Crazy Flowers Quotes

We've searched our database for all the quotes and captions related to Crazy Flowers. Here they are! All 84 of them:

If God had a refrigerator, your picture would be on it. If He had a wallet, your photo would be in it. He sends you flowers every spring and a sunrise every morning... Face it, friend. He is crazy about you!
Max Lucado
I wish I could do whatever I liked behind the curtain of “madness”. Then: I’d arrange flowers, all day long, I’d paint; pain, love and tenderness, I would laugh as much as I feel like at the stupidity of others, and they would all say: “Poor thing, she’s crazy!” (Above all I would laugh at my own stupidity.) I would build my world which while I lived, would be in agreement with all the worlds. The day, or the hour, or the minute that I lived would be mine and everyone else’s - my madness would not be an escape from “reality”.
Frida Kahlo
To me, he’s worth every loud moment, every peaceful silence, the crazy and the sad, the restless and the quiet.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
You act like you're invincible, but I know deep down you want someone to hold your hand and buy you flowers and look you in the eye and tell you you're his soul mate. You want someone who will love every piece of you, even the pieces you can't love yourself.
Amy Reed (Crazy)
Congratulations, everyone," I announce as I open the door to Noam's study. "You've finally broken Meira, the crazy, orphaned soldier-girl. She's snapped, all thanks to the mention of floral arrangements.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
I love you as the plant that never blooms but carries in itself the light of hidden flowers; thanks to your love a certain solid fragrence risen from the earth, lives darkly in my body. and: No one can stop the river of your hands, your eyes and their sleepiness, my dearest. You are the trembling of time, which passes between the vertical light and the darkening sky. and: From the stormy archipelagoes I brought my windy accordian, waves of crazy rain, the habitual slowness of natural things: they made up my wild heart.
Pablo Neruda
When the weather's nice, my parents go out quite frequently and stick a bunch of flowers on old Allie's grave. I went with them a couple of times, but I cut it out. In the first place, I don't enjoy seeing him in that crazy cemetery. Surrounded by dead guys and tombstones and all. It wasn't too bad when the sun was out, but twice—twice—we were there when it started to rain. It was awful. It rained on his lousy tombstone, and it rained on the grass on his stomach. It rained all over the place. All the visitors that were visiting the cemetery started running like hell over to their cars. That's what nearly drove me crazy. All the visitors could get in their cars and turn on their radios and all and then go someplace nice for dinner—everybody except Allie. I couldn't stand it. I know it's only his body and all that's in the cemetery, and his soul's in Heaven and all that crap, but I couldn't stand it anyway. I just wished he wasn't there.
J.D. Salinger (The Catcher in the Rye)
Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.
Carl Sagan (Shadows Of Forgotten Ancestors: A Search For Who We Are)
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
Bob Dylan (Chronicles: Volume One)
Gods must be crazy Flowers must be daisy Clouds must be hazy Winds must be lazy What else it could be… My heart must be in love lately…
Heenashree Khandelwal
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
Alice Sebold (The Lovely Bones)
Having a breakdown was like breaking a vase and then gluing it back together. You could never trust yourself to handle that vase again with any surety. You couldn't put a flower in it because flowers need water and water might dissolve the glue. Am I crazy, then?
Stephen King (Night Shift)
My favorite flower is the tulip. I’m crazy like Holland about them. I’ll even pay as much as $1,637 for one.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
And somewhere in that crimson-colored never-never land where i pirouetted madly, in a wild and crazy effort to exhaust myself into insensibility, i saw that man, shadowy and distant, half-hidden behind towering white columns that rose clear up to a purple sky. In a passionate pas de deux he danced with me, forever apart, no matter how hard i sought to draw nearer and leap into his arms, where i could feel them protective about me, supporting me ... and with him i'd find, at last, a safe place to live and love.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
Will looked back at me, startled, and I kept my heart muscle strong, feeling something inside me shiver like a pale green flower shoot just waking up for spring. But whatever that thing was, it was still too new to feel ready to bloom; it wanted time to set down roots. Someday soon I was going to bloom like crazy and then I'd have what I needed to keep me standing tall.
Ingrid Law (Savvy (Savvy, #1))
If God were to make a million lovely flowers in your image and plant them in a garden with you among them, I would still know you by your scent and by the feel of your petals and by the crazy way you lean towards my light whenever I draw near.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a few Short Stories for Every Day of the Year)
Little Crazy Love Song” I don’t want eventual, I want soon. It’s 5 a.m. It’s noon. It’s dusk falling to dark. I listen to music. I eat up a few wild poems while time creeps along as though it’s got all day. This is what I have. The dull hangover of waiting, the blush of my heart on the damp grass, the flower-faced moon. A gull broods on the shore where a moment ago there were two. Softly my right hand fondles my left hand as though it were you.
Mary Oliver (Blue Horses)
Maybe everyone is crazy up in these mountains. Maybe the air up here makes you absurd, the scent of flowers and rock and snow. And I've never spoken like that to anyone in my life before. You're my only friend here, you know that? And you're fifty years away.
Jackie French (The Girl from Snowy River (Matilda Saga, #2))
there is a list of questions i want to ask but never will there is a list of questions i go through in my head every time i'm alone and my mind can't stop itself from searching for you there is a list of questions i want to ask so if you're listening somewhere here i am asking them what do you think happens to the love that's left behind when two lovers leave how blue do you think it gets before it passes away does it pass away or does it still exist somewhere waiting for us to come back when we lied to ourselves by calling this unconditional and left which one of us hurt more i shattered into a million little pieces and those pieces shattered into a million more crumbled into dust till there was nothing left of me but the silence tell me how love how did the grieving feel for you how did the mourning hurt how did you peel your eyes open after every blink knowing i'd never be there staring back it must be hard to live with what ifs there must always be this constant dull aching in the pit of your stomach trust me i feel it too how in the world did we get here how did we live through it and how are we still living how many months did it take before you stopped thinking of me or are you still thinking of me cause if you are then maybe i am too thinking of you thinking of me with me in me around me everywhere you and me and us do you still touch yourself to the thoughts of me do you still imagine my naked naked tiny tiny body pressed into yours do you still imagine the curve of my spine and how you wanted to rip it out of me cause the way it dipped into my perfectly rounded bottom drove you crazy baby sugar baby sweet baby ever since we left how many times did you pretend it was my hand stroking you how many times did you search for me in your fantasies and end up crying instead of coming don't you lie to me i can tell when you're lying cause there's always that little bit of arrogance in your response are you angry with me are you okay and would you tell me if you're not and if we ever see each other again do you think you'd reach out and hold me like you said you would the last time we spoke and you talked of the next time we would or do you think we'd just look shake in our skin as we pine to absorb as much as we can of each other cause by this time we've probably got someone else waiting at home we were good together weren't we and is it wrong that i'm asking you these questions tell me love that you have been looking for these answers too
Rupi Kaur (The Sun and Her Flowers)
Cellophane flowers of yellow and green… And I can’t even help myself, I start laughing—I’m laughing and laughing and laughing like an absolute crazy person, until the tears track down my face, because it has to be a sign. I can’t believe it’s anything less. Lucy in the Sky with Diamonds. Of course. Look for the girl with the sun in her eyes And she’s gone The words echo in my mind, making it ache all over again. She’s gone. Don’t go, don’t go, don’t go—I hate those words, I hate the magnetic pull of whatever it is I’ve forgotten, the regret waiting to make itself known.
Alexandra Bracken (The Rising Dark: A Darkest Minds Collection (Darkest Minds Short Stories))
God is fond of you. If He had a wallet, your photo would be in it. If He had a refrigerator, your picture would be on it. He sends you flowers every spring and a sunrise every morning. Face it, friend, He's crazy about you.
Max Lucado
To Eden with me you will not leave To live in a cottage of crazy, crooked eaves. In your own happy home you take care these nights; When you let your little cat in, please turn on the lights! Something scurries behind and finds a cozy place to stare, Something sent to you from paradise, with serpents to spare: Tongues flowering; they leap out laughing, lapping. Dissapear
Thomas Ligotti
In every house there ought to be an art table on which, one by one, things are placed, so that everybody in that house might look at the things very carefully, and see them.' 'What would you put on a table like that?' 'A leaf. A coin. A button. A stone. A small piece of torn newspaper. An apple. An egg. A pebble. A flower. A dead insect. A shoe.' 'Everybody's seen those things.' 'Of course. But nobody looks at them, and that's what art is. To look at familiar things as if they had never before been seen... A necktie. A pocketknife... a walnut.
William Saroyan (Papa You're Crazy)
nearer:breath of my breath:take not they tingling limbs from me:make my pain their crazy meal letting they tigers of smooth sweetness steal slowly in dumb blossoms of new mingling: deeper:blood of my blood:with upwardcringing swiftness plunge these leopards of white ream this pith of darkness:carve an evilfringing flower of madness on gritted lips and on sprawled eyes squirming with light insane chisel the killing flame that dizzily grips. Querying greys between mouthed houses curl thirstily. Dead stars stink. dawn. Inane, the poetic carcass of a girl
E.E. Cummings
She went a little fucking overboard on her anger." He looks at me. "Her daughters are all a bit nuts, so you know exactly where they get it from.” "She called the fucking cops on me," I retort. "That's not nuts that's --" "It's nuts," he rebuts. "It's fucked up." "That too," he says.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
NINA Your life is beautiful. TRIGORIN I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!
Anton Chekhov (The Seagull)
Her eyes bled from venomous anger... Her flower had been gruesomely deflowered... Her life had slowly turned into a blunder... There was no more thinking further.... She would rather become a Foetus murderer Than end up a "hopeless" mother.... Of course, she found peace in the former Until later years of emotional trauma Oh, the foetus hunt was forever! The only thing you should abort is the thought of aborting your baby. Stop the hate and violence against innocent children.
Chinonye J. Chidolue
and when a leaf falls from the climbing vines, you know, my love, what name is written on that leaf, a name that is yours and mine, our love name, a single being, the arrow that pierced winter, the invincible love, the fire of the days, a leaf that dropped upon my breast, a leaf from the tree of life that made a nest and sang, that put out roots, that gave flowers and fruits. And so you see, my love, how I move around the island, around the world, safe in the midst of spring, crazy with light in the cold, walking tranquil in the fire, lifting your petal weight in my arms as if I had never walked except with you, my heart, as if I could not walk except with you, as if I could not sing except when you sing.
Pablo Neruda (Love Poems (New Directions Paperbook))
You see colors no one else can see In every breath you hear a symphony You understand me like nobody can I feel like my soul unfolding like a flower blooming When this whole world gets too crazy And there's nowhere left to go I know you give me sanctuary You're the only truth I know You're the road back home.
Backstreet Boys (Backstreet Boys -- The Hits, Chapter One: Piano/Vocal/Chords)
The sky above Belgrade is expansive and high, shifting yet always beautiful; clear with its chill splendour during the winter; turning into a single downcast cloud during summer storms, driven by the crazy winds and bearing rain mixed with the dust of the Pannonian plain; seeming to flower along with the ground during spring; and growing heavy with roils of autumnal stars during fall. Always beautiful and bountiful, it is a reward to this odd township for all that is missing and a comfort for everything that should not be.
Ivo Andrić (Beogradske priče)
I was crazy. I was broken. I was dead. And then, one day I wasn't. It took months and it took grace and it took some unexpected slight shift of sadness that slipped just enough, just barely enough to make room for beauty.
Lynne Branard (The Art of Arranging Flowers)
If it’s criminal, it’s either stupid or crazy. Stupid people usually have guns, crazy people always do. In a choice between stupid and crazy, first investigate the stupid, because stupid is more common than crazy. In many cases, stupid is also more dangerous than crazy. You could
John Sandford (Holy Ghost (Virgil Flowers #11))
In my mind, no other flower can compete with the perfection and the fragrance of the Peony. The silky petals, delicate shape, romantic shades and graceful foliage make this flower my all time favorite and I’m not alone. Brides plan their wedding dates around peony season. Flower enthusiasts plant them all through their gardens. Florists go crazy over all the different shades available from white, to coral, yellow to reds and every imaginable pink!  Sadly, this bloom can only be enjoyed in nature for a very short time each year. That’s the reason their paper counterparts have become such a hit!
Chantal Larocque (Bold Beautiful Paper Flowers: More Than 50 Easy Paper Blooms and Gorgeous Arrangements You Can Make at Home)
Honey Locust" Who can tell how lovely in June is the honey locust tree, or why a tree should be so sweet and live in this world? Each white blossom on a dangle of white flowers holds one green seed - a new life. Also each blossom on a dangle of flower holds a flask of fragrance called Heaven, which is never sealed. The bees circle the tree and dive into it. They are crazy with gratitude. They are working like farmers. They are as happy as saints. After awhile the flowers begin to wilt and drop down into the grass. Welcome shines in the grass. Every year I gather handfuls of blossoms and eat of their mealiness; the honey melts in my mouth, the seeds make me strong, both when they are crisps and ripe, and even at the end when their petals have turned dully yellow. So it is if the heart has devoted itself to love, there is not a single inch of emptiness. Gladness gleams all the way to the grave.
Mary Oliver (New and Selected Poems, Vol. 2)
I won’t even try to pretend to know what bugs think about during sex, but right about the time the male praying mantis is probably thinking that he’s quite the stud, the female does something pretty surprising. Yes, even for horny, bat-shit-crazy, homicidal copulating bugs. Once she has had enough of copulating, she moves on to the next phase, which is masticating. No, not masturbating... masticating. This is a fancy-schmancy word for chewing. She chews his head off. And no, I don’t mean like, “Why didn’t you bring me flowers and chocolate?” Oh, no. She literally bites his head off... and here’s where it gets really interesting: She eats it.
Michael Makai (The Warrior Princess Submissive)
I’m not impressed should someone tell me that a certain man I consider crazy or stupid surpasses a common man in many achievements and particulars of life. Epileptics have amazing strength when they go into seizure; paranoiacs have an ability to reason that few normal men can match; religious maniacs bring multitudes of believers together as few (if any) demagogues can, and with a force of conviction that the latter can’t inspire in their followers. And all that this proves is that craziness is craziness. I prefer a defeat that knows the beauty of flowers to a victory in the desert, full of blindness in the soul, alone with its isolated nothingness.
Fernando Pessoa (The Book of Disquiet)
One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin.” “As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed, long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.
Henry Wadsworth Longfellow
He’s the hero of my story, but he refuses to claim any of those moments, as if they don’t matter. They do matter. Everyone sees partial sides to Ryke, and he lets them think he's just an athlete with no brains, an aggressive asshole. It’s like he’s been alone for so long that he’s lost any interest in showing off his worth. I think I’ve hit the lottery—to have him in my life. To me, he’s worth every loud moment, every peaceful silence, the crazy and the sad, the restless and the quiet. I would trade it all to be with him
Becca Ritchie (Hothouse Flower (Calloway Sisters #2))
One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin. As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed,long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.
Henry Wadsworth Longfellow
Suzanne takes you down to her place near the river You can hear the boats go by, you can spend the night forever And you know that she's half-crazy but that's why you want to be there And she feeds you tea and oranges that come all the way from China And just when you mean to tell her that you have no love to give her Then he gets you on her wavelength And she lets the river answer that you've always been her lover And you want to travel with her, and you want to travel blind And you know that she will trust you For you've touched her perfect body with your mind And Jesus was a sailor when he walked upon the water And he spent a long time watching from his lonely wooden tower And when he knew for certain only drowning men could see him He said all men will be sailors then until the sea shall free them But he himself was broken, long before the sky would open Forsaken, almost human, he sank beneath your wisdom like a stone And you want to travel with him, and you want to travel blind And you think you maybe you'll trust him For he's touched your perfect body with her mind Now, Suzanne takes your hand and she leads you to the river She's wearing rags and feathers from Salvation Army counters And the sun pours down like honey on our lady of the harbor And she shows you where to look among the garbage and the flowers There are heroes in the seaweed, there are children in the morning They are leaning out for love and they wil lean that way forever While Suzanne holds her mirror And you want to travel with her, and you want to travel blind And you know that you can trust her For she's touched your perfect body with her mind
Leonard Cohen
Some kisses pronounced themselvesthe judgment of conviction love,Some kisses are given with an eyeSome kisses are given with the memory.There are silent kisses, kisses noblesThere enigmatic kisses, sincereSome kisses are given only soulsThere forbidden kisses, true.Some kisses calcined and hurt,Some kisses captivate sensesThere mysterious kisses that have leftthousand wandering and lost dreams.There problematic kisses enclosinga key that no one has decipheredSome kisses engender tragedyfew have defoliated roses brooch.There perfumed kisses, warm kissesthrobbing in intimate longings,Some kisses on the lips leave tracesas a field of sun between two ice.Some kisses seem liliesby sublime, naive and pure,There treacherous and cowardly kisses,There cursed and perjured kisses.Judas kisses Jesus and leaves printin the face of God, felony,while Magdalena with kissesfortifies pious agony.From then kisses throbslove, betrayal and pain,in human weddings they seemthe breeze playing with flowers.There are kisses that produce ravingsloving hot and mad passion,you know them well are my kissesinvented by me, for your mouth.Flame kisses printed on trailThey take the grooves of a forbidden love,kisses storm, wild kissesour lips only been tested.Do you remember the first ...? Indefinable;Your face covered with blushes luridand in the throes of terrible emotion,Your eyes were filled with tears.Do you remember that one evening in excess crazyI saw you jealous imagining grievances,He flunked you in my arms ... a kiss vibrated,and then ... did you see? Blood on my lips.I taught you to kiss: cold kissesThey are impassive rock heart,I taught you how to kiss with my kissesinvented by me, for your mouth
Gabriela Mistral
FIGARO. Such a fantastic chain of events! How did it all happen to me? Why those things and not others? Who pointed them in my direction? Having no choice but to travel a road I was not aware I was following, and which I will get off without wanting to, I have strewn it with as many flowers as my good humour has permitted. But when I say my good humour, how can I know if it is any more mine than all the other bits of me, nor what this ‘me’ is that I keep trying to understand: first, an unformed bundle of indefinable parts, then a puny, weak-brained runt, a dainty frisking animal, a young man with a taste for pleasure and appetites to match, turning his hand to all trades to survive—sometimes master, sometimes servant as chance dictated, ambitious from pride, hard-working from necessity, but always happy to be idle! An orator when it was safe to speak out, a poet in my leisure hours, a musician as the situation required, in love in crazy fits and bursts. I’ve seen it all, done it all, had it all. Then the bubble burst and I was too disillusioned… Disillusioned!
Pierre-Augustin Caron de Beaumarchais (The Barber of Seville / The Marriage of Figaro / The Guilty Mother)
Maybe that’s his game, though,” I said. “The hunt for one soul, again and again.” “Then why are you still here?” “The other women lived with him for a long time too. Maybe he wants to wait until my defenses are down, and then-“ “Wow, Clea, you are so jaded. You found your soulmate. People wait their whole lives for this. It’s the most amazing thing in the world, and it’s happened to you. Can’t you just accept it and be happy?” What she said made sense, but… I flopped back on the bed and stared at the ceiling. Without looking at Rayna, I said, “He doesn’t act like he’s my soulmate. Sometimes I think maybe he liked the other women more. I think maybe he wishes I was one of them.” Rayna was silent. This was something I’d never heard. “This is seriously, deep,” she finally said. “You’re feeling insecure because you’re jealous…of yourself.” “I didn’t say I was jealous…” “You’d rather think he’s a serial killer than risk being with him and finding out he doesn’t like you as much as he liked…you?” She scrunched her brow and thought, then tried again. “Yous? Anyway, you know what I mean-the other yous.” “Forget the jealousy thing, okay? There are other reasons to doubt him too. Ben doesn’t trust him at all. He thinks Sage is some kind of demon. He said there’s a spirit called an incubus that comes to women in their sleep, and-“ “Of course Ben said that.” Rayna shrugged. “He’s jealous.” “Of what?” “Ben’s crazy in love with you, Clea. I’ve been saying that forever!” “And I’ve been ignoring you forever, because it’s not true. You just want it to be true because it’s romantic.” “Did you not see the pictures of you from Rio?” I narrowed my eyes. “What are you talking about?” Rayna pulled out her phone. “Honestly, I don’t know how you survive without Google Alerts on yourself. The paparazzi were out in full force for Carnival.” She played with the phone for a minute, then handed it to me. It showed a close-up of Ben and me at the Sambadrome that could only have been taken with a serious zoom. I felt violated. “I hate this,” I muttered. “Why? You look cute!” “I hate that people are sneaking around taking pictures of me!” “I know you do. Ignore that for the moment. Just scroll through.” There were five pictures of Ben and me. Four of them were moments I vividly remembered, pictures of the two of us facing each other, laughing as we did our best to imitate the dancers shimmying and strutting down the parade route. The fifth one I didn’t remember. I wouldn’t have; in it I had my camera up to my face and was concentrating on lining up the perfect shot. Ben stood behind me, but he wasn’t wearing the goofy smile he’d had in the other pictures. He was staring right at me with those big puppydog eyes, and his smile wasn’t goofy at all, but… “Uh-huh,” Rayna said triumphantly. She had climbed into my bed was looking at the picture over my shoulder. “Knew that one would stop you. There is only one word for the look on that boy’s face, Clea: love-struck. Which is probably why a bunch of websites are reporting he’s about to propose.” “What?” “Messenger. Don’t kill the messenger.” I looked back at the picture. Ben did look love-struck. Very love-struck. “It could just be the picture,” I said. “They caught him at a weird moment.” “Yeah, a weird moment when he thought no one was looking so he showed how he really felt.” I gave Rayna back the phone and shook my head. “Ben and I are like brother and sister. That’s gross.” “Hey, I read Flowers in the Attic. It was kind of hot.” “Shut up!” I laughed. “I’m just saying, think about it. Really think about it. Is it that hard to believe that Ben’s in love with you?
Hilary Duff (Elixir (Elixir, #1))
Love is a sickness, A strange connection, It’s a big hobby, o sweet heart..! Listened many stories, From elders and wise persons, But never believe, Never thought, Those stories are considerable, Sitting on the throne of myself, Never came to know...! Above that throne, at too much height, Somewhere In the crowd of fairies, In the Anklet of your feet, In the Shadow of your tresses, in your small village, Sun, moon and all stars dance crazily..! I never came to know all this, o sweetheart, On the sound of your walking feet, on your pink smile, On the movement of your eyebrows, on your lovely voice, on your killing eyes, All flowers of garden care well, for a very little moment of closeness with you sacrifice their life, I never came to know all this, o sweetheart…! Moonlit after touching your body propagate everywhere, Roses get the fragrance from your sweating, in the form of due drops, I never came to know all this, o sweetheart…! I was very confident, never face this, Wise heart, will never be crazy, but, Then it happened, sweetheart..! Felt very sad, sweet heart..! Heart converted in to blood and started flowing, o sweet heart..! Convinced too by the movement of your eyebrow, Came for donation, became a recipient, o sweet heart..! Convinced by the sayings of elders, That, Love is a sickness, a strange connection between souls It’s a incurable addiction, o sweet heart..!
For many years,Rides the Wind cared only for Walks the Fire. Together they read this Book she speaks of.My daughter has told me of this.Walks the Fire would tel the words in the Book. Rides the Wind repeated them,then he would tell how the words would help him in the hunt or in the council.Walks the Fire listened as he spoke. She respected him.She did as he said." As Talks a Lot spoke,the people remembered the years since Walks the Fire had come to them.Many among them recalled kindness beyond the saving of Hears Not.Many regretted the early days, when they had laughed at the white woman.They remembered Prairie Flower and Old One teaching her,and many could recall times when some new stew was shared with their family or a deerskin brought in by Rides the Wind found its way to their tepee. Prairie Flower's voice was added to the men's. "Even when no more sons or daughters came to his tepee-even then, Rides the Wind wanted only Walks the Fire." She turned to look at Running Bear, another elder, "Even when you offered your own beautiful daugher, Rides the Wind wanted only Walks the Fire.This is true. My father told me. When he walked the earth,Rides the Wind wanted only Walks the Fire.Now that he lies upon the earth,you must know that he would say, 'Do this for her.'" Jesse had continued to dig into the earth as she listened. When Prairie Flower told of the chief's having offered his daughter,she stopped for a moment.Her hand reached out to lovingly caress the dark head that lay so still under the clear sky.Rides the Wind had never told her of this.She had been afraid that he might take another wife when it became evident they would have no children.Now she knew that he had chosen her alone-even in the face of temptation. From the women's group there was movement. Prairie Flower stepped forward, her digging tool in her hand. Defiantly she sputtered, "She is my friend..." and stalked across the short distance to the shallow grave. Dropping to her knees beside Jesse, she began attacking the earth.Ferociously she dug.Jesse followed her lead, as did Old One.They began again,three women working side by side.And then there were four women,and then five, and six, until a ring of many women dug together. The men did nothing to stop them, and Running Bear decided what was to be done. "We will camp here and wait for Walks the Fire to do what she must. Tonight we will tell the life of Rides the Wind around the fire.Tomorrow, when this is done, we will move on." And so it was.Hours later Rides the Wind, Lakota hunter, became the first of his village to be laid in a grave and mourned by a white woman. Before his body was lowered into the earth, Jesse impulsively took his hunting knife, intending to cut off the two thick, red braids that hung down her back. It seemed so long ago that Rides the Wind had braided the feathers and beads in, dusting the part.Had it really been only this morning? He had kissed her,too, grumbling about the white man's crazy ways.Jesse had laughed and returned his kiss.
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
she whipped around and placed the bouquet in my hand. Looking at her crazy, I tried to hand it back but, instead, she forcefully turned me around. On his knees, there was Hood with his hand extended with a beautiful diamond ring. Dropping the flowers, tears immediately formed in my eyes as I realized what was going on. Looking around the room, I saw both my mother and father nod their heads in approval and all of our family in friends either smiling or shedding happy tears. I looked back to Hood, who was nervously smiling before he began to speak. “Rhythm, from day one, my heart’s tune changed into a beat that only you could hear. You know we’ve had our ups and we’ve had our downs, but baby, none of it would have been worth it if it was not for you. The love we share is so rare that I make sure to pray twice a day that the Lord sees fit for me to have you and hold you for the rest of my life. Baby, you a nigga heartbeat, will you be my wife?” Pausing for a moment, all the good and bad flashed through my memory before I was able to answer. I guess I was taking too long because someone in the audience yelled out, “Girl, you better tell that fine ass man yes!” and everyone started to laugh. “Yes, Hood, yes!” I yelled, as he slipped the beautiful ring on my finger before standing and grabbing me in a tight hug. Our lips locked in a passionate kiss as everyone clapped and whistled, congratulating us. “Congrats the two of you.” I felt my father’s hand on my shoulder after Hood and I let go of each other. “Thanks
Niqua Nakell (Rhythm & Hood (A STAND ALONE NOVEL): A Dope Boy's Heartbeat)
Flowers. Lots of women say they don’t want them. But every woman is happy when they get them. Which is why I’ve arranged to have them delivered to Kate’s office, every hour on the hour. Seven dozen at a time. That’s one dozen for every day we were apart. Romantic, right? I thought so too. And although I know Kate’s favorite are white daisies, I specifically told the florist to avoid them. Instead, I’ve chosen exotics—bouquets with brightly colored petals and strange shapes. The kinds of flowers Kate has probably never seen in her life, from places she’s never been. Places I want to take her to. At first I kept the notes simple and generic. Take a look: Kate, I'm sorry. Drew Kate, Let me make it up to you. Drew Kate, I miss you. Please forgive me. Drew. But after a few hours I figured I needed to step it up a notch. Get more creative. What do you think? Kate, You're turning me into a stalker. Drew Kate, Go out with me on Saturday and I'll give you all of my clients. Every. Single. One. Drew Kate, If I throw myself in front of a bus, will you come visit me at the hospital? Drew PS - Try not to feel too guilty if I don't survive. Really. That last batch was delivered forty-five minutes ago. Now I’m just sitting at my desk, waiting. Waiting for what, you ask? You’ll see. Kate may be stubborn, but she’s not made of stone. My office door slams open, leaving a dent in the drywall. Here we go. “You are driving me crazy!” Her cheeks are flushed, her breathing’s fast, and she’s got murder in her eyes. Beautiful. I raise my brows hopefully. “Crazy? Like you want to rip my shirt open again?” “No. Crazy like the itch of a yeast infection that just won’t go away.” I flinch. Can’t help it. I mean—Christ. Kate steps toward my desk. “I am trying to work. I need to focus. And you’ve got Manny, Moe, and Jack playing every cheesy eighties song ever written outside my office door!” “Cheesy? Really? Huh. I so had you pegged for an eighties kind of girl.” Well, you live and learn.
Emma Chase (Tangled (Tangled, #1))
The society’s ‘look’ is a self-publicizing one. The American flag itself bears witness to this by its omnipresence, in fields and built-up areas, at service stations, and on graves in the cemeteries, not as a heroic sign, but as the trademark of a good brand. It is simply the label of the finest successful international enterprise, the US. This explains why the hyperrealists were able to paint it naively, without either irony or protest (Jim Dine in the sixties), in much the same way as Pop Art gleefully transposed the amazing banality of consumer goods on to its canvases. There is nothing here of the fierce parodying of the American anthem by Jimi Hendrix, merely the light irony and neutral humour of things that have become banal, the humour of the mobile home and the giant hamburger on the sixteen-foot long billboard, the pop and hyper humour so characteristic of the atmosphere of America, where things almost seem endowed with a certain indulgence towards their own banality. But they are indulgent towards their own craziness too. Looked at more generally, they do not lay claim to being extraordinary; they simply are extraordinary. They have that extravagance which makes up odd, everyday America. This oddness is not surrealistic (surrealism is an extravagance that is still aesthetic in nature and as such very European in inspiration); here, the extravagance has passed into things. Madness, which with us is subjective, has here become objective, and irony which is subjective with us has also turned into something objective. The fantasmagoria and excess which we locate in the mind and the mental faculties have passed into things themselves. Whatever the boredom, the hellish tedium of the everyday in the US or anywhere else, American banality will always be a thousand times more interesting than the European - and especially the French - variety. Perhaps because banality here is born of extreme distances, of the monotony of wide-open spaces and the radical absence of culture. It is a native flower here, asis the opposite extreme, that of speed and verticality, of an excess that verges on abandon, and indifference to values bordering on immorality, whereas French banality is a hangover from bourgeois everyday life, born out of a dying aristocratic culture and transmuted into petty-bourgeois mannerism as the bourgeoisie shrank away throughout the nineteenth century. This is the crux: it is the corpse of the bourgeoisie that separates us. With us, it is that class that is the carrier of the chromosome of banality, whereas the Americans have succeeded in preserving some humour in the material signs of manifest reality and wealth. This also explains why Europeans experience anything relating to statistics as tragic. They immediately read in them their individual failure and take refuge in a pained denunciation of the merely quantitative. The Americans, by contrast, see statistics as an optimistic stimulus, as representing the dimensions of their good fortune, their joyous membership of the majority. Theirs is the only country where quantity can be extolled without compunction.
Baudrillard, Jean
Her enormous eyes were staring straight into his silver ones. He couldn’t look away, couldn’t let go of her hand. He couldn’t have moved if his life depended on it. He was lost in those blue-violet eyes, somewhere in their mysterious, haunting, sexy depths. What was it he had decided? Decreed? He was not going to allow her anywhere near Peter’s funeral. Why was his resolve fading away to nothing? He had reasons, good reasons. He was certain of it. Yet now, drowning in her huge eyes, his thoughts on the length of her lashes, the curve of her cheek, the feel of her skin, he couldn’t think of denying her. After all, she hadn’t tried to defy him; she didn’t know he had made the decision to keep her away from Peter’s funeral. She was including him in the plans, as if they were a unit, a team. She was asking his advice. Would it be so terrible to please her over this? It was important to her. He blinked to keep from falling into her gaze and found himself staring at the perfection of her mouth. The way her lips parted so expectantly. The way the tip of her tongue darted out to moisten her full lower lip. Almost a caress. He groaned. An invitation. He braced himself to keep from leaning over and tracing the exact path with his own tongue. He was being tortured. Tormented. Her perfect lips formed a slight frown. He wanted to kiss it right off her mouth. “What is it, Gregori?” She reached up to touch his lips with her fingertip. His heart nearly jumped out of his chest. He caught her wrist and clamped it against his pumping heart. “Savannah,” he whispered. An ache. It came out that way. An ache. He knew it. She knew it. God, he wanted her with every cell in his body. Untamed. Wild. Crazy. He wanted to bury himself so deep inside her that she would never get him out. Her hand trembled in answer, a slight movement rather like the flutter of butterfly wings. He felt it all the way through his body. “It is all right, mon amour,” he said softly. “I am not asking for anything.” “I know you’re not. I’m not denying you anything. I know we need to have time to become friends, but I’m not going to deny what I feel already. When you’re close to me, my body temperature jumps about a thousand degrees.” Her blue eyes were dark and beckoning, steady on his. He touched her mind very gently, almost tenderly, slipped past her guard and knew what courage it took for her to make the admission. She was nervous, even afraid, but willing to meet him halfway. The realization nearly brought him to his knees. A muscle jumped in his jaw, and the silver eyes heated to molten mercury, but his face was as impassive as ever. “I think you are a witch, Savannah, casting a spell over me.” His hand cupped her face, his thumb sliding over her delicate cheekbone. She moved closer, and he felt her need for comfort, for reassurance. Her arms slid tentatively around his waist. Her head rested on his sternum. Gregori held her tightly, simply held her, waiting for her trembling to cease. Waiting for the warmth of his body to seep into hers. Gregori’s hand came up to stroke the thick length of silken, ebony hair, taking pleasure in the simple act. It brought a measure of peace to both of them. He would never have believed what a small thing like holding a woman could do to a man. She was turning his heart inside out; unfamiliar emotions surged wildly through him and wreaked havoc with his well-ordered life. In his arms, next to his hard strength, she felt fragile, delicate, like an exotic flower that could be easily broken. “Do not worry about Peter, ma petite,” he whispered into the silken strands of her hair. “We will see to his resting place tomorrow.” “Thank you, Gregori,” Savannah said. “It matters a lot to me.” He lifted her easily into his arms. “I know. It would be simpler if I did not. Come to my bed, chérie, where you belong.
Christine Feehan (Dark Magic (Dark, #4))
popcorn, with Jordan fast on her heels. They sprinted into the dense growth of the overburdened flower beds and began running zigzag patterns around the sculptures. “Be careful in that mess of weeds!” I
Tracy Brogan (Crazy Little Thing (Bell Harbor, #1))
If it’s criminal, it’s either stupid or crazy. Stupid people usually have guns, crazy people always do. In a choice between stupid and crazy, first investigate the stupid, because stupid is more common than crazy. In many cases, stupid is also more dangerous than crazy. You could sometimes talk to crazy, but there’s no dealing with stupid. None of the above is always true.
John Sandford (Holy Ghost (Virgil Flowers #11))
As the physical body becomes less dense, there is an increasing sensibility and awareness to the subtle elements of the ether which were once unknown to the perceptive senses. The being then becomes knowledgeable of things that to others are not yet part of their reality. This new elevated state leads him to be seen by those others as crazy and out of touch with common sense. For the one who reaches such stage, however, there is an overwhelming sensation of lone wonder, where beauty is found in nothing but an empty garden of extraordinary flowers with different fragrances and colors. To this individual, the world has ceased to exist in its meanings for it is a world of brute ignorance and dark unconsciousness, guided by self-deceptive impulses. He is like a traveler in time stuck in the past. He has evolved but cannot escape the time-line in which he is in. He is blessed while led to think by fools that he is cursed. And the only thing he needs to do, in order to close the gap between his new self and the physical world, consists in looking inwards and appreciate the decadence around him from the perspective of the Observer. Once he can do that, he can be one with the Great Architect and start thinking like a god. In that precise moment, he is freed from any time-line and all the secrets are revealed unto him. His soul becomes boundless and his personality as fluid as water. He can be anything with a burning fire, and nothing like air, at the exact same time; he can love everyone like fertile soil for growth, and no one, as if he was just air; he can be everywhere and nowhere, like darkness, but also attach and detach at will, like light. And he can also have the power to unroot himself from any will produced by any thought that he might or not have chosen to have.
Dan Desmarques (Codex Illuminatus: Quotes & Sayings of Dan Desmarques)
The soles of Cynthia Sawyer's shoes squeaked on the damp flagstone walkway that meandered through Hawthorne Manor's formal gardens. Hazy rays of sun kissed the sprint morning dew, glistening on the early-blooming flowers and foliage soon to blossom into a Southern Living-worthy wonderland. Perfect for tiny Maple Creek, Maryland's annual garden party - the most exciting event of the season, especially for the quirky retirees. Last year, crazy old Mrs. Osworth got lost in the winding boxwood maze and called 911 to get "one of those strong young firemen" to come rescue her. She'd said she felt faint, and claimed she'd need mouth-to-mouth resuscitation the moment they showed up.
Tracy March (The Marriage Match (Suddenly Smitten, #3))
The Four Loves Killers of the Flower Moon Crazy Rich Asians The Screwtape Letters Rebecca Martha Stewart’s Homekeeping Handbook Sense and Sensibility Number the Stars The Awakening of Miss Prim The Hiding Place Church of Spies: The Pope’s Secret War Against Hitler Animal Farm Alice in Wonderland All Quiet on the Western Front And Then There Were None Antony and Cleopatra
Katherine Reay (The Printed Letter Bookshop)
When I hurt, and I hurt often, I raced for the music, the costumes, the ballet shoes on which I could spin and twirl and dance away my troubles. And somewhere in that crimson-colored never-never land where I pirouetted madly, in a wild and crazy effort to exhaust myself into insensibility, I saw that man, shadowy and distant, half-hidden behind towering white columns that rose clear up to a purple sky. In a passionate pas de deux he danced with me, forever apart, no matter how hard I sought to draw nearer and leap into his arms, where I could feel them protective about me, supporting me . . . and with him I’d find, at last, a safe place to live and love.
V.C. Andrews (The Flowers in the Attic Series: The Dollangangers)
Rye growers face another challenge: the grain is vulnerable to a fungus called ergot (Claviceps purpurea). The spores attack open flowers, pretending to be a grain of pollen, which gives them access to the ovary. Once inside, the fungus takes the place of the embryonic grain along the stalk, sometimes looking so much like grain that it is difficult to spot an infected plant. Until the late nineteenth century, botanists thought the odd dark growths were part of the normal appearance of rye. Although the fungus does not kill the plant, it is toxic to people: it contains a precursor to LSD that survives the process of being brewed into beer or baked into bread. While a psychoactive beer might sound appealing, the reality was quite horrible. Ergot poisoning causes miscarriage, seizures, and psychosis, and it can be deadly. In the Middle Ages, outbreaks called St. Anthony’s fire or dancing mania made entire villages go crazy at once. Because rye was a peasant grain, outbreaks of the illness were more common among the lower class, fueling revolutions and peasant uprisings. Some historians have speculated that the Salem witch trials came about because girls poisoned by ergot had seizures that led townspeople to conclude that they’d been bewitched. Fortunately, it’s easy to treat rye for ergot infestation: a rinse in a salt solution kills the fungus.
Amy Stewart (The Drunken Botanist: The Plants that Create the World's Great Drinks)
Beautiful flower girl to cultivate. Crazy girl who does not wash her feet. According to her parents, fortune comes from there. Where she walks today is where Orishas once did.
Alan Maiccon
Nothing in science can account for the way people feel about orchids. Orchids seem to drive people crazy. Those who love them love them madly. Orchids arouse passion more than romance. They are the sexiest flowers on earth. The name "orchid" derives from the Latin orchis, which means testicle. This refers not only to the testicle-shaped tubers of the plant but to the fact that it was long believed that orchids sprang from the spilled semen of mating animals. The British Herbal Guide of 1653 advised that orchids be used with discretion. "They are hot and moist in operation, under the dominion of Venus, and provoke lust exceedingly." In Victorian England the orchid hobby grew so consuming that it was sometimes called "orchidelirium"; under its influence many seemingly normal people, once smitten with orchids, became less like normal people and more like John Laroche. Even now, there is something delirious in orchid collecting. Every orchid lover I met told me the same story - how one plant in the kitchen had led to a dozen, and then to a backyard greenhouse, and then, in some cases, to multiple greenhouses and collecting trips to Asia and Africa and an ever-expanding orchid budget and a desire for oddities so stingy in their rewards that only a serious collector could appreciate them - orchids like the Stanhopea, which blooms only once a year for at most one day. "The bug hits you," a collector from Guatemala explained to me. "You can join A.A. to quit drinking, but once you get into orchids you can't do anything to kick the habit.
Susan Orlean (The Orchid Thief: A True Story of Beauty and Obsession)
. . . what I told Malory happened next is that when he looked over at her then it was like he'd been waiting a hundred years to see her, and this crazy ass Ledfeather girl all the way from Standing Rock, she looked off after the elk and then back at Doby through her hair, like she'd maybe been waiting for him too, but was scared a little, wanted to be sure, so Doby opened his mouth and said her name across the backseat of Junior's cab, Claire, like a flower opening in his mouth, and she held her lips together and nodded thank you to him, yes, thank you, and then swallowed what was in her throat and just let the sides of their hands touch together again some like it didn't really matter. But it did.
Stephen Graham Jones (Ledfeather)
Gladys loved Mama's red devil cake with chocolate icing, but what I always begged her to fix for my birthday was her rich hummingbird cake with pineapple and bananas and pecans and a real sweet cream cheese icing. Daddy adored that cake too, and I can still hear him telling me before he'd go to work to be sure and cut him a thick slice and wrap it in plastic and put it in the fridge for him. To this day, I don't know how the cake got its crazy name, and when I finally asked Mama not long ago if she knew, all she did was twist her mouth and frown the way she does when she's exasperated, and tell me not to ask dumb questions, then say, "maybe it's because hummingbirds love red sugar water and the nectar in flowers and anything else sweet. But I can tell you one thing, and that's that I'm not about to put a cake outside to see if hummingbirds'll peck at it.
James Villas (Hungry for Happiness)
Can that even be considered as a color Which doesn’t compliment with your lip color Can that even be considered as a fragrance Which doesn’t halt in your hairs... Compared to you, this world feels so vague You will be mine, not anyone else’s Now this is clearly evident to everyone I announce that, As long as there’s mornings and evenings You will be mine As long as my name exists on this earth You will be mine As long as there’s mornings and evenings You will be mine As long as my name exists on this earth You will be mine I am your problem sometimes Also I am the solution to most of your problems Yes, I’m bit stubborn And of course I’m little bit crazy Rain, thunder, clouds are all liars Even the gifts of flowers are liars You are the truthful here, and of course me And all we speak are the truths Sign your name on my hand with your hands only Don’t hide your eyes with eyelashes Is it a big deal for you? Ok, I announce then, As long as there’s mornings and evenings You will be mine As long as my name exists on this earth You will be mine As long as there’s mornings and evenings You will be mine As long as my name exists on this earth You will be mine You’ll revolve around me all the time Just as the earth revolves around the sun You won’t find yourself separated from me You are my better half forever If you want, you can shatter my dreams Even if they break, they will still be yours Even you are aware of this... I announce that..................
It was for his own good. And the beast inside me roared. Every day it got louder. Nobody could tame it. Josh could calm me, but I wouldn’t let him close enough to try. Nurse Valerie buzzed me into the ICU. I slid the container of cupcakes across the counter of the nurses’ station. “Nadia Cakes.” She beamed at me. “You’re too good to us, girl.” She pulled the cupcakes down in front of her, looking over the assortment. Sloan had assigned me the job of bringing thank-yous to the nursing staff. Donuts, cookies, flowers. I tried to bring something every couple of days. The nurses had made all the difference in this situation. Valerie tapped her pen absently on top of the clear container and eyed me. “Can I ask you something?” I leaned over the counter, sorting her pens by color. “What?” I liked Valerie. She was my favorite nurse. She was no-nonsense. We’d hit it off immediately. “What did that boy do to you? ’Cause I can’t see any reason on my end why you’re not all over that man like white on rice.” Josh.Somehow in the last few weeks, the hospital staff had gotten wind of the Josh situation. “Valerie, we’ve talked about this.” She arched an eyebrow. “Have we? ’Cause you came off a little evasive if you ask me.” I shook my head at her. I wasn’t getting into it. She twisted her lips and gave me a knowing grin. “That man drives you crazy.” I snorted. “I don’t need him to drive me crazy. I’m close enough at this point to walk.
Abby Jimenez
Who?” “Bill Judd Jr.” “Oh, noooo.” Round, Swedish oooo’s. “Miz Sweet, when we were going through Judd Sr.’s office, we found some invoices on your computer, for chemicals that were apparently used in an ethanol plant out in South Dakota…” “I heard about it on TV. That was the same one? The one where they were making drugs?” “Yes, it was,” Virgil said. “Oh, nooo.” The sound was driving him crazy; she sounded like a bad comedian. “Who in town knew about the ethanol plant?” She turned her face to one side and put a hand to her lips. “Well, the Judds, of course.” “Both of them?” Virgil asked. “Well…Junior set it up, but Senior knew about it.” He pressed. “Are you sure about that?” “Well, yes. He signed the checks.” “Did you see him signing the checks?” Virgil asked. “No, but I saw the checks. It was his signature…” “Do you remember the bank?” She shook her head. “No, no, I don’t.” She frowned. “I’m not even sure that the bank name was on the checks.” “Did you ever talk to Junior about that?” “No. It wasn’t my business,” she said. “They wanted to keep it quiet, because, you know, when ethanol started, it sounded a little like the Jerusalem artichoke thing. The Judds were involved in that, of course.” “So how quiet did they keep it?” Virgil asked. “Who else knew? Did you tell anybody?” He saw it coming, the noooo. “Oh, noooo…Junior told me, don’t talk about this, because of my father. So, I didn’t.” “Not to anybody?” Her eyes drifted. She was thinking, which meant that she had. “It’s possible…my sister, I might have told. I think there might have been some word around town.” “It’s really important that you remember…” She put her hand to her temple, as though she were going to move a paper clip with telekinesis, and said, “I might have mentioned it at bridge. At our bridge club. That a plant was being built, and some local people were involved.” “All right,” Virgil said. “So who was at the bridge club?” “Well, let me see, there would have been nine or ten of us…” She listed them; he only recognized one of the names. WHEN HE WAS DONE with Sweet, he strolled up the hill to the newspaper office. He pushed in, and found Williamson behind the business counter, talking to a woman customer. Williamson looked past the woman and snapped, “What do you want?” “I have a question, when you’re free.” “Wait.” Williamson was wearing a T-shirt and had sweat stains under his arms, as though he’d been lifting rocks. “Take just a minute.” The customer was trying to dump her Beanie Baby collection locally—ten years too late, in Virgil’s opinion—and wanted the cheapest possible advertisement. She got twenty words for six dollars, looking back and forth between Virgil and Williamson, and after writing a check for the amount, said to Virgil, “I’d love to hear your question.” Virgil looked at her over his sunglasses and grinned: “I’d love to have you, but I’m afraid it’s gotta be private, for the moment.” “Shoot.” She looked at Williamson, who shrugged, and she said, “Oh, well.” WHEN SHE’D GONE out the door, Williamson said, “I’m working. You can ask me out back.” “You still pissed about the search?
John Sandford (Dark Of The Moon (Virgil Flowers, #1))
In this literary tour, I will devote some space—usually not a great deal—to summarizing the basic plot of each work, using most of my pages to evaluate what the author has to say about historical Jesus scholarship or New Testament research in general. Some of those authors have done their homework, and they manage to give the reader a bit of an education while spinning their yarns. Other ones don’t bother, and they wind up dishing up Sunday School platitudes, followed up with crazy rewrites of history and outlandish theories. What they finally produce is the laughable equivalent of a science fiction story positing breathable atmosphere on the moon, like Robert Bloch’s Flowers from the Moon.
Robert M. Price (Secret Scrolls: Revelations from the Lost Gospel Novels)
I wanted to know her the way a bee wants to know a great bright flower.
William, Saroyan (My Kind of Crazy, Wonderful People)
At noon the following day, the Comanches crested the rise above the Masters farm and drew in their horses, well out of firing range. Loretta clutched her horse’s reins with such force that her knuckles ached. Hunter sat astride his stallion beside her, his knee brushing hers. Loretta couldn’t look at him. Instead she stared at the little house she had thought never to see again. Nothing about it had changed. She wondered what Uncle Henry had done with the fifty horses Hunter had left. They weren’t in the back pasture. A flash of blue crossed the yard. Amy. Running to the house to warn Aunt Rachel and Uncle Henry that Indians were coming. It seemed like a hundred years ago that Loretta had done the same. She saw Hunter reaching toward her out of the corner of her eye. She looked at him as he lowered his medallion necklace over her head. The flat stone was still warm from where it had rested against his chest. She pressed her palm over it. “You will wear it? For always? And remember Hunter of the Wolf? It is a promise you make?” “I will wear it.” Her fingers curled around the medallion. “I have nothing to give you.” His eyes clouded with warmth. “Your ruffles.” She pursed her lips. “I’m wearing them. If you want them, you’ll have to come back and steal them.” His gaze ran the length of her. “Maybe so. You will make them nice like flowers, yes?” She sighed and bent her head. She knew why the memories hurt. They had become friends. It was impossible, crazy, but it had happened. And saying goodbye had a sharp edge. “Well, I guess this is it.” “For this little bit time.” She looked up. “Hunter, you mustn’t--” He leaned toward her and crossed her lips with a finger. “You can read my trail, eh? You can walk in my footsteps and come to me. I will leave you signs.
Catherine Anderson (Comanche Moon (Comanche, #1))
Freckles, focus on me,” Torin said. I did and the love in his eyes pulled me into that place where nothing else mattered but us. I heard music. Saw candles floating in the air. Inhaled the scent of flowers swirling around us. Then Torin spoke, and every word was an affirmation of our love. Of us. “Lorraine Cooper, you are the love of my life, the keeper of my soul, and the realization of my dreams. My life would be empty if you weren’t in it. You drive me crazy, yet you keep me sane. You are the reason I wake up in the morning and spend sleepless nights, yet you complete me. I dreamed of you before I ever met you. Loved the idea of you before I knew you. Wished for you without hope of ever finding you. Then we met and I couldn’t see beyond making you love me, want me, and need me. Sometimes I wonder if I’m worthy of your love, and think up ways to prove that I deserve you. But you keep showing me that worth and proof have no place when it comes to love. Love is selfless. Love is kindness. Love is you, Freckles.
Ednah Walters (Witches (Runes, #6))
Cassava No man had touched her, but a boy-child grew in the belly of the chief’s daughter. They called him Mani. A few days after birth he was already running and talking. From the forest’s farthest corners people came to meet the prodigious Mani. Mani caught no disease, but on reaching the age of one, he said, “I’m going to die,” and he died. A little time passed, and on Mani’s grave sprouted a plant never before seen, which the mother watered every morning. The plant grew, flowered, and gave fruit. The birds that picked at it flew strangely, fluttering in mad spirals and singing like crazy. One day the ground where Mani lay split open. The chief thrust his hand in and pulled out a big, fleshy root. He grated it with a stone, made a dough, wrung it out, and with the warmth of the fire cooked bread for everyone. They called the root mani oca, “house of Mani,” and manioc is its name in the Amazon basin and other places. (174)
Eduardo Galeano (Genesis: Volume 1 (Memory of Fire, 1))
You guys had a lot of fun last night, didn’t you?” He chuckles. I look over my shoulder and flush at all the ink that I never did wash off. I haven’t been home long enough. “We were trying out some designs,” I stumble to say. “Umm hmm,” he hums. “Sure you were.” He laughs, and a grin tugs at my lips. “The tramp stamp is pretty creative.” I haven’t even seen that one yet. “What does it say?” I look back over my shoulder. He points to a mirror behind me, and I go stand in front of it and look over my shoulder. I blush like crazy when I see that he’s written, Pete’s girl in a gothic script with squiggly flowers and vines draping down below the waist of my jeans.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
His mother's flowers won all sorts of prizes for their beauty, but he thought Libby, with her brilliant copper-streaked hair and striking blue eyes, was more beautiful than anything found in a garden. She was an enchanting princess, reigning over a comely court. He'd known Libby was a princess since they were children. She'd captivated him long before he started school, and for years, he'd been trying to win her attention. Some people thought she was crazy, but she wasn't. She was ethereal. Magical. Like a fairy or butterfly. If only he could be like her. Happy and free. She seemed to understand what so many people did not. That happiness was not found in trying to pigeonhole one's self into another's ideal. Happiness was found in embracing all you were created to be. She twirled again in the twilight. Libby seemed to draw energy from the flowers.
Melanie Dobson (Shadows of Ladenbrooke Manor)
off from the same line, they were scattered peacefully across the globe for centuries, each mostly disregarding the others. But in the Middle Ages, the witches, who by nature did the most interacting with normal humans, began to be discovered. And then persecuted, and tortured, and murdered. Their leaders went to the vampires and the wolves and begged for help, but both groups turned away, the vampires from apathy and the wolves from fear of meeting the same fate. Wolves are pack animals, and look after their pack before anything else. So the witches did the only thing they could: they looked to strengthen their magic. They didn’t know about evolution and magical lines back then, but during their research, the witches managed to stumble upon a group of plants that magic had bonded itself to, just like the human conduits. They were known as nightshades: belladonna, mandragora, Lycium barbarum (which also became known as wolfberry), tomatillo, cape gooseberry flower, capsicum, and solanum. The entire subspecies was rife with magic. The latter four plants could be used in hundreds of charms and potions, many of which helped the witches to deter the human persecutors. But the former three plants were unique; they interacted with the remaining magical beings in mystifying ways. Belladonna was poisonous to vampires—it took unbelievable amounts to actually kill them, but even a sprinkle of the plant would work as a paralytic. Proximity to wolfberry caused the shifters to lose control, painfully unable to stop from changing, again and again, which was very dangerous to anyone nearby. And mandragora, also called mandrake, was the key ingredient in a spell that could grant a very powerful witch the ability to communicate between living and dead. Which is how I ended up disposing of that naked guy’s body in Culver City, all those years ago. This discovery was your classic Pandora’s box scenario. A small group of witches, furious that the vampires and the wolves had abandoned them during their darkest time, began to use wolfberry and belladonna against them—sometimes without much provocation. The balance of power shifted once again, and while the witches’ discovery didn’t cause a full-out war, it did spawn thousands of skirmishes, minor battles breaking out between the three major factions. Eventually, the use of those herbs was “outlawed” in the Old World, but it was done the way that marijuana has been outlawed in the US—basically, don’t get caught. The witches are always arguing about this among themselves; some of them think it should be open season, and others think the ban should be more strictly enforced. But while they may not be able to pull together a majority vote, in Los Angeles Kirsten has organized the witches into sort of an informal union. I know it sounds crazy, but if actors and directors can have unions in this town, why not witches? As I understand it, the real benefit to joining the union is access: to chat rooms, newsletters, support groups, spell sessions—and me. The witches’ dues pay Kirsten a small salary, and she uses the rest to organize the network and pay me. There are plenty of “non-union” witches in LA, too, ones who either haven’t
Melissa F. Olson (Dead Spots (Scarlett Bernard #1))
People rise from unbelievably bleak and desperate ashes to be the one flower in a graveyard to blossom. The sun is always there. But the flower has to be ready to blossom. “That’s crazy” is a roadmap. Start with that phrase and circle it. Then draw all the roads that lead out from that spot. They don’t all have to end up at the place you expect. Have fun with it. Find different roads and see where they lead.
James Altucher (The Choose Yourself Guide To Wealth)
Forget About Him" The radio's on But I'm sittin' in the backyard The feeling isn't gone Oh, you know it's going to be so hard To do what I've got to do When the rooster next door says "Cock-a-doodle do" I'll forget about him I'll forget about him (Don't worry) I'll forget about him (You betcha) I'll forget about him The flowers are in bloom Well it just makes me more lonely There's too much damn room For me and for me only I always thought that my love was enough Now I know that it's going to be rough rough rough To forget about him I'll forget about him (Don't worry) I'll forget about him (I'll do it) I'll forget about him Well have you forgotten, have you forgotten yet? No, not yet The sun's on the horizon Goin' down, down Baby, where you goin' Hey, where you goin' Honey, where you goin' Hey, when you comin' back When you comin' back? You're just a speck moving through the fields When you comin' back, back There's a boy up the road And he wants to take me out some Well he doesn't know That I'm not gonna be too much fun 'Cause when he kisses me I'm gonna cry I do believe that I'm gonna have to die To forget about him I'll forget about him (I'll do it) I'll forget about him (Don't worry) I'll forget about him If I forget about him I'll be on easy street And my feet will walk with a breezy beat If I forget about, forget about, forget about him If I forget about him and I'm gonna do it And the whole crazy world is gonna be brand new I'll forget a-, forget a-, forget about him Well have you forgotten, have you forgotten yet? No, not yet The sun's on the horizon going down, down, down, down
Devandra Banhart
The catcalls and screams didn’t surprise Leo, nor did discovering Meena at the heart of chaos. There was his delicate flower, on the ground wrestling Loni, a lioness who’d come to town for the wedding. The same Loni who’d made numerous passes at him over the years, but whose high maintenance attitude made him steer clear. He wondered what had triggered the hair pulling and wrestling. He also really wished, once again, that Meena had worn panties. The occasional flash of her girly bits dragged the possessive side of him out— which really wanted to snarl, “Mine. Don’t look.” It also woke the hungry lover that wanted to toss her over a shoulder and take her somewhere private for ravishing. At least those closest to the fight and witness to her bare bottom were all women. The bad? They were all women. His usual method of smacking a few heads together to save time wouldn’t work in this situation. Boys shouldn’t hit girls. So how to stop the catfight? He stuck fingers in his mouth and blew, the whistle strident and cutting through the noise. In the sudden quiet, he said, “Vex, what the hell are you doing?” Meena, fist held back, poised for a serious blow, froze. She swiveled her head and smiled sweetly. No sign of repentance at being caught misbehaving. “Just give me a second, Pookie. I am almost done here.” He arched a brow. “Vex.” He used his warning tone. “Maybe you should let Loni go and forget about hitting her.” “Probably. But the thing is, I really want to smash her face in.” Sensing an out, Loni turned her head and whined, “Get this crazy bitch off me. I didn’t do a damned thing. She started it. She always starts shit. She should have never been unbanned. She’s trouble. Always has been.” Reba and Zena opened their mouths, ready to leap to Meena’s defense, but Leo raised a hand. They held their tongues— not an easy feat for cats— but their eyes spoke quite eloquently. Leo focused his attention on Meena. “Vex, is this true? Did you jump her?” Her shoulders slumped. “Yeah.” “Why?” “Does it matter?” she asked. “It does to me. Why do you want to rearrange her nose?” “She said we didn’t belong together and that maybe she should show you why she’s a better choice.” Meena couldn’t help but growl as she recounted the reason for her ire aloud. “Punch her.” To say a few mouths O’d in surprise would be an understatement. No one was more surprised than Meena at his order. “Seriously?” “Yeah, seriously. Given any idiot with eyes could see we were together, then that makes what she said mean and uncalled for. If you’re going to talk the talk, then you have to be prepared to pay the price. Since I can’t very well smack Loni for causing trouble, as pride omega”— and, yes, he thrust out his chest and put on his most serious mien—“ I am giving you permission to do so.” Permission granted, and yet Meena didn’t hit Loni. On the contrary, she stood, smoothed down her skirt, and tossed her head, sending her ponytail flying. “No need to rearrange her face. You just admitted in front of an audience we are together. That calls for a round of shots. Whee!” Meena did a fist pump and yelled, “In your face, bitch!
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
Seven Days In Sunny June" The pebbles you've arranged In the sand, they're strange They speak to me like constellations As we lie here There's a magic I can hold Your smile of honey gold And that you never seem to be in short supply of [Chorus:] Oooh, so baby let's get it on Drinking wine and killing time Sitting in the summer sun You know I've wanted you so long Why do you have to Drop that bomb on me? Lazy days, crazy dolls You said we've been friends too long Seven days in sunny June Were long enough to bloom The flowers on the summer dress you wore in spring The way we laughed as one And then you dropped the bomb That I've known you too long For us to have a thing [Chorus x2] Could it be this? The stories in your eyes The silent wings You'll fly away on Seven days in sunny June Were long enough to bloom The flowers on the sunbeam dress you wore in spring Yeah, yeah, the way we laughed as one Why did you drop the bomb on me? [Chorus] Could it be this? The honeysuckle blessings you seem to show me Could it be this? For seven days in June I wasn't lonely Could it be this? You never gave me time to say I love you Could it be this? I know you don't believe me but it's so true Don't walk away from me, girl I read the sories in your eyes Don't you walk away from me, girl I read the sories in your eyes Don't you walk away from me, girl I read the sories in your eyes Don't you walk away I read the sories in your eyes And you've been telling me We've been friends for too long Why do you want to drop the bomb? Telling me We've been friends for too long Why do you want to drop the bomb? You tell me we've been friends for too long, yeah I think I love you I think I love you Why do you want to drop that bomb?
You look . . . You look.” I cracked up. “And whatever the hell that scent is from those flowers is driving me crazy.” He took my crown off and looked at me. “Nope. Not the flowers.
Ilona Andrews (Magic Binds (Kate Daniels, #9))
What about your servants? Don’t they know about farming?” “The basics, yes. But they knew only what we grew. Aveyron’s income came mostly from livestock.” “And that’s no longer an option?” “It still is a main source of income, but the taxes your sweet queen imposes on me do not allow for me to waste acreage. I must use all the resources I have available. We can’t keep doing what we always did. We have to expand and investigate other options. Like winter crops. This was the first season we successfully cultivated them since well before my grandfather’s time.” Cinderella turned a page in her book. “You should grow flowers,” Colonel Friedrich said. “Everyone from Erlauf is crazy about flowers.” “Mmm.” Cinderella scratched out a list of possible summer crops. Colonel Friedrich studied their darkening surroundings. “Any idea where the map books are?” “Before the takeover, I never in my life set foot in this building. It took me ages to find the agricultural section
K.M. Shea (Cinderella and the Colonel (Timeless Fairy Tales, #3))
Just call her. People do too much by phones and apps. It’s terrible for the human mind. Apps are ruining society.” “And yet those same apps have made you a rich man.” “Why do you think I’m so grumpy all the time? It’s not about turning thirty. I may be having an existential crisis.” “I’m sorry to hear that,” Drew said. “I bought this house with blood money,” Alan said. “I’m not sure that’s what blood money means.” Drew patted his chest. “And I should know. Everything Dad and I purchase is bought with blood money. Teeth bleed. Gums bleed. It’s all blood money.” “Stop trying to make me laugh. I’m turning thirty, and I’ve done nothing but contribute to the further destruction of society’s fabric. I don’t want to feel better.” “Get used to it. When Megan comes over, you’re going to have to lighten up. She doesn’t tolerate people feeling sorry for themselves and moping around. It’s one of the many things I love about her.” Alan raised an eyebrow. “Love?” “Sure,” Drew said, lifting his chin. “I love many things about her. I may even love her.” “Good for you,” Alan said. “I’m happy for you, bro.” He put the marble cheese platters into the fridge to chill then sighed. “Now I know what I forgot,” he said to the closed fridge door. “Flowers. What kind of animal throws a dinner party with no fresh flowers?” Drew rubbed his temples. “I’m sending a psychic message to Megan. I’m asking her to bring over some flowers from the shop.” “You’re crazy.” Drew closed his eyes. “I’ve got a good feeling about this. Megan and I got off to a bad start, but we’ve had excellent, clear communication with each other since then.” “Clear enough for psychic messages?” “Can’t hurt to try. What’s the worst that could happen?
Angie Pepper (Romancing the Complicated Girl)
Small children always bounce back. Parents think of them as fragile flowers, but they’re more like weeds: They show up whenever they want, grow like crazy, and make your garden look terrible. But most importantly, nothing kills them. I’ve seen dandelions soak up bottles of herbicide and toddlers eat handfuls of cereal from inside a dusty vent. Both pests are still here.
James Breakwell (Bare Minimum Parenting: The Ultimate Guide to Not Quite Ruining Your Child)
I saw nothing- but darkness. Say- I am crazy also, I do not care! I would lie all the time to others, I would lie about my name, I would lie about where I lived, I would lie about being stocked, and Isolated in school I was a liar. I should have never been born; me being born like everyone else was a lie too. I know that now, but I did not back then. I - Jaylynn liked to be part of the softball team. I - Jaylynn liked to dance and sing. I - Jaylynn loves picking flowers in spring. I - Jaylynn also remembers the words that would sting. I - Jaylynn wanted a fling. I - Jaylynn wanted everything and had nothing. I - Jaylynn is who I was, you know I was nothing inspiring. As a young girl, I all was like taking things apart, yet I could not always get them back together.
Marcel Ray Duriez
He kept returning to the factories to watch the rattling grey-black efficiency of the wooden and iron machines out of which came long webs of pure white wool, fragile silks the colors of jewels and flowers, patterned velvets, splendid and delicate products of the looms and racks, the stinking vats of dye and sizing, the crazy dancing spindles, the endless trays of leaves and worms. The big new Ferman Wool factory had two steam-driven looms, the first in the country; he had read Sangiusto’s descriptions of such machines in the northern English cities, and went to see them in some intellectual excitement, but was drawn back to them again and again simply to watch them work: the swift endless back-and-forth, the deft, effaced men that served them. He could stand watching them for an hour, all the time with a slightly sick feeling in the pit of his stomach. They were the same motions, it was the same product, as Kounney working at his loom in his rooms in Mallenastrada; it was weaving, there had been weaving done since the dawn of human time, why did the powered looms so fascinate and frighten him? He wrote an article describing them, their structure, their product, and their probable effect on the economy if more came into use.
Ursula K. Le Guin (Malafrena: A Library of America eBook Classic)
The argument shifted, and she told me I was stupid to marry a man I had just met. It wasn't possible for me to know him. And when I tried to tell her what I loved about him—our shared worldview, the things we wanted out of life—she told me my version of love wasn't love. She told me love should be passionate, full of fireworks. She told me I had never loved her, that I always chose my father over her. I tried to explain that I took care of him so she didn't have to, that I took care of him out of love for them both. It was a crazy thing, to be screaming about love.
Danielle Geller (Dog Flowers: A Memoir)
This is my heart. It is a good heart. Weaves a membrane of mist and fire. When we speak love in the flower world My heart is close enough to sing to you in a language too clumsy for human words.
Joy Harjo (Crazy Brave)
Fashion designers are crazy.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))