Hibiscus Quotes

We've searched our database for all the quotes and captions related to Hibiscus. Here they are! All 100 of them:

We did that often, asking each other questions whose answers we already knew. Perhaps it was so that we would not ask the other questions, the ones whose answers we did not want to know.
Chimamanda Ngozi Adichie (Purple Hibiscus)
There are people, she once wrote, who think that we cannot rule ourselves because the few times we tried, we failed, as if all the others who rule themselves today got it right the first time. It is like telling a crawling baby who tries to walk, and then falls back on his buttocks, to stay there. As if the adults walking past him did not all crawl, once.
Chimamanda Ngozi Adichie (Purple Hibiscus)
The educated ones leave, the ones with the potential to right the wrongs. They leave the weak behind. The tyrants continue to reign because the weak cannot resist. Do you not see that it is a cycle? Who will break that cycle?
Chimamanda Ngozi Adichie (Purple Hibiscus)
Being defiant can be a good thing sometimes," Aunty Ifeoma said. "Defiance is like marijuana - it is not a bad thing when it is used right.
Chimamanda Ngozi Adichie (Purple Hibiscus)
People have crushes on priests all the time, you know. It’s exciting to have to deal with God as a rival.
Chimamanda Ngozi Adichie (Purple Hibiscus)
...he did not want me to seek the whys, because there are some things that happen for which we can formulate no whys, for which whys simply do not exist and, perhaps, are not necessary.
Chimamanda Ngozi Adichie (Purple Hibiscus)
I was stained by failure.
Chimamanda Ngozi Adichie (Purple Hibiscus)
She seemed so happy, so at peace, and I wondered how anybody around me could feel that way when liquid fire was raging inside me, when fear was mingling with hope and clutching itself around my ankles.
Chimamanda Ngozi Adichie (Purple Hibiscus)
You walk for days among trees and among stones. Rarely does the eye light on a thing, and then only when it has recognized that thing as the sign of another thing: a print in the sand indicates the tiger's passage; a marsh announces a vein of water; the hibiscus flower, the end of winter. All the rest is silent and interchangeable; trees and stones are only what they are.
Italo Calvino (Invisible Cities)
It was what Aunty Ifeoma did to my cousins, I realized then, setting higher and higher jumps for them in the way she talked to them, in what she expected of them. She did it all the time believing they would scale the rod. And they did. It was different for Jaja and me. We did not scale the rod because we believed we could, we scaled it because we were terrified that we couldn't.
Chimamanda Ngozi Adichie (Purple Hibiscus)
I cannot control even the dreams that I have made.
Chimamanda Ngozi Adichie (Purple Hibiscus)
Sometimes life begins when the marriage ends
Chimamanda Ngozi Adichie (Purple Hibiscus)
There was a helplessness to his joy, the same kind of helplessness as in that woman’s despair.
Chimamanda Ngozi Adichie (Purple Hibiscus)
Eugene has to stop doing God's job. God is big enough to do his own job. If God will judge our father for choosing to follow the way of our ancestors, then let God do the judging, not Eugene.
Chimamanda Ngozi Adichie (Purple Hibiscus)
Papa sat down at the table and poured his tea from the china tea set with pink flowers on the edges. I waited for him to ask Jaja and me to take a sip, as he always did. A love sip, he called it, because you shared the little things you loved with the people you love.
Chimamanda Ngozi Adichie (Purple Hibiscus)
Military men would always overthrow one another, because they could, because they were all power drunk.
Chimamanda Ngozi Adichie (Purple Hibiscus)
There is so much that is still silent between Jaja and me. Perhaps we will talk more with time, or perhaps we never will be able to say it all, to clothe things in words, things that have long been naked.
Chimamanda Ngozi Adichie (Purple Hibiscus)
The white missionaries brought us their god,” Amaka was saying. “Which was the same color as them, worshiped in their language and packaged in the boxes they made. Now that we take their god back to them, shouldn’t we at least repackage it?
Chimamanda Ngozi Adichie (Purple Hibiscus)
We did not scale the rod because we believed we could, we scaled it because we were terrified that we couldn't.
Chimamanda Ngozi Adichie (Purple Hibiscus)
Fear. I was familiar with fear, yet each time I felt it, it was never the same as the other times, as though it came in different flavors and colors.
Chimamanda Ngozi Adichie (Purple Hibiscus)
I often wondered why Sister Veronica needed to understand it, when it was simply the way things were done.
Chimamanda Ngozi Adichie (Purple Hibiscus)
To call him humble was to make rudeness normal. Besides, humility had always seemed to him a specious thing, invented for the comfort of others; you were praised for humility by people because you did not make them feel any more lacking than they already did. It was honesty that he valued; he had always wished himself to be truly honest, and always feared that he was not
Chimamanda Ngozi Adichie (Purple Hibiscus)
He spoke so effortlessly, as if his mouth were a musical instrument that just let sound out when touched, when opened.
Chimamanda Ngozi Adichie (Purple Hibiscus)
her body feels different, no longer taut and sinewy but sponge-like fluid. Saturated. It has a different energy, a deep orangy-like pink, like the inside of a hibiscus.
Margaret Atwood (The Robber Bride)
There are people, she once wrote, who think that we cannot rule ourselves because the few times we tried, we failed, as if all the others who rule themselves today got it right the first time.
Chimamanda Ngozi Adichie (Purple Hibiscus)
The night-soil men can see a bird walking in trees. It isn't a bird. It is a woman who has removed her skin and is on her way to drink the blood of her secret enemies. It is a woman who has left her skin i a corner of a house made out of wood. It is a woman who is reasonable and admires honeybees in the hibiscus.
Jamaica Kincaid (At the Bottom of the River)
I had examined him that day, too, looking away when his eyes met mine, for signs of difference, of godlessness. I didn't see any, but I was sure they were there somewhere. They had to be.
Chimamanda Ngozi Adichie (Purple Hibiscus)
Today, while Mother was watching me work, she suddenly remarked, “They say that people who like summer flowers die in the summer. I wonder if it’s true.” I did not answer but went on watering the eggplants. It is already the beginning of summer. She continued softly, “I am very fond of hibiscus, but we haven’t a single one in this garden.” “We have plenty of oleanders,” I answered in an intentionally sharp tone. “I don’t like them. I like almost all summer flowers, but oleanders are too loud.” “I like roses best. But they bloom in all four seasons. I wonder if people who like roses best have to die four times over again.” We both laughed.
Osamu Dazai
Seattle rain smells different from New Orleans rain... New Orleans rain smells of sulfur and hibiscus, trumpet metal, thunder and sweat. Seattle rain, the widespread rain of the Great Northwest, smells of green ice and sumi ink, of geology and silence and minnow breath.
Tom Robbins
I thought then of catechism classes, about chanting the answer to a question, an answer that was "because he has said it and his word is true." I could not remember the question.
Chimamanda Ngozi Adichie (Purple Hibiscus)
I want to hold his hand, but I know he will shake it free. His eyes are too full of guilt to really see me, to see his reflection in my eyes, the reflection of my hero, the brother who tried always to protect me the best he could. He will never think that he did enough, and he will never understand that I do not think he should have done more.
Chimamanda Ngozi Adichie (Purple Hibiscus)
As we drove back to Enugu, I laughed loudly,above Fela's stringent singing. I laughed because Nsukka's untarred roads coat cars with dust in the harmattan and with sticky mud in the rainy season. Because the tarred roads spring potholes like surprise presents and the air smells of hills and history and the sunlight scatters the sand and turns it into gold dust. Because Nsukka could free something deep inside your belly that would rise up to your throat and come out as freedom song. As laughter.(299)
Chimamanda Ngozi Adichie (Purple Hibiscus)
Sitting under the candlenut tree in the courtyard is pleasant in the afternoon. Laced in shadows, frangipani & coral hibiscus ward away the memory of recent evil. The sisters go about their duties, Sister Martinique tends her vegetables, the cats enact their feline comedies & tragedies.
David Mitchell (Cloud Atlas)
Silence hangs over us, but it is a different kind of silence, one that lets me breathe. I have nightmares about the other kind, the silence of when Papa was alive.
Chimamanda Ngozi Adichie (Purple Hibiscus)
Sitting in the garden, watching a hibiscus sun set over an emerald-green archipelago, leaves the couple unsettled. It forces them to swim in the solitary world of thoughts, preoccupations, and visions. Yet it doesn’t feel lonely.
Shubhangi Swarup (Latitudes of Longing)
I can remember every second of that morning, if I shut my eyes I can see the deep blue colour of the sky and the mango leaves, the pink and red hibiscus, the yellow handkerchief she wore around her head, tied in the Martinique fashion with the sharp points in front, but now I see everything still, fixed for ever like the colours in a stained-glass window. Only the clouds move. It was wrapped in a leaf, what she had given me, and I felt it cool and smooth against my skin.
Jean Rhys (Wide Sargasso Sea)
Aokpe will always be special because it was the reason Kambili and Jaja first came to Nsukka.
Chimamanda Ngozi Adichie (Purple Hibiscus)
The last class of my old professor's life took place once a week in his house, by a window in the study where he could watch a small hibiscus plant shed its pink leaves.
Mitch Albom (Tuesdays with Morrie)
Food, racism, power, and justice are linked. What I’m trying to do is dismantle culinary nutritional imperialism and gastronomic white supremacy with one cup of zobo made from hibiscus, one bowl of millet salad with groundnuts and dark green vegetables, and one piece of injera at a time. The next wave of human rights abuse is in the form of nutrition injustice
Michael W. Twitty (The Cooking Gene: A Journey Through African American Culinary History in the Old South)
One day I said to them, Where is the God you worship? They said he was like Chukwu, that he was in the sky. I asked then, Who is the person that was killed, the person that hangs on the wood outside the mission? They said he was the son, but that the son and the father are equal. It was then that I knew that the white man was mad. The father and son are equal? Tufia! Do you not see?
Chimamanda Ngozi Adichie (Purple Hibiscus)
I savor these moments. They sit tart and bright and sweet on my tongue like the taste of hibiscus tea with honey. From these moments I can cultivate gratitude and from gratitude I distill grace.
Sophfronia Scott (On Being 40(ish))
His letters dwell on me. I carry them around because they are long and detailed, because they remind me of my worthiness, because they tug at my feelings. Some months ago, he wrote that he did not want me to seek the whys, because there are some things that happen for which we can formulate no whys, for which whys simply do not exist and, perhaps, are not necessary. He did not mention Papa—he hardly mentions Papa in his letters—but I knew what he meant, I understood that he was stirring what I was afraid to stir myself.
Chimamanda Ngozi Adichie (Purple Hibiscus)
He told her the story of the missionary's bride who wrote home describing her bungalow in an African forest clearing. "Outside my window as I write is a magnificent hibiscus with hundreds of blooms making a splendid splash of color against the jungle." A year later, she wrote again, and she said outside her window was that "damned hibiscus, still blooming.
William C. Heine (The Last Canadian)
To restore the dignity of man. Obiora was reading the plaque, too. He let out a short cackle and asked, “But when did man lose his dignity?
Chimamanda Ngozi Adichie (Purple Hibiscus)
Perhaps we will talk more with time, or perhaps we never will be able to say it all, to clothe things in words, things that have long been naked.
Chimamanda Ngozi Adichie (Purple Hibiscus)
I meant to say I am sorry Papa broke your figurines, but the words that came out were, ‘I’m sorry your figurines broke, Mama.
Chimamanda Ngozi Adichie (Purple Hibiscus)
Things started to fall apart at home when my brother, Jaja, did not go to communion and Papa flung his heavy missal across the room and broke the figurines on the etagere.(Opening page, 3)
Chimamanda Ngozi Adichie (Purple Hibiscus)
What plant?' 'Sorry?' "What plant did Mum leave, at the grave?' Sally went to the open window and reached through to pick a peach-colored flower from a blooming bush. She offered it to Alice. 'Beach hibiscus,' Alice cried softly, remembering the flower crown her mother made when she was a child. Remembering its meaning in the Thornfield Dictionary. Love binds us in eternity.
Holly Ringland (The Lost Flowers of Alice Hart)
We'd never seen anything as green as these rice paddies. It was not just the paddies themselves: the surrounding vegetation - foliage so dense the trees lost track of whose leaves were whose - was a rainbow coalition of one colour: green. There was an infinity of greens, rendered all the greener by splashes of red hibiscus and the herons floating past, so white and big it seemed as if sheets hung out to dry had suddenly taken wing. All other colours - even purple and black - were shades of green. Light and shade were degrees of green. Greenness, here, was less a colour than a colonising impulse. Everything was either already green - like a snake, bright as a blade of grass, sidling across the footpath - or in the process of becoming so. Statues of the Buddha were mossy, furred with green.
Geoff Dyer (Yoga for People Who Can't Be Bothered to Do It: Essays)
Do you try to treat cancer sores or the cancer itself? We cannot afford to give pocket money to our children. We cannot afford to eat meat. We cannot afford bread. So your child steals and you turn to him in surprise? You must try to heal the cancer because the sores will keep coming back.
Chimamanda Ngozi Adichie (Purple Hibiscus)
Mama had greeted him the traditional way that women were supposed to, bending low and offering him her back so that he would pat it with his fan made of the soft, straw-colored tail of an animal. Back home that night, Papa told Mama that it was sinful. You did not bow to another human being. It was an ungodly tradition, bowing to an Igwe. So, a few days later, when we went to see the bishop at Awka, I did not kneel to kiss his ring. I wanted to make Papa proud. But Papa yanked my ear in the car and said I did not have the spirit of discernment: the bishop was a man of God; the Igwe was merely a traditional ruler.
Chimamanda Ngozi Adichie (Purple Hibiscus)
Flowers floating down the river; yellow and scarlet cannas, roses, jasmine, hibiscus. They are placed in boats made of broad leaves, then consigned to the waters with a prayer. The strong current carries them swiftly downstream, and they bob about on the water for fifty, sometimes a hundred yards, before being submerged in the river. Do the pursued prayers sink too, or do they reach the hearts of the many gods who have favoured Hardwar - 'door of Hari,or Vishnu'- these several hundred years?
Ruskin Bond
So you say. A woman with children and no husband, what is that?” “Me.
Chimamanda Ngozi Adichie (Purple Hibiscus)
the city watches with hibiscus eyes
Zilka Joseph (Sharp Blue Search of Flame (Made in Michigan Writer Series))
Blood-coloured bottlebrush trees and scarlet hibiscus looked too bright for this devastated world.
Jane Wilson-Howarth (Snowfed Waters)
She did things to me that would lure a hummingbird from a hibiscus and make a bulldog break his chain. I
Frank W. Abagnale (Catch Me If You Can: The True Story of a Real Fake)
But what if she discovers the truth? What he suspects is the truth. That he’s patchwork, a tin man, his heart stuffed with sawdust. He thinks of her waiting for him, somewhere else, an island, subtropical, not muggy, her long hair waving in the sea breeze, a red hibiscus tucked behind one ear. If he’s lucky she’ll wait till that happens, till he can get there to be with her.
Margaret Atwood (Life Before Man)
I thought you hated them,” Nine Hibiscus said, dryly. “Was all of that complaining about ecosystem disruption for show, then?” Twenty Cicada looked up at her, and dismissed most of his work holos with the hand that wasn’t petting the small void on his knee. “I do hate them,” he said, smiling. “But this one likes me, and what am I going to do with the things, space them? It’s not their fault they exist.” She came to sit next to him, knee to knee. There always seemed to be more oxygen in one of Twenty Cicada’s garden rooms. (Not seemed: there was. Plant respiration. She’d checked the readouts once. It was a fractional difference, but real.) The Kauraanian pet lifted its head and opened yellow eyes. It made a noise like a badly tuned stringed instrument, stood, paced in a tight circle on Twenty Cicada’s lap, and settled down again. “I didn’t think you’d space them, Swarm,” she said. “But this is cuddling.” “It yowls if I don’t,” Twenty Cicada said, perfectly bland, and Nine Hibiscus laughed.
Arkady Martine (A Desolation Called Peace (Teixcalaan, #2))
white and pink, that smelled heavenly, hibiscus so brilliant in color they almost burned Sophie’s eyeballs. In the middle of the lanai, a table was set for breakfast, with pristine white dishes. The chairs
Fern Michaels (Tuesday's Child)
I will believe anything about deer. Deer, in my opinion, are rats with antlers, roaches with split hooves, denizens of the dark primeval suburbs. Deer intensely suggest New Jersey. One of the densest concentrations of wild deer in the United States inhabits the part of New Jersey that, as it happens, I inhabit, too. Deer like people. They like to be near people. They like beanfields, head lettuce, and anybody’s apples. They like hibiscus, begonias, impatiens, azaleas, rhododendrons, boxwood, and wandering Jews. I once saw a buck with a big eight-point rocking-chair rack looking magnificent as he stood between two tractor-trailers in the Frito-Lay parking lot in New Brunswick, New Jersey. Deer use the sidewalks in the heart of Princeton.
John McPhee
Papa said that the parish priest in Abba was not spiritual enough. That was the problem with our people, Papa told us, our priorities were wrong; we cared too much about huge church buildings and mighty statues. You would never see white people doing that.
Chimamanda Ngozi Adichie (Purple Hibiscus)
- Os que estudaram vão embora, aqueles que têm potencial para consertar o que está errado. Eles deixam os fracos para trás. Os tiranos continuam reinando porque os fracos não conseguem resistir. Você não vê que é um círculo vicioso? Quem vai quebrar esse círculo?
Chimamanda Ngozi Adichie (Purple Hibiscus)
The light irradiates white peaks of Annapurna marching down the sky, in the great rampart that spreads east and west for eighteen hundred miles, the Himalaya- the alaya (abode, or home) of hima (snow).Hibiscus, frangipani, bougainvillea: seen under snow peaks, these tropical blossoms become the flowers of heroic landscapes. Macaques scamper in green meadow, and a turquoise roller spins in a golden light. Drongos, rollers, barbets, and white Eqyptian vulture are the common birds, and all have close relatives in East Africa.
Peter Matthiessen (The Snow Leopard)
Jaja’s defiance seemed to me now like Aunty Ifeoma’s experimental purple hibiscus: rare, fragrant with the undertones of freedom, a different kind of freedom from the one the crowds waving green leaves chanted at Government Square after the coup. A freedom to be, to do.
Chimamanda Ngozi Adichie (Purple Hibiscus)
I sat at my bedroom window after I changed; the cashew tree was so close I could reach out and pluck a leaf if it were not for the silver-colour crisscross of mosquito netting. The bell-shaped yellow fruits hung lazily, drawing buzzing bees that bumped against my window's netting. I heard Papa walk upstairs to his room for his afternoon siesta. I closed my eyes, sat still, waiting to hear him call Jaja, to hear Jaja go into his room. But after long, silent minutes, I opened my eyes and pressed my forehead against the window louvers to look outside.9
Chimamanda Ngozi Adichie (Purple Hibiscus)
Anti-Chlorine/Anti-Fluoride Tea For a powerful detox of chlorine and fluoride from your organs and the rest of your body, blend equal parts of blackberry leaf, raspberry leaf, hibiscus flower, and rose hips. Steep one tablespoon of this herb mixture per cup of hot water for tea.
Anthony William (Medical Medium: Secrets Behind Chronic and Mystery Illness and How to Finally Heal)
If you wish to know who is really the lover, look then not at the boy who sits by her side, looks boldly into her eyes and twists the flowers in her necklace around his fingers and steals the hibiscus flower from her hair that he may wear it behind his ear. Do not think it is he who whispers softly in her ear, or says to her 'Sweetheart, wait for me to-night. After the moon has set, I will come to you,' or who teases her by saying she has many lovers. Look instead at the boy who sits far-off, who sits with bent head and takes no part in the joking. And you will see that in his eyes are always turned softly on the girl. Always he watches her and never does he miss a movement of her lips. Perhaps she will wink at him, perhaps she will raise her eyebrows, perhaps she will make a sign with her hand, he must always be wakeful and watchful or else he will miss it.
Margaret Mead
Do you want to go to Nsukka?’ I asked when we got to the landing. ‘Yes,’ he said, and his eyes said that he knew I did, too. And I could not find the words in our eye language to tell him how my throat tightened at the thought of five days without Papa’s voice, without his footsteps on the stairs.
Chimamanda Ngozi Adichie (Purple Hibiscus)
They are always so quiet," he said, turning to Papa. "So quiet." "They are not like those loud children people are raising these days, with no home training and no fear of God," Papa said, and I was certain that it was pride that stretched Papa's lips and lightened his eyes. "Imagine what the Standard would be if we were all quiet." It was a joke. Ade Coker was laughing; so was his wife, Yewanda. But Papa did not laugh. Jaja and I turned and went back upstairs, silently.
Chimamanda Ngozi Adichie (Purple Hibiscus)
[She] had sounded like the rain. Sometimes storms, sometimes light patters, sometimes the sweet, lashing gales after a long drought. Sometimes even the kind that came with rainbows. The kind you wanted to feel on your face while you held the rest of your body underwater in the summer sea. Rain could be so warm. No one ever really talked about that.
Lana Popović (Wicked Like a Wildfire (Hibiscus Daughter, #1))
Obiora asked, and I looked at him again. He was a bold, male version of what I could never have been at fourteen, what I still was not.
Chimamanda Ngozi Adichie (Purple Hibiscus)
Defiance is like marijuana—it is not a bad thing when it is used right.” The
Chimamanda Ngozi Adichie (Purple Hibiscus)
Às vezes a vida começa quando o casamento acaba.
Chimamanda Ngozi Adichie (Purple Hibiscus)
What?” There was a shadow clouding Papa’s eyes, a shadow that had been in Jaja’s eyes. Fear. It had left Jaja’s eyes and entered Papa’s.
Chimamanda Ngozi Adichie (Purple Hibiscus)
Maybe she was stoic and flawless as ever, Snow White giving birth under glass.
Lana Popović (Wicked Like a Wildfire (Hibiscus Daughter, #1))
It was a whimsical thing fit for changeling children, wrought with mermaids trapped in ivy, open seashells with tiny apples growing in them instead of salty flesh.
Lana Popović (Wicked Like a Wildfire (Hibiscus Daughter, #1))
These days, had someone asked me if our mother loved us, any "yes" would have caught in my throat like a fish bone.
Lana Popović (Wicked Like a Wildfire (Hibiscus Daughter, #1))
As if I had grown into a cactus instead of something softer, and she didn't want to risk my spines.
Lana Popović (Wicked Like a Wildfire (Hibiscus Daughter, #1))
Each bloomed into a little galaxy that I could cup inside my palm, the sticky stars of its pollen caught between my fingers.
Lana Popović (Wicked Like a Wildfire (Hibiscus Daughter, #1))
Maybe Mama had realized that she would not need the figurines anymore; that when Papa threw the missal at Jaja, it was not just the figurines that came tumbling down, it was everything.
Chimamanda Ngozi Adichie (Purple Hibiscus)
For me, it was the hibiscus flower, the petal red and fleshy as our mother trailed it over the tip of my nose, before she let me gum it to release its tart flavor. For Malina, it was a gleaming, perfect cherry, which Mama crushed into a paste that she let my sister suck from her ring finger. It was bad luck to name a daughter after the thing that first sparked the gleam, Mama said. So I was Iris, for a flower that wasn’t hibiscus, and my sister was Malina, for a raspberry. They were placeholder names that didn’t pin down our true nature, so nothing would ever be able to summon us. No demon or vila would ever reel us in by our real names. Even caught up in the story, Mama could never quite explain what the gleam looked like once she found it.
Lana Popović (Wicked Like a Wildfire (Hibiscus Daughter, #1))
She plucked the blossoms from the bag and arranged them, one by one, in the water glass on her dressing table. "They'll never keep," I said. "They're [hibiscus] a terrible cutting flower. They'll wilt by morning." "I know," she said." But don't they look so pretty right now, just as they are?" I nodded. I wished I could see the beauty in the moment the way Kitty did. It was a gift.
Sarah Jio (The Bungalow)
Today tours can be taken around the white-stucco red-tiled colonnaded building, rather grand in its colonial style, with neatly trimmed gardens, painted curbstones, clipped conifers and beautiful deep pink rosa china hibiscus flowers by the door through which those about to die would enter. In May, which is autumn in the southern hemisphere, the trees turn rich shades of russet and chestnut.
Paul Vallely (Pope Francis: Untying the Knots)
There were some hours to spare before his ship sailed, and having deposited his luggage, including a locked leather despatch-case, on board, he lunched at the Cafe Tewfik near the quay. There was a garden in front of it with palm trees and trellises gaily clad in bougainvillias: a low wooden rail separated it from the street, and Morris had a table close to this. As he ate he watched the polychromatic pageant of Eastern life passing by: there were Egyptian officials in broad-cloth frock coats and red fezzes; barefooted splay-toed fellahin in blue gabardines; veiled women in white making stealthy eyes at passers-by; half-naked gutter-snipe, one with a sprig of scarlet hibiscus behind his ear; travellers from India with solar tepees and an air of aloof British Superiority; dishevelled sons of the Prophet in green turbans, a stately sheik in a white burnous; French painted ladies of a professional class with lace-rimmed parasols and provocative glances; a wild-eyed dervish in an accordion-pleated skirt, chewing betel-nut and slightly foaming at the mouth. A Greek boot-black with box adorned with brass plaques tapped his brushes on it to encourage customers, an Egyptian girl squatted in the gutter beside a gramophone, steamers passing into the Canal hooted on their syrens. ("Monkeys")
E.F. Benson (The Mummy Walks Among Us)
We did that often, asking each other questions whose answers we already knew. Perhaps it was so that we would not ask the other questions, the ones whose answers we did not want to know. “I have three assignments to do,
Chimamanda Ngozi Adichie (Purple Hibiscus)
Ela parecia tão feliz, tão em paz, e eu me perguntei como alguém perto de mim podia se sentir assim, quando havia fogo líquido me queimando por dentro, quando o medo misturado à esperança se agarrava nos meus calcanhares.
Chimamanda Ngozi Adichie (Purple Hibiscus)
O jokal Eugene tem de parar de fazer o trabalho de Deus. Deus é grande o suficiente para fazer seu próprio trabalho. Se Deus for julgar nosso pai por escolher o caminho de nossos ancestrais, então Ele que faça o julgamento, não Eugene.
Chimamanda Ngozi Adichie (Purple Hibiscus)
I stand. People move around me, they try to touch, but they can’t stick. Two, three, four steps and I’m less than a meter away. “June?” Enki says. I kneel. A subject to her king. I take his hand. His grip is firm and warm and dry; he smells of hibiscus and sea salt. I never really believed you would pick the Queen’s Award, he said. And he was right, in the end. “The person —” Enki puts his hand over my mouth. He looks scared. Has something else happened to the city? “Quiet.” His lips barely move.
Alaya Dawn Johnson (The Summer Prince)
He is hearing the uncertain passage of a broken heart, bruising itself again and again on the unjust stones. Such a heart might stumble to either bank of the stream to escape the rush of time. To the side of light, or to the infinity of dark. To virtue, or to evil. Right here, in the river of his life, curves a pool of experience where the heart baptises itself. Either it rises, dark and closed and formidable, or it thrusts forward like an opening hibiscus, its five extravagant petals still dripping tinctures of blood.
Kaimana Wolff (La Chiripa (The Widening Gyre #2))
A paradisiacal lagoon lay below them. The water was an unbelievable, unreal turquoise, its surface so still that every feature of the bottom could be admired in magnified detail: colorful pebbles, bright red kelp, fish as pretty and colorful as the jungle birds. A waterfall on the far side fell softly from a height of at least twenty feet. A triple rainbow graced its frothy bottom. Large boulders stuck out of the water at seemingly random intervals, black and sun-warmed and extremely inviting, like they had been placed there on purpose by some ancient giant. And on these were the mermaids. Wendy gasped at their beauty. Their tails were all colors of the rainbow, somehow managing not to look tawdry or clownish. Deep royal blue, glittery emerald green, coral red, anemone purple. Slick and wet and as beautifully real as the salmon Wendy's father had once caught on holiday in Scotland. Shining and voluptuously alive. The mermaids were rather scandalously naked except for a few who wore carefully placed shells and starfish, although their hair did afford some measure of decorum as it trailed down their torsos. Their locks were long and thick and sinuous and mostly the same shades as their tails. Some had very tightly coiled curls, some had braids. Some had decorated their tresses with limpets and bright hibiscus flowers. Their "human" skins were familiar tones: dark brown to pale white, pink and beige and golden and everything in between. Their eyes were also familiar eye colors but strangely clear and flat. Either depthless or extremely shallow depending on how one stared. They sang, they brushed their hair, they played in the water. In short, they did everything mythical and magical mermaids were supposed to do, laughing and splashing as they did. "Oh!" Wendy whispered. "They're-" And then she stopped. Tinker Bell was giving her a funny look. An unhappy funny look. The mermaids were beautiful. Indescribably, perfectly beautiful. They glowed and were radiant and seemed to suck up every ray of sun and sparkle of water; Wendy found she had no interest looking anywhere else.
Liz Braswell (Straight On Till Morning)
There were ceramic teapots in aubergine, mustard, and midnight blue (good for one, sweeter still when shared between two drinkers); and forty small, thin glasses with curved handles, set in gold- and silver-plated holders etched with arabesque swirls. Bahar gingerly lined the tea glasses up on the counter where the cappuccino machine had been stationed. She tucked the teapots into the counter's glass-paneled belly, where they sat prettily next to twenty glass containers of loose-leaf teas, ranging from bergamot and hibiscus to oolong.
Marsha Mehran (Pomegranate Soup (Babylon Café #1))
Há alguns meses, ele escreveu dizendo que não queria que eu ficasse procurando os porquês, pois há certas coisas que acontecem e para as quais não podemos formular um porquê, para as quais os porquês simplesmente não existem e para as quais, talvez, eles não sejam necessários.
Chimamanda Ngozi Adichie (Purple Hibiscus)
The word for “witch,” veštica, meant “deft one,” and that was what we’d been: deft in beauty, versed in its tastes and sounds and textures as it wove like a ribbon through our fingers. It was an heirloom we carried in our blood, a legacy of magic passed down from womb to womb. All the women in our family had it.
Lana Popović (Wicked Like a Wildfire (Hibiscus Daughter, #1))
The researchers tried a clever tactic to overcome this problem. They created a number of recipes for common foods including muffins and pasta in which they could disguise placebo ingredients like bran and molasses to match the texture and color of the flax-laden foods. This way, they could randomize people into two groups and secretly introduce tablespoons of daily ground flaxseeds into the diets of half the participants to see if it made any difference. After six months, those who ate the placebo foods started out hypertensive and stayed hypertensive, despite the fact that many of them were on a variety of blood pressure pills. On average, they started the study at 155/81 and ended it at 158/81. What about the hypertensives who were unknowingly eating flaxseeds every day? Their blood pressure dropped from 158/82 down to 143/75. A seven-point drop in diastolic blood pressure may not sound like a lot, but that would be expected to result in 46 percent fewer strokes and 29 percent less heart disease over time.125 How does that result compare with taking drugs? The flaxseeds managed to drop subjects’ systolic and diastolic blood pressure by up to fifteen and seven points, respectively. Compare that result to the effect of powerful antihypertensive drugs, such as calcium-channel blockers (for example, Norvasc, Cardizem, Procardia), which have been found to reduce blood pressure by only eight and three points, respectively, or to ACE inhibitors (such as Vasotec, Lotensin, Zestril, Altace), which drop patients’ blood pressure by only five and two points, respectively.126 Ground flaxseeds may work two to three times better than these medicines, and they have only good side effects. In addition to their anticancer properties, flaxseeds have been demonstrated in clinical studies to help control cholesterol, triglyceride, and blood sugar levels; reduce inflammation, and successfully treat constipation.127 Hibiscus Tea for Hypertension Hibiscus tea, derived from the flower of the same name, is also known as roselle, sorrel, jamaica, or sour tea. With
Michael Greger (How Not to Die: Discover the Foods Scientifically Proven to Prevent and Reverse Disease)
A Rakshasi did not live here. A princess did. I was staring into the most dazzling garden I had ever seen. Cobblestone pathways meandered between rows of salmon-hued hibiscus, regal hollyhock, delicate impatiens, wild orchids, thorny rosebushes, and manicured shrubs starred with jasmine. Bunches of bougainvillea cascaded down the sides of the wall, draped across the stone like extravagant shawls. Magnolia trees, cotton-candy pink, were interspersed with coconut trees, which let in streaks of purplish light through their fanlike leaves. A rock-rimmed pond glistened in a corner of the garden, and lotus blossoms sprouting from green discs skimmed its surface. A snow white bird that looked like a peacock wove in and out through a grove of pomegranate trees, which were set aflame by clusters of deep orange blossoms. I had seen blue peacocks before, but never a white one. An Ashoka tree stood at one edge of the garden, as if on guard, near the door. A brief wind sent a cluster of red petals drifting down from its branches and settling on the ground at my feet. A flock of pale blue butterflies emerged from a bed of golden trumpet flowers and sailed up into the sky. In the center of this scene was a peach stucco cottage with green shutters and a thatched roof, quaint and idyllic as a dollhouse. A heavenly perfume drifted over the wall, intoxicating me- I wanted nothing more than to enter.
Kamala Nair (The Girl in the Garden)
Aunty Ifeoma was silent as she ladled the thick cocoyam paste into the soup pot; then she looked up and said Papa-Nnukwu was not a heathen but a traditionalist, that sometimes what was different was just as good as what was familiar, that when Papa-Nnukwu did his itu-nzu, his declaration of innocence, in the morning, it was the same as our saying the rosary.
Chimamanda Ngozi Adichie (Purple Hibiscus)
Existem pessoas (...) que acham que nós não conseguimos governar nosso próprio país, pois nas poucas vezes em que tentamos nós falhamos, como se todos os outros que se governam hoje em dia tivessem acertado de primeira. É como dizer a um bebê que está engatinhando, tenta andar e cai de bunda no chão que ele deve permanecer no chão. Como se todos os adultos que passam por ele também não houvessem engatinhado um dia.
Chimamanda Ngozi Adichie (Purple Hibiscus)
Having perfected his arrangements, he would get my pipe, and, lighting it, would hand it to me. Often he was obliged to strike a light for the occasion, and as the mode he adopted was entirely different from what I had ever seen or heard of before I will describe it. A straight, dry, and partly decayed stick of the Hibiscus, about six feet in length, and half as many inches in diameter, with a small, bit of wood not more than a foot long, and scarcely an inch wide, is as invariably to be met with in every house in Typee as a box of lucifer matches in the corner of a kitchen cupboard at home. The islander, placing the larger stick obliquely against some object, with one end elevated at an angle of forty-five degrees, mounts astride of it like an urchin about to gallop off upon a cane, and then grasping the smaller one firmly in both hands, he rubs its pointed end slowly up and down the extent of a few inches on the principal stick, until at last he makes a narrow groove in the wood, with an abrupt termination at the point furthest from him, where all the dusty particles which the friction creates are accumulated in a little heap. At first Kory-Kory goes to work quite leisurely, but gradually quickens his pace, and waxing warm in the employment, drives the stick furiously along the smoking channel, plying his hands to and fro with amazing rapidity, the perspiration starting from every pore. As he approaches the climax of his effort, he pants and gasps for breath, and his eyes almost start from their sockets with the violence of his exertions. This is the critical stage of the operation; all his previous labours are vain if he cannot sustain the rapidity of the movement until the reluctant spark is produced. Suddenly he stops, becoming perfectly motionless. His hands still retain their hold of the smaller stick, which is pressed convulsively against the further end of the channel among the fine powder there accumulated, as if he had just pierced through and through some little viper that was wriggling and struggling to escape from his clutches. The next moment a delicate wreath of smoke curls spirally into the air, the heap of dusty particles glows with fire, and Kory-Kory, almost breathless, dismounts from his steed.
Herman Melville
Aunty Ifeoma came the next day, in the evening, when the orange trees started to cast long, wavy shadows across the water fountain in the front yard. Her laughter floated upstairs into the living room, where I sat reading. I had not heard it in two years, but I would know that cackling, hearty sound anywhere. Aunty Ifeoma was as tall as Papa, with a well-proportioned body. She walked fast, like one who knew just where she was going and what she was going to do there. And she spoke the way she walked, as if to get as many words out of her mouth as she could in the shortest time.
Chimamanda Ngozi Adichie (Purple Hibiscus)
Over the course of two years, from June 2004 to June 2006, two separate deaths did nothing to ease my overall anxiety. Steve’s beloved Staffordshire bull terrier Sui died of cancer in June 2004. He had set up his swag and slept beside her all night, talking to her, recalling old times in the bush catching crocodiles, and comforting her. Losing Sui brought up memories of losing Chilli a decade and a half earlier. “I am not getting another dog,” Steve said. “It is just too painful.” Wes, the most loyal friend anyone could have, was there for Steve while Sui passed from this life to the next. Wes shared in Steve’s grief. They had known Sui longer than Steve and I had been together. Two years after Sui’s death, in June 2006, we lost Harriet. At 175, Harriet was the oldest living creature on earth. She had met Charles Darwin and sailed on the Beagle. She was our link to the past at the zoo, and beyond that, our link to the great scientist himself. She was a living museum and an icon of our zoo. The kids and I were headed to Fraser Island, along the southern coast of Queensland, with Joy, Steve’s sister, and her husband, Frank, our zoo manager, when I heard the news. An ultrasound had confirmed that Harriet had suffered a massive heart attack. Steve called me. “I think you’d better come home.” “I should talk to the kids about this,” I said. Bindi was horrified. “How long is Harriet going to live?” she asked. “Maybe hours, maybe days, but not long.” “I don’t want to see Harriet die,” she said resolutely. She wanted to remember her as the healthy, happy tortoise with whom she’d grown up. From the time Bindi was a tiny baby, she would enter Harriet’s enclosure, put her arms around the tortoise’s massive shell, and rest her face against her carapace, which was always warm from the sun. Harriet’s favorite food was hibiscus flowers, and Bindi would collect them by the dozen to feed her dear friend. I was worried about Steve but told him that Bindi couldn’t bear to see Harriet dying. “It’s okay,” he said. “Wes is here with me.” Once again, it fell to Wes to share his best mate’s grief.
Terri Irwin (Steve & Me)