Topic Of Myself Quotes

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And therefore, Reader, I myself am the subject of my book: it is not reasonable that you should employ your leisure on a topic so frivolous and so vain. Therefore, Farewell:
Michel de Montaigne (The Essays: A Selection)
What are you doing? Talking about hot guys, Kami informed him. Jared said, Oh my God. You did ask. It's a topic of absorbing interest, Jared said. I'm sure. Obviously, as a hot guy myself, I wouldn't know.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
I admit that I myself am far from having a complete command of every topic I touch on, but my knowledge of my subject is always greater than the interest or the understanding of my auditors. You see, there is one very good thing about mankind; the mediocre masses make very few demands of the mediocrities of a higher order, submitting stupidly and cheerfully to their guidance
Alfred de Vigny (Stello (Spanish Edition))
I reach out and take his hand. “Well, he probably used up a lot of resources helping me knock you out,” I say mischievously. “Yeah, about that,” says Peeta, entwining his fingers in mine. “Don’t try something like that again.” “Or what?” I ask. “Or . . . or . . .” He can’t think of anything good. “Just give me a minute.” “What’s the problem?” I say with a grin. “The problem is we’re both still alive. Which only reinforces the idea in your mind that you did the right thing,” says Peeta. “I did do the right thing,” I say. “No! Just don’t, Katniss!” His grip tightens, hurting my hand, and there’s real anger in his voice. “Don’t die for me. You won’t be doing me any favors. All right?” I’m startled by his intensity but recognize an excellent opportunity for getting food, so I try to keep up. “Maybe I did it for myself, Peeta, did you ever think of that? Maybe you aren’t the only one who . . . who worries about . . . what it would be like if. . .” I fumble. I’m not as smooth with words as Peeta. And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don’t want him to die. And it’s not about the sponsors. And it’s not about what will happen back home. And it’s not just that I don’t want to be alone. It’s him. I do not want to lose the boy with the bread. “If what, Katniss?” he says softly. I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I’m feeling, it’s no one’s business but mine. “That’s exactly the kind of topic Haymitch told me to steer clear of,” I say evasively, although Haymitch never said anything of the kind. In fact, he’s probably cursing me out right now for dropping the ball during such an emotionally charged moment. But Peeta somehow catches it. “Then I’ll just have to fill in the blanks myself,” he says, and moves in to me. This is the first kiss that we’re both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious. This is the first kiss that makes me want another. But I don’t get it. Well, I do get a second kiss, but it’s just a light one on the tip of my nose because Peeta’s been distracted. “I think your wound is bleeding again. Come on, lie down, it’s bedtime anyway,” he says.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Imprinting." I heard the smile disappear from Cat's face. "Next." I repeated myself. "Are you referring to Stephenie Meyer's books?" "Yes," I said. A little unwillingly. Cat chuckled. "There's no shame in reading enjoyable books. But this topic is better discussed later." "Got it.
Shannon Delany (Secrets and Shadows (13 to Life, #2))
I am never more sure of myself about a topic than when I have absolutely no experience with it.
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
I find it hard to talk about myself. I'm always tripped up by the eternal who am I? paradox. Sure, no one knows as much pure data about me as me. But when I talk about myself, all sorts of other factors--values, standards, my own limitations as an observer--make me, the narrator, select and eliminate things about me, the narratee. I've always been disturbed by the thought that I'm not painting a very objective picture of myself. This kind of thing doesn't seem to bother most people. Given the chance, people are surprisingly frank when they talk about themselves. "I'm honest and open to a ridiculous degree," they'll say, or "I'm thin-skinned and not the type who gets along easily in the world." Or "I am very good at sensing others' true feelings." But any number of times I've seen people who say they've easily hurt other people for no apparent reason. Self-styled honest and open people, without realizing what they're doing, blithely use some self-serving excuse to get what they want. And those "good at sensing others' true feelings" are duped by the most transparent flattery. It's enough to make me ask the question: How well do we really know ourselves? The more I think about it, the more I'd like to take a rain check on the topic of me. What I'd like to know more about is the objective reality of things outside myself. How important the world outside is to me, how I maintain a sense of equilibrium by coming to terms with it. That's how I'd grasp a clearer sense of who I am.
Haruki Murakami (Sputnik Sweetheart)
Where are you from, Mr. Pendergast? Can't quite place the accent.” “New Orleans.” “What a coincidence! I went there for Mardi Gras once." “How nice for you. I myself have never attended.” Ludwig paused, the smile frozen on his face, wondering how to steer the conversation onto a more pertinent topic.
Douglas Preston (Still Life With Crows (Pendergast, #4))
BILLY: Did you ever watch Star Trek? MACHIAVELLI: Do I look like I watch Star Trek? BILLY: It's hard to tell who's a Trekkie. MACHIAVELLI: Billy, I ran one of the most sophisticated secret service organizations in the world. I did not have time for Star Trek. (pause) I was more of a Star Wars fan. Why do you ask? BILLY: Well, when Captain Kirk and Mr. Spock beamed down to a planet, usually with Dr. McCoy and sometimes with Scotty from engineering... MACHIAVELLI: Wait a minute--what's Mr. Spock again? BILLY: A Vulcan. MACHIAVELLI: His rank. BILLY: The first officer. MACHIAVELLI: So the captain, the first officer, the ship's doctor, and sometimes the engineer all beam down to a planet. Together. The entire complement of the senior officers? BILLY: (nods) MACHIAVELLI: And who has command of the ship? BILLY: (shrug) I don't know. Junior officers, I guess. MACHIAVELLI: If they worked for me I'd have them court-martialed. That sounds like a gross dereliction of duty. BILLY: I know. I always thought it was a little odd myself.
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
I don't know what I was hoping for. Some small praise, I guess. A bit of encouragement. I didn't get it. Miss Parrish took me aside one day after school let out. She said she'd read my stories and found them morbid and dispiriting. She said literature was meant to uplift the heart and that a young woman such as myself ought to turn her mind to topics more cheerful and inspiring than lonely hermits and dead children. "Look around yourself, Mathilda," she said. "At the magnificence of nature. It should inspire joy and awe. Reverence. Respect. Beautiful thoughts and fine words." I had looked around. I'd seen all the things she'd spoken of and more besides. I'd seen a bear cub lift it's face to the drenching spring rains. And the sliver moon of winter, so high and blinding. I'd seen the crimson glory of a stand of sugar maples in autumn and the unspeakable stillness of a mountain lake at dawn. I'd seen them and loved them. But I'd also seen the dark of things. The starved carcasses of winter deer. The driving fury of a blizzard wind. And the gloom that broods under the pines always. Even on the brightest days.
Jennifer Donnelly (A Northern Light)
The problem wasn't thinking of myself as the protagonist of a narrative it was that I hadn't figured out the right narrative yet.
Miranda Popkey (Topics of Conversation)
Edgar Allan Poe once called the death of a beautiful woman “the most poetical topic in the world” and I’ve often found myself wondering how many woman writers who have killed themselves or let themselves be otherwise obliterated were trying, somehow, to fulfill this most popular of narratives. We’re most valuable when we’re smiling, dead, posing, our words hanging on the page with no real body behind them. I’m
Jessica Valenti (Sex Object)
Ask yourself . . . What are my goals when I converse with people? What kinds of things do I usually discuss? Are there other topics that would be more important given what’s actually going on? How often do I find myself—just to be polite—saying things I don’t mean? How many meetings have I sat in where I knew the real issues were not being discussed? And what about the conversations in my marriage? What issues are we avoiding? If I were guaranteed honest responses to any three questions, whom would I question and what would I ask? What has been the economical, emotional, and intellectual cost to the company of not identifying and tackling the real issues? What has been the cost to my marriage? What has been the cost to me? When was the last time I said what I really thought and felt? What are the leaders in my organization pretending not to know? What are members of my family pretending not to know? What am I pretending not to know? How certain am I that my team members are deeply committed to the same vision? How certain am I that my life partner is deeply committed to the vision I hold for our future? If nothing changes regarding the outcomes of the conversations within my organization, what are the implications for my own success and career? for my department? for key customers? for the organization’s future? What about my marriage? If nothing changes, what are the implications for us as a couple? for me? What is the conversation I’ve been unable to have with senior executives, with my colleagues, with my direct reports, with my customers, with my life partner, and most important, with myself, with my own aspirations, that, if I were able to have, might make the difference, might change everything? Are
Susan Scott (Fierce Conversations: Achieving Success at Work and in Life One Conversation at a Time)
For myself I shall find as much pleasure in a positive destruction of my own ideology, as in a rational disagreement on a topic, which, notwithstanding many learned disquisitions is likely to remain controversial forever.
B.R. Ambedkar (Castes in India)
I’m Scorpio. My favorite color is navy. I like apples but I don’t like bananas—except in milkshakes or baking. I love roasted red peppers.” “What are you doing?” She laughed at the random change in topic.  “Telling you ten things about myself so you won’t feel like you’re sleeping with a stranger.
Natalie Anderson (Breathe for Me (Be for Me, #1))
I can tell you that these two statues are not monkeys native to India. This one’s a spider monkey. They come from South America. This one is a chimpanzee, which is technically an ape, not a monkey. They’re often classified as monkeys because of their size.” I gaped at him. “How do you know so much about monkeys?” He crossed him arms over his chest. “Ah, so am I to assume that talking about monkeys is an approved topic of conversation? Perhaps if I were a monkey instead of a tiger you might clue me in as to why you’re avoiding me.” “I’m not avoiding you. I just need some space. It has nothing to do with your species. It has to do with other things.” “What other things?” “Nothing.” “It’s something.” “It can’t be anything.” “What can’t be anything?” “Can we just get back to the monkeys?” I yelled. “Fine!” he hollered back. We stood there glaring at each other for a minute, both of us frustrated and angry. He went back to examining the various monkeys and ticking off a list of their traits. Before I could stop myself, I shot off a sarcastic, “I had no idea that I was walking with a monkey expert, but, then again, you have eaten them right? So I guess that would be the difference between say, pork and chicken, to someone like me.” Ren scowled at me. “I lived in zoos and circuses for centuries, remember? And I don’t…eat…monkeys!
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
His idea of a good dinner, he said, was to dine well and then "to discuss a good topic- with myself as the chief conversationalist." After one meal his son, Randolph was trying to make a point. Churchill broke in with a comment of his own. Randolph tried to pick up the thread of his argument. His father barked: "Don't interrupt me when I am interrupting!
William Manchester (The Last Lion: Winston Spencer Churchill [#1]: Visions of Glory, 1874 - 1932)
Edgar Allan Poe once called the death of a beautiful woman "the most poetical topic in the world" and I have often found myself wondering how many women writers who have killed themselves or let themselves be otherwise obliterated were trying, somehow, to fulfil this most popular of narratives. We're most valuable when we're smiling, dead, posing, our words hanging on the page with no real body behind them.
Jessica Valenti (Sex Object: A Memoir)
Quadruple crap. Why couldn’t I control myself? Why did he have this effect on me? “Are you compelling me right now?” To my surprise, his smile held an edge of sadness. “That would give you a much needed excuse, but I am afraid I am not.” Curse my body for reacting to his. As long as I kept him out of my heart, I would be okay. “I think it a bit too late for that, my dear.” “You’re using old man speak again.” I made a face. “It’s creepy.” He chuckled. “I’ll try to remember that, but I haven’t been around humans much in the past hundred years. It’s hard to keep up with the changes in common dialect.” “Let’s keep on topic, Jett. You were going to teach me how to control my mind.
Christie Rich (Genesis (Elemental Enmity #3))
Before I formulate an opinion, I try as a scholar and as an academician to read entire libraries on the topic and to listen to as many people as possible, regardless of whether they are savants or plain fools. However, once I have formed an opinion, I no longer want to change it. Only experience can tell me whether I'm right or I'm wrong. If I'm right, I will gloat a little bit about it. If I'm wrong, then I will excoriate myself, I will apologize publicly.
Miriam Defensor Santiago
These were vile discoveries; but except for the treachery of concealment, I should have made them no subject of reproach to my wife, even when I found her nature wholly alien to mine, her tastes obnoxious to me, her cast of mind common, low, narrow, and singularly incapable of being led to anything higher, expanded to anything larger—when I found that I could not pass a single evening, nor even a single hour of the day with her in comfort; that kindly conversation could not be sustained between us, because whatever topic I started, immediately received from her a turn at once coarse and trite, perverse and imbecile—when I perceived that I should never have a quiet or settled household, because no servant would bear the continued outbreaks of her violent and unreasonable temper, or the vexations of her absurd, contradictory, exacting orders—even then I restrained myself: I eschewed upbraiding, I curtailed remonstrance; I tried to devour my repentance and disgust in secret; I repressed the deep antipathy I felt.
Charlotte Brontë (Jane Eyre)
In conscious life, we achieve some sense of ourselves as reasonably unified, coherent selves, and without this action would be impossible. But all this is merely at the ‘imaginary’ level of the ego, which is no more than the tip of the iceberg of the human subject known to psychoanalysis. The ego is function or effect of a subject which is always dispersed, never identical with itself, strung out along the chains of the discourses which constitute it. There is a radical split between these two levels of being — a gap most dramatically exemplified by the act of referring to myself in a sentence. When I say ‘Tomorrow I will mow the lawn,’ the ‘I’ which I pronounce is an immediately intelligible, fairly stable point of reference which belies the murky depths of the ‘I’ which does the pronouncing. The former ‘I’ is known to linguistic theory as the ‘subject of the enunciation’, the topic designated by my sentence; the latter ‘I’, the one who speaks the sentence, is the ‘subject of the enunciating’, the subject of the actual act of speaking. In the process of speaking and writing, these two ‘I’s’ seem to achieve a rough sort of unity; but this unity is of an imaginary kind. The ‘subject of the enunciating’, the actual speaking, writing human person, can never represent himself or herself fully in what is said: there is no sign which will, so to speak, sum up my entire being. I can only designate myself in language by a convenient pronoun. The pronoun ‘I’ stands in for the ever-elusive subject, which will always slip through the nets of any particular piece of language; and this is equivalent to saying that I cannot ‘mean’ and ‘be’ simultaneously. To make this point, Lacan boldly rewrites Descartes’s ‘I think, therefore I am’ as: ‘I am not where I think, and I think where I am not.
Terry Eagleton (Literary Theory: An Introduction)
Nice try with the nightie!" Now this topic is safe. "I picked it because it's blue and I thought to myself, Ronin, that girl out there has the prettiest blue eyes, wouldn't she look spectacular in this little slip of see-through fabric that is a shade or two lighter.
J.A. Huss
Everybody must pity Desdemona, but I cannot bring myself to like her. Her determination to marry Othello – it was she who virtually did the proposing – seems the romantic crush of a silly schoolgirl rather than a mature affection; it is Othello’s adventures, so unlike the civilian life she knows, which captivate her rather than Othello as a person. He may not have practiced witchcraft, but, in fact, she is spellbound. Then, she seems more aware than is agreeable of the honor she has done Othello by becoming his wife. […] Before Cassio speaks to her, she has already discussed him with her husband and learned that he is to be reinstated as soon as it is opportune. A sensible wife would have told Cassio this and left matters alone. In continuing to badger Othello, she betrays a desire to prove to herself and to Cassio that she can make her husband do as she pleases. […] Though her relationship with Cassio is perfectly innocent, one cannot but share Iago’s doubts as to the durability of the marriage. It is worth noting that, in the willow-song scene with Emilia, she speaks with admiration of Ludovico and then turns to the topic of adultery. Of course, she discusses this in general terms and is shocked by Emilia’s attitude, but she does discuss the subject and she does listen to what Emilia has to say about husbands and wives. It is as if she had suddenly realized that she had made a mésalliance and that the sort of man she ought to have married was someone of her own class and color like Ludovico. Given a few more years of Othello and of Emilia’s influence and she might well, one feels, have taken a lover.
W.H. Auden (The Dyer's Hand and Other Essays)
Despite knowing for a fact that this pain and these illnesses are not my fault, that’s hard to remember on the bad days. I begin to blame myself and then feel ashamed that I caused someone else to pause their life to help me through something that my brain is telling me I caused.
Lara Parker (Vagina Problems: Endometriosis, Painful Sex, and Other Taboo Topics)
in such moments I have formulated my creed, wherein all is clear and holy to me. This creed is extremely simple; here it is: I believe that there is nothing lovelier, deeper, more sympathetic, more rational, more manly, and more perfect than the Saviour; I say to myself with jealous love that not only is there no one else like Him, but that there could be no one. I would even say more: If anyone could prove to me that Christ is outside the truth, and if the truth really did exclude Christ, I should prefer to stay with Christ and not with truth. I would rather not say anything more about it. And yet I don't know why certain topics may never be touched on in society, and why, if anyone does introduce them, it makes the others uncomfortable. Still, enough of it. I heard that you were desirous of travelling somewhere in the South. God grant that you may succeed in obtaining permission to do so. But will you please tell me when we shall be quite free, or at any rate as free as other people ? Perhaps only when we no longer need freedom ? For my part, I want all or nothing. In my soldier's uniform I am the same prisoner as before. I rejoice greatly that I find there is patience in my soul for quite a long time yet, that I desire no earthly possessions, and need nothing but books, the possibility of writing, and of being daily for a few hours alone. The last troubles me most. For almost five years I have been constantly under surveillance, or with several other people, and not one hour alone with myself. To be alone is a natural need, like eating and drinking ; for in that kind of concentrated communism one becomes a whole-hearted enemy of mankind. The constant companionship of others works like poison or plague; and from that unendurable martyrdom I most suffered in the last four years. There were moments in which I hated every man, whether good or evil, and regarded him as a thief who, unpunished, was robbing me of life. The most unbearable part is when one grows unjust, malignant, and evil, is aware of it, even reproves one's-self, and yet has not the power to control one's-self. I have experienced that. I am convinced that God will keep you from it. I believe that you, as a woman, have more power to forgive and to endure. Do
Fyodor Dostoevsky (Letters of Fyodor Michailovitch Dostoyevsky to his family and friends)
It would do me well to realize that the path that has led me to where I am was mapped by those who taught me and paved by what they taught me. Therefore, if God is not my teacher and His truth is not my topic I will find myself where I don’t want to be, having trod a path I didn’t want to take.
Craig D. Lounsbrough
The Truth the Dead Know For my Mother, born March 1902, died March 1959 and my Father, born February 1900, died June 1959 Gone, I say and walk from church, refusing the stiff procession to the grave, letting the dead ride alone in the hearse. It is June. I am tired of being brave. We drive to the Cape. I cultivate myself where the sun gutters from the sky, where the sea swings in like an iron gate and we touch. In another country people die. My darling, the wind falls in like stones from the whitehearted water and when we touch we enter touch entirely. No one's alone. Men kill for this, or for as much. And what of the dead? They lie without shoes in the stone boats. They are more like stone than the sea would be if it stopped. They refuse to be blessed, throat, eye and knucklebone. Anne Sexton was a model who became a confessional poet, writing about intimate aspects of her life, after her doctor suggested that she take up poetry as a form of therapy. She studied under Robert Lowell at Boston University, where Sylvia Plath was one of her classmates. Sexton won the Pulitzer Prize for Poetry in 1967, but later committed suicide via carbon monoxide poisoning. Topics she covered in her poems included adultery, masturbation, menstruation, abortion, despair and suicide.
Anne Sexton
The more I think about it, the more I’d like to take a rain check on the topic of me. What I’d like to know more about is the objective reality of things outside myself. How important the world outside is to me, how I maintain a sense of equilibrium by coming to terms with it. That’s how I’d grasp a clearer sense of who I am.
Haruki Murakami (Sputnik Sweetheart)
I surround myself with all eight throw pillows while hugging two. “What is so bad and uninteresting about me, Alex? Peter was the fifth break up– “–Sixth–” “–Sixth break up in the last two years. And I’m always the dumpee. Are my conversations that boring that no man wants to stay?” “Sandra, with this topic, yes. But usually, no.
Ambrosea Brown (Will: Marry a Liar)
We would gladly have listened to her (they said) if only she had spoken like a lady. But they are liars and the truth is not in them. Shrill… vituperative… no concern for the future of society… maunderings of antiquated feminism… selfish femlib… needs a good lay… this shapeless book… of course a calm and objective discussion is beyond… twisted, neurotic… some truth buried in a largely hysterical… of very limited interest, I should… another tract for the trash-can… burned her bra and thought that… no characterization, no plot… really important issues are neglected while… hermetically sealed… women's limited experience… another of the screaming sisterhood… a not very appealing aggressiveness… could have been done with wit if the author had… deflowering the pretentious male… a man would have given his right arm to… hardly girlish… a woman's book… another shrill polemic which the… a mere male like myself can hardly… a brilliant but basically confused study of feminine hysteria which… feminine lack of objectivity… this pretense at a novel… trying to shock… the tired tricks of the anti-novelists… how often must a poor critic have to… the usual boring obligatory references to Lesbianism… denial of the profound sexual polarity which… an all too womanly refusal to face facts… pseudo-masculine brusqueness… the ladies'-magazine level… trivial topics like housework and the predictable screams of… those who cuddled up to ball-breaker Kate will… unfortunately sexless in its outlook… drivel… a warped clinical protest against… violently waspish attack… formidable self-pity which erodes any chance of… formless… the inability to accept the female role which… the predictable fury at anatomy displaced to… without the grace and compassion which we have the right to expect… anatomy is destiny… destiny is anatomy… sharp and funny but without real weight or anything beyond a topical… just plain bad… we "dear ladies," whom Russ would do away with, unfortunately just don't feel… ephemeral trash, missiles of the sex war… a female lack of experience which… Q. E. D. Quod erat demonstrandum. It has been proved.
Joanna Russ (The Female Man)
As a writer, I've never limited myself to a specific genre or topic. A person is never just one thing. Like multi-faced dice, there are so many sides to a person; Funny, dramatic, romantic...the list goes on. When I write horror, I do it to my best. When I write comedy, I do that to my best. But, I'm a jack of all trades. It's fun to challenge yourself, breaking the limits of a genre.
M.A. Levi
I now have a colleague whose pronoun of choice is “they,” and thus the issue is no longer culturally abstract but face-to-face personal, no longer an issue I’d persuaded myself was none of my business but one of basic human respect I chose—choose—to embrace. (I’m happy to call myself out for stubbornly avoiding the topic till it became personal. One is supposed to be better than that; one often isn’t.)
Benjamin Dreyer (Dreyer’s English: An Utterly Correct Guide to Clarity and Style)
Well. Sometimes, when I’m nervous, I become overly, even inappropriately, chatty. I veer off topic. I say whatever comes to my mind, I become too literal, I try too hard to be accurate when no one cares as much as me about accuracy, and I can see by people’s faces that I am being “odd,” and I am forced to pinch the skin on my wrist to make myself stop talking. My name is Cherry. That’s all I needed to say.
Liane Moriarty (Here One Moment)
I like being alone best, with no one to disturb me. Because everyone always comes round to the same topic of conversation, how badly things are going, how well they are going, one thinks this way, the next person the other way – and they quickly get on to the things that make up their own worlds. I’m sure that I was just like them myself, before; but now I can’t find any real point of contact. - Paul Baumer
Erich Maria Remarque (All Quiet on the Western Front)
Writing is the way I process the world. When I was given the opportunity to write this book, whatever God was up there said, You got your dream. I said, Actually I was hoping for a lighter topic, and God was like, Ha! Ha! You thought you got to choose. This was the topic I was given. If something else had happened to me, I would have written about that, too. When I get worked up over what happened, I tell myself, you are a pair of eyes. I'm a civilian who's been randomly selected to receive an all-access pass to the court system. Feelings will include invasion, shame, isolation, cruelty. My job is to observe , feel, document, report. What am I learning and seeing that other people can't see? What doorways does my suffering lead to? People sometimes day, I can't imagine. How do I make them imagine? I write to show how victims are treated at this moment in time, to record the temperature of our culture. This is a marker...
Chanel Miller (Know My Name)
Look past the headlines, I tell myself. As you’d look past the title and cover of a book, turning to a random page to see what the writing is like, how it flows, as you’ve done in the library of the Church so many times. So many stories fall flat after the first few pages, so many declare themselves to be the ultimate work on a topic, the ultimate experience and treatise only to prove a rambling mess. So many pretty and exciting covers hide dull content and have nothing to do with the quality of the book itself.
Mona Black (Of Demons and Witches (Pandemonium Academy Royals, #3))
I ASSURE you that I am the book of fate. Questions are my enemies. For my questions explode! Answers leap up like a frightened flock, blackening the sky of my inescapable memories. Not one answer, not one suffices. What prisms flash when I enter the terrible field of my past. I am a chip of shattered flint enclosed in a box. The box gyrates and quakes. I am tossed about in a storm of mysteries. And when the box opens, I return to this presence like a stranger in a primitive land. Slowly (slowly, I say) I relearn my name. But that is not to know myself! This person of my name, this Leto who is the second of that calling, finds other voices in his mind, other names and other places. Oh, I promise you (as I have been promised) that I answer to but a single name. If you say, "Leto," I respond. Sufferance makes this true, sufferance and one thing more: I hold the threads! All of them are mine. Let me but imagine a topic say... men who have died by the sword-and I have them in all of their gore, every image intact, every moan, every grimace. Joys of motherhood, I think, and the birthing beds are mine. Serial baby smiles and the sweet cooings of new generations. The first walkings of the toddlers and the first victories of youths brought forth for me to share. They tumble one upon another until I can see little else but sameness and repetition. "Keep it all intact," I warn myself. Who can deny the value of such experiences, the worth of learning through which I view each new instant? Ahhh, but it's the past. Don't you understand? It's only the past!
Frank Herbert (God Emperor of Dune (Dune #4))
I am constantly reminding myself that the goal of protest is progress, not simply more protest. Protest, though not the solution, is a precursor to the solution. It creates space that would otherwise not exist, and forces conversations and topics that have been long ignored into the public sphere. It illuminates what our country would rather forget. Protest remains necessary in a country with such ingrained systemic inequity and in which the traditional mechanisms of power have not often benefited marginalized communities without direct pressure.
DeRay Mckesson (On the Other Side of Freedom: The Case for Hope)
International trade seems to be the topic of the night, but there are a few differentiations—one talk is about the newest tax codes and how they can better benefit corporations. Snore. Another presents a variation on an old business model. It’s an original idea, but not practical. By the time the fifth student finishes, I’ve met my limit. I nudge Celia out of her reverie. “I’m ready to go,” I begin to say, but stop myself before I get the words out. The woman ascending the stairs to the stage has caught my eye, and all thoughts of leaving disappear. Something about the way she moves is captivating—the wiggle of her hips suggests an undercurrent of sexuality, and her back is straight with confidence. Then she turns toward the audience, and my breathe catches. Even here, twelve rows away, I can tell she’s the most beautiful woman I’ve ever seen. Her dark brown hair falls just so around her face, accentuating sharp cheekbones. Her eyes are dark. Her short dress reveals long, lean legs. The modest cleavage of her outfit can’t hide perfectly plump tits. There’s something else—something about her carriage that makes me sit up and take notice. And she hasn’t even spoken yet.
Laurelin Paige (Hudson (Fixed, #4))
Self-examination can be done at home. When working on guitar, I learn a few bars of a piece, slowly, painstakingly—then try to play it from memory several times in a row. When reading through a difficult scientific paper, I put it down after a couple times through and try to explain to someone what it says. If there’s no one there to listen (or pretend to listen), I say it out loud to myself, trying as hard as I can to quote from the paper its main points. Many teachers have said that you don’t really know a topic until you have to teach it, until you have to make it clear to someone else.
Benedict Carey (How We Learn: The Surprising Truth About When, Where, and Why It Happens)
I perceived how foolish I had been in consenting to take my turn with you in praising love, and saying that I too was a master of the art, when I really had no conception how anything ought to be praised. For in my simplicity I imagined that the topics of praise should be true, and that this being presupposed, out of the true the speaker was to choose the best and set them forth in the best manner. And I felt quite proud, thinking that I knew the nature of true praise, and should speak well. Whereas I now see that the intention was to attribute to Love every species of greatness and glory, whether really belonging to him or not, without regard to truth or falsehood—that was no matter; for the original proposal seems to have been not that each of you should really praise Love, but only that you should appear to praise him. And so you attribute to Love every imaginable form of praise which can be gathered anywhere; and you say that 'he is all this,' and 'the cause of all that,' making him appear the fairest and best of all to those who know him not, for you cannot impose upon those who know him. And a noble and solemn hymn of praise have you rehearsed. But as I misunderstood the nature of the praise when I said that I would take my turn, I must beg to be absolved from the promise which I made in ignorance, and which (as Euripides would say (Eurip. Hyppolytus)) was a promise of the lips and not of the mind. Farewell then to such a strain: for I do not praise in that way; no, indeed, I cannot. But if you like to hear the truth about love, I am ready to speak in my own manner, though I will not make myself ridiculous by entering into any rivalry with you. Say then, Phaedrus, whether you would like to have the truth about love, spoken in any words and in any order which may happen to come into my mind at the time. Will that be agreeable to you? Aristodemus
Plato (Symposium)
Emilio quit making exaggerated leering faces at Boyd and opened the door. "Hey sexy," he drawled, grabbing Owen's shirt and hauling him into the apartment. "Boyd is here, so I'll have to teach you about dick sucking another time. Actually, I dunno, maybe he wants to watch." Owen looked startled while Boyd rolled his eyes. "I could probably teach you pointers on that one," Boyd drawled to Emilio. "I don't need to watch anything." Emilio shoved Owen in another step and kicked his door closed as he released what had once been his typical loud, charismatic laugh. "Believe me, baby, I sure as fuck know that," he said with a wink. "But I was talking about pointers for Owen here. I'm no joke at the trade myself." "Whoa, whoa," Owen said, lifting his hands. "Information to place in the 'deleted' folder and recycled, man. Give a guy some notice." Even so, he didn't seem too bothered by the topic as he immediately perked up when he saw the coffee table. "Oh! Score, is that food? Well, obviously it is. Hey, can I have some?" He was already walking over as he asked. "Unless Sir Sucks A Lot is sharing his shit, you better back off mine or I'll shoot you in the face," Emilio said as he flipped the locks to his door. "And why the fuck are you here, anyways?
Ais (Fade (In the Company of Shadows, #4))
1. _______ I prefer one-on-one conversations to group activities.   2. _______ I often prefer to express myself in writing.   3. _______ I enjoy solitude.   4. _______ I seem to care less than my peers about wealth, fame, and status.   5. _______ I dislike small talk, but I enjoy talking in depth about topics that matter to me.   6. _______ People tell me that I’m a good listener.   7. _______ I’m not a big risk-taker.   8. _______ I enjoy work that allows me to “dive in” with few interruptions.   9. _______ I like to celebrate birthdays on a small scale, with only one or two close friends or family members. 10. _______ People describe me as “soft-spoken” or “mellow.” 11. _______ I prefer not to show or discuss my work with others until it’s finished. 12. _______ I dislike conflict. 13. _______ I do my best work on my own. 14. _______ I tend to think before I speak. 15. _______ I feel drained after being out and about, even if I’ve enjoyed myself. 16. _______ I often let calls go through to voice mail. 17. _______ If I had to choose, I’d prefer a weekend with absolutely nothing to do to one with too many things scheduled. 18. _______ I don’t enjoy multitasking. 19. _______ I can concentrate easily. 20. _______ In classroom situations, I prefer lectures to seminars.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
I should know; perfectionism has always been a weakness of mine. Brene' Bown captures the motive in the mindset of the perfectionist in her book Daring Greatly: "If I look perfect and do everything perfectly, I can avoid or minimize the painful feelings of shame, judgment, and blame." This is the game, and I'm the player. Perfectionism for me comes from the feelings that I don't know enough. I'm not smart enough. Not hardworking enough. Perfectionism spikes for me if I'm going into a meeting with people who disagree with me, or if I'm giving a talk to experts to know more about the topic I do … when I start to feel inadequate and my perfectionism hits, one of the things I do is start gathering facts. I'm not talking about basic prep; I'm talking about obsessive fact-gathering driven by the vision that there shouldn't be anything I don't know. If I tell myself I shouldn't overprepare, then another voice tells me I'm being lazy. Boom. Ultimately, for me, perfectionism means hiding who I am. It's dressing myself up so the people I want to impress don't come away thinking I'm not as smart or interesting as I thought. It comes from a desperate need to not disappoint others. So I over-prepare. And one of the curious things I've discovered is that what I'm over-prepared, I don't listen as well; I go ahead and say whatever I prepared, whether it responds to the moment or not. I miss the opportunity to improvise or respond well to a surprise. I'm not really there. I'm not my authentic self… If you know how much I am not perfect. I am messy and sloppy in so many places in my life. But I try to clean myself up and bring my best self to work so I can help others bring their best selves to work. I guess what I need to role model a little more is the ability to be open about the mess. Maybe I should just show that to other people. That's what I said in the moment. When I reflected later I realized that my best self is not my polished self. Maybe my best self is when I'm open enough to say more about my doubts or anxieties, admit my mistakes, confess when I'm feeling down. The people can feel more comfortable with their own mess and that's needs your culture to live in that. That was certainly the employees' point. I want to create a workplace where everyone can bring the most human, most authentic selves where we all expect and respect each other's quirks and flaws and all the energy wasted in the pursuit of perfection is saved and channeled into the creativity we need for the work that is a cultural release impossible burdens and lift everyone up.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
M. Vinteuil...carried politeness and consideration for others to such scrupulous lengths, always putting himself in their place, that he was afraid of boring them, or of appearing egotistical, if he carried out or even allowed them to suspect what were his own desires. On the day when my parents had gone to pay him a visit, I had accompanied them, but they had allowed me to remain outside, and as M. Vinteuil's house, Montjouvain, stood at the foot of a bushy hillock where I went to hide, I had found myself on a level with his drawing-room, upstairs, and only a few feet away from its window. When the servant came in to tell him that my parents had arrived, I had seen M. Vinteuil hurriedly place a sheet of music in a prominent position on the piano. But as soon as they entered the room he had snatched it away and put it in a corner. He was afraid, no doubt, of letting them suppose that he was glad to see them only because it gave him a chance of playing them some of his compositions. And every time that my mother, in the course of her visit, had returned to the subject he had hurriedly protested: 'I can't think who put that on the piano; it's not the proper place for it at all,' and had turned the conversation aside to other topics, precisely because they were of less interest to himself.
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
Tis with great Pleasure I observe, That Men of Letters, in this Age, have lost, in a great Measure, that Shyness and Bashfulness of Temper, which kept them at a Distance from Mankind; and, at the same Time, That Men of the World are proud of borrowing from Books their most agreeable Topics of Conversation. ’Tis to be hop’d, that this League betwixt the learned and conversible Worlds, which is so happily begun, will be still farther improv’d to their mutual Advantage; and to that End, I know nothing more advantageous than such Essays as these with which I endeavour to entertain the Public. In this View, I cannot but consider myself as a Kind of Resident or Ambassador from the Dominions of Learning to those of Conversation; and shall think it my constant Duty to promote a good Correspondence betwixt these two States, which have so great a Dependence on each other. I shall give Intelligence to the Learned of whatever passes in Company, and shall endeavour to import into Company whatever Commodities I find in my native Country proper for their Use and Entertainment. The Balance of Trade we need not be jealous of, nor will there be any Difficulty to preserve it on both Sides. The Materials of this Commerce must chiefly be furnish’d by Conversation and common Life: The manufacturing of them alone belongs to Learning. As
David Hume (Essays: Moral, Political, and Literary (NONE))
It wasn’t just other writers who weighed in. The comments section of Shawna’s article blew up. “I might need a whole day to myself to recharge after a party, and I really feel like I was hung over: headache, nausea, fatigue, the whole shebang,” one reader comments. Another agrees: “I often need the next day to recover, which is why I try really hard to never schedule two days of socializing back to back.” And: “I definitely become physically unwell if I overextend.” When Shawna wrote about her experiences, she had no idea she would hit on a topic that resonated so deeply with many introverts. It turns out Shawna was not alone in her introvert hangover. The introvert hangover is real.
Jenn Granneman (The Secret Lives of Introverts: Inside Our Hidden World)
Today, we’re talking about food stamps. Everyone speaks earnestly and academically about topics that have no effect on their daily lives. I don’t know if I’m alone in my experience—I can’t be the only one in here who doesn’t come from money—but from the conversation, it sure sounds like it. I nod and pretend that these things don’t matter to me, either. I pretend it doesn’t matter when the girl at the front of the class says that people on food stamps are lazy. I pretend I don’t care when someone talks about how they saw someone buying a fifth of vodka and a bag of candy with EBT. I nod and I smile and I try not to shiver. I tell myself it’s the draft, that it’s my drenched, mud-stained, no-longer-lucky sweater.
Courtney Milan (Trade Me (Cyclone, # 1))
I always thought of myself as a humanities person as a kid, but I liked electronics,” he said. “Then I read something that one of my heroes, Edwin Land of Polaroid, said about the importance of people who could stand at the intersection of humanities and sciences, and I decided that’s what I wanted to do.” It was as if he were suggesting themes for his biography (and in this instance, at least, the theme turned out to be valid). The creativity that can occur when a feel for both the humanities and the sciences combine in one strong personality was the topic that most interested me in my biographies of Franklin and Einstein, and I believe that it will be a key to creating innovative economies in the twenty-first century.
Walter Isaacson (Steve Jobs)
This was the topic I was given. If something else had happened to me, I would have written about that too. When I get worked up over what happened, I tell myself, you are a pair of eyes. I'm a civilian who's been randomly selected to receive an all-access pass to the court system. Feelings will include invasion, shame, isolation, cruelty. My job is to observe, feel, document, report. What am I learning and seeing that other people can't see? What doorways does my suffering lead to? People sometimes say, I can't imagine. How do I make you imagine? I write to show how victims are treated at this moment in time, to record the temperature of our culture. This is a marker, and I hope that in twenty years this grueling aftermath of victimhood will feel foreign.
Chanel Miller (Know My Name)
I remember." I nod. Wanting to say: I remember everything-all of it-the question is: Do you? But instead, I stare down at my feet, smiling stupidly. Everything I do around him is stupid. Some Seeker I've turned out to be. Attempting to redeem myself,say something normal,not let on that I already know he's employed here-thanks to the raven who allowed me to spy on him earlier,I say, "So,I guess you hang out here a lot then?" He pushes a hand through his hair, as his eyes-the color of aquamarines-glide down the length of me.And damn if I can't feel their trajectory. It's like showering in a stream of warm, molten honey-dripping from the top of my forehead all the way down to my feet. "I guess you could say that," he says,voicelow and deep. "More than most, anyway." He waves a damp towel, tugs on the string of his apron, and I blush in reply. The sight of it reminding me of what I saw in the alleyway-watching him lean against the wall,his face so soft anddreamy I longed to touch him-kiss him-like I did in the dream. I study him closely,seeking traces of recognition, remembrance-some small token of evidence to assure me that, as odd as it seems,that kiss in the cave was as real as it felt-but coming up empty. "So,how long have you worked here?" I ask, returning to the topic at hand. My gaze drifting over the black V-necked T-shirt skimming the sinuous line of his body-telling myself it's all part of my reconnaissance,my need to gather as uch information as I can about him and his kin. But knowing that's not really it.The truth is,I like looking at him, being near him. "I guess you could say somewhere between too long and not long enough-depending on the state of my wallet." His laugh is good-natured and easy-the kid that starts at the belly and trips all the way up. "It's pretty much the only decent game in town." He shrugs. "One way or another,you end up working for the Richters,and believe me, this is one of the better gigs." I peer at him closely,remembering what Cade said when I was here via the raven. How he referred to him by another name. "You're not a Richter?" I ask,holding my breath in my cheeks.Despite what Paloma told me, I need to hear it from him,confirm that he doesn't identify with their clan. "I go by Whitefeather," he says,gaze steady and serious. "I was raised by my mom,didn't even know the Richters when I was a kid." Despite getting the answer I wanted, I frown in return. His being a Richter was a good reason to avoid him-without it,I'm out of excuses. "Is that okay?" He dips his head toward mine,his mouth tugging at the side. "You seem a little upset by the news." I shake my head,break free of my reverie, and say, "No-not at all. Believe me,it's more like a relief." I meet his gaze,seeing the way it narrows in question. "Guess I'm not a big fan of your brother," I add,watching as he throws his head back and laughs,the sight of that long,glorious column of neck forcing me to look away,it's too much to take. "If it makes you feel any better, most of the time I'd have to agree." He returns to me,the warmth of his gaze solely reponsible for the wave of comfort that flows through me.
Alyson Noel (Fated (Soul Seekers, #1))
I find it hard to talk about myself. I'm always tripped up by the eternal who am I? paradox. Sure, no one knows as much pure data about me as me. But when I talk about myself, all sorts of other factors - values, standards, my own limitations as an observer - make me, the narrator, select and eliminate things about me, the narratee. I've always been disturbed by the thought that I'm not painting a very objective picture of myself. This kind of things doesn't seem to bother most people. Given the chance, people are surprisingly frank when they talk about themselves. "I'm honest and open to a ridiculous degree," they'll say, or "I'm thin-skinned and not the type who gets along easily in the world." Or "I'm very good at sensing others' true feelings." But any number of times I've seen people who say they're easily hurt or hurt other people for no apparent reason. Self-styled honest and open people, without realizing what they're doing, blithely use some self-serving excuse to get what they want. And those "good at sensing others' true feelings" are taken in by the most transparent flattery. It's enough to make me ask the question: how well do really know ourselves? The more I think about it, the more I'd like to take a rain check on the topic of me. What I'd like to know more about is the objective reality of things outside myself. How important the world outside is to me, how I maintain a sense of equilibrium by coming to terms with it. That's how I'd grasp a clearer sense of who I am. These are the kind of ideas I had running through my head when I was a teenager. Like a master builder stretches taut his string and lays one brick after another, I constructed this viewpoint - or philosophy of life, to put a bigger spin on it. Logic and speculation played a part in formulating this viewpoint, but for the most part it was based on my own experiences. And speaking of experience, a number of painful episodes taught me that getting this viewpoint of mine across to other people wasn't the easiest thing in the world. The upshot of all this is that when I was young I began to draw an invisible boundary between myself and other people. No matter who I was dealing with, I maintained a set distance, carefully monitoring the person's attitude so that they wouldn't get any closer. I didn't easily swallow what other people told me. My only passions were books and music. As you might guess, I led a lonely life.
Haruki Murakami (Sputnik Sweetheart)
The Head Scissor and CEO of a major corporation was once asked to give a seminar on the topic of innovation to a young and thriving startup company. After looking out upon the big-eyed crowd of young and inexperienced scissors standing there on their snippers, the aged guru opened and closed with a few thoughts that made every scissor look deep within themselves. She said, “The heart asks us to make incisions by following it along the path of intuition. Otherwise, we can be certain we’re just following behind someone else’s dotted lines. Every morning when I get out of the shower and look in the mirror, I say to myself, ‘You stand tall with long legs and bright eyes, but what good are you, if you can’t stay on the cutting edge of your self?’” After receiving a thunderous applause she gave a knowing smile and made her exit.
Curtis Tyrone Jones
Stopping before them, St. Vincent confided, “I would have found you sooner, but I was attacked by a swarm of dingy-dippers.” His voice lowered with conspiratorial furtiveness. “And I don’t wish to alarm either of you, but I had to warn you…they’re planning to serve kidney pudding in the fifth course.” “I can manage that,” Lillian said ruefully. “It is only animals served in their natural state that I seem to have difficulty with.” “Of course you do, darling. We’re barbarians, the lot of us, and you were perfectly right to be appalled by the calves’ heads. I don’t like them either. In fact, I rarely consume beef in any form.” “Are you a vegetarian, then?” Lillian asked, having heard the word frequently of late. Many discussions had centered on the topic of the vegetable system of diet that was being promoted by a hospital society in Ramsgate. St. Vincent responded with a dazzling smile. “No, sweet, I’m a cannibal.” “St. Vincent,” Westcliff growled in warning, seeing Lillian’s confusion. The viscount grinned unrepentantly. “It’s a good thing I happened along, Miss Bowman. You’re not safe alone with Westcliff, you know.” “I’m not?” Lillian parried, tensing inwardly as she reflected that he never would have made the glib comment had he known of the intimate encounters between her and the earl. She didn’t dare look at Westcliff, but she apprehended the immediate stillness of the masculine form so close to hers. “No, indeed,” St. Vincent assured her. “It’s the morally upright ones who do the worst things in private. Whereas with an obvious reprobate such as myself, you couldn’t be in safer hands. Here, you had better return to the dining hall under my protection. God knows what sort of lascivious scheme is lurking in the earl’s mind.” Giggling, Lillian stood from the bench, enjoying the sight of Westcliff being teased. He regarded his friend with a slight scowl as he too rose to his feet.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Once Bee was settled into kindergarten, Bernadette showed no interest in fixing up the house, or in any kind of work. All the energy she had once channeled so fearlessly into architecture, she turned toward fulminating about Seattle, in the form of wild rants that required no less than an hour to fully express. Take five-way intersections. The first time Bernadette commented on the abundance of five-way intersections in Seattle, it seemed perfectly relevant. I hadn’t noticed it myself, but indeed there were many intersections with an extra street jutting out, and which required you to wait through an extra traffic light cycle. Certainly worthy of a conversation between a husband and wife. But the second time Bernadette went off on the same topic, I wondered, Is there something new she wishes to add? But no. She was just complaining with renewed vehemence. She asked me to ask Bill Gates why he’d still live in a city with so many ridiculous intersections
Maria Semple (Where'd You Go, Bernadette)
I opened the John Green and read the first five pages. At first, I mistook my stomach pain for the aftermath of a chilli garlic chicken curry I had eaten that night, and powered on past page one, wincing at the knots, until I arrived at page five and vomited blood over the e-reader in the shape of a fractured heart. I doubled over, howling in pain. I could not believe a book could be that appalling. I screamed out: ‘I called this book a daring take on a controversial topic! I said this was a brave and beautiful novel to be cherished for decades to come!’ I clutched my stomach and screamed. I ran out onto the street, shouting nonsense, assaulting people who tried to help, eventually passing out in a motorway layby, covered in slime and scum, having leapt into a polluted pond to cleanse myself of the foulness that had overtaken me. Then I entered the most horrific dreams, the content of which I am not prepared to speak about and that I will take to the grave.
M.J. Nicholls (The House of Writers)
It was as though I had even to trick my own mind by chattering in such a casual and blase manner; any other way stopped at the point of motivation. It was as though I were emotionally constipated and the words could not otherwise escape my lips. If it were not for the methods I had devised, my words, like my screams and so many of my sobs, would have remained silent. People would push me to get to the point. When what I had to say was negative, this was quite simple. Opinions that had nothing to do with my own identity or needs rolled off my tongue like wisecracks from a stand-up comedian. ....Hiding behind the characters of Carol and Willie, I could say what I thought, but the problem was that I could not say what I felt. One solution was to become cold and clinical about topics I might feel something about. Everyone does this to an extent, in order to cover up what they feel, but I had actually to convince myself about things; it made me a shell of a person.
Donna Williams (Nobody Nowhere: The Extraordinary Autobiography of an Autistic Girl)
I covered all topics—everything and everyone whom I could possibly have wronged, including God, of course—and I asked for forgiveness. But in another part of my brain, I was screaming, “FORGIVENESS FOR WHAT?” I had no idea, but the strength of that absurdity couldn’t pierce the armor of my compulsion. When I finished praying, I got up and walked home. My mother, my father, and my pregnant sister, Corinne, were all waiting in the living room, dressed in their robes. From the expression on their faces, I thought that someone had died. My mother started crying. My father spoke first: “We called the police—they just left here. Do you know what time it is? It’s three o’clock in the morning! Where were you? What in God’s name were you doing?” I couldn’t bring myself to say, “I was praying, Daddy—I was lying in a field, praying to God to forgive me.” And if he had said, “Forgive you for WHAT?” I would have said, “I don’t know!” and he would have say, “For eight hours? Are you nuts?” . . . and he would have been right.
Gene Wilder (Kiss Me Like A Stranger: My Search for Love and Art)
The first step was to restore confidence, so I asked him, speaking pretty loud so that he would hear me through his closed ears, "Would you like some sugar to get your flies around again?" He seemed to wake up all at once, and shook his head. With a laugh he replied, "Not much! Flies are poor things, after all!" After a pause he added, "But I don't want their souls buzzing round me, all the same." "Or spiders?" I went on. "Blow spiders! What's the use of spiders? There isn't anything in them to eat or…" He stopped suddenly as though reminded of a forbidden topic. "So, so!" I thought to myself, "this is the second time he has suddenly stopped at the word 'drink'. What does it mean?" Renfield seemed himself aware of having made a lapse, for he hurried on, as though to distract my attention from it, "I don't take any stock at all in such matters. 'Rats and mice and such small deer,' as Shakespeare has it, 'chicken feed of the larder' they might be called. I'm past all that sort of nonsense. You might as well ask a man to eat molecules with a pair of chopsticks, as to try to interest me about the less carnivora, when I know of what is before me." "I see," I said. "You want big things that you can make your teeth meet in? How would you like to breakfast on an elephant?" "What ridiculous nonsense you are talking?" He was getting too wide awake, so I thought I would press him hard. "I wonder," I said reflectively, "what an elephant's soul is like!" The effect I desired was obtained, for he at once fell from his high-horse and became a child again. "I don't want an elephant's soul, or any soul at all!" he said. For a few moments he sat despondently. Suddenly he jumped to his feet, with his eyes blazing and all the signs of intense cerebral excitement. "To hell with you and your souls!" he shouted. "Why do you plague me about souls? Haven't I got enough to worry, and pain, to distract me already, without thinking of souls?" He looked so hostile that I thought he was in for another homicidal fit, so I blew my whistle.
Bram Stoker (Dracula)
Apply the following statements to a significant EIP in your life and in your journal write “agree” or “disagree” for each one. I agree that your needs should come before anyone else’s. I agree not to speak my own mind when I’m around you. Please say anything you want, and I won’t object. Yes, I must be ignorant if I think differently from you. Of course you should be upset if anyone says no to you about anything. Please educate me about what I should like or dislike. Yes, it makes sense for you to decide how much time I should want to spend with you. You’re right, I should show you “respect” by disowning my own thoughts in your presence. Of course you shouldn’t have to exercise self-control if you don’t feel like it. It’s fine if you don’t think before you speak. It’s true: you should never have to wait or deal with any unpleasantness. I agree: you shouldn’t have to adjust when circumstances change around you. It’s okay if you ignore me, snap at me, or don’t act glad to see me: I’ll still want to spend time with you. Of course you are entitled to be rude. I agree that you shouldn’t have to take direction from anyone. Please talk as long as you like about your favorite topics; I’m ready to just listen and never be asked any questions about myself.
Lindsay C. Gibson (Recovering from Emotionally Immature Parents: Practical Tools to Establish Boundaries & Reclaim Your Emotional Autonomy)
And thus when by poetyr or wehn by music the most entrancing of the poetic moods we find ourselves melted into tears, we weep then not as the abbate gravina supposes through excess of pleasure but through a certain petulatn impatient sorrow at our inability to grasp no wholly here on earth at once and forever these divein and rapturous joys of which through the poem or through the music we attain to but brief and indeterminate glimpses. The struggle to apprehend the supernal loveliness this struggle on the part of souls fittingly constituted has given to the world all that which it (the world) has ever been enabled at once to understand and to feel as peotic whose distant footsteps echo down the corridors of time The impression left is one of pleasurable sadness. This certain taint of sadness is insperably connected with al the higher manifestations of true beauty . It is nevertheless. Beauty is the sole legitimate province of the poem. Melancholy is thus the most legitimate of all the poetical tones. The next desideratum was a pretext for the continous use of the one word nevermore.in observing the difficutly which i at once found in inventing a suffiecienly plausible reason for its continuous repetition i did not fail to preceive thta this difficutly arose solely form the pre assumption that the world was to be so continuously or monotonously spoke by a human being i did not fail to perceive in shor t that the difficulty lay in the reconciliation of this monotony with the exercise of reason on the part of the creature repeating the word here then immediately arose the idea of a non-reasoning creature capable of speech and very naturally a parrot in the first instance suggested itself but was superseded forthwith by a raven as equally capable of speech and infinitely more in keeping with the intended tone.“I had now gone so far as the conception of a Raven, the bird of ill-omen, monotonously repeating the one word "Nevermore" at the conclusion of each stanza in a poem of melancholy tone, and in length about one hundred lines. Now, never losing sight of the object _supremeness_ or perfection at all points, I asked myself--"Of all melancholy topics what, according to the _universal_ understanding of mankind, is the _most_ melancholy?" Death, was the obvious reply. "And when," I said, "is this most melancholy of topics most poetical?" From what I have already explained at some length, the answer here also is obvious--"When it most closely allies itself to _Beauty_; the death, then, of a beautiful woman is unquestionably the most poetical topic in the world, and equally is it beyond doubt that the lips best suited for such topic are those of a bereaved lover.
Edgar Allan Poe (The Complete Poems and Stories of Edgar Allan Poe, Volume 2 (The Complete Poems and Stories of Edgar Allan Poe, #2))
It is the lessons that we disagree with that force and challenge us to grow and learn for ourselves, and though the matter of spirituality and the afterlife are VERY grey areas, I hope that the thoughts I have on the matter will enlighten you, force you to reflect on your own beliefs, or piss you off enough to go and do your own research to find out if what I am writing is more relevant to your own life that you would like to believe.        Be skeptical, ESPECIALLY of things you read and things you see on the news. Do your own research on topics you think are relevant to your life. Everyone is entitled to their opinion, at least THESE days they are. This was not so until VERY recently in human history, and it still isn't in many parts of the world. From birth, humans are trained to believe the things that their parents believe and their social group believes. There are some of us that didn't believe, and therefore didn't behave. I got into so much trouble I was no longer afraid to get into trouble, and this gave me freedom and fearlessness of thought that no one else in my school had. I am extremely grateful for the punishments I received for the crime of thinking for myself. I am thankful for being ostracized for being different. The only way to lead yourself out of the imprisonment of outdated modes of thinking and ancient beliefs is to cast away the old system, and them you can start to build.
Ivan D'Amico (The Satanic Bible The New Testament Book One)
What is it that makes a person the very person that she is, herself alone and not another, an integrity of identity that persists over time, undergoing changes and yet still continuing to be—until she does not continue any longer, at least not unproblematically? I stare at the picture of a small child at a summer’s picnic, clutching her big sister’s hand with one tiny hand while in the other she has a precarious hold on a big slice of watermelon that she appears to be struggling to have intersect with the small o of her mouth. That child is me. But why is she me? I have no memory at all of that summer’s day, no privileged knowledge of whether that child succeeded in getting the watermelon into her mouth. It’s true that a smooth series of contiguous physical events can be traced from her body to mine, so that we would want to say that her body is mine; and perhaps bodily identity is all that our personal identity consists in. But bodily persistence over time, too, presents philosophical dilemmas. The series of contiguous physical events has rendered the child’s body so different from the one I glance down on at this moment; the very atoms that composed her body no longer compose mine. And if our bodies are dissimilar, our points of view are even more so. Mine would be as inaccessible to her—just let her try to figure out [Spinoza’s] Ethics—as hers is now to me. Her thought processes, prelinguistic, would largely elude me. Yet she is me, that tiny determined thing in the frilly white pinafore. She has continued to exist, survived her childhood illnesses, the near-drowning in a rip current on Rockaway Beach at the age of twelve, other dramas. There are presumably adventures that she—that is that I—can’t undergo and still continue to be herself. Would I then be someone else or would I just no longer be? Were I to lose all sense of myself—were schizophrenia or demonic possession, a coma or progressive dementia to remove me from myself—would it be I who would be undergoing those trials, or would I have quit the premises? Would there then be someone else, or would there be no one? Is death one of those adventures from which I can’t emerge as myself? The sister whose hand I am clutching in the picture is dead. I wonder every day whether she still exists. A person whom one has loved seems altogether too significant a thing to simply vanish altogether from the world. A person whom one loves is a world, just as one knows oneself to be a world. How can worlds like these simply cease altogether? But if my sister does exist, then what is she, and what makes that thing that she now is identical with the beautiful girl laughing at her little sister on that forgotten day? In this passage from Betraying Spinoza, the philosopher and novelist Rebecca Newberger Goldstein (to whom I am married) explains the philosophical puzzle of personal identity, one of the problems that engaged the Dutch-Jewish thinker who is the subject of her book.5 Like her fellow humanist Dawkins, Goldstein analyzes the vertiginous enigma of existence and death, but their styles could not be more different—a reminder of the diverse ways that the resources of language can be deployed to illuminate a topic.
Steven Pinker (The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century)
The thing is, I don't really have any coming-out narratives of my own. I never felt as though anyone was entitles to a red-carpet presentation of who I am and how I identify. When I initially found myself attracted to women in college, for example, I simply showed up at the next family function with my first girlfriend in tow and introduced her as such. I didn't call each family member ahead of time and instruct them to brace themselves, nor did I write lengthy letters detailing the intricacies of my new desires. Likewise, when I'm meeting people for the first time at parties or other social engagements and they post the inevitable, "So what do you do?" I respond as routinely as possible: "Oh, I work in the sex industry. You?" I'm not trying to be provocative; rather, I've always believed that being "out" is the most powerful tool of activism available to disadvantaged minority communities, sex workers included, I find that when you approach a supposedly radical issue (queerness, nonmonogamy, atheism, gender nonconformity) with the same nonchalance as you would a less controversial topic (accounting, marriage, the weather), you give the other party permission to treat it with the same accepting ambivalence. We're pack animals, and we're constantly comparing ourselves to one another. We look for approval from our peers, and in many cases we use their reactions and opinions to help guide our own. I often observe people, who I've just disclosed to, pause to shift their eyes and gauge the receptiveness of those around them before responding. It'd be a fascinating study if it weren't so disheartening.
Andre Shakti (Coming Out Like a Porn Star: Essays on Pornography, Protection, and Privacy)
Speaking of debutantes,” Jake continued cautiously when Ian remained silent, “what about the one upstairs? Do you dislike her especially, or just on general principle?” Ian walked over to the table and poured some Scotch into a glass. He took a swallow, shrugged, and said, “Miss Cameron was more inventive than some of her vapid little friends. She accosted me in a garden at a party.” “I can see how bothersome that musta been,” Jake joked, “having someone like her, with a face that men dream about, tryin’ to seduce you, usin’ feminine wiles on you. Did they work?” Slamming the glass down on the table, Ian said curtly, “They worked.” Coldly dismissing Elizabeth from his mind, he opened the deerskin case on the table, removed some papers he needed to review, and sat down in front of the fire. Trying to suppress his avid curiosity, Jake waited a few minutes before asking, “Then what happened?” Already engrossed in reading the documents in his hand, Ian said absently and without looking up, “I asked her to marry me; she sent me a note inviting me to meet her in the greenhouse; I went there; her brother barged in on us and informed me she was a countess, and that she was already betrothed.” The topic thrust from his mind, Ian reached for the quill lying on the small table beside his chair and made a note in the margin of the contract. “And?” Jake demanded avidly. “And what?” “And then what happened-after the brother barged in?” “He took exception to my having contemplated marrying so far above myself and challenged me to a duel,” Ian replied in a preoccupied voice as he made another note on the contract. “So what’s the girl doin’ here now?” Jake asked, scratching his head in bafflement over the doings of the Quality. “Who the hell knows,” Ian murmured irritably. “Based on her behavior with me, my guess is she finally got caught in some sleezy affair or another, and her reputation’s beyond repair.” “What’s that got to do with you?” Ian expelled his breath in a long, irritated sigh and glanced at Jake with an expression that made it clear he was finished answering questions. “I assume,” he bit out, “that her family, recalling my absurd obsession with her two years ago, hoped I’d come up to scratch again and take her off their hands.” “You think it’s got somethin’ to do with the old duke talking about you bein’ his natural grandson and wantin’ to make you his heir?” He waited expectantly, hoping for more information, but Ian ignored him, reading his documents. Left with no other choice and no prospect for further confidences, Jake picked up a candle, gathered up some blankets, and started for the barn. He paused at the door, struck by a sudden thought. “She said she didn’t send you any note about meetin’ her in the greenhouse.” “She’s a liar and an excellent little actress,” Ian said icily, without taking his gaze from the papers. “Tomorrow I’ll think of some way to get her out of here and off my hands.” Something in Ian’s face made him ask, “Why the hurry? You afraid of fallin’ fer her wiles again?” “Hardly.” “Then you must be made of stone,” he teased. “That woman’s so beautiful she’d tempt any man who was alone with her for an hour-includin’ me, and you know I ain’t in the petticoat line at all.” “Don’t let her catch you alone,” Ian replied mildly. “I don’t think I’d mind.” Jake laughed as he left.
Judith McNaught (Almost Heaven (Sequels, #3))
I struggle with an embarrassing affliction, one that as far as I know doesn’t have a website or support group despite its disabling effects on the lives of those of us who’ve somehow contracted it. I can’t remember exactly when I started noticing the symptoms—it’s just one of those things you learn to live with, I guess. You make adjustments. You hope people don’t notice. The irony, obviously, is having gone into a line of work in which this particular infirmity is most likely to stand out, like being a gimpy tango instructor or an acrophobic flight attendant. The affliction I’m speaking of is moral relativism, and you can imagine the catastrophic effects on a critic’s career if the thing were left to run its course unfettered or I had to rely on my own inner compass alone. To be honest, calling it moral relativism may dignify it too much; it’s more like moral wishy-washiness. Critics are supposed to have deeply felt moral outrage about things, be ready to pronounce on or condemn other people’s foibles and failures at a moment’s notice whenever an editor emails requesting twelve hundred words by the day after tomorrow. The severity of your condemnation is the measure of your intellectual seriousness (especially when it comes to other people’s literary or aesthetic failures, which, for our best critics, register as nothing short of moral turpitude in itself). That’s how critics make their reputations: having take-no-prisoners convictions and expressing them in brutal mots justes. You’d better be right there with that verdict or you’d better just shut the fuck up. But when it comes to moral turpitude and ethical lapses (which happen to be subjects I’ve written on frequently, perversely drawn to the topics likely to expose me at my most irresolute)—it’s like I’m shooting outrage blanks. There I sit, fingers poised on keyboard, one part of me (the ambitious, careerist part) itching to strike, but in my truest soul limply equivocal, particularly when it comes to the many lapses I suspect I’m capable of committing myself, from bad prose to adultery. Every once in a while I succeed in landing a feeble blow or two, but for the most part it’s the limp equivocator who rules the roost—contextualizing, identifying, dithering. And here’s another confession while I’m at it—wow, it feels good to finally come clean about it all. It’s that … once in a while, when I’m feeling especially jellylike, I’ve found myself loitering on the Internet in hopes of—this is embarrassing—cadging a bit of other people’s moral outrage (not exactly in short supply online) concerning whatever subject I’m supposed to be addressing. Sometimes you just need a little shot in the arm, you know? It’s not like I’d crib anyone’s actual sentences (though frankly I have a tough time getting as worked up about plagiarism as other people seem to get—that’s how deep this horrible affliction runs). No, it’s the tranquillity of their moral authority I’m hoping will rub off on me. I confess to having a bit of an online “thing,” for this reason, about New Republic editor-columnist Leon Wieseltier—as everyone knows, one of our leading critical voices and always in high dudgeon about something or other: never fearing to lambaste anyone no matter how far beneath him in the pecking order, never fearing for a moment, when he calls someone out for being preening or self-congratulatory, as he frequently does, that it might be true of himself as well. When I’m in the depths of soft-heartedness, a little dose of Leon is all I need to feel like clambering back on the horse of critical judgment and denouncing someone for something.
Laura Kipnis (Men: Notes from an Ongoing Investigation)
[...] Kevin had grown up playing left-handed. Seeing him take on Andrew right-handed was ballsy enough, seeing him actually score was surreal. Kevin kicked them off the court [...], but instead of following [...] he stayed behind with Andrew to keep practicing. Neil watched them over his shoulder. "I saw him first," Nicky said. "I thought you had Erik," Neil said. "I do, but Kevin's on the List," Nicky said. When Neil frowned, Nicky explained. "It's a list of celebrities we're allowed to have affairs with. Kevin is number three." Neil pretended to understand and changed the topic. "How does anyone lose against the Foxes with Andrew in your goal?" "He's good, right? [...] Coach bribed Andrew into saving our collective asses with some really nice booze." "Bribed?" Neil echoed. "Andrew's good," Nicky said again, "but it doesn't really matter to him if we win or lose. You want him to care, you gotta give him incentive." "He can't play like that and not care." "Now you sound like Kevin. You'll find out the hard way, same as Kevin did. Kevin gave Andrew a lot of grief this spring [...]. Up until then they were fighting like cats and dogs. Now look at them. They're practically trading friendship bracelets and I couldn't fit a crowbar between them if it'd save my life." "But why?" Neil asked. "Andrew hates Kevin's obsession with Exy." "The day they start making sense to you, let me know," Nicky said [...]. "I gave up trying to sort it all out weeks ago. [...] But as long as I'm doling out advice? Stop staring at Kevin so much. You're making me fear for your life over here." "What do you mean?" "Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats." "Can you take the creepy down a level?" Aaron asked. "What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push." "I don't need a push," Neil said. "I'm fine on my own." "Seriously, how are you not bored of your hand by now?" "I'm done with this conversation," Neil said. "This and every future variation of it [...]." The stadium door slammed open as Andrew showed up at last. [...] "Kevin wants to know what's taking you so long. Did you get lost?" "Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later." [...] "Wow, Nicky," Andrew said. "You start early." "Can you really blame me?" Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall. [...] "Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?" "You know I'd never hurt him. If he says yes-" "I said no." "Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-" He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey. [...] Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it. [...] "Hey, are we playing or what?" Neil asked. "Kevin's waiting." [...] Andrew let go of Nicky and spun away. [...] Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all. "On second thought, you're not my type after all [...].
Nora Sakavic (The Foxhole Court (All for the Game, #1))
I am assured that this is a true story. A man calls up his computer helpline complaining that the cupholder on his personal computer has snapped off, and he wants to know how to get it fixed. “Cupholder?” says the computer helpline person, puzzled. “I’m sorry, sir, but I’m confused. Did you buy this cupholder at a computer show or receive it as a special promotion?” “No, it came as part of the standard equipment on my computer.” “But our computers don’t come with cupholders.” “Well, pardon me, friend, but they do,” says the man a little hotly. “I’m looking at mine right now. You push a button on the base of the unit and it slides right out.” The man, it transpired, had been using the CD drawer on his computer to hold his coffee cup. I bring this up here by way of introducing our topic this week: cupholders. Cupholders are taking over the world. It would be almost impossible to exaggerate the importance of cupholders in automotive circles these days. The New York Times recently ran a long article in which it tested a dozen family cars. It rated each of them for ten important features, among them engine size, trunk space, handling, quality of suspension, and, yes, number of cupholders. A car dealer acquaintance of ours tells us that they are one of the first things people remark on, ask about, or play with when they come to look at a car. People buy cars on the basis of cupholders. Nearly all car advertisements note the number of cupholders prominently in the text. Some cars, like the newest model of the Dodge Caravan, come with as many as seventeen cupholders. The largest Caravan holds seven passengers. Now you don’t have to be a nuclear physicist, or even wide awake, to work out that that is 2.43 cupholders per passenger. Why, you may reasonably wonder, would each passenger in a vehicle need 2.43 cupholders? Good question. Americans, it is true, consume positively staggering volumes of fluids. One of our local gas stations, I am reliably informed, sells a flavored confection called a Slurpee in containers up to 60 ounces in size. But even if every member of the family had a Slurpee and a personal bottle of
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After 20 Years Away)
When we left, we were told it would be another month before the winner was announced. Then I felt really discouraged. Friends were telling me that my injuries and my fitness level guaranteed me the cover. I felt the opposite. I didn’t feel I was as fit as the others and I felt like the war was too controversial a topic for the magazine to want to feature a wounded veteran. I had completely talked myself out of even the slightest possibility of winning by the time I was back on a plane to New York a month later to find out the results. My family didn’t believe that I didn’t know already. They thought I’d been told and kept asking me about it. But I really didn’t know. The winner was being announced live on NBC’s Today show. I had made my peace with not winning and Jamie and I were just excited to go to New York and be on Today. We had a layover in Charlotte, North Carolina, and when we landed there I had a voice mail from my friend Billy. His message: “I thought we had to wait to see who won? It’s already out!” I clicked onto my Facebook app and saw that Billy had posted a picture of him and some of his buddies at a truck stop in Kentucky posing with a Men’s Health magazine--and I was on the cover! I was shocked. But even then I was convinced this wasn’t real. Maybe the editors had decided to give the cover to all three of us and we each had a different region of the country. It felt incredible to see myself on the cover of that magazine but I just wasn’t convinced I was the outright winner. Jamie and I got to our hotel room late. I called my contact at Men’s Health, Nora, and said, “I’ve already seen the magazine.” There was a beat on the other end of the line before she flatly said, “We’ll talk about it in the morning.” So Jamie and I went to bed. The next morning we met up with Finny and Kavan and headed over to 30 Rockefeller Plaza for the Today show. I didn’t say a word about what I’d seen. When we arrived, Nora was at the door. I waited for the others to go in before I said to her, “So we’re not going to talk about what we’re not going to talk about?” I was smirking a little but quickly wiped the grin off my face when I saw the look on Nora’s. “You’re not the only person in this competition, Noah. Not everyone knows.” Roger that. I wouldn’t say another word.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
If you’re still not sure where you fall on the introvert-extrovert spectrum, you can assess yourself here. Answer each question “true” or “false,” choosing the answer that applies to you more often than not.* ______ I prefer one-on-one conversations to group activities. ______ I often prefer to express myself in writing. ______ I enjoy solitude. ______ I seem to care less than my peers about wealth, fame, and status. ______ I dislike small talk, but I enjoy talking in depth about topics that matter to me. ______ People tell me that I’m a good listener. ______ I’m not a big risk-taker. ______ I enjoy work that allows me to “dive in” with few interruptions. ______ I like to celebrate birthdays on a small scale, with only one or two close friends or family members. ______ People describe me as “soft-spoken” or “mellow.” ______ I prefer not to show or discuss my work with others until it’s finished. ______ I dislike conflict. ______ I do my best work on my own. ______ I tend to think before I speak. ______ I feel drained after being out and about, even if I’ve enjoyed myself. ______ I often let calls go through to voice mail. ______ If I had to choose, I’d prefer a weekend with absolutely nothing to do to one with too many things scheduled. ______ I don’t enjoy multitasking. ______ I can concentrate easily. ______ In classroom situations, I prefer lectures to seminars. The more often you answered “true,” the more introverted you probably are. If you found yourself with a roughly equal number of “true” and “false” answers, then you may be an ambivert—yes, there really is such a word. But even if you answered every single question as an introvert or extrovert, that doesn’t mean that your behavior is predictable across all circumstances. We can’t say that every introvert is a bookworm or every extrovert wears lampshades at parties any more than we can say that every woman is a natural consensus-builder and every man loves contact sports. As Jung felicitously put it, “There is no such thing as a pure extrovert or a pure introvert. Such a man would be in the lunatic asylum.” This is partly because we are all gloriously complex individuals, but also because there are so many different kinds of introverts and extroverts. Introversion and extroversion interact with our other personality traits and personal histories, producing wildly different kinds of people. So
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
To this day, I am still not sure what it was about Chip Gaines that made me give him a second chance--because, basically, our first date was over before it even started. I was working at my father’s Firestone automotive shop the day we first met. I’d worked as my dad’s office manager through my years at Baylor University and was perfectly happy working there afterward while I tried to figure out what I really wanted to do with my life. The smell of tires, metal, and grease--that place was like a second home to me, and the guys in the shop were all like my big brothers. On this particular afternoon, they all started teasing me. “You should go out to the lobby, Jo. There’s a hot guy out there. Go talk to him!” they said. “No,” I said. “Stop it! I’m not doing that.” I was all of twenty-three, and I wasn’t exactly outgoing. She was a bit awkward--no doubt about that. I hadn’t dated all that much, and I’d never had a serious relationship--nothing that lasted longer than a month or two. I’d always been an introvert and still am (believe it or not). I was also very picky, and I just wasn’t the type of girl who struck up conversations with guys I didn’t know. I was honestly comfortable being single; I didn’t think that much of it. “Who is this guy, anyway?” I asked, since they all seemed to know him for some reason. “Oh, they call him Hot John,” someone said, laughing. Hot John? There was no way I was going out in that lobby to strike up a conversation with some guy called Hot John. But the guys wouldn’t let up, so I finally said, “Fine.” I gathered up a few things from my desk (in case I needed a backup plan) and rounded the corner into the lobby. I quickly realized that Hot John was pretty good-looking. He’d obviously just finished a workout--he was dressed head-to-toe in cycling gear and was just standing there, innocently waiting on someone from the back. I tried to think about what I might say to strike up a conversation when I got close enough and quickly settled on the obvious topic: cycling. But just as that thought raced through my head, he looked up from his magazine and smiled right at me. Crap, I thought. I completely lost my nerve. I kept on walking right past him and out the lobby’s front door. When I reached the safety of my dad’s outdoor waiting area, I realized just how bad I’d needed the fresh air. I sat on a chair a few down from another customer and immediately started laughing at myself. Did I really just do that?
Joanna Gaines (The Magnolia Story)
ACT I Dear Diary, I have been carrying you around for a while now, but I didn’t write anything before now. You see, I didn’t like killing that cow to get its leather, but I had to. Because I wanted to make a diary and write into it, of course. Why did I want to write into a diary? Well, it’s a long story. A lot has happened over the last year and I have wanted to write it all down for a while, but yesterday was too crazy not to document! I’m going to tell you everything. So where should we begin? Let’s begin from the beginning. I kind of really want to begin from the middle, though. It’s when things got very interesting. But never mind that, I’ll come to it in a bit. First of all, my name is Herobrine. That’s a weird name, some people say. I’m kinda fond of it, but that’s just me I suppose. Nobody really talks to me anyway. People just refer to me as “Him”. Who gave me the name Herobrine? I gave it to myself, of course! Back in the day, I used to be called Jack, but it was such a run-of-the-mill name, so I changed it. Oh hey, while we’re at the topic of names, how about I give you a name, Diary? Yeah, I’m gonna give you a name. I’ll call you… umm, how does Doris sound? Nah, very plain. I must come up with a more creative name. Angela sounds cool, but I don’t think you’ll like that. Come on, give me some time. I’m not used to coming up with awesome names on the fly! Yes, I got it! I’ll call you Moony, because I created you under a full moon. Of course, that’s such a perfect name! I am truly a genius. I wish people would start appreciating my intellect. Oh, right. The story, right, my bad. So Moony, when it all started, I was a miner. Yep, just like 70% of the people in Scotland. And it was a dull job, I have to say. Most of the times, I mined for coal and iron ore. Those two resources were in great need at my place, that’s why so many people were miners. We had some farmers, builders, and merchants, but that was basically it. No jewelers, no booksellers, no restaurants, nothing. My gosh, that place was boring! I had always been fascinated by the idea of building. It seemed like so much fun, creating new things from other things. What’s not to like? I wanted to build, too. So I started. It was part-time at first, and I only did it when nobody was around. Whenever I got some free time on my hands, I spent it building stuff. I would dig out small caves and build little horse stables and make boats and all. It was so much fun! So I decided to take it to the next level and left my job as a miner. They weren’t paying me well, anyway. I traveled far and wide, looking for places to build and finding new materials. I’m quite the adrenaline junkie, I soon realized, always looking for an adventure.
Funny Comics (Herobrine's Diary 1: It Ain't Easy Being Mean (Herobrine Books))
her that when he had first raised the idea, I hadn’t known he was sick. Almost nobody knew, she said. He had called me right before he was going to be operated on for cancer, and he was still keeping it a secret, she explained. I decided then to write this book. Jobs surprised me by readily acknowledging that he would have no control over it or even the right to see it in advance. “It’s your book,” he said. “I won’t even read it.” But later that fall he seemed to have second thoughts about cooperating and, though I didn’t know it, was hit by another round of cancer complications. He stopped returning my calls, and I put the project aside for a while. Then, unexpectedly, he phoned me late on the afternoon of New Year’s Eve 2009. He was at home in Palo Alto with only his sister, the writer Mona Simpson. His wife and their three children had taken a quick trip to go skiing, but he was not healthy enough to join them. He was in a reflective mood, and we talked for more than an hour. He began by recalling that he had wanted to build a frequency counter when he was twelve, and he was able to look up Bill Hewlett, the founder of HP, in the phone book and call him to get parts. Jobs said that the past twelve years of his life, since his return to Apple, had been his most productive in terms of creating new products. But his more important goal, he said, was to do what Hewlett and his friend David Packard had done, which was create a company that was so imbued with innovative creativity that it would outlive them. “I always thought of myself as a humanities person as a kid, but I liked electronics,” he said. “Then I read something that one of my heroes, Edwin Land of Polaroid, said about the importance of people who could stand at the intersection of humanities and sciences, and I decided that’s what I wanted to do.” It was as if he were suggesting themes for his biography (and in this instance, at least, the theme turned out to be valid). The creativity that can occur when a feel for both the humanities and the sciences combine in one strong personality was the topic that most interested me in my biographies of Franklin and Einstein, and I believe that it will be a key to creating innovative economies in the twenty-first century. I asked Jobs why he wanted me to be the one to write his biography. “I think you’re good at getting people to talk,” he replied. That was an unexpected answer. I knew that I would have to interview scores of people he had fired, abused, abandoned, or otherwise infuriated, and I feared he would not be comfortable with my getting them to talk. And indeed he did turn out to be skittish when word trickled back to him of people that I was interviewing. But after a couple of months,
Walter Isaacson (Steve Jobs)
Our patients predict the culture by living out consciously what the masses of people are able to keep unconscious for the time being. The neurotic is cast by destiny into a Cassandra role. In vain does Cassandra, sitting on the steps of the palace at Mycenae when Agamemnon brings her back from Troy, cry, “Oh for the nightingale’s pure song and a fate like hers!” She knows, in her ill-starred life, that “the pain flooding the song of sorrow is [hers] alone,” and that she must predict the doom she sees will occur there. The Mycenaeans speak of her as mad, but they also believe she does speak the truth, and that she has a special power to anticipate events. Today, the person with psychological problems bears the burdens of the conflicts of the times in his blood, and is fated to predict in his actions and struggles the issues which will later erupt on all sides in the society. The first and clearest demonstration of this thesis is seen in the sexual problems which Freud found in his Victorian patients in the two decades before World War I. These sexual topics‒even down to the words‒were entirely denied and repressed by the accepted society at the time. But the problems burst violently forth into endemic form two decades later after World War II. In the 1920's, everybody was preoccupied with sex and its functions. Not by the furthest stretch of the imagination can anyone argue that Freud "caused" this emergence. He rather reflected and interpreted, through the data revealed by his patients, the underlying conflicts of the society, which the “normal” members could and did succeed in repressing for the time being. Neurotic problems are the language of the unconscious emerging into social awareness. A second, more minor example is seen in the great amount of hostility which was found in patients in the 1930's. This was written about by Horney, among others, and it emerged more broadly and openly as a conscious phenomenon in our society a decade later. A third major example may be seen in the problem of anxiety. In the late 1930's and early 1940's, some therapists, including myself, were impressed by the fact that in many of our patients anxiety was appearing not merely as a symptom of repression or pathology, but as a generalized character state. My research on anxiety, and that of Hobart Mowrer and others, began in the early 1940's. In those days very little concern had been shown in this country for anxiety other than as a symptom of pathology. I recall arguing in the late 1940's, in my doctoral orals, for the concept of normal anxiety, and my professors heard me with respectful silence but with considerable frowning. Predictive as the artists are, the poet W. H. Auden published his Age of Anxiety in 1947, and just after that Bernstein wrote his symphony on that theme. Camus was then writing (1947) about this “century of fear,” and Kafka already had created powerful vignettes of the coming age of anxiety in his novels, most of them as yet untranslated. The formulations of the scientific establishment, as is normal, lagged behind what our patients were trying to tell us. Thus, at the annual convention of the American Psychopathological Association in 1949 on the theme “Anxiety,” the concept of normal anxiety, presented in a paper by me, was still denied by most of the psychiatrists and psychologists present. But in the 1950's a radical change became evident; everyone was talking about anxiety and there were conferences on the problem on every hand. Now the concept of "normal" anxiety gradually became accepted in the psychiatric literature. Everybody, normal as well as neurotic, seemed aware that he was living in the “age of anxiety.” What had been presented by the artists and had appeared in our patients in the late 30's and 40's was now endemic in the land.
Rollo May (Love and Will)
I landed a bit too fast and stumbled in my unlaced sneakers before slamming face first into Darius’s chest as he lurched forward to catch me. “Sorry,” I laughed as I looked up at him with a grin and he fell still as he helped me steady myself. “What?” I asked, trying to blink the sleep out of my eyes. “You’ve never smiled at me like that before,” he said in a rough voice, reaching out to brush some tangled strands of black hair out of my face. “Shut up, I smile at you all the time,” I replied as heat touched my cheeks and I tried to run my fingers through my knotty hair. Really should have taken a minute to brush it dumbass. Let’s hope he assumes it’s from flying. “Not like that you don’t,” Darius countered, a smile tugging at the corner of his mouth too as his gaze ran over me. “You look…cute.” “I don’t know what you mean. And I don’t do cute.” Darius snorted at me. “You look like you got dressed in the dark…” “Gee thanks, any more observations, Sherlock?” I asked, rolling my eyes at him but I was still grinning so there wasn’t much bite with my snark. “Well… You’re not wearing any makeup.” “I…woke up late, so-” “I like it,” he said, his smile growing as he looked me over. “You look all sleepy and innocent. I could almost imagine you just woke up in my bed.” I was definitely goddamn blushing now and thanks to my lack of bronzer he was clearly well aware of it. The sky was darkening overhead already as we lingered, but I fought the stars for just another moment. “If I’d spent the night in your bed, there wouldn’t have been anything innocent about it,” I taunted to get him back onto safer, less mortifying topics of conversation. Like sex. “As much as I ache for the feeling of your body against mine – and I really fucking do – I think if I was allowed a single cheat against this curse that keeps us apart, I’d just want to be able hold you in my arms,” he replied. “Just to wake up with you there, knowing you were safe.” My heart pounded at his words, but a crash of thunder from the heavens stopped me from replying. I offered him a frustrated smile and turned away from him as I began my run. Darius followed behind me, far enough back to allow the clouds to scatter again and I tried not to dwell on the disappointment that lingered in me as I upped my pace. Did I just shoot over here at the speed of light without brushing my hair or putting any makeup on rather than risk missing out on our run? I shook my head at myself as I tried to figure out what was going on here. I’d been purposefully ignoring this question up until now, but I seriously needed to consider what I was doing. Running with him every morning, messaging him every night. Exchanging little looks whenever we ended up in the same place and thinking about him way too often. This felt a hell of a lot like the start of something instead of the end of it, but that wasn’t possible. Even if he wanted it. Even if I wanted it. We couldn’t have it. The damn stars wouldn’t allow it. My mind twisted around and around as we ran on and I cursed the stars out with everything I had. But why was I doing that? Hadn’t I made my mind up about this? Hadn’t I already made the only decision I could? Darius might have been showing me more of himself now, he might have stopped hurting me and be trying to change but had he done enough to make up for all the pain he’d caused me? When I really thought about it, I still wasn’t sure. But I was sure that he made me smile when he messaged me, that I looked for him whenever I arrived in a room, that he seemed to be trying to do everything he could to set things right. And that I fantasised about him more than I had about any man in all my life. Even Tom Hardy. Even. Tom. Hardy. Fuck it. We ran around Aqua Lake, circling the shore and heading on into The Wailing Wood. Darius kept pace behind me in silence like always, but I decided to drop back. (Tory)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
Coach Valvano told me that my goal should be to walk out of the interview with “no negatives.” Every comment, phrase, or story must be positive, and I had to be prepared to talk only about things that put me in the best light. No matter what the topic, it was my job to turn every answer into a response that highlighted my strong points. Like his point guard, who controlled the court, or my middle linebacker, who controlled our defense, I had to control the interview. He taught me that if they asked a question that I couldn’t answer, then I shouldn’t answer it but instead find a way to turn the question to something I could talk about comfortably, positively, and honestly. He explained the importance of being disciplined in that setting and avoiding any and all negative thoughts. If I spoke with positivity and confidence, it would be evident that I believed in myself, and that belief was what the interviewer would be looking for.
Pete Carroll (Win Forever: Live, Work, and Play Like a Champion)
I had to admit, while writing this book, I experienced highs and lows myself. At first, I was filled with excitement and thrilled at the idea of providing people with a guide to help them understand their emotions. I imagined how readers’ lives would improve as they learned to control their emotions. My motivation was high and I couldn’t help but imagine how great the book would be. Or so I thought. After the initial excitement, the time came to sit down to write the actual book, and that’s when the excitement wore off pretty quickly. Suddenly ideas that looked great in my mind felt dull. My writing seemed boring, and I felt as though I had nothing substantive or valuable to contribute. Sitting at my desk and writing became more challenging each day. I started losing confidence. Who was I to write a book about emotions if I couldn’t even master my own emotions? How ironic! I considered giving up. There are already plenty of books on the topic, so why add one more? At the same time, I realized this book was a perfect opportunity to work on my emotional issues. And who doesn’t suffer from negative emotions from time to time? We all have highs and lows, don’t we? The key is what we do with our lows. Are we using our emotions to grow and learn or are we beating ourselves up over them?
Thibaut Meurisse (Master Your Emotions: A Practical Guide to Overcome Negativity and Better Manage Your Feelings (Mastery Series Book 1))
If you pay attention to what you do and say, you can learn to feel a state of internal division and weakness when you are misbehaving and misspeaking. It’s an embodied sensation, not a thought. I experience an internal sensation of sinking and division, rather than solidity and strength, when I am incautious with my acts and words. It seems to be centred in my solar plexus, where a large knot of nervous tissue resides. I learned to recognize when I was lying, in fact, by noticing this sinking and division, and then inferring the presence of a lie. It often took me a long time to ferret out the deception. Sometimes I was using words for appearance. Sometimes I was trying to disguise my own true ignorance of the topic at hand. Sometimes I was using the words of others to avoid the responsibility of thinking for myself.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Look, I’m not joking around. Smartphones are dangerous. Not because they may cause stress, anxiety, and even depression, but because they change your behavior. It seems like we can’t focus on one thing for more than 5 seconds. Why? Well, we can’t because our smartphone is constantly going off. Not because people are calling you (it seems like people are afraid of calling these days, but that’s another topic), but because you’re constantly getting notifications about THINGS THAT DON’T MATTER. Change Your Smartphone Behavior The same study I mentioned above also found something else: “Researchers asked participants to perform a concentration test under four different circumstances: with their smartphone in their pocket, at their desk, locked in a drawer and removed from the room completely.” The results are significant — test results were lowest when the smartphone was on the desk, but with every additional layer of distance between participants and their smartphones, test performance increased. Overall, test results were 26% higher when phones were removed from the room.” Sure, it’s just a study. And you don’t have to believe everything you read. But this is something I can personally attest. For the past two years, I’ve significantly changed my smartphone behavior. Namely: I have turned off ALL my notifications except messages and calls I’ve removed myself from all Whatsapp groups except for one with my closest friends I’ve removed all news apps (if something important happens, you’ll hear it from the people around you) I only consume music, paid journalism, articles from specific authors I follow, podcasts, YouTube videos (mostly to learn, but also for entertainment because I’m not a robot), books, and audiobooks on it For the rest, I use my phone to call, text, and to take notes, photos and videos Also, I’ve stopped immediately responding to notifications. That doesn’t mean I don’t value other people who try to reach me. It means that I refuse to be a slave to my phone. I control my phone. For most of us, it’s the other way around. In the past, Facebook, Instagram, Apple, Google, etc, all controlled my mind. Obviously, they still do because the only way to escape those idiots is to cut yourself off and run to the woods. That’s not realistic. I like my phone. But I don’t need it. The results have been great since I started using my smartphone in the above way. During the past two years, I got more things done than ever. And, I still have time to work out daily, hang out with my friends, have dinner with my family, and
Darius Foroux (Do It Today: Overcome Procrastination, Improve Productivity, and Achieve More Meaningful Things)
Bottomless I took a deep breath. Olivia would be back. I suddenly felt so much better. I had plenty to do to keep myself busy while I waited. A shower was first on the agenda. I sniffed my shoulders as I undressed, but I couldn't smell anything but the brine and seaweed scent of the ocean. I wondered what Olivia had meant about me smelling bad. When I was cleaned up, I went back to the kitchen. I couldn't see any signs that Mr. Anderson’s child was eaten recently, and he would be hungry when he got back. I hummed tunelessly to myself as I moved around the kitchen. While Thursday's casserole rotated in the microwave, I made up the couch with sheets and an old pillow. Olivia wouldn't need it, but Mr. Anderson would need to see it. I was careful not to watch the clock. There was no reason to start myself panicking; Olivia had promised. I hurried through my dinner, not tasting it-just feeling the ache as it slid down my raw throat. Mostly I was thirsty; I must have drunk a half-gallon of water by the time I was finished. All the salt in my system had dehydrated me. I went to go try to watch TV while I waited. Olivia was already there, sitting on her improvised bed. Her eyes were liquid butterscotch. She smiled and patted the pillow. ‘Thanks.’ ‘You're early,’ I said, elated. I sat down next to her and leaned my head on her shoulder. She put her cold arms around me and sighed. ‘Bell. What are we going to do with you?’ ‘I don't know,’ I admitted. ‘I have been trying my hardest.’ ‘I believe you.’ It was silent. ‘Does-does he…’ I took a deep breath. It was harder to say his name out loud, even though I was able to think about it now. ‘Does Marcel know you're here?’ I couldn't help asking. It was my pain. I'd deal with it when she was gone, I promised myself, and felt sick at the thought. ‘No…’ There was only one way that could be true. ‘He's not with Chiaz and Esme?’ ‘He checks in every few months.’ ‘Oh.’ He must still be out enjoying his distractions. I focused my curiosity on a safer topic. ‘You said you flew here… Where did you come from?’ ‘I was in Denali. Visiting Tanya's family.’ ‘Is he here? Did he come with you?’ She shook her head. ‘He didn't approve of my interfering. We promised…’ she trailed off, and then her tone changed. ‘And you think Mr. Anderson won't mind my being here?’ she asked, sounding worried.
Marcel Ray Duriez (Nevaeh Hard to Let Go)
In that part of California, where I grew up it always rained at Christmas, a hard cold rain that darkened the sky at 4 o'clock and threatened the levees and provided a table topic, at my grandmother's house on Christmas afternoon, to which we could all contribute without fear of making our emotions too manifest. It seems to me now that those Christmas afternoons in the rain were somehow "better" than any since, but of course I am lying to myself. Then as now, mothers and daughters misunderstood each other. Father and sons did not speak. I remember my mother telling me, after such an afternoon some years ago, that Christmas used to be "better," that lately we all drank too much and gave one another too many presents.
Joan Didion (Joan Didion: What She Means)
It often took me a long time to ferret out the deception. Sometimes, I was using words for appearance. Sometimes, I was trying to disguise my own true ignorance of the topic at hand. Sometimes, I was using the words of others to avoid the responsibility of thinking for myself. If you pay attention when you are seeking something, you will move towards your goal. More importantly however, you will acquire the information that allows your goal itself to transform.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Westley cleared his throat, trying to circle back to the topic at hand.  “Have you tried to reach out to your parents?  Maybe try to explain your position when emotions weren’t quite so high?” Jason shook his head.  “I’ve talked myself hoarse trying to explain where I’m coming from.  When the other person refuses to listen, well, eventually you just give up.” “But they’re still family—” Westley began but was quickly cut off. “I hate that line of reasoning,” Jason retorted, glaring back now – one of the first open signs of anger that Westley had witnessed from the young man.  It seemed he’d found a sensitive spot.  He’d need to step gingerly. “How so?” Westley asked. “People always assume that family is a ‘right,’ but it’s not – not at all.  Family is a privilege.  It’s earned,” Jason answered emphatically.  “And my parents haven’t earned that right.  They’ve always prioritized everything else over me.  As I said, long before I moved out, they were never home, always traveling.  And yet, they still insisted on making my decisions for me. “And this is just more of the same, isn’t it?” Jason demanded.  “They judge me.  Tell me what I should be doing.  Yet they take no time to understand where I’m coming from.
Travis Bagwell (Hellion (Awaken Online, #5))
In my adult life I have proved time and time again that I can keep more or less in mind details of some five hundred books on the topics to which I have dedicated myself. I take no notes but do list on the inside back cover of certain books page numbers to which I know I will want to refer, later followed by one word to indicate subject matter, but even without this aid I can and do go quickly to the right book and the correct page, more or less, for the data I need. When I fail, I fail completely and can think of no clue that would lead me to the page I want; this would mean I had not implanted it firmly enough in my mind. I am not talking theoretically. I have done this at least a dozen times with my long novels, keeping a hundred characters in mind, controlling a tangle of different story lines, and remembering many individualized locations. I doubt that I am remarkable in possessing such a skill. I suspect that many clergymen can do the same with the Bible and it’s obvious that some lawyers can maintain control over a huge volume of case law just as scientists can master a jungle of relevant experimentation in their fields. But I have done it in a score of different fields: astrophysics, geography, ancient religions, art, politics, contemporary revolutionary movements, and popular music.” —Chapter IX, “Intellectual Equipment”, page 301
James A. Michener (The World Is My Home: A Memoir)
Think outside yourself. Every person has a unique childhood, a unique set of traumas, unique mental health issues. There are many people not lucky enough to be born as intellectually or emotionally intelligent as you were, not lucky enough to have an upbringing like yours. You have no idea what kind of grief, heartbreak, or other misfortune another person may be suffering through. However awful someone is acting, it would probably make a lot more sense if you could spend a few minutes inside their brain. I’ve been using a little mantra. When I’m down on the low rungs and I have a moment of self-awareness where I realize I’m on the low rungs, I say in my head: Climb. It’s not a scolding moment, it’s a moment of self-compassion. I’m doing that thing that every human does sometimes. It’s okay. I caught myself. Climb. Once you’ve begun to address your internal tug-of-war, turn your attention outwards. What do your surroundings look like through the Ladder lens? Think about the people you love. Where are they great at being high-rungers? Where do they struggle down on the low rungs? When someone is acting like a monster, they’re not a monster, they’re a human mired in an internal tug-of-war and losing. We all have topics that bring out our most biased, irrational selves. We all have areas of embarrassing ignorance. You might be a better high-runger than they are about a particular thing—but they are almost certainly better at it than you in some other area.
Tim Urban (What's Our Problem?: A Self-Help Book for Societies)
I wanted you to come tonight I like when you talk to me” he says. “We are getting off topic now, I have only six lines on you” I say. “It’s a good start” he smiles “I’d like to talk to you about off topic things to” “Well I don’t,” I say firmly. His lips twist, sort of in a frown again his eyes rest on mine, holding stare-to-stare, gaze-to-gaze. “You and I both know we are interested in off topic things,” he tells me. “I need to go soon,” I tell him, flicking a fake glance at an imaginary watch. “So what off topic thing would you like to ask?” his eyes yet again narrow, what is with that I find myself wondering? “How do you know things about me?” I ask him, I had his look plain face un nerving expression on my face. “Links, contacts, people” he tells me, with a slight shrug.
Mary-Joy Hutch (Your A Fugitive "Angel" #1)
personal email address, too. I knew that was not the official school email he had on his revised syllabus. I studied the email for a moment and wondered what the “J” stood for in “ajstone.” The last four numbers looked like they could possibly be his birthday. That meant he was an Independence Day baby. How cute. Bringing myself out of my mental tangent, I focused back on the topic of his email. I was planning on meeting up with Maddy
Rene Folsom (Shuttered Affections (Cornerstone, #1))
What did you say was in that salve?” “Comfrey,” Ellen said, sounding relieved at the shift in topic. “Likely mint, as well, rosemary, and maybe some lavender, arnica if memory serves, a few other herbs, some for scent, some for comfort.” “I like the scent,” Val said, wondering how long she’d hold his hand. It was childish of him, but he suspected the contact was soothing him as much as the specific ingredients. “Is it helping?” Ellen asked, her fingers slowing again. “It helps. I think the heat of your touch is as therapeutic as your salve.” “It might well be.” Ellen sandwiched his larger hand between her smaller ones. “I do not hold myself out as any kind of herbalist. There’s too much guesswork and room for error involved.” “But you made this salve.” “For my own use.” Ellen kept his hand between hers. “I will sell scents, soaps, and sachets but not any product that could be mistaken for a medicine, tincture, or tisane.” “Suppose it’s wise to know one’s limits.” Ellen was just holding Val’s hand in hers, and he was glad for the darkness, as his gratitude for the simple contact was probably plain on his face.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
I don’t read the news to find truth, as that would be a foolish waste of time. I read the news to broaden my exposure to new topics and patterns that make my brain more efficient in general and to enjoy myself, because learning interesting things increases my energy and makes me feel optimistic. Don’t think of the news as information. Think of it as a source of energy.
Scott Adams (How to Fail at Almost Everything and Still Win Big: Kind of the Story of My Life)
Confession. Years ago, I was invited to a cocktail party for an Asian-American networking group. As I introduced myself to a Japanese businessman, I reached out and firmly shook his hand. Much to my embarrassment now, I automatically took my other hand and wrapped our hands in a “hand hug.” This is a common gesture of friendship in the South. As his wife approached, however, she appeared appalled and felt disrespected that I was touching her husband. Our cultural differences were marked. Despite this cultural mishap, I was able to redeem myself. We all moved past it and delighted in an interesting conversation. Physical touch is a touchy topic (pun intended), especially when various cultures are involved.
Susan C. Young (The Art of Body Language: 8 Ways to Optimize Non-Verbal Communication for Positive Impact (The Art of First Impressions for Positive Impact, #3))
For the study of Middle Eastern history, and at the present time one might even add of world history, some knowledge of Islam’s origins and of its scriptures is necessary. Already in my student years I was reading the Koran, the biography of the Prophet, and the extensive literature concerned with them. But at no time did I specialize in these topics. I am not an expert in theology or scripture, and I looked at these, if at all, only with a historian’s eye. I am, by vocation and profession, a historian, principally interested in the history of civilization. Looking back, I see that by this choice I saved myself a lot of trouble. This was not my purpose at the time but I have become well aware of my narrow and fortunate escape from one of the most difficult and dangerous topics of our profession. Even for Muslims, and far more so for non-Muslims, the study of the sacred biography and the sacred text has become highly sensitive, not so much a field of research as a minefield. This has not prevented my critics from attacking me for my treatment of Muslim scripture and sacred biography. In this as in other matters, the attacks came from both sides. On the one side I am accused of traducing Islam and its sanctities, on the other of defending and even concealing its flaws. As long as the attacks continue to come from both sides, I shall remain confident of my scholarly objectivity. Once,
Bernard Lewis (Notes on a Century: Reflections of A Middle East Historian)
She laughs. “You’re so much like your father. Sometimes I wonder if you got any of my DNA at all.” I’ve never really seen any similarities between my dad and me. Except our love of business—our drive to succeed. We’ve always been evenly matched in that respect. Otherwise, my father’s as straight-laced as they come. A dedicated, loyal family man through and through. Pretty much the opposite of me in every way. “I am?” She’s still chuckling. “One day I’ll tell you how your dad and I really ended up together at Columbia. And I’ll include all the dirty little details he never wanted you to know.” If that story involves sex in any way, I don’t want to hear it. Ever. As far as I’m concerned, my parents have had sex two times in their entire lives. Once for Alexandra and once for me. That’s it. On some level I realize I’m deluding myself, but this is one topic where I prefer to live in denial.
Emma Chase (Tangled (Tangled, #1))
started out basically imagining I was writing for a stadium full of replicas of myself—which made things easy because I already knew exactly what topics interested them, what writing style they liked, what their sense of humor was, etc.
Timothy Ferriss (Tribe Of Mentors: Short Life Advice from the Best in the World)
For eighty thousand dollars there had to be more he expected. Since he wouldn’t spell it out, I tiptoed around the topic myself. “This pretend relationship—to what extent would I be expected to perform?” “Don’t pussy foot about it. You’re asking about sex.” His eyes darkened again. “I never pay for sex, Alayna. When I fuck you, it will be for free.
Laurelin Paige (The Fixed Trilogy (Fixed, #1-3))
TS  Part of the reason I am bringing up the topic of past lives is that I have heard several people say something like this about you: “Adya must have been a realized being in a past life, and that’s why he’s had such tremendous breakthroughs at such an early age and is able to articulate teachings on awakening in such an original way.” What do you think about that comment? ADYA If you ask me point blank, then yes, I’ve seen myself doing something similar to what I’m doing in this lifetime many times before. But again, I don’t know the whole metaphysics of past lives and how they work, and I don’t see things happening in terms of linear cause and effect. In fact, my experience of past lives isn’t that they are actually past. I call them that, because that’s how people relate to them, but if I were to say what my real experience is, it’s more like simultaneous lives.
Adyashanti (The End of Your World: Uncensored Straight Talk on the Nature of Enlightenment)
Very well. Since you won’t divulge her location, answer me this. Why would Miss Plum turn down a respectable offer of marriage from a gentleman such as my Bram?” “Why is it that ladies seem to believe I enjoy discussing these types of personal matters?” Mr. Skukman countered. Iris continued as if Mr. Skukman had not spoken. “Bram is a wealthy, eligible, and influential gentleman who owns his own castle—not to mention his stellar good looks.” “You’re his mother. Of course you’re going to believe he has stellar good looks.” “You don’t believe my Bram is handsome?” “Yet another topic I’m not comfortable discussing, but . . . I suppose if I really consider the matter, yes . . . Mr. Haverstein’s features are adequately arranged, but Miss Plum is not a lady who is impressed by a handsome face.” “She’s an actress.” Mr. Skukman let out a bit of a growl, which had Lucetta immediately stepping from behind the curtain. “Thank you, Mr. Skukman, but I think it might be for the best if I take it from here.” “Were you hiding behind the curtains?” Iris demanded. “Obviously,” Lucetta said as she headed across the room, stepping in between Iris, who was looking indignant, and Mr. Skukman, who’d adopted his most intimidating pose—a pose that didn’t appear to intimidate Iris in the least. “Now then,” Lucetta began, sending Mr. Skukman a frown when he cracked his knuckles, “from what I overheard, you’re here, Mrs. Haverstein, to learn why I rejected Bram’s offer.” Iris lifted her chin. “That’s one of the reasons I’ve sought you out.” “Lovely, and before we address those other reasons, allow me to say that the reason I refused Bram’s proposal was because your son was offering to marry a woman who doesn’t exist. He simply has yet to realize that.” Iris narrowed her eyes. “Bram could provide you with everything.” “I’m fairly good at providing for myself, Mrs. Haverstein.” Iris’s eyes narrowed to mere slits. “What are you really playing at? Are you, by chance, hoping that because you turned him down, he’ll make you a better offer?” Lucetta’s brows drew together. “What else could he possibly offer me that would be more appealing than his name?” For a second, Iris looked a little taken aback, but she rallied quickly. “You may be the type of woman who prefers the freedom spinsterhood provides, so I would imagine you’re holding out for a nice place in the city, replete with all the fashionable amenities.” Even though Lucetta was well aware of the reputation most actresses were assumed to enjoy, and even though such insinuations normally never bothered her, a sliver of hurt wormed its way into her heart. Before she could summon up a suitable response, though, Abigail suddenly breezed into the room. “Lucetta is like a granddaughter to me, Iris, and as such, you will treat her accordingly, as well as apologize for your serious lack of manners,” Abigail said as she plunked her hands on her hips and scowled at her daughter. At first, it seemed that Iris wanted to argue the point, but then she blew out a breath and nodded Lucetta’s way. “My mother is quite right. That was unkind of me, and unfair. Forgive me.” Lucetta
Jen Turano (Playing the Part (A Class of Their Own, #3))
And for all we know,” Vince added, “it doesn’t really do anything. Maybe somebody just thought it was cool to mix it in there.” Deborah looked at Vince for a long moment. “Do you have any idea how fucking lame that sounds?” she said. “Guy in Syracuse smoked some,” Deke said. “He tried to flush himself.” He looked at the three of us staring at him and shrugged. “You know, in the toilet.” “If I lived in Syracuse, I’d flush myself, too,” Deborah said. Deke held up both hands in an eloquent whatever gesture. “Ahem,” I said, in a valiant attempt to keep us on topic. “The real point here is not why they used it, but that they did use it. Considering the size of the crowd, they used a lot of it. Probably more than once. And if somebody is using it in quantities that large—” “Hey, we should find the dealer easy,” Deke said.
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
Has it not occurred to you that some people in this country cannot afford a text-enabled cellphone? Has it not occurred to you that some people live in areas without cellphone service? And has it not occurred to you that some people, with plenty of money and access such as myself, might actually choose not to partake in the toxic cesspool of social media, and might value the ability to manage their own time, deploying their mental resources on topics with more substance than tweets and the rest of the superficial banality that passes for “conversation” today? Two
Stephen Kurczy (The Quiet Zone: Unraveling the Mystery of a Town Suspended in Silence)
I was watching a documentary that described a night at Thomas Jefferson’s house Monticello. After the meal each night the family, with their guests, would retire into the parlor to drink tea and spend 3-4 hours discussing things they learned or were pondering lately. Without the television or other individualistic electronic means of entertainment I think we’d still do this to avoid boredom. When I first heard about this practice my first thought was, “Oh, that’s what a family does.” I grew up in an age where it was natural to entertain myself or go off with friends but it makes sense that, in the absence of these things, a family would need to learn to interact and really enjoy each other’s company. So 3-4 times per week we have an informal meal followed by what we simply call “family time.” This can be done around the dining room table or the coffee table but it’s been an amazing experience. I begin by asking if anyone learned or had any ideas or questions they’ve been pondering about God. We move from that topic into a more general question like, “Did anyone learn anything today or have something they want to discuss?” We share stories from the day, passages of things we’ve read, watch funny videos or play a family game. At the end we often talk about what’s in store for tomorrow and pray together.
Jeremy Pryor (Family Revision: How Ancient Wisdom Can Heal the Modern Family)