Tons Of Crushes Quotes

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She told me that while my father’s body might be crushed under tons of black earth, the body is nothing but camouflage. She whispered that every soul is a river trying to find its way back to the sea.
Simon Van Booy (The Secret Lives of People in Love)
Time has to pass. But sometimes its so goddamn long. Sometimes it just seems to drag and drag and weigh a ton. And hang on you like a monkey. Like its going to suck the blood out of you. Or squeeze your guts out. And sometimes it flies. And is gone somewhere, somehow, before you know it was even here. As if time is only here to make you miserable. That's the only reason for time. To squeeze you. Crush you. To tie you up in knots and make you fucking miserable.
Hubert Selby Jr. (The Room)
My name? My name is nothing compared to Orion.” “No, I love your name. You’ve got tons of nickname opportunities. I got O, and that’s it. Oh, actually, I also had people calling me ‘Oreo’ in high school. Hated that.” “That’s bad, but at least you didn’t have to deal with ‘Valentino’s Day’ every Valentines Day. I had to ask out my friends’ crushes for them like I was Cupid.” “I’m so sorry, Cupid.” “It’s okay, Oreo.
Adam Silvera (The First to Die at the End)
I tell the squad a joke: "Stop me if you're heard this. There was a Marine of nuts and bolts, half robot--weird but true--whose every move was cut from pain as though from stone. His stoney little hide had been crushed and broken. But he just laughed and said, 'I've been crushed and broken before.' And sure enough, he had the heart of a bear. His heart functioned for weeks after it had been diagnosed by doctors. His heart weighed half a pound. His heart pumped seven hundred thousand gallons of warm blood through one hundred thousand miles of veins, working hard--hard enough in twelve hours to lift one sixty-five ton boxcar one foot off the deck. He said. The world would not waste the heart of a bear, he said. On his clean blue pajamas many medals hung. He was a walking word of history, in the shop for a few repairs. He took it on the chin and was good. One night in Japan his life came out of his body--black--like a question mark. If you can keep your head while others are losing theirs perhaps you have misjudged the situation. Stop me if you've heard this...
Gustav Hasford (The Short-Timers)
Maybe I broke too many hearts, maybe I crushed too many souls, maybe my own heart was too broken to give a damn about anyone else’s. Maybe the wise man was right, maybe life was like a boxing match. Tons of people cheered for you from the outside but you were alone in the ring to ght your own battles and deal with your own mess. Maybe I couldn’t deal with mine.
Nidhie Sharma (Dancing With Demons)
Sometimes it’s easy to say, ‘Yes! I want Christ to enter in me.’ But this doesn’t occur in five minutes. You can’t just go in front of the Tabernacle and say, ‘Now!’ and it’s done and over with. And He’s there inside you. In my experience, it’s a fairly painful process. In order for Christ to live in me, in order for Him to dwell inside and take complete possession of my soul, He has to step on and crush the serpent, the old nature,[106] my ego of Clare Crockett. This hurts a lot, a lot; sometimes, a ton. He has to ‘get rid of’ everything that isn’t Him—and there’s a lot, by the way! And sometimes my despicable self runs after things that He is trying to rid my soul of: my will, my likes, my attachments, my ideas, my plans… and that hurts, even though I know it’s for my own good. It stings! It doesn’t mean that when I say, ‘Let me die so you can live!’, I’m just kidding! No! I’m serious when I say it, but please give me your strength, your grace, your love, your saints, your mother, your heart… so I can lose all fear. So I can ‘open wide the doors’ to you.”[107]
Kristen Gardner (Sr. Clare Crockett: Alone with Christ Alone)
You’re mad. You’ve gone insane. He’d thought so, too. He fought to keep her alive while every night he left her to kill the rest. Why should one live though the world itself will perish? She illumined the lightless—her life the lamp, the last star in a dying universe. I am humanity, she had written. Self-centered, stubborn, sentimental, childish, vain. I am humanity. Cynical, naïve, kind, cruel, soft as down, hard as tungsten steel. He must get up. If he can’t, the light will go out. The world will be consumed by the crushing dark. But the totality of the atmosphere pushed him down and held him under, five quadrillion tons of bone-breaking force. The system had crashed. Taxed past its limits, the alien technology installed inside his human body when he was thirteen had shut down. There was nothing to sustain or protect him now. Burned and broken, his human body was no different from his former prey’s. Fragile. Delicate. Vulnerable. Alone. He was not one of them. He was completely one of them. Wholly Other. Fully human. He rolled onto his side. His back spasmed. Blood rushed into his mouth. He spat it out. Onto his stomach. Then knees. Then hands. His elbows quivered, his wrists threatened to buckle under his own weight. Self-centered, stubborn, sentimental, childish, vain. I am humanity. Cynical, naïve, kind, cruel, soft as down, hard as tungsten steel. I am humanity. He crawled. I am humanity. He fell. I am humanity. He got up.
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
What I want to know is whether or not I can expect a repetition of it, if I were to agree with what Alexandra wants.” Drowning in angry mortification, Elizabeth nevertheless managed not to flinch or drop her gaze, and although her voice shook slightly, she managed to say calmly and clearly, “I have no control over wagging tongues, your grace. If I had, I would not have been the topic of scandal two years ago. However, I have no desire whatever to reenter your society. I still have scars enough from my last sortie among the Quality.” Having deliberately injected a liberal amount of derision into the word “Quality,” Elizabeth closed her mouth and braced herself to be verbally filleted by the old woman whose white brows had snapped together over the bridge of her thin nose. An instant later, however, the pale hazel eyes registered something that might have been approval, then they shifted to Alexandra. With a curt nod the dowager said, “I quite agree, Alexandra. She has spirit enough to endure what they will put her through. Amazing, is it not,” continued the dowager to Elizabeth with a gruff smile, “that on the one hand we of the ton pride ourselves on our civilized manners, and yet many of us will dine on one another’s reputations in preference to the most sumptuous meal.” Leaving Elizabeth to sink slowly and dazedly into a chair she’d shot out of but moments before, the dowager then walked over to the sofa and seated herself, her eyes narrowed in thought. “The Willington’s ball tonight will be a complete crush,” she said after a moment. “That may be to our advantage-everyone of importance and otherwise will be there. Afterward there’ll be less reason to gossip about Elizabeth’s appearance, for everyone will have seen her for themselves.” “Your grace,” Elizabeth said, flustered and feeling some expression of gratitude was surely in order for the trouble the dowager was about to be put to, “it-it’s beyond kind of you to do this-“ “Nonsense,” the woman interrupted, looking appalled. “I am rarely kind. Pleasant, at times,” she continued while Alexandra tried to hide her amusement. “Even gracious when the occasion demands, but I wouldn’t say ‘kind.’ ‘Kind’ is so very bland. Like lukewarm tea. Now, if you will take my advice, my girl,” she added, looking at Elizabeth’s strained features and pale skin, “you will immediately take yourself upstairs and have a long and restorative nap. You’re alarmingly peaked. While you rest”-she turned to Alexandra-“Alexandra and I will make our plans.” Elizabeth reacted to this peremptory order to go to bed exactly as everyone reacted to the dowager duchess’s orders: After a moment of shocked affront she did exactly as she was bidden.
Judith McNaught (Almost Heaven (Sequels, #3))
The use of coal should be discouraged, limited, and phased out as soon as possible.109 Coal production and consumption causes enormous damages. Coal contains mercury, lead, cadmium, arsenic, manganese, beryllium, chromium, and other toxic and carcinogenic substances. Coal crushing, processing, and washing releases tons of particulate matter and chemicals that contaminate water, harm public health, and damage ecological systems. Burning coal results in emissions of nitrogen oxides, sulfur dioxide, particulates and mercury, all of which affect air quality and damage public health.
Dale Jamieson (Reason in a Dark Time: Why the Struggle Against Climate Change Failed -- and What It Means for Our Future)
— Ton arrogance ne connaît donc aucune limite ?
Elisia Blade (Séduire & Conquérir (Crush Story #4))
— Tu ne penses qu'au sexe... Tu y penses si continuellement que je me demande comment cela se fait que ton cerveau ne se soit pas transformé en pénis.
Elisia Blade (Séduire & Conquérir (Crush Story #4))
― En réalité, reprit Elianor qui venait d'avoir un éclair de génie, nous sommes un couple libre. Tristan toussa si bruyamment qu'elle eut du mal à contenir son sourire. ― Je vous demande pardon ? souffla la grande brune après quelques secondes d'ébahissement. Elianor, la démarche chaloupée, alla s'installer sur l'accoudoir du fauteuil de Tristan. Elle fit courir ses doigts jusqu'à son épaule. ― Chéri, est-ce que tu lui as parlé de notre projet ? De ton fantasme avec les crochets et les pince-tétons ?
Elisia Blade (Séduire & Conquérir (Crush Story #5))
― L'idée d'un autre homme que moi caressant ta peau, humant ton parfum, embrassant tes lèvres me rend dingue.
Elisia Blade (Séduire & Conquérir (Crush Story #5))
– Je ne suis pas comme tous les mecs. Et surtout, je suis ton mari. Du coin de l’œil, Elianor étudia son visage sans comprendre ce qu’il insinuait. Il roula sur le côté, se redressa, plia son coude et reposa sa tête contre sa paume. – Tu ne peux pleurer qu’à une seule condition. Elianor arqua un sourcil interrogateur. Elle ne le suivait pas du tout. Avec le dos de ses doigts, il caressa le contour de son visage. – Que tu sois dans mes bras pour que je puisse te consoler.
Elisia Blade (Séduire & Conquérir (Crush Story #5))
You need to be careful to stay out of Charlie’s line of sight,” Steve said to me. “I want Charlie focusing only on me. If he changes focus and starts attacking you, it’s going to be too difficult for me to control the situation.” Right. Steve got no argument from me. Getting anywhere near those bone-crushing jaws was the furthest thing from my mind. I wasn’t keen on being down on the water with a huge saltwater crocodile trying to get me. I would have to totally rely on Steve to keep me safe. We stepped into the dinghy, which was moored in Charlie’s enclosure, secured front and back with ropes. Charlie came over immediately to investigate. It didn’t take much to encourage him to have a go at Steve. Steve grabbed a top-jaw rope. He worked on roping Charlie while the cameras rolled. Time and time again, Charlie hurled himself straight at Steve, a half ton of reptile flesh exploding up out of the water a few feet away from me. I tried to hang on precariously and keep the boat counterbalanced. I didn’t want Steve to lose his footing and topple in. Charlie was one angry crocodile. He would have loved nothing more than to get his teeth into Steve. As Charlie used his powerful tail to propel himself out of the water, he arched his neck and opened his jaws wide, whipping his head back and forth, snapping and gnashing. Steve carefully threw the top-jaw rope, but he didn’t actually want to snag Charlie. Then he would have had to get the rope off without stressing the croc, and that would have been tricky. The cameras rolled. Charlie lunged. I cowered. Steve continued to deftly toss the rope. Then, all of a sudden, Charlie swung at the rope instead of Steve, and the rope went right over Charlie’s top jaw. A perfect toss, provided that had been what Steve was trying to do. But it wasn’t. We had a roped croc on our hands that we really didn’t want. Steve immediately let the rope go slack. Charlie had it snagged in his teeth. Because of Steve’s quick thinking and prompt maneuvering, the rope came clear. We breathed a collective sigh of relief. Steve looked up at the cameras. “I think you’ve got it.” John agreed. “I think we do, mate.” The crew cheered. The shoot lasted several minutes, but in the boat, I wasn’t sure if it had been seconds or hours. Watching Steve work Charlie up close had been amazing--a huge, unpredictable animal with a complicated thought process, able to outwit its prey, an animal that had been on the planet for millions of years, yet Steve knew how to manipulate him and got some fantastic footage. To the applause of the crew, Steve got us both out of the boat. He gave me a big hug. He was happy. This was what he loved best, being able to interact and work with wildlife. Never before had anything like it been filmed in any format, much less on thirty-five-millimeter film for a movie theater. We accomplished the shot with the insurance underwriters none the wiser. Steve wanted to portray crocs as the powerful apex predators that they were, keeping everyone safe while he did it. Never once did he want it to appear as though he were dominating the crocodile, or showing off by being in close proximity to it. He wished for the crocodile to be the star of the show, not himself. I was proud of him that day. The shoot represented Steve Irwin at his best, his true colors, and his desire to make people understand how amazing these animals are, to be witnessed by audiences in movie theaters all over the world. We filmed many more sequences with crocs, and each time Steve performed professionally and perfected the shots. He was definitely in his element. With the live-croc footage behind us, the insurance people came on board, and we were finally able to sign a contract with MGM. We were to start filming in earnest. First stop: the Simpson Desert, with perentie lizards and fierce snakes.
Terri Irwin (Steve & Me)
Antarctic clear ice was the oldest ice on the continent, its presence on the tabular berg tracing back to the glacier that calved it into Prydz Bay. Over eons, tons of snowfall had accumulated and had been compressed on the glacier. Air bubbles trapped in the ice were squeezed out, rendering the ice as clear as crystal and as old as half a million years. The blue ice was a phenomenon associated with melting and re-freezing, a process that forced out trapped air, allowing the blue color in the visible light spectrum to pass through while blocking the red color. Circling the tabular berg, we came upon a third color: green. As glaciers cross the Antarctic continent, their roots crush and absorb minerals from the underlying bedrock. When the ice melts, phytoplankton feeds off the minerals and grows. In turn, krill feed on the phytoplankton, and penguins, seals, and whales feed on the krill. The Antarctic food chain would not exist without its glaciers. Hours later, we came
Steve Alten (Vostok)
I don’t think that deserved a smack by your three-ton pocketbook.” I raise my eyebrows. “I don’t know what the code of conduct is back in Bama, but here in good ol’ Linwood County, in our Southern Hospitality Manual, section fifteen subsection seven, it clearly states that rudely ignoring someone warrants a backslap into next week.
Allyson Kennedy (The Crush (The Ballad of Emery Brooks, #1))
An ounce of action can crush a ton of fear.
Tim Fargo
So why do these guys hate your guts?” “Because they believe strip-mining is a good thing. It provides jobs, and there are few jobs around here. They’re not bad people, they’re just misinformed and misguided. Mountaintop removal is killing our communities. It has single-handedly wiped out tens of thousands of jobs. People are forced to leave their homes because of blasting, dust, sludge, and flooding. The roads aren’t safe because of these massive trucks flying down the mountains. I filed five wrongful death cases in the past five years, folks crushed by trucks carrying ninety tons of coal. Many towns have simply vanished. The coal companies often buy up surrounding homes and tear them down. Every county in coal country has lost population in the past twenty years. Yet a lot of people, including those three gentlemen over there, think that a few jobs are better than none.” “If they are gentlemen, then why
John Grisham (Gray Mountain)
So why do these guys hate your guts?” “Because they believe strip-mining is a good thing. It provides jobs, and there are few jobs around here. They’re not bad people, they’re just misinformed and misguided. Mountaintop removal is killing our communities. It has single-handedly wiped out tens of thousands of jobs. People are forced to leave their homes because of blasting, dust, sludge, and flooding. The roads aren’t safe because of these massive trucks flying down the mountains. I filed five wrongful death cases in the past five years, folks crushed by trucks carrying ninety tons of coal. Many towns have simply vanished. The coal companies often buy up surrounding homes and tear them down. Every county in coal country has lost population in the past twenty years. Yet a lot of people, including those three gentlemen over there, think that a few jobs are better than none.” “If they are gentlemen, then why do you carry a gun?” “Because certain coal companies have been known to hire thugs. It’s intimidation, or worse, and it’s nothing new. Look, Samantha, I’m a son of the coal country, a hillbilly and a proud one, and I could tell you stories for hours about the bloody history of Big Coal.
John Grisham (Gray Mountain)
Between 1978 and 1983, the entire basis of the agricultural economy was changed by the adoption of the “household responsibility system.” The origins of this shift lay in a village in Anhui province, where a group of farmers got together in secret and signed an agreement to dissolve their collective and divide up their farmland into individual plots. This innovation rapidly spread, and the province’s party secretary, Wan Li, realized he was facing a powerful popular revolt against an immiserating system. Rather than crush it, he decided to promote this land-to-the-tiller reform. The party secretary of Sichuan province, Zhao Ziyang, made a similar decision. At the national level, the December 1978 party plenum that launched the reform era raised agricultural prices and gave a blessing to rural collectives experimenting with different ways of management, but it still condemned private farming. By 1980, however, Zhao Ziyang had become premier and Wan Li was vice premier in charge of agriculture policy. Together they rammed through a national policy to disband the communes and return to family farming. By the end of 1982 virtually all agricultural collectives were gone, and family farmers had been assigned rights to cultivate individual plots of land. The effect on agricultural output and farm incomes was spectacular. By 1984 grain output was over 400 million tons, a third higher than it had been just six years before; production of oilseeds and cotton sustained annual growth rates of 15 percent; and meat production was growing by 10 percent a year. Rural per capita income more than doubled between 1979 and 1984. Per capita cash savings by rural families rose from essentially zero in 1979 to 300 renminbi (Rmb) by 1989. Rapid gains in agricultural output and incomes continued throughout the 1980s, as farmers continued to diversify their crops and apply new technologies that increased yields. Use of chemical fertilizer, which had risen gradually in the 1970s, tripled between 1978 and 1990. So did the use of farm machinery, notably pumps, small tractors, and food processing equipment.3
Arthur R. Kroeber (China's Economy: What Everyone Needs to Know)
Chivalrous or not, there was no denying that of the 1,667 men on board, only 338, or 20.27 percent, had survived as compared with a 74.35 percent survival rate for the 425 women. On April 21 the bodies of the Titanic’s victims began to be pulled out of the north Atlantic by the Mackay-Bennett, a cable ship that had been sent out from Halifax with a hundred tons of ice and 125 coffins on board. The Mackay-Bennett’s captain described the scene as resembling “a flock of sea gulls resting on the water.… All we could see at first would be the top of the life preservers. They were all floating face upwards, apparently standing in the water.” John Jacob Astor’s body was found floating with arms outstretched, his gold pocket watch dangling from its platinum chain. To the ship’s undertaker it looked as if Astor had just glanced at his watch before he took the plunge. It is often written that Astor’s body was found mangled and soot-covered and that he must therefore have been crushed when the forward funnel came down. Yet according to three eyewitnesses, Astor’s body was in good condition and soot-free, and like most of the other floating victims, he appeared to have died of hypothermia. On April 25 the body of the Buffalo architect Edward Kent was recovered. In the pocket of his gray overcoat was the silver flask and ivory miniature given to him by Helen Candee on the grand staircase, and these were later returned to her by Kent’s sister. Frank Millet’s body was found on the same day and identified by the initials F. D. M. on his gold watch. The next evening the Mackay-Bennett left for Halifax with 190 bodies on board, another 116 having been buried at sea. A second ship, the Minia, had arrived on the scene, but after a week’s search it retrieved only seventeen bodies, and two other ships would find only an additional five. The Mackay-Bennett landed in Halifax on April 30 to the tolling of church bells and flags flying at half-staff. Horse-drawn hearses took the bodies from the dock to a temporary morgue set up in a curling rink.
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
Miss Elizabeth has never been to Old School Custard. Shall we?" "What's the flavor?" "Has that ever stopped us?" Nick pulled out his phone and started tapping. "It's our lucky day, kiddo. Salted Caramel." He turned to me as we headed out the door. "It's a frozen custard shop that makes only one flavor a day, but they always have chocolate and vanilla for backup." "I've never had frozen custard." "You're in for a treat----tons more calories than ice cream, but much creamier. Complete yum." Old School Custard was a small shop with walls covered in pictures of all the local high schools. I found Garfield and imagined Tyler in that huge building, teaching his beloved math. I then noticed an amazing chalk calendar with the flavor for each day listed, with creative drawings, and I understood why it was addicting---who could resist flavors like Malted Milk Balls, Caramel Macchiato, Espresso, or Banana Nutella? I ordered the Turtle Sundae----two scoops of Salted Caramel custard, pecans, hot fudge, caramel sauce, and whipped cream. Nick ordered the Recess, pretty much the same thing, but with Reese's Peanut Butter Cups instead of pecans. And Matt's Playground came complete with crushed Oreos for "dirt" and gummy worms.
Katherine Reay (Lizzy and Jane)
Unseen, deep in the bowels of the Mount’s underground caverns, the Third Temple of God lay crushed under tons of stone and debris. “It’s gone.
Terry Brennan (The Brotherhood Conspiracy (The Jerusalem Prophecies, #2))
The passage into the cave was so narrow, Shea had to hold her breath to squeeze through. It seemed to go on forever, the rough walls scraping her skin, the oppressive feelings of tons of rock over her head, surrounding her body, waiting to crush her. She couldn’t look at Jacques, who had somehow made his large body thin and weird looking. Carpathians were capable of doing things she didn’t want to think about. How had she gotten herself into this mess? Sex. A good-looking intense man with black, hungry eyes, and she fell like a lovesick calf. Sex. It ruined many otherwise sane women. I can read your thoughts. The amusement was soft and caressing, wrapping her up in strong arms. I was perfectly sane and sensible until I met you. Now look at me. I’m crawling around inside a mountain. Suddenly she stopped and held herself perfectly still. I’m hearing something. Tell me you are not taking me into a cave full of bats. Say it right now, Jacques, or I’m out of here. I am not taking you into cave filled with bats.
Christine Feehan (Dark Desire (Dark, #2))
As the tilt grew steeper, the forward funnel toppled over. It struck the water on the starboard side with a shower of sparks and a crash heard above the general uproar. Greaser Walter Hurst, struggling in the swirling sea, was half blinded by soot. He got off lucky—other swimmers were crushed under tons of steel. But the falling funnel was a blessing to Lightoller, Bride and others now clinging to overturned Collapsible B. It just missed the boat, washing it 30 yards clear of the plunging, twisting hull.
Walter Lord (The Complete Titanic Chronicles: A Night to Remember and The Night Lives On (The Titanic Chronicles))
Molech had the advantage. This was his turf and his dwelling. He had spent much of his time over the millennia below the surface, which made his skin pale white and his eyes unable to see well when up above on the surface. But down below, he was the god of the underworld. He could see better than even Mikael’s preternatural night vision. Mikael didn’t know what he was running into down here. He arrived at a fork in the small tunnel. He looked at the dirt and could see that his adversary had gone to the right. Mikael followed. The tunnels were quite small, only big enough for the bulky eight foot deity to move, with little leeway. For Mikael, there was more room because he was smaller, but not by much. He stopped again. Another split. But this time, three options. He took the middle way. Mikael figured that by now, his comrade archangels would have moved the stone away and were on their way to join him. He felt his pathway was circling back. When he saw another crossroads, he realized what he was now inside: a maze. The mole god had burrowed out a complex labyrinth of tunnels that seemed to Mikael a web of confusion. The rock was harder and the dust sparser, making it even more difficult for Mikael to follow his prey’s foot prints. About the only thing he could follow now was the creature’s stench. He heard the sound of footsteps in the dark, not far from him. He picked up his pace, trying not to make as much noise as the clumsy brute was making. He turned a corner and saw the deity jump down into an opening in the rocky floor. When he reached it, he saw it was an opening that led deeper still, to a lower level. He heard the voices of his comrades in the distance, shouting for him. He decided he would take this one time to give some direction, even though it would also warn Molech. But he needed his comrades. He shouted, “Down here, Angels! There’s an opening to a deeper level!” Then he jumped. He landed twenty feet below. Before him, a new opening to a new maze of tunnels. He thought, This has been one busy little worm. He followed the smell. His opponent now knew how close he was. Mikael turned another corner and saw the god waiting for him, before bolting down a pathway. Mikael responded instinctively to the sight of the fleeing divinity. It wasn’t until he was almost upon the pathway that it registered in his mind that he was being led into a trap. He slid to a stop. It was too late. He heard the sound of a release being tripped and rocks shifting. Above him. A triggered cave-in crushed him beneath a ton of rock. He was completely immobilized. He could not get to his weapons. He could only see through a thin crevice of some rocks as Molech walked up to him, laughed and spit at him, before disappearing deeper into the network of twisting tunnels.
Brian Godawa (Jesus Triumphant (Chronicles of the Nephilim, #8))
Anyway, I pushed past Dirk the Jerk, and rushed toward the library. I needed to find an ultimate Minecraft guide with tips and tricks, shortcuts and secrets. My plan was simple. I’d buy the game, study the book, and start playing. It couldn’t be that hard, right? I was determined to beat Dirk the Jerk at something, even if it killed me!   I headed to the library’s computer books section.  I quickly scanned for game guides. They had books on popular games such as Candy Crusher, Angry Birdbrains, and Minion Marathon. But none about Minecraft?   Then, I spotted a thin book crammed way at the back of the shelf. It was covered with a thick layer of dust and spiderwebs. (Yuck! I hate spiders!) I yanked it out: Minecraft: Surviving the First Night: An Insider’s Guide.   It was more like a journal. Not exactly what I was looking for but it was better than nothing. I looked closer at the book and noticed that there wasn’t a library sticker on it. The best I could figure was that it must be someone’s personal copy. Maybe he was hiding it from his mom who didn’t approve of computer games. (I knew all about that.)   At that point, I was really desperate. And since there wasn’t any way for me to check it out, I decided to take it. I was sure the owner wouldn’t miss it because it hadn’t been touched in forever. Maybe he’d forgotten all about it. And anyway, I’d return it after I crushed Dirk the Jerk in the survival challenge.   When I got home, I was faced with the hardest part of my whole plan, convincing Mom to buy Minecraft. She thinks computer and video games are a waste of time, except for educational ones. (She grew up back when Pac Man was hi-tech.)   I knew I’d need help coming up with reasons to convince Mom. So I checked with my good friend, Google, and I found a ton of information on why Minecraft was considered educational.     Once I explained to Mom that Minecraft taught everything from spatial relationships to electrical circuitry to complex machines, she caved in, and bought it. Now that the hard part was over, all I needed to do was learn the game.   I sat down in front of the computer in my room, and launched the game. I opened the Minecraft journal, and there was a bright flash of light!   That’s the last thing I remember.   The next thing I knew, I was sitting in the middle of a strange library. It took me a minute to figure out what the heck was going on. I looked around. Everything was made of blocks.   I looked down at my arms... rectangles. I looked down at my legs... Rectangles! I looked down at my body... a RECTANGLE!   Then it hit me... I was literally a blockhead IN Minecraft! *gulp*     That’s when I flipped out a little bit. For about ten minutes straight. I probably would have freaked out for longer, but it’s exhausting screaming, flapping my arms, and running in circles on stumpy little legs.   After I calmed down a bit and caught my breath, I thought of
Minecrafty Family Books (Trapped in Minecraft! (Diary of a Wimpy Steve, #1))
Syn? You're crushing me." Pouting, he looked down at her. "I don't want to move." A smile spread across her face. "And I kind of like you where you are. But you weigh about a ton and a half and this floor is really hard." He snorted. "Excuse me, I take great exception to that. I only weigh a ton." -Shahara & Syn
Sherrilyn Kenyon (Born of Fire (The League: Nemesis Rising, #2))
Why are you so into Pinot?” 2 Maya asks. In the next 60 seconds of the movie, the character of Miles Raymond tells a story which would set off a boom in sales of Pinot Noir. It’s a hard grape to grow. It’s thin-skinned, temperamental, ripens early. It’s not a survivor like Cabernet, which can just grow anywhere and thrive even when it’s neglected. No, Pinot needs constant care and attention. In fact it can only grow in these really specific, tucked away corners of the world. And only the most patient and nurturing of growers can do it, really. Only somebody who really takes the time to understand Pinot’s potential can coax it into its fullest expression. Its flavors are the most haunting and brilliant and thrilling and subtle and ancient on the planet. Miles is describing himself in the dialogue and using Pinot as a metaphor for his personality. In this one scene moviegoers projected themselves on the character, feeling his longing and his quest to be understood. Sideways was a hit and won an Oscar for Best Adapted Screenplay. It also launched a movement, turning the misunderstood Pinot Noir into the must-have wine of the year. In less than one year after the movie’s 2004 fall release date, sales of Pinot Noir had risen 18 percent. Winemakers began to grow more of the grape to meet demand. In California alone 70,000 tons of Pinot Noir grapes were harvested and crushed in 2004. Within two years the volume had topped 100,000 tons. Today California wine growers crush more than 250,000 tons of Pinot Noir each year. Interestingly, the Japanese version of the movie did not have the same “Sideways Effect” on wine sales. One reason is that the featured grape is Cabernet, a varietal already popular in Japan. But even more critical and relevant to the discussion on storytelling is that Japanese audiences didn’t see the “porch scene” because there wasn’t one. The scene was not included in the movie. No story, no emotional attachment to a particular varietal. You see, the movie Sideways didn’t launch a movement in Pinot Noir; the story that Miles told triggered the boom. In 60 seconds Maya fell in love with Miles and millions of Americans fell in love with an expensive wine they knew little about.
Carmine Gallo (The Storyteller's Secret: From TED Speakers to Business Legends, Why Some Ideas Catch On and Others Don't)
Drake looked down at his bride, pride nearly crushing him. She looked the picture of virtue in a gown the color of dark cream. Her hair sat atop her head in a shining red-gold mass of thick braids and curls. A band of small pink rosebuds haloed the curls, their stems a tightly intertwined crown. There was no cap now. Her face was pale and glowing, her neck as graceful as any swan's he had ever seen on the lakes of Northumberland, her delicate collarbones as elegant and stately as the jewels of a queen. What he wouldn't have done to give her the magnificent London wedding she deserved. He would relish seeing her in rich satin and jewels, the envy of the civilized world. But Serena would never be in London... would probably not 'wish' to be, he realized. Gazing at her beauty, her tranquility, he had a blinding realization that caused him to grasp more tightly to her hand and almost falter as he turned toward the minister: Had he not left all behind, he never would have found her. For the first time, he had something to be thankful for in the wake of his ruined existence. Had he stayed in London, he would have wed one of the haughty women of the ton, a woman in whose eyes he would have seen a hunger that was never satisfied. Instead, he was marrying a woman of quiet strength and faith, all of which gave the very air around her peace. Was she not worth a dukedom? Yes. A thousand times yes. That and more. She was worth all that he had gone through to have her.
Jamie Carie (The Duchess and the Dragon)