β
We waste time looking for the perfect lover, instead of creating the perfect love.
β
β
Tom Robbins
β
The highest function of love is that it makes the loved one a unique and irreplaceable being.
β
β
Tom Robbins (Jitterbug Perfume)
β
...disbelief in magic can force a poor soul into believing in government and business....
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
It's never too late to have a happy childhood.
β
β
Tom Robbins (Still Life with Woodpecker)
β
When we're incomplete, we're always searching for somebody to complete us. When, after a few years or a few months of a relationship, we find that we're still unfulfilled, we blame our partners and take up with somebody more promising. This can go on and on--series polygamy--until we admit that while a partner can add sweet dimensions to our lives, we, each of us, are responsible for our own fulfillment. Nobody else can provide it for us, and to believe otherwise is to delude ourselves dangerously and to program for eventual failure every relationship we enter.
β
β
Tom Robbins
β
We are our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.
β
β
Tom Robbins (Still Life with Woodpecker)
β
Just because you're naked doesn't mean you're sexy. Just because you're cynical doesn't mean you're cool.
β
β
Tom Robbins
β
Love is the ultimate outlaw. It just won't adhere to any rules. The most any of us can do is to sign on as its accomplice. Instead of vowing to honor and obey, maybe we should swear to aid and abet. That would mean that security is out of the question. The words "make" and "stay" become inappropriate. My love for you has no strings attached. I love you for free.
β
β
Tom Robbins (Still Life with Woodpecker)
β
There are many things worth living for, a few things worth dying for, and nothing worth killing for.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
A sense of humor...is superior to any religion so far devised.
β
β
Tom Robbins (Jitterbug Perfume)
β
There is no such thing as a weird human being, It's just that some people require more understanding than others.
β
β
Tom Robbins
β
Our lives are not as limited as we think they are; the world is a wonderfully weird place; consensual reality is significantly flawed; no institution can be trusted, but love does work; all things are possible; and we all could be happy and fulfilled if we only had the guts to be truly free and the wisdom to shrink our egos and quit taking ourselves so damn seriously.
β
β
Tom Robbins
β
Love easily confuses us because it is always in flux between illusion and substance, between memory and wish, between contentment and need.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
You should never hesitate to trade your cow for a handful of magic beans.
β
β
Tom Robbins
β
Albert Camus wrote that the only serious question is whether to kill yourself or not.
Tom Robbins wrote that the only serious question is whether time has a beginning and an end.
Camus clearly got up on the wrong side of bed, and Robbins must have forgotten to set the alarm.
There is only one serious question. And that is: Who knows how to make love stay?
Answer me that and I will tell you whether or not to kill yourself.
β
β
Tom Robbins (Still Life with Woodpecker)
β
Humanity has advanced, when it has advanced, not because it has been sober, responsible, and cautious, but because it has been playful, rebellious, and immature.
β
β
Tom Robbins
β
The unhappy person resents it when you try to cheer him up, because that means he has to stop dwelling on himself and start paying attention to the universe. Unhappiness is the ultimate form of self-indulgence. When you're unhappy, you get to pay a lot of attention to yourself. You get to take yourself oh so very seriously.
β
β
Tom Robbins (Jitterbug Perfume)
β
There are two kinds of people in this world: Those who believe there are two kinds of people in this world and those who are smart enough to know better.
β
β
Tom Robbins (Still Life with Woodpecker)
β
There are only two mantras, yum and yuck, mine is yum.
β
β
Tom Robbins (Still Life with Woodpecker)
β
Curiosity, especially intellectual inquisitiveness, is what separates the truly alive from those who are merely going through the motions.
β
β
Tom Robbins
β
In the haunted house of life, art is the only stair that doesn't creak.
β
β
Tom Robbins
β
If you believe in peace, act peacefully; if you believe in love, acting lovingly; if you believe every which way, then act every which way, that's perfectly valid - but don't go out trying to sell your beliefs to the system. You end up contradicting what you profess to believe in, and you set a bum example. If you want to change the world, change yourself.
β
β
Tom Robbins
β
When two people meet and fall in love, there's a sudden rush of magic. Magic is just naturally present then. We tend to feed on that gratuitous magic without striving to make any more. One day we wake up and find that the magic is gone. We hustle to get it back, but by then it's usually too late, we've used it up. What we have to do is work like hell at making additional magic right from the start. It's hard work, but if we can remember to do it, we greatly improve our chances of making love stay.
β
β
Tom Robbins (Still Life with Woodpecker)
β
Never underestimate how much assistance, how much satisfaction, how much comfort, how much soul and transcendence there might be in a well-made taco and a cold bottle of beer.
β
β
Tom Robbins (Jitterbug Perfume)
β
My faith is whatever makes me feel good about being alive. If your religion doesn't make you feel good to be alive, what the hell is the point of it?
β
β
Tom Robbins (Fierce Invalids Home from Hot Climates)
β
People are never perfect, but love can be.
β
β
Tom Robbins (Still Life with Woodpecker)
β
Those who shun the whimsy of things will experience rigor mortis before death.
β
β
Tom Robbins
β
To achieve the impossible, it is precisely the unthinkable that must be thought.
β
β
Tom Robbins (Jitterbug Perfume)
β
Let us live for the beauty of our own reality.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Our individuality is all, all, that we have. There are those who barter it for security, those who repress it for what they believe is the betterment of the whole society, but blessed in the twinkle of the morning star is the one who nurtures it and rides it in, in grace and love and wit, from peculiar station to peculiar station along life's bittersweet route.
β
β
Tom Robbins (Jitterbug Perfume)
β
So you think that you're a failure, do you? Well, you probably are. What's wrong with that? In the first place, if you've any sense at all you must have learned by now that we pay just as dearly for our triumphs as we do for our defeats. Go ahead and fail. But fail with wit, fail with grace, fail with style. A mediocre failure is as insufferable as a mediocre success. Embrace failure! Seek it out. Learn to love it. That may be the only way any of us will ever be free.
β
β
Tom Robbins
β
You've heard of people calling in sick. You may have called in sick a few times yourself. But have you ever thought about calling in well?
It'd go like this: You'd get the boss on the line and say, "Listen, I've been sick ever since I started working here, but today I'm well and I won't be in anymore." Call in well.
β
β
Tom Robbins
β
Don't trust anybody who'd rather be grammatically correct than have a good time.
β
β
Tom Robbins (Skinny Legs and All)
β
People tend the take everything too seriously. Especially themselves. Yep. And that's probably what makes 'em scared and hurt so much of the time. Life is too serious to take that seriously.
β
β
Tom Robbins
β
Who knows how to make love stay?
1. Tell love you are going to Junior's Deli on Flatbush Avenue in Brooklyn to pick up a cheesecake, and if loves stays, it can have half. It will stay.
2. Tell love you want a momento of it and obtain a lock of its hair. Burn the hair in a dime-store incense burner with yin/yang symbols on three sides. Face southwest. Talk fast over the burning hair in a convincingly exotic language. Remove the ashes of the burnt hair and use them to paint a moustache on your face. Find love. Tell it you are someone new. It will stay.
3. Wake love up in the middle of the night. Tell it the world is on fire. Dash to the bedroom window and pee out of it. Casually return to bed and assure love that everything is going to be all right. Fall asleep. Love will be there in the morning.
β
β
Tom Robbins (Still Life with Woodpecker)
β
I believe in everything; nothing is sacred. I believe in nothing; everything is sacred. Ha Ha Ho Ho Hee Hee.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
But do we know how to make love stay?'
I can't even think about it. The best I can do is play it day by day.
β
β
Tom Robbins (Still Life with Woodpecker)
β
The only authority I respect is the one that causes butterflies to fly south in fall and north in springtime.
β
β
Tom Robbins (Another Roadside Attraction)
β
Breathe properly. Stay curious. And eat your beets.
β
β
Tom Robbins (Jitterbug Perfume)
β
Something has got to hold it together. I'm saying my prayers to Elmer, the Greek god of glue.
β
β
Tom Robbins
β
Amnesia is not knowing who one is and wanting desperately to find out. Euphoria is not knowing who one is and not caring. Ecstasy is knowing exactly who one is - and still not caring.
β
β
Tom Robbins (Another Roadside Attraction)
β
Death is simple. Life is messy. Give me life, the more complicated the better.
β
β
Tom Robbins
β
You're better equipped for this world than I am," she said. "I'm always trying to change the world. You know how to live in it.
β
β
Tom Robbins (Still Life with Woodpecker)
β
It is better to be small, colorful, sexy, careless, and peaceful...
β
β
Tom Robbins (Jitterbug Perfume)
β
As a child, I was an imaginary playmate.
β
β
Tom Robbins
β
Christianity is merely a system for turning priestesses into handmaidens, queens into concubines, and goddesses into muses.
β
β
Tom Robbins (Jitterbug Perfume)
β
If you're honest, you sooner or later have to confront your values. Then you're forced to separate what is right from what is merely legal. This puts you metaphysically on the run. America is full of metaphysical outlaws.
β
β
Tom Robbins (Still Life with Woodpecker)
β
Ellen Cherry was from the south and had good manners. She didnΒ΄t have any panties on, but she had good manners.
β
β
Tom Robbins (Skinny Legs and All)
β
Funny how we think of romance as always involving two, when the romance of solitude can be ever so much more delicious and intense.
β
β
Tom Robbins
β
To live fully, one must be free, but to be free one must give up security. Therefore, to live one must be ready to die. How's that for a paradox?
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
When humans were young, they were pushed around in strollers. When they were old, they were pushed around in wheelchairs. In between, they were just pushed around.
β
β
Tom Robbins (Skinny Legs and All)
β
We're making it up. The world, the universe, life, reality. Especially reality.
β
β
Tom Robbins
β
Hold on to your divine blush, your innate rosy magic, or end up brown. Once you're brown, you'll find out you're blue. As blue as indigo. And you know what that means. Indigo. Indigoing. Indigone.
β
β
Tom Robbins (Jitterbug Perfume)
β
There's no point in saving the world if it means losing the moon.
β
β
Tom Robbins (Still Life with Woodpecker)
β
You risked your life, but what else have you ever risked? Have you risked disapproval? Have you ever risked economic security? Have you ever risked a belief? I see nothing particularly courageous about risking one's life. So you lose it, you go to your hero's heaven and everything is milk and honey 'til the end of time. Right? You get your reward and suffer no earthly consequences. That's not courage. Real courage is risking something that might force you to rethink your thoughts and suffer change and stretch consciousness. Real courage is risking one's clichΓ©s.
β
β
Tom Robbins (Another Roadside Attraction)
β
Religion is not merely the opium of the masses, it's the cyanide.
β
β
Tom Robbins
β
The world is a wonderfully weird place, consensual reality is significantly flawed, no institution can be trusted, certainty is a mirage, security a delusion, and the tyranny of the dull mind forever threatens -- but our lives are not as limited as we think they are, all things are possible, laughter is holier than piety, freedom is sweeter than fame, and in the end it's love and love alone that really matters.
β
β
Tom Robbins
β
The function of the artist is to provide what life does not.
β
β
Tom Robbins
β
Should you fail to pilot your own ship, don't be surprised at what inappropriate port you find yourself docked.
β
β
Tom Robbins (Jitterbug Perfume)
β
It is better to be small, colorful, sexy, careless, and peaceful, like the flowers, than large, conservative, repressed, fearful, and aggressive, like the thunder lizards; a lesson, by the way, that the Earth has yet to learn.
β
β
Tom Robbins (Jitterbug Perfume)
β
Among our egocentric sad-sacks, despair is as addictive as heroin and more popular than sex, for the single reason that when one is unhappy one gets to pay a lot of attention to oneself. Misery becomes a kind of emotional masturbation.
β
β
Tom Robbins (Wild Ducks Flying Backward)
β
Our great human adventure is the evolution of consciousness. We are in this life to enlarge the soul, liberate the spirit, and light up the brain.
β
β
Tom Robbins (Wild Ducks Flying Backward)
β
Meet me in Cognito, baby. In Cognito, we'll have nothing to hide.
β
β
Tom Robbins (Jitterbug Perfume)
β
When we accept small wonders, we qualify ourselves to imagine great wonders.
β
β
Tom Robbins (Jitterbug Perfume)
β
Oh God, are there so many of them in our land! Students who canβt be happy until theyβve graduated, servicemen who canβt be happy until they are discharged, single folks who canβt be happy until theyβve found a mate, workers who canβt be happy until theyβve retired, adolescents who arenβt happy until theyβre grown, ill people who arenβt happy until theyβre well, failures who arenβt happy until they succeed, restless who canβt wait until they get out of town, and in most cases, vice versa, people waiting, waiting for the world to begin.
β
β
Tom Robbins
β
red hair is caused by sugar and lust.
β
β
Tom Robbins (Still Life with Woodpecker)
β
Philosophers have argued for centuries about how many angels can dance on the head of a pin, but materialists have known all along that it depends on whether they are jitterbugging or dancing cheek to cheek.
β
β
Tom Robbins (Jitterbug Perfume)
β
I'll follow him to the ends of the earth,' she sobbed. Yes, darling. But the earth doesn't have any ends. Columbus fixed that.
β
β
Tom Robbins (Still Life with Woodpecker)
β
Growing up is a trap," snapped Dr. Robbins. "When they tell you to shut up, they mean stop talking. When they tell you to grow up, they mean stop growing. Reach a nice level plateau and settle there, predictable and unchanging, no longer a threat.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Louisiana in September was like an obscene phone call from nature. The air - moist, sultry, secretive, and far from fresh - felt as if it were being exhaled into one's face. Sometimes it even sounded like heavy breathing.
β
β
Tom Robbins (Jitterbug Perfume)
β
The only bubble in the flat champagne of February is Valentineβs Day. It was no accident that our ancestors pinned Valentineβs Day on Februaryβs shirt: he or she lucky enough to have a lover in frigid, antsy February has cause for celebration, indeed.
β
β
Tom Robbins (Jitterbug Perfume)
β
It doesn't matter how sensitive you are or how damn smart and educated you are, if you're not both at the same time, if your heart and your brain aren't connected, aren't working together harmoniously, well, you're just hopping through life on one leg. You may think you're walking, you may think you're running a damn marathon, but you're only on a hop trip. The connections gotta be maintained.
β
β
Tom Robbins (Villa Incognito)
β
Three of the four elements are shared by all creatures, but fire was a gift to humans alone. Smoking cigarettes is as intimate as we can become with fire without immediate excruciation. Every smoker is an embodiment of Prometheus, stealing fire from the gods and bringing it on back home. We smoke to capture the power of the sun, to pacify Hell, to identify with the primordial spark, to feed on them arrow of the volcano. It's not the tobacco we're after but the fire. When we smoke, we are performing a version of the fire dance, a ritual as ancient as lightning.
β
β
Tom Robbins (Still Life with Woodpecker)
β
Funny how we think of romance as always involving two, when the romance of solitude can be ever so much more delicious and intense. Alone, the world offers itself freely to us. To be unmasked, it has no choice.
β
β
Tom Robbins (Still Life with Woodpecker)
β
Conversation between a princess and an outlaw:
"If I stand for fairy-tale balls and dragon bait--dragon bait--what do you stand for?"
"Me? I stand for uncertainty, insecurity, bad taste, fun, and things that go boom in the night."
"Franky, it seems to me that you've turned yourself into a stereotype."
"You may be right. I don't care. As any car freak will tell you, the old models are the most beautiful, even if they aren't the most efficient. People who sacrifice beauty for efficiency get what they deserve."
"Well, you may get off on being a beautiful stereotype, regardless of the social consequences, but my conscience won't allow it."
"And I goddamn refuse to be dragon bait. I'm as capable of rescuing you as you are of rescuing me."
"I'm an outlaw, not a hero. I never intended to rescue you. We're our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.
β
β
Tom Robbins (Still Life with Woodpecker)
β
Often, moreover, it is...that aspect of our being that society finds eccentric, ridiculous, or disagreeable, that holds our sweet waters, our secret well of happiness, the key to our equanimity in malevolent climes.
β
β
Tom Robbins (Still Life with Woodpecker)
β
In the end, perhaps we should simply imagine a joke; a long joke that's continually retold in an accent too thick and strange to ever be completely understood. Life is that joke my friends. The soul is the punch line.
β
β
Tom Robbins
β
The enemy of the black is not the white. The enemy of capitalist is not communist, the enemy of homosexual is not heterosexual, the enemy of Jew is not Arab, the enemy of youth is not the old, the enemy of hip is not redneck, the enemy of Chicano is not gringo and the enemy of women is not men. We all have the same enemy. The enemy is the tyranny of the dull mind. The enemy is every expert who practices technocratic manipulation, the enemy is every proponent of standardization and the enemy is every victim who is so dull and lazy and weak as to allow himself to be manipulated and standardized.
β
β
Tom Robbins
β
Perhaps the most terrible (or wonderful) thing that can happen to an imaginative youth, aside from the curse (or blessing) of imagination itself, is to be exposed without preparation to the life outside his or her own sphere - the sudden revelation that there is a there out there.
β
β
Tom Robbins (Jitterbug Perfume)
β
When you're unhappy, you get to pay a lot of attention to yourself. And you get to take yourself oh so very seriously. Your truly happy people, which is to say, your people who truly like themselves, they don't think about themselves very much. Your unhappy person resents it when you try to cheer him up, because that means he has to stop dwellin' on himself and start payin' attention to the universe. Unhappiness is the ultimate form of self-indulgence.
β
β
Tom Robbins (Jitterbug Perfume)
β
To diminish the worth of women, men had to diminish the worth of the moon. They had to drive a wedge between human beings and the trees and the beasts and the waters, because trees and beasts and waters are as loyal to the moon as to the sun. They had to drive a wedge between thought and feeling...At first they used Apollo as the wedge, and the abstract logic of Apollo made a mighty wedge, indeed, but Apollo the artist maintained a love for women, not the open, unrestrained lust that Pan has, but a controlled longing that undermined the patriarchal ambition. When Christ came along, Christ, who slept with no female...Christ, who played no musical instrument, recited no poetry, and never kicked up his heels by moonlight, this Christ was the perfect wedge. Christianity is merely a system for turning priestesses into handmaidens, queens into concubines, and goddesses into muses.
β
β
Tom Robbins (Jitterbug Perfume)
β
Now tequila may be the favored beverage of outlaws but that doesn't mean it gives them preferential treatment. In fact, tequila probably has betrayed as many outlaws as has the central nervous system and dissatisfied wives. Tequila, scorpion honey, harsh dew of the doglands, essence of Aztec, crema de cacti; tequila, oily and thermal like the sun in solution; tequila, liquid geometry of passion; Tequila, the buzzard god who copulates in midair with the ascending souls of dying virgins; tequila, firebug in the house of good taste; O tequila, savage water of sorcery, what confusion and mischief your sly, rebellious drops do generate!
β
β
Tom Robbins (Still Life with Woodpecker)
β
The beet is the most intense of vegetables. The radish, admittedly, is more feverish, but the fire of the radish is a cold fire, the fire of discontent not of passion. Tomatoes are lusty enough, yet there runs through tomatoes an undercurrent of frivolity. Beets are deadly serious.
Slavic peoples get their physical characteristics from potatoes, their smoldering inquietude from radishes, their seriousness from beets.
The beet is the melancholy vegetable, the one most willing to suffer. You can't squeeze blood out of a turnip...
The beet is the murderer returned to the scene of the crime. The beet is what happens when the cherry finishes with the carrot. The beet is the ancient ancestor of the autumn moon, bearded, buried, all but fossilized; the dark green sails of the grounded moon-boat stitched with veins of primordial plasma; the kite string that once connected the moon to the Earth now a muddy whisker drilling desperately for rubies.
The beet was Rasputin's favorite vegetable. You could see it in his eyes.
β
β
Tom Robbins (Jitterbug Perfume)
β
The fact is, what I hated in the Church was what I hated in society. Namely, authoritarians. Power freaks. Rigid dogmatists. Those greedy, underloved, undersexed twits who want to run everything. While the rest of us are busy living - busy tasting and testing and hugging and kissing and goofing and growing - they are busy taking over.
β
β
Tom Robbins (Another Roadside Attraction)
β
The rich are the most discriminated-against minority in the world. Openly or covertly, everybody hates the rich because, openly or covertly, everybody envies the rich. Me, I love the rich. Somebody has to love them. Sure, a lot oβ rich people are assholes, but believe me, a lot oβ poor people are assholes, too, and an asshole with money can at least pay for his own drinks.
β
β
Tom Robbins (Jitterbug Perfume)
β
If you lack the iron and the fuzz to take control of your own life, if you insist on leaving your fate to the gods, then the gods will repay your weakness by having a grin or two at your expense. Should you fail to pilot your own ship, don't be surprised at what inappropriate port you find yourself docked. The dull and prosaic will be granted adventures that will dice their central nervous systems like an onion, romantic dreamers will end up in the rope yard. You may protest that it is too much to ask of an uneducated fifteen-year-old girl that she defy her family, her society, her weighty cultural and religious heritage in order to pursue a dream that she doesn't really understand. Of course it is asking too much. The price of self-destiny is never cheap, and in certain situations it is unthinkable. But to achieve the marvelous, it is precisely the unthinkable that must be thought.
β
β
Tom Robbins (Jitterbug Perfume)
β
When the mystery of the connection goes, love goes. It's that simple. This suggests that it isn't love that is so important to us but the mystery itself. The love connection may be merely a device to put us in contact with the mystery, and we long for love to last so that the ecstacy of being near the mystery will last. It is contrary to the nature of mystery to stand still. Yet it's always there, somewhere, a world on the other side of the mirror (or the Camel pack), a promise in the next pair of eyes that smile at us. We glimpse it when we stand still.
The romance of new love, the romance of solitude, the romance of objecthood, the romance of ancient pyramids and distant stars are means of making contact with the mystery. When it comes to perpetuating it, however, I got no advice. But I can and will remind you of two of the most important facts I know:
1. Everything is part of it.
2. It's never too late to have a happy childhood.
β
β
Tom Robbins (Still Life with Woodpecker)
β
Humans have evolved to their relatively high state by retaining the immature characteristics of their ancestors. Humans are the most advanced of mammals β although a case could be made for the dolphins β because they seldom grow up. Behavioral traits such as curiosity about the world, flexibility of response, and playfulness are common to practically all young mammals but are usually rapidly lost with the onset of maturity in all but humans. Humanity has advanced, when it has advanced, not because it has been sober, responsible and cautious, but because it has been playful, rebellious, and immature.
β
β
Tom Robbins (Still Life with Woodpecker)
β
Passion isn't a path through the woods. Passion is the woods. It's the deepest, wildest part of the forest; the grove where the fairies still dance and obscene old vipers snooze in the boughs. Everybody but the most dried up and dysfunctional is drawn to the grove and enchanted by its mysteries, but then they just can't wait to call in the chain saws and bulldozers and replace it with a family-style restaurant or a new S and L. That's the payoff, I guess. Safety. Security. Certainty. Yes, indeed. Well, remember this, pussy latte: we're not involved in a 'relationship,' you and I, we're involved in a collision. Collisions don't much lend themselves to secure futures...
β
β
Tom Robbins (Half Asleep in Frog Pajamas)
β
Suppose neutral angels were able to talk, Yahweh and Lucifer β God and Satan, to use their popular titles β into settling out of court. What would be the terms of the compromise? Specifically, how would they divide the assets of their early kingdom?
Would God be satisfied the loaves and fishes and itty-bitty thimbles of Communion wine, while Satan to have the red-eye gravy, eighteen-ounce New York Stakes, and buckets of chilled champagne? Would God really accept twice-a-month lovemaking for procreative purposes and give Satan the all night, no-holds-barred, nasty βcanβt-get-enough-of-youβ hot-as-hell-fucks?
Think about it. Would Satan get New Orleans, Bangkok, and the French Riviera and God get Salt Lake City? Satan get ice hockey, God get horseshoes? God get bingo, Satan get stud poker? Satan get LSD; God, Prozac? God get Neil Simon; Satan Oscar Wilde?
β
β
Tom Robbins
β
Don't let yourself be victimized by the age you live in. It's not the
times that will bring us down, any more than it's society. When you
put the blame on society, then you end up turning to society for the
solution. Just like those poor neurotics at the Care Fest. There's a
tendency today to absolve individuals of moral responsiblity and treat
them as victims of social circumstance. You buy that, you pay with
your soul. It's not men who limit women, it's not straights who limit
gays, it's not whites who limit black. what limits people is lack of
character. What limites people is that they don't have the fucking
nerve or imagination to star in their own movie, let alone direct it.
Yuck....It's a wonderful time to be alive. As long as one has enough
dynamite. --pg. 116-117
β
β
Tom Robbins (Still Life with Woodpecker)
β
Look, America is no more a democracy than Russia is a Communist state. The governments of the U.S. and Russia are practically the same. There's only a difference of degree. We both have the same basic form of government: economic totalitarianism. In other words, the settlement to all questions, the solutions to all issues are determined not by what will make the people most healthy and happy in the bodies and their minds but by economics. Dollars or rubles. Economy uber alles. Let nothing interfere with economic growth, even though that growth is castrating truth, poisoning beauty, turning a continent into a shit-heap and riving an entire civilization insane. Don't spill the Coca-Cola, boys, and keep those monthly payments coming.
β
β
Tom Robbins (Another Roadside Attraction)
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How can one person be more real than any other? Well, some people do hide and others seek. Maybe those who are in hiding - escaping encounters, avoiding surprises, protecting their property, ignoring their fantasies, restricting their feelings, sitting out the pan pipe hootchy-kootch of experience - maybe those people, people who won't talk to rednecks, or if they're rednecks won't talk to intellectuals, people who're afraid to get their shoes muddy or their noses wet, afraid to eat what they crave, afraid to drink Mexican water, afraid to bet a long shot to win, afraid to hitchhike, jaywalk, honky-tonk, cogitate, osculate, levitate, rock it, bop it, sock it, or bark at the moon, maybe such people are simply inauthentic, and maybe the jacklet humanist who says differently is due to have his tongue fried on the hot slabs of Liar's Hell. Some folks hide, and some folk's seek, and seeking, when it's mindless, neurotic, desperate, or pusillanimous can be a form of hiding. But there are folks who want to know and aren't afraid to look and won't turn tail should they find it - and if they never do, they'll have a good time anyway because nothing, neither the terrible truth nor the absence of it, is going to cheat them out of one honest breath of Earth's sweet gas.
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Tom Robbins (Still Life with Woodpecker)
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The camel has a big dumb ugly hump. But in the desert, where prettier, more streamlined beasts die quickly of thirst, the camel survives quite nicely. As legend has it, the camel carries its own water, stores it in its stupid hump. If individuals, like camels, perfect their inner resources, if we have the power within us, then we can cross any wasteland in relative comfort and survive in arid surroundings without relying on the external. Often, moreover, it is our "hump" - that aspect of our being that society finds eccentric, ridiculous, or disagreeable - that holds our sweet waters, our secret well of happiness, the key to our equanimity in malevolent climes.
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Tom Robbins (Still Life with Woodpecker)
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This sentence is made of lead (and a sentence of lead gives a reader an entirely different sensation from one made of magnesium). This sentence is made of yak wool. This sentence is made of sunlight and plums. This sentence is made of ice. This sentence is made from the blood of the poet. This sentence was made in Japan. This sentence glows in the dark. This sentence was born with a caul. This sentence has a crush on Norman Mailer. This sentence is a wino and doesn't care who knows it. Like many italic sentences, this one has Mafia connections. This sentence is a double Cancer with a Pisces rising. This sentence lost its mind searching for the perfect paragraph. This sentence refuses to be diagrammed. This sentence ran off with an adverb clause. This sentence is 100 percent organic: it will not retain a facsimile of freshness like those sentences of Homer, Shakespeare, Goethe et al., which are loaded with preservatives. This sentence leaks. This sentence doesn't look Jewish... This sentence has accepted Jesus Christ as its personal savior. This sentence once spit in a book reviewer's eye. This sentence can do the funky chicken. This sentence has seen too much and forgotten too little. This sentence is called "Speedoo" but its real name is Mr. Earl. This sentence may be pregnant. This sentence suffered a split infinitive - and survived. If this sentence has been a snake you'd have bitten it. This sentence went to jail with Clifford Irving. This sentence went to Woodstock. And this little sentence went wee wee wee all the way home.
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Tom Robbins (Even Cowgirls Get the Blues)
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All depression has its roots in self-pity, and all self-pity is rooted in people taking themselves too seriously.β
At the time Switters had disputed her assertion. Even at seventeen, he was aware that depression could have chemical causes.
βThe key word here is roots,β Maestra had countered. βThe roots of depression. For most people, self-awareness and self-pity blossom simultaneously in early adolescence. It's about that time that we start viewing the world as something other than a whoop-de-doo playground, we start to experience personally how threatening it can be, how cruel and unjust. At the very moment when we become, for the first time, both introspective and socially conscientious, we receive the bad news that the world, by and large, doesn't give a rat's ass. Even an old tomato like me can recall how painful, scary, and disillusioning that realization was. So, there's a tendency, then, to slip into rage and self-pity, which if indulged, can fester into bouts of depression.β
βYeah but Maestraββ
βDon't interrupt. Now, unless someone stronger and wiserβa friend, a parent, a novelist, filmmaker, teacher, or musicianβcan josh us out of it, can elevate us and show us how petty and pompous and monumentally useless it is to take ourselves so seriously, then depression can become a habit, which, in tern, can produce a neurological imprint. Are you with me? Gradually, our brain chemistry becomes conditioned to react to negative stimuli in a particular, predictable way. One thing'll go wrong and it'll automatically switch on its blender and mix us that black cocktail, the olβ doomsday daiquiri, and before we know it, weβre soused to the gills from the inside out. Once depression has become electrochemically integrated, it can be extremely difficult to philosophically or psychologically override it; by then it's playing by physical rules, a whole different ball game. That's why, Switters my dearest, every time you've shown signs of feeling sorry for yourself, I've played my blues records really loud or read to you from The Horseβs Mouth. And thatβs why when youβve exhibited the slightest tendency toward self-importance, Iβve reminded you that you and meβ you and I: excuse meβmay be every bit as important as the President or the pope or the biggest prime-time icon in Hollywood, but none of us is much more than a pimple on the ass-end of creation, so letβs not get carried away with ourselves. Preventive medicine, boy. Itβs preventive medicine.β
βBut what about self-esteem?β
βHeh! Self-esteem is for sissies. Accept that youβre a pimple and try to keep a lively sense of humor about it. That way lies graceβand maybe even glory.
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Tom Robbins (Fierce Invalids Home from Hot Climates)
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There is plenty of misery in the world, all right, but there is ample pleasure, as well. If a person forswears pleasure in order to avoid misery, what has he gained?...how can you admire a human who consciously embraces the bland, the mediocre, and the safe rather than risk the suffering that disappointments can bring?...If desire causes suffering, it may be because we do not desire wisely, or that we are inexpert at obtaining what we desire...why not get better at fulfilling desire? I cannot believe that the most delicious things were placed here merely to test us, to tempt us, to make it the more difficult for us to achieve the grand prize - they safety of the void. To fashion of life such a petty game is unworthy of both men and gods.
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Tom Robbins (Jitterbug Perfume)
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Are You Ready for New Urban Fragrances?
Yeah, I guess I'm ready, but listen:
Perfume is a disguise. Since the middle ages, we have worn masks of fruit and flowers in order to conceal from ourselves the meaty essence of our humanity. We appreciate the sexual attractant of the rose, the ripeness of the orange, more than we honor our own ripe carnality.
Now today we want to perfume our cities, as well; to replace their stinging fumes of disturbed fossils' sleep with the scent of gardens and orchards. Yet, humans are not bees any more than they are blossoms. If we must pull an olfactory hood over our urban environment, let it be of a different nature.
I want to travel on a train that smells like snowflakes.
I want to sip in cafes that smell like comets.
Under the pressure of my step, I want the streets to emit the precise odor of a diamond necklace.
I want the newspapers I read to smell like the violins left in pawnshops by weeping hobos on Christmas Eve.
I want to carry luggage that reeks of the neurons in Einstein's brain.
I want a city's gases to smell like the golden belly hairs of the gods.
And when I gaze at a televised picture of the moon, I want to detect, from a distance of 239,000 miles, the aroma of fresh mozzarella.
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Tom Robbins (Wild Ducks Flying Backward)
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Heterosexual relationships seem to lead only to marriage, and for most poor dumb brainwashed women marriage is the climactic experience. For men, marriage is a matter of efficient logistics: the male gets his food, bed, laundry, TV, pussy, offspring and creature comforts all under one roof, where he doesn't have to dissipate his psychic energy thinking about them too much - then he is free to go out and fight the battles of life, which is what existence is all about.
But for a woman, marriage is surrender. Marriage is when a girl gives up the fight, walks off the battlefield and from then on leaves the truly interesting and significant action to her husband, who has bargained to 'take care' of her. What a sad bum deal.
Women live longer than men because they really haven't been living. Better blue-in-the-face dead of a heart attack at fifty than a healthy seventy-year old widow who hasn't had a piece of life's action since girlhood.
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Tom Robbins (Even Cowgirls Get the Blues)
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There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world.
Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs.
It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone.
It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been.
Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen?
We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth.
It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.
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Tom Robbins