Veins Angry Quotes

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And therefore, all of those for whom authentic transformation has deeply unseated their souls must, I believe, wrestle with the profound moral obligation to shout form the heart—perhaps quietly and gently, with tears of reluctance; perhaps with fierce fire and angry wisdom; perhaps with slow and careful analysis; perhaps by unshakable public example—but authentically always and absolutely carries a a demand and duty: you must speak out, to the best of your ability, and shake the spiritual tree, and shine your headlights into the eyes of the complacent. You must let that radical realization rumble through your veins and rattle those around you. Alas, if you fail to do so, you are betraying your own authenticity. You are hiding your true estate. You don’t want to upset others because you don’t want to upset your self. You are acting in bad faith, the taste of a bad infinity. Because, you see, the alarming fact is that any realization of depth carries a terrible burden: those who are allowed to see are simultaneously saddled with the obligation to communicate that vision in no uncertain terms: that is the bargain. You were allowed to see the truth under the agreement that you would communicate it to others (that is the ultimate meaning of the bodhisattva vow). And therefore, if you have seen, you simply must speak out. Speak out with compassion, or speak out with angry wisdom, or speak out with skillful means, but speak out you must. And this is truly a terrible burden, a horrible burden, because in any case there is no room for timidity. The fact that you might be wrong is simply no excuse: You might be right in your communication, and you might be wrong, but that doesn’t matter. What does matter, as Kierkegaard so rudely reminded us, is that only by investing and speaking your vision with passion, can the truth, one way or another, finally penetrate the reluctance of the world. If you are right, or if you are wrong, it is only your passion that will force either to be discovered. It is your duty to promote that discovery—either way—and therefore it is your duty to speak your truth with whatever passion and courage you can find in your heart. You must shout, in whatever way you can.
Ken Wilber (One Taste: Daily Reflections on Integral Spirituality)
I’m not using any word,” Ronan said. The annoying thing about Ronan was always that he was angry when everyone else was calm, and calm when everyone else was angry. Because Blue was ready to bust a vein, his voice was utterly pacific. “I’m just telling you I’m not going. Maybe it’s wrong, maybe it’s not. My soul’s in enough peril as it is.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
But he had never seen Myrna in practice...never that close up. He had been impressed and a little frightened by the contrast between seeing ballet on stange, where everyone seemed to either glide or mince effortlessly on the tips of their pointes. and seeing it from less than five feet away, with harsh daylight pouring in the floor-to-ceiling windows and no music- only the choreographer rythmically clapping his hands and yelling harsh criticisms. No praise, only criticisms. Their faces ran with sweat. Their leotards were wet with sweat. The room, as large and airy as it way, stank of sweat. Sleek muscles trembled and fluttered on the nervous edge of exhaustion. Corded tendons stood out like insulated cables. Throbbing veins popped out on foreheads and necks. Except for the choreographer's clapping and angry, hectoring shouts, the only sounds were the thrup-thud of ballet dancers on pointe moving across the floor and harsh, agonized panting for breath. Jack had suddenly realized that these dancers were not just earning a living, they were killing themselves. Most of all he remembered their expressions- all that exhausted concentration, all that pain... but transcending the pain, or at least creeping around its edges, he had seen joy. Joy was unmistakably what that look was, and it scared Jack because it had seemed inexplicable.
Stephen King (The Talisman)
The veins stood out on her angry temples like wormcasts.
Ivor Cutler
As far as I was concerned children had bipolar disorder. They were angry, unpredictable, emotional ambulance-sirens with pigtails, grubby hands and food crusted mouths that twisted from smiles to frowns and back again as quick as a breath.
Tarryn Fisher (Mud Vein)
In the space beyond was Hedra Ka. A cracking scab of a planet, choked with storms and veins of lava. A mist of rocks floated in orbit, a reminder of its recent formation. It was a young world, unwelcoming, resentful of its existence. ‘That is the angriest looking thing I’ve ever seen,’ Ashby said.
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
Every animal with blood in its veins and horns on its head will fight when it is attacked. How much more so will man, who carries in his breast the faculties of love and hatred, joy and anger! When he is pleased, a feeling of affection springs up within him; when angry, his poisoned sting is brought into play. That is the natural law which governs his being. . .
Sun Tzu (The Art of War)
In the dungeon, I used to like making you angry,” Parvaneh said. She reached down to scoop up one of the moths and held it up to her face, brushing its wing against her cheek with a tenderness that only worsened the fluttering in Soraya’s stomach. Parvaneh let the moth fly away and looked Soraya in the eye. “But I think I like making you laugh even more.” “Why did you like making me angry?” Soraya asked in mock offense. Parvaneh grinned and swept aside Soraya’s hair, her fingers brushing Soraya’s cheekbone. “To see your veins, of course,” she said. Her hand moved down to trace the full claw mark on Soraya’s collar bone with her fingertips. “I always thought you . . . I thought they were beautiful.
Melissa Bashardoust (Girl, Serpent, Thorn)
So, maybe we’re the generation of the selfie, but we’re also the generation that grew up in a tainted, Photoshopped world with every impossible beauty standard shoved down our throat through a tube because eating has become a guilty pleasure and condemning beauty ideals won’t go straight to our thighs. And if, by chance, we are able to destroy the demons that you’ve planted inside of us with your constant advertisements and rules that play behind our eyelids and take root in our brains, then let us take our fucking pictures and capture that moment when we felt beautiful because all this world has taught us is that our beauty is the greatest measure of our worth. Scoff at our phones all you like, these delicate extensions of our fingers, but know that through this technology that you couldn’t even begin to understand, we have smudged the entire world with our fingerprints. We are the generation of knowledge, and we are learning more than any that came before us. So, frown at my typing fingers; I am using them to grasp power by the throat. Try to invalidate us, but we’ve heard our parents talking about the world’s crashing and burning since we had sprung from the womb. We know you’ve fucked up, and we’re angry about it- the kind of anger that fuels knowledge, that I feel in my veins every time I read the news from my phone before school, that sticks in my throat like honey in a debate; the kind of anger that simmers, that sharpens teeth into daggers, that makes this generation more dangerous than you could have ever imagined. We are the generation of change, and goddammit, we’re coming.
E.P. .
I've taped a list to my bathroom mirror. It's my Most Violated List. . . Anger. I gave the finger to an ATM. You see, the ATM charged me a $1.75 fee for withdrawl. A dollar seventy-five? That's bananas. So I flipped off the screen. As Julie tells me, when you start making rude gestures to inanimate objects, it's time to work on your anger issues. Mine is not the shouting, pulsing-vein-in-the forehead rage. Like my dad, I rarely raise my voice. My anger problem is more one of long-lasting resentment. It's a heap of real or perceived slights that eventually build up into a mountain of bitterness. . . get some perspective. . . I ask myself the question God asked Jonah. 'Do you do well to be angry?'. . .The world will not end. . . Mute your petty resentment.
A.J. Jacobs
Angry heat tightens my skin. “Never took you for a coward,” I blurt. His head snaps in my direction. “What do you mean by that?” “You came here tonight for a reason. Why don’t you own up to it?” Before I can think about it, I lean across the center console and stare him directly in the face. “Do you always run from what you want?” Maybe I’m going out on a limb to imply he wants me, but the pulse throbbing at his neck tells me it’s so. And he is here, after all. His gaze drops to my mouth. “I can’t think of the last time I had anything I truly wanted,” he says huskily, so low I could hardly hear him. It’s more like I felt him. His words echo through me, striking a chord so deep that I’m sure there’s a reason for all this. A reason we’ve found each other, first in the mountains and now here. A reason. Something more. Something bigger than coincidence. “Me too.” He leans across the console. Sliding a hand behind my neck, he tugs my face closer. I move fluid, melting toward him. “Maybe it’s time to change that then.” At the first brush of his mouth, stinging heat surges through me, shocking me motionless. My veins and skin pop and pulse. I rise on my knees, clutch his shoulders with clawing fingers, trying to get closer. My hands drift, rounding over his smooth shoulders, skimming down a rock-hard chest. His heart beats like a drum beneath my fingers. My blood burns, lungs expand and smolder. I can’t draw enough air through my nose . . . or at least not enough to chill my steaming lungs. His hands slide over my cheeks, holding my face. His skin feels like ice to my blistering flesh, and I kiss him harder. “Your skin,” he whispers against my mouth,” it’s so . . .” I drink him in, his words, his touch, moaning at his taste, at the sudden burning pull of my skin. The delicious tugging in my back. He kisses me deeper with cool, dry lips. Moves his hands down my face, along my jaw to my neck. His fingertips graze beneath my ear, and I shiver. “Your skin is so soft, so warm . . .
Sophie Jordan (Firelight (Firelight, #1))
Oh God,” I muttered as Toby and I made a frantic effort to untangle ourselves. He scrambled off my bed and grabbed his shirt off the floor, his face glowing scarlet. I reached down and picked up my T-shirt. “Wesley, how did you get in here?” I demanded. “The door was unlocked,” he said. “You didn’t answer when I knocked… Now I can see why.” His dark gray eyes were big with what I could only guess was shock, dissolving quickly into disgust, and they stared directly at Toby. “But what are you doing here?” I asked, feeling a sudden surge of anger rush through my veins. I yanked my T-shirt over my head and stood up. “You weren’t answering your phone,” Wesley muttered. “I was worried, but it looks like you’re just fine.” He glared at Toby for a moment before looking back at me. “My mistake.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
Myrna was part of a ballet troupe and Jack had seen her and the other dancers perform—his mother often made him go with her and it was mostly boring stuff, like church or Sunrise Semester on TV. But he had never seen Myrna in practice . . . never that close up. He had been impressed and a little frightened by the contrast between seeing ballet on stage, where everyone seemed to either glide or mince effortlessly on the tips of their pointes, and seeing it from less than five feet away, with harsh daylight pouring in the floor-to-ceiling windows and no music—only the choreographer rhythmically clapping his hands and yelling harsh criticisms. No praise; only criticisms. Their faces ran with sweat. Their leotards were wet with sweat. The room, as large and airy as it was, stank of sweat. Sleek muscles trembled and fluttered on the nervous edge of exhaustion. Corded tendons stood out like insulated cables. Throbbing veins popped out on foreheads and necks. Except for the choreographer’s clapping and angry, hectoring shouts, the only sounds were the thrup-thud of ballet dancers on pointe moving across the floor and harsh, agonized panting for breath. Jack had suddenly realized that these dancers were not just earning a living; they were killing themselves. Most of all he remembered their expressions—all that exhausted concentration, all that pain . . . but transcending the pain, or at least creeping around its edges, he had seen joy. Joy was unmistakably what that look was, and it had scared Jack because it had seemed inexplicable. What kind of person could get off by subjecting himself or herself to such steady, throbbing, excruciating pain?
Stephen King (The Talisman)
Baker's point of view: Femi directed her cat eyes to me with a devious glint in them. "So you've been banging the boss's daughter." I choked on my sandwich. She raised an eyebrow. "That's pretty gutsy, Baker." Holden pinched the bridge of his nose and an angry vein popped out of his forehead.
Liz Schulte (Ember (The Jinn Trilogy #1))
As far as I was concerned children had bipolar disorder. They were angry, unpredictable, emotional ambulance-sirens with pigtails, grubby hands and food-crusted mouths that twisted from smiles to frowns and back again as quick as a breath. No, thank you very much. If I wanted a three-foot warlord as my master, I’d hire a rabid monkey to do the job.
Tarryn Fisher (Mud Vein)
Do I get to choose what she commands you to do? Come on, let me, it’ll be fun.” Jai laughed humorlessly. “I said I don’t want her commanding me to do something asinine, kid.” Charlie’s grin disappeared as quickly as it had surfaced. “I told you not to call me, kid, Jinn boy. I’m what… two years younger than you, douchebag?” “Try five. And that’s only in physical years.” “What, you trying to say I’m not mature?” “Oh those socks you’re wearing definitely are. Have you heard of detergent? A shower? Hygiene?” “I shower, you militant, glorified fucking babysitter.” “Watch it, kid.” “Kid? I am this close to taking a swing at you, you overblown piece of-” “Oh for the love of God!” Ari cried, throwing her hands up, her head pounding. So much for their strained peace treaty. “Shut up. Shut up. Shut up!”Despite their matching glowers, both of them slammed their lips closed and glared at one another. Ari heaved a sigh of relief as she pulled a chilled can of soda out of the refrigerator. At least the soda still felt nice sliding down her throat. Not the same as an ice cold Coke on a blazing summer day but still nice. She took a refreshing swig and turned towards her male companions once again. Blasts of frost shot out from Jai’s eyes only to be met by the simmering black heat of Charlie’s angry gaze. Rolling her eyes and biting back the guilt that she was somehow responsible for the animosity between the only two people she could count on right now, Ari spilled into the chair between them and Jai slowly sunk back down into his. “So what will I command you?” she asked quietly, ignoring the way her fingers trembled as she played with the tab on her soda can. When she got no answer, she glanced up to see Jai’s face going red, the veins in his head throbbing. “Dude, what’s wrong?” Charlie asked quietly, looking at Ari in alarm. “Is he choking?” Ari’s heart flipped in her chest at the thought and she reached across the table to grab his arm. “Jai?” His eyes widened and he waved a large hand at his throat and mouth and then pointed at her. What the hell?! “Jesus Christ, he can’t talk?” Charlie asked incredulously. “Is this a joke?
Samantha Young (Smokeless Fire (Fire Spirits, #1))
Jason: That conversation was weird, huh? Jason: For what it’s worth, you truly held your composure. Jason: I wasn’t frightened at all. Jason: Okay, throwing down some honesty. I was a little frightened. Jason: Just a little, nothing like pissing my pants or anything like that. Jason: Did you know you have a pulsing vein in your forehead when you’re angry? Jason: I counted its pulse rate and I think you might have high blood pressure. Jason: I’m not a nurse, I don’t know about blood pressure, but CVS has one of those arm-pressure-checker things. Want me to take you? #WorriedAboutYourHealth Jason: #PulsingVein Jason: #SerpentTongue Jason: ^^ Oh shit that was for Knox. Jason: I wasn’t saying you have a serpent tongue. I’m sure your tongue is normal. Not one ounce of evil in it. Jason: Okay, I was talking about your tongue. Jason: I feel like since you’re not texting back I might be digging myself an even bigger hole than before. Am I right? Jason: I’m going to take your silence as a yes, which in that case, you don’t have a serpent tongue. Love that pulsing vein, and not once was I frightened. There. *Wipes forehead* Glad we cleared that up. Have a good night. #GodBless Jason: P.S. Don’t know why I said God bless, just go with it. #PrayerHands Jason: P.S.S. I’m wearing my flannel jam-jams. I like when they ride up in my crack. #FeelsNice
Meghan Quinn (The Lineup)
I don't ever think about death. Not really, no more than a flicker of anxiety when I'm trying to merge on the highway or watching a news clip about some unfortunate girl my age. Even then, those are vague, passing ideas - not forty feet away with razor-sharp claws and angry teeth. But standing here, shaking with fear, I suddenly grasp the truth of it: the blood racing in my veins, the sharp tingle of my chilled skin, the intensity of every breath. This is my life.
Abby McDonald (Boys, Bears, and a Serious Pair of Hiking Boots)
Poem for My Father You closed the door. I was on the other side, screaming. It was black in your mind. Blacker than burned-out fire. Blacker than poison. Outside everything looked the same. You looked the same. You walked in your body like a living man. But you were not. would you not speak to me for weeks would you hang your coat in the closet without saying hello would you find a shoe out of place and beat me would you come home late would i lose the key would you find my glasses in the garbage would you put me on your knee would you read the bible to me in your smoking jacket after your mother died would you come home drunk and snore would you beat me on the legs would you carry me up the stairs by my hair so that my feet never touch the bottom would you make everything worse to make everything better i believe in god, the father almighty, the maker of heaven, the maker of my heaven and my hell. would you beat my mother would you beat her till she cries like a rabbit would you beat her in a corner of the kitchen while i am in the bathroom trying to bury my head underwater would you carry her to the bed would you put cotton and alcohol on her swollen head would you make love to her hair would you caress her hair would you rub her breasts with ben gay until she stinks would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot would you come on the sheet while i am sleeping. later i look for the spot would you go to embalming school with the last of my mother's money would i see your picture in the book with all the other black boys you were the handsomest would you make the dead look beautiful would the men at the elks club would the rich ladies at funerals would the ugly drunk winos on the street know ben pretty ben regular ben would your father leave you when you were three with a mother who threw butcher knives at you would he leave you with her screaming red hair would he leave you to be smothered by a pillow she put over your head would he send for you during the summer like a rich uncle would you come in pretty corduroys until you were nine and never heard from him again would you hate him would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements would you hate him for fucking the woman who gave birth to you hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him (bye bye to the will of grandpa bye bye to the family fortune bye bye when he stompled that hat, to the gold watch, embalmer's palace, grandbaby's college) mother crying silently, making floating island sending it up to the old man's ulcer would grandmother's diamonds close their heartsparks in the corner of the closet yellow like the eyes of cockroaches? Old man whose sperm swims in my veins, come back in love, come back in pain.
Toi Derricotte
God saw Hansen tighten his chokehold on Day and he could see his lover fighting to breathe. Day’s ears and neck were bright red. His lips were turning a darker color as his body was deprived of oxygen. Hansen pressed the barrel in deeper and yelled. “Two minutes and fifteen seconds before I get to zero and I provide the great state of Georgia the luxury of one less narc.” God’s mind exploded at the thought of not having Day in a world he lived in. He looked into his partner’s glistening eyes and saw he was turning blue and possibly getting ready to faint. Day was still looking at him, looking into God’s green eyes. No, no, no! He’s saying good-bye. God closed his eyes and released a loud, gut-wrenching growl cutting off the SWAT leader’s negotiations. “Godfrey, get yourself under control,” his captain said while grabbing for him. God jerked himself away from the hold and stepped forward, his angry eyes boring into Hansen’s dark ones. Hansen stared at him as if God was crazy. Little did he know God was at that moment. “Godfrey, get back here and stand down. That’s an order, Detective!” his captain barked. God’s large hands clenched at his sides fighting not to pull out his weapons. He ground his teeth together so hard his jaw ached. “Do you have any idea of the shit storm you’re about to bring down on your life,” God spoke with a menacing snarl while his large frame shook with fury. “In your arms you hold the only thing in this world that means anything to me. The man that you are pointing a gun at is my only purpose for living. You are threating to kill the only person in this world that gives a fuck about me.” God took two more steps forward and was vaguely aware of the complete silence surrounding him. Hansen’s finger hovered shakily over the trigger as he took two large steps back with Day still tight against his chest. God growled again and he saw a shade of fear ghost over Hansen’s sweaty face. “If you kill that man, I swear on everything that is holy, I will track you to the ends of the earth, killing and destroying any and everything you hold dear. I will take everything from you and leave you alive to suffer through it. I will bestow upon you the same misery that you have given to me.” Hansen shook his head and inched closer to the door behind him. “Stay back,” he yelled again but this time the demand lacked the courage and venom he exhibited before. “You kill that man, and you’ll have no idea of the monster you will create. Have you ever met a man with no heart…no conscience…no soul…no purpose?” God rumbled, his voice at least twelve octaves lower than the already deep baritone. God yanked his Desert Eagle from his holster in a flash and cocked the hammer back chambering the first round. Hansen stumbled back again, his eyes gone wide with fear. God’s entire body instinctually flexed every muscle in his body and it felt like the large vein in his neck might rupture. His body burned like he had a sweltering fever and he knew his wrath had him a brilliant shade of red. “I’m asking you a goddamn question, Hansen! No soul! No conscience! I’m asking you have you ever met the devil!” God’s thunderous voice practically rattled the glass in the hanger. “If you kill the man I love, you better make your peace with God, because I’m gonna meet your soul in hell.” His voice boomed.
A.E. Via
In the dungeon, I used to like making you angry,” Parvaneh said. She reached down to scoop up one of the moths and held it up to her face, brushing its wing against her cheek with a tenderness that only worsened the fluttering in Soraya’s stomach. Parvaneh let the moth fly away and looked Soraya in the eye. “But I think I like making you laugh even more.” “Why did you like making me angry?” Soraya asked in mock offense. Parvaneh grinned and swept aside Soraya’s hair, her fingers brushing Soraya’s cheekbone. “To see your veins, of course,” she said. Her hand moved down to trace the dull claw mark on Soraya’s collarbone with her fingertips. “I always thought you… I thought they were beautiful.
Melissa Bashardoust (Girl, Serpent, Thorn)
In the dungeon, I used to like making you angry,” Parvaneh said. She reached down to scoop up one of the moths and held it up to her face, brushing its wing against her cheek with a tenderness that only worsened the fluttering in Soraya’s stomach. Parvaneh let the moth fly away and looked Soraya in the eye. “But I think I like making you laugh even more.” “Why did you like making me angry?” Soraya asked in mock offense. Parvaneh grinned and swept aside Soraya’s hair, her fingers brushing Soraya’s cheekbone. “To see your veins, of course,” she said. Her hand moved down to trace the dull claw mark on Soraya’s collarbone with her fingertips. “I always thought you… I thought they were beautiful.
Melissa Bashardoust (Girl, Serpent, Thorn)
In the dungeon, I used to like making you angry,” Parvaneh said. She reached down to scoop up one of the moths and held it up to her face, brushing its wing against her cheek with a tenderness that only worsened the fluttering in Soraya’s stomach. Parvaneh let the moth fly away and looked Soraya in the eye. “But I think I like making you laugh even more.” “Why did you like making me angry?” Soraya asked in mock offense. Parvaneh grinned and swept aside Soraya’s hair, her fingers brushing Soraya’s cheekbone. “To see your veins, of course,” she said. Her hand moved down to trace the dull claw mark on Soraya’s collar bone with her fingertips. “I always thought you . . . I thought they were beautiful.
Melissa Bashardoust (Girl, Serpent, Thorn)
Gabriel was stunned by Pandora's compassion for a man who had caused her such harm. He shook his head in wonder as he stared into her eyes, as dark as cloud-shadow on a field of blue gentian. "That doesn't excuse him," he said thickly. Gabriel would never forgive the bastard. He wanted vengeance. He wanted to strip the flesh from the bastard's corpse and hang up his skeleton to scare the crows. His fingers contained a subtle tremor as he reached out to trace the fine edges of her face, the sweet, high plane of her cheekbone. "What did the doctor say about your ear? What treatment did he give?" "It wasn't necessary to send for a doctor." A fresh flood of rage seared his veins as the words sunk in. "Your eardrum was ruptured. What in God's name do you mean a doctor wasn't necessary?" Although he had managed to keep from shouting, his tone was far from civilized. Pandora quivered uneasily and began to inch backward. He realized the last thing she needed from him was a display of temper. Battening down his rampaging emotions, he used one arm to bring her back against his side. "No, don't pull away. Tell me what happened." "The fever had passed," she said after a long hesitation, "and... well, you have to understand my family. If something unpleasant happened, they ignored it, and it was never spoken of again. Especially if it was something my father had done when he'd lost his temper. After a while, no one remembered what had really happened. Our family history was erased and rewritten a thousand times. But ignoring the problem with my ear didn't make it disappear. Whenever I couldn't hear something, or when I stumbled or fell, it made my mother very angry. She said I'd been clumsy because I was hasty or careless. She wouldn't admit there was anything wrong with my hearing. She refused even to discuss it." Pandora stopped, chewing thoughtfully on her lower lip. "I'm making her sound terrible, and she wasn't. There were times when she was affectionate and kind. No one's all one way or the other." She flicked a glance of dread in his direction. "Oh God, you're not going to pity me, are you?" "No." Gabriel was anguished for her sake, and outraged. It was all he could do to keep his voice calm. "Is that why you keep it a secret? You're afraid of being pitied?" "That, and... it's a shame I'd rather keep private." "Not your shame. Your father's." "It feels like mine. Had I not been eavesdropping, my father wouldn't have disciplined me." "You were a child," he said brusquely. "What he did wasn't bloody discipline, it was brutality." To his surprise, a touch of unrepentant amusement curved Pandora's lips, and she looked distinctly pleased with herself. "It didn't even stop my eavesdropping. I just learned to be more clever about it." She was so endearing, so indomitable, that Gabriel was wrenched with a feeling he'd never known before, as if all the extremes of joy and despair had been compressed into some new emotion that threatened to crack the walls of his heart.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
A MADMAN’S MANUSCRIPT ‘Yes! — a madman’s! How that word would have struck to my heart, many years ago! How it would have roused the terror that used to come upon me sometimes, sending the blood hissing and tingling through my veins, till the cold dew of fear stood in large drops upon my skin, and my knees knocked together with fright! I like it now though. It’s a fine name. Show me the monarch whose angry frown was ever feared like the glare of a madman’s eye — whose cord and axe were ever half so sure as a madman’s gripe. Ho! ho! It’s a grand thing to be mad! to be peeped at like a wild lion through the iron bars — to gnash one’s teeth and howl, through the long still night, to the merry ring of a heavy chain and to roll and twine among the straw, transported with such brave music. Hurrah for the madhouse! Oh, it’s a rare place!
Charles Dickens (The Complete Works of Charles Dickens)
I mean that after the little accident with your mom, you'd think you'd never come out here again." My heart stops. I'm not exaggerating. I swear, for a pure second, my chest seized and all the blood flowing in my veins pauses. I can't believe he would say something like that. From the look on everyone's faces, they can't believe it either. Aidan's the first to react as he growls, "Shut up! You jerk...how can you say something like that?" Dunstan ignores Aidan's outburst as he keeps his eyes trained on me. His face is indifferent, but I know he's smirking on the inside. Why's he doing this? What does he want me to do? React? I would, if I could get any movement back in my freakin' legs. However, they seem to be paralyzed at the moment. I settle for glaring at him. "Don't tell me you haven't gotten over it. It's been, what? Ten years since?" "He said shut up!" Nadia snarls. She bares her teeth in primal fury and seems almost ready to pounce on him. But if he catches on, Dunstan doesn't show it. "I just think it's amazing you'd still come out here. I know I wouldn't." "Mr. Lebelle, it is in my power to turn this boat around and end this tour early. So I suggest that you stop this conversation at once," Babette threatens him. She doesn't shout, but her iron tone is just as—if not more—frightening as any yelling could be.
Colleen Boyd (Swamp Angel)
Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.
Kenneth Rexroth (Collected Shorter Poems)
I run out onto the front porch, trying to slow my racing heart as I peer out into the night. The light gets closer and closer, causing hope to blossom in my chest. “Hey!” a familiar voice calls out, and I nearly weep with relief. He’s back. Thank God. But the relief is immediately replaced with anger. “Where the hell have you been?” I ask, my voice shaking. He clicks off the flashlight and makes his way up the porch steps. “Didn’t you see my note?” “Are you kidding me?” I sputter. “Do you have any idea how many hours you’ve been gone?” “Yeah, sorry about that. The house was fine, but the pool was a mess. A tree fell through the screen, and the roof was ripped off the pool house.” “You’re sorry? That’s all you have to say?” I take two steps toward him, fury thrumming through my veins. “Do you have any idea how worried I was? God, Ryder! I thought you were lying in a ditch somewhere. I thought you were hurt, or…or…” I trail off, shaking my head. “I was about to go looking for you, out in the pitch-dark!” He reaches for my hand, but I slap him away. “Don’t touch me! I swear, I can’t even look at you right now.” I turn and reach for the door. But before I can fling it open, Ryder pulls me toward him, his hands circling my wrists. “Look, I’m sorry, Jemma. It took me forever to get there, what with all the flooding and everything. And then I was trying to clean stuff up and…well, I guess the time just got away from me.” I try to pull away, but he tightens his grip. “I didn’t mean to scare you,” he says. “Well, you did scare me.” I manage to pull one hand loose, and I use it to whack him in the chest. “Idiot!” “I’m fine, okay? I’m here.” “I wish you weren’t!” I yell, fired up now. “I wish you were lying in a ditch somewhere!” I stumble backward, my heel catching on the porch’s floorboards. “You don’t mean that,” Ryder says, sounding hurt. He’s right; I don’t. But I don’t care if I hurt his feelings. I’m too angry to care. Angry and relieved and pissed off and…and, God, I’m so glad he’s okay. I thump his chest one more time in frustration, and then somehow my lips are on his--hungry and demanding and punishing all at once.
Kristi Cook (Magnolia (Magnolia Branch, #1))
I might be a shameless flirt, but at least I don't have a horrible temper. You should come tend to my wounds from our squabble in the snow. I'm bruised all over thanks to you. Something clicked against the nightstand, and a pen rolled across the polished mahogany. Hissing, I snatched it up and scribbed: Go lick your wounds and leave me be. The paper vanished. It was gone for a while- far longer than it should have taken to write the few words that appeared on the paper when it returned. I'd much rather you licked my wounds for me. My heart pounded, faster and faster, and a strange sort of rush went through my veins as I read the sentence again and again. A challenge. I clamped my lips shut to keep from smiling as I wrote, Lick you where exactly? The paper vanished before I'd even completed the final mark. His reply was a long time coming. Then, Wherever you want to lick me, Feyre. I'd like to start with "Everywhere," but I can choose, if necessary. I wrote back, Let's hope my licking is better than yours. I remember how horrible you were at it Under the Mountain. Lie. He'd licked away my tears when I'd been a moment away from shattering. He'd done it to keep me distracted- keep me angry. Because anger was better than feeling nothing; because anger and hatred were the long-lasting fuel in the endless dark of my despair. The same way that music had kept me from breaking. Lucien had come to patch me up a few times, but no one risked quite so much in keeping me not only alive, but as mentally intact as I could be considering the circumstances. Just as he'd been doing these past few weeks- taunting and teasing me to keep the hollowness at bay. Just as he was doing now. I was under duress, his next note read. If you want, I'd be more than happy to prove you wrong. I've been told I'm very, very good at licking. I clenched my knees together and wrote back, Good night. A heartbeat later, his note said, Try not to moan too loudly when you dream about me. I need my beauty rest. I got up, chucked the letter in the burbling fire, and gave it a vulgar gesture. I could have sworn laughter rumbled down the hall.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
That was when it dawned on her--Dom wanted to unearth her secrets. Nancy’s secrets. Just as Jane had feared, he really had deduced that she hid some. A shiver ran down her spine, and she jerked her gaze from him, fighting to hide her consternation. “Merely the same reason I gave you before. Nancy could be in trouble. And it’s your duty as her brother-in-law to keep her safe.” “From what?” he demanded. “From whom? Is there more to this than you’re saying?” Ooh, the fact that he was so determined to unveil the truth about Nancy while hiding his former collusion with her scraped Jane raw. “I could ask the same of you,” she said primly. “You’re obviously holding something back. You have some reason for your determination to believe ill of Nancy. I wonder what that might be.” Two can play your game, Almighty Dom. Hah! He was silent so long that she ventured a glance at him to find him looking rather discomfited. Good! It was about time. “I am merely keeping an open mind about your cousin, which is more than I can say for you,” Dom finally answered. “She isn’t the woman you think she is.” “Because she wouldn’t give in to your advances twelve years ago, you mean?” She would make him admit the truth about that night if it was the last thing she did! “Perhaps that’s why you’re determined to blacken her character. You’re angry that she resisted you and married your brother instead.” “That’s a lie!” When several people on the street turned to look in his direction, Dom lowered his voice. “It wasn’t like that.” She stifled a smile of satisfaction. At last she was getting a reaction from him that was something other than levelheaded logic. “Wasn’t it? If you’d convinced Nancy to marry you, you might not have had to go off to be a Bow Street runner. You could have had an easier life, a better life in high society than you could have had with me if you’d married me. Without being able to access my fortune, I could only have dragged you down.” “You don’t really believe that I wanted to marry her for her money,” he gritted out. “It’s either that or assume that you fell madly in love with her in the few weeks we were apart.” They were nearly to the inn now, so she added a plaintive note to her voice. “Or perhaps it was her you wanted all along. You knew my uncle would never accept a second son as a husband for his rich heiress of a daughter, so you courted me to get close to her. Nancy was always so beautiful, so--” “Enough!” Without warning, he dragged her into one of the many alleyways that crisscrossed York. This one was deeply shadowed, the houses leaning into each other overhead, and as he pulled her around to face him, the brilliance of his eyes shone starkly in the dim light. “I never cared one whit about Nancy.” She tamped down her triumph--he hadn’t admitted the whole truth yet. “It certainly didn’t look that way to me. It looked like you had already forgotten me, forgotten what we meant to each--” “The hell I had.” He shoved his face close to hers. “I never forgot you for one day, one hour, one moment. It was you--always you. Everything I did was for you, damn it. No one else.” The passionate profession threw her off course. Dom had never been the sort to say such sweet things. But the fervent look in his eyes roused memories of how he used to look at her. And his hands gripping her arms, his body angling in closer, were so painfully familiar... “I don’t…believe you,” she lied, her blood running wild through her veins. His gleaming gaze impaled her. “Then believe this.” And suddenly his mouth was on hers.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Lucky people find their own unique ways to tame their minds. Hence they are better able to deal with situations in their lives. Vipassana proponents always stress that if you are insulted by someone and get angry, the result is not the abuser’s fault. It is your fault because you choose to react. In similar vein, self-help author Wayne Dyer said, ‘How people treat you is their karma; how you react is yours.
Ashwin Sanghi (13 Steps to Bloody Good Luck)
We were all made of the same stuff. Blood ran through our veins. We ate, we breathed, and we all certainly pooped. One’s riches should never be a standard for some kind of superiority, and I sincerely loathed anyone who tried to perpetrate that idea—particularly in the 21st century, in the age of smartphones and social media, the era of fights for equality and decency. History was meant to serve as a lesson, not a guideline. Errors were meant to be recorded and later avoided, not repeated. Elitism raised the masses once, to the point where the people got angry and toppled entire monarchies. Had we really learned nothing?
Bella Forrest (Harley Merlin and the Secret Coven (Harley Merlin, #1))
It is good I came, my father. You have the gift. Already my heart is lighter.” Many Horses ran his tongue over his own jagged teeth, nodding thoughtfully. “I am proud of all my children,” he said huskily. “Of you, most of all. It is a strange thing, my son, but when a man takes a babe into his arms and claims him as son, it becomes a truth within his heart. The blood in his veins is as nothing. The color of his eyes is as nothing. When you took your first step, it was toward my outstretched hand. That was everything. White Eyes or Comanche, you were my son. I would have killed any man who said you weren’t.” Tears burned behind Hunter’s eyes. “What are you saying, my father?” “I am saying that you must walk the path of your own heart. You came here angry because your yellow-hair is angry, yes? If you love her, it will be the same when she is sad, when she is happy. Have you ever stood where a stream spills into a river? The two become one. They laugh over the stones together, twist through the sharp canyons together, plunge down the waterfalls together. It is the same when a man and woman love one another. It is not always a pleasant thing, but when it happens, a man has little to say about it. Women, like streams, can be smooth one minute and make a man feel like he’s swimming through white water the next.” Hunter leaned forward over his knees, brandishing the poker under his father’s blackened nose. “I don’t understand her. I treat her kindly, yet she still shakes with fear at the thought of being one with me. I try to make her happy and make her angry instead.” Many Horses lifted an eyebrow. “Fear is not like a layer of dust on a tree leaf that washes away in a gentle rain. Give her time. Be her good friend, first--then become her lover. As for making a woman happy, you succeed sometimes, you fail sometimes. That is the way of it.
Catherine Anderson (Comanche Moon (Comanche, #1))
Eventually, he felt an overwhelming urge to meld his voice with the notes, and he began to play his ballad for the wind. Jack sang his verses, his fingers strumming with confidence. He sang to the southern wind with its promise of strength in battle. He sang to the western wind with its promise of healing. He sang to the northern wind with its promise of vindication. The notes rose and fell, undulating like the hills far beneath him. But while the wind carried his music and his voice, the folk of the air didn’t answer. What if they refuse to come? Jack wondered, with a pulse of worry. From the corner of his eye, he watched as Adaira rose to her feet. The wind seemed to be waiting for her to move. To stand and meet it. She stood planted on the rock as Jack continued to play, shielded by Orenna’s essence. Twice, he had played for the spirits and had nearly forgotten he was a man, that he was not a part of them. But this time he held firmly to himself as he watched the folk answer. The southern wind manifested first. They arrived with a sigh and formed themselves from the gust, individualizing into men and women with hair like fire—red and amber with a trace of blue. Great feathered wings bloomed from their backs like those of a bird, and each beat of their pinions emitted a wash of warmth and longing. Jack could taste the nostalgia they offered; he drank it like a bittersweet wine, like the memories of a summer long ago. The east wind was the next to arrive. They manifested in a flurry of leaves, their hair like molten gold. Their wings were fashioned like those of a bat, long and pronged and the shade of dusk. They carried the fragrance of rain in their wings. The west wind spun themselves out of whispers, with hair the shade of midnight, long and jeweled with stars. Their wings were like those of a moth, patterned with moons, beating softly and evoking both beauty and dread as Jack beheld them. The air shimmered at their edges like a dream, as if they might melt at any moment, and their skin smelled of smoke and cloves as they hovered in place, unable to depart as Jack’s music captivated them. Half of the spirits watched him, entranced by his ballad. But half of them watched Adaira, their eyes wide and brimming with light. “It’s her,” some of them whispered. Jack missed a note. He quickly regained his place, pushing his concern aside. It felt like his nails were creating sparks on the brass strings. He sang the verse for the northern wind again. The sky darkened. Thunder rumbled in the distance as the north reluctantly answered Jack’s summoning. The air plunged cold and bitter as the strongest of the winds manifested from wisps of clouds and stinging gales. It answered the music, fragmenting into men and women with flaxen hair, dressed in leather and links of silver webs. Their wings were translucent and veined, reminiscent of a dragonfly’s, boasting every color found beneath the sun. They came reluctantly, defiantly. Their eyes bore into him like needles. Jack was alarmed by their reaction to him. Some of them hissed through their sharp teeth, while others cowered as if awaiting a death blow. His ballad came to its end, and the absence of his voice and music sharpened the terror of the moment. Adaira continued to stand before an audience of manifested spirits, and Jack was stunned by the sight of them. To know that they had rushed alongside him as he walked the east. That he had felt their fingers in his hair, felt them kiss his mouth and steal words from his lips, carrying his voice in their hands. And his music had just summoned them. His voice and song now held them captive, beholden to him. He studied the horde. Some of the spirits looked amused, others shocked. Some were afraid, and some were angry.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
As often as possible, sometimes at all costs, and often times in spite of good reason, we are both compelled by our psyche and pressured by our social circumstances to always be right. And when we aren’t, it hurts. So much so that it can often create horrible sensations in the brain akin to real physical pain. And so, we of course try to avoid it, or at least admitting it, at all costs. And yet, it is impossible to avoid. And furthermore, it is possibly the case that fundamentally, we are never actually right at all. In the words of St. Augustine, “I err, therefore I am.” As a consciousness, in the form that we are born into, we are all put up against the imperative of our mind to desire absolute truth, while simultaneously, the seeming imperative of the natural world that prohibits us from obtaining it. We will all cling to reason and answers and worldviews just to have them smashed to pieces time and time again, whether we know it or admit it to ourselves or not. We will all likely not only be wrong often but right rarely, even in the meta, subjective sense. And so, perhaps we can and must learn how to be ok with this if we wish to be ok with consciousness. Perhaps we must learn how to fundamentally be ok with being wrong, or we will loath ourselves until the end. Perhaps we must love and accept the hypocrisy that runs through the very veins of the human condition, or we will hate all of humankind. Perhaps we must learn how to dial back our expectations and the degree in which we dread over the inevitable failure of everything we believe, and the beliefs of others just the same. This is not to make light of the immense challenge of such an arduous endeavor. It is an endless upward climb of surpassing one’s default mode and understanding of the world. But perhaps if we can, at least some of the time, succeed in doing so, we can feel a little less embarrassed, disgusted, miserable, ashamed, bitter, angry, and all the rest, and perhaps we can be a little less wrong a little more often. This apparent impossibility of successfully thinking paired with the inability to ever not be thinking, seems to beg the question: is consciousness a gift or a curse? Or perhaps some combination of both? Perhaps the answer depends on whether or not all of this, the ability to be curious about and discuss things like the possible impossibility of ever truly being right is worth possibly never being right about anything. And perhaps such a truth can only be answered by you.
Robert Pantano
Looking angry and alive, the attachment was red and distended, with a bulbous head and purple, ropy veins. It protruded from a nest of his dark hair, two sacs dangling beneath, and her visual assessment made it extend out toward her in entreaty. She hazarded a glance at him, and he lay silent and still, studying her with an impersonal, glacial intensity. Had he planned to shock her? To have her tearful and swooning? To send her stumbling from the room in offense and alarm? He was motivated by deep, unfathomable issues that she couldn't hope to understand. The chances were great that he'd merely instigated this as a bizarre diversion in order to gain a response from her, but if the man thought she was some prim, squeamish miss, he obviously didn't know her very well. She was fascinated, enthralled, and ardent to explore. "It's larger than I supposed." "I'm aroused." "It changes size?" Her eyes widened with astonishment, and he chuckled at her naïveté. "Usually, it's flaccid and harmless." Tensing his stomach muscles, the extraordinary appendage inflated even more. "But not when I'm here with you like this. I'm so hard for you. I ache with my desire." There was a husky tone in his voice, a desperation that plucked at her common sense, leaving her reckless and rash, and just then, she'd have performed any impulsive feat he requested.
Cheryl Holt (Total Surrender)
One of his hands tangled in my hair, tugging it to tip my chin back and eliciting another moan of pleasure from my lips. He swallowed it up, his tongue sinking into my mouth and making my heart find a rhythm it had never beat to before. He kissed me like he wasn't allowed to kiss me, but if he didn't he'd die. I tangled myself around him with equal desire, the well of magic in my body spilling over and flooding my veins. A profound and unknown energy hummed within me, drawing to the edges of my skin. Orion seemed to sense it too as the hairs raised along my arms and static energy crackled everywhere our flesh met. I was entirely lost to the deepest and most carnal desire I'd ever felt. His hand found the slit in my dress and his fingers trailed onto my bare leg, making me gasp in response. Fire surged down my spine only to bounce back up again as he gripped my thigh and squeezed. With so little clothes parting us, I felt every inch of his arousal pressing between my legs and I started to wonder how far this kiss was going to go. My fingers slid into the verge of his hair as I ground against him and my thoughts scattered again. He released a rumbling growl filled with nothing but need and his hand shifted between us, roaming deeper beneath my dress until he found the top of my panties. I nearly lost my mind as his fingers brushed the sensitive flesh there and skimmed the line of my underwear. My back arched as I tried to bring his hand closer to fulfil the promise of ecstasy I knew he could bring me. Instead, he pulled his hand free and placed it on my hip with a heavy breath. It took everything I had, but with his fingers firmly away from the area of my body which was trying to run the show, I could think a little clearer. He pulled back almost the same moment I did and I swallowed hard as I felt the lasting sensations of that kiss everywhere. My mouth tingled and my cheeks stung from the scrape of his stubble. My thigh muscles throbbed where they were still locked tightly around his waist and my heart seemed to bleed from the loss of contact with his mouth. We remained breathless and silent, staring at each other like the reality waiting above us wasn't about to rip us apart. But I knew as well as he did, this was a one time only thing. Now I just had to convince my body of that. I unwound my legs from him, bracing my hands on his shoulders as I dropped down. He steadied me for a moment then the air between us changed. His eyes darkened and he didn't need to speak to let me know what he was thinking. A vow hung solidly around us. This won't happen ever again. He opened his mouth to speak but I spoke before he could, not wanting to be commanded into eternal silence. I already knew what would happen the second we left this magical place behind, I didn't need to be told. “Let's go.” “We can stay a little longer...if you want.” His expression was that of a wounded man but I knew whatever pain lay in his body, would never be mine to heal. I shook my head, lifting my chin to gaze up at the surface of the pool. “No, I think we should go back to reality now.” The longer I stay, the harder it will be to leave. “Are you angry with me for bringing you here?” he asked and I was compelled to look down, falling into the intensity of his eyes as a strained line formed on his brow. “No.” He reached out to skate his fingers across the line of my jaw, feather light. “You know how it has to be.” I nodded, leaning away from his touch which felt like forcing two magnets apart. “I know.” What happens at the bottom of the pool, stays at the bottom of the pool. “Come on then, Blue.” He held out his hand. I took a shuddering breath, placing my hand in his. “I think it might be best if you don't call me that anymore.” I tugged at a lock of wet hair. “It's not blue anyway.” (DARCY)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Respectability requires a form of restrained, emotionally neutral politeness that is completely at odds with any concept of normal human emotions. The emotional labor required to be respectable, to never ruffle anyone’s feathers, to not get angry enough to challenge much less confront those who might have harmed you, is incredibly onerous precisely because it is so dehumanizing. Respectability requires not just a stiff upper lip, but a burying of yourself inside your own flesh in order to be able to maintain the necessary facade. It requires erasing your memory of how it felt to be hungry, cold, scared, and so on until all that is left is a placid surface to mask the raging maelstrom underneath. We talk about stress and illness, but the stress of respectability is unparalleled. You muffle yourself over and over, until the screaming is in your veins, in your high blood pressure and lower life expectancy. And then as you look around, you realize that you didn’t even get the respect, the validation, or the comfort that you thought was waiting on the other side. You’ve pulled away from the messy, loud, emotional spaces that represent the less respectable side of you and your culture, but at what cost?
Mikki Kendall (Hood Feminism: Notes from the Women That a Movement Forgot)
This is a bad idea. I’m angry, Blue, so fucking angry at the world. I’ve got a whole lot of pent-up energy in my veins that I want to let out.” “I can handle it,” she growled. “Show me the devil in you.
Caroline Peckham (Sorrow and Starlight (Zodiac Academy, #8))
She couldn’t look, and yet the image was already seared into her mind. Mina’s face wasn’t the pleasant visage that Ten remembered. Because they’d blinded her. Those big, dark, beseeching eyes were gone, instead replaced with angry, red scars and folded flesh. It was horrific how the ruined skin was set in slightly, speaking of something missing there, and how crimson veins of angry skin spread up onto her forehead and down onto her cheeks. “Who else would have?” Mina asked softly, more resigned than anything else, but Ten couldn’t be resigned. Not even remotely. Her mind was rushing in a thousand different directions, and all of them were awful. Had they held her down while pressing a burning poker to her beautiful eyes? Stuffed a cotton cloth in her mouth as she screamed? Ten vomited again, feeling like she couldn’t breathe. “Why?” she gasped, her head spinning enough that she might fall over right then and there. “You already know why.” Mina’s hands stretched out, feeling for her. Ten practically collapsed onto the dais, letting her friend cup her face. “I don’t understand. I don’t understand. I don’t understand,” she chanted over and over again, eyes squeezed shut. But then that just reminded her that Mina would never see again, so she opened her eyes, only to find herself face to ruined face with the girl. Snot was dripping from her nose and tears were starting to fall from Ten’s eyes. She felt like she was locked in the worst nightmare she’d ever had, but she couldn’t wake up. “How could they do this to you?” “Oh, Ten, your heart is so pure.” Mina leaned in, resting her forehead against Ten’s. “You know the reason.” “No, I don’t. I really don’t.” But then Mina’s lips were near her ear, whispering words that made Ten’s entire body run cold. “No savage can ever see the Light.
Jada Fisher (Maiden of the Lux (The Dragon Guard #2))
I missed the rest of the conversation because, while the good actor was carefully cooking his sentences with criticisms spiced with kindness, another member of the group, a young man who looked Chinese, with a face like raspberry jelly, stumbled up to me. His naturally yellow complexion was complemented by bright threads of broken veins, more purple than red. He had thick hair, a receding brow, jutting cheekbones, narrow eyes whose dark pupils seemed more polished than alive, a barely visible moustache the color of dead leaves, a little salt and pepper beard that was worn out like an old carpet, a long neck with an Adam’s apple stuck in it like a huge walnut, and shoulders like a scrawny old horse which did not fit with his thick, short chest and his pot belly. He was knock-kneed and bowed legged, with kneecaps shaped like coconuts. He also borrowed Doctor Magne’s chair, blew cigarette smoke out his nose, and took his turn to tackle me. His language was less elegant than the other two; it was hard for him to speak, which you could put down to shyness. He was dull and awkward. He seemed horribly unhappy and sorry to have come over, but there he was. He had to march on—and he did so heroically!—death in his soul. “Monsieur—finally yes!... Monsieur… I don’t like to jaw about brothers… absolutely not! But I have to tell you that Desbosquets is a lot more… absolutely… oh, I’ll blurt it out… a lot more… absolutely cracked than our friend Magne. Absolutely yes!” He wanted to be frank, to open up, which he constantly regretted, because he knew that he would be clumsy and mocked; he felt ridiculous and it was killing him. But his need for some honest self-indulgence gnawed at him, and he spit out his slang and his absolutelys—‘absolutely yes!’ and ‘absolutely no!’— which made him think he was revealing the deepest depths of his soul. He continued. “Maybe they told you about me—yes! I know: bing, bang —mechanics! Absolutely yes! A hack, they must have told you…” (Aha! I thought. So it’s my colleague the poet!) “…and the worst trouble, right? That’s Leonard—yes! Ah! When I’m a little…bing, bang…mechanics! I guess—grumpy—I don’t say… but there’s not an ounce of meanness in me! Disgusting, this awful problem with talking, but the mechanics, you know—because it’s the mechanics—no way! Do you want me to tell you my name? Ah! Totally unknown, my name, but don’t want them to mangle it mechanically when quoting it to you: Oswald Norbert Nigeot. Don’t say Numskull—no!—Although my verses!... Ah! Damned mechanics!... A bonehead, a stupid bonehead, bitten by the morbid mania to write—and the slander of the old students of the Polytechnic! Oh! To write! Terrible trade for the poorly gifted like me who are… bing, bang, not mechanics! And angry at the mechanics of words. Polytechnic pigs manufacture words; so, poor hacks can’t use them. Ah! Even this is mechanics!... And drunk on it, Desbosquets too, very drunk! Obviously you see it: Cusenier, Noilly-Prat, why not Pernod? It’s awful for people like him and me! See, you know— liquids are scarce—but thanks to the guards’ hatred of Bid’homme… and thanks to old Froin, too good, don’t believe in any bad—but can you call that bad? He lives with the Heaven of…mechanics…of…bang…of derangements, no! I want arrangements, not derangements!” Mr. Nigeot seemed very proud of having successfully (?) completed such a long sentence propped up by only one “bang” and one “mechanics,” but in spite of his satisfaction, he was scared of continuing less elegantly and he got all tangled up in a run of bizarre expressions in which the hated Polytechnicians and the bings and bangs (not to mention the absolutelys) got so out of hand that I could not understand a word of what he said.
John-Antoine Nau (Enemy Force)
We will all cling to reasons and answers and worldviews only to have them smashed to pieces time and time again, whether we know it or admit it to ourselves or not. We will all not only be wrong often, but right rarely, even in the meta, subjective sense. And so, perhaps if we wish to be ok with consciousness, we must learn how to be ok with this. Perhaps we must learn how to fundamentally be ok with being wrong, or we will loathe ourselves until the end. Perhaps we must love and accept the hypocrisy that runs through the very veins of the human condition, or we will hate all of humankind. Perhaps we must learn how to dial back our expectations and the degree to which we dread the inevitable failure of everything we believe, and the beliefs of others just the same. This is not to make light of the immense challenge of such an arduous endeavor. It is an endless, upward climb of surpassing one’s default mode and understanding of the world. But perhaps if we can, at least some of the time, succeed in doing so, we can feel a little less embarrassed, disgusted, miserable, ashamed, bitter, angry, and all the rest. And perhaps we can be a little less wrong a little more often.
Robert Pantano (The Art of Living a Meaningless Existence: Ideas from Philosophy That Change the Way You Think)
His cock is fucking stunning, standing tall and thick. There are angry veins up and down his impressive length and my mouth immediately waters, desperate to know how he tastes,
Sheridan Anne (Pretty Monster)
it's hard when anger turns into empathy. when you realize your mother and father were once innocent, just like you. they did not ask to be born, just like you. just as their parents before them, and their parents before them, they were born without permission. so, should I be angry at god? who do I blame? this anger is from my ancestors; it lives in my veins. my parents were born innocent; something or someone made them change. it was easier to be angry, then it is to be filled with empathy. I see myself in both of them; my parents are my destiny.
Rose Brik (My Father's Eyes, My Mother's Rage)