse until morning and she did so even on the coldest nights, when it was freezing. Just imagine the woman being able to sleep with the child’s cries coming from that outhouse! Imagine that little creature, unable to even understand what is happening to her, beating her sore little chest with her tiny fist, weeping hot, unresentful, meek tears, and begging ‘gentle Jesus’ to help her… ...let’s assume that you were called upon to build the edifice of human destiny so that men would finally be happy and would find peace and tranquility. If you knew that, only to attain this, you would have to torture just one single creature, let’s say the little girl who beat her chest so desperately in the outhouse, and that on her unavenged tears you could build that edifice, would you agree to do it?
Fyodor Dostoevsky (The Brothers Karamazov)
Stop torturing yourself, her friends said. Stop living in the past. He was gone. Capital G--Gone. He wasn't coming back. She should focus not on the pain, but on the possibility. Something good would come from all this heartache, something always did. Everything, her friends told her, happened for a reason. She should start looking for the silver lining. She thought she might start looking for new friends.
Aryn Kyle (Boys and Girls Like You and Me: Stories)
Fuck you! Someone has tortured and killed one of your girls and you couldn’t give a damn? I thought you were supposed to protect them, to be their guardian. Isn’t that what pimps do?’ Garcia’s face flared red.
Chris Carter (The Crucifix Killer (Robert Hunter, #1))
The only fear a guy felt when he asked out a girl was fear that she might reject him. He didn’t worry that she might gather a few of her friends, surprise him afterward in a dark parking lot on his way home from work, tie him up, torture and beat him, and then leave him to die. He never had to worry that, even if she said yes, they’d have to pretend to only be friends when they were in public, because if they didn’t someone might spit on them or call them names or attack them.
Shaun David Hutchinson (Brave Face: A Memoir)
Most girls I know would consider that wish fullfillment, not torture.” I sat back, shaking my head. “Why does everyone keep saying that? Who says just because I’m a girl I’m hardwired to want to spent a hundred and eighty bucks on jeans?
Sarah Dessen (Lock and Key)
it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven. even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory. and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite. of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.
Annabel Giles (Birthday Girls)
Girls moved around in football huddles, the way they always do, wearing lots of makeup and spaghetti-strap tops and brightly coloured trousers and shoes that looked like torture devices.
Rick Riordan (Percy Jackson and the Titan's Curse (Percy Jackson and the Olympians, #3))
He thought with a kind of astonishment of the biological uselessness of pain and fear, the treachery of the human body which always freezes into inertia at exactly the moment when a special effort is needed. He might have silenced the dark-haired girl if only he had acted quickly enough; but precisely because of the extremity of danger he had lost the power to act. It struck him that in moments of crisis one is never fighting against an external enemy but always against one's own body. Even now, in spite of the gin, the dull ache in his belly made consecutive thought impossible. And it is the same, he percieved, in all seemingly heroic or tragic situatuions. On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralyzed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth.
George Orwell (1984)
...let us recognize that a large fraction of our suffering and that of our fellow human beings is brought about by what we do to one another. It is humankind, not God, that had invented knives, arrows, guns, bombs, and all manner of other instruments of torture used through the ages. The tragedy of the young child killed by a drunk driver, of the innocent young man dying on the battlefield, or of the young girl cut down by a stray bullet in a crime-ridden section of a modern city can hardly be blamed on God. After all, we have somehow been given free will, the ability to do as we please. We use this ability frequently to disobey the Moral Law. And when we do so, we shouldn't then blame God for the consequences.
Francis S. Collins (The Language of God: A Scientist Presents Evidence for Belief)
At my audition, I had one of those anxiety visions where you do something totally crazy in your mind, just to torture yourself with the possibility, just to wonder what would happen if you actually did it.
Rachel DeWoskin (Big Girl Small)
Next to my green eyes, my blond hair is definitely my best feature. So, out of obligation to all the blondes before me (Cinderella, Sleeping Beauty, the many Barbies I have loved and tortured), I tend to spend hours getting it right. You know, so as not to let down the team.
Sarah Strohmeyer (Smart Girls Get What They Want)
I admit that the black man is inferior. But what is it that makes him so? It is the ignorance in which white men compel him to live; it is the torturing whip that lashes manhood out of him; it is the fierce bloodhounds of the South, and the scarcely less cruel human bloodhounds of the north, who enforce the Fugitive Slave Law. They do the work. Southern
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
I try Dr. Pat's breathing exercises but they're not working because my entire mind is focused on keeping myself glued to the couch. I don't want to move any closer to the bathroom just in case. But I hate myself for the thought. I know it's not right or normal. I know I'm not simply some cute quirky girl like Beck says, and every moment I can't get off the couch is a moment that makes me one level crazier. That heavy, pre-crying feeling floods my sinuses and I drop my head from the weight of it. Cover my face with my hands long enough to get out a cry or two. Because there is nothing, nothing worse than not being able to undo the crazy thoughts. I ask them to leave, but they won't. I try to ignore them, but the only thing that works is giving in to them. Torture: knowing something makes no sense, doing it anyway.
Corey Ann Haydu (OCD Love Story)
Thoughts of you runnin’ through my head Heart’s pumpin’ full speed ahead Body’s screaming to get you in bed Need you, want you, baby gotta be mine Come to me girl, I’m done wastin’ time You ask me to wait, don’t know if I can Too scared to lose, I’m only a man But I can’t let you go, can’t shut the door Heart’s telling me you’re worth waiting for The feel of your lips, hot breath on my skin Touching you, touching me, I’d relish the sin Let’s find a way for us both to win Need you, want you, baby gotta be mine Come to me girl, I’m done wastin’ time You ask me to wait, don’t know if I can Too scared to lose, I’m only a man But I can’t let you go, can’t shut the door Heart’s telling me you’re worth waiting for Forever I’ll wait, it’s drivin’ me mad Driven by memories I’ve not yet had Hangin’ on a promise of you and me Hope springs eternal for things that could be You ask me to wait, don’t know if I can Too scared to lose, I’m only a man But I can’t let you go, can’t shut the door Heart’s telling me you’re worth waiting for You ask me to wait, don’t know if I can Too scared to lose, I’m only a man Bring on the torture, forever and more ’Cause girl it’s true, you’re worth waiting for
Kelly Oram (A Is for Abstinence (V Is for Virgin, #2))
how many of those I called Bad Boys and Bad Girls were, in reality, spiritually thirsty and spiritually sick. Perhaps they were the most sensitive, the most easily hurt of all my patients, the most tortured by the human fate of knowing we are going to die.
Victoria Sweet (God's Hotel: A Doctor, a Hospital, and a Pilgrimage to the Heart of Medicine)
What about you and me, Adina?” Duff said, sidling up to her by the railing. “I know I screwed up. But do you think we could start over?” Adina thought about everything that had happened. Part of her wanted to kiss Duff McAvoy, the tortured British trust-fund-runaway-turned-pirate-of-necessity who loved rock ‘n’ roll and mouthy-but-vulnerable bass-playing girls from New Hampshire. But he didn’t exist. Not really. He was a creature of TV and her imagination, a guy she’d invented as much as he’d invented himself. And this was what she suddenly understood about her mother: how with each man, each husband, she was really trying to fill in the sketchy parts of herself and become somebody she could finally love. It was hard to live in the messiness and easier to believe in the dream. And in that moment, Adina knew she was not her mother after all. She would make mistakes, but they wouldn’t be the same mistakes. Starting now. “Sorry,” she said, heading for the bow, where a spot of sun looked inviting. ”Oh, also, about that blog? Just so you know, my dads know a lot of gay lawyers. Bitches will take your ass down if you try to publish that. Peace out.
Libba Bray (Beauty Queens)
Tommy to Zack- "Aw, come on. Just a little slow torture, then? Can't I make him scream like a girl, just once?" "I can make the worm disappear for you," Joaquin offered with a dangerous smile. "Permanently." Zack rolled his eyes. "Ignore Al Capone. Murdering the competition is never a good plan.
Jo Davis (Line of Fire (Firefighters of Station Five, #4))
But with this woman it is as if there is no interior, only a surface across which I hunt back and forth seeking entry. Is this how her torturers felt hunting their secret, whatever they thought it was? For the first time I feel a dry pity for them: how natural a mistake to believe that you can burn or tear or hack your way into the secret body of the other! The girl lies in my bed, but there is no good reason why it should be a bed. I behave in some ways like a lover—I undress her, I bathe her, I stroke her, I sleep beside her—but I might equally well tie her to a chair and beat her, it would be no less intimate.
J.M. Coetzee (Waiting for the Barbarians)
You will never forget what has happened to you. You cannot. And I will never replace your mother. I cannot. But you must believe that this is a beautiful world. People are basically kind and loving. You are going to live a wonderful life. You must take these memories and bury them deep in a corner of your soul. Don't live them on your skin. Tomorrow you will wake up for the first time in your new home, here with us. You will not wake up a tortured little girl. You will wake up a citizen of the world, deserving of a happy and meaningful life.
Diana Nyad (Find a Way)
showed him some of the gruesome crime-scene photos we worked with every day. I let him experience recordings made by killers while they were torturing their victims. I made him listen to one of two teenage girls in Los Angeles being tortured to death in the back of a van by two thrill-seeking killers who had recently been let out of prison. Glenn wept as his listened to the tapes. He said to me, “I had no idea there were people out there who could do anything like this.” An intelligent, compassionate father with two girls of his own, Glenn said that after seeing and hearing what he did in my office, he could no longer oppose the death penalty: “The experience in Quantico changed my mind about that for all time.
John E. Douglas (Mind Hunter: Inside the FBI's Elite Serial Crime Unit (Mindhunter #1))
Real fairy tales are not for the fainthearted. Children get eaten by witches and chased by wolves; women fall into comas and are tortured by evil relatives. Somehow all that pain and suffering is worthwhile, though, when it leads to the ending: happily ever after. Suddenly it no longer matters if you got a B- on your midterm in French or you're the only girl in the school who doesn't have a date for the spring formal. Happily ever after trumps everything. But what if ever after could change?
Jodi Picoult (Between the Lines (Between the Lines, #1))
Sometimes you never feel meaner than the moment you stop being mean. It's like how turning on a light makes you realize how dark the room had gotten. And the way you usually act, the things you would have normally done, are like these ghosts that everyone can see but pretends not to. It was like that when I asked Alice Evans to be my bathroom partner. I wasn't one of the girls who tortured her on purpose, but I had nver lifted a finger to help her before, or even spent one minute being nice to her.
Rebecca Stead
She discovered that underneath the aspect of the Rumpled Porcupine, a tortured Marxist was at war with an impossible, incurable Romantic - who forgot the candles, who broke the wine glasses, who forgot the ring. Who made love to her with a passion that took her breath away. She had always thought of herself as a somewhat uninteresting, thick-waisted, thick ankled girl. Not bad-looking. Not special. But when she was with Chacko, old limits were pushed back. Horizons expanded. She had never before met a man who spoke of the workd - of what it was, and how it came to be, or what he thought would become of it - in the way in which other men she knew discussed their jobs, their friends or their weekends at the beach. Being with Chacko made Margaret Kochamma feel as though her soul had escaped from the narrow confines of her island country, into the vast extravagant spaces of his. He made her feel as though the world belonged to them - as though it lay before thm like an opened frog on a dissecting table, begging to be examined.
Arundhati Roy (The God of Small Things)
People won’t see you as just another woman any more, but as a white woman who hangs with brownies, and you’ll lose a bit of your privilege, you should still check it, though, have you heard the expression, check your privilege, babe? Courtney replied that seeing as Yazz is the daughter of a professor and a very well-known theatre director, she’s hardly underprivileged herself, whereas she, Courtney, comes from a really poor community where it’s normal to be working in a factory at sixteen and have your first child as a single mother at seventeen, and that her father’s farm is effectively owned by the bank Yes but I’m black, Courts, which makes me more oppressed than anyone who isn’t, except Waris who is the most oppressed of all of them (although don’t tell her that) In five categories, black, Muslim, female, poor, hijab bed She’s the only one Yazz can’t tell to check her privilege Courtney replied that Roxane Gay warned against the idea of playing ‘privilege Olympics’ and wrote in Bad Feminist that privilege is relative and contextual, and I agree, Yazz, I mean, where does it all end? Is Obama less privileged than a white hillbilly growing up in a trailer park with a junkie single mother and a jailbird father? Is a severely disabled person more privileged than a Syrian asylum-seeker who’s been tortured? Roxane argues that we have to find a new discourse for discussing inequality Yazz doesn’t know what to say, when did Court read Roxane Gay - who’s amaaaazing? Was this a student outwitting the master moment? #whitegirltrumpsblackgirl
Bernardine Evaristo (Girl, Woman, Other)
Just as sometimes I wondered if Grandpa had ever existed, sometimes I wondered if I truly existed myself. As I was running, I could see myself from outside myself: a skinny girl with the flapping shorts and too- big a T-shirt, always watching the other girls at school, a girl in a pink bedroom sitting with a book propped on her knees, the words she was reading entering her mind, some sticking like gluey never to be forgotten, others disappearing instantly, I could remember everything and remember nothing. I would watch a movie and recall every scene as if I had written the script, then watch another movie another day and be unable to recall it at all.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
Each time Nate saw her, Elisa’s beauty struck him anew, as if in the interval the memory of what she actually looked like had been distorted by the tortured emotions she elicited since they’d broken up: in his mind, she took on the dimensions of an abject creature. What a shock when she opened the door, bursting with vibrant, almost aggressive good health. The power of her beauty, Nate had once decided, came from its ability to constantly reconfigure itself. When he thought he’d accounted for it, filed it away as a dead fact—pretty girl—she turned her head or bit her lip, and like a children’s toy you shake to reset, her prettiness changed shape, its coordinates altered: now it flashed from the elegant contours of her sloping brow and flaring cheekbone, now from her shyly smiling lips.
Adelle Waldman (The Love Affairs of Nathaniel P.)
You think I want to feel this way about you? I hate it, Elias. Watching you flirt with Illustrian girls and sleep with Scholar slaves and find the good in everyone—everyone—but me.' A sob escapes her—the only time I've ever heard her cry. She chokes it back. 'Loving you is the worst thing that has ever happened to me—worse than the Commandant's whippings, worse than the Trials. It's torture, Elias.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
The times, the seasons, the signs may have been mythical; but the sufferings were not. I lay in the dark with the breathing of men around me and knew that then, at that selfsame moment, where dawn groped across the sea, my brethren lay bound in ships, one body atop another, smelling of their green wounds and faeces; I knew in dark houses, there was torture, arms held down, firebrands approaching the soft skin of the belly or arm; and still - there is screaming in the night; there is flight; mothers sob for children they shall not see again; girls feel the weight of men atop them; men cry for their wives; boys dangle dead in the barn; and we smoke their sorrow contentedly; and we eat their sorrow; and we wear their sorrow; and wonder how it came so cheap. It was for this that we labored and fought, risking our very lives.
M.T. Anderson (The Pox Party (The Astonishing Life of Octavian Nothing, Traitor to the Nation, #1))
The thing Tedros liked about girls is that they always started the conversation. Most of the time, his job was just to listen, ask questions, and try to understand what in God’s name was going on in their complicated little heads. He rarely had any idea what girls were talking about or why they made everything so torturous in their logic, so playing the role of the strong, silent type usually gave him time to catch up.
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
so we went up the hill. then we got into my room and I looked at them both. my pure and beautiful slim and magic little girl glorious fuck with the hair dangling down to the asshole, and next to her the tragedy of the ages: slime and horror, the machine gone wrong, frogs tortured by little boys and head-on car collisions and the spider taking in the ball-less buzzing fly and the landscape brain of Primo Carnera going down under the dull playboy guns of cocksure Maxie Baer — new heavyweight champ of America — I, I rushed at the Tragedy of the Ages — that fat slob of accumulated shit.
Charles Bukowski (Notes of a Dirty Old Man)
We’re soldiers, Emily. If we’re not elders or council members then that’s all we are. We’re here to serve those above us. We’re novel worthy, day walking, blood sucking, tortured souls trapped in a body that can’t die for all eternity with no feelings, no emotions and no heart. We don’t get to feel love, passion or desire. We do as we’re told, for the good of the clan and because we’re told to do it. And we protect people. So whatever grand delusions you have about being some kind of wonderful child and the master’s favorite are just misguided attempts to feel human again. Get over it.
Elaine White (Runaway Girl (The Secrets of Avelina Chronicles, #1))
There was a case in which a youth named Haragobinda, scion of the wealthy Basak family of Calcutta, was sentenced to life imprisonment for torturing and raping a minor girl called Kshetramoni. That a boy whose father owned lakhs worth of property could be serving a sentence for raping a poor village girl was unheard of! Girls like Kshetramoni had been bought and sold for twenty or thirty tankas only a few years ago. Natives respected this aspect of British rule
Sunil Gangopadhyay (Those Days)
but what is true in it, so it seemed to me, reviewing the story of Shakespeare’s sister as I had made it, is that any woman born with a great gift in the sixteenth century would certainly have gone crazed, shot herself, or ended her days in some lonely cottage outside the village, half witch, half wizard, feared and mocked at. For it needs little skill in psychology to be sure that a highly gifted girl who had tried to use her gift for poetry would have been so thwarted and hindered by other people, so tortured and pulled asunder by her own contrary instincts, that she must have lost her health and sanity to a certainty.
Virginia Woolf (A Room Of One's Own: The Virginia Woolf Library Authorized Edition)
The middle of the 'Atlantis' the warm, luxurious cabins,ining-rooms, halls, shed light and joy, buzzed with the chatter of an elegant crowd, was fragrant with fresh flowers, and quivered with the sounds of a string orchestra. And again amidst that crowd, amidst the brilliance of lights, silks, diamonds, and bare feminine shoulders, a slim and supple pair of hired lovers painfully writhed and at moments convulsively clashed. A sinfully discreet, pretty girl with lowered lashes and hair innocently dressed, and a tallish young man with black hair looking as if it were glued on, pale with powder, and wearing the most elegant patent-leather shoes and a narrow, long-tailed dress coat, a beau resembling an enormous leech. And no one knew that this couple had long since grown weary of shamly tormenting themselves with their beatific love-tortures, to the sound of bawdy-sad music ; nor did any one know of that thing which lay deep, deep below at the very bottom of the dark hold, near the gloomy and sultry bowels of the ship that was so gravely overcoming the darkness, the ocean, the blizzard.
Ivan Bunin (The Gentleman from San Francisco and Other Stories)
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
Anna Banks (Of Triton (The Syrena Legacy, #2))
In the past few decades quite a few people have suggested -- citing most often the offence of impossible proportions -- that Barbie dolls teach young girls to hate themselves. But the opposite may be true. British researchers recently found that girls between the ages of seven and eleven harbor surprisingly strong feelings of dislike for their Barbie dolls, with no other toy or brand name inspiring such a negative response from the children. The dolls "provoked rejection, hatred, and violence" and many girls preferred Barbie torture -- by cutting, burning, decapitating, or microwaving -- over other ways of playing with the doll. Reasons that the girls hated their Barbies included, somewhat poetically, the fact that they were 'plastic.' The researchers also noted that the girls never spoke of one single, special Barbie, but tended to talk about having a box full of anonymous Barbies. 'On a deeper level Barbie has become inanimate,' one of the researchers remarked. 'She has lost any individual warmth that she might have possessed if she were perceived as a singular person. This may go some way towards explaining the violence and torture.
Eula Biss (The Best American Nonrequired Reading 2009)
I kind of was beginning to feel like I was being underutilized [as Teen Ambassador to the UN]. I mean, there were a lot more important issues out there for teens that I could have been bringing international attention to than what kids see out their windows. I mean, instead of sitting in the White House press office for three hours after school every Wednesday, or attending International Festival of the Child concerts, I could have been out there alerting the public to the fact that in some countries, it is still perfectly legal for men to take teen brides -- even multiple teen brides! What was that all about? And what about places like Sierra Leone, where teens and even younger kids routinely get their limbs chopped off as "warnings" against messing with the warring gangs that run groups of diamond traffickers? And hello, what about all those kids in countries with unexploded land mines buried in the fields where they'd like to play soccer, but can't because it's too dangerous? And how about a problem a little closer to home? How about all the teenagers right here in America who are taking guns to school and blowing people away? Where are they getting these guns, and how come they think shooting people is a viable solution to their problems? And why isn't anybody doing anything to alleviate some of the pressures that might lead someone to think bringing a gun to school is a good thing? How come nobody is teaching people like Kris Parks to be more tolerant of others, to stop torturing kids whose mothers make them wear long skirts to school?
Meg Cabot (All-American Girl (All-American Girl, #1))
When sleep came, I would dream bad dreams. Not the baby and the big man with a cigarette-lighter dream. Another dream. The castle dream. A little girl of about six who looks -like me, but isn’t me, is happy as she steps out of the car with her daddy. They enter the castle and go down the steps to the dungeon where people move like shadows in the glow of burning candles. There are carpets and funny pictures on the walls. Some of the people wear hoods and robes. Sometimes they chant in droning voices that make the little girl afraid. There are other children, some of them without any clothes on. There is an altar like the altar in nearby St Mildred’s Church. The children take turns lying on that altar so the people, mostly men, but a few women, can kiss and lick their private parts. The daddy holds the hand of the little girl tightly. She looks up at him and he smiles. The little girl likes going out with her daddy. I did want to tell Dr Purvis these dreams but I didn’t want her to think I was crazy, and so kept them to myself. The psychiatrist was wiser than I appreciated at the time; sixteen-year-olds imagine they are cleverer than they really are. Dr Purvis knew I had suffered psychological damage as a child, that’s why she kept making a fresh appointment week after week. But I was unable to give her the tools and clues to find out exactly what had happened.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
The first school shooting that attracted the attention of a horrified nation occurred on March 24, 1998, in Jonesboro, Arkansas. Two boys opened fire on a schoolyard full of girls, killing four and one female teacher. In the wake of what came to be called the Jonesboro massacre, violence experts in media and academia sought to explain what others called “inexplicable.” For example, in a front-page Boston Globe story three days after the tragedy, David Kennedy from Harvard University was quoted as saying that these were “peculiar, horrible acts that can’t easily be explained.” Perhaps not. But there is a framework of explanation that goes much further than most of those routinely offered. It does not involve some incomprehensible, mysterious force. It is so straightforward that some might (incorrectly) dismiss it as unworthy of mention. Even after a string of school shootings by (mostly white) boys over the past decade, few Americans seem willing to face the fact that interpersonal violence—whether the victims are female or male—is a deeply gendered phenomenon. Obviously both sexes are victimized. But one sex is the perpetrator in the overwhelming majority of cases. So while the mainstream media provided us with tortured explanations for the Jonesboro tragedy that ranged from supernatural “evil” to the presence of guns in the southern tradition, arguably the most important story was overlooked. The Jonesboro massacre was in fact a gender crime. The shooters were boys, the victims girls. With the exception of a handful of op-ed pieces and a smattering of quotes from feminist academics in mainstream publications, most of the coverage of Jonesboro omitted in-depth discussion of one of the crucial facts of the tragedy. The older of the two boys reportedly acknowledged that the killings were an act of revenge he had dreamed up after having been rejected by a girl. This is the prototypical reason why adult men murder their wives. If a woman is going to be murdered by her male partner, the time she is most vulnerable is after she leaves him. Why wasn’t all of this widely discussed on television and in print in the days and weeks after the horrific shooting? The gender crime aspect of the Jonesboro tragedy was discussed in feminist publications and on the Internet, but was largely absent from mainstream media conversation. If it had been part of the discussion, average Americans might have been forced to acknowledge what people in the battered women’s movement have known for years—that our high rates of domestic and sexual violence are caused not by something in the water (or the gene pool), but by some of the contradictory and dysfunctional ways our culture defines “manhood.” For decades, battered women’s advocates and people who work with men who batter have warned us about the alarming number of boys who continue to use controlling and abusive behaviors in their relations with girls and women. Jonesboro was not so much a radical deviation from the norm—although the shooters were very young—as it was melodramatic evidence of the depth of the problem. It was not something about being kids in today’s society that caused a couple of young teenagers to put on camouflage outfits, go into the woods with loaded .22 rifles, pull a fire alarm, and then open fire on a crowd of helpless girls (and a few boys) who came running out into the playground. This was an act of premeditated mass murder. Kids didn’t do it. Boys did.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))
First we must study how colonization works to decivilize the colonizer, to brutalize him in the true sense of the word, to degrade him, to awaken him to buried instincts, to covetousness, violence, race hatred, and moral relativism; and we must show that each time a head is cut off or an eye put out in Vietnam and in France they accept the fact, each time a little girl is raped and in France they accept the fact, each time a Madagascan is tortured and in France they accept the fact, civilization acquires another dead weight, a universal regression takes place, a gangrene sets in, a center of infection begins to spread; and that at the end of all these treaties that have been violated, all these lies that have been propagated, all these punitive expeditions that have been tolerated, all these prisoners who have been tied up and interrogated, all these patriots who have been tortured, at the end of all the racial pride that has been encouraged, all the boastfulness that has been displayed, a poison has been instilled into the veins of Europe and, slowly but surely, the continent proceeds toward savagery.
Aimé Césaire (Discourse on Colonialism)
I tried every diet in the book. I tried some that weren’t in the book. I tried eating the book. It tasted better than most of the diets. I tried the Scarsdale diet and the Stillman water diet (you remember that one, where you run weight off trying to get to the bathroom). I tried Optifast, Juicefast, and Waterfast. I even took those shots that I think were made from cow pee. I endured every form of torture anybody with a white coat and a clipboard could devise for a girl who really liked fried pork chops. One night while I was on some kind of liquid-protein diet made from bone marrow, or something equally appetizing, I was with a group of friends at a Howard Johnson’s and some of them were having fried clams. I’ll never forget sitting there with all of that glorious fried fat filling my nostrils and feeling completely left out. I went home and wrote one of my biggest hits, “Two Doors Down.” I also went off my diet and had some fried clams. There were times when I thought of chucking it all in. “Damn the movie,” I would say. “I’m just gonna eat everything and go ahead and weigh five hundred pounds and have to be buried in a piano case.” Luckily, a few doughnuts later, that thought would pass and I would be back to the goal at hand. I remember something in a book I read called Gentle Eating. The author said you should pretend the angels are eating with you and that you want to save some for them. I loved that idea, because I love angels. I have to admit, though, there were times I would slap those angels out of the way and have their part too. A true hog will do that.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
I have no idea what you’re talking about.” I spin to leave. “No fucking way.” It clicks in his mind. “Little Vee?” Here he is. “You’re that girl Finn and I used to…” He doesn’t complete his sentence, but I know all too well what he was going to say. “Annoy? Tease? Torture? Why, yes, that would be me. Did you seriously just figure that out? A bit slow, are we?” I snark. My outburst only seems to amuse him. “Look, in my defense, your mom only ever called you ‘Vee.’ I thought it was short for Vicky or Vivian or something. And it was ten years ago. I can’t even remember what I had for dinner last night.” “Whatever.” I shrug. “Shit, I’ve got to say, Vee.” He gives me a once-over. “Puberty did you a solid.” My cheeks combust. “Wish I could say the same about you,” I lie through my teeth. Xavier smiles at my failed attempt to deny the undeniable. Let’s not pretend like puberty didn’t do every female on earth a solid when Xavier Emery went from “cute” to “sinfully hot” in the span of a summer. “I think you mispronounced thank you.” He flashes a smug grin that makes me want to knee him where it hurts.
Eliah Greenwood (Dear Love, I Hate You (Easton High, #1))
There is nothing to be found in human eyes, and that is their terrifying and dolorous enigma, their abominable and delusive charm. There is nothing but that which we put there ourselves. That is why honest gazes are only to be found in portraits. The faded and weary eyes of martyrs, expressions tortured by ecstasy, imploring and suffering eyes, some resigned, others desperate... the gazes of saints, mendicants and princesses in exile, with pardoning smiles... the gazes of the possessed, the chosen and the hysterical... and sometimes of little girls, the eyes of Ophelia and Canidia, the eyes of virgins and witches... as you live in the museums, what eternal life, dolorous and intense, shines out of you! Like precious stones enshrined between the painted eyelids of masterpieces, you disturb us across time and across space, receivers of the dream which created you! You have souls, but they are those of the artists who wished you into being, and I am delivered to despair and mortification because I have drunk the draught of poison congealed in the irises of your eyes. The eyes of portraits ought to be plucked out.
Jean Lorrain (Monsieur De Phocas)
Some poor creatures have been so brutalized by the lash that they will sneak out of the way to give their masters free access to their wives and daughters. Do you think this proves the black man to belong to an inferior order of beings? What would you be, if you had been born and brought up a slave, with generations of slaves for ancestors? I admit that the black man is inferior. But what is it that makes him so? It is the ignorance in which white men compel him to live; it is the torturing whip that lashes manhood out of him; it is the fierce bloodhounds of the South, and the scarcely less cruel human bloodhounds of the north, who enforce the Fugitive Slave Law. They do the work. Southern gentlemen indulge in the most contemptuous expressions about the Yankees, while they, on their part, consent to do the vilest work for them, such as the ferocious bloodhounds and the despised negro-hunters are employed to do at home. When southerners go to the north, they are proud to do them honor; but the northern man is not welcome south of Mason Dixon's line, unless he suppresses every thought and feeling at variance with their "peculiar institution." Nor is it enough to be silent. The masters are not pleased, unless they obtain a greater degree of subservience than that; and they are generally accommodated. Do they respect the northerner for this? I trow not. Even the slaves despise "a northern man with southern principles;" and that is the class they generally see. When northerners go to the south to reside, they prove very apt scholars. They soon imbibe the sentiments and disposition of their neighbors, and generally go beyond their teachers. Of the two, they are proverbially the hardest masters.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
Religionists from pulpits and evangelical TV stations announced that this [AIDS] was all God’s punishment for the perverted vice of homosexuality, quite failing to explain why this vengeful deity had no interest in visiting plagues and agonized death upon child rapists, torturers, murderers, those who beat up old women for their pension money (or indeed those cheating, thieving, adulterous and hypocritical clerics and preachers who pop up on the news from time to time weeping their repentance), reserving this uniquely foul pestilence only for men who choose to go to bed with each other and addicts careless in the use of their syringes. What a strange divinity. Later he was to take his pleasure, as he still does, on horrifying numbers of women and very young girls raped in sub-Saharan Africa while transmitting his avenging wrath on the unborn children in their wombs. I should be interested to hear from the religious zealots why he is doing this and what kind of a kick he gets out of it.
Stephen Fry (More Fool Me (Memoir, #3))
Paris is a sensuous woman every man has loved, even if only in his dreams. Once he has been deep inside her, walked her streets and tasted her delights, he can never forget her. Yet no matter how strong the memory of her remains, it cannot prepare him for the sheer beauty of her nakedness as he gazes upon her for the second time; the intoxicating fragrance of her hair as it brushes against him as it did when she let him love her; the softness of her skin beneath his fingertips as he strokes her breathtakingly graceful form; or the searing fire which courses through every fiber of his soul now that she is within reach. For every man blessed with a woman's love, she is a shrine to his happiness now that he need search no more. But for those who reside in obscurity within the lonely domicile of an empty heart, she is the hope of finding love. In his tortured heart, love waits for him at a corner cafe in the woman's smile two tables away; it lingers in the melodic laughter of a girl riding past him on a bicycle; and sometimes, when the woman is smiling at someone else, and the girl rides past him without notice, he finds love beneath the skirt of the darkly sensual woman waiting for him under a streetlamp.
Bobby Underwood (The Gentle Tide (Matt Ransom #3))
The noise of the town some floors below was greatly muted. In a state of complete mental detachment, he went over the events, the circumstances and the stages of destruction in their lives. Seen in the frozen light of a restrictive past, everything seemed clear, conclusive and indisputable. Now it seemed unthinkable that a girl of seventeen shoudl be so naive; it was particularly unbelieveable that a girl of seventeen should set so much store by love. If the surveys in the magazines were to be believed, things had changed a great deal in the twenty-five years since Annabelle was a teenager. Young girls today were more sensible, more sophisticated. Nowadays they worried more about their exam results and did their best to ensure they would have a decent career. For them, going out with boys was simply a game, a distraction motivated as much by narcissism as by sexual pleasure. They later would try to make a good marriage, basing their decision on a range of social and professional criteria, as well as on shared interests and tastes. Of course, in doing this they cut themselves off from any possibility of happiness--a condition indissociable from the outdated, intensely close bonds so incompatible with the exercise of reason--but this was their attempt to escape the moral and emotional suffering which had so tortured their forebears. This hope was, unfortunately, rapidly disappointed; the passing of love's torments simply left the field clear for boredom, emptiness and an anguished wait for old age and death. The second part of Annabelle's life therefore had been much more dismal and sad than the first, of which, in the end, she had no memory at all.
Michel Houellebecq
Cletus Byron Winston, you are being rude.” I might have my own less than glowing thoughts about my father, but he was my father. He opened his mouth to respond, then snapped it shut and did a double take, his eyes narrowing on me. “First of all, how do you know my middle name?” “Your momma used to use it when you were naughty, when you boys would help her shelve books in the library. ‘Cletus Byron! Stop stuffing Astrophysics Monthly down your pants!’” Cletus grinned. Then he chuckled. His eyes lost some of their zealous focus as he pushed away from the tree and strolled closer. “Oh yeah. She did, didn’t she?” “I felt sorry for Billy, though.” I scooched to one side as he sat down. “His name always confused everyone, like your momma was trying to talk to Shakespeare’s ghost. ‘William Shakespeare, would you please stop Beauford from pulling down his pants in front of the girls?’” Cletus laughed harder, leaning backward and holding his stomach. “I remember that. How old was Beau?” “He was ten. He was trying to show us his new Tarzan underwear. I don’t think he meant any harm.” “He sure did love that underwear.” Cletus nodded and he scratched his beard. “I’m going to have to find him some Tarzanunderwear in adult size.” “So you can torture him about it?” He pretended to be shocked by my accusation. “Certainly not. I don’t torture my siblings.” “Yeah, right.” I gave him my side-eye. “You forget, I’m a people watcher. I know you sell embarrassing pictures of them onstock photo sites. Jethro was griping about it after church over the summer. If it’s not torture, what do you call it then?” He lifted his chin proudly. “I offer invaluable character building opportunities. I help them reach their true potential through suffering.” “Oh, please
Penny Reid (Beard Science (Winston Brothers, #3))
They had heard that many, many miles away, but not so many as before they started, on the other side of the mountains, was the ocean. Constant rain. Greenness. Maybe that's where they were going, thought Talmadge. Sometimes--but how could he think this? how could a child think this of his mother?--he thought she was leading them to their deaths. Their mother was considered odd by the other women at the mining camp; he knew this, he knew how they talked about her. But there was nothing really wrong with her he though (forgetting the judgement of a moment before); it was just that she wanted different things than those women did. That was what set them and his mother apart. Where some women wanted mere privacy, she yearned for complete solitude that verged on the violent; solitude that forced you constantly back upon yourself; even when you did not want it anymore. But she wanted it nonetheless. From the time she was a small girl, she wanted to be alone. The sound of other people's voiced grated on her: to travel to town, to interact with others who were not Taldmadge or Talmadge's father or sister, was torture to her: it subtracted days from her life. And so they walked: to find a place that would absorb and annihilate her, a place to be her home, and the home for her children. A place to show her children, you belong to the earth, and the earth is hard.
Amanda Coplin (The Orchardist)
In a cage of wire-ribs The size of a man’s head, the macaw bristles in a staring Combustion, suffers the stoking devils of his eyes. In the old lady’s parlour, where an aspidistra succumbs To the musk of faded velvet, he hangs in clear flames, Like a torturer’s iron instrument preparing With dense slow shudderings of greens, yellows, blues, Crimsoning into the barbs: Or like the smouldering head that hung In Killdevil’s brass kitchen, in irons, who had been Volcano swearing to vomit the world away in black ash, And would, one day; or a fugitive aristocrat From some thunderous mythological hierarchy, caught By a little boy with a crust and a bent pin, Or snare of horsehair set for a song-thrush, And put in a cage to sing. The old lady who feeds him seeds Has a grand-daughter. The girl calls him ‘Poor Polly’, pokes fun. ’Jolly Mop.’ But lies under every full moon, The spun glass of her body bared and so gleam-still Her brimming eyes do not tremble or spill The dream where the warrior comes, lightning and iron, Smashing and burning and rending towards her loin: Deep into her pillow her silence pleads. All day he stares at his furnace With eyes red-raw, but when she comes they close. ’Polly. Pretty Poll’, she cajoles, and rocks him gently. She caresses, whispers kisses. The blue lids stay shut. She strikes the cage in a tantrum and swirls out: Instantly beak, wings, talons crash The bars in conflagration and frenzy, And his shriek shakes the house.
Ted Hughes
But I've still better things about children. I've collected a great, great deal about Russian children, Alyosha. There was a little girl of five who was hated by her father and mother, 'most worthy and respectable people, of good education and breeding.' You see, I must repeat again, it is a peculiar characteristic of many people, this love of torturing children, and children only. To all other types of humanity these torturers behave mildly and benevolently, like cultivated and humane Europeans; but they are very fond of tormenting children, even fond of children themselves in that sense. it's just their defencelessness that tempts the tormentor, just the angelic confidence of the child who has no refuge and no appeal, that sets his vile blood on fire. In every man, of course, a demon lies hidden- the demon of rage, the demon of lustful heat at the screams of the tortured victim, the demon of lawlessness let off the chain, the demon of diseases that follow on vice, gout, kidney disease, and so on. "This poor child of five was subjected to every possible torture by those cultivated parents. They beat her, thrashed her, kicked her for no reason till her body was one bruise. Then, they went to greater refinements of cruelty- shut her up all night in the cold and frost in a privy, and because she didn't ask to be taken up at night (as though a child of five sleeping its angelic, sound sleep could be trained to wake and ask), they smeared her face and filled her mouth with excrement, and it was her mother, her mother did this. And that mother could sleep, hearing the poor child's groans! Can you understand why a little creature, who can't even understand what's done to her, should beat her little aching heart with her tiny fist in the dark and the cold, and weep her meek unresentful tears to dear, kind God to protect her? Do you understand that, friend and brother, you pious and humble novice? Do you understand why this infamy must be and is permitted? Without it, I am told, man could not have existed on earth, for he could not have known good and evil. Why should he know that diabolical good and evil when it costs so much? Why, the whole world of knowledge is not worth that child's prayer to dear, kind God'! I say nothing of the sufferings of grown-up people, they have eaten the apple, damn them, and the devil take them all! But these little ones! I am making you suffer, Alyosha, you are not yourself. I'll leave off if you like
Fyodor Dostoevsky (The Brothers Karamazov)
It shouldn't make any difference, but Friday and Saturday nights are the worst. They're the worst because the loneliness is magnified. The best you can do is hope that there is someone else like you out there, but if there is, you will never meet this person because she doesn't get out either. So, you're left with your thoughts, and your thoughts are living people in your brain who call and hang up and lounge around like armed security guards who happen to be beautiful. In between these thoughts, you think about what's going on out there. The girl of your dreams is being ravaged by a man who doesn't have a care in the world. Just to hear her voice would make you happy for a week, but he gets to spend the day and night with her and thinks nothing of it. (…), there are boyfriends and girlfriends, people in love, wide awake. They hang out. They hang out. They hang out. They do nothing worthwhile except each other. Friends, friends, friends. Fiends. Inside jokes. There are so many stupid conversations going on right now. You could be having a meaningful conversation with a taxi driver. You could talk to him about how Travis Bickle's taxi was a metaphor for loneliness. (…) You have a gray tint on your contact lenses. But you have your work. They don't have that. They are cowards. Everyone seems so afraid to be alone. It takes strength to lie there alone and take it. They just want to copulate, and that's their biggest concern of the night. You want a tragedy. An assassination. A massacre. An earthquake. A city falling to the ground. Something to get the people on TV to be on the same page as you.
Joey Goebel (Torture the Artist)
During this hour in the waking streets I felt at ease, at peace; my body, which I despised, operated like a machine. I was spaced out, the catchphrase my friends at school used to describe their first experiments with marijuana and booze. This buzzword perfectly described a picture in my mind of me, Alice, hovering just below the ceiling like a balloon and looking down at my own small bed where a big man lay heavily on a little girl I couldn’t quite see or recognize. It wasn’t me. I was spaced out on the ceiling. I had that same spacey feeling when I cooked for my father, which I still did, though less often. I made omelettes, of course. I cracked a couple of eggs into a bowl, and as I reached for the butter dish, I always had an odd sensation in my hands and arms. My fingers prickled; it didn’t feel like me but someone else cutting off a great chunk of greasy butter and putting it into the pan. I’d add a large amount of salt — I knew what it did to your blood pressure, and I mumbled curses as I whisked the brew. When I poured the slop into the hot butter and shuffled the frying pan over the burner, it didn’t look like my hand holding the frying-pan handle and I am sure it was someone else’s eyes that watched the eggs bubble and brown. As I dropped two slices of wholemeal bread in the toaster, I would observe myself as if from across the room and, with tingling hands gripping the spatula, folded the omelette so it looked like an apple envelope. My alien hands would flip the omelette on to a plate and I’d spread the remainder of the butter on the toast when the two slices of bread leapt from the toaster. ‘Delicious,’ he’d say, commenting on the food before even trying it.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
He smiled and pulled the ugly white fichu from her neck. She blinked and looked down at the simple, square neckline of her bodice as if she'd never seen it. Perhaps she hadn't. Perhaps she dressed in the dark like a nun. "What are you doing?" He sighed. "I confess, I find your naïveté perplexing. How have you arrived at the advanced age of six and twenty without having anyone attempt seduction upon yourself? I'm of two minds on the matter: One, utter astonishment at my sex and their deaf disregard for your siren call. Two, glee at the thought that your innocence might signal that you are indeed innocent. Why this should excite me so, I don't know- virginity has never before been a particular whim of mine. I think perhaps it's the setting. Who knows how many virgins were deflowered here by my lusty ancestors? Or," he said as he deftly unpinned and tossed aside her apron, "maybe it's simply you." "I don't..." Her words trailed off and then, interestingly, she blushed a deep rose. Well. That question settled, then. His little maiden was really a maiden. "What?" "I think it's you," he confided, pulling the strings tying her hideous mobcap beneath her chin. She made a wild grab for it, but he was faster, snatching the bloody thing off- finally, and with a great deal of satisfaction. She might've deprived him of a wife that it'd taken him half a year and a rather large sum of money to entangle, but by God, he'd taken off her awful cap. And underneath... "Oh, Séraphine," he breathed, enchanted, for her hair was as black as coal, as black as night, as black as his own soul, save for one white streak just over her left eye. But she'd twisted and braided and tortured the strands, binding them tight to her head, and his fingers itched to let them free. "Don't!" she said, as if she knew what he wanted, her hands flying up to cover her hair. He batted them aside, laughing, pulling a pin here, a pin there, dropping them carelessly to the carpet as she squealed like a little girl and backed away from him, trying frantically to ward off his fingers. He might've taken pity on her had he not just spent an hour on a freezing moor, wondering if he was going to find her dead, neck broken, at the bottom of a hill. Her hair came down all at once, a tumbling mass, tousled and heavy and nearly down to her waist. "Wonderful," he murmured, taking it in both hands and lifting it.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
Then, suddenly, a shadowy flash came to me. Tiffany, taking an order, arguing with a girl. Shockingly, not me. Another flash, of Detective Toscano walking into Yummy’s minutes ago. Tiffany nervously kneading a coaster between her fingers. The coaster I held in my hands right now. Tiffany was scared. Why was she scared of the cop? “Hey! Space shot! You want your Coke or not?” I tried to ignore Tiffany’s screeching and hold on to the vision, but it blurred and disappeared. I grabbed my new glass from her outstretched hand. “I heard you got into an argument last night,” I said. Tiffany paled, which I never thought possible since her skin was so fake-and-bake tan. She nervously twirled a lock of her bleach blond hair around her finger. “Where did you hear that?” “Doesn’t matter where I heard it.” I took a chance and added, “But it was pretty juicy gossip, considering who she was.” Tiffany’s pale face turned to green and I involuntarily took a step back ,half expecting an Exorcist-style stream of vomit to shoot out of her gaping mouth. Instead, she narrowed her eyes and leaned closer. “Get away from me,” she growled. And then it became clear. My flash of her argument. Her fear of the detective. She’d argued with the girl who was murdered last night. And she did not want Detective Toscano to find out about it. I stepped away from the bar, giddy with my new knowledge. I had the upper hand on Tiffany Desposito. I could torture her with this. Drag it out. Hold it over her head for days, even weeks. “It’s too bad you’re not with Justin anymore,” she said to my back. “He’s a cutie. And such a good kisser.” And that was my limit. I spun around and dumped my brand-new Coke over her head. She shrieked and flailed her hands as the liquid streamed over her face and down between her giant boobs. She peeled her sticky hair off her eyes and snarled, “I’ll get you for this.” I merely smiled, then sauntered over to the two Toscanos, who had apparently been watching this whole display with entertained grins on their faces. “You’re the new detective?” I asked the elder Toscano. He nodded. Either his mouth was too full with French fries or he was too scared of me to speak at the moment. “Tiffany Desposito, the wet and sticky waitress over there? She had a fight with the girl who was murdered. Last night, at this restaurant. You should question her right away. I wouldn’t even give her a chance to go home and shower first. I think she’s a flight risk.” I strolled back to my booth, sat down, and tore into my pancakes, happy as a kid on Christmas. Nate and Perry stared at me in silence for a few moments. Then Perry said, “Maybe you should have let me go over.” Nate shook his head. “Nah. She did just fine.
Kim Harrington (Clarity (Clarity, #1))
They stood around a bleeding stump of a man lying on the ground. His right arm and left leg had been chopped off. It was inconceivable how, with his remaining arm and leg, he had crawled to the camp. The chopped-off arm and leg were tied in terrible bleeding chunks onto his back with a small wooden board attached to them; a long inscription on it said, with many words of abuse, that the atrocity was in reprisal for similar atrocities perpetrated by such and such a Red unit—a unit that had no connection with the Forest Brotherhood. It also said that the same treatment would be meted out to all the partisans unless, by a given date, they submitted and gave up their arms to the representatives of General Vitsyn’s army corps. Fainting repeatedly from loss of blood, the dying man told them in a faltering voice of the tortures and atrocities perpetrated by Vitsyn’s investigating and punitive squads. His own sentence of death had been allegedly commuted; instead of hanging him, they had cut off his arm and leg in order to send him into the camp and strike terror among the partisans. They had carried him as far as the outposts of the camp, where they had put him down and ordered him to crawl, urging him on by shooting into the air. He could barely move his lips. To make out his almost unintelligible stammering, the crowd around him bent low. He was saying: “Be on your guard, comrades. He has broken through.” “Patrols have gone out in strength. There’s a big battle going on. We’ll hold him.” “There’s a gap. He wants to surprise you. I know. ... I can’t go on, men. I am spitting blood. I’ll die in a moment.” “Rest a bit. Keep quiet.—Can’t you see it’s bad for him, you heartless beasts!” The man started again: “He went to work on me, the devil. He said: You will bathe in your own blood until you tell me who you are. And how was I to tell him, a deserter is just what I am? I was running from him to you.” “You keep saying ‘he.’ Who was it that got to work on you?” “Let me just get my breath. ... I’ll tell you. Hetman, Bekeshin. Colonel, Strese. Vitsyn’s men. You don’t know out here what it’s like. The whole town is groaning. They boil people alive. They cut strips out of them. They take you by the scruff of the neck and push you inside, you don’t know where you are, it’s pitch black. You grope about—you are in a cage, inside a freight car. There are more than forty people in the cage, all in their underclothes. From time to time they open the door and grab whoever comes first—out he goes. As you grab a chicken to cut its throat. I swear to God. Some they hang, some they shoot, some they question. They beat you to shreds, they put salt on the wounds, they pour boiling water on you. When you vomit or relieve yourself they make you eat it. As for children and women—O God!” The unfortunate was at his last gasp. He cried out and died without finishing the sentence. Somehow they all knew it at once and took off their caps and crossed themselves. That night, the news of a far more terrible incident flew around the camp. Pamphil had been in the crowd surrounding the dying man. He had seen him, heard his words, and read the threatening inscription on the board. His constant fear for his family in the event of his own death rose to a new climax. In his imagination he saw them handed over to slow torture, watched their faces distorted by pain, and heard their groans and cries for help. In his desperate anguish—to forestall their future sufferings and to end his own—he killed them himself, felling his wife and three children with that same, razor-sharp ax that he had used to carve toys for the two small girls and the boy, who had been his favorite. The astonishing thing was that he did not kill himself immediately afterward.
Boris Pasternak (Doctor Zhivago)