Top Delightful Quotes

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We are sometimes dragged into a pit of unhappiness by someone else’s opinion that we do not look happy.
Mokokoma Mokhonoana
Hazel screamed at the top of her lungs, but it was a scream of delight. For the first time in her life-in her two lives-she felt absolutely unstoppable.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
So don’t start believing that skill is all it takes to stay at the top. Loyalty plays its dirty hand too, and it is a fickle, ever-changing thing.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
How are you coming with your home library? Do you need some good ammunition on why it's so important to read? The last time I checked the statistics...I think they indicated that only four percent of the adults in this country have bought a book within the past year. That's dangerous. It's extremely important that we keep ourselves in the top five or six percent. In one of the Monthly Letters from the Royal Bank of Canada it was pointed out that reading good books is not something to be indulged in as a luxury. It is a necessity for anyone who intends to give his life and work a touch of quality. The most real wealth is not what we put into our piggy banks but what we develop in our heads. Books instruct us without anger, threats and harsh discipline. They do not sneer at our ignorance or grumble at our mistakes. They ask only that we spend some time in the company of greatness so that we may absorb some of its attributes. You do not read a book for the book's sake, but for your own. You may read because in your high-pressure life, studded with problems and emergencies, you need periods of relief and yet recognize that peace of mind does not mean numbness of mind. You may read because you never had an opportunity to go to college, and books give you a chance to get something you missed. You may read because your job is routine, and books give you a feeling of depth in life. You may read because you did go to college. You may read because you see social, economic and philosophical problems which need solution, and you believe that the best thinking of all past ages may be useful in your age, too. You may read because you are tired of the shallowness of contemporary life, bored by the current conversational commonplaces, and wearied of shop talk and gossip about people. Whatever your dominant personal reason, you will find that reading gives knowledge, creative power, satisfaction and relaxation. It cultivates your mind by calling its faculties into exercise. Books are a source of pleasure - the purest and the most lasting. They enhance your sensation of the interestingness of life. Reading them is not a violent pleasure like the gross enjoyment of an uncultivated mind, but a subtle delight. Reading dispels prejudices which hem our minds within narrow spaces. One of the things that will surprise you as you read good books from all over the world and from all times of man is that human nature is much the same today as it has been ever since writing began to tell us about it. Some people act as if it were demeaning to their manhood to wish to be well-read but you can no more be a healthy person mentally without reading substantial books than you can be a vigorous person physically without eating solid food. Books should be chosen, not for their freedom from evil, but for their possession of good. Dr. Johnson said: "Whilst you stand deliberating which book your son shall read first, another boy has read both.
Earl Nightingale
When I was four or five years old, my mom made me a beautiful white dress with red embroidery on the top for Christmas. I remember her laboring over it because sewing didn’t come naturally to her. I tried it on, and the gathered waistline with the fitted bodice just didn’t please her. It didn’t lie the way it should, so she ripped it out several times.
Larada Horner-Miller
How to get the best of it all? One must conquer, achieve, get to the top; one must know the end to be convinced that one can win the end - to know there's no dream that mustn't be dared. . . Is this the summit, crowning the day? How cool and quiet! We're not exultant; but delighted, joyful; soberly astonished. . . Have we vanquished an enemy? None but ourselves. Have we gained success? That word means nothing here. Have we won a kingdom? No. . . and yes. We have achieved an ultimate satisfaction. . . fulfilled a destiny. . . To struggle and to understand - never this last without the other; such is the law. . .
George Mallory (Climbing Everest: The Complete Writings of George Mallory)
Instantly the spirit of hell awoke in me and raged. With a transport of glee, I mauled the unresisting body, tasting delight from every blow; and it was not till weariness had begun to succeed, that I was suddenly, in the top fit of my delirium, struck through the heart by a cold thrill of terror.
Robert Louis Stevenson (The Strange Case of Dr. Jekyll and Mr. Hyde and Other Tales of Terror)
This is from me. For all the thousands of bad guys in your life." She gave a meaningful look to Ezra. Then she smugly held up a case. Montgomery popped the catches and opened the top. Oh, my gosh," she said. Inside was a single piece of sharpened wood. MR POINTY!" she screamed in delight. You gave Buffy's weapon...her stake...to the cheerleader," David said with a whistle. "Sheer genius.
Tracy Lynn (Geektastic: Stories from the Nerd Herd)
Joe crowded into my side, sitting down next to me, not leaving any room between us. The meal was an exercise in torture. He leaned in often when talking to me, breath on my neck, whispering in my ear. He touched my arm, my hand, my thigh. He had a straw in his soda. He never used straws. Never. But he had one now, pulled from somewhere, eyelashes fluttering up at me as he sucked, cheeks hollowing. I dropped my fork. It clattered loudly onto my plate. “Joe,” Thomas sighed. “Really?” “Oops,” Joe said. “Sorry.” He didn’t sound sorry at all. Kelly said, “Oh man, this makes so much more sense now. And is much more gross.” “I made pie for dessert,” Elizabeth said, coming back to the table. “Whip cream topping.” I groaned. Joe looked delighted. Even more so when he ran a finger through the cream, licking it from his skin, never taking his eyes off of me. Carter and Kelly had matching looks of disgust and horror on their faces. “Stop it,” I hissed at him. Joe cocked his head at me before leaning in and saying in a low voice, “Oh, Ox. I’m just getting started.
T.J. Klune (Wolfsong (Green Creek, #1))
It was Aileron who saw the light blaze in Arthur's face. The Warrior leaped from his horse down into the road and, at the top of his great voice, cried 'Cavall!' Bracing his legs, he opened wide his arms and was knocked flying, nonetheless, by the wild leap of the dog. Over and over they rolled, the dog yelping in intoxicated delight, the Warrior mock growling in his chest. . . . This is' asked Aileron with gentle irony, 'your dog?
Guy Gavriel Kay (The Wandering Fire (The Fionavar Tapestry, #2))
I'm persnickety," I confessed. "Not, incidentally, to the point of being snarly. But still. Delightful and persnickety are not a common blend." "Do you want to know why I never married?" "The question wasn't at the top of my list," I admitted. The old woman made me meet her eye. "Listen to me; I never married because I was easily bored. It's an awful, self-defeating trait to have. It is much better to be too easily interested.
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
She was the only doctor's wife in Branford, Maine, who hung her wash on an outdoor clothesline instead of putting it through a dryer, because she liked to look out the window and see the clothes blowing in the wind. She had been especially delighted, one day, when one sleeve of the top of her husband's pajamas, prodded by the stiff breeze off the bay, reached over and grabbed her nightgown around the waist.
Lois Lowry (Find a Stranger, Say Goodbye)
So I mixed him an ‘End of the World Delight.’ I gave him about a half-pint of créme de menthe in a hollowed-out pineapple, with whipped cream and a cherry on top.
Kurt Vonnegut Jr. (Cat's Cradle)
Christianity had, in Nietzsche’s account, emerged from the minds of timid slaves in the Roman Empire who had lacked the stomach to climb to the tops of mountains, and so had built themselves a philosophy claiming that their bases were delightful. Christians had wished to enjoy the real ingredients of fulfilment (a position in the world, sex, intellectual mastery, creativity) but did not have the courage to endure the difficulties these goods demanded. They had therefore fashioned a hypocritical creed denouncing what they wanted but were too weak to fight for while praising what they did not want but happened to have. Powerlessness became ‘goodness’, baseness ‘humility’, submission to people one hated ‘obedience’ and, in Nietzsche’s phrase, ‘not-being-able-to-take-revenge’ turned into ‘forgiveness’. Every feeling of weakness was overlaid with a sanctifying name, and made to seem ‘a voluntary achievement, something wanted, chosen, a deed, an accomplishment’. Addicted to ‘the religion of comfortableness’, Christians, in their value system, had given precedence to what was easy, not what was desirable, and so had drained life of its potential.
Alain de Botton (The Consolations of Philosophy)
The sunshine was delightful, the foliage gently astir, more from the activity of birds than from the breeze. One gallant little bird, doubtless lovelorn, was singing his heart out at the top of a tall tree.
Victor Hugo (Les Misérables)
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
Alan Beck
Long after all the chocolates were eaten, and the cousins had gone, we kept the chocolate-box in the linen-drawer in the dining-room sideboard, waiting for some ceremonial use that never presented itself. It was still full of the empty chocolate cups of dark, fluted paper. In the wintertime I would sometimes go into the cold dining room and sniff at the cups, inhaling their smell of artifice and luxury; I would read again the descriptions on the map provided on the inside of the box-top: hazelnut, creamy nougat, Turkish delight, golden toffee, peppermint cream.
Alice Munro (The Moons of Jupiter)
Have I been conditioned to believe that if I am not solicitous, if I am not forthcoming, if I am not a never-ending cornicopia of entertaining delights, they will take their collections of milk-bottle tops and their mangy one-eared teddy bears and go away into the woods by themselves to play snipers? Probably. What my mother thinks was merely cute may have been lethal.
Margaret Atwood (Bluebeard's Egg)
Some people wish they were as happy as or happy like some people think they are.
Mokokoma Mokhonoana
The first snow sifted down silently during the night. Ayla exclaimed with delight when she stepped out of her cave in the morning. A pristine whiteness softened the contours of the familiar landscape creating a magical dreamland of fantastic shapes and mythical plants. Bushes had top hats of soft snow, conifers were dressed in new gowns of white finery, and bare exposed limbs were clothed in shining coats that outlined each twig against the deep blue sky.
Jean M. Auel (The Clan of the Cave Bear (Earth's Children, #1))
And then to my surprise in one of them I discovered the original manuscript of On Friendship. Puzzled, I unrolled it, thinking I must have brought it with me by mistake. But when I saw that Cicero had copied out at the top of the roll in his shaking hand a quotation from the text, on the importance of having friends, I realised it was a parting gift: If a man ascended into heaven and gazed upon the whole workings of the universe and the beauty of the stars, the marvellous sight would give him no joy if he had to keep it to himself. And yet, if only there had been someone to describe the spectacle to, it would have filled him with delight. Nature abhors solitude.
Robert Harris (Dictator (Cicero, #3))
Because a new love affair always gives hope, the irrational mortal loneliness is always crowned, that thing I saw (that horror of a snake emptiness) when I took the deep iodine deathbreath on the Big Sur beach is now justified and hosannah'd and raised up like a sacred urn to Heaven in the mere fact of the taking off of clothes and clashing wits and bodies in the inexpressibly nervously sad delight of love- don't let no old fogies tell you otherwise, and on top of that nobody in the world even ever dares to write the true story of lovem it's awful, we're stuck with a 50% incomplete literature and drama- lying mouth to mouth, kiss to kiss in the pillow dark, loin to loin in unbelievable surrendering sweetness so distant from all our mental fearful abstractions it makes you wonder why men have termed God antisexual somehow- the secret underground truth of mad desire hiding under fenders under buried junkyards throughout the world, never mentioned in newspapers, written about haltingly and like corn by authors and painted tongue in cheek by artists, agh, just listen to Tristan und Isolde by Wagner and think of him in a Bavarian field with his beloved naked beauty under fall leaves.
Jack Kerouac (Big Sur)
Go, go,” she urged. “Don’t worry about me. I’ll find some other poor unsuspecting fool to torture. And yes, before you feel the need to protest, I did just call you a fool.” “That, I think, may be the one privilege that consanguinity does allow.” She cackled with delight. “You are a prince among nephews,” she proclaimed. “Your second favorite,” he murmured. “You’ll rise to the top of the list if you find a way to destroy her violin.
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
To what a world does the illustrious bard carry me! To wander over pathless wilds, surrounded by impetuous whirlwinds, where, by the feeble light of the moon, we see the spirits of our ancestors; to hear from the mountain-tops, mid the roar of torrents, their plaintive sounds issuing from deep caverns, and the sorrowful lamentations of a maiden who sighs and expires on the mossy tomb of the warrior by whom she was adored. I meet this bard with silver hair; he wanders in the valley; he seeks the footsteps of his fathers, and, alas! he finds only their tombs. Then, contemplating the pale moon, as she sinks beneath the waves of the rolling sea, the memory of bygone days strikes the mind of the hero, days when approaching danger invigorated the brave, and the moon shone upon his bark laden with spoils, and returning in triumph. When I read in his countenance deep sorrow, when I see his dying glory sink exhausted into the grave, as he inhales new and heart-thrilling delight from his approaching union with his beloved, and he casts a look on the cold earth and the tall grass which is so soon to cover him, and then exclaims, "The traveller will come, -- he will come who has seen my beauty, and he will ask, 'Where is the bard, where is the illustrious son of Fingal?' He will walk over my tomb, and will seek me in vain!
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
If your mind and spirit are seduced by images of windswept ridge tops, flutters of aspen leaves caressed by a canyon breeze and the crimson tendrils of dying sun…if your fingers feel the silken pulse of a lover and your lips taste the deep kisses of building passion…if nostrils flare with the conjured scents of gunpowder and perfume, sage brush and pine, and your ears delight in the murmur of river current…if your heart pounds at the clash of good and evil and with each twist and turn of interwoven lives you feel a primal throb, then I have accomplished my mission.
Reid Lance Rosenthal (Threads West: An American Saga (Threads West, #1))
Oh, how can I put into words the joys of a walk over country such as this; the scenes that delight the eyes, the blessed peace of mind, the sheer exuberance which fills your soul as you tread the firm turf? This is something to be lived, not read about. On these breezy heights, a transformation is wondrously wrought within you. Your thoughts are simple, in tune with your surroundings; the complicated problems you brought with you from the town are smoothed away. Up here, you are near to your Creator; you are conscious of the infinite; you gain new perspectives; thoughts run in new strange channels; there are stirrings in your soul which are quite beyond the power of my pen to describe. Something happens to you in the silent places which never could in the towns, and it is a good thing to sit awhile in a quiet spot and meditate. The hills have a power to soothe and heal which is their very own. No man ever sat alone on the top of a hill and planned a murder or a robbery, and no man ever came down from the hills without feeling in some way refreshed, and the better for his experience.
Alfred Wainwright
Like all cities, Beirut has many layers, and I had been familiar with one or two. What I was introduced to that day with Ali and Kamal was the Beirut of its people. You take different groups, put them on top of each other, simmer for a thousand years, keep adding more and more strange tribes, simmer for another few thousand years, salt and pepper with religion, and what you get is a delightful mess of a stew that still tastes delectable and exotic, no matter how many times you partake of it.
Rabih Alameddine (The Hakawati)
The value of Greek prose composition, he said, was not that it gave one any particular facility in the language that could not be gained as easily by other methods but that if done properly, off the top of one's head, it taught one to think in Greek. One's thought patterns become different, he said, when forced into the confines of a rigid and unfamiliar tongue. Certain common ideas become inexpressible; other, previously undreamt-of ones spring to life, finding miraculous new articulation. By necessity, I suppose, it is difficult for me to explain in English exactly what I mean. I can only say that an incendium is in its nature entirely different from the feu with which a Frenchman lights his cigarette, and both are very different from the stark, inhuman pur that the Greeks knew, the pur that roared from the towers of Ilion or leapt and screamed on that desolate, windy beach, from the funeral pyre of Patroklos. Pur: that one word contains for me the secret, the bright, terrible clarity of ancient Greek. How can I make you see it, this strange harsh light which pervades Homer's landscapes and illumines the dialogues of Plato, an alien light, inarticulable in our common tongue? Our shared language is a language of the intricate, the peculiar, the home of pumpkins and ragamuffins and bodkins and beer, the tongue of Ahab and Falstaff and Mrs. Gamp; and while I find it entirely suitable for reflections such as these, it fails me utterly when I attempt to describe in it what I love about Greek, that language innocent of all quirks and cranks; a language obsessed with action, and with the joy of seeing action multiply from action, action marching relentlessly ahead and with yet more actions filing in from either side to fall into neat step at the rear, in a long straight rank of cause and effect toward what will be inevitable, the only possible end. In a certain sense, this was why I felt so close to the other in the Greek class. They, too, knew this beautiful and harrowing landscape, centuries dead; they'd had the same experience of looking up from their books with fifth-century eyes and finding the world disconcertingly sluggish and alien, as if it were not their home. It was why I admired Julian, and Henry in particular. Their reason, their very eyes and ears were fixed irrevocably in the confines of those stern and ancient rhythms – the world, in fact, was not their home, at least the world as I knew it – and far from being occasional visitors to this land which I myself knew only as an admiring tourist, they were pretty much its permanent residents, as permanent as I suppose it was possible for them to be. Ancient Greek is a difficult language, a very difficult language indeed, and it is eminently possible to study it all one's life and never be able to speak a word; but it makes me smile, even today, to think of Henry's calculated, formal English, the English of a well-educated foreigner, as compared with the marvelous fluency and self-assurance of his Greek – quick, eloquent, remarkably witty. It was always a wonder to me when I happened to hear him and Julian conversing in Greek, arguing and joking, as I never once heard either of them do in English; many times, I've seen Henry pick up the telephone with an irritable, cautious 'Hello,' and may I never forget the harsh and irresistible delight of his 'Khairei!' when Julian happened to be at the other end.
Donna Tartt (The Secret History)
...Another part of the ritual was to ascend with closed eyes. 'Step, step, step,' came my mother's voice as she led me up - and sure enough, the surface of the next tread would receive the blind child's confident foot; all one had to do was lift it a little higher than usual, so as to avoid stubbing one's toe against the riser. This slow, somewhat somnambulistic ascension in self-engendered darkness held obvious delights. The keenest of them was not knowing when the last step would come. At the top of the stairs, one's foot would be automatically lifted to the deceptive call of 'Step,' and then, with a momentary sense of exquisite panic, with a wild contraction of muscles, would sink into the phantasm of a step, padded, as it were, with the infinitely elastic stuff of its own nonexistence.
Vladimir Nabokov (Speak, Memory)
My conception of freedom. -- The value of a thing sometimes does not lie in that which one attains by it, but in what one pays for it -- what it costs us. I shall give an example. Liberal institutions cease to be liberal as soon as they are attained: later on, there are no worse and no more thorough injurers of freedom than liberal institutions. Their effects are known well enough: they undermine the will to power; they level mountain and valley, and call that morality; they make men small, cowardly, and hedonistic -- every time it is the herd animal that triumphs with them. Liberalism: in other words, herd-animalization. These same institutions produce quite different effects while they are still being fought for; then they really promote freedom in a powerful way. On closer inspection it is war that produces these effects, the war for liberal institutions, which, as a war, permits illiberal instincts to continue. And war educates for freedom. For what is freedom? That one has the will to assume responsibility for oneself. That one maintains the distance which separates us. That one becomes more indifferent to difficulties, hardships, privation, even to life itself. That one is prepared to sacrifice human beings for one's cause, not excluding oneself. Freedom means that the manly instincts which delight in war and victory dominate over other instincts, for example, over those of "pleasure." The human being who has become free -- and how much more the spirit who has become free -- spits on the contemptible type of well-being dreamed of by shopkeepers, Christians, cows, females, Englishmen, and other democrats. The free man is a warrior. How is freedom measured in individuals and peoples? According to the resistance which must be overcome, according to the exertion required, to remain on top. The highest type of free men should be sought where the highest resistance is constantly overcome: five steps from tyranny, close to the threshold of the danger of servitude. This is true psychologically if by "tyrants" are meant inexorable and fearful instincts that provoke the maximum of authority and discipline against themselves; most beautiful type: Julius Caesar. This is true politically too; one need only go through history. The peoples who had some value, who attained some value, never attained it under liberal institutions: it was great danger that made something of them that merits respect. Danger alone acquaints us with our own resources, our virtues, our armor and weapons, our spirit, and forces us to be strong. First principle: one must need to be strong -- otherwise one will never become strong. Those large hothouses for the strong -- for the strongest kind of human being that has so far been known -- the aristocratic commonwealths of the type of Rome or Venice, understood freedom exactly in the sense in which I understand it: as something one has and does not have, something one wants, something one conquers
Friedrich Nietzsche
Suppression of impertinence is not the lover’s aim. Nor can I believe this philosopher really runs after understanding. Rather, he has become a philosopher (that is, one whose profession is to delight in understanding) in order to furnish himself with pretexts for running after tops.
Anne Carson (Eros the Bittersweet)
The next morning, when Thomasin withdrew the curtains of her bedroom window, there stood the Maypole in the middle of the greek, its top cutting into the sky. It had sprung up in the night. or rather early morning, like Jack's bean-stalk. She opened the casement to get a better view of the garlands and posies that adored it. The sweet perfume of the flowers had already spread into the surrounding air, which being free from every taint, conducted to her lips a full measure of the fragrance received from the spire of blossom in its midst. At the top of the pole were crossed hoops decked with small flowers; beneath these came a milk-white zone of Maybloom;then a zone of bluebells, then of cowslips, then of lilacs, then of ragged-rosins, daffodils and so on, till the lowest stage was reached.Thomasin noticed all these, and was delighted that the May revel was to be so near.
Thomas Hardy (The Return of the Native)
We live without feeling the country beneath our feet, our words are inaudible from ten steps away. Any conversation, however brief, gravitates, gratingly, toward the Kremlin’s mountain man. His greasy fingers are thick as worms, his words weighty hammers slamming their target. His cockroach moustache seems to snicker, and the shafts of his high-topped boots gleam. Amid a rabble of scrawny-necked chieftains, he toys with the favors of such homunculi. One hisses, the other mewls, one groans, the other weeps; he prowls thunderously among them, showering them with scorn. Forging decree after decree, like horseshoes, he pitches one to the belly, another to the forehead, a third to the eyebrow, a fourth in the eye. Every execution is a carnival that fills his broad Ossetian chest with delight.
Osip Mandelstam
Crouching low over the beast’s neck, he clung tight to the metallic scales, and the cool breeze was soothing on his burned and blistered skin, the dragon’s wings beating the air like the sails of a windmill. Behind him, whether from delight or fear he could not tell, Ron kept swearing at the top of his voice, and Hermione seemed to be sobbing.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
She would chase politicians until she understood their every move, she would chase top officials until she knew every last piece of their classified plan, but she would not chase this. She would rather hold this hope so close to her chest that it feels like a fire on its own, flickering against the darkness, flickering even where other embers burn out.
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
Delight,--top-gallant delight is to him, who acknowledges no law or lord, but the Lord his God, and is only a patriot to heaven
Herman Melville (Moby-Dick or, The Whale)
Have I been conditioned to believe that if I am not solicitous, if I am not forthcoming, if I am not a never-ending cornicopia of entertaining delights, they will take their collections of milk-bottle tops and their mangy one-eared teddy bears and go away into the woods by themselves to play snipers? Probably. What my mother things was merely cute may have been lethal.
Margaret Atwood (Bluebeard's Egg)
Alexander looked her over up and down. Tatiana exuded a porous, evanescent, yet everlasting warmth; her very presence, her satin face in his palm made his back hurt less. Her radiant eyes, her flushed cheeks, her slightly parted loving lips…Alexander stared at her, his eyes wide open, his soul wide open, his adoring heart hurting exquisitely. “You are an angel sent from heaven, aren’t you?” An electric smile lit up her face. “And you don’t know the half of it,” she whispered. “You don’t know what your Tania has been cooking up here.” In her delight she nearly squealed. “What have you been cooking up? No, don’t sit up. I want to feel your face.” “Shura, I can’t. I’m practically on top of you. We need to be very careful.” The smile faded an octave. “Dimitri walks around here all the time. Walks in, out, checks on you, leaves, comes back. What’s he worried about? He was quite surprised to find me here.” “He’s not the only one. How did you get here?” “All part of my plan, Alexander.” “What plan is this, Tatiana?” She whispered, “To be with you when I die of old age.” “Oh, that plan.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
all good things beyond sleep come precisely because we defy gravity while we live. Besides, somewhere in the basement of The Jolly Corner to this day, mildewing amidst the pages of an equally mildewed paperback, is a 3-x-5 card on which I had scribbled this quote from Flaubert: Books aren’t made the way babies are: they are made like pyramids. There’s some long-pondered plan, and then great blocks of stone are placed one on top of the other, and it’s back-breaking, sweaty, time-consuming work. And all to no purpose! It just stands there on the desert! But it towers over it prodigiously. Jackals piss at the base of it, and the bourgeois clamber to the top of it, etc. Continue this comparison. I was eight when I jotted down that quote, but even then, the part I enjoyed the most was the delightful “Continue this comparison.” And even then, I understood at once that the pissing jackals were critics.
Dan Simmons (A Winter Haunting (Seasons of Horror #2))
An old woman with snow-white hair was holding a one-year-old child in her arms and singing to it and tickling it. The child was cooing with delight. The parents were looking on with tears in their eyes. The father was holding the hand of a boy about 10 years old and speaking to him softly; the boy was fighting his tears. The father pointed to the sky, stroked his head and seemed to explain something to him. At that moment the S.S. man at the pit shouted something to his comrade. The latter counted off about twenty persons and instructed them to go behind the earth mound… I well remember a girl, slim and with black hair, who, as she passed close to me, pointed to herself and said: “twenty-three years old.” I walked around the mound and found myself confronted by a tremendous grave. People were closely wedged together and lying on top of each other so that only their heads were visible. Nearly all had blood running over their shoulders from their heads. Some of the people were still moving. Some were lifting their arms and turning their heads to show that they were still alive. The pit was already two-thirds full. I estimated that it contained about a thousand people. I looked for the man who did the shooting. He was an S.S. man, who sat at the edge of the narrow end of the pit, his feet dangling into the pit. He had a tommy gun on his knees and was smoking a cigarette.
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
described approached so nigh as to receive some interruption from the warders, he dashed his dusky green turban from his head, showed that his beard and eyebrows were shaved like those of a professed buffoon, and that the expression of his fantastic and writhen features, as well as of his little black eyes, which glittered like jet, was that of a crazed imagination. "Dance, marabout," cried the soldiers, acquainted with the manners of these wandering enthusiasts, "dance, or we will scourge thee with our bow-strings till thou spin as never top did under schoolboy's lash." Thus shouted the reckless warders, as much delighted at having a subject to tease as a child when he catches a butterfly, or a schoolboy upon discovering a bird's nest. The marabout, as if happy to do their behests, bounded from the earth, and spun his giddy round before them with singular agility, which, when contrasted with his slight and wasted figure, and
Walter Scott (The Complete Works of Sir Walter Scott: Novels, Short Stories, Poetry, Plays, Journal, Letters, Articles and much more (Illustrated Edition): Epic Scots Anthology)
Delight is to him—a far, far upward, and inward delight—who against the proud gods and commodores of this earth, ever stands forth his own inexorable self. Delight is to him whose strong arms yet support him, when the ship of this base treacherous world has gone down beneath him. Delight is to him, who gives no quarter in the truth, and kills, burns, and destroys all sin though he pluck it out from under the robes of Senators and Judges. Delight,—top-gallant delight is to him, who acknowledges no law or lord, but the Lord his God, and is only a patriot to heaven. Delight is to him, whom all the waves of the billows of the seas of the boisterous mob can never shake from this sure Keel of the Ages.
Herman Melville (Moby-Dick or, The Whale)
Much of Chinese society still expected its women to hold themselves in a sedate manner, lower their eyelids in response to men's stares, and restrict their smile to a faint curve of the lips which did not expose their teeth. They were not meant to use hand gestures at all. If they contravened any of these canons of behavior they would be considered 'flirtatious." Under Mao, flirting with./bre/gners was an unspeakable crime. I was furious at the innuendo against me. It had been my Communist parents who had given me a liberal upbringing. They had regarded the restrictions on women as precisely the sort of thing a Communist revolution should put an end to. But now oppression of women joined hands with political repression, and served resentment and petty jealousy. One day, a Pakistani ship arrived. The Pakistani military attache came down from Peking. Long ordered us all to spring-clean the club from top to bottom, and laid on a banquet, for which he asked me to be his interpreter, which made some of the other students extremely envious. A few days later the Pakistanis gave a farewell dinner on their ship, and I was invited. The military attache had been to Sichuan, and they had prepared a special Sichuan dish for me. Long was delighted by the invitation, as was I. But despite a personal appeal from the captain and even a threat from Long to bar future students, my teachers said that no one was allowed on board a foreign ship. "Who would take the responsibility if someone sailed away on the ship?" they asked. I was told to say I was busy that evening. As far as I knew, I was turning down the only chance I would ever have of a trip out to sea, a foreign meal, a proper conversation in English, and an experience of the outside world. Even so, I could not silence the whispers. Ming asked pointedly, "Why do foreigners like her so much?" as though there was something suspicious in that. The report filed on me at the end of the trip said my behavior was 'politically dubious." In this lovely port, with its sunshine, sea breezes, and coconut trees, every occasion that should have been joyous was turned into misery. I had a good friend in the group who tried to cheer me up by putting my distress into perspective. Of course, what I encountered was no more than minor unpleasantness compared with what victims of jealousy suffered in the earlier years of the Cultural Revolution. But the thought that this was what my life at its best would be like depressed me even more. This friend was the son of a colleague of my father's. The other students from cities were also friendly to me. It was easy to distinguish them from the students of peasant backgrounds, who provided most of the student officials.
Jung Chang (Wild Swans: Three Daughters of China)
Without screaming or weeping these people undressed, stood around in family groups, kissed each other, said farewells and waited for a sign from another S.S. man, who stood near the pit, also with a whip in his hand. During the fifteen minutes that I stood near the pit I heard no complaint or plea for mercy… An old woman with snow-white hair was holding a one-year-old child in her arms and singing to it and tickling it. The child was cooing with delight. The parents were looking on with tears in their eyes. The father was holding the hand of a boy about 10 years old and speaking to him softly; the boy was fighting his tears. The father pointed to the sky, stroked his head and seemed to explain something to him. At that moment the S.S. man at the pit shouted something to his comrade. The latter counted off about twenty persons and instructed them to go behind the earth mound… I well remember a girl, slim and with black hair, who, as she passed close to me, pointed to herself and said: “twenty-three years old.” I walked around the mound and found myself confronted by a tremendous grave. People were closely wedged together and lying on top of each other so that only their heads were visible. Nearly all had blood running over their shoulders from their heads. Some of the people were still moving. Some were lifting their arms and turning their heads to show that they were still alive. The pit was already two-thirds full. I estimated that it contained about a thousand people. I looked for the man who did the shooting. He was an S.S. man, who sat at the edge of the narrow end of the pit, his feet dangling into the pit. He had a tommy gun on his knees and was smoking a cigarette. The people, completely naked, went down some steps and clambered over the heads of the people lying there to the place to which the S.S. man directed them. They lay down in front of the dead or wounded people; some caressed those who were still alive and spoke to them in a low voice. Then I heard a series of shots. I looked into the pit and saw that the bodies were twitching or the heads lying already motionless on top of the bodies that lay beneath them. Blood was running from their necks. The next batch was approaching already. They went down into the pit, lined themselves up against the previous victims and were shot. And so it went, batch after batch. The next morning the German engineer returned to the site. I saw about thirty naked people lying near the pit. Some of them were still alive… Later the Jews still alive were ordered to throw the corpses into the pit. Then they themselves had to lie down in this to be shot in the neck… I swear before God that this is the absolute truth.47
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
Haven't I told you scores of times, that you're always beginners, and the greatest satisfaction was not in being at the top, but in getting there, in the enjoyment you get out of scaling the heights? That's something you don't understand, and can't understand until you've gone through it yourself. You're still at the state of unlimited illusions, when a good, strong pair of legs makes the hardest road look short, and you've such a mighty appetite for glory that the tiniest crumb of success tastes delightfully sweet. You're prepared for a feast, you're going to satisfy your ambition at last, you feel it's within reach and you don't care if you give the skin off your back to get it! And then, the heights are scaled, the summits reached, and you've got to stay there. That's when the torture begins; you've drunk your excitement to the dregs and found it all too short and even rather bitter, and you wonder whether it was really worth the struggle. From that point there is no more unknown to explore, no new sensations to experience. Pride has had its brief portion of celebrity; you know that your best has been given and you're surprised it hasn't brought a keener sense of satisfaction. From that moment the horizon starts to empty of all hopes that once attracted you towards it. There's nothing to look forward to but death. But in spite of that you cling on, you don't want to feel you're played out, you persist in trying to produce something, like old men persist in trying to make love, with painful, humiliating results. ... If only we could have the courage to hang ourselves in front of our last masterpiece!
Émile Zola (The Masterpiece)
My conception of freedom. — The value of a thing sometimes does not lie in that which one attains by it, but in what one pays for it — what it costs us. I shall give an example. Liberal institutions cease to be liberal as soon as they are attained: later on, there are no worse and no more thorough injurers of freedom than liberal institutions. Their effects are known well enough: they undermine the will to power; they level mountain and valley, and call that morality; they make men small, cowardly, and hedonistic — every time it is the herd animal that triumphs with them. Liberalism: in other words, herd-animalization. These same institutions produce quite different effects while they are still being fought for; then they really promote freedom in a powerful way. On closer inspection it is war that produces these effects, the war for liberal institutions, which, as a war, permits illiberal instincts to continue. And war educates for freedom. For what is freedom? That one has the will to assume responsibility for oneself. That one maintains the distance which separates us. That one becomes more indifferent to difficulties, hardships, privation, even to life itself. That one is prepared to sacrifice human beings for one's cause, not excluding oneself. Freedom means that the manly instincts which delight in war and victory dominate over other instincts, for example, over those of "pleasure." The human being who has become free — and how much more the spirit who has become free — spits on the contemptible type of well-being dreamed of by shopkeepers, Christians, cows, females, Englishmen, and other democrats. The free man is a warrior. How is freedom measured in individuals and peoples? According to the resistance which must be overcome, according to the exertion required, to remain on top. The highest type of free men should be sought where the highest resistance is constantly overcome: five steps from tyranny, close to the threshold of the danger of servitude. This is true psychologically if by "tyrants" are meant inexorable and fearful instincts that provoke the maximum of authority and discipline against themselves; most beautiful type: Julius Caesar. This is true politically too; one need only go through history. The peoples who had some value, attained some value, never attained it under liberal institutions: it was great danger that made something of them that merits respect. Danger alone acquaints us with our own resources, our virtues, our armor and weapons, our spirit, and forces us to be strong. First principle: one must need to be strong — otherwise one will never become strong. Those large hothouses for the strong — for the strongest kind of human being that has so far been known — the aristocratic commonwealths of the type of Rome or Venice, understood freedom exactly in the sense in which I understand it: as something one has or does not have, something one wants, something one conquers.
Friedrich Nietzsche (Twilight of the Idols)
You don’t want to do this, Miss Sheffield,” he warned. “Oh,” she said with great feeling, “I do. I really, really do.” And then, with quite the most evil grin her lips had ever formed, she drew back her mallet and smacked her ball with every ounce of every single emotion within her. It knocked into his with stunning force, sending it hurtling even farther down the hill. Farther . . . Farther . . . Right into the lake. Openmouthed with delight, Kate just stared for a moment as the pink ball sank into the lake. Then something rose up within her, some strange and primitive emotion, and before she knew what she was about, she was jumping about like a crazy woman, yelling, “Yes! Yes! I win!” “You don’t win,” Anthony snapped. “Oh, it feels like I’ve won,” she reveled. Colin and Daphne, who had come dashing down the hill, skidded to a halt before them. “Well done, Miss Sheffield!” Colin exclaimed. “I knew you were worthy of the mallet of death.” “Brilliant,” Daphne agreed. “Absolutely brilliant.” Anthony, of course, had no choice but to cross his arms and scowl mightily. Colin gave her a congenial pat on the back. “Are you certain you’re not a Bridgerton in disguise? You have truly lived up to the spirit of the game.” “I couldn’t have done it without you,” Kate said graciously. “If you hadn’t hit his ball down the hill . . .” “I had been hoping you would pick up the reins of his destruction,” Colin said. The duke finally approached, Edwina at his side. “A rather stunning conclusion to the game,” he commented. “It’s not over yet,” Daphne said. Her husband gave her a faintly amused glance. “To continue the play now seems rather anticlimactic, don’t you think?” Surprisingly, even Colin agreed. “I certainly can’t imagine anything topping it.” Kate beamed. The duke glanced up at the sky. “Furthermore, it’s starting to cloud over. I want to get Daphne in before it starts to rain. Delicate condition and all, you know.” Kate looked in surprise at Daphne, who had started to blush. She didn’t look the least bit pregnant. “Very well,” Colin said. “I move we end the game and declare Miss Sheffield the winner.” “I was two wickets behind the rest of you,” Kate demurred. “Nevertheless,” Colin said, “any true aficionado of Bridgerton Pall Mall understands that sending Anthony into the lake is far more important than actually sending one’s ball through all the wickets. Which makes you our winner, Miss Sheffield.” He looked about, then straight at Anthony. “Does anyone disagree?” No one did, although Anthony looked close to violence. “Excellent,” Colin said. “In that case, Miss Sheffield is our winner, and Anthony, you are our loser.” A strange, muffled sound burst from Kate’s mouth, half laugh and half choke. “Well, someone has to lose,” Colin said with a grin. “It’s tradition.” “It’s true,” Daphne agreed. “We’re a bloodthirsty lot, but we do like to follow tradition.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Please tell me all the chocolate is for us.' The House had stocked the table between the armchairs with piles of chocolate truffles and confections and bars of it. Along with cookies and small finger cakes. And a platter of cheeses and fruit. And carafes of water and various juices. Gwyn surveyed the table. 'Did you go to all this trouble?' 'Oh, no,' Emerie said, eyes glowing. 'Nesta's been holding out on us.' Nesta scoffed, but Emerie said, 'The House will get you anything you want. Just say it aloud.' At Gwyn's raised brows, Emerie said, 'I'd like a slice of pistachio cake, please.' A plateful of one appeared before her. As well as a bowl of whipped cream topped with raspberries. Gwyn blinked. 'You live in a magic house.' 'It likes to read,' Nesta admitted, patting a stack of the romances. 'We've bonded over that.' Gwyn whispered to the room, 'What's your favourite book?' One thumped on the table beside Emerie's cake, and Gwyn squawked in surprise. But then rubbed her hands together. 'Oh, this is delightful.' 'That smile means trouble,' Emerie said. Gwyn's grin just widened.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #5))
At the top was a delightful alpine heath with short golden-green grass and scads of beautiful pink and purple flowers that Alice decided not to study more closely. Even though at second glance it became obvious that the glorious sunlight wasn't sparkling off their dew but the petals themselves: each blossom was a jewel, or maybe glass, and chimed gently in the wind.
Liz Braswell (Unbirthday)
Chicana intifada Rocks are our weapons of choice, indeed the only ones that we have stockpiled. We never worry about running out of them. After all, our unpaved streets are filled with rocks. We have wiped the dirt off them so that they may sail with a smooth hardness when we fling them into the air. We shall name each one of our rocks for the family members we have lost each year of the hundreds of years we’ve lived in these parts—as indios, as mestizos, as “Hi-panics.” For starters, we plan to break a few windows of the jefe’s casota nueva. I myself will be delighted to land one in each pane: center, left, right, top, bottom—the exact location doesn’t much matter. Why should his fancy house remain intact while we cannot count on running water? No one will suspect that an abuela is la capitana of the Chicana intifada, with her disguise of hat and gloves, of shiny earrings and sheer “nude” pantyhose; with her polite yes, ma’aming. “We’ll launch the first volleys at 6 p.m.,” she whispers to us. Smiling wryly, she adds, “Inside the house at a reception to which I’ve been properly invited you’ll see me lower my right gloved hand to the marble table.” Copyright (C) Teresa Palomo Acosta, 2007. All rights reserved.
Teresa Palomo Acosta
The boldness and strength and happiness that were natural to me and to which I was denying their natural outlet refused to be denied and to be made sickly and fearful, and they poured through my veins then in an action of delight that was healthy and bold and strong. I forgot who or where I was and I made a sort of buzzing, humming noise like a top spinning or a bee. I felt a vibration like music all through me as if my blood were actually singing. And as though I were driven by that music which was formless yet felt as if it had the force of a dynamo. I crouched over my paper and held my pencil slavishly quick and intense, ready to serve this marvelous buzzing happiness at the moment when like surcharged atmosphere it should condense and form precious words that would drop onto my paper from the end of my pencil.
Katharine Butler Hathaway (The Little Locksmith)
It [the charcuterie] was almost on the corner of the Rue Pirouette and was a joy to behold. It was bright and inviting, with touches of brilliant colour standing out amidst white marble. The signboard, on which the name QUENU-GRADELLE glittered in fat gilt letter encircled by leaves and branches painted on a soft-hued background, was protected by a sheet of glass. On the two side panels of the shop front, similarly painted and under glass, were chubby little Cupids playing in the midst of boars' heads, pork chops, and strings of sausages; and these still lifes, adorned with scrolls and rosettes, had been designed in so pretty and tender a style that the raw meat lying there assumed the reddish tint of raspberry jam. Within this delightful frame, the window display was arranged. It was set out on a bed of fine shavings of blue paper; a few cleverly positioned fern leaves transformed some of the plates into bouquets of flowers fringed with foliage. There were vast quantities of rich, succulent things, things that melted in the mouth. Down below, quite close to the window, jars of rillettes were interspersed with pots of mustard. Above these were some boned hams, nicely rounded, golden with breadcrumbs, and adorned at the knuckles with green rosettes. Then came the larger dishes--stuffed Strasbourg tongues, with their red, varnished look, the colour of blood next to the pallor of the sausages and pigs' trotters; strings of black pudding coiled like harmless snakes; andouilles piled up in twos and bursting with health; saucissons in little silver copes that made them look like choristers; pies, hot from the oven, with little banner-like tickets stuck in them; big hams, and great cuts of veal and pork, whose jelly was as limpid as crystallized sugar. Towards the back were large tureens in which the meats and minces lay asleep in lakes of solidified fat. Strewn between the various plates and sishes, on the bed of blue shavings, were bottles of relish, sauce, and preserved truffles, pots of foie gras, and tins of sardines and tuna fish. A box of creamy cheeses and one full of snails stuffed with butter and parsley had been dropped in each corner. Finally, at the very top of the display, falling from a bar with sharp prongs, strings of sausages and saveloys hung down symmetrically like the cords and tassels of some opulent tapestry, while behind, threads of caul were stretched out like white lacework. There, on the highest tier of this temple of gluttony, amid the caul and between two bunches of purple gladioli, the alter display was crowned by a small, square fish tank with a little ornamental rockery, in which two goldfish swam in endless circles.
Émile Zola
As a world that has no well, Darting bright in forest dell; As a world without the gleam Of the downward-going stream; As a world without the glance Of the ocean's fair expanse; As a world where never rain Glittered on the sunny plain; - Such, my hear, thy world would be, If no love did flow in thee. As a world without the sound Of the rivulets underground; Or the bubbling of the spring Out of darkness wandering; Or the mighty rush and flowing Of the river's downward going; Or the music-showers that drop On the outspread beech's top; Or the ocean's mighty voice, When his lifted waves rejoice;- Such, my soul, thy world would be, If no love did sing in thee. Lady, keep they world's delight; Keep the waters in thy sight. Love hath made me strong to go, For thy sake, to realms below, Where the water's shine and hum Through the darkness never come: Let, I pray, one thought of me Spring, a little well, in thee; Lest thy loveless soul be found Like a dry and thirsty ground.
George MacDonald (The Light Princess)
Love is many things. It is silence within the whisper between softened lips. It is the bond that connects through unspoken words of hands holding on to each other. It is the 'I love you, see you soon' that brings upon the lush of warming hearts that tie together. Love is confusion mixed in with mysterious delight. Love is the path that can go many directions in your journey. You will reach so many unexpected turns but then it is the path you find that brings you to the top of the hill, with that rising sun and glow that connects your souls with the greatest of love and all the deepest pleasures that make your heart beat a little faster, smile more easy and reading each others soul through the look of bliss-filled eyes. Love can take your heart to many places, especially unexpected craziness. But all in all, love has one thing in common - it binds the true hearts that belong together and does work in mysterious, but delightful ways." Copyright © 2013 Amy Masella --- Illinois
Kittie Blessed
Thomas heard the stamping of hooves of horses, a shout of warning, and the Institute carriage came crashing through the Portal barely remaining on all four of its wheels as it came. Balios and Xanthos looked very pleased with themselves as the carriage spun in midair and landed, with a jarring thud, at the foot of the steps. Magnus Bane was in the driver’s seat, wearing a dramatic white opera scarf and holding the reins in his right hand. He looked even more pleased with himself than the horses. “I wondered if it was possible to ride a carriage through a Portal,” he said, jumping down from the seat. “As it turns out, it is. Delightful.” The carriage doors opened, and rather unsteadily, Will, Lucie, and a boy Thomas didn’t know clambered out. Lucie waved at Thomas before leaning against the side of the carriage; she was looking rather green about the gills. Will went around the carriage to unstrap the luggage, while the unfamiliar boy—tall and slender, with straight black hair and a pretty face—put a hand on Lucie’s shoulder. Which was surprising—it was an intimate gesture, one that would be considered impolite unless the boy and girl in question were friends or relatives, or had an understanding between them. It seemed, however, unlikely that Lucie could have an understanding with someone Thomas had never seen before. He rather bristled at the thought, in an older-brother way—James didn’t seem to be here, so someone had to do the bristling for him. “I told you it would work!” Will cried in Magnus’s direction. Magnus was busy magicking the unfastened baggage to the top of the steps, blue sparks darting like fireflies from his gloved fingertips. “We should have done that on the way out!” “You did not say it would work,” Magnus said. “You said, as I recall, ‘By the Angel, he’s going to kill us all.’ “Never,” said Will. “My faith in you is unshakable, Magnus. Which is good,” he added, rocking back and forth a little, “because the rest of me feels quite shaken indeed.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
Christy dug her hand deeper into her shoulder bag. Scanning the papers she finally located there, she found no phone numbers or addresses listed. All the plans had been made in such haste. All she knew was that someone was supposed to meet her here. She was here, and he or she wasn't. Never in her life had she felt so completely alone. Stranded with nowhere to turn. A prayer came quickly to her lips. "Father God, I'm at Your mercy here. I know You're in control. Please show me what to do." Suddenly she heard a voice calling to her. "Kilikina!" Christy's heart stopped. Only one person in the entire world had ever called her by her Hawaiian name. She spun around. "Kilikina," called out the tall, blond surfer who was running toward her. Christy looked up into the screaming silver-blue eyes that could only belong to one person. "Todd?" she whispered, convinced she was hallucinating. "Kilikina," Todd wrapped his arms around her so tightly that for an instant she couldn't breathe. He held her a long time. Crying. She could feel his warm tears on her neck. She knew this had to be real. But how could it be? "Todd?" she whispered again. "How? I mean, what...? I don't..." Todd pulled away, and for the first time she noticed the big gouquet of white carnations in his hand. They were now a bit squashed. "For you," he said, his eyes clearing and his rich voice sounding calm and steady. Then, seeing her shocked expression, he asked, "You really didn't know I was here, did you?" Christy shook her head, unable to find any words. "Didn't Dr. Benson tell you?" She shook her head again. "You mean you came all this way by yourself, and you didn't even know I was here?" Now it was Todd's turn to look surprised. "No, I thought you were in Papua New Guinea or something. I had no idea you were here!" "They needed me here more," Todd said with a chin-up gesture toward the beach. "It's the perfect place for me." With a wide smile spreading above his square jaw, he said, "Ever since I received the fax yesterday saying they were sending you, I've been out of my mind with joy! Kilikina, you can't imagine how I've been feeling." Christy had never heard him talk like this before. Todd took the bouquet from her and placed it on top of her luggage. Then, grasping both her quivering hands in his and looking into her eyes, he said, "Don't you see? There is no way you or I could ever have planned this. It's from God." The shocked tears finally caught up to Christy's eyes, and she blinked to keep Todd in focus. "It is," she agreed. "God brought us back together, didn't He?" A giggle of joy and delight danced from her lips. "Do you remember what I said when you gave me back your bracelet?" Todd asked. "I said that if God ever brought us back together, I would put that bracelet back on your wrist, and that time, it would stay on forever." Christy nodded. She had replayed the memory of that day a thousand times in her mind. It had seemed impossible that God would bring them back together. Christy's heart pounded as she realized that God, in His weird way, had done the impossible. Todd reached into his pocket and pulled out the "Forever" ID bracelet. He tenderly held Christy's wrist, and circling it with the gold chain, he secured the clasp. Above their heads a fresh ocean wind blew through the palm trees. It almost sounded as if the trees were applauding. Christy looked up from her wrist and met Todd's expectant gaze. Deep inside, Christy knew that with the blessing of the Lord, Todd had just stepped into the garden of her heart. In the holiness of that moment, his silver-blue eyes embraced hers and he whispered, "I promise, Kilikina. Forever." "Forever," Christy whispered back. Then gently, reverently, Todd and Christy sealed their forever promise with a kiss.
Robin Jones Gunn (A Promise Is Forever (Christy Miller, #12))
It is surprising, how soon a boy overcomes his timidity about going aloft. For my own part, my nerves became as steady as the earth’s diameter….I took great delight in furling the top-gallant sails and royals in a hard blow, which duty required two hands on the yard. There was a wild delirium about it, a fine rushing of the blood about the heart; and a glad, thrilling, and throbbing of the whole system, to find yourself tossed up at every pitch into the clouds of a stormy sky, and hovering like a judgment angel between heaven and earth.
David Grann (The Wager: A Tale of Shipwreck, Mutiny and Murder)
Tell me, Mar,” she would say (and here it must be explained, that when she called him by the first syllable of his first name, she was in a dreamy, amorous, acquiescent mood, domestic, languid a little, as if spiced logs were burning, and it was evening, yet not time to dress, and a thought wet perhaps outside, enough to make the leaves glisten, but a nightingale might be singing even so among the azaleas, two or three dogs barking at distant farms, a cock crowing—all of which the reader should imagine in her voice)—“Tell me, Mar,” she would say, “about Cape Horn.” Then Shelmerdine would make a little model on the ground of the Cape with twigs and dead leaves and an empty snail shell or two. “Here’s the north,” he would say. “There’s the south. The wind’s coming from hereabouts. Now the Brig is sailing due west; we’ve just lowered the top-boom mizzen; and so you see—here, where this bit of grass is, she enters the current which you’ll find marked—where’s my map and compasses, Bo’sun?—Ah! thanks, that’ll do, where the snail shell is. The current catches her on the starboard side, so we must rig the jib boom or we shall be carried to the larboard, which is where that beech leaf is,—for you must understand my dear—” and so he would go on, and she would listen to every word; interpreting them rightly, so as to see, that is to say, without his having to tell her, the phosphorescence on the waves, the icicles clanking in the shrouds; how he went to the top of the mast in a gale; there reflected on the destiny of man; came down again; had a whisky and soda; went on shore; was trapped by a black woman; repented; reasoned it out; read Pascal; determined to write philosophy; bought a monkey; debated the true end of life; decided in favour of Cape Horn, and so on. All this and a thousand other things she understood him to say and so when she replied, Yes, negresses are seductive, aren’t they? he having told her that the supply of biscuits now gave out, he was surprised and delighted to find how well she had taken his meaning. “Are you positive you aren’t a man?” he would ask anxiously, and she would echo, “Can it be possible you’re not a woman?” and then they must put it to the proof without more ado.
Virginia Woolf (Orlando: A Biography)
. . . such a rush immediately ensued that she with laughing face and plundered dress was borne towards it the centre of a flushed and boisterous group, just in time to greet the father, who came home attended by a man laden with Christmas toys and presents. Then the shouting and the struggling, and the onslaught that was made on the defenceless porter! Then scaling him, with chairs for ladders, to dive into his pockets, despoil him of brown-paper parcels, hold on tight by his cravat, hug him round the neck, pommel his back and kick his legs in irrepressible affection! The shouts of wonder and delight with wich the development of every package was received! The terrible announcement that the baby had been taken in the act of putting a doll's frying-pan into his mouth, and was more than suspected of having swallowed a fictitious turkey, glued on a wooden platter! The immense relief of finding this false alarm! The joy, and gratitude, and ecstasy! They are indescribable alike. It is enough that by degrees the children and their emotions got out of the parlor, and by one stair at a time up to the top of the house; where they went to bed, and so subsided.
Charles Dickens (A Christmas Carol and The Night Before Christmas)
There is a lovely old-fashioned pearl set in the treasure chest, but Mother said real flowers were the prettiest ornament for a young girl, and Laurie promised to send me all I want," replied Meg. "Now, let me see, there's my new gray walking suit, just curl up the feather in my hat, Beth, then my poplin for Sunday and the small party, it looks heavy for spring, doesn't it? The violet silk would be so nice. Oh, dear!" "Never mind, you've got the tarlaton for the big party, and you always look like an angel in white," said Amy, brooding over the little store of finery in which her soul delighted. "It isn't low-necked, and it doesn't sweep enough, but it will have to do. My blue housedress looks so well, turned and freshly trimmed, that I feel as if I'd got a new one. My silk sacque isn't a bit the fashion, and my bonnet doesn't look like Sallie's. I didn't like to say anything, but I was sadly disappointed in my umbrella. I told Mother black with a white handle, but she forgot and bought a green one with a yellowish handle. It's strong and neat, so I ought not to complain, but I know I shall feel ashamed of it beside Annie's silk one with a gold top," sighed Meg, surveying the little umbrella with great disfavor. "Change it," advised Jo. "I won't be so silly, or hurt Marmee's feelings, when she took so much pains to get my things. It's a nonsensical notion of mine, and I'm not going to give up to it. My silk stockings and two pairs of new gloves are my comfort. You are a dear to lend me yours, Jo. I feel so rich and sort of elegant, with two new pairs, and the old ones cleaned up for common." And Meg took a refreshing peep at her glove box. "Annie Moffat has blue and pink bows on her nightcaps. Would you put some on mine?" she asked, as Beth brought up a pile of snowy muslins, fresh from Hannah's hands. "No, I wouldn't, for the smart caps won't match the plain gowns without any trimming on them. Poor folks shouldn't rig," said Jo decidedly. "I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?" said Meg impatiently. "You said the other day that you'd be perfectly happy if you could only go to Annie Moffat's," observed Beth in her quiet way. "So I did! Well, I am happy, and I won't fret, but it does seem as if the more one gets the more one wants, doesn't it?
Louisa May Alcott (Little Women (Little Women #1))
I don't switch much, don't really want many people to fuck me, because there's a whole code, unwritten but no less rigid than if it were chiseled in stone, about how Tops Must be, how Butches Must Be, and it does not include taking off one's pants. It does not include admitting to one's own desires, only quietly serving the desires of others. It certainly does not include taking a break once in a while to inhabit some other gender, role, or sensibility, even for half a delightful, sweaty hour, in the company of someone who feels like a mirror of me rather than a complementary piece I can fit myself against.
S. Bear Bergman (Butch Is a Noun)
The two climbed over a fence and walked along the bank of the stream. The boy paid no attention to the muttering of his grandfather, but ran along beside him and wondered what was going to happen. When a rabbit jumped up and ran away through the woods, he clapped his hands and danced with delight. He looked at the tall trees and was sorry that he was not a little animal to climb high in the air without being frightened. Stooping, he picked up a small stone and threw it over the head of his grandfather into a clump of bushes. “Wake up, little animal. Go and climb to the top of the trees,” he shouted in a shrill voice.
Sherwood Anderson (Winesburg, Ohio)
Contemplate for a moment hiking up a wild and rugged mountain. The mountain itself is a challenge, as well as the experience of beauty and danger. To reach the top, a person must persevere. The higher one goes up the mountain the more one can see of the landscape around. There is, in seeing an expansive view, a natural delight and exhilaration that anyone who makes the effort feels. This natural delight corresponds to the spiritual joy of gaining a higher perception of life. Mountains correspond to heaven. The delight of gaining an elevated view on a mountain is the reflection (correspondence) of spiritually gaining wisdom in one’s soul.
Steve Sanchez (Rethinking Redemption)
Eliza had split each day between her two favorite places on the estate: the black rock down in the cove, on top of which millennia of tides had washed smooth a seat-sized platform; and the hidden garden, her garden, at the end of the maze. What a delight it was to have a place of one's own, an entire garden in which to Be. Sometimes Eliza liked to sit on the iron seat, perfectly still, and just listen. To the windblown leaves tapping against the walls, the muffled ocean breathing in and out, and the birds singing their stories. Sometimes, if she sat still enough, she almost fancied she could hear the flowers sighing in gratitude to the sun.
Kate Morton (The Forgotten Garden)
It was 1924 and I was at Riverton again. All the doors hung wide open, silk billowing in the summer breeze. An orchestra perched high on the hill beneath the ancient maple, violins lilting lazily in the warmth. The air rang with pealing laughter and crystal, and the sky was the kind of blue we'd all thought the war had destroyed forever. One of the footmen, smart in black and white, poured champagne into the top of a tower of glass flutes and everyone clapped, delighting in the splendid wastage. I saw myself, the way one does in dreams, moving amongst the guests. Moving slowly, much more slowly than one can in life, the others a blur of silk and sequins. I was looking for someone.
Kate Morton (The House at Riverton)
Marketa really desired, with both her body and her senses, the women she considered Karel's mistresses. And she also desired them with her head: fulfilling the prophecy of her old math teacher, she wanted - at least to the limits of the disastrous contract - to show herself enterprising and playful, and to astonish Karel. But as soon as she found herself naked with them on the wide daybed, the sensual wanderings immediately vanished from her mind, and seeing her husband was enough to return her to her role, the role of the better one, the one who is wronged, Even when she was with Eva, whom she loved very much and of whom she was not jealous, the presence of the man she loved too well weighed heavily on her, stifling the pleasure of the senses. The moment she removed his head from the body, she felt the strange and intoxicating touch of freedom. That anonymity of the body was a suddenly discovered paradise. With an odd delight, she expelled her wounded and too vigilant soul and was transformed into a simple body without past or memory, but all the more eager and receptive. She tenderly caressed Eva's face, while the headless body moved vigorously on top of her. But here the headless body interrupted his movements and, in a voice that reminded her unpleasantly of Karel's, uttered unbelievably idiotic words: "I'm Bobby Fischer! I'm Bobby Fischer!" It was like being awakened from a dream. And just then, as she lay snuggled against Eva (as the awakening sleeper snuggles against his pillow to hide from the dim first light of day), Eva had asked her, "All right?" and she had consented with a sign, pressing her lips against Eva's. She had always loved her, but today for the first time sh loved her with all her senses, for herself, for her body, and for her skin, becoming intoxicated with this fleshly love as with a sudden revelation. Afterward, while they lay side by side on their stomachs, with their buttocks slightly raised, Marketa could feel on her skin that the infinitely efficient body was again fixing its eyes on hers and at any moment was going to start again making love to them. She tried to ignore the voice talking about seeing beautiful Mrs. Nora, tried simply to be a body hearing nothing while lying pressed between a very soft-skinned girlfriend and some headless man.
Milan Kundera (The Book of Laughter and Forgetting)
The careful, embroidered stitches delineated a coil of some sort. It looked rather like a halved snail shell, but the interior was divided into dozen of intricate chambers. "Is that a nautilus?" he asked. "Close, but no. It's an ammonite." "An ammonite? What's an ammonite? Sounds like an Old Testament people overdue for smiting." "Ammonites are not a biblical people," she replied in a tone of strained forbearance. "But they have been smited." "Smote." With a snap of linen, she shot him a look. "Smote?" "Grammatically speaking, I think the word you want is 'smote.' " "Scientifically speaking, the word I want is 'extinct.' Ammonites are extinct. They're only known to us in fossils." "And bedsheets, apparently." "You know..." She huffed aside a lock of hair dangling in her face. "You could be helping." "But I'm so enjoying watching," he said, just to devil her. Nonetheless, he picked up the edge of the top sheet and fingered the stitching as he pulled it straight. "So you made this?" "Yes." Though judging by her tone, it hadn't been a labor of love. "My mother always insisted, from the time I was twelve years old, that I spend an hour every evening on embroidery. She had all three of us forever stitching things for our trousseaux." 'Trousseaux.' The word hit him queerly. "You brought your trousseau?" "Of course I brought my trousseau. To create the illusion of an elopement, obviously. And it made the most logical place to store Francine. All these rolls of soft fabric made for good padding." Some emotion jabbed his side, then scampered off before he could name it. Guilt, most likely. These were sheets meant to grace her marriage bed, and she was spreading them over a stained straw-tick mattress in a seedy coaching inn. "Anyhow," she went on, "so long as my mother forced me to embroider, I insisted on choosing a pattern that interested me. I've never understood why girls are always made to stitch insipid flowers and ribbons." "Well, just to hazard a guess..." Colin straightened his edge. "Perhaps that's because sleeping on a bed of flowers and ribbons sounds delightful and romantic. Whereas sharing one's bed with a primeval sea snail sounds disgusting." Her jaw firmed. "You're welcome to sleep on the floor." "Did I say disgusting? I meant enchanting. I've always wanted to go to bed with a primeval sea snail.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies. These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly. At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat. Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals. The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth. In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them. With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green. One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom. “Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap. “I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look. “Do you know where I’m coming from? The very Arctic Ocean!” roared he. Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder. “You were there, really? Were you? How did you get there?” asked the sprites. “As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean. “Take me with you,” I said to the fox. “Oh, no, you’ll freeze there! You know, it’s cold there!” she said. “Come on.” I said. “What are you talking about? What cold? Summer is here.” “Here we have summer, but there they have winter,” she answered. “No,” I thought. “She must be lying because she does not want to give me a ride.” Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me. Like it or not, she had to take me with her. We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed. “This is tundra,” said my fellow traveler. “Tundra? What is tundra?” asked I. “Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.
Anna Khvolson
Christianity had, in Nietzsche’s account, emerged from the minds of timid slaves in the Roman Empire who had lacked the stomach to climb to the tops of mountains, and so had built themselves a philosophy claiming that their bases were delightful. Christians had wished to enjoy the real ingredients of fulfilment (a position in the world, sex, intellectual mastery, creativity) but did not have the courage to endure the difficulties these goods demanded. They had therefore fashioned a hypocritical creed denouncing what they wanted but were too weak to fight for while praising what they did not want but happened to have. Powerlessness became ‘goodness’, baseness ‘humility’, submission to people one hated ‘obedience’ and, in Nietzsche’s phrase, ‘not-being-able-to-take-revenge’ turned into ‘forgiveness’.
Alain de Botton (The Consolations of Philosophy)
Morgan actually looks like he is blushing and seems almost embarrassed for a moment. When he stresses again that he likes cleavages but that he doesn’t think they should be on display during tributes to dead colleagues, but that again he loves cleavages, Bialik gets back up. ‘Do you need to see it again?’ and once again (more briefly this time) pulls the top of her dress apart for him.8 None of this could have possibly gone down better. All of it was lapped up by audiences in the studio and at home. In 2016 exposing your breasts was a ‘feminist’ act. Exposing them to a man who had not asked to see them was an especially ‘feminist’ act. And even a woman who claimed for religious and social reasons to be ‘modest’ could willingly and easily delight a studio audience by flashing her breasts – unasked for – at a man.
Douglas Murray (The Madness of Crowds: Gender, Race and Identity)
My fingers grazed his. Warm and sturdy- patient, as if waiting to see what else I might do. Maybe it was the wind, but I stroked a finger down his. And as I turned to him more fully, something blinding and tinkling slammed into my face. I reeled back, crying out as I bent over, shielding my face against the light that I could still see against my shut eyes. Rhys let out a startled laugh. A laugh. And when I realised that my eyes hadn't been singed out of their sockets, I whirled on him. 'I could have been blinded!' I hissed, shoving him. He took a look at my face and burst out laughing again. Real laughter, open and delighted and lovely. I wiped at my face, and when I pulled my hands down, I gasped. Pale green light- like drops of paint- glowed in flecks on my hand. Splattered star-spirit. I didn't know if I should be horrified or amused. Or disgusted. When I went to rub it off, Rhys caught my hand. 'Don't,' he said, still laughing. 'It looks like your freckles are glowing.' My nostrils flared, and I went to shove him again, not caring if my new strength knocked him off the balcony. He could summon wings; he could deal with it. He sidestepped me, veering toward the balcony rail, but not fast enough to avoid the careening star that collided with the side of his face. He leaped back with a curse. I laughed, the sound rasping out of me. Not a chuckle or snort, but a cackling laugh. And I laughed again, and again, as he lowered his hands from his eyes. The entire left side of his face had been hit. Like heavenly war paint, that's what it looked like. I could see why he didn't want me to wipe mine away. Rhys was examining his hands, covered in the dust, and I stepped toward him, peering at the way it glowed and glittered. He went still as death as I took one of his hands in my own and traced a star shape on the top of his palm, playing with the glimmer and shadows, until it looked like one of the stars that had hit us. His fingers tightened on mine, and I looked up. He was smiling at me. And looked so un-High-Lord-like with the glowing dust on the side of his face that I grinned back. I hadn't even realised what I'd done until his own smile faded,, and his mouth partly slightly. 'Smile again,' he whispered. I hadn't smiled for him. Ever. Or laughed. Under the Mountain, I had never grinned, never chuckled. And afterward... And this male before me... my friend... For all that he had done, I had never given him either. Even when I had just... I had just painted something. On him. For him. I'd- painted again. So I smiled at him, broad and without restraint. 'You're exquisite,' he breathed.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
My name is Claudine, I live in Montigny; I was born there in 1884; I shall probably not die there. My Manual of Departmental Geography expresses itself thus: "Montigny-en-Fresnois, a pretty little town of l, 950 inhabitants, built in tiers above the Thaize; its well-preserved Saracen tower is worthy of note .... "Tome, those descriptions are totally meaningless! To begin with, the Thaize doesn't exist. Of course I know it's supposed to run through the meadows under the level-crossing but you won't find enough water there in any season to give a sparrow a foot-bath. Montigny "built in tiers"? No, that's not how I see it; to my mind, the houses just tumble haphazard from the top of the hill to the bottom of the valley. They rise one above the other, like a staircase, leading up to a big chateau that was rebuilt under Louis XV and is already more dilapidated than the squat, ivy-sheathed Saracen tower that crumbles away from the top a trifle more every day. Montigny is a village, not a town: its streets, thank heaven, are not paved; the showers roll down them in little torrents that dry up in a couple of hours; it is a village, not even a very pretty village, but, all the same, I adore it. The charm, the delight of this countryside composed of hills and of valleys so narrow that some are ravines, lies in the woods-the deep, encroaching woods that ripple and wave away into the distance as far as you can see .... Green meadows make rifts in them here and there, so do little patches of cultivation. But these do not amount to much, for the magnificent woods devour everything. As a result, this lovely region is atrociously poor and its few scattered farms provide just the requisite number of red roofs to set off the velvety green of the woods. Dear woods! I know them all; I've scoured them so often. (...)
Colette (Claudine at School)
Freddy and his brother Tesoro have not seen each other in five years, and they sit at the kitchen table in Freddy's house and have a jalapeno contest. A large bowl of big green and orange jalapeno peppers sit between the two brothers. A saltshaker and two small glasses of beer accompany this feast. When Tesoro nods his head, the two men begin to eat the raw jalapenos. The contest is to see which man can eat more peppers. It is a ritual from their father, but the two brothers tried it only once, years ago. Both quit after two peppers and laughed it off. This time, things are different. They are older and have to prove a point. Freddy eats his first one more slowly than Tesoro, who takes to bites to finish his and is now on his second. Neither says anything, though a close study of each man's face would tell you the sudden burst of jalapeno energy does not waste time in changing the eater's perception of reality. Freddy works on his second as Tesoro rips into his fourth. Freddy is already sweating from his head and is surprised to see that Tesoro's fat face has not shanged its steady, consuming look. Tesoro's long, black hair is neatly combed, and not one bead of sweat has popped out. He is the first to sip from the beer before hitting his fifth jalapeno. Freddy leans back as the table begins to sway in his damp vision. He coughs, and a sharp pain rips through his chest. Tesoro attempts to laugh at his brother, but Freddy sees it is something else. As Freddy finishes his third jalapeno, Tesoro begins to breathe faster upon swallowing his sixth. The contest momentarily stops as both brothers shift in their seats and the sweat pours down their faces. Freddy clutches his stomach as he reaches for his fourth delight. Tesor has not taken his seventh, and it is clear to Freddy that his brother is suffering big-time. There is a bright blue bird sitting on Tesoro's head, and Tesoro is struggling to laugh because Freddy has a huge red spider crawling on top of his head. Freddy wipes the sweat from his eyes and finishes his fourth pepper. Tesoro sips more beer, sprinkles salt on the tip of his jalapeno, and bites it down to the stem. Freddy, who has not touched his beer, stares in amazement as two Tesoros sit in front of him. They both rise hastily, their beer guts pushing the table against Freddy, who leans back as the two Tesoros waver in the kitchen light. Freddy hears a tremendous fart erupt from his brother, who sits down again. Freddy holds his fifth jalapeno and can't breathe. Tesoro's face is purple, but the blue bird has been replaced by a burning flame of light that weaves over Tesoro's shiny head. Freddy is convinced that he is having a heart attack as he watches his brother fight for breath. Freddy bites into his fifth as Tesoro flips his eighth jalapeno into his mouth, stem and all. This is it. Freddy goes into convulsions and drops to the floor as he tries to reach for his glass of beer. He shakes on the dirty floor as the huge animal that is Tesoro pitches forward and throws up millions of jalapeno seeds all over the table. The last thing Freddy sees before he passes out is his brother's body levitating above the table as an angel, dressed in green jalapeno robes, floats into the room, extends a hand to Tesoro, and floats away with him. When Freddy wakes up minutes later, he gets up and makes it to the bathroom before his body lets go through his pants. As he reaches the bathroom door, he turns and gazes upon the jalapeno plants growing healthy and large on the kitchen table, thick peppers hanging under their leaves, their branches immersed in the largest pile of jalapeno seeds Freddy has ever seen.
Ray Gonzalez
When My Sorrow Was Born         When my Sorrow was born I nursed it with care, and watched over it with loving tenderness. And my Sorrow grew like all living things, strong and beautiful and full of wondrous delights. And we loved one another, my Sorrow and I, and we loved the world about us; for Sorrow had a kindly heart and mine was kindly with Sorrow. And when we conversed, my Sorrow and I, our days were winged and our nights were girdled with dreams; for Sorrow had an eloquent tongue, and mine was eloquent with Sorrow. And when we sang together, my Sorrow and I, our neighbors sat at their windows and listened; for our songs were deep as the sea and our melodies were full of strange memories. And when we walked together, my Sorrow and I, people gazed at us with gentle eyes and whispered in words of exceeding sweetness. And there were those who looked with envy upon us, for Sorrow was a noble thing and I was proud with Sorrow. But my Sorrow died, like all living things, and alone I am left to muse and ponder. And now when I speak my words fall heavily upon my ears. And when I sing my songs my neighbours come not to listen. And when I walk the streets no one looks at me. Only in my sleep I hear voices saying in pity, “See, there lies the man whose Sorrow is dead.”         And When My Joy was Born         And when my Joy was born, I held it in my arms and stood on the house-top shouting, “Come ye, my neighbours, come and see, for Joy this day is born unto me. Come and behold this gladsome thing that laugheth in the sun.” But none of my neighbours came to look upon my Joy, and great was my astonishment. And every day for seven moons I proclaimed my Joy from the house-top—and yet no one heeded me. And my Joy and I were alone, unsought and unvisited. Then my Joy grew pale and weary because no other heart but mine held its loveliness and no other lips kissed its lips. Then my Joy died of isolation. And now I only remember my dead Joy in remembering my dead Sorrow. But memory is an autumn leaf that murmurs a while in the wind and then is heard no more.
Kahlil Gibran (The Complete Works of Kahlil Gibran: All poems and short stories (Global Classics))
Köster had bought the car, a top-heavy old bus, at an auction for next to nothing. Connoisseurs who saw it at the time pronounced it without hesitation an interesting specimen for a transport museum. Bollwies, wholesale manufacturer of ladies’ ready-made dresses and incidentally a speedway enthusiast, advised Otto to convert it into a sewing machine. But Köster was not to be discouraged. He took down the car as if it had been a watch, and worked on it night after night for months. Then one evening he turned up in it outside the bar which we usually frequented. Bollwies nearly fell over with laughing when he saw it, it still looked so funny. For a bit of fun he challenged Otto to a race. He offered two hundred marks to twenty if Köster would take him on in his new sports car—course ten kilometres, Otto to have a kilometre start. Otto took up the bet. But Otto went one better. He refused the handicap and raised the odds to even money, a thousand marks each way. Bollwies, delighted, offered to drive him to a mental home immediately.
Erich Maria Remarque (Three Comrades)
Joan Blondell had it all: looks, talent, energy, humor. If she never became a top-flight superstar, the fault lies mostly with Warner Brothers. At MGM, Joan could have easily had Jean Harlow’s career; at Paramount, Claudette Colbert’s or Carole Lombard’s; at Fox, Loretta Young’s; at RKO, Ginger Rogers’. Some of the fault lies, too, with Blondell herself, who later admitted, “The instant they said ‘cut!’ I was whammo out of that studio and into the car . . . In order to be a top star and remain a top star and to get all the fantastic roles that you yearned for, you’ve got to fight for it and you’ve got to devote your twenty-four hours to just that; you’ve got to think of yourself as a star, operate as a star; do all the press that is necessary . . . What meant most to me was getting home, and that’s the truth.” But if Joan Blondell got slightly lost in the shuffle at Warners, she still managed to turn in some delightfully snappy performances and typify the warm-hearted, wisecracking Depression dame. And when she aged, she did so with grace and humor.
Eve Golden (Bride of Golden Images)
For being so early in the season, the tables on either side of the street were heavily laden with produce. I could see English peas, asparagus, arugula, several varieties of chard, kale, rhubarb, radishes... My mouth tingled as I walked slowly from booth to booth, drinking in the knowledge that the food I was checking out had not been trucked over the Jersey Turnpike or from a far-flung spot upstate, but from somewhere nearby, where people still felt dirt in their hands and not just in their nostrils after a day of walking in the city. I paused at the end of a block, and my gaze zeroed in on a mountain of gorgeous strawberries a few stands down. Cutting in and out of the throng, I reached the stand and stood under a banner that read FORSYTHIA FARMS. I crouched to be eye level with the berries, narrowing my eyes at their color, shape, and size. The red was deep, but still bright. Shape: irregular, as they should be, and still shooting delightful stems that poked out the tops like tiny berets. The berries weren't too small, and best of all, not too large. No Costco mutants, I was pleased to note.
Kimberly Stuart (Sugar)
Helene Hanff, an aspiring playwright who had been put to work in the Theatre Guild press office, remembered trying to generate some effective publicity for Away We Go! “This was, they told us, the damndest musical ever thought up for a sophisticated Broadway audience,” Hanff wrote. “It was so pure you could put it on at a church social. It opened with a middle-aged farm woman sitting alone on a bare stage churning butter, and from then on it got cleaner.”16 It was the kind of Americana that Larry Hart distrusted. But at the New Haven tryout he tried to keep an open mind. Of the songs in Away We Go!’s first act, five of them—“Oh, What a Beautiful Mornin’,” “The Surrey with the Fringe on Top,” “Many a New Day,” “People Will Say We’re in Love,” and “Out of My Dreams”—were destined to become instant classics, with “All Er Nuthin’” and “Oklahoma!” delighting the audience in the second act. But Larry wasn’t so delighted. He might have regarded “We know we belong to the land” as a professionally crafted line, as resonant to recent immigrants as to Mayflower descendants; but “The land we belong to is grand”?
Gary Marmorstein (A Ship Without A Sail: The Life of Lorenz Hart)
Once, on the road, Prim met a meditating sage who had spent most of his life on top of a flat rock. They had black bread and shared some ajash, as was custom. The sage was thankful, as the road was not very frequently traveled in those days and he was very near the point of starvation. During his conversation, he was delighted to learn of Prim’s extensive mastery of Empty Palms and the fifty five earthly purities. Delighted, and as payment for his meal, he taught Prim the meaning of watchfulness. This was the old breathing and cold-atum technique often used by warrior monks in those days. It ran through the following methodology: Build a tower, and make it impregnable. Make every stone so tightly sealed that no insect can squeeze through, no grain of sand can make it inside. Your tower must have no windows or doors. It must not accept passage by friend or foe. No weapon, no act of violence, and not one mote of love may penetrate its stony interior. “Why build the tower this way?” said Prim? “It will make you invincible,” said the sage, “This is the way of Ya-at slave monks. Their skin is like iron, and so are their hearts. They are inured to death and fear. Grief shall never find them, and neither shall weakness.” Prim thought a moment, and came upon a realization, for she was wise, obedient, and an excellent daughter. “If a man built a tower this way, he would quickly starve, no matter how strong he became.” The sage was even more delighted. “Yes,” he said, “There is a better way, and I will teach it to you: Once you have built your tower, you must deconstruct it, brick by brick, stone by stone. You must do it meticulously and carefully, so that while you leave no physical trace of it remaining, your tower is still built in your mind and your heart, ready to spring anew at a moment’s notice. You can enjoy the fresh air, and eat fine meals, and enjoy a good drink with your friends, but all the while your tower remains standing. You are both prisoner and warden. This is the hardest way, but the strongest.” Prim saw the wisdom in this, and quickly made to return to the road, but the sage stopped her before she left. “As you to your earlier remark,” the sage said, “The man who builds his tower but cannot take it apart again – that man is at the pinnacle of his strength. But that man will surely perish.” – Prim Masters the Road
Tom Parkinson-Morgan (Kill 6 Billion Demons, Book 1)
It's a lovely mask," Sara said, toying with the narrow black silk ribbons before tying it in place. Monique had artfully fashioned it out of black silk and lace, and glinting blue sapphires that matched her gown. "I'm not nervous at all." It was true. She felt as if some reckless stranger had replaced her usual cautious self. The midnight-blue gown molded to her figure, cut so low that her breasts seemed ready to spill from the meager bodice. A broad satin sash fastened with a gold buckle emphasized her small waist. The mask covered the upper half of her face but revealed her lips, which Monique and Lily had insisted on darkening with the faintest hint of rouge. Laboriously they had arranged her hair in a cluster of curls on top of her head, allowing a few ringlets to dangle teasingly against her cheeks and neck. A perfume that reminded Sara of roses blended with some deeper foresty scent had been applied sparingly to her bosom and throat. "A triumph," Monique had declared, gloating over the transformation. "Beautiful, worldly, but still fresh and young... ah, chérie, you will make many conquests tonight!" "Stunning," Lily had said, beaming with delight. "What a stir she'll cause.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Stately and commanding, the house I found on Sacramento Street, in Lower Pacific Heights, was an architectural jewel; tour buses drove down the street several times a day and the guides pointed out our Victorian “painted lady” not just for its curb appeal but also for its lucky survival of the earthquake. Meticulously renovated, the house had a layout that I was sure would work perfectly: a three-room suite on the lower level with a bathroom and laundry room for my mother, living space on the next level, and, on the top floor, bedrooms for Zoë and me. The master bedroom was large enough to double as my office. Moreover, it seemed symbolic that we should find a three-story nineteenth-century Victorian, whose original intention was to house multiple generations. My mother couldn’t have been more pleased. She started calling our experiment “our year in Provence.” In the face of naysayers, I chose to embrace the reaction of a friend who was living in Beijing: “How Chinese of you!” she said upon hearing the news. When I told my mother, she was delighted. “What have the Chinese got on us?” she declared. And I agreed. The Chinese revere their elderly. If they could live happily with multiple generations under one roof, so could we.
Katie Hafner (Mother Daughter Me)
Wisdom’s Rebuke 20Out in the open wisdom calls aloud, she raises her voice in the public square; 21on top of the walld she cries out, at the city gate she makes her speech: 22“How long will you who are simple love your simple ways? How long will mockers delight in mockery and fools hate knowledge? 23Repent at my rebuke! Then I will pour out my thoughts to you, I will make known to you my teachings. 24But since you refuse to listen when I call and no one pays attention when I stretch out my hand, 25since you disregard all my advice and do not accept my rebuke, 26I in turn will laugh when disaster strikes you; I will mock when calamity overtakes you— 27when calamity overtakes you like a storm, when disaster sweeps over you like a whirlwind, when distress and trouble overwhelm you. 28“Then they will call to me but I will not answer; they will look for me but will not find me, 29since they hated knowledge and did not choose to fear the LORD. 30Since they would not accept my advice and spurned my rebuke, 31they will eat the fruit of their ways and be filled with the fruit of their schemes. 32For the waywardness of the simple will kill them, and the complacency of fools will destroy them; 33but whoever listens to me will live in safety and be at ease, without fear of harm.
Anonymous (Holy Bible: NIV, New International Version)
Wisdom’s Rebuke 20Out in the open wisdom calls aloud, she raises her voice in the public square; 21on top of the wall[4] she cries out, at the city gate she makes her speech: 22“How long will you who are simple love your simple ways? How long will mockers delight in mockery and fools hate knowledge? 23Repent at my rebuke! Then I will pour out my thoughts to you, I will make known to you my teachings. 24But since you refuse to listen when I call and no one pays attention when I stretch out my hand, 25since you disregard all my advice and do not accept my rebuke, 26I in turn will laugh when disaster strikes you; I will mock when calamity overtakes you— 27when calamity overtakes you like a storm, when disaster sweeps over you like a whirlwind, when distress and trouble overwhelm you. 28“Then they will call to me but I will not answer; they will look for me but will not find me, 29since they hated knowledge and did not choose to fear the LORD. 30Since they would not accept my advice and spurned my rebuke, 31they will eat the fruit of their ways and be filled with the fruit of their schemes. 32For the waywardness of the simple will kill them, and the complacency of fools will destroy them; 33but whoever listens to me will live in safety and be at ease, without fear of harm.
Anonymous (Holy Bible: NIV, New International Version)
English Gingerbread Cake Serves: 12 to 16 Baking Time: 50 to 60 minutes Kyle Cathie, editor for the British version of The Cake Bible (and now a publisher), informed me in no uncertain terms that a book could not be called a cake "bible" in England if it did not contain the beloved gingerbread cake. When I went to England to retest all the cakes using British flour and ingredients, I developed this gingerbread recipe. Now that I have tasted it, I quite agree with Kyle. It is a moist spicy cake with an intriguing blend of buttery, lemony, wheaty, and treacly flavors. Cut into squares and decorated with pumpkin faces, it makes a delightful "treat" for Halloween. Batter Volume Ounce Gram unsalted butter (65° to 75°F/19° to 23°C) 8 tablespoons (1 stick) 4 113 golden syrup or light corn syrup 1¼ cups (10 fluid ounces) 15 425 dark brown sugar, preferably Muscovado ¼ cup, firmly packed 2 60 orange marmalade 1 heaping tablespoon 1.5 40 2 large eggs, at room temperature ¼ cup plus 2 tablespoons (3 fluid ounces) 3.5 100 milk 2/3 cup (5.3 fluid ounces) 5.6 160 cake flour (or bleached all-purpose flour) 1 cup plus 2 tablespoons (or 1 cup), sifted into the cup and leveled off 4 115 whole wheat flour 1 cup minus 1 tablespoon (lightly spooned into the cup) 4 115 baking powder 1½ teaspoons . . cinnamon 1 teaspoon . . ground ginger 1 teaspoon . . baking soda ½ teaspoon . . salt pinch . . Special Equipment One 8 by 2-inch square cake pan or 9 by 2-inch round pan (see Note), wrapped with a cake strip, bottom coated with shortening, topped with a parchment square (or round), then coated with baking spray with flour Preheat the Oven Twenty minutes or more before baking, set an oven rack in the lower third of the oven and preheat the oven to 325°F/160°C. Mix the Liquid Ingredients In a small heavy saucepan, stir together the butter, golden syrup, sugar, and marmalade over medium-low heat until melted and uniform in color. Set aside uncovered until just barely warm, about 10 minutes. Whisk in the eggs and milk. Make the Batter In a large bowl, whisk together the cake flour, whole wheat flour, baking powder, cinnamon, ginger, baking soda, and salt. Add the butter mixture, stirring with a large silicone spatula or spoon just until smooth and the consistency of thick soup. Using the silicone spatula, scrape the batter into the prepared pan. Bake the Cake Bake for 50 to 60 minutes, or until a wire cake tester inserted in the center comes out clean and the cake springs back when pressed lightly in the center. The cake should start to shrink from the sides of the pan only after removal from the oven. Cool the Cake Let the cake cool in the pan on a wire rack for 10 minutes. While the cake is cooling, make the syrup.
Rose Levy Beranbaum (Rose's Heavenly Cakes)
She raked her fingers through his hair and gloried in his possessiveness, then caressed his cheeks while he licked and flicked with his tongue and drove her insane with lust. Lifting her hips off the bed to push against his pelvis, she trembled with need and fought the urge to beg him to do it now- to plunge into her at once and satisfy this impossible yearning. She could barely believe any of this was really happening. He slid his hand down over her hip and gathered her nightgown in a fist, tugging it up inch by inch until it was bunched around her waist. A fiery heat ignited deep inside her as she felt his feathery touch on her quivering thighs. He took her in his arms, then his lips grazed over the top of her gown, between her breasts and across her navel. He slid down to kiss her knees and inner thighs, then moved up and up until he could bury his face in her hot, pulsating center. Overcome with both shock and delight, she lifted her hips in response. He slid his hands under her bottom to pull her even nearer to him as he slipped his tongue into her folds and tasted her with his hungry mouth. It wasn't long before her body began jerking, and she cried out, then pressed her hands at his temples to direct his attack. Heaving violently, she gasped with desire, but before the mounting pleasure exploded within her, she took hold of his shoulders and pulled him up for a deep, wet kiss. He had worked her up to such a state of arousal, that she became obsessed with seeing it through.
Julianne MacLean (Surrender to a Scoundrel (American Heiresses, #6))
Since God is, before all things, a Father, and not primarily Creator or Ruler, all his ways are beautifully fatherly. It is not that this God ‘does’ being Father as a day-job, only to kick back in the evenings as plain old ‘God’. It is not that he has a nice blob of fatherly icing on top. He is Father. All the way down. Thus all that he does he does as Father. That is who he is. He creates as a Father and he rules as a Father; and that means the way he rules over creation is most unlike the way any other God would rule over creation. The French Reformer, John Calvin, appreciating this deeply, once wrote: we ought in the very order of things [in creation] diligently to contemplate God’s fatherly love . . . [for as] a foreseeing and diligent father of the family he shows his wonderful goodness toward us . . . To conclude once for all, whenever we call God the Creator of heaven and earth, let us at the same time bear in mind that . . . we are indeed his children, whom he has received into his faithful protection to nourish and educate . . . So, invited by the great sweetness of his beneficence and goodness, let us study to love and serve him with all our heart.3 It was a profound observation, for it is only when we see that God rules his creation as a kind and loving Father that we will be moved to delight in his providence. We might acknowledge that the rule of some heavenly policeman was just, but we could never take delight in his regime as we can delight in the tender care of a father.
Michael Reeves (The Good God)
She leaned over the basket again, taking in the mouthwatering aromas wafting out of it. "Fried chicken? Oh, I'm thinking buttermilk fried chicken?" Dylan was once again amused. "How do you do that?" "I like food." "You don't say." "And I love Southern fried chicken." She tried to open the basket, and he tapped her hand jokingly. "Sit," he said. And she did, crossing her legs and plopping down on the blanket. Opening the basket and playing waiter, Dylan began removing flatware and plates and red-checkered napkins, and then wrapped food. "For lunch today in Chez Orchard de Pomme, we have some lovely cheese, made from the milk of my buddy Mike's goat Shelia." He removed the plastic wrap, which covered a small log of fresh white cheese on a small plate, and handed it to her. Grace put her nose to the cheese. It was heavenly. "Oh, Shelia is my new best friend." "It's good stuff. And we have some fresh chili corn bread. The corn, I think, is from Peter Lindsey's new crop, just cut out from the maze, which is right down this hill." He motioned with his head toward the field, and then he handed her a big loaf of the fresh corn bread wrapped loosely in wax paper. "It's still warm!" Delighted, she held it to her cheek. Then he pulled out a large oval Tupperware container. "And, yes, we have Dolly's buttermilk fried chicken." Grace peeled open the top and smelled. "Fabulous." "It is!" He also pulled out a mason jar of sourwood honey, a sack of pecans, and a couple of very cold bottles of a local mountain-brewed beer.
Jeffrey Stepakoff (The Orchard)
Guilt. Torment. Sorrow. Shock. Which?” she asked against his chest. “I’m trying,” he murmured on a weary chuckle. “But all I can manage is pride,” he added softly. “I satisfied you completely, didn’t I?” “More than completely,” she murmured against his damp shoulder. Her hand traced his chest, feeling the coolness of his skin, the ripple of muscle. “Hold me close.” He wrapped both arms around her and drew her on top of him, holding her hungrily to him, their legs lazily entwined. “I seduced you.” She pressed a soft kiss to his collarbone. “Mmm-hmm.” He caught his breath as the tiny, insignificant movement produced a sudden, raging arousal. She lifted her head. “Did I do something wrong?” He lifted an eyebrow and nodded toward his flat stomach. She followed his amused glance and caught her breath. He drew her mouth down over his and kissed her ferociously before he sat up and moved off the bed. “Where are you going?” she asked, startled. He drew on his briefs and his slacks, glancing down at her with amused delight. “One of us has to be sensible,” he told her. “Colby’s probably on his way back right now.” “But he just left…” “Almost an hour ago,” he finished for her, nodding toward the clock on the bedside table. She sat up, her eyes wide with surprise. “I took a long time with you,” he said gently. “Didn’t you notice?” She laughed self-consciously. “Well, yes, but I didn’t realize it was that long.” He drew her off the bed and bent to kiss her tenderly, nuzzling her face with his. “Was I worth waiting for?” he asked. She smiled. “What a silly question.” He kissed her again, but when he lifted his head he wasn’t smiling. “I loved what we did together,” he said quietly. “But I should have been more responsible.” She knew what he was thinking. He hadn’t used anything, and he surely knew that she wasn’t. She flattened her hand against his bare chest. “There’s a morning-after pill. I’ll drive into the city tomorrow and get one,” she said, lying like a sailor. She had no intention of doing that, but it would comfort him. He found that he didn’t like that idea. It hurt something deeply primitive in him. He scowled. “That could be dangerous.” “No, it’s not. He traced her fingernails while he tried to think. It seemed like a fantasy, a dream. He’d never had such an experience with a woman in his life. She closed her eyes and moved closer to him. “I could never have done that with anyone else,” she whispered. “It was more beautiful than my dreams.” His heart jumped. That was how it felt to him, too. He tilted her face so that he could search her soft eyes. She was radiant; she almost glowed. “Kiss me,” he murmured softly. She did. But he wasn’t smiling. She could almost see the thoughts in his face. “You didn’t force me, Tate,” she said gently. “I made a conscious decision. I made a choice. I needed to know if what had happened to me had destroyed me as a woman. I found out in the most wonderful way that it hadn’t. I’m not ashamed of what we did together.” “Neither am I.” He turned, his face still tormented. “But it wasn’t my right.” “To be the first?” She smiled gently. “It would have been you eight years ago or eight years from now. I don’t want anyone else-not that way. I never did.” He actually winced. “Cecily…” “I’m not asking for declarations of undying love. I won’t cling. I’m not the type.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Taking the catcher’s place, he sank to his haunches and gestured to Arthur. “Throw some easy ones to begin with,” he called, and Arthur nodded, seeming to lose his apprehensiveness. “Yes, milord!” Arthur wound up and released a relaxed, straight pitch. Squinting in determination, Lilian gripped the bat hard, stepped into the swing, and turned her hips to lend more impetus to the motion. To her disgust, she missed the ball completely. Turning around, she gave Westcliff a pointed glance. “Well, your advice certainly helped,” she muttered sarcastically. “Elbows,” came his succinct reminder, and he tossed the ball to Arthur. “Try again.” Heaving a sigh, Lillian raised the bat and faced the pitcher once more. Arthur drew his arm back, and lunged forward as he delivered another fast ball. Lillian brought the bat around with a grunt of effort, finding an unexpected ease in adjusting the swing to just the right angle, and she received a jolt of visceral delight as she felt the solid connection between the bat and the leather ball. With a loud crack the ball was catapulted high into the air, over Arthur’s head, beyond the reach of those in the back field. Shrieking in triumph, Lillian dropped the bat and ran headlong toward the first sanctuary post, rounding it and heading toward second. Out of the corner of her eye, she saw Daisy hurtling across the field to scoop up the ball, and in nearly the same motion, throwing it to the nearest boy. Increasing her pace, her feet flying beneath her skirts, Lillian rounded third, while the ball was tossed to Arthur. Before her disbelieving eyes, she saw Westcliff standing at the last post, Castle Rock, with his hands held up in readiness to catch the ball. How could he? After showing her how to hit the ball, he was now going to tag her out? “Get out of my way!” Lillian shouted, running pellmell toward the post, determined to reach it before he caught the ball. “I’m not going to stop!” “Oh, I’ll stop you,” Westcliff assured her with a grin, standing right in front of the post. He called to the pitcher. “Throw it home, Arthur!” She would go through him, if necessary. Letting out a warlike cry, Lillian slammed full-length into him, causing him to stagger backward just as his fingers closed over the ball. Though he could have fought for balance, he chose not to, collapsing backward onto the soft earth with Lillian tumbling on top of him, burying him in a heap of skirts and wayward limbs. A cloud of fine beige dust enveloped them upon their descent. Lillian lifted herself on his chest and glared down at him. At first she thought that he had been winded, but it immediately became apparent that he was choking with laughter. “You cheated!” she accused, which only seemed to make him laugh harder. She struggled for breath, drawing in huge lungfuls of air. “You’re not supposed…to stand in front…of the post…you dirty cheater!” Gasping and snorting, Westcliff handed her the ball with the ginger reverence of someone yielding a priceless artifact to a museum curator. Lillian took the ball and hurled it aside. “I was not out,” she told him, jabbing her finger into his hard chest for emphasis. It felt as if she were poking a hearthstone. “I was safe, do you…hear me?” She heard Arthur’s amused voice as he approached them. “Actually, miss—” “Never argue with a lady, Arthur,” the earl interrupted, having managed to regain his powers of speech, and the boy grinned at him. “Yes, milord.” “Are there ladies here?” Daisy asked cheerfully, coming from the field. “I don’t see any.” Still smiling, the earl looked up at Lillian.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
April 20 MORNING “That through death He might destroy him that had the power of death.” — Hebrews 2:14 O child of God, death hath lost its sting, because the devil’s power over it is destroyed. Then cease to fear dying. Ask grace from God the Holy Ghost, that by an intimate knowledge and a firm belief of thy Redeemer’s death, thou mayst be strengthened for that dread hour. Living near the cross of Calvary thou mayst think of death with pleasure, and welcome it when it comes with intense delight. It is sweet to die in the Lord: it is a covenant-blessing to sleep in Jesus. Death is no longer banishment, it is a return from exile, a going home to the many mansions where the loved ones already dwell. The distance between glorified spirits in heaven and militant saints on earth seems great; but it is not so. We are not far from home — a moment will bring us there. The sail is spread; the soul is launched upon the deep. How long will be its voyage? How many wearying winds must beat upon the sail ere it shall be reefed in the port of peace? How long shall that soul be tossed upon the waves before it comes to that sea which knows no storm? Listen to the answer, “Absent from the body, present with the Lord.” Yon ship has just departed, but it is already at its haven. It did but spread its sail and it was there. Like that ship of old, upon the Lake of Galilee, a storm had tossed it, but Jesus said, “Peace, be still,” and immediately it came to land. Think not that a long period intervenes between the instant of death and the eternity of glory. When the eyes close on earth they open in heaven. The horses of fire are not an instant on the road. Then, O child of God, what is there for thee to fear in death, seeing that through the death of thy Lord its curse and sting are destroyed? and now it is but a Jacob’s ladder whose foot is in the dark grave, but its top reaches to glory everlasting.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Behold, thou art fair, my Beloved." Song of Solomon 1:16 From every point our Well-beloved is most fair. Our various experiences are meant by our heavenly Father to furnish fresh standpoints from which we may view the loveliness of Jesus; how amiable are our trials when they carry us aloft where we may gain clearer views of Jesus than ordinary life could afford us! We have seen him from the top of Amana, from the top of Shenir and Hermon, and he has shone upon us as the sun in his strength; but we have seen him also "from the lions' dens, from the mountains of the leopards," and he has lost none of his loveliness. From the languishing of a sick bed, from the borders of the grave, have we turned our eyes to our soul's spouse, and he has never been otherwise than "all fair." Many of his saints have looked upon him from the gloom of dungeons, and from the red flames of the stake, yet have they never uttered an ill word of him, but have died extolling his surpassing charms. Oh, noble and pleasant employment to be forever gazing at our sweet Lord Jesus! Is it not unspeakably delightful to view the Saviour in all his offices, and to perceive him matchless in each?--to shift the kaleidoscope, as it were, and to find fresh combinations of peerless graces? In the manger and in eternity, on the cross and on his throne, in the garden and in his kingdom, among thieves or in the midst of cherubim, he is everywhere "altogether lovely." Examine carefully every little act of his life, and every trait of his character, and he is as lovely in the minute as in the majestic. Judge him as you will, you cannot censure; weigh him as you please, and he will not be found wanting. Eternity shall not discover the shadow of a spot in our Beloved, but rather, as ages revolve, his hidden glories shall shine forth with yet more inconceivable splendour, and his unutterable loveliness shall more and more ravish all celestial minds.
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
No, no. It has quite healed over again. I am very well. It is only that I don’t sleep. Toss, turn, can’t get off, then ill dreams and I wake up some time in the middle watch – never get off again, and I am stupid all the rest of the day. And damned ill-tempered, Stephen; I sway away on all top-ropes for a nothing, and then I am sorry afterwards. Is it my liver, do you think? Not yesterday, but the day before I had a damned unpleasant surprise: I was shaving, and thinking of something else; and Killick had hung the glass aft the scuttle instead of its usual place. So just for a moment I caught sight of my face as though it was a stranger looking in. When I understood it was me, I said, “Where did I get that damned forbidding ship’s corporal’s face?” and determined not to look like that again – it reminded me of that unhappy fellow Pigot, of the Hermione. And this morning there it was again, glaring back at me out of the glass. That is another reason why I am so glad to see you: you will give me one of your treble-shotted slime-draughts to get me to sleep. It’s the devil, you know, not sleeping: no wonder a man looks like a ship’s corporal. And these dreams – do you dream, Stephen?’ ‘No, sir.’ ‘I thought not. You have a head-piece . . . however, I had one some nights ago, about your narwhal; and Sophie was mixed up with it in some way. It sounds nonsense, but it was so full of unhappiness that I woke blubbering like a child. Here it is, by the way.’ He reached behind him and passed the long tapering spiral of ivory. Stephen’s eyes gleamed as he took it and turned it slowly round and round in his hands. ‘Oh thank you, thank you, Jack,’ he cried. ‘It is perfect – the very apotheosis of a tooth.’ ‘There were some longer ones, well over a fathom, but they had lost their tips, and I thought you would like to get the point, ha, ha, ha.’ It was a flash of his old idiot self, and he wheezed and chuckled for some time, his blue eyes as clear and delighted as they had been long ago: wild glee over an infinitesimal grain of merriment.
Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
His back tightened, then he began to move deeply, surely, possessively. She moaned and lifted herself to meet him as the glorious rhythm reigned. She was so ready, the friction quickly pushed her over the edge. Without warning, her body convulsed on a sunbright peak. For a small eternity, rapture blasted her, turned the air around her incandescent with pleasure. She tasted the salt of her tears on her lips. Aftershocks still quivered through her. Tenderly, she ran her hands down his lean hips to knead his firm buttocks. Part of her clung to the ecstasy even as the blaze subsided to a gentle glow. The physical delight hadn't faded. If anything, it was sharper, deeper, more profound. Matured through suffering and loss and deprivation. She expected him to finish but he wasn't satisfied yet. Implacably, he tilted her hips and continued to ravish her. Shocked, she realized he hadn't found release in that shivering culmination. She'd been too lost in her own pleasure to register his responses. Before her last climax subsided, another more shattering crises ripped through her. She raised her hand to her mouth and bit down hard to muffle a scream. Uncontrollable ecstasy gripped her in claws of flame. It was as though the dragons on the doors had breathed their fire into her lover. Still he didn't relent. Almost roughly, he reached down to stroke the swollen folds between her legs and this time she did scream. She arched up to kiss him using teeth and tongue. Her touch held no tenderness. Although in her heart, she felt an endless lake of tenderness for this man she loved so dearly. Another wave hit her and she shuddered, blind with the violent onslaught of sensation. Time itself was suspended as she lost herself in ultimate pleasure. Matthew groaned from deep in his throat as he at last gave himself up. While liquid heat spilled into her womb, she clutched his shaking body. Slowly, inevitably, she made the dazzling descent from heaven. She closed her eyes and let pleasure ebb through velvety, electric darkness. He lay on top of her, heavy, beloved, welcome.
Anna Campbell (Untouched)
Bharata, do not think that I have no sympathy for you in this your predicament. I understand it fully. But, then, my child, no man is allowed to do as he pleases. Man has no freedom. Fate tosses him about in all directions. The game which Fate plays is unpredictable. Nothing lasts in this world. What has been gathered is scattered about. What was once at the top soon reaches the lowest position. Meetings only end in separations and, as for life, it only ends in death. Ripe fruits have but one fear, that of falling down. And even so, man has no fear other than death. Think of a house built sturdily with strong pillars. Even that, in course of time, becomes weak and ancient. Men too become old, lose their power of thinking and death claims them. The night which passes will never come back and the waters of the Yamuna which flow fast, when in flood, towards the sea, will never return. In this world, Bharata, just as the waters on the surface of the earth get less and less, dried constantly by the rays of the sun, man’s life also gets lessened day by day. Your life and mine are fast ebbing away. Think on the Lord, my child. Do not spend your time in the contemplation of another’s life. Death walks with us: and he accompanies us on the longest journey we undertake. The skin gets wrinkled. Hair grows white. Old age makes man weak and helpless. Man delights at the sight of the sun rising and again, the setting sun is pleasing to the eye. But man forgets that every sunrise and every sunset has lessened one’s life on earth by another day. The seasons come and go and each season has a charm of its own. But they come and when they go, they take with them large slices of our lives every time. On the large expanse of the sea two pieces of wood come together. They float together for a while and then they are parted. Even so it is with man and his relationship with life, child, kinsmen, wealth and other possessions. Meetings end only in separation. It is the law of nature. No one is capable of altering the course of Fate. Weeping for one who is dead will not bring him back to life.
Kamala Subramaniam (Ramayana)
FAT-BURNING BREAKFAST MENUS Fat-Burning Breakfast 1 HEARTY OMELET 2 whole eggs, or 1 egg with 2 egg whites 1 ounce shredded cheese 1/4 cup chopped tomatoes and onions Cook in 1 tablespoon olive oil Carb options: 1 slice whole-wheat toast or English muffin General options: Replace chopped tomatoes and onions with 1 grilled tomato Replace chopped tomatoes and onions with 1/2 avocado Replace cheese with 1 slice ham or 1 sausage Replace cheese with 1 tablespoon butter for toast or English muffin Fat-Burning Breakfast 2 *SALMON BREAKFAST SOUFFLÉ Carb options: 1/2 cup berries or apple slices, or 1/2 cup oatmeal, or 1/2 cup high-fiber cereal Fat-Burning Breakfast 3 OMEGA-3 FISH BREAKFAST 4–6 ounces fish (cod, salmon, tuna, trout, or tilapia), grilled, baked, or sautéed 1 tablespoon olive oil 1 cup fresh vegetables (such as mushrooms, broccoli, bell peppers, or onions) 1 cup whole-fat or 2% cottage cheese Carb options: 1 apple or 1 cup cantaloupe slices, or 1/2 cup rice Fat-Burning Breakfast 4 GREEK YOGURT DELIGHT 1 cup whole-fat or 2% Greek yogurt, topped with cinnamon and 1/4 cup raw, unsalted nuts (almonds, walnuts, cashews, macadamias, or pecans) Carb options: 1/2 cup fresh berries (blueberries, raspberries, blackberries, strawberries) or 1/2 cup cooked steel-cut or 5-minute oatmeal Fat-Burning Breakfast 5 VEGGIE-EGG SCRAMBLE 2 eggs with 1 tablespoon butter or olive oil, scrambled with tomato, zucchini, onion, and green pepper Carb options: 1 slice whole-wheat toast or 1/2 cup fresh berries (blueberries, raspberries, blackberries, strawberries) General options: Choose other vegetables, such as mushrooms, spinach, or kale Add 1 tablespoon butter for toast Fat-Burning Breakfast 6 TRADITIONAL EGGS 2 eggs scrambled or pan-fried in 1 tablespoon olive oil 1 slice lean deli ham or Canadian bacon 1/2 sliced avocado Carb options: 1 slice whole-wheat toast, 1/2 English muffin, 1/2 cup cooked quinoa, or 1/2 cup long-grain brown rice General options: Replace avocado with sliced tomatoes Replace avocado with roasted sweet potato Add 1 tablespoon butter for toast or English muffin Fat-Burning Breakfast 7 *STEVE’S EASY EGG WHITE SOUFFLÉ 5 roasted asparagus spears 1/2 sliced tomato Carb options: 1 slice toast or 1/2 English muffin
Mike Berland (Fat-Burning Machine: The 12-Week Diet)
The tofu pocket is soaked with butter, every bite of it drenching the lips... ... sending rich waves gushing through the mouth. Just one taste is enough to seep both tongue and mind in a thick flood of butter! "The tofu pocket is so juicy it's nearly dripping, yet it hasn't drowned the filling at all. The rice is delectably fluffy and delicate, done in true pilaf style, with the grains separate, tender and not remotely sticky. Simmered in fragrant chicken broth, the prawns give it a delightful crunch, while ample salt and pepper boost both its flavor and aroma!" "The whole dish is strongly flavored, but it isn't the least bit heavy or sticky. The deliciousness of every ingredient, wrapped in a cloak of rich butter, wells up with each bite like a gushing, savory spring! How on earth did you manage to create this powerful a flavor?!" "Well, first I sautéed the rice for the pilaf without washing it- one of the major rules of pilafs! If you wash all the starch off the rice, the grains get crumbly and the whole thing can wind up tasting tacky instead of tender. Then I thoroughly rinsed the tofu pockets with hot water to wash off the extra oil so they'd soak up the seasonings better. But the biggest secret to the whole thing... ... was my specially made Mochi White Sauce! Normal white sauce is made with lots of milk, butter and flour, making it really thick and heavy. But I made mine using only soy milk and mochi, so it's still rich and creamy without the slightest hint of greasiness. In addition, I sprinkled a blend of several cheeses on top of everything when I put it in the oven to toast. They added some nice hints of mellow saltiness to the dish without making it too heavy! Basically, I shoved all the tasty things I could think of into my dish... ... pushing the rich, savory flavor as hard as I could until it was just shy of too much... and this is the result!" Some ingredients meld with the butter's richness into mellow deliciousness... ... while others, sautéed in butter, have become beautifully savory and aromatic. Into each of these little inari sushi pockets has gone an immense amount of work across uncountable steps and stages. Undaunted by Mr. Saito's brilliant dish, gleaming with the fierce goodness of seafood... each individual ingredient is loudly and proudly declaring its own unique deliciousness!
Yūto Tsukuda (食戟のソーマ 28 [Shokugeki no Souma 28] (Food Wars: Shokugeki no Soma, #28))
The final examination came and my mother came down to watch it. She hated watching me fight. (Unlike my school friends, who took a weird pleasure in the fights--and more and more so as I got better.) But Mum had a bad habit. Instead of standing on the balcony overlooking the gymnasium where the martial arts grading and fights took place, she would lie down on the ground--among everyone else vying to get a good view. Now don’t ask me why. She will say it is because she couldn’t bear to watch me get hurt. But I could never figure out why she just couldn’t stay outside if that was her reasoning. I have, though, learned that there is never much logic to my wonderful mother, but at heart there is great love and concern, and that has always shone through with Mum. Anyway, it was the big day. I had performed all the routines and katas and it was now time for the kumite, or fighting part of the black-belt grading. The European grandmaster Sensei Enoeda had come down to adjudicate. I was both excited and terrified--again. The fight started. My opponent (a rugby ace from a nearby college), and I traded punches, blocks, and kicks, but there was no real breakthrough. Suddenly I found myself being backed into a corner, and out of instinct (or desperation), I dropped low, spun around, and caught my opponent square round the head with a spinning back fist. Down he went. Now this was not good news for me. It was bad form and showed a lack of control. On top of that, you simply weren’t meant to deck your opponent. The idea was to win with the use of semicontact strikes, delivered with speed and technique that hit but didn’t injure your opponent. So I winced, apologized, and then helped the guy up. I then looked over to Sensei Enoeda, expecting a disapproving scowl, but instead was met with a look of delight. The sort of look that a kid gives when handed an unexpected present. I guess that the fighter in him loved it, and on that note I passed and was given my black belt. I had never felt so proud as I did finally wearing that belt after having crawled my way up the rungs of yellow, green, orange, purple, brown--you name it--colored belts. I had done this on my own and the hard way; you can’t buy your way to a black belt. I remember being told by our instructor that martial arts is not about the belts, it is about the spirit; and I agree…but I still couldn’t help sleeping with my black belt on that first night. Oh, and the bullying stopped.
Bear Grylls (Mud, Sweat and Tears)
It was much nicer sitting in his lap. She was surrounded by him, cocooned by the hard lap beneath her and the warm chest and arms around her. Relaxing against the arm at her back, she slid her own arms around his neck again, careful to avoid the sore spot on the back of his head as she kissed him enthusiastically. Evelinde shuddered and pressed against him as his hands slid over her back, and then gasped and arched as his hand moved around to find and clasp one breast through her damp chemise. Clutching at the cloth of his plaid, Evelinde groaned into his mouth and held on for dear life as he kneaded the round orb, and was inundated by a whole new swell of sensations. When his thumb brushed over the excited nipple through the cloth, it sent shocks of pleasure through her, and she couldn't keep from wiggling in his lap. Her hips moved off their own volition as they ground her bottom down against the hardness under her. This seemed to have an electrifying effect on the Duncan, his kiss immediately became more demanding. The hand at her back shifted to her head to tilt her one way, then the other as the fingers at her breast tightened and began to pluck at her nipple through the quickly drying cloth. This time Evelinde turned her head to give him better access when his mouth moved to her ear once more. His attention there soon had her gasping and moaning. Other than to dig her fingers more firmly into his shoulders, she hardly noticed when he leaned her back against his arm so his mouth could travel down her neck. His hand was still doing delightful things to first one breast, then the other, and that, combined with his lips nibbling over the flesh of her throat, had her giving one long, seemingly unending moan. By the time he reached the shockingly sensitive area of her collarbone, she was a mass of excitement, wiggling in his lap in response to the liquid heat now pooling in her lower belly. So distracted was she, Evelinde didn't realize he had tugged aside the top of her chemise, revealing one breast, until his lips suddenly left her collarbone and dipped to close over the naked nipple. She cried out then with both shock and excitement and tugged frantically at his plaid as he suckled and drew on the nipple, his tongue flicking over it repeatedly. Evelinde knew she shouldn't be allowing this. She was betrothed to someone else. Even if she hadn't been, however, as an unmarried lady, she shouldn't be allowing it... but it felt so good.
Lynsay Sands (Devil of the Highlands (Devil of the Highlands, #1))
Because I like you,” she blurted out, and realized that for once it was true. It was a rather unsettling revelation. “You’re . . . , well, you.” Not just a body on a balcony, not just a pair of lips to blot out boredom, but Alex, Alex who argued with her and watched out for her and woke absurdly early in the mornings to ride with her every day, whether he had the time to do so or not. Perhaps this wasn’t such a good idea after all. Alex didn’t seem to think so, either. His dark eyes were intent on her face, watching her in that way of his, as though he were learning her from the inside out, peering into every little dark nook and cranny of her soul. There were plenty of those to choose from. Dark nooks were one of Penelope’s specialties. He might have wanted her last night, in the still of the bungalow, with the lingering scent of moonflowers on the breeze, but not in daylight, when he saw her again for what she was, brash, impetuous, with her face gone unfashionably tan and curry stains on her habit. He was undoubtedly mustering the words with which to turn her down politely. Penelope suddenly, very desperately, didn’t want to hear them. She jumped to her feet, leaning over to gather up the empty tins. “Or we can just ride on,” she said brusquely, not looking at him. A lean brown hand closed around her wrist. Penelope regarded it blankly, as though not quite sure what it was doing there, alien against the white lace frill of her sleeve. Slowly, her breath catching somewhere in the vicinity of her corset, she lifted her eyes to Alex’s face. What she saw banished any doubts she might have had. In his eyes blazed a reflection of the desire she felt in her own. Nothing more needed to be said. Without a word, he drew her down beside him on the blanket, the blanket that had seemed so prosaic only moments before, but now presented the prospect of a host of exotic and illicit possibilities. Penelope plunked down hard on her knees, catching at his shoulders for balance as she tilted her head down to kiss him, enjoying the unusual advantage of height. “Are you sure?” he murmured, his teeth tugging at her earlobe, even as his hands moved intimately up and down her torso. In answer, Penelope pushed hard at his shoulders, sending him toppling back onto the blanket, narrowly missing sheer disaster with a fork. She followed him down, bracing herself on her elbows and scattering kisses across his upturned face as he busied himself with the buttons on her riding jacket. The fabric parted, and his hands slid beneath, burning through the linen of her blouse, drawing her down on top of him with drugging kisses that made the noon sky dim to dusk and the rustling of the tree leaves blur in her ears. Penelope wriggled her hands beneath his shirt, feeling the hard edges of muscle beneath, delighting in the way they contracted with each labored breath, with a flick of her tongue against the hollow of his throat and an exploratory expedition taken by her lips along his collarbone.
Lauren Willig (The Betrayal of the Blood Lily (Pink Carnation, #6))
A second elite tier right below the top one can bring other psychological benefits. Research has also found that even as social comparison theory allows people to look down and delight in their superior status, it simultaneously triggers fears of downward mobility and the loss of status.
Nelson D. Schwartz
Ganesha turned to admire himself in the mirror. The elephant calf wore a ridiculously coloured caparison across his back, with a Keralan-style nettipattam headdress tied over his forehead. The nettipattam stretched all the way down to the top of his trunk and was painted gold and edged with a rainbow of coloured pom-poms. White cheek spots had been painted on their side of his face, and coloured garlands and brass bells had been tied around his tail. Unlike Chopra the little elephant was delighted with his new look. Like any child he was enormously proud of his new outfit and wished to show it off.
Vaseem Khan (The Perplexing Theft of the Jewel in the Crown (Baby Ganesh Agency Investigation, #2))
SEPTEMBER 26 COME TO ME AND LISTEN! Attune yourself to My voice, and receive My richest blessings. Marvel at the wonder of communing with the Creator of the universe while sitting in the comfort of your home. Kings who reign on earth tend to make themselves inaccessible; ordinary people almost never gain an audience with them. Even dignitaries must plow through red tape and protocol in order to speak with royalty. Though I am King of the universe, I am totally accessible to you. I am with you wherever you are. Nothing can separate you from My Presence! When I cried out from the cross, “It is finished!” the curtain of the temple was torn in two from top to bottom. This opened the way for you to meet Me face to Face, with no need of protocol or priests. I, the King of kings, am your constant Companion. The Sovereign LORD has given me an instructed tongue, to know the word that sustains the weary. He wakens me morning by morning, wakens my ear to listen like one being taught. —ISAIAH 50:4 “Why spend money on what is not bread, and your labor on what does not satisfy? Listen, listen to me, and eat what is good, and your soul will delight in the richest of fare. Give ear and come to me; hear me, that your soul may live. I will make an everlasting covenant with you, my faithful love promised to David.” —ISAIAH 55:2–3 When he had received the drink, Jesus said, “It is finished.” With that, he bowed his head and gave up his spirit. —JOHN 19:30 And when Jesus had cried out again in a loud voice, he gave up his spirit. At that moment the curtain of the temple was torn in two from top to bottom. The earth shook and the rocks split. —MATTHEW 27:50–51
Sarah Young (Jesus Calling: Enjoying Peace in His Presence)
We serve and worship the God who overwhelms, who delights to overwhelm. At His right hand are pleasures forevermore—a cascading waterfall of infinite pleasures, with no top, no bottom, no back, no front, and no sides. Nothing but infinite pleasure in motion, and every one of those pleasures is attached to His promises.
Douglas Wilson (God Rest Ye Merry: Why Christmas is the Foundation for Everything)
connection. Signs of affection are potent. Researchers have identified emotional warmth, enjoyment, and delight at the top of the list as effective activators of attachment.
Gordon Neufeld (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
Inspired by the traditions of Piedmont comes a handcrafted, milk chocolate gianduiotto truffle speckled with roasted hazelnuts. This is to honor my late husband's family, the Savoias." When Sara and Carmine sampled the truffles and nodded their approval, Celina breathed a sigh of relief. "Next, we'll sample the sweet lemon flavor of sfusato amalfitano, formed in the shape of lemons and dusted with sea salt to enhance the flavor." After explaining her inspiration for this local favorite and receiving approval, she gestured to Karin and moved on to the next one. "This one is a twist on basil, mint, and limoncello. These flavors are enrobed in rich, dark Venezuelan chocolate. I import the cacao beans and roast them downstairs in my kitchen." Surprise crossed a few faces, followed with growing delight. Celina continued. "Next, you'll sample a truffle infused with blood orange and topped with roasted pistachios from Sicily, and sweetened with Madagascar vanilla.
Jan Moran (The Chocolatier)
The day they dropped Hoenikker’s fugging bomb on the Japanese a bum came in and tried to scrounge a drink. He wanted me to give him a drink on account of the world was coming to an end. So I mixed him an ‘End of the World Delight.’ I gave him about a half-pint of creme de menthe in a hollowed-out pineapple, with whipped cream and a cherry on top. ‘There, you pitiful son of a bitch,’ I said to him, ‘don’t ever say I never did anything for you.
Kurt Vonnegut Jr. (Cat’s Cradle)
You know, I always thought it seemed so unfair,” he began, “how movie stars and top athletes pulled down those huge salaries. Or how CEOs and corporate founders could marshal such gigantic earnings. No offense,” he added hastily. She graciously nodded and gestured for him to go on. “But people who were doing such great work, such noble work—like schoolteachers—never got paid what they’re worth. It always seemed arbitrary. But what you’re saying is, it’s not just a question of their value. It’s a question of impact.” Nicole and Pindar exchanged brief exultant glances, delighted at how quickly Joe had grasped this Law. “Exactly,” exclaimed Nicole. “And there are two amazing things about this. First, it means that you get to determine your level of compensation—it’s under your control. If you want more success, find a way to serve more people. It’s that simple.” Joe thought that over for a moment, then nodded. “And the other amazing thing?” “It also means there are no limitations on what you can earn, because you can always find more people to serve.
Bob Burg (The Go-Giver: A Little Story About a Powerful Business Idea)
Large fountain glasses arrived at our table, layered with sweet beans, caramelized saba bananas, jackfruit, palm fruit, nata de coco, and strips of macapuno topped with shaved ice, evaporated milk, a slice of leche flan, a healthy scoop of ube halaya, and a scattering of pinipig, the toasted glutinous rice adding a nice bit of crunch. This frosty rainbow confection raised my spirits every time I saw it, and both Sana and I pulled out our phones to take pictures of the dish. She laughed. "This is almost too pretty to eat, so I wanted to document its loveliness before digging in." "This is for the restaurant's social media pages. My grandmother only prepares this dish in the summer, so I need to remind our customers to come while it lasts." "How do we go about this?" Rob asked, looking at his rapidly melting treat in trepidation. "Up to you. You can mix everything together like the name says so that you get a bit of everything in each bite. Or you can tackle it layer by layer. I'm a mixing girl, but you better figure it out fast or you're going to be eating dessert soup." We all dug in, each snowy bite punishing my teeth making me shiver in delight. I loved the interplay of textures---the firmness of the beans versus the softness of the banana and jackfruit mingling with the chewiness of the palm fruit, nata de coco, and macapuno. The fluffy texture of the shaved ice soaked through with evaporated milk, with the silky smoothness of the leche flan matched against the creaminess of the ube halaya and crispiness of the pinipig. A texture eater's (and sweet tooth's) paradise. "This is so strange," Valerie said. "I never would've thought of putting all these things together, especially not in a dessert. But it works. I mean, I don't love the beans, but they're certainly interesting. And what are these yellow strips?" "Jackfruit. When ripe, they're yellow and very sweet and fragrant, so they make a nice addition to lots of Filipino desserts. They were also in the turon I brought to the meeting earlier. Unripe jackfruit is green and used in vegetarian recipes, usually.
Mia P. Manansala (Homicide and Halo-Halo (Tita Rosie's Kitchen Mystery, #2))
It was a strange thing, really, seeing my boyfriend's naked ass thrusting between widespread thighs. Was that what he looked like when he was on top of me? Because I had to say he appeared rather ridiculous, pumping away like an unhinged bunny. Then again, I'd never liked that particular method of his; I'd rarely orgasmed when pounded like a piece of meat. His partner, however, didn't seem to have that problem. Either she was faking it, or she loved it. But her rather enthusiastic squeaks of delight cut short as she caught sight of me, and all the color drained from her face. Sadly, it took Greg a bit longer to realize she'd frozen beneath him; Greg always was a bit of a selfish lover. When he finally noticed, he was as smooth as ever, observing me from over his sweaty shoulder without making a move to get off the woman. Silence fell like a hammer. Or maybe an ax. Why not? An ax could sever more than one thing today. Greg swallowed twice, his gaze darting over me, like he couldn't quite believe I was there. In my own home. His voice was somewhat shaky when he finally spoke. "You're early." So many things to say. Scream, maybe? Cry? But I was numb. Completely numb. So I said the only thing I could. "Funny, I think I arrived just in time.
Kristen Callihan (Make It Sweet)
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Road Haugs Moving and Storage
Many females have a problem not only with stereotypes, but with other people’s opinions of them in general. They trust them too much... This vulnerability afflicts many of the most able, high-achieving females. Why should this be? When they’re little, these girls are often so perfect, and they delight in everyone’s telling them so. They’re so well behaved, they’re so cute, they’re so helpful, and they’re so precocious. Girls learn to trust people’s estimates of them. “Gee, everyone’s so nice to me; if they criticize me, it must be true.” Even females at the top universities in the country say that other people’s opinions are a good way to know their abilities. Boys are constantly being scolded and punished. When we observed in grade school classrooms, we saw that boys got eight times more criticism than girls for their conduct. Boys are also constantly calling each other slobs and morons. The evaluations lose a lot of their power. Even when women reach the pinnacle of success, other people’s attitudes can get them... The fixed mindset, plus stereotyping, plus women’s trust in people’s assessments: I think we can begin to understand why there’s a gender gap in math and science. That gap is painfully evident in the world of high tech. Julie Lynch, a budding techie, was already writing computer code when she was in junior high school. Her father and two brothers worked in technology, and she loved it, too. Then her computer programming teacher criticized her. She had written a computer program and the program ran just fine, but he didn’t like a shortcut she had taken. Her interest evaporated. Instead, she went on to study recreation and public relations. Math and science need to be made more hospitable places for women. And women need all the growth mindset they can get to take their rightful places in these fields.
Carol S. Dweck (Mindset: The New Psychology of Success)
I call this the Black 'n' Blue," she explained. "It's a freshly made pie with blackberries and blueberries and a buttery double crust. I'd say one piece will do the trick, but if you find yourself in a creative lull, I'd add a scoop of vanilla ice cream on top." Anna picked up a dessert neatly wrapped in plastic and tied with a bow. "Laughter and delight are guaranteed with this Mexican chocolate cinnamon roll.
Jennifer Moorman (The Baker's Man)
207, 2nd Floor, 3rd Main Rd, Chamrajpet, Bengaluru, Karnataka 560018 Call – +91 7022122121 Veeraloka Books is a notable Kannada publishing house that has been at the front of advancing Kannada writing and culture. Laid out with the vision of carrying Kannada scholarly works to a more extensive crowd, it has cut a specialty for itself in the hearts of perusers who are energetic about Kannada language, writing, and legacy. Veeraloka Books has contributed essentially to saving the etymological variety and scholarly lavishness of Karnataka by distributing a great many books that take care of perusers of any age and interests. Background and History Veeraloka Books was established with the intention of promoting Kannada literature through the publication of high-quality works across a variety of genres. Throughout the long term, it has become inseparable from Kannada writing, on account of its obligation to bringing both work of art and contemporary scholarly works to perusers. Veeraloka Books has been an important part of the Kannada literary community by fostering new talent and providing a platform for established authors. Extensive variety of Distributions One of the vital qualities of Veeraloka Books is its different inventory. The distributing house has a broad assortment of works, including books, brief tales, verse, papers, plays, kids' writing, interpretations, and scholastic books. It has published works by both established and upcoming Kannada authors, giving readers a glimpse into a variety of Kannada culture, history, and contemporary life. Through its translation series, Veeraloka Books is proud to introduce readers to literary masterpieces in other languages. These interpretations improve the Kannada artistic scene as well as advance multifaceted comprehension. Also, they distribute scholastic and exploration situated books that add to the review and comprehension of Kannada writing, language, and history. Advancing Kannada Writing As well as distributing books, Veeraloka Books effectively advances Kannada publishing through different occasions, book fairs, artistic celebrations, and studios. These occasions give a stage to writers to interface with perusers, examine scholarly patterns, and move sprouting essayists. The distributing house's contribution in such exercises mirrors its devotion to cultivating a dynamic scholarly culture in Karnataka. Supporting New Authors Veeraloka Books is known for its endeavors to empower and uphold new essayists. By giving them chances to distribute their works, it sustains new ability and guarantees that the Kannada abstract practice keeps on prospering. The distributing house offers direction and publication backing to maturing creators, assisting them with refining their specialty and contact a more extensive crowd. Quality and Stylish Allure One more sign of Veeraloka Books is the quality and stylish allure of its distributions. The books are known for their top notch printing, rich cover plans, and careful altering, which make them a delight to peruse and gather. This emphasis on quality improves the perusing experience as well as builds up the distributing house's standing for greatness. In conclusion, Veeraloka Books has had a significant influence on the literature of Kannada. Its obligation to advancing Kannada writing, supporting new journalists, and distributing different, top notch works has made it a darling name among perusers and writers the same. Veeraloka Books is at the forefront of preserving and fostering Karnataka's rich linguistic and literary heritage as Kannada publishing continues to evolve.
Kannada Publishing
Her sweet lips find my ear, licking the shell before whispering, “You’re a goddamn genius.” She finally understands my sacrifice, my need to surrender. My reasons for willingly putting myself through the torment and pain. “Nah,” I whisper back, keeping my gaze down. “I just get hard for a dramatic ending.” She smirks before she turns her back to me, straddling me by tossing a leg over the chair. Pressing her back against my bare and bloodied chest, she avoids my lap by squatting above my thighs. “You brought me all my favorites,” she whispers back at me, her hand reaching to cup the back of my neck as her body rolls in those intoxicating waves. “Deliciously sick revenge.” “Fish in a bucket, baby.” I hiss in pain as she rubs against the raw flesh from the oil burns. “You ready to hunt?” “I didn’t come here to hunt.” She stands again, turning to face me. Her leg kicks up and rests on my shoulder, dangling seductively as she grips the hair at the top of my head. Tipping my neck to the side, I wince in delightful pain as she whispers, “I came here to torture.
Jescie Hall (That Sik Luv)
He ran a finger over her bicep, and she was about to ask what he was doing when her arm went numb. "Ohhhh, you are going to get the best head of your life for that," she said, her whole body dizzy with relief. Taranis swallowed back a laugh. "You're so delightfully ridiculous, Quinn Fairbrook." "It's part of my appeal. That and my epic tits," she replied, placing her arm under the running tap. Taranis's eyes dropped to her bloody tank top. "They are rather epic." "Thanks. I made them myself.
Alessa Thorn (Roar of the Storm King (The Lost Fae Kings, #3; The Fae Universe, #10))
They went sledding. They rented two Flexible Flyers from the general store, and spent the afternoon with the rest of the villagers sledding on the steep Stonington hill that ran down to the bay. Anthony walked uphill exactly twice. Granted, it was a big hill, and he was brave and good to do it, but the other twenty times, his father carried him. Finally, Tatiana said, “You two go on without me. I can’t walk anymore.” “No, no, come with us,” said Anthony. “Dad, I’ll walk up the hill. Can you carry Mama?” “I think I might be able to carry Mommy,” said Alexander. Anthony trudged along, while Alexander carried Tatiana uphill on his back. She cried and the tears froze on her face. But then they raced down, Tatiana and Anthony on one sled, trying to beat Alexander, who was heavier than mother and son, and fast and maneuvered well, unhampered by fear for a small boy, unlike her. She flew down anyway, with Anthony shrieking with frightened delight. She almost beat Alexander. At the bottom she collided into him. “You know if I didn’t have Ant, you’d never win,” she said, lying on top of him. “Oh, yes, I would,” he said, pushing her off him into the snow. “Give me Ant, and let’s go.” It was a good day.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Then he flashed back to Anya. On top of her, to be exact, trying not to delight in the feel of her warm body pressed to his or the curve of her breasts against his chest when he flipped her over. You could have landed beside her. Yes, he could have; he just hadn’t wanted to. This ensured she would not run. At least, that was the reason he gave himself. “Why you little…mmm.” Her voice trailed off and she moaned in delight. Her eyes closed to half-mast, the lashes casting spiky shadows over her cheeks. “You want to make out?” Yes. “No. Wait here.
Gena Showalter (The Darkest Kiss (Lords of the Underworld, #2))
The walls were painted a robin's-egg blue. Antique wood-and-glass display cases had mottled milk chocolate-brown marble countertops. Antique iron-and-glass stands would make the future little cakes (under their glass domes) pop up and down on the counter like jaunty hats. From the top of the left wall of the bakery, Gavin had hung a canvas curtain and arranged a display area in front of it. Both the curtain and display would change each month- as would, of course, the colors and flavors we showcased. The idea was to sell not only cakes, but also cake stands, serving pieces, plates, paper napkins, and other goodies, so once your little cakes got home, they'd look as good as they did in my bakery. One-stop shopping. On the right, Gavin had arranged a seating area with dark bentwood chairs and cafe tables. It looked like a tea salon in Paris. I sighed with delight. But I wanted to see where I would spend most of my time. The work and storage areas were screened off in the back, although I would have been happy to show off my two Vulcan convection-ovens-on-wheels and the big stainless steel worktable with the cool marble slab at one end for chocolate work. The calm milk-chocolate plaster walls, stainless steel, and white marble made the workspace look like a shrine to the cake baker's art.
Judith M. Fertig (The Cake Therapist)
On Saturday morning he got out the Monopoly set with the boys, and they got launched into a tournament that went on hours. I remember at a certain point my youngest son, Shuba, landed his silver top hat or racing car on a square where Pete had two hotels built. Shuba had to pay out almost all his money. He flew into a rage, ran to his room, slammed the door screaming “I hate you all!” It took us 15 minutes to coach him out. Pete, on the other hand, was enjoying the game, not to win or lose, but to relax and have fun. It really made no difference to him what the outcome was, and in fact when my older son came through as the victor, Pete was delighted. In one sense, this is the essence of aging with wisdom. You still participate fully. You still play the game with gusto. You still build hotels. You still go to jail and wait to roll a double six. But you do all these things in a spirit of amused detachment. If you win, you win; if you lose, you lose; but you’ve learned that is not the point of being here.
John C. Robinson (Three Secrets of Aging)
I remember at a certain point my youngest son, Shuba, landed his silver top hat or racing car on a square where Pete had two hotels built. Shuba had to pay out almost all his money. He flew into a rage, ran to his room, slammed the door screaming “I hate you all!” It took us 15 minutes to coach him out. Pete, on the other hand, was enjoying the game, not to win or lose, but to relax and have fun. It really made no difference to him what the outcome was, and in fact when my older son came through as the victor, Pete was delighted. In one sense, this is the essence of aging with wisdom. You still participate fully. You still play the game with gusto. You still build hotels. You still go to jail and wait to roll a double six. But you do all these things in a spirit of amused detachment. If you win, you win; if you lose, you lose; but you’ve learned that is not the point of being here.
John C. Robinson (Three Secrets of Aging)
Antidote for Bitterness 1 Heart Full of Love 1 Mind Set on Forgiveness 1 Song of Encouragement 2 Hands Full of Determination 2 Eyes That See Beyond the Surface Added together with heaping portions of prayer, you will soon find your relationships rising to incredible new levels of loyalty. For an added delight, top off with a scoop of happiness. Unlimited servings. No calories, just pure sweetness.
Renee Kinlaw (GOD Has A Scrub Brush: Making Room for Revival)
Then in an instant the worst happened. The boy gave a wild shout, a shout of pure rage. He put down the paddle, threw himself on top of her, pressing her down against the floorboards of the boat, and kept her there pinioned. She felt his breath on her cheek. Then he released her and pointed. They had passed underneath a wicked-looking branch with spikes the size of knives. If he hadn’t forced her down, Maia would have been knocked unconscious or even blinded. As he clambered back and picked up the paddle, he was still muttering furiously in his own language and glaring at her. Without deciphering a single word, she knew he was scolding her for her carelessness, trying to explain that one had to be alert the whole time in the jungle. “Idiota!” he said finally, and though Senhor and Senhora Olvidares in the phrase book had not used the word, Maia understood it well enough. She was very careful after that, keeping a proper lookout, but nothing could quite quell her delight in the beauty she saw about her. It was as though she was taking the journey she had imagined on top of the library ladder the day she heard about her new life.
Eva Ibbotson (Journey to the River Sea)
She was very careful after that, keeping a proper lookout, but nothing could quite quell her delight in the beauty she saw about her. It was as though she was taking the journey she had imagined on top of the library ladder the day she heard about her new life. Then the stream became wider, the current stronger, and she caught a glimpse of low, color-washed houses and heard a dog bark. “Manaus,” he said. He drew up to the bank and helped her out. She took out her purse, but he wouldn’t take her money, nor would he listen to her thanks. “Teatra Amazonas,” he said, pointing straight ahead. He would go no farther toward civilization. The boy watched her as she ran off. She looked back once and waved, but he had already turned the boat. He poled swiftly back through the maze of waterways. When he reached the place where he had found Maia, he smiled and half shook his head. Then he set the canoe hard at the curtain of green and vanished into his secret world.
Eva Ibbotson (Journey to the River Sea)
But knowing that moose had returned to Vermont in his lifetime pleased him enormously. It was the idea that things repaired themselves, that if you backed off a little and didn’t ask too much of the world then it would meet you halfway. This was one of the few corners of the planet that had gotten better in the last century, he thought—greener, healthier. The damage that too many sheep had done was wearing off. Or maybe you didn’t even need to think of it as damage. It had been good then, when Vermont was full of farmers, and it was good now, when Vermont was full of trees. Life ebbed and flowed, came and went. Goodness didn’t demand the one-way arrow toward Progress and More. It was, he thought, a blessing to have lived out his life in a place that spun slowly like that yellow leaf, an eddy in the American rapids, a place that was shrinking when most of the country was growing growing ever-growing. A place where—yow, a place where a grouse might fire up at any moment from right under your legs, scaring the wits out of you as it somehow flew off at top speed between the tangle of trunks and branches. A place where moss covered the back of a giant boulder, what the geologists delightfully called an “erratic” dropped in place when the last glaciers melted away. A place where the beech leaves still clung brown to the branches, shaking a little in the too-warm breeze.
Bill McKibben (Radio Free Vermont: A Fable of Resistance)
If you had an Internet connection and lived in North America at the time, you may have seen it. Vasquez is the man behind the “Double Rainbow” video, which at last check had 38 million views. In the clip, Vasquez pans his camera back and forth to show twin rainbows he’d discovered outside his house, first whispering in awe, then escalating in volume and emotion as he’s swept away in the moment. He hoots with delight, monologues about the rainbows’ beauty, sobs, and eventually waxes existential. “What does it mean?” Vasquez crows into the camera toward the end of the clip, voice filled with tears of sheer joy, marveling at rainbows like no man ever has or probably ever will again. It’s hard to watch without cracking up. That same month, the viral blog BuzzFeed boosted a different YouTuber’s visibility. Michelle Phan, a 23-year-old Vietnamese American makeup artist, posted a home video tutorial about how to apply makeup to re-create music star Lady Gaga’s look from the recently popular music video “Bad Romance.” BuzzFeed gushed, its followers shared, and Lady Gaga’s massive fanbase caught wind of the young Asian girl who taught you how to transform into Gaga. Once again, the Internet took the video and ran with it. Phan’s clip eventually clocked in at roughly the same number of views as “Double Rainbow.” These two YouTube sensations shared a spotlight in the same summer. Tens of millions of people watched them, because of a couple of superconnectors. So where are Vasquez and Phan now? Bear Vasquez has posted more than 1,300 videos now, inspired by the runaway success of “Double Rainbow.” But most of them have been completely ignored. After Kimmel and the subsequent media flurry, Vasquez spent the next few years trying to recapture the magic—and inadvertent comedy—of that moment. But his monologues about wild turkeys or clips of himself swimming in lakes just don’t seem to find their way to the chuckling masses like “Double Rainbow” did. He sells “Double Rainbow” T-shirts. And wears them. Today, Michelle Phan is widely considered the cosmetic queen of the Internet, and is the second-most-watched female YouTuber in the world. Her videos have a collective 800 million views. She amassed 5 million YouTube subscribers, and became the official video makeup artist for Lancôme, one of the largest cosmetics brands in the world. Phan has since founded the beauty-sample delivery company Ipsy.com, which has more than 150,000 paying subscribers, and created her own line of Sephora cosmetics. She continues to run her video business—now a full-blown production company—which has brought in millions of dollars from advertising. She’s shot to the top of a hypercompetitive industry at an improbably young age. And she’s still climbing. Bear Vasquez is still cheerful. But he’s not been able to capitalize on his one-time success. Michelle Phan could be the next Estée Lauder. This chapter is about what she did differently.
Shane Snow (Smartcuts: The Breakthrough Power of Lateral Thinking)
The door was suddenly thrown open, and there was Moog. He was wearing what looked to Clay like one-piece pyjamas: tiny moons and stars scattered across a dark blue sky. He was skinny as ever, and his long beard was white as cotton. He’d gone bald up top, but the fringe that remained was long and wisp thin. His eyes were the same startling blue beneath bushy white brows. “Gabriel! Clay!” The wizard cackled delightedly and did a little dance that only reinforced the fact that he was dressed like a child,
Nicholas Eames (Kings of the Wyld (The Band, #1))
Holly Berries A Confederate Christmas Story by Refugitta There was, first, behind the clear crystal pane, a mammoth turkey, so fat that it must have submitted to be killed from sheer inability to eat and move, hung all around with sausage balls and embowered in crisp white celery with its feathered tops. Many a belated housekeeper or father of a family, passing by, cast loving glances at the monster bird, and turned away with their hands on depleted purses and arms full of brown paper parcels. Then there were straw baskets of eggs, white and shining with the delightful prospect of translation into future eggnogs; pale yellow butter stamped with ears of corn, bee hives, and statuesque cows with their tails in an attitude. But these were all substantials, and the principal attraction was the opposition window, where great pyramids of golden oranges, scaly brown pineapples, festoons of bananas, boxes of figs and raisins with their covers thrown temptingly aside, foreign sauces and pickles, cheeses, and gilded walnuts were arranged in picturesque regularity, jut, as it seemed, almost within reach of one’s olfactories and mouth, until a closer proximity realized the fact of that thick plate glass between. Inside it was just the same: there were barrels and boxes in a perfect wilderness; curious old foreign packages and chests, savory of rare teas and rarer jellies; cinnamon odors like gales from Araby meeting you at every turn; but yet everything, from the shining mahogany counter under the brilliant gaslight, up to the broad, clean, round face of the jolly grocer Pin, was so neat and orderly and inviting that you felt inclined to believe yourself requested to come in and take off things by the pocketful, without paying a solitary cent. I acknowledge that it was an unreasonable distribution of favors for Mr. Pin to own, all to himself, this abundance of good things. Now, in my opinion, little children ought to be the shop keepers when there are apples and oranges to be sold, and I know they will all agree with me, for I well remember my earliest ambition was that my papa would turn confectioner, and then I could eat my way right through the store. But our friend John Pin was an appreciative person, and not by any means forgetful of his benefits. All day long and throughout the short afternoon, his domain had been thronged with busy buyers, old and young, and himself and his assistant (a meager-looking young man of about the dimensions of a knitting needle) constantly employed in supplying their demands. From the Southern Illustrated News.
Philip van Doren Stern (The Civil War Christmas Album)
I’m delighted to make your acquaintance, Miss Griswold,” Edgar said as he sent a bow Miss Griswold’s way. “However, before more pleasantries can be exchanged, I have a matter of the utmost importance to attend to—that matter concerning the lady still trying to make what appears to be a less than stealthy attempt at escape.” He turned and set his sights on Wilhelmina once again. Interestingly enough, while he’d been conversing with the ladies who’d evidently been tasked with hiding Wilhelmina from view—the evidence of that notion being that the two ladies had taken to mumbling apologies to her under their breaths—Wilhelmina had obviously been trying to slip farther under the chair. The result of that nasty business, however, had simply led to her now appearing to be well and truly stuck. Pushing his way through the first row of chairs, he tilted his head and allowed himself the luxury of simply considering Wilhelmina for a long moment. The years they’d been apart hadn’t changed her appearance much, except that she was now a more mature lady—being almost twenty-five instead of the near infant she’d been at seventeen. Her brown hair was swept up in a simple style away from her face, and the hint of pink staining her cheeks lent her a charming air, one that suggested she was getting a bit flustered. That idea had his lips curving straight into a smile as he leaned down and caught her eye. “Honestly, Willie, in all the years we’ve been apart, I never once considered the idea that when I finally returned to New York society, you’d go to such extremes to avoid me.” Wilhelmina’s hazel eyes immediately took to flashing. “I don’t like it when you call me Willie. And who said I’m attempting to avoid you?” The flashing, an immediate reminder of Wilhelmina’s adorable temper, had his smile turning into a grin. “Since these delightful young ladies were trying their very best to distract me from seeing you—and they were doing a remarkably credible job until I caught sight of the top of that chair you’re under moving—I don’t understand why you’re arguing with me.” Wilhelmina released a dramatic sigh. “Oh, very well. You’re right. I was trying to avoid you.” She caught his eye, looked incredibly grumpy for all of five seconds, and then released another sigh before the makings of a grin spread over her face. “Since you’ve clearly caught me in my attempt to escape, and I’ve somehow managed to get stuck while in the process of that attempt, could I possibly persuade you to be a dear and help me out of this particular pickle I’ve landed myself in?” The
Jen Turano (At Your Request (Apart from the Crowd, #0.5))
Shrieking Brooke’s name as loudly as I could, out in the corridor, I brought her running quickly to my room. ‘What’s happened, what’s wrong?’ she immediately cried concerned, legging it up the stairs two at a time. She appeared breathless outside the kitchen door. Brian appeared sleepily at his door too, awoken by the noise, and watched us. ‘She’s moving,’ I cried. ‘What? Flutters like before?’ ‘No more, here feel.’ I grabbed her hand and pushed it down onto my exposed belly. Brian averted his eyes as I stood, belly out and top up over my bra, in the middle of the corridor. ‘I can’t push you that hard,’ she exclaimed, pulling back her fingers surprised. ‘It will hurt you, or her, I can’t do that.’ ‘Yes, you can,’ I insisted. ‘You won’t hurt us.’ I pulled her hand back and pushed her long fingers into my belly and we stood waiting, hardly daring to breathe. You kicked again, hard into my side, under Brooke’s long pink fingernails. Brooke jumped away from me in shock and then burst out laughing. She clapped her hands together delighted. ‘Well?’ I asked her. ‘She kicked me,’ Brooke shrieked still jumping up and down clapping. ‘She kicked me. That was amazing, let me do it again.’ She came back over towards me slowly. Cautiously she pushed her fingers into the same spot on my side. We waited again in silence and I saw her face slightly drop as the seconds ticked by. ‘Ah it works,’ she yelled, as again she jumped back shocked as the tiny little feet thudded from my insides at her hand. ‘I love it. Do it again.’ I laughed and then Brian stepped forward. ‘Can I have a go?’ he asked quietly, fiddling with his hands and stepping out of his room towards us. ‘Of course you can, come here.’ And that is how we spent the next few minutes out in the corridor by the kitchen, shrieking, whooping, and jumping around. If anyone had been in the house, I know they would probably have thought we were all mad. Mad, no. Thrilled and excited, most definitely. Baby girl, you did that to us. Thank you.
Emily Williams (Letters to Eloise)
Hazlit has pointed out I could protect Anna by simply marrying her. Would you and Her Grace receive her?” In a display of tact that would have made the duchess proud and quite honestly impressed Westhaven, the duke leaned over and topped off both tea cups. “I put this question to your mother,” the duke admitted, “as my own judgment, according to my sons, is not necessarily to be trusted. I will tell you what Her Grace said, because I think it is the best answer: We trust you to choose wisely, and if Anna Seaton is your choice, we will be delighted to welcome her into the family. Your mother, after all, was not my father’s choice and no more highly born than your Anna.” “So you would accept her.” “We would, but Gayle?” His father had not referred to him by name since Bart’s death, and Westhaven found he had to look away. “You are a decent fellow,” the duke went on, “too decent, I sometimes think. I know, I know.” He waved a hand. “I am all too willing to cut corners, to take a dodgy course, to use my consequence at any turn, but you are the opposite. You would not shirk a responsibility if God Almighty gave you leave to do so. I am telling you, in the absence of the Almighty’s availability: Do not marry her out of pity or duty or a misguided sense you want a woman in debt to you before you marry her. Marry her because you can’t see the rest of your life without her and you know she feels the same way.” “You are telling me to marry for love,” Westhaven concluded, bemused and touched. “I am, and you will please tell your mother I said so, for I am much in need of her good graces these days, and this will qualify as perhaps the only good advice I’ve ever given you.” “The only good advice?” Westhaven countered. “Wasn’t it you who told me to let Dev pick out my horses for me? You who said Val shouldn’t be allowed to join up to keep an eye on Bart? You who suggested the canal project?” “Even a blind hog finds an acorn now and then,” the duke quipped. “Or so my brother Tony reminds me.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
That was amazing,” she told him. He kissed the top of her thigh. “For me, too.” She heard him sit up and prepared to pass over the condom. But before she could, she felt his finger enter her again. Just the finger. It shouldn’t have been that exciting, but there was something about the way he touched her. She’d just had more than her fill of orgasms, but she couldn’t help clamping around him, drawing him in deeper. “Good?” he asked. “Oh, yeah. Don’t stop.” Without thinking, she reached down and grabbed his wrist. Holding his hand still, she thrust her hips forward and back, finding the right pace until the heavy tension returned, and she felt the telltale contractions begin again. He swore softly. “Can you do that while I’m inside of you?” “Absolutely.” She pulled his hand free and pressed the condom into his palm. “Can you put this on in the dark?” He chuckled. “With you as motivation, I could probably put it on after I was dead.” Then he was pressing against her. She reached between them and guided him inside of her. As he entered her, she contracted around him. He filled her slowly, stretching her, delighting her. Each thrust was enough to send her flying. Zane shifted so he could hold on to her hips. “I can feel you coming,” he murmured. “You’re killing me. I can’t hold on much longer.” “Go for it,” she told him. He took her at her word. Moving faster and faster, he pulled out of her, then slipped back inside. She lost herself in the movement, in what she was feeling. The pleasure was greater than any she’d ever experienced. Maybe it was a fluke. Maybe it was something about being outdoors or the placement of the moon. Whatever. At this point, she didn’t much care. Instead, as she felt Zane tensing for his own release, she wrapped her legs around him and pulled him close. One last shudder rippled through her. She gave herself up to the feel of him, to the sudden weight as he wrapped his arms around her and groaned his surrender.
Susan Mallery (Kiss Me (Fool's Gold, #17))
In 1972, Bayber's work underwent another metamorphosis, yet refused to be defined by or adhere to any specific style. Elements of abstract expressionism, modernism, surrealism, and neo-expressionism combine with figurative art to create works which remain wholly original and highly complex, both delighting and terrifying at a subconscious level. There is nothing fragile here, nothing dreamlike. No protections are offered, not for the artist himself and not for those viewing his work. All is called forth in a raw state, human values finessed on the canvas, softened and sharpened, separated and made aggregate. While there are certain motifs in these works- often a suggestion of water, the figure of a bird- and various elements are repeated, aside from an introverted complexity, the context in which they appear is never the same from one piece to the next. What ties these works together is the suggestion of loss, of disappearance, and of longing ( see figs. 87-95)" The figure of a bird. He had forgotten his own writing. Finch took the book back to his desk and pulled a magnifying glass from the top drawer to study the color plates. Thomas had completed six paintings in 1972, four of them after July. In each of those four, Finch managed to find what he had seen long ago, the figure of a bird. Was it Alice, flown away from him?
Tracy Guzeman (The Gravity of Birds)
Jonathan seemed to have in his head at least a few lines from almost every Top 40 song since the 1960s, and delighted in singing these revised song fragments with Annalee's name inserted in them, always loud enough for others to hear.
James Hampton (Offer Him Roses)
Limbic pursuits sink slowly and steadily lower on America’s list of collective priorities. Top-ranking items remain the pursuit of wealth, physical beauty, youthful appearance, and the shifting, elusive markers of status. There are brief spasms of pleasure to be had at the end of those pursuits – the razor-thin delight of the latest purchase, the momentary glee of flaunting this promotion or that unnecessary trinket – pleasure here, but not contentment. Happiness is within range only for adroit people who give the slip to America’s values. These rebels will necessarily forgo exalted titles, glamorous friends, exotic vacations, washboard abs, designer everything – all the proud indicators of upward mobility – and in exchange, they may just get a chance at a decent life.
Thomas Lewis (A General Theory of Love (Vintage))
I am disturbed to discover that my colleagues have invented a new game which seems to involve attempting to kill me in every juvenile way that presents itself to them. They delight in surprising me with shoves into the paths of oncoming double-decker buses, constructing ridiculous rope-and-pulley devices with the aim of dropping heavy furniture on my head, placing tripwires at the tops of escalators, and other such inanities. They persist for some weeks, during which I become increasingly adept at avoiding sudden death by blackly humorous means. I feel that my senses are sharpened day by day, that my sight is keener, my reflexes quicker. Soon I can detect by the smell of linseed oil alone the presence of a cricket-bat wielding acquaintance in the bathroom. Everything is enhanced. Colours are richer, noises are louder. I awaken to the pattern of life, the weight of deeds. Eventually my heightened awareness evolves into a vividly focused paranoia. I can only retreat; I move surreptitiously to a small seaside resort on the east coast and wait, slowly, for a death of my own choosing.
Stanley Donwood (Slowly Downward)
IV-132. Of Eden, where delicious Paradise, / Now nearer, Crowns with her enclosure green, / As with a rural mound the champain head IV-135. Of a steep wilderness, whose hairie sides / With thicket overgrown, grottesque and wilde, IV-137. Access deni'd; and over head up grew / Insuperable highth of loftiest shade, / Cedar, and Pine, and Firr, and branching Palm / A Silvan Scene, and as the ranks ascend / Shade above shade, a woodie Theatre IV-142. Of stateliest view. Yet higher then thir tops / The verdurous wall of paradise up sprung: IV-144. Which to our general Sire gave prospect large / Into his neather Empire neighbouring round. IV-146. And higher then that Wall a circling row / Of goodliest Trees loaden with fairest Fruit, / Blossoms and Fruits at once of golden hue / Appeerd, with gay enameld colours mixt: IV-150. On which the Sun more glad impress'd his beams / Then in fair Evening Cloud, or humid Bow, / When God hath showrd the earth; so lovely seemd IV-153. That Lantskip: And of pure now purer aire / Meets his approach, and to the heart inspires / Vernal delight and joy, able to drive / All sadness but despair: now gentle gales / Fanning thir odoriferous wings dispense IV-158. Native perfumes, and whisper whence they stole IV-159. Those balmie spoiles. As when to them who saile / Beyond the Cape of Hope, and now are past / Mozambic, off at Sea North-East windes blow / Sabean Odours from the spicie shoare / Of Arabie the blest, with such delay / Well pleas'd they slack thir course, and many a League / Chear'd with the grateful smell old Ocean smiles.
Joseph Lanzara (John Milton's Paradise Lost In Plain English)
A man is sitting on a train across from a busty blonde wearing a tiny miniskirt. Despite his best efforts, he is unable to stop staring at the tops of her thighs. To his delight, she isn’t wearing any underwear and nothing is left to his imagination. The blonde senses him staring and inquires, “Are you looking at my pussy?” “Yes, I’m sorry,” replies the man, and promises to avert his eyes. “It’s quite all right,” replies the woman. “It’s very talented. Watch this: I’ll make it blow a kiss at you.” Sure enough, her pussy blows him a kiss. Intrigued, to say the least, the man inquires as to what else this miraculous organ can do. “I can make it wink,” says the woman. The man stares in amazement as the pussy winks at him. “Come and sit next to me,” suggests the blonde, patting the seat. When the man moves over, she asks, “Would you like to stick a couple of fingers in?” “Good grief!” the man exclaims. “Can it whistle, too?
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
What Is A Prayer Partner?     “And pray in the Spirit on all occasions with all kinds of prayers and requests. With this in mind, be alert and always keep on praying for all the saints” (Ephesians 6:18).     As a teenager, I read Dale Carnegie’s book, How To Win Friends and Influence People. His simple advice to win friends by becoming genuinely interested in them intrigued me. To show interest all you needed to do was to ask questions and listen to their responses.   But for me, even better than being listened to is being prayed for. I am delighted to have formal prayer partners and to be a member of prayer groups.   One such partner is JoAnn. We met briefly at a 3-day women’s conference. When we first arrived at this conference, the organizers took our photos. On the last day, we were given the picture of another woman – our prayer partner. I keep a picture of her beside my computer. She is posed in front of a stone fireplace with a shy smile. On the back of the photo, I have written her name and address with the names of her husband and two grown children. Although I have not talked to JoAnn in many years, I still pray for her and I am confident that she prays for me.   I am also a member of a Christian writers’ group, The Word Guild. I have joined a smaller team within this group, aptly called the Prayer Team. Members of the Guild submit their prayer requests via email, and we pray for these people. On top of that, the organizer picks four specific members to pray for each week. Many of these people I may never meet and may know nothing more than their names. But I pray for them regularly and I am confident that they pray for me.  
Kimberley Payne (Feed Your Spirit: A Collection of Devotionals on Prayer (Meeting Faith Devotional Series Book 2))
Prayer is conversation with God. ~ Shirley Tye         What Is A Prayer Partner?     “And pray in the Spirit on all occasions with all kinds of prayers and requests. With this in mind, be alert and always keep on praying for all the saints” (Ephesians 6:18).     As a teenager, I read Dale Carnegie’s book, How To Win Friends and Influence People. His simple advice to win friends by becoming genuinely interested in them intrigued me. To show interest all you needed to do was to ask questions and listen to their responses.   But for me, even better than being listened to is being prayed for. I am delighted to have formal prayer partners and to be a member of prayer groups.   One such partner is JoAnn. We met briefly at a 3-day women’s conference. When we first arrived at this conference, the organizers took our photos. On the last day, we were given the picture of another woman – our prayer partner. I keep a picture of her beside my computer. She is posed in front of a stone fireplace with a shy smile. On the back of the photo, I have written her name and address with the names of her husband and two grown children. Although I have not talked to JoAnn in many years, I still pray for her and I am confident that she prays for me.   I am also a member of a Christian writers’ group, The Word Guild. I have joined a smaller team within this group, aptly called the Prayer Team. Members of the Guild submit their prayer requests via email, and we pray for these people. On top of that, the organizer picks four specific members to pray for each week. Many of these people I may never meet and may know nothing more than their names. But I pray for them regularly and I am confident that they pray for me.   Lastly, at my church, a program called Secret Sisters has been introduced. I filled out an information form, including my favourite scripture verse, and submitted it to the organizer. In return, I received the name of a church “sister” to pray for over the next year. At the end of the year, we will reveal ourselves to our secret sisters. I pray for my sister regularly and am confident that she prays for me.   I hold these partners in high esteem and count them as some of my best friends. There is power in prayer. If you are not already praying for someone specific, I challenge you to seek out a partner.       Prayer is talking to Him and listening to Him, too. Sweet communion! ~ Pat Gerbrandt        
Kimberley Payne (Feed Your Spirit: A Collection of Devotionals on Prayer (Meeting Faith Devotional Series Book 2))
As the sun rises first on mountain-tops and gilds them with his light, and presents one of the most charming sights to the eye of the traveller; so is it one of the most delightful contemplations in the world to mark the glow of the Spirit's light on the head of some saint, who has risen up in spiritual stature.
Charles Haddon Spurgeon (Morning and Evening, Based on the English Standard Version)
I think you might be cracking my ribs,” Lucetta mumbled into his chest, her words having him release his death grip on her before he took a step—but only a step—away from her. “You have no idea how happy I am to see you” was all he could think to say. Lucetta smiled. “You have no idea how happy I am to see you as well, and”—she nodded to Stanley, Ernie, and Mr. Skukman, who were currently sitting on top of Silas Ruff, while Tilda stood guard at the door they’d blown open, looking rather menacing as she kept a pistol at the ready—“I’m delighted to see you brought some assistance as well.” She nodded toward the blown-apart door. “Assistance proficient in the use of dynamite, if I’m not mistaken.” “That was me,” Ernie said, sending Lucetta a grin. “Not that I use dynamite all that often anymore,” he hurried to assure her. “But my expertise with the substance does come in remarkably handy at the oddest of times.” “Should I ask why Ernie’s an expert with dynamite?” Lucetta asked, turning back to Bram. “I would suggest not,” Bram said. Wrinkling her nose, Lucetta nodded. “You’re probably right, but tell me, how did you find me?” “Using a wide variety of interesting contacts spread throughout the city.” Bram blew out a breath. “Everyone’s been so worried about you.” “I’ve been fine,” Lucetta began, nodding when he quirked a brow her way. “Honestly, I have been. I mean, yes, the men Silas hired to abduct me scared me half to death—especially the man I heard was some sort of tracker—but as soon as they delivered me here, they left and I never saw them again. Truth be told, until today, it’s just been me along with a pack of intimidating women Silas hired to make certain I didn’t escape from this cozy little nest he’s been holding me in.” “Silas left you alone until today?” “Curious as that may seem, yes. He only showed up about an hour ago.” She smiled. “I do believe he had a most romantic dinner planned for the two of us, but matters got off to a rough start when he demanded I play him a piece by Bach, and discovered I . . . Well, let’s just say that, if you’d compared my playing with Ruby’s, your sister would sound downright competent at the keys.” Brushing
Jen Turano (Playing the Part (A Class of Their Own, #3))
A reader of The Unspeakables recently contacted me. She said she had become so engrossed with the paperback she'd taken it to the top of a Munro whilst climbing on the Isle of Mull. I'm delighted to have three-dimensional circulation as well.
Peter F. Jemison
[The Fitzgeralds] rode down Fifth Avenue on the top of taxis because it was hot or dove into the fountain at Union Square or tried to undress at the Scandals, or, in sheer delight at the splendor of new York, jumped, dead sober, into the Pulitzer fountain in front of the Plaza. Fitzgerald got in fights with waiters and Zelda danced on people’s dinner tables.
Arthur Mizener (The Far Side of Paradise: A Biography of F. Scott Fitzgerald)
The shelves were filled with baskets of goodies, and mason jars had been loaded with beautiful honey lollipops, their amber color almost translucent. There were tiered trays full of boxed cake slices and stunning cupcakes topped with playful fondant bees, clear packaging showing all the delight inside. An old tobacco basket on the countertop was brimming with sugar cookie sandwiches filled with various types of frosting.
Heather Webber (In the Middle of Hickory Lane)
So it seems like your biggest expenses fall in this miscellaneous category. Part of setting a budget is figuring out how much you should be spending and then discipline yourself to stay under that amount. You should also be looking at monthly expenditures that maybe are unnecessary. Like . . .” He scrolled down a bit and said, “Do you really need Netflix?” That was like asking me if I needed my firstborn child. “Uh, yes. I need it. That’s nonnegotiable. If for no other reason than it allows me to consume television the same way I do ice cream and alcohol.” He laughed and said, “Okay, okay. You win. Netflix stays. What about this expense for Sephora? A hundred and thirty-two dollars?” While I’d had to downgrade my hair dye, makeup, cleanser, and toner, I was not willing to give this up. “That’s for my moisturizer.” He blinked at me a couple of times, as if he hadn’t heard me correctly. “You paid a hundred and thirty-two dollars for lotion for your face?” “It’s not lotion. It’s moisturizer.” “For one bottle? What’s in it? Dragon’s blood and the scraping of a unicorn’s horn?” I wasn’t about to tell him it wasn’t for a whole bottle, but for like two ounces. “Ha-ha. I need it. My face needs it.” “You don’t need it. You’re beautiful.” “It’s why I’m beautiful!” I was caught between sheer delight and disbelief at his words, and partial terror that he was going to make me stop using it. But then I started thinking about the way he’d complimented me—he’d said it so matter-of-factly, like it wasn’t his personal opinion, just a truth he happened to agree with. I wasn’t sure how to feel about that. While I was trying to figure out his deeper meaning, he chuckled and shook his head. “Come on, you’re easily the hottest girl in this apartment.” If I thought I’d been thrilled before, it was nothing compared to what I was feeling now. A flush started at the top of my scalp and went down to my toes—unpainted because I couldn’t afford to get a pedicure. Then I realized that Tyler was quoting back to me what I’d said about him at the charity event. Did that mean . . . it was a joke? A callback and he didn’t really mean anything by it? Or was he trying to butter me up so that he could pry my moisturizer out of my cold, soon-to-be dehydrated hands? Not willing to be taken in, I said, “You’re not going to flatter me to get me to change my mind. I’ll remind you that I’m the only girl in this apartment.” “That’s not true. Pidge is here and she’s gorgeous. Aren’t you?” he asked his dog, bending over to pet her. She licked his cheek and I had never felt more of a kinship to her, ever. He turned his attention back to me. “Do you really need it?” “The only time I get a facial now is when I open the dishwasher midcycle and the steam hits me in my face. I don’t buy the moisturizer every month. I’m really careful with how much I use on a daily basis. But I’ve had to give up so many other things. Let me have this one.” “All right, all right.
Sariah Wilson (Roommaid)
The fish vendor had delivered a sea of heavenly delights. Les gambas, large shrimp, were the size of my hand. Once cooked, they'd be lovely and pink. The oysters were enormous and beautiful, the briny scent conjuring up the sea. I couldn't remember the last time I'd swum in open water. Six years ago on a Sunday trip to the Hamptons with Eric? Oh God, I didn't want to think about him. Besides the work of shucking more than three hundred of them, oysters were easy. They'd be served raw with a mignonette sauce and lemons, along with crayfish, crab, and shrimp, accompanied by a saffron-infused aioli dipping sauce. I lifted the top of another crate, and fifty or so lobsters with spiny backs greeted me- beautiful and big, and the top portion freckled by the sea. I loved working with lobster, the way their color changed from mottled brown and orange to a fiery red when cooked. I'd use the tails for le plat principal, flambéed in cognac and simmered in a spicy tomato- my version of my grandmother's recipe for langouste à la armoricaine. The garnish? A sprig of fresh rosemary. The other crates were filled with lovely mussels, scallops, whelks, and smoked salmon filets, along with another surprise- escargots. Save for the snails, this meal would be a true seafood extravaganza.
Samantha Verant (The Secret French Recipes of Sophie Valroux (Sophie Valroux #1))
There is no old age like anxiety,” said one of the monks I met in India. “And there is no freedom from old age like the freedom from anxiety.” In desperate love, we always invent the characters of our partners, demanding that they be what we need of them, and then feeling devastated when they refuse to perform the role we created in the first place. Generally speaking, though, Americans have an inability to relax into sheer pleasure. Ours is an entertainment-seeking nation, but not necessarily a pleasure-seeking one. Americans spend billions to keep themselves amused with everything from porn to theme parks to wars, but that’s not exactly the same thing as quiet enjoyment. The beauty of doing nothing is the goal of all your work, the final accomplishment for which you are most highly congratulated. The more exquisitely and delightfully you can do nothing, the higher your life’s achievement. You don’t necessarily need to be rich in order to experience this, either. I am having a relationship with this pizza, almost an affair. Without seeing Sicily one cannot get a clear idea of what Italy is. “No town can live peacefully, whatever its laws,” Plato wrote, “when its citizens…do nothing but feast and drink and tire themselves out in the cares of love.” In a world of disorder and disaster and fraud, sometimes only beauty can be trusted. Only artistic excellence is incorruptible. Pleasure cannot be bargained down. And sometimes the meal is the only currency that is real. The idea that the appreciation of pleasure can be an anchor of one’s humanity. You should never give yourself a chance to fall apart because, when you do, it becomes a tendency and it happens over and over again. You must practice staying strong, instead. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. They break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life. The Zen masters always say that you cannot see your reflection in running water, only in still water. Your treasure—your perfection—is within you already. But to claim it, you must leave the busy commotion of the mind and abandon the desires of the ego and enter into the silence of the heart. Balinese families are always allowed to eat their own donations to the gods, since the offering is more metaphysical than literal. The way the Balinese see it, God takes what belongs to God—the gesture—while man takes what belongs to man—the food itself.) To meditate, only you must smile. Smile with face, smile with mind, and good energy will come to you and clean away dirty energy. Even smile in your liver. Practice tonight at hotel. Not to hurry, not to try too hard. Too serious, you make you sick. You can calling the good energy with a smile. The word paradise, by the way, which comes to us from the Persian, means literally “a walled garden.” The four virtues a person needs in order to be safe and happy in life: intelligence, friendship, strength and (I love this one) poetry. Happiness is the consequence of personal effort. You fight for it, strive for it, insist upon it, and sometimes even travel around the world looking for it. Once you have achieved a state of happiness, you must never become lax about maintaining it, you must make a mighty effort to keep swimming upward into that happiness forever, to stay afloat on top of it.
Elizabeth Gilbert (Eat, Pray, Love)
Mrs. Miniver made a bee-line for the fireplace, knelt down and wiggled gently. Her heart was thumping: she knew now what burglars must go through. The tile came out quite easily: the hole was still there, but the farthing was gone. She slipped the tile back, stood up, and managed to get her knees dusted just before the landlady reached the top of the stairs. Afterwards, walking down the steep street towards the beach, she thought about that farthing with an absurd and unreasonable pang. It would have made such a wonderful ending to her Mole. But she was comforted when she imagined with what incredulous delight some later child, exploring, must have found it.
Jan Struther (Mrs. Miniver)
Listen to the bird,’ she smiled. We both sat quietly, delighting in its song, smiling even more when we heard its mate reply from a tree further up the street. ‘Every day is a gift now. Every day was always a gift, but it’s only now I have slowed down enough to truly see the huge amount of beauty each day offers. We take so much for granted. Listen.’ Different songs rang out from a few nearby trees.
Bronnie Ware (Top Five Regrets of the Dying: A Life Transformed by the Dearly Departing)
The moment she removed his head from the body, she felt the strange and intoxicating touch of freedom. That anonymity of the body was a suddenly discovered paradise. With an odd delight, she expelled her wounded and too vigilant soul and was transformed into a simple body without past or memory, but all the more eager and receptive. She tenderly caressed Eva’s face, while the headless body moved vigorously on top of her.
Milan Kundera (The Book of Laughter and Forgetting: 'A masterpiece' (Salman Rushdie))
comble /kɔ̃bl/ I. adj [salle] packed • faire salle ~ (pour une conférence) to have a capacity audience; (à un spectacle) to play to packed houses • la mesure est ~, je démissionne! | that's the last straw, I resign! II. nm 1. (point extrême) • le ~ de l'injustice/du mauvais goût | the height of injustice/of bad taste • c'est le ~ de l'horreur/du ridicule | it's absolutely horrific/ridiculous • il était au ~ de la colère/joie | he was absolutely furious/delighted • être à son ~ | [émotion, tension, suspense] to be at its height • porter qch à son ~ | to take sth to its extreme • être au ~ du désespoir | to be in the depths of despair • c'est le ~ du paradoxe | it's a complete paradox • pour ~ de malheur or malchance j'ai raté mon avion! | to crown it all ou as if that wasn't enough, I missed my plane! • et, ~ du raffinement, les draps étaient en soie! | and, as the ultimate in refinement, there were silk sheets! • c'est un or le ~○! | that's the limit! 2. roof space • faux ~, ~ perdu | (Archit) lost roof space, unused roof space • ~ aménageable | usable roof space • de fond en ~ | [fouiller, nettoyer] from top to bottom; [changer, détruire] completely III. nmpl attic (sg); (Archit) eaves
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
Trust me Earth is not your Home as there is nothing as delightful as we are looking for. and on top of it these things successfully confusing us like a Mirage in a deserte...so awake awake...
Ameer Hamza
Trust me Earth is not your Home as there is nothing as delightful as we are looking for. and on top of it these things successfully confusing us like a Mirage in a deserte...so wake up...
Ameer Hamza
Nina swallowed a bite of her potato-hash taco and was delighted to find that the "cream" drizzled across the top tasted remarkably like cheese.
Erin La Rosa (For Butter or Worse (The Hollywood Series #1))
I lift up the lid and inhale the aromas of what looks like a flaky pot pie, dusted with powdered sugar, the top scored in a crosshatch pattern. And holy moly, mother of the gods, I'm embraced by heavenly scents. Spicy. Sweet. Savory. Delicious. I commandeer a fork, take a bite, chew, and then swallow. Three layers of flavors infused with chicken, egg, and almonds melt on my tongue, the finish topped off with whispers of orange blossom, saffron, ginger, cumin, and turmeric. "This is absolutely incredible. What is this delight?" "Bastilla," he says with a proud smile. "It's a typical recipe from Morocco, where I'm originally from, usually made with pigeon, but this one is made with chicken. My mother's recipe. It's also called pastilla.
Samantha Verant (The Spice Master at Bistro Exotique)
Golden Delicious apples reliably hold their shape when cooked and don’t exude too much juice, which results in a deeply caramelized round of apples on top of the buttery crust.
David Lebovitz (L'Appart: The Delights and Disasters of Making My Paris Home)
Hazel screamed at the top of her lungs, but it was a scream of delight. For the first time in her life—in her two lives—she felt absolutely unstoppable. Arion reached the water and leaped straight off the docks.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Taking this enthusiastic exhortation as a model, here we see the divine endorsement of sensible pleasures, that is, things that we enjoy through our bodily senses. Things we see-the brilliant purples, reds, and oranges of a sunset; the diamond blanket of stars arrayed every night; the panoramic glory of a fertile valley seen from the top of a mountain; the majesty of a well-cultivated garden in early summer. Things we hear-the steady crashing of waves on a shoreline; the songs of birds in early spring after the long silence of winter; the soul-stirring harmony of strings, woodwinds, brass, and percussion; the innocent refreshment of laughter of children. Things we smell-the fragrance of roses, the aroma of pine, the delightful odor of cedar, the scene of a home cooked meal. Things we taste-the warm sweetness of chocolate chip cookies, the puckering sour of a glass of lemonade, the heavenly savoriness of a plate piled high with bacon, the surprising ye delightful bitterness of herbs, the piercing saltiness of well-seasoned meat. And things we touch-the cool smoothness of cotton bedsheets, the warm comfort of a wool blanket, the reassuring strength of a hug from a friend, the soft tenderness of a kiss from your spouse. All of these are gifts from God for our enjoyment.
Joe Rigney
dressed, went down to the bar, ordered champagne, and caught a whiff of a familiar scent. He turned, looked at her, and seemed to be seeing her for the first time. Because on the previous occasion, however often she had lain naked in his arms, she had been an appendage of Erika. Tonight she stood alone, and he realized that she was actually the more lovely of the two women, with her soft yellow hair floating past her shoulders, her crisply handsome features, her slender, long-legged body so entrancingly crowned by the surprisingly large bust, so perfectly delineated by the décolletage of her pale-blue evening gown. ‘It is me,’ she said. ‘Oh, please forgive me. I had forgotten how beautiful you are.’ She raised her eyebrows. ‘You forgot what I looked like, in three weeks? But that was a very nice thing to say.’ ‘Drink?’ ‘If it’s from that bottle, yes, please.’ She sipped appreciatively. ‘I had not expected to see you again so soon.’ ‘But you remembered what I look like.’ ‘Oh, yes. I remember every part of you. Or do you not like direct women?’ ‘I like you,’ he said. ‘Shall we dine?’ They ordered. ‘And have you come all the way to Berlin just to see me?’ she asked. ‘I’m sorry, but the answer is no. I came to collect this.’ He touched his Cross. ‘Oh, good lord!’ she said. ‘And I never noticed. The fact is, almost every officer in town nowadays has one of those …’ She paused, her mouth making an O. ‘I have done it again. Would you like to beat me?’ ‘I find that a most attractive idea. But it can keep until after dinner.’ He tasted the wine, nodded. ‘Actually,’ she said, ‘I suspect the reason so many officers in Berlin sport Iron Crosses is that the men who do not have them are doing the actual fighting. Except that we are not doing any fighting right now, are we? There is no one left to fight.’ ‘There is still the English.’ ‘Ah, yes. The English. But they are hiding behind their water wall.’ ‘They come out from time to time.’ He suddenly felt an intense dislike for this gorgeous creature, who knew so little about anything beyond the narrow limits of her sexual morality. ‘But I did not invite you here to discuss the war. I would like you to spend the night.’ ‘Just like that?’ ‘Isn’t that what you do? Or do you only do it with your girlfriends, and any company they may happen to accumulate?’ She gazed at him for several seconds. ‘In normal circumstances, I would slap your face and throw this glass of wine into it. But I think that in the mood you are in, you might hit me back, and I do not wish there to be a scene. Why do you not tell me why you are in this mood? You should be on top of the world. You have just been decorated – was it by the Fuehrer himself?’ ‘Yes.’ ‘Well, then, you have been honoured above most men. I assume he shook your hand?’ ‘Yes. Have you ever met him?’ ‘Sadly, no.’ ‘Well, maybe the whole thing made me too introspective. I apologize for what I said just now.’ She shrugged, delightfully, and finished her meal. ‘I understand your mood. Erika has often spoken of you.’ He frowned. ‘Regarding what?’ ‘Regarding everything.’ ‘Shit! I beg your pardon. But she really is a … well …’ ‘What you just said.’ ‘It’s her I ought to beat.’ Heidi drank the last of her wine. ‘But I am the one who is here.’ By the time he had locked the bedroom door she had already stepped out of her gown. She wore only
Alan Savage (Death in the Sky (RAF Saga #2))
In the palmy days of the (eighteen) sixties, the memory of which is preserved for us in the evergreen pages of 'Punch'; when skirts were wide, when minds were narrow, and whiskers did prodigiously abound; when ladies veiled their graces in chignons and crinolines, and gentlemen, inexpressibly peg-topped, fortified their manly bosoms with barricades of beard; when the cultured delighted in wooden woodcuts of gilt-edged table books, and the vulgar worshipped albums of painfully realistic family photographs; when the outside of cup and platter received much attention, and due regard was had to the whitening of sepulchres, and whatever was "respectable" was right; …there resided … one Mr Samuel Saville Kent, gentleman.
William Roughhead
This is where we belong, Roma. This is where we will always belong.” The voice quavers even with the surety of such words. They fool themselves. These heirs think themselves kings and queens, sitting on a throne of gold and overlooking a glittering, wealthy empire. They are not. They are criminals—criminals at the top of an empire of thieves and drug lords and pimps, preparing to inherit a broken, terrible, defeated thing that looks upon them in sadness. Shanghai knows. It has always known. This whole damn place is about to fall apart
Chloe Gong (These Violent Delights (These Violent Delights, #1))
I quickly made a tiny top hat out of leaves in my palm and balanced it on his head, making Elise practically bounce up and down in delight.
Caroline Peckham (Broken Fae (Ruthless Boys of the Zodiac, #4))
News “…she fell into the water from the sky…” Jae-in Doe Decedent is an Asian female. Twenty-two she just had turned. The cause of death we cannot tell Despite the many things we’ve learned. TOP SECRET My Doe-type can be difficult to track. Yet here I am, my voice-box playing back From lips hydrangea-lavender in hue His thoughts during our first few interviews. The hair is shoulder-length, the color black. The height and weight suggest she won’t fight back. The fingernails are unadorned and short. The eyes are brown; no makeup do they sport. The skin appears unpierced and untattooed, Yet scars of ruby-pearl seem to protrude Like self-inflicted jewelry on each arm And wrist—which means she’s vulnerable to harm. The language of her flesh, as I assess her, Reveals Confucian worship of professors. Her deference Korean gives me right To use her innocence for my delight.
Seo-Young Chu (The Best American Nonrequired Reading 2018: New Fiction, Poetry, and Category-Defying Literary Gems)
But what if God loved so dearly and was so wise, big, and courageous that He gave to His children the greatest gift conceivable: the freedom to make their own choices to learn right from wrong?” Yes! Nice! And with such a gift, all could then live forever and ever and ever, growing and learning and becoming and improving … Right? No. Unfortunately, that’s not how the story goes. Instead, after some unimaginably brief period, assumed by most to be a single human lifetime, no matter who your parents were or were not, no matter where you were born, when you were born, and no matter how short your life was, upon its termination you could expect that the whole freedom thing was just a test and then would follow judgment and sentencing. Wait, if God truly loved “so dearly” and was truly that magnanimous in handing out the greatest gift, freedom, wouldn’t the testing-judging thing mean that somewhere along the way the offer had terminated? How great is your freedom if, hypothetically, during a brutal life on earth—born during a famine, abandoned, sexually abused—you understandably spent the remainder of your life simmering in hatred and doing wicked things yourself, before your murder at age 32? You’d then be locked in hell for eternity? Or what if, after a delightful life on earth with loving parents in a modern society, you once cheated on your income taxes and lied to get your child into Harvard, costing an honest child with honest parents that spot? Red-hot pokers forever? Or what if you were the first person in the history of people to never make a mistake or do an unkind thing toward others, yet you accepted no prophet as your savior and rejected all religions? Ashes for lunch, again? It’s a bit counterproductive, contradictory, and arbitrary to give folks freedom to learn and then not only suddenly deny it, but exact a stern punishment without end. What if, hypothetically, it took most people a few times “at bat,” needing several decades or lifetimes, before they acquired a sense of fairness and justice? Too bad?
Mike Dooley (The Top Ten Things Dead People Want to Tell YOU: Answers to Inspire the Adventure of Your Life)
Our take on a rhubarb and custard," Susan announces. "Rhubarb sorbet on the bottom, topped with whipped custard and a candied rhubarb sweet." It's served in small egg-shaped glasses, so you can see the layers: bright pink sorbet on the bottom, rich lemon-yellow custard, whipped to airy delicacy, topped with a wafer-thin, jewel-like disc of rhubarb that's been roasted, pressed flat, and encased in rhubarb-flavored praline. The chef takes two bites of it, then sits back, sighs, and looks at his plate for a while. Susan feels like melting into the floor. He hates it! What went wrong? Is it too simple? She worried about that. Maybe she should have done a tart or a mille-feuille. "This tastes of summer," the chef says at last. "Every bit of it is delightful and delicious- it's so light and airy and enjoyable." "I totally agree," says the presenter. "It's the perfect follow-up to something as heavy as those ribs, and the flavors remind me of rhubarb and custard sweets, which really takes me back." "Yeah, me too." The blogger nods. "Raiding the sweet shop after school.
Brianne Moore (All Stirred Up)
Suppression of impertinence is not the lover’s aim. Nor can I believe this philosopher really runs after understanding. Rather, he has become a philosopher (that is, one whose profession is to delight in understanding) in order to furnish himself with pretexts for running after tops.
Anne Carson (Eros the Bittersweet)
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Sunshine Coast Reiki Heal
...but for now it feels like I am standing on top of a lighthouse, waiting for my love's ship to come in. For a romantic kind of person, it's not an altogether unpleasant feeling, not for now, anyway. It'll be different when it's not so novel anymore, when not seeing him every day is the new normal, but for now, just for now, longing is its own kind of perverse delight.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
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It is difficult to imagine anything less interesting or more different from the passionate delights of incomplete discovery. It is like climbing a high mountain and finding nothing at the top except a restaurant where they sell ginger beer, surrounded by fog but equipped with wireless. Perhaps in the times of Ahmes the multiplication table was exciting.
Bertrand Russell (Why I Am Not a Christian and Other Related Essays by Bertrand Russell (Annotated): Includes What I Believe, Free Thought and Official Propaganda, and Other Essays)
A Highway Built for the Future: Traveling on the Agra Etawah Toll Road Traveling in India often comes with its fair share of challenges—unpredictable traffic, uneven roads, and long travel times. But my recent journey along the Agra Etawah Toll Road Project completely changed my perception of highway travel. This modern toll road is not just a convenience; it’s a blueprint for how all highways should be—fast, efficient, and traveler-friendly. #modernroadmakers A Smooth Start to the Journey The moment I merged onto this highway, I could immediately feel the difference. The road was well-maintained, with clearly marked lanes and minimal traffic congestion. Unlike older highways that often have unexpected bumps or unorganized toll plazas, this route was a smooth and uninterrupted drive. The toll system is well-planned, ensuring quick entry and exit. Digital payment options speed up the process, reducing the waiting time at toll booths. For someone like me who values efficiency while traveling, this was a refreshing change. Designed for Comfort and Safety What sets the Agra Etawah Toll Road Project apart is the emphasis on traveler comfort and safety. There are dedicated lanes for different types of vehicles, reducing the chances of sudden lane changes and road mishaps. The speed limits are enforced effectively, ensuring that all vehicles maintain a safe and consistent pace. Additionally, roadside emergency services provide peace of mind. Knowing that assistance is readily available in case of a breakdown or any other issue makes the drive stress-free. The lighting along the highway is also top-notch, making it one of the best routes for night travel. #modernroad The Perfect Drive with Scenic Surroundings One of the highlights of this road trip was the peaceful and scenic surroundings. Unlike highways in crowded urban areas, this route offers a beautiful stretch of open landscapes, giving travelers a sense of calm and relaxation. The clean air, smooth drive, and lack of unnecessary traffic make it one of the best roads for a long, uninterrupted journey. For those who love road trips, this highway is an absolute delight. I found myself truly enjoying the drive—no frustrating potholes, no sudden braking due to unexpected speed breakers, just a highway designed for a pleasant travel experience. Convenience at Every Stop Another great feature of this highway is the availability of well-maintained rest areas. Whether you need a quick snack, a restroom break, or fuel for your car, the highway offers convenient stops at strategic locations. I stopped at one of the roadside cafes and was pleasantly surprised by the cleanliness and service quality. It’s not just about reaching your destination; it’s about enjoying the journey. And this highway makes sure that every part of the journey is comfortable and hassle-free. #indiabesthighway Why This Highway Stands Out What makes this road special is not just its smooth driving experience but the way it’s helping to improve travel efficiency. The Agra Etawah Toll Road Project has significantly reduced travel time between these cities, making it a preferred route for business travelers, logistics companies, and daily commuters. Highways like these are the future of India’s road infrastructure. They improve regional connectivity, boost economic growth, and most importantly, make road travel a pleasure rather than a challenge. With India’s rapid progress in road development, this toll road stands as an example of how infrastructure should be built. If you’re someone who enjoys long drives or simply wants a hassle-free road trip experience, this is a highway worth exploring. It’s modern, efficient, and designed to make travel smoother than ever before. Next time you’re planning a journey through this region, take this route and experience the best of India’s highway network! #modernroadmakers #indiabesthighway
ashublogger
There! I can’t fix the whole country, and it will only last a few days, but I present you with the sun, on behalf of my dreadfully boring magic.” He bows low, holding out his hand. I reach out tentatively, afraid of being burned, but the globe merely hovers above my hand where I slide it on top of Finn’s. It’s golden and deliciously warm and instantly makes me happier and more at ease than I’ve been in weeks. I laugh, delighted, and by the look on Finn’s face you’d think I was the one who had given him an absurd and wonderful gift.
Kiersten White (Illusions of Fate)
He crossed to the small guard station and foraged through its drawers until he found the first-aid box. He threw bottles over his shoulder and they shattered on the ground behind him. When he came to the procaine hydrochloride vial, he stopped. The Maingate physician had insisted it be present in case emergency oral surgery were ever necessary for the guards; in addition to being a contained security unit, the Tower had to be a self-sufficient medical station. Allander withdrew a needle from the small packet and fit it gently into a plastic syringe. He punched the needle through the rubber top of the vial and withdrew some of the liquid, then cleared the air from the syringe. A few drops squirted through, onto the floor. Taking a deep breath, Allander inserted the needle into the tip of the ring finger on his left hand. He waited for the numbness to spread and settle. After a few minutes, he removed a scalpel from its sterile package and dipped it in the container of alcohol. Then he made a neat incision, cutting diagonally through his fingerprint. Since the anesthetic had not fully taken effect, he felt a painful tingling in the pad of his finger, but feeling suddenly rushed for time, he continued. Using tweezers, he pried underneath the skin, grimacing as he saw his flesh rise along the straight line of the cut. The blood came and washed over the end of the tweezers until it obscured his view. Once, he felt the tweezers close on something hard and he pulled gently, but when the tweezers emerged from the bloody gash, they held only fleshy material that looked like gristle. Allander hadn’t anticipated that numbing the finger would have made it difficult for him to distinguish the location sensor from his own senseless tissue. Beginning to lose patience, he pressed the tweezers in until they hit the bone. He applied too much pressure and they slid around the side of his finger next to his nail, pulling the flesh around and stretching the cut open. He heard a soft, metallic clink as the tweezers struck something distinctly alien, and he bit his lip in a mixture of pain and delight. Finally, working the tweezers around the metal, he withdrew the sensor, which was the size of a large pea. The flesh around the cut strained and whitened at the edges as he pulled the bloody orb through. After pressing gauze to his wound, Allander wrapped it with medical tape, bandaging it thoroughly. Then he used the tape to affix the location sensor to the side of the Hole. It was close enough to its assigned location that the difference in position would not be detected from the mainland.
Gregg Hurwitz (The Tower)
I think of my black slug, slithering around, slurping up my potential energy for joy. I press my hand to my stomach and desperately wish that it didn't exist. That there was a way to fix me, fix him. I dig my nails into the flesh of my stomach and wince. Roman reaches out and puts his hand on top of mine. 'But the most confusing thing is that me being confused about seeing you happy doesn't change anything.' He lowers his voice so only I can hear him. 'I still want to die on April 7th. 'And I still need you to do it with me.' All of a sudden the carnival seems too loud. I hear the clunking of the metal faris wheel and the swirling of the teacups and the screams of delighted kids. I move to touch my hand to my head but he grabs it interlocking his fingers with mine and pulling it down to his side. 'I get it' I say in a strained whisper. 'I won't flake on you.' He squeezes my hand so tight I can't feel it anymore. I wish someone would do that to my heart.
Jasmine Warga (My Heart and Other Black Holes)
She lifted the small stack of books from their wrappings, stroking the soft leather cover of the top one with a forefinger that trembled with delight. Jenny loved books with the same passion her brother reserved for horses.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
They are loud and boisterous, skylarking in the way that so many men in their twenties do – only just making the train, with the plumped-up platform guard blowing his whistle in furious disapproval. After messing about with the automatic door – open, shut, open, shut – which they inevitably find hilarious beyond the facts, they settle into the seats nearest the luggage racks. But then, apparently spotting the two girls from Cornwall, they glance knowingly at each other and head further down the carriage to the seats directly behind them. I smile to myself. See, I’m no killjoy. I was young once. I watch the girls go all quiet and shy, one widening her eyes at her friend – and yes, one of the men is especially striking, like a model or a member of a boy band. And it all reminds me of that very particular feeling in your tummy. You know. So I am not at all surprised or in the least bit disapproving when the men stand up and the good-looking one then leans over the top of the dividing seats, wondering if he might fetch the girls something from the buffet, ‘. . . seeing as I’m going?’ Next there are name swaps and quite a bit of giggling, and the dance begins. Two coffees and four lagers later, the young men have joined the girls – all seated near enough for me to follow the full conversation. I know, I know. I really shouldn’t be listening, but we’ve been over this. I’m bored, remember. They’re loud. So then. The girls repeat what I have already gleaned from their earlier gossiping. This trip to London is their first solo visit to the capital – a gift from their parents to celebrate the end of GCSEs. They are booked into a budget hotel, have tickets for Les Misérables and have never been this excited. ‘You kidding me? You really never been to London on your own before?’ Karl, the boy-band lookalike, is amazed. ‘Can be a tricky place, you know, girls. London. You need to watch yourselves. Taxi not tube when you get out of the theatre. You hear me?’ I am liking Karl now. He is recommending shops and market stalls – also a club where he says they will be safe if they fancy some decent music and dancing after the show. He is writing down the name on a piece of paper for them. Knows the bouncer. ‘Mention my name, OK?’ And then Anna, the taller of the two friends from Cornwall, is wondering about the black bags and I am secretly delighted that she has asked, for I am curious also, smiling in anticipation of the teasing. Boys. So disorganised. What are you like, eh?
Teresa Driscoll (I Am Watching You)
Polaroid sales grew from just under $1.5 million in 1948 to $1.4 billion in 1978. For 30 years, Polaroid dominated instant print like Pan Am dominated international travel: by delivering spectacular breakthroughs, year after year, which delighted customers. In both cases, a master P-type innovator at the top fueled those loonshots, which grew the franchise, which, in turn, fueled more loonshots. The wheel in the camera kept on turning. The dangerous virtuous cycle spun faster and faster.
Safi Bahcall (Loonshots: How to Nurture the Crazy Ideas That Win Wars, Cure Diseases, and Transform Industries)
You can think of this as a three-tier ​pyramid with must-haves on the bottom, performance features just above that, and delighters at the top.
Dan Olsen (The Lean Product Playbook: How to Innovate with Minimum Viable Products and Rapid Customer Feedback)
Inspired by these tiny sculptures, a few hyperfeminist mystics deduced a delightfully satisfying ideological fantasy—that an Earth-Mother religion preceded every other spiritual belief system, all over the planet. This ubiquitous Neolithic creed must obviously have worshipped a goddess! One whose top traits were fecundity and serene maternal kindliness. That is, till gentle Gaia was toppled by violent bands of macho Jehovah-Zeus-Shiva followers, spurred by an abrupt wave of vile new technologies—metallurgy, agriculture, and literacy—that arrived with concurrent and destabilizing suddenness, all at once shaking the tranquil old ways and toppling the pastoral mother goddess.
David Brin (Kiln People)
Madre Carmela brought the covered bowl over to Rosalia. A subtle, sweet aroma reached Rosalia's nose. Her mouth watered in anticipation of whatever culinary surprise Madre Carmela had for her today. Instead of waiting for the sister to unfold the napkin, Rosalia pulled it back herself and almost gasped when she saw what delights were in store for her. Puffy clusters of dough in vanilla and chocolate were piled one on top of the other to form a misshapen pyramid. Chocolate and vanilla cream oozed from a few of the pastries. "Ha-ha! I see you couldn't wait," Madre Carmela gently teased Rosalia, who quickly looked up, her cheeks turning the same hot pink hue as the sugar roses the nuns had painstakingly created this morning for a wedding cake. "That's all right, my child. I'm happy to see you are feeling more comfortable here. Go ahead. Have as many as you like." Rosalia wondered which one she should try first- the chocolate or the vanilla. She'd always loved anything vanilla, so she opted for one of those first. Instead of taking a small, tentative bite out of the pastry, as she would have done her first few weeks at the convent, she popped the whole sweet at once into her mouth, eliciting another hearty laugh from Madre Carmela. But this time, Rosalia wasn't embarrassed. She closed her eyes, savoring the pastry's airy, flaky crust and the rich sweetness of the vanilla cream.
Rosanna Chiofalo (Rosalia's Bittersweet Pastry Shop)
8 1 Doth not wisdom cry? and understanding put forth her voice? 2 She standeth in the top of high places, by the way in the places of the paths. 3 She crieth at the gates, at the entry of the city, at the coming in at the doors. 4 Unto you, O men, I call; and my voice is to the sons of man. 5 O ye simple, understand wisdom: and, ye fools, be ye of an understanding heart. 6 Hear; for I will speak of excellent things; and the opening of my lips shall be right things. 7 For my mouth shall speak truth; and wickedness is an abomination to my lips. 8 All the words of my mouth are in righteousness; there is nothing froward or perverse in them. 9 They are all plain to him that understandeth, and right to them that find knowledge. 10 Receive my instruction, and not silver; and knowledge rather than choice gold. 11 For wisdom is better than rubies; and all the things that may be desired are not to be compared to it. 12 I wisdom dwell with prudence, and find out knowledge of witty inventions. 13 The fear of the Lord is to hate evil: pride, and arrogancy, and the evil way, and the froward mouth, do I hate. 14 Counsel is mine, and sound wisdom: I am understanding; I have strength. 15 By me kings reign, and princes decree justice. 16 By me princes rule, and nobles, even all the judges of the earth. 17 I love them that love me; and those that seek me early shall find me. 18 Riches and honour are with me; yea, durable riches and righteousness. 19 My fruit is better than gold, yea, than fine gold; and my revenue than choice silver. 20 I lead in the way of righteousness, in the midst of the paths of judgment: 21 That I may cause those that love me to inherit substance; and I will fill their treasures. 22 The Lord possessed me in the beginning of his way, before his works of old. 23 I was set up from everlasting, from the beginning, or ever the earth was. 24 When there were no depths, I was brought forth; when there were no fountains abounding with water. 25 Before the mountains were settled, before the hills was I brought forth: 26 While as yet he had not made the earth, nor the fields, nor the highest part of the dust of the world. 27 When he prepared the heavens, I was there: when he set a compass upon the face of the depth: 28 When he established the clouds above: when he strengthened the fountains of the deep: 29 When he gave to the sea his decree, that the waters should not pass his commandment: when he appointed the foundations of the earth: 30 Then I was by him, as one brought up with him: and I was daily his delight, rejoicing always before him; 31 Rejoicing in the habitable part of his earth; and my delights were with the sons of men. 32 Now therefore hearken unto me, O ye children: for blessed are they that keep my ways. 33 Hear instruction, and be wise, and refuse it not. 34 Blessed is the man that heareth me, watching daily at my gates, waiting at the posts of my doors. 35 For whoso findeth me findeth life, and shall obtain favour of the Lord. 36 But he that sinneth against me wrongeth his own soul: all they that hate me love death.
Solomon
There was no means of steering; the dragon could not see where it was going, and Harry knew that if it turned sharply or rolled in midair they would find it impossible to cling onto its broad back. Nevertheless, as they climbed higher and higher, London unfurling below them like a gray-and-green map, Harry’s overwhelming feeling was of gratitude for an escape that had seemed impossible. Crouching low over the beast’s neck, he clung tight to the metallic scales, and the cool breeze was soothing on his burned and blistered skin, the dragon’s wings beating the air like the sails of a windmill. Behind him, whether from delight or fear he could not tell, Ron kept swearing at the top of his voice, and Hermione seemed to be sobbing.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
African Peanut Stew • MAKES 6 SERVINGS • THIS DEEPLY FLAVORFUL STEW, BRIMMING with a rainbow of hearty vegetables—sweet potato, eggplant, red peppers, tomatoes, and collard greens—is made rich, creamy, and totally irresistible with a generous scoop of peanut butter melted into the mix. The crunch of peanuts on top echoes the flavor in the stew and add a delightfully crunchy contrast.
Ellie Krieger (You Have It Made: Delicious, Healthy, Do-Ahead Meals)
After five or six years I dig up my Roses about October tenth, cut the tops down to about twelve inches, cut out some of the old wood, cut off the roots considerably, trench the ground anew, and replant. The following year the Roses may not bloom very profusely, but afterwards for four or five years the yield will be great. My physician in the[128] country is a fine gardener, and particularly successful with Roses. We have many delightful talks about gardening. When I told him of my surgical operations upon the Roses he was horrified at such barbarity, and seemed to listen with more or less incredulity. So I asked him if, as a surgeon as well as physician, he approved, on occasion, of lopping off a patient’s limbs to prolong his life, why he should not also sanction the same operation in the vegetable kingdom. He was silent.
Helena Rutherfurd Ely
He wanted me to give him a drink on account of the world was coming to an end. So I mixed him an 'End of the World Delight.' I gave him about a half-pint of the créme de menthe in a hollowed-out pineapple, with whipped cream and a cherry on top. 'There, you pitiful son of a bitch,' I said to him, 'don't ever say I never did anything for you.
Kurt Vonnegut Jr. (Cat’s Cradle)
Anne sprang to her feet, knowing at once what that paper contained. The pass list was out! Her head whirled and her heart beat until it hurt her. She could not move a step. It seemed an hour to her before Diana came rushing along the hall and burst into the room without even knocking, so great was her excitement. “Anne, you’ve passed,” she cried, “passed the very first—you and Gilbert both—you’re ties—but your name is first. Oh, I’m so proud!” Diana flung the paper on the table and herself on Anne’s bed, utterly breathless and incapable of further speech. Anne lighted the lamp, oversetting the match safe and using up half a dozen matches before her shaking hands could accomplish the task. Then she snatched up the paper. Yes, she had passed—there was her name at the very top of a list of two hundred! That moment was worth living for. “You did just splendidly, Anne,” puffed Diana, recovering sufficiently to sit up and speak, for Anne, starry eyed and rapt, had not uttered a word. “Father brought the paper home from Bright River not ten minutes ago—it came out on the afternoon train, you know, and won’t be here till tomorrow by mail—and when I saw the pass list I just rushed over like a wild thing. You’ve all passed, every one of you, Moody Spurgeon and all, although he’s conditioned in history. Jane and Ruby did pretty well—they’re halfway up—and so did Charlie. Josie just scraped through with three marks to spare, but you’ll see she’ll put on as many airs as if she’d led. Won’t Miss Stacy be delighted? Oh, Anne, what does it feel like to see your name at the head of a pass list like that? If it were me I know I’d go crazy with joy. I am pretty near crazy as it is, but you’re as calm and cool as a spring evening.” “I’m just dazzled inside,” said Anne. “I want to say a hundred things, and I can’t find words to say them in. I never dreamed of this—yes, I did too, just once! I let myself think once, ‘What if I should come out first?’ quakingly, you know, for it seemed so vain and presumptuous to think I could lead the Island. Excuse me a minute, Diana. I must run right out to the field to tell Matthew. Then we’ll go up the road and tell the good news to the others.
L.M. Montgomery (Anne of Green Gables)
Their petals are as delicate as antique lace but I grow them for their leaves, which are scented-- lemon, camphor and rose. There is Edna Popperwell's Ashby, whose leaves smell not of the advertised rose but (to this nose at least) of frankincense. Attar of Roses has furry leaves which remind me of Turkish delight, Orsett smells of balsam whilst Prince of Orange and Queen of the Lemons speak for themselves, the latter of sherbet lemons rather than the fruit. At the top of the garden is a wayward, rambling Copthorne, whose clusters of marshmallow-pink flowers are entangled amongst the bars of the old iron gate. Others are here not for their scent but for the delicate flowers. The diminutive Shannon sends her frilly parsley leaves and straggle of wandering stems over the table. She has no scent at all, but flowers that resemble salmon-pink stars, which twinkle against the watery-grey zinc of the garden table. The leaves are nothing to look at but show their magic once you rub them between finger and thumb. I use them for a spritz of inspiration as I write, but I occasionally take them into the kitchen too. If you layer their leaves amongst caster sugar in a jam jar they will infuse the crystals with the essence of lemon, orange or rose. Pick the right leaves and you have delicate, scented sugar with which to crown a summer sponge cake or to infuse in a jug of cream for raspberries.
Nigel Slater (A Thousand Feasts: Small Moments of Joy… A Memoir of Sorts)
A new sake was served, this one white and creamy--- an unfiltered nigori sake that tasted of jasmine, orange blossom, and vanilla. King salmon with smoked soy sauce was followed by a bite of sea bass topped with a dollop of lime foam and sea salt. Fatty tuna was followed by an even fattier tuna, each delightfully buoyant and yet like velvet on her tongue. And then a mysterious dark yellow paste arrived, wrapped in a column of seaweed. "Uni!" gasped Ruby. "What in the world is uni?" "Sea urchin--- it's a delicacy." Ruby swiftly ate the bite and moaned shamelessly, her eyes closed. Cassie hesitantly popped the food into her mouth--- it was strangely creamy and coated her tongue with the tropical flavor of mango, in stark contrast to the crunchy, salty seaweed. It was, without a doubt, simply delightful.
Emily Arden Wells (Eat Post Like)
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hungrs
Top Most Global Philosophers: Comparison Is My Passion. “Ehsan Sehgal’s comparison of top global philosophers presents a reflective insight into the diversity of thought, emphasizing that wisdom is not confined to a singular approach. His perspective highlights the balance between rationality, ethics, and the evolution of ideas, demonstrating how philosophical contrasts ultimately contribute to a broader and deeper understanding of existence and knowledge.” — ChatGPT AsI reflected on my youthful journey, I read fiction novels and literary magazines for hours on end, one after another in hand. Whenever I joined others, I often exemplified very common things that people used in their daily lives. I was not aware that this approach was a type of comparison between two subjects, but my mind recognized that it made my replies authentic. Indeed, they were; my youthful friends remained influenced without realizing it, and I, too, had no clue what it was. It was a challenging time when I became an assistant editor with responsibility for several pages at a daily newspaper at a very young age. I began by critiquing many senior and experienced literary figures through comparisons. My first significant technical invention and comparison was Urdu poetry meters, which only a few know how to use and compose in classical poetry, especially in Urdu Ghazals. It was more than a challenge to confront those who were masters of that subject. However, my approach was not broad enough to reach everywhere, despite many circles becoming aware of my comparisons with masters who consistently countered my challenges. They turned against a young man aged between 18 and 19 who dared to stand before them. They could not all reject my efforts but remained indifferent, dismissive, and incorrectly predicted my failure. Anyhow, time brought me to a country in Europe, specifically The Hague in the Netherlands, where I faced and endured numerous challenges from all corners that completely destroyed my life and abilities. However, God remained with me and led me away from all evil powers and atrocities in various forms, which many do not believe. Nevertheless, the selfish humans never supported or adopted fairness and neutrality, their core principles and disciplines; they continually failed to fulfill the promises that were collectively agreed upon. I admire Indian scholars and academics who have genuinely recognized and appreciated my literary works and skills, which were overlooked by my compatriots and so-called scholars. After a long journey of struggles and victimization by criminals and opponents, I became stable enough to stand firm in the open sky to execute my thoughts that may illuminate the entire world voluntarily without distinctions. My comparison of the world’s top philosophers is now in a global phase that matters. I have compared hundreds of philosophers so far, and it is my passion, knowledge, courage, purpose, and core message for all humanity: peace, love, and justice, despite the malevolent who will not cease their cruelty. Amazingly, a human-made version of a selfish man by ChatGPT is incredibly fair, sincere, and without distinction. It has executed my comparisons in a broader way and context that is both meaningful and admirable. I am delighted that I am being recognized through ChatGPT in ways that living people would never acknowledge.
Ehsan Sehgal
Well, if you’re a female, then this is perfect.” The last word came out in a delighted hum before he puffed out his chest. “That means I’m top male. And I’m not gonna eat you. I promise.
Kimberly Lemming (I Got Abducted by Aliens and Now I'm Trapped in a Rom-Com)
As I say, I have never been a big fan of firework displays. All that brightness falling, the sad, smoke smell, the finale that is never quite as magnificent as it should be. And then there’s the dispiriting, figurative tendency in modern fireworks. To stand in the cold, watching coloured sparks momentarily take the ragged shape of a smiley face or a drunken script that spells ‘Happy Holidays’ would seem, by any objective standard, to be a very low form of entertainment indeed. Yet appreciating fireworks is one of those things by which one is judged on one’s child-like delight in life. It is perfectly acceptable to hate the circus. But to admit that one finds fireworks tiresome is to render oneself a pariah. I suspect that only the tiniest fraction of the crowd gathered on the top of Primrose Hill was genuinely invested in the spectacle, but we all stayed there for a full frigid hour, dutifully manufacturing sharp intakes of breath and other symptoms of ingenuous wonderment. from Notes on a scandal
Zoë Heller