Tom Petty Quotes

We've searched our database for all the quotes and captions related to Tom Petty. Here they are! All 69 of them:

Excuse me if I have/some place in my mind/where I go time to time.
Tom Petty
I've learned one thing, and that's to quit worrying about stupid things. You have four years to be irresponsible here, relax. Work is for people with jobs. You'll never remember class time, but you'll remember the time you wasted hanging out with your friends. So stay out late. Go out with your friends on a Tuesday when you have a paper due on Wednesday. Spend money you don't have. Drink 'til sunrise. The work never ends, but college does...
Tom Petty
You belong among the wildflowers You belong in a boat out at sea You belong with your love on your arm You belong somewhere you feel free
Tom Petty
Sometimes life, will get you down, break your heart, steal your crown.
Tom Petty
Well I won't back down No I won't back down You can stand me up at the gates of hell But I won't back down
Tom Petty (Conversations With Tom Petty)
And I'm a bad boy 'cause I don't even miss her. I'm a bad boy for breakin her heart
Tom Petty & the Heartbreakers
Yeah and it's over before you know it It all goes by so fast Yeah the bad nights take forever And the good nights don't ever seem to last
Tom Petty
So I started out for God knows where. I guess I'll know when I get there.
Tom Petty
Most things I worry about never happen anyway.
Tom Petty
How 'bout a cheer for all those bad girls? And all those boys that play that rock and roll? They love it like you love Jesus, It does the same thing to their souls.
Tom Petty
Running down a dream... working on a mystery... going wherever it leads...
Tom Petty
I cannot believe that the most delicious things were placed here merely to test us, to temp us, to make it the more difficult for us to capture the grand prize: the safety of the void. To fashion of life such a petty game is unworthy of both men and gods.
Tom Robbins (Jitterbug Perfume)
All depression has its roots in self-pity, and all self-pity is rooted in people taking themselves too seriously.” At the time Switters had disputed her assertion. Even at seventeen, he was aware that depression could have chemical causes. “The key word here is roots,” Maestra had countered. “The roots of depression. For most people, self-awareness and self-pity blossom simultaneously in early adolescence. It's about that time that we start viewing the world as something other than a whoop-de-doo playground, we start to experience personally how threatening it can be, how cruel and unjust. At the very moment when we become, for the first time, both introspective and socially conscientious, we receive the bad news that the world, by and large, doesn't give a rat's ass. Even an old tomato like me can recall how painful, scary, and disillusioning that realization was. So, there's a tendency, then, to slip into rage and self-pity, which if indulged, can fester into bouts of depression.” “Yeah but Maestra—” “Don't interrupt. Now, unless someone stronger and wiser—a friend, a parent, a novelist, filmmaker, teacher, or musician—can josh us out of it, can elevate us and show us how petty and pompous and monumentally useless it is to take ourselves so seriously, then depression can become a habit, which, in tern, can produce a neurological imprint. Are you with me? Gradually, our brain chemistry becomes conditioned to react to negative stimuli in a particular, predictable way. One thing'll go wrong and it'll automatically switch on its blender and mix us that black cocktail, the ol’ doomsday daiquiri, and before we know it, we’re soused to the gills from the inside out. Once depression has become electrochemically integrated, it can be extremely difficult to philosophically or psychologically override it; by then it's playing by physical rules, a whole different ball game. That's why, Switters my dearest, every time you've shown signs of feeling sorry for yourself, I've played my blues records really loud or read to you from The Horse’s Mouth. And that’s why when you’ve exhibited the slightest tendency toward self-importance, I’ve reminded you that you and me— you and I: excuse me—may be every bit as important as the President or the pope or the biggest prime-time icon in Hollywood, but none of us is much more than a pimple on the ass-end of creation, so let’s not get carried away with ourselves. Preventive medicine, boy. It’s preventive medicine.” “But what about self-esteem?” “Heh! Self-esteem is for sissies. Accept that you’re a pimple and try to keep a lively sense of humor about it. That way lies grace—and maybe even glory.
Tom Robbins (Fierce Invalids Home from Hot Climates)
There is plenty of misery in the world, all right, but there is ample pleasure, as well. If a person forswears pleasure in order to avoid misery, what has he gained?...how can you admire a human who consciously embraces the bland, the mediocre, and the safe rather than risk the suffering that disappointments can bring?...If desire causes suffering, it may be because we do not desire wisely, or that we are inexpert at obtaining what we desire...why not get better at fulfilling desire? I cannot believe that the most delicious things were placed here merely to test us, to tempt us, to make it the more difficult for us to achieve the grand prize - they safety of the void. To fashion of life such a petty game is unworthy of both men and gods.
Tom Robbins (Jitterbug Perfume)
You and I will meet again, When we're least expecting it, One day in some far off place, I will recognize your face, I won't say goodbye my friend, For you and I will meet again
Tom Petty & the Heartbreakers
If desire causes suffering, it may be because we do not desire wisely, or that we are inexpert at obtaining what we desire. Instead of hiding our heads in a prayer cloth and building walls against temptation, why not get better at fulfilling desire? Salvation is for the feeble, that's what I think. I don't want salvation, I want life, all of life, the miserable as well as the superb. If the gods would tax ecstasy, then I shall pay; however, I shall protest their taxes at each opportunity, and if Woden or Shiva or Buddha or that Christian fellow--what's his name?--cannot respect that, then I'll accept their wrath. At least I will have tasted the banquet that they have spread before me on this rich, round planet, rather than recoiling from it like a toothless bunny. I cannot believe that the most delicious things were placed here merely to test us, to tempt us, to make it the more difficult for us to capture the grand prize: the safety of the void. To fashion of life such a petty game is unworthy of both men and gods.
Tom Robbins (Jitterbug Perfume)
The Divine was beyond description, beyond knowing, beyond comprehension. To say that the Divine was Creation divided by Destruction was as close as one could come to definition. But the puny of soul, the dull of wit, weren't content with that. They wanted to hang a face on the Divine. They went so far as to attribute petty human emotions (anger, jealousy, etc) to it, not stopping to realize that if God were a being, even a supreme being, our prayers would have bored him to death long ago.
Tom Robbins (Skinny Legs and All)
People come, people go Some grow young, some grow cold I woke up in between A memory and a dream So let's get to the point, let's roll another joint Let's head on down the road There's somewhere I gotta go And you don't know how it feels You don't know how it feels to be me
Tom Petty
Tom Petty,” Jim Lenahan insists, “is really good at getting people to quit school and join his band. He got Benmont to do it. He got me to do it. He got Mike to do it. He got a lot of people to quit college so they could be in his band.
Warren Zanes (Petty: The Biography)
My sons weren’t sure what I was getting at. It doesn’t matter anyway, because it won’t be an option for them. They don’t have a Tom Petty. They’re borrowing mine.
Warren Zanes (Petty: The Biography)
Perhaps a person gains by accumulating obstacles. The more obstacles set up to prevent happiness from appearing, the greater the shock when it does appear, just as the rebound of a spring will be all the more powerful the greater the pressure that has been exerted to compress it. Care must be taken, however, to select large obstacles, for only those of sufficient scope and scale have the capacity to lift us out of context and force life to appear in an entirely new and unexpected light. For example, should you litter the floor and tabletops of your room with small objects, they constitute little more than a nuisance, an inconvenient clutter that frustrates you and leaves you irritable; the petty is mean. Cursing, you step around the objects, pick them up, knock them aside. Should you, on the other hand, encounter in your room a nine thousand pound granite boulder, the surprise it evokes, the extreme steps that must be taken to deal with it, compel you to see with new eyes. Difficulties illuminate existence, but they must be fresh and of high quality.
Tom Robbins (Even Cowgirls Get the Blues)
43. Don’t let past failures determine what your future success will be. Walt Disney went bankrupt — twice — before finally gaining lasting momentum. The Beatles were rejected from numerous record labels, as was Tom Petty. Thomas Edison failed at creating the light bulb ten thousand times before getting it right! If he used failure as an indicator of his true path, you might be reading this by candlelight.
Derek Rydall (Emergence: The End of Self Improvement)
Do something you really like, and hopefully it pays the rent. As far as I'm concerned, that's success.
Tom Petty
Three minutes, so I turned on the radio and of course it was a Tom Petty song—is there ever a time you turn on the radio and don’t hear a Tom Petty song?—
Gillian Flynn (Gone Girl)
I'll stand my ground and I won't back down...
Tom Petty
In the hierarchy of eighties heartland rock, Bruce Springsteen was president, Tom Petty was vice president, John Mellencamp was speaker of the house, Bob Seger was president pro tempore, and Bryan Adams was (I guess?) secretary of leather jackets.
Steven Hyden (Twilight of the Gods: A Journey to the End of Classic Rock)
I had to learn a new way of playing. I had to practice a lot, and just find ways around the limitations. So it was a bad idea to break my hand. You said you were doing a lot of cocaine. Did that affect your songwriting? No. I think it affected my breaking my hand.
Tom Petty (Conversations With Tom Petty)
Well, I started out down a dirty road Started out all alone And the sun went down as I crossed the hill And the town lit up, the world got still I'm learning to fly but I ain't got wings Coming down is the hardest thing Well, the good ol' days may not return And the rocks might melt and the sea may burn I'm learning to fly but I ain't got wings Coming down is the hardest thing Well, some say life will beat you down Break your heart, steal your crown So I've started out for God knows where I guess I'll know when I get there I'm learning to fly around the clouds But what goes up must come down
Tom Petty
Claire’s Summer Survival Playlist Janis Joplin—“Piece of My Heart” We Are The Fallen—“Bury Me Alive” Tom Petty and The Heartbreakers—“Runnin’ Down a Dream” Indigo Girls—“Least Complicated” The Doors—“Light My Fire” Mumford & Sons—“Little Lion Man” Girlyman—“Joyful Sign” Matt Nathanson—“Love Comes Tumbling Down” Natasha’s Ghost—“Falling Up” The Beatles—“While My Guitar Gently Weeps” Nemesea—“Afterlife” Dar Williams—“The Ocean
Tracey Martin (Another Little Piece of My Heart)
Not all who demand your attention desire your happiness, many merely seeking a conveyance to their own. It is entirely easy when wrapped up with the petty to miss what is possible and what rows your ship to worthwhile dreams. But when two or more fall together to share the oars of what might be, dreams may find them in equal measure and as fast as the wake made.
Tom Althouse
I'm old enough to have lived in a country where, if you were willing to work hard, you could have a fairly nice life. You could support your family, and even get a shot at owning your own home. But you never thought you'd get a swimming pool. Now culture has hypnotised people into thinking they're really nothing if they're not wealthy and a Kardashian.
Tom Petty
It’s like Tom Waits said,” Petty remarks. “‘I’m an artist, but I’m still in show business.
Warren Zanes (Petty: The Biography)
Hey hey hey I was born a rebel Down in Dixie on a Sunday morning Yeah, with one foot in the grave And one foot on the pedal I was born a rebel, born a rebel
Tom Petty
so I turned on the radio and of course it was a Tom Petty song—is there ever a time you turn on the radio and don’t hear a Tom Petty song?—so
Gillian Flynn (Gone Girl)
You will never be told when the next bit of education is coming or where it's coming from or who the teacher will be. That information will only reveal itself after the fact. All that you can do is leave a little room there for the next lesson to come through. Someone will be carrying it. You just leave the door open a crack.
Tom Petty (Runnin' Down a Dream: Tom Petty and the Heartbreakers)
Wyatt avoided the petty gunfights and headed to a saloon and rigged up a bunch of Molotov cocktails. Her firebombs against members of Tom and Vik's posse had destroyed the scenario's promise of so many wonderful gun duels. She'd killed most of their group, too, and shown everyone that she wasn't getting promoted only because of her programming skills. Her dislike of fighting had paradoxically turned her into a lethal killing machine.
S.J. Kincaid
In particular, the virtues and ambitions called forth by war are unlikely to find expression in liberal democracies. There will be plenty of metaphorical wars—corporate lawyers specializing in hostile takeovers who will think of themselves as sharks or gunslingers, and bond traders who imagine, as in Tom Wolfe’s novel The Bonfire of the Vanities, that they are “masters of the universe.” (They will believe this, however, only in bull markets.) But as they sink into the soft leather of their BMWs, they will know somewhere in the back of their minds that there have been real gunslingers and masters in the world, who would feel contempt for the petty virtues required to become rich or famous in modern America. How long megalothymia will be satisfied with metaphorical wars and symbolic victories is an open question. One suspects that some people will not be satisfied until they prove themselves by that very act that constituted their humanness at the beginning of history: they will want to risk their lives in a violent battle, and thereby prove beyond any shadow of a doubt to themselves and to their fellows that they are free. They will deliberately seek discomfort and sacrifice, because the pain will be the only way they have of proving definitively that they can think well of themselves, that they remain human beings.
Francis Fukuyama (The End of History and the Last Man)
We run new tests every time we add a new precog. They’re tasked with predicting a series of random events such as the late arrivals of certain planes . . . news events such as the death of Tom Petty . . . the Brexit vote . . . vehicles passing through certain intersections, even.
Stephen King (The Institute)
They say that February is the shortest month, but you know they could be wrong. Compared, calendar page against calendar page, it looks to be the shortest, all right. Spread between January and March like lard on bread, it fails to reach the crust on either slice. In its galoshes it's a full head shorter than December, although in leap years, when it has growth spurts, it comes up to April's nose. However more abbreviated than it's cousins it may look, February feels longer than any of them. It is the meanest moon of winter, all the more cruel because it will masquerade as spring, occasionally for hours at a time, only to rip off its mask with a sadistic laugh and spit icicles into every gullible face, behavior that grows quickly old. February is pitiless, and it's boring. That parade of red numerals on its page adds up to zero: birthdays of politicians, a holiday reserved for rodents, what kind of celebrations are those? The only bubble in the flat champagne of February is Valentine's Day. It was no accident that our ancestors pinned Valentine's day on February's shirt: he or she lucky enough to have a lover in frigid, antsy February has cause for celebration, indeed. Except to the extent that it "tints the buds and swells the leaves within" February is as useless as the extra r in its name. It behaves like an obstacle, a wedge of slush and mud and ennui holding both progress and contentment at bay. If February is the color of lard on rye, its aroma is that of wet wool trousers. As for sound, it is an abstract melody played on a squeaky violin, the petty whine of a shrew with cabin fever. O February, you may be little but you're small! Where you twice your tiresome length, few of us would survive to greet the merry month of May.
Tom Robbins
I don't believe in lawsuits much. I think there are enough frivolous lawsuits in this country without people fighting over pop songs.
Tom Petty
Go faster,” I urged Steven, poking him in the shoulder. “Let’s pass that kid on the bike.” Steven shrugged me off. “Never touch the driver,” he said. “And take your dirty feet off my dashboard.” I wiggled my toes back and forth. They looked pretty clean to me. “It’s not your dashboard. It’s gonna be my car soon, you know.” “If you ever get your license,” he scoffed. “People like you shouldn’t even be allowed to drive.” “Hey, look,” I said, pointing out the window. “That guy in a wheelchair just lapped us!” Steven ignored me, and so I started to fiddle with the radio. One of my favorite things about going to the beach was the radio stations. I was as familiar with them as I was with the ones back home, and listening to Q94 made me just really know inside that I was there, at the beach. I found my favorite station, the one that played everything from pop to oldies to hip-hop. Tom Petty was singing “Free Fallin’.” I sang right along with him. “She’s a good girl, crazy ‘bout Elvis. Loves horses and her boyfriend too.” Steven reached over to switch stations, and I slapped his hand away. “Belly, your voice makes me want to run this car into the ocean.” He pretended to swerve right. I sang even louder, which woke up my mother, and she started to sing too. We both had terrible voices, and Steven shook his head in his disgusted Steven way. He hated being outnumbered.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
If desire causes suffering, it may be because we do not desire wisely, or that we are inexpert at obtaining what we desire. Instead of hiding our heads in a prayer cloth and building walls against temptation, why not get better at fulfilling desire? Salvation is for the feeble, that's what I think. I don't want salvation, I want life, all of life, the miserable as well as the superb. If the gods would tax ecstasy, then I shall pay; however, I shall protest their taxes at each opportunity, and if Woden or Shiva or Buddha or that Christian fellow—what's his name?—cannot respect that, then I'll accept their wrath. At least I will have tasted the banquet that they have spread before me on this rich, round planet, rather than recoiling from it like a toothless bunny. I cannot believe that the most delicious things were placed here merely to test us, to tempt us, to make it the more difficult for us to capture the grand prize: the safety of the void. To fashion of life such a petty game is unworthy of both men and gods.” Alobar
Tom Robbins (Jitterbug Perfume)
Don’t suppose that I think you are right, Tom, or that I bow to your will. I despise the feelings you have shown in speaking to Philip – I detest your insulting unmanly allusions to his deformity. You have been reproaching people all your life – you have always been sure you yourself are right: it is because you have not a mind large enough to see that there is anything better than your own conduct and your own petty aims. […] I don’t want to defend myself –“ said Maggie, still with vehemence: “I know I have been wrong – often, continually. But yet, sometimes when I have done wrong, it has been because I have feeling that you would be the better for if you had them. If you were in fault ever – if you had done anything very wrong, I should be sorry for the pain it brought you – I should not want punishment to be heaped on you. But you have always enjoyed punishing me – you have always been hard and cruel to me – even when I was a little girl, and always loved you better that any one else in the world, you would let me go crying to bed without forgiving me. You have no pity – you have no sense of your own imperfections and your own sins. It is a sin to be hard – it is not fitting for a mortal – for a Christian. You are nothing but a Pharisee. You thank God for nothing but your own virtues – you think they are great enough to win you everything else. You have not even a vision of feelings by the side of which your shining virtues are mere darkness! […] You boast of your virtues as if they purchased you a right to be cruel and unmanly as you’ve been today. Don’t suppose I would give up Philip Wakem in obedience to you. The deformity you insult would make me cling to him and care for him the more.
George Eliot (The Mill on the Floss)
Free Falling" She's a good girl, loves her mama Loves Jesus and America too She's a good girl, crazy 'bout Elvis Loves horses and her boyfriend too It's a long day livin' in Reseda There's a freeway runnin' through the yard I'm a bad boy, 'cause I don't even miss her I'm a bad boy for breakin' her heart And I'm free, I'm free fallin' All the vampires walkin' through the valley Move west down Ventura Blvd All the bad boys are standing in the shadows All the good girls are home with broken hearts And I'm free, I'm free fallin' I wanna glide down over Mulholland I wanna write her name in the sky I wanna free fall out into nothin' Gonna leave this world for a while And I'm free, I'm free fallin
Tom Petty
Tucked safely away from the exploits of major artists like Michelangelo and Leonardo, I preferred to study bit characters and forgotten painters who had names like Bembo or Cossa, nicknames like “messy Tom,” or “the squinter.” I studied duchies and courts, never empires. Courts were, after all, delightfully petty and fascinated by the most outlandish things—astrology, amulets, codes
Katy Hays (The Cloisters)
I really can't say which of the American classics you should read. In fact, I think about as much of the notion of "classic" as you do, but at least the literary critics who compile those lists have a good sense of humor. How else can you explain them adding Mark Twain's wonderful books to their lists, given his view that "a classic is something everybody wants to have read, but no one wants to read"? Unless it's some kind of disguised jibe, but they surely can't be that petty. Though I don't think that justice is the main argument against classics list. Or rather, in a way it's clearly a question of justice, but not against those who don't make it. No, the books I feel sorry for are the ones they add to these lists. Take Mark Twain again. Once, when Tom was young, he came to me complaining that he had to read Huckleberry Finn for junior high. Huckleberry Finn! Our critics and educators have got a lot to answer for when they manage to make young boys see stories about rebellion and adventure and ballsiness as a chore. Do you understand what I mean? The real crime of these lists isn't that they leave deserving books off them, but that they make people see fantastic literary adventures as obligations.
Katarina Bivald (The Readers of Broken Wheel Recommend)
Vietnam was a universal solvent—the explanation for every evil we saw and the justification for every excess we committed. Trashing the windows of merchants on the main streets of America seemed warranted by the notion that these petty-bourgeois shopkeepers were cogs in the system of capitalist exploitation that was obliterating Vietnam. Fantasizing the death of local cops seemed warranted by the role they played as an occupying army in America’s black ghettos, those mini-Vietnams we yearned to see explode in domestic wars of liberation. Vietnam caused us to acquire a new appreciation for foreign tyrants like Kim Il Sung of North Korea.1 Vietnam also caused us to support the domestic extortionism and violence of groups like the Black Panthers, and to dismiss derisively Martin Luther King, Jr. as an “Uncle Tom.” (The left has conveniently forgotten this fact now that it finds it expedient to invoke King’s name
David Horowitz (The Black Book of the American Left: The Collected Conservative Writings of David Horowitz (My Life and Times 1))
I share with you this sense of oppressive narrowness; but it is necessary that we should feel it, if we care to understand how it acted on the lives of Tom and Maggie,–how it has acted on young natures in many generations, that in the onward tendency of human things have risen above the mental level of the generation before them, to which they have been nevertheless tied by the strongest fibres of their hearts. The suffering, whether of martyr or victim, which belongs to every historical advance of mankind, is represented in this way in every town, and by hundreds of obscure hearths; and we need not shrink from this comparison of small things with great; for does not science tell us that its highest striving is after the ascertainment of a unity which shall bind the smallest things with the greatest? In natural science, I have understood, there is nothing petty to the mind that has a large vision of relations, and to which every single object suggests a vast sum of conditions. It is surely the same with the observation of human life.
George Eliot (The Mill on the Floss)
Laughter kicks up down at the beach, voices intermingled with the sounds of Tom Petty. A bumble bee kite dips and whirls in the sky. The smell of hot dogs and burgers carries in thick on the breeze. This is where people come on vacation with their families. To be happy. I can't wait to get the fuck out of here.
Tessa Bailey (My Killer Vacation)
As I recall, the story goes something like this. I was lying on an inflatable alligator in the small pool behind a large rented house on Key West. A pair of high-fidelity, high-priced speakers mounted on the outside wall of the pool house was playing a mix of Tom Petty, Will Kimbrough, and Zac Brown,
Dennis Fisher (Be Gone)
What did you contribute to the next Fleetwood Mac album? I have three songs as it stands now, but I think we may replace one of them with another song. I wrote one of the songs a long, long time ago, even before Lindsey and I moved to LA. It’s called “It’s Alright.” It’s very simple; Lindsey just plays some really nice guitar behind me. There’s another song called “If You Were My Love” that I wrote about a year ago after I’d recorded “Outside the Rain” with Tom Petty & the Heartbreakers. I spent a week recording with them and I had so much fun that I was really bummed out when it was over. That’s when I wrote that song. There was also a song called “Smile at You” that I don’t think we’ll put on. I think Lindsey wants me to record another one and so do I. It’s kind of a bitter song and that’s really not where any of us are at right now, even though it’s a wonderful song. My songs don’t take long to record, so it shouldn’t be a problem.
Sean Egan (Fleetwood Mac on Fleetwood Mac: Interviews and Encounters (Musicians in Their Own Words Book 10))
You more you get, the more you get. (tom petty)
(tom petty)
You and Petty obviously have a good rapport. Can you see yourself writing with him? I think we will write together eventually. You see, Tom and I aren’t going out. Tom and I aren’t in love with each other, or haven’t been in love and out of love. We’re really just good friends so we probably could write together. Lindsey and I have so much behind us that it would be difficult to sit down and intensely get into lyrics. As it is he asks me, “Who’s that one about? What are you talking about in that line? What does that mean?” [Laughs]
Sean Egan (Fleetwood Mac on Fleetwood Mac: Interviews and Encounters (Musicians in Their Own Words Book 10))
Our deeply troubled world can be reinvented through biomimicry. Nature's trillions of solutions throw open the door to far-reaching opportunities for building a better world; rescuing our ailing environment and atmosphere; and giving rise to a powerful, new, sustainable economy. To quote rock musician Tom Petty, "The future ain't what it used to be." No matter who you are, you can be a pioneer and leader in creating a new golden age on earth. A sweet twenty-first century and a third millennium are possible. Imagine. It's your life, your world, your opportunity, and your responsibility. The possibilities are endless.
Jay Harman (The Shark's Paintbrush: Biomimicry and How Nature is Inspiring Innovation)
No, Jon. I don’t. Jon’s pain was slowly evaporating, disappearing into the fissures of his growing anger. After everything, was he still an interloper? A pathetic third wheel that dragged behind Baltsaros and Tom as they lied, cheated, and murdered gleefully together? He knew it was a petty thought—especially when he met Tom’s eye again and saw that the first mate’s forehead was creased in worry—but he preferred anger to the aching dejection that soured his stomach. Fuck Baltsaros. Fuck Tom. Being loveless and alone had not hurt nearly as much. Jon hitched his shoulders higher and glared at Baltsaros’s back.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
The Breeze: An Appreciation of JJ Cale" features Clapton, Nelson, Knopfler, Tom Petty, Albert Lee, John Mayer, Don White and Jim Keltner among others.
Anonymous
Defiant exuberance was the theme of the playlist, featuring Tom Petty’s “I Won’t Back Down,” Twisted Sister’s “We’re Not Gonna Take It!,” A-Ha’s “Take On Me,” X-Ambassadors’ “Renegades,” Fall Out Boy’s “Immortals,” and then Alien Ant Farm’s cover of “Smooth Criminal.” Ward selected the Bloodhound Gang’s “Fire Water Burn,” leading an enthusiastic, rousing chant of support of rooftop arson. Elaine declined to sing to “Come On Eileen” by Dexy’s Midnight Runners. Alec crooned an off-key version of Chris Isaak’s “Baby Did a Bad Bad Thing” to Katrina.
Jim Geraghty (Between Two Scorpions (The CIA’s Dangerous Clique #1))
Tom smiles. It's all so domestic. I want to have a domestic life. I want all our minor inconveniences to orbit around a meaningful axis. I want the petty feuds and the awkward silences. Suddenly I don't feel anxious.
Billy-Ray Belcourt (Coexistence: Stories)
Rest in peace, Tom Petty.
Scott Carson (Where They Wait)
It’s where Tom Petty, not known for his wild and crazy sense of humor, delivered his most memorable punch line. The organizers told him that the Garden was Bruce’s home turf, so he shouldn’t be bothered if he heard the crowd booing. They were just saying “Bruce.” “What the fuck’s the difference?” Tom lovingly contributed to infamy.
Stevie Van Zandt (Unrequited Infatuations: A Memoir)
I have to ensure that everyone has a voice,” Aaron said when I asked him about his most important responsibility as a team leader. “There were times when it was awesome to have the flight engineer’s opinion, but there were a couple times where he treated his perspective as the end-all be-all.” That was when Aaron intervened. He asked others on the crew to offer their view. “Tom, what do you think?” “Petty Officer Robbins, what about you?” This is an important point about psychological safety: it needs to be cultivated lest crucial voices be lost. Making sure that everyone is heard is not a matter of good manners or inclusivity for its own sake. Rather, it’s what helps to keep an aircraft in the air and to safely land it.
Amy C. Edmondson (Right Kind of Wrong: The Science of Failing Well)
Petty Rewind passionately revives the music of Tom Petty. These experienced musicians cover Petty's hits and recreate an authentic rock experience, profoundly resonating with fans. With a meticulously curated setlist spanning Petty's four-decade career, they aim for authenticity, capturing Petty's music's live essence and spirit. Each Tom Petty tribute band concert is an electric, palpable experience, creating enduring memories as enduring as the songs themselves.
Petty Rewind
Tu lugar está entre las flores silvestres. Tu lugar está en un barco en alta mar. Tu lugar está con tu amor de tu brazo. Tu lugar está en donde te sientas libre. Wildflowers [Flores silvestres], TOM PETTY
John Eldredge (Cautivante: Revelando el misterio del alma de una mujer)
Free Fallin’ ” by Tom Petty came on, so he turned it up, because everything’s simpler when Tom Petty’s on the radio. We’re all just good girls who love our mamas, horses, and America, too, goddammit.
Matthew Norman (Last Couple Standing)
Some sources are saying Tom Petty died. Others are saying not yet, he's just in the hospital in critical condition. Does this mean we can refer to Tom Petty as Schrodinger's Heart Breaker?
Hew J. La France
The Cat in the Hat exposes the in-betweenness of it all, the midcentury breakdown in meaning, out of which Tom Petty’s generation emerged, a little starved for something to call their own. It’s the rock and roll of children’s literature.
Warren Zanes (Petty: The Biography)
When he returns, all the petty human evils, such as the ones visited on your people, will be swept away by his mighty hand. Isn’t that marvelous? And what will become of those of us who are left? The ones who helped him. Think of the rewards. I know you’re a man who believes in such things, and you’re smart enough to make sure they come to you.” Then Suydam handed over two hundred dollars and walked Tester out of his home.
Victor LaValle (The Ballad of Black Tom)
As Cash headed back on the road for most of August, Rubin brought in some musicians to explore dressing up some of the tracks—guitarist Mike Campbell from Tom Petty and the Heartbreakers, and bassist Flea and drummer Chad Smith, both from the Chili Peppers. To
Robert Hilburn (Johnny Cash: The Life)
Well I don't know but I've been told, you never slow down, you never grow old.
Tom Petty (Greatest Hits Petty Tom & the Heartbreakers)