β
Going to church doesnβt make you a Christian any more than going to a garage makes you an automobile.
β
β
Billy Sunday ("Billy" Sunday, the man and his message: with his own words which have won thousands for Christ)
β
You will always be the bread and the knife, not to mention the crystal goblet andβsomehowβthe wine.
β
β
Billy Collins
β
I'd rather laugh with the sinners than cry with the saints.
β
β
Billy Joel
β
It scared me that the only thing between this moment of calm and the biggest tragedy of my life was me choosing not to do it.
β
β
Taylor Jenkins Reid (Daisy Jones & The Six)
β
I'm not dangerous at all I never hurt Grandpa or Sue or Billy. I love humans. And wolf-people like my Jacob."Renesmee dropped Edward's hand to reach back and pat Jacob's arm.
β
β
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
β
Sometimes loneliness makes the loudest noise.
β
β
Aaron Ben-Ze'ev
β
I am no longer afraid of becoming lost, because the journey back always reveals something new, and that is ultimately good for the artist.
β
β
Billy Joel
β
It seems only yesterday I used to believe
there was nothing under my skin but light.
If you cut me I could shine.
β
β
Billy Collins
β
He has Van Goghβs ear for music.
β
β
Billy Wilder
β
It is the Holy Spirit's job to convict, God's job to judge and my job to love.
β
β
Billy Graham
β
What God asks of men, said [Billy] Graham, is faith. His invisibility is the truest test of that faith. To know who sees him, God makes himself unseen.
β
β
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
β
The will of God will not take us where the grace of God cannot sustain us.
β
β
Billy Graham
β
All of those faeries and duels and mad queens and so on, and no one quoted old Billy Shakespeare. Not even once.
β
β
Jim Butcher (Summer Knight (The Dresden Files, #4))
β
God never takes away something from your life without replacing it with something better.
β
β
Billy Graham
β
I've read the last page of the Bible, it's all going to turn out all right.
β
β
Billy Graham
β
So I would choose to be with you,
That's if the choice were mine to make,
But you can make decisions too,
And you can have this heart to break
β
β
Billy Joel
β
When a brave man takes a stand, the spines of others are often stiffened.
β
β
Billy Graham
β
Iβd rather laugh with the sinners than cry with the saints, the sinners are much more fun.
β
β
Billy Joel
β
I say, Billy, whatβs the use in playing croquet when youβre doomed?
He says, Frankie, whatβs the use of not playing croquet when youβre doomed?
β
β
Frank McCourt (Angelaβs Ashes (Frank McCourt, #1))
β
There are three kinds of males in this world: boys, guys, and men. Boys β like Billy β never grow up, never get serious. They only care about themselves, their music, their cars. Guys β like you β are all about numbers and variety. Like an assembly line, itβs just one one-night stand after another. Then there are men β like Matthew. Theyβre not perfect, but they appreciate women for more than their flexibility and mouth suction.
β
β
Emma Chase (Tangled (Tangled, #1))
β
Who in the rainbow can draw the line where the violet tint ends and the orange tint begins? Distinctly we see the difference of the colors, but where exactly does the one first blendingly enter into the other? So with sanity and insanity.
β
β
Herman Melville (Billy Budd, Sailor (Enriched Classics))
β
You sleep okay, sweetie?β
βMiss my teddy,β Billie replied.
Personally, I thought Detective Mitch Lawson was far superior to a tiny pink teddy bear but I wasnβt six years old.
β
β
Kristen Ashley (Law Man (Dream Man, #3))
β
Truth uncompromisingly told will always have its jagged edges.
β
β
Herman Melville (Billy Budd, Sailor and Other Uncompleted Writings)
β
I love you, Bud," he whispered to Billy and two more tears escaped.
"I love you too, Mitch," Billy whispered back, my breath hitched and both males' eyes came to me.
I waved my wineglass at them and murmured, "Don't mind me. Have your moment."
Mitch leaned back, letting Billy go and grinning at me. "Men don't have moments."
"You do," I returned. "I'm witnessing one."
"This isn't a moment, honey, it's a meeting of the minds," Mitch contradicted me.
β
β
Kristen Ashley (Law Man (Dream Man, #3))
β
When people say "it's always the last place you look". Of course it is. Why would you keep looking after you've found it?
β
β
Billy Connolly
β
You can't change the wind but you can set your sails.
β
β
Billie Joe Armstrong
β
Don't threaten me with love, baby. Let's just go walking in the rain.
β
β
Billie Holiday
β
It was a movie about American bombers in World War II and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation.
The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers , and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though, German fighters came up again, made everything and everybody as good as new.
When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again.
β
β
Kurt Vonnegut Jr. (Slaughterhouse-Five)
β
It's okay to be a loser, it just depends on how good you are at being one.
β
β
Billie Joe Armstrong
β
I really wish I was less of a thinking man and more of a fool not afraid of rejection.
β
β
Billy Joel
β
Tears shed for self are tears of weakness, but tears shed for others are a sign of strength.
β
β
Billy Graham
β
Among the things Billy Pilgrim could not change were the past, the present, and the future.
β
β
Kurt Vonnegut Jr. (Slaughterhouse-Five)
β
Reading is reading - no matter what the material.
β
β
Giovanna Fletcher (Billy and Me)
β
I'm payin' and if you even open your mouth to argue with me, I'm gonna be forced to find a way to stop you speaking, and the way I'll pick means Billy's gonna get an eyeful of exactly the kind of friend I intend to be.
β
β
Kristen Ashley (Law Man (Dream Man, #3))
β
Hurricanes couldnβt remove you from my mind. Youβre my world and Iβm incapable of not loving you.
β
β
Billie-Jo Williams
β
A motto I've adopted is, if at first you don't succeed, hide all evidence that you ever tried.
β
β
Billy Collins
β
The mind can be trained to relieve itself on paper.
β
β
Billy Collins
β
Vade Mecum
I want the scissors to be sharp
and the table perfectly level
when you cut me out of my life
and paste me in that book you always carry.
β
β
Billy Collins (Sailing Alone Around the Room: New and Selected Poems)
β
My home is in Heaven. I'm just traveling through this world.
β
β
Billy Graham
β
To do something that you feel in your heart that's great, you need to make a lot of mistakes. Anything that's successful is a series of mistakes.
β
β
Billie Joe Armstrong
β
She upset Billy simply by being his mother. She made him feel embarrassed and ungrateful and weak because she had gone to so much trouble to give him life, and to keep that life going, and Billy didn't really like life at all.
β
β
Kurt Vonnegut Jr.
β
Being a Christian is more than just an instantaneous conversion; it is like a daily process whereby you grow to be more and more like Christ.
β
β
Billy Graham
β
Snow, get behind me!" Charming shouted as he leaped to his feet. "I'll handle this brute."
"Billy", the teacher cried. "This is the twenty-first century, Women don't need the white knight routine anymore. I can fight my own battles.
β
β
Michael Buckley (The Unusual Suspects (The Sisters Grimm, #2))
β
A guy walks up to me and asks, "What's Punk?". So I kick over a garbage can and say. "That's punk!". So he kicks over the garbage can and says, "That's Punk?", and I say, "No that's trendy!
β
β
Billie Joe Armstrong
β
βThe day you become old is the day you're not looking for new experiences anymore.
β
β
Billie Joe Armstrong
β
God has given us two hands--one to receive with and the other to give with. We are not cisterns made for hoarding; we are channels made for sharing.
β
β
Billy Graham
β
I'm not perfect. I'll never be perfect. I don't expect anything to be perfect. But things don't have to be perfect to be strong. So if you're waiting around, hoping that something's going to crack, I just... I have to tell you it's not gonna be me. And I can't let it be Billy. Which means it's gonna be you.
β
β
Taylor Jenkins Reid (Daisy Jones & The Six)
β
I could look at you forever and never see the two of us together
β
β
Billy Collins
β
If what Billy Pilgrim learned from the Tralfamadorians is true, that we will all live forever, no matter how dead we may sometimes seem to be, I am not overjoyed. Still--if I am going to spend eternity visiting this moment and that, I'm grateful that so many of those moments are nice.
β
β
Kurt Vonnegut Jr. (Slaughterhouse-Five)
β
We are the Bibles the world is reading; We are the creeds the world is needing; We are the sermons the world is heeding.
β
β
Billy Graham
β
...tell them that we have some good in us, too. And the only thing worth living for is the good. Thatβs why weβve got to make sure we pass it on.
β
β
Billie Letts (Where the Heart Is)
β
But some nights, I must tell you,
I go down there after everyone has fallen asleep.
I swim back and forth in the echoing blackness.
I sing a love song as well as I can,
lost for a while in the home of the rain.
β
β
Billy Collins (Sailing Alone Around the Room: New and Selected Poems)
β
Champions keep playing until they get it right.
β
β
Billie Jean King
β
Despite all my rage
I am still just a rat in the cage.
β
β
Billy Corgan
β
Billy had a framed prayer on his office wall which expressed his method for keeping going, even though he was unenthusiastic about living. A lot of patients who saw the prayer on Billyβs wall told him that it helped them to keep going, too. It went like this: βGod grant me the serenity to accept the things I cannot change, courage to change the things I can, and wisdom always to tell the difference.β Among the things Billy Pilgrim could not change were the past, the present, and the future.
β
β
Kurt Vonnegut Jr. (Slaughterhouse-Five)
β
To love someone is firstly to confess: I'm prepared to be devastated by you.
β
β
Billy-Ray Belcourt (A History of My Brief Body)
β
But tonight, the lion of contentment has placed a warm heavy paw on my chest.
β
β
Billy Collins
β
One of these days I'm-a make me a book out of you.
β
β
Billy Collins
β
You come by your style by learning what to leave out. At first you tend to overwriteβembellishment instead of insight. You either continue to write puerile bilge, or you change. In the process of simplifying oneself, one often discovers the thing called voice.
β
β
Billy Collins
β
You can't copy anybody and end with anything. If you copy, it means you're working without any real feeling. No two people on earth are alike, and it's got to be that way in music or it isn't music.
β
β
Billie Holiday
β
Love makes life worth living, not money
β
β
Giovanna Fletcher (Billy and Me)
β
If I'm going to sing like someone else, then I don't need to sing at all.
β
β
Billie Holiday
β
William," the professor said, softly, "what now is your weapon?"...."Truth," he whispered, his voice rasping. He cleared his throat. "Truth is my sword."
...."And what now is your defense?" Colour returned to Billy's face, and his jaw tightened. His voice surged with emotion. "Faith...faith is my shield.
β
β
Bryan Davis (The Candlestone (Dragons in Our Midst, #2))
β
Home is the place that'll catch you when you fall. And we all fall.
β
β
Billie Letts
β
Life is a waste of time, and time is a waste of life. Get wasted all the time, and you'll have the time of your life!
β
β
Billy Connolly
β
...the trouble with poetry is
that it encourages the writing of more poetry...
β
β
Billy Collins (The Trouble With Poetry - And Other Poems)
β
No matter how far I go, I'm still your person. We stand together now.
β
β
Kendare Blake (One Dark Throne (Three Dark Crowns, #2))
β
The letter said that they were two feet high, and green, and shaped like plumber's friends. Their suction cups were on the ground, and their shafts, which were extremely flexible, usually pointed to the sky. At the top of each shaft was a little hand with a green eye in its palm. The creatures were friendly, and they could see in four dimensions. They pitied Earthlings for being able to see only three. They had many wonderful things to teach Earthlings, especially about time. Billy promised to tell what some of those wonderful things were in his next letter.
Billy was working on his second letter when the first letter was published. The second letter started out like this:
The most important thing I learned on Tralfamadore was that when a person dies he only appears to die. He is still very much alive in the past, so it is very silly for people to cry at his funeral. All moments, past, present and future, always have existed, always will exist. The Tralfamadorians can look at all the different moments just that way we can look at a stretch of the Rocky Mountains, for instance. They can see how permanent all the moments are, and they can look at any moment that interests them. It is just an illusion we have here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever.
When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in a bad condition in that particular moment, but that the same person is just fine in plenty of other moments. Now, when I myself hear that somebody is dead, I simply shrug and say what the Tralfamadorians say about dead people, which is "so it goes.
β
β
Kurt Vonnegut Jr. (Slaughterhouse-Five)
β
Then tell them we've all got meanness in us...But tell them we have some good in us too. And the only thing worth living for is the good. That's why we've got to make sure we pass it on.
β
β
Billie Letts (Where the Heart Is)
β
It seems only yesterday that I used to believe there was nothing under my skin but light. If you cut me I would shine. But now when I fall upon the sidewalks of life, I skin my knees. I bleed.
β
β
Billy Collins
β
I could feel the day offering itself to me,
and I wanted nothing more
than to be in the moment-but which moment?
Not that one, or that one, or that one,
β
β
Billy Collins (The Trouble With Poetry - And Other Poems)
β
Never trust a man who, when left alone in a room with a tea cozy, doesn't try it on.
β
β
Billy Connolly
β
A real Christian is the one who can give his pet parrot to the town gossip.
β
β
Billy Graham
β
I never hurt nobody but myself and that's nobody's business but my own.
β
β
Billie Holiday
β
If someone falls down, pick them back up. Just because there's not a frickin camera in your face doesn't mean you don't have to look out for each other.
β
β
Billie Joe Armstrong
β
When wealth is lost, nothing is lost; when health is lost, something is lost; when character is lost, all is lost.
β
β
Billy Graham
β
Our passion is our strength
β
β
Billie Joe Armstrong
β
Introduction to Poetry
I ask them to take a poem
and hold it up to the light
like a color slide
or press an ear against its hive.
I say drop a mouse into a poem
and watch him probe his way out,
or walk inside the poem's room
and feel the walls for a light switch.
I want them to waterski
across the surface of a poem
waving at the author's name on the shore.
But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.
They begin beating it with a hose
to find out what it really means.
β
β
Billy Collins (The Apple that Astonished Paris)
β
Better die an old maid, sister, than marry the wrong man.
β
β
Billy Sunday
β
Attack your instruments. Don't let them attack you.
β
β
Billie Joe Armstrong
β
Somewhere along the way America became a giant mall with a country attached.
β
β
Ben Fountain (Billy Lynn's Long Halftime Walk)
β
If I look at my old lyrics, they seem to be full of rage, but empty. There was an emptiness in my life.
β
β
Billie Joe Armstrong
β
You can get what you want or you can just get old.
β
β
Billy Joel
β
Women need a reason for having sex, men just need a place
β
β
Billy Graham
β
The bigger the risks, the better off you are. Otherwise you're just boring.
β
β
Billie Joe Armstrong
β
I see all of us reading ourselves away from ourselves,
straining in circles of light to find more light
until the line of words becomes a trail of crumbs
that we follow across a page of fresh snow
β
β
Billy Collins (Sailing Alone Around the Room: New and Selected Poems)
β
In every heart there is a room,
A sanctuary safe and strong,
To heal the wounds from lovers past,
Until a new one comes along
β
β
Billy Joel
β
(About Love)The most important thing in life, and you can't tell whether people have it or not. Surely this is wrong? Surely people who are happy should look happy, at all times, no matter how much money they have or how uncomfortable their shoes are or how little their child is sleeping; and people who are doing OK but have still not found their soul-mate should look, I don't know, anxious, like Billy Crystal in When Harry Met Sally; and people who are desperate should wear something, a yellow ribbon maybe, which would allow them to be identified by similar desperate people.
β
β
Nick Hornby (High Fidelity)
β
For one brief, never-ending second, an entirely different path expanded behind the lids of my tear-wet eyes. As if I were looking through the filter of Jacob's thoughts, I could see exactly what I was going to give up, exactly what this new self-knowledge would not save me from losing. I could see Charlie and RenΓ©e mixed into a strange collage with Billy and Sam and La Push. I could see years passing, and meaning something as they passed, changing me. I could see the enormous red-brown wolf that I loved, always standing as protector if I needed him. For the tiniest fragment of a second, I saw the bobbing heads of two small, black-haired children, running away from me into the familiar forest. When they disappeared, they took the rest of the vision with them.
β
β
Stephenie Meyer (Eclipse)
β
I don't want to see religious bigotry in any form. It would disturb me if there was a wedding between the religious fundamentalists and the political right. The hard right has no interest in religion except to manipulate it.
β
β
Billy Graham
β
As in 'The Three Billy Goats Gruff'?" The skull howled with laughter. "You just got your ass handed to you by a nursery tale?"
"I wouldn't say they handed me my ass," I said.
Bob was nearly strangling on his laughter, and given that he had no lungs it seemed gratuitous somehow. "That's because you can't see yourself," he choked out. "Your nose is all swollen up and you've got two black eyes. You look like a raccoon. Holding a dislocated ass.
β
β
Jim Butcher (Small Favor (The Dresden Files, #10))
β
Billy covered his head with his blanket. He always covered his head when his mother came to see him in the mental ward - always got much sicker until she went away. It wasnβt that she was ugly, or had bad breath or a bad personality. She was a perfectly nice, standard-issue, brown-haired, white woman with a high school education.
She upset Billy simply by being his mother. She made him feel embarrassed and ungrateful and weak because she had gone through so much trouble to give him life, and to keep that life going, and Billy didnβt really like life at all.
β
β
Kurt Vonnegut Jr. (Slaughterhouse-Five)
β
It is time to float on the waters of the night.
Time to wrap my arms around this book
and press it to my chest, life preserver
in a sea of unremarkable men and women,
anonymous faces on the street,
a hundred thousand unalphabetized things,
a million forgotten hours.
β
β
Billy Collins (Picnic, Lightning)
β
What I mean is, I didn't fall in love with you all as a whole. I fell in love with each of you because of who you are. I don't care about you because you come with Mara. I care about you because you're a good kid. You're smart. You're loyal. And you love and look out for your sister and Mara. I know grown men who do not have a character as fine as yours. Those are the reasons I love you. There are different reasons I love Billie. And there are different reasons I love Mara. Today, what we had together was good. But the feelings I feel for you aren't feelings I have to have in order to have Mara. They're feelings you earned. Now, you with me?
β
β
Kristen Ashley (Law Man (Dream Man, #3))
β
Marginalia
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
Absolutely," they shout
to Duns Scotus and James Baldwin.
Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird singing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
Pardon the egg salad stains, but I'm in love.
β
β
Billy Collins (Picnic, Lightning)
β
Heavenly Father, we come before you today to ask your forgiveness and to seek your direction and guidance. We know Your Word says, 'Woe to those who call evil good,' but that is exactly what we have done. We have lost our spiritual equilibrium and reversed our values. We have exploited the poor and called it the lottery. We have rewarded laziness and called it welfare. We have killed our unborn and called it choice. We have shot abortionists and called it justifiable. We have neglected to discipline our children and called it building self esteem. We have abused power and called it politics. We have coveted our neighbor's possessions and called it ambition. We have polluted the air with profanity and pornography and called it freedom of expression. We have ridiculed the time-honored values of our forefathers and called it enlightenment. Search us, Oh God, and know our hearts today; cleanse us from every sin and set us free. Amen!
β
β
Billy Graham
β
The History Teacher
Trying to protect his students' innocence
he told them the Ice Age was really just
the Chilly Age, a period of a million years
when everyone had to wear sweaters.
And the Stone Age became the Gravel Age,
named after the long driveways of the time.
The Spanish Inquisition was nothing more
than an outbreak of questions such as
"How far is it from here to Madrid?"
"What do you call the matador's hat?"
The War of the Roses took place in a garden,
and the Enola Gay dropped one tiny atom on Japan.
The children would leave his classroom
for the playground to torment the weak
and the smart,
mussing up their hair and breaking their glasses,
while he gathered up his notes and walked home
past flower beds and white picket fences,
wondering if they would believe that soldiers
in the Boer War told long, rambling stories
designed to make the enemy nod off.
β
β
Billy Collins (Questions About Angels)
β
Brad (Lauren's ex) ignored Hayley (she's Brad's ex girlfriend) and looked at me, he did a top to toe and back again then his gaze moved to Tate.
"I'm here to tell you I'm suing you," he announced.
Jim-Billy, Nadine, Steg, Wing and my eyes moved to Tate.
Tate stared at Brad then he said, "Come again?"
"I'm suing you," Brad repeated.
"For what?" Tate asked.
"Alienation of affection," Brad answered.
Without hesitation, Tate threw his head back and burst out laughing.
Then he looked at me and remarked, "You're right, babe, this is fun."
Ignoring Tate's comment, Brad declared, "You stole my wife."
Tate looked back at Brad. "Yeah, bud, I did."
Brad pointed at Tate and his voice was raised when he proclaimed, "See? You admit it." He threw his arm out. "I have witnesses."
"Not that any judge'll hear your case, seein' as Lauren divorced your ass before I alienated her affection, but you manage it, I'll pay the fine. In the meantime, I'll keep alienating her affection. You should know, and feel free to share it with your lawyers," Tate continued magnanimously, "schedule's comin' out mornin' and night. Usually, in the mornin', she sucks me off or I make her come in the shower. Night, manβ¦shit, that's even better. Definitely worth the fine."
Sorry, it's just too long; I have to cut it off. But it continuesβ¦like that:
"This is the good life?" (Brad)
"Part of it," Tate replied instantly, taking his fists from the bar, leaning into his forearms and asking softly, in a tone meant both to challenge and provoke, "She ever ignite, lose so much control she'd attack you? Climb on top and fuck you so hard she can't breathe?"
I watched Brad suffer that blow because I hadn't, not even close. We'd had good sex but not that good and Brad was extremely proud of his sexual prowess. He was convinced he was the best. And he knew, with Tate's words, he was wrong.
"Jesus, you're disgusting," Brad muttered, calling up revulsion to save face.
"She does that to me," Tate continued.
"Fuck off," Brad snapped.
"All the fuckin' time," Tate pushed.
"Fuck off," Brad repeated.
"It's fuckin' magnificent," Tate declared.
"Thanks, honey," I whispered and grinned at him when his eyes came to me.
I was actually expressing gratitude, although embarrassed by his conversation, but I was also kind of joking to get in Brad's face.
Tate wasn't. His expression was serious when he said, "You are, Ace. Fuckin' magnificent.
β
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Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
β
The whole idea of it makes me feel
like I'm coming down with something,
something worse than any stomach ache
or the headaches I get from reading in bad light--
a kind of measles of the spirit,
a mumps of the psyche,
a disfiguring chicken pox of the soul.
You tell me it is too early to be looking back,
but that is because you have forgotten
the perfect simplicity of being one
and the beautiful complexity introduced by two.
But I can lie on my bed and remember every digit.
At four I was an Arabian wizard.
I could make myself invisible
by drinking a glass of milk a certain way.
At seven I was a soldier, at nine a prince.
But now I am mostly at the window
watching the late afternoon light.
Back then it never fell so solemnly
against the side of my tree house,
and my bicycle never leaned against the garage
as it does today,
all the dark blue speed drained out of it.
This is the beginning of sadness, I say to myself,
as I walk through the universe in my sneakers.
It is time to say good-bye to my imaginary friends,
time to turn the first big number.
It seems only yesterday I used to believe
there was nothing under my skin but light.
If you cut me I could shine.
But now when I fall upon the sidewalks of life,
I skin my knees. I bleed.
β
β
Billy Collins
β
76. David Hume β Treatise on Human Nature; Essays Moral and Political; An Enquiry Concerning Human Understanding
77. Jean-Jacques Rousseau β On the Origin of Inequality; On the Political Economy; Emile β or, On Education, The Social Contract
78. Laurence Sterne β Tristram Shandy; A Sentimental Journey through France and Italy
79. Adam Smith β The Theory of Moral Sentiments; The Wealth of Nations
80. Immanuel Kant β Critique of Pure Reason; Fundamental Principles of the Metaphysics of Morals; Critique of Practical Reason; The Science of Right; Critique of Judgment; Perpetual Peace
81. Edward Gibbon β The Decline and Fall of the Roman Empire; Autobiography
82. James Boswell β Journal; Life of Samuel Johnson, Ll.D.
83. Antoine Laurent Lavoisier β TraitΓ© ΓlΓ©mentaire de Chimie (Elements of Chemistry)
84. Alexander Hamilton, John Jay, and James Madison β Federalist Papers
85. Jeremy Bentham β Introduction to the Principles of Morals and Legislation; Theory of Fictions
86. Johann Wolfgang von Goethe β Faust; Poetry and Truth
87. Jean Baptiste Joseph Fourier β Analytical Theory of Heat
88. Georg Wilhelm Friedrich Hegel β Phenomenology of Spirit; Philosophy of Right; Lectures on the Philosophy of History
89. William Wordsworth β Poems
90. Samuel Taylor Coleridge β Poems; Biographia Literaria
91. Jane Austen β Pride and Prejudice; Emma
92. Carl von Clausewitz β On War
93. Stendhal β The Red and the Black; The Charterhouse of Parma; On Love
94. Lord Byron β Don Juan
95. Arthur Schopenhauer β Studies in Pessimism
96. Michael Faraday β Chemical History of a Candle; Experimental Researches in Electricity
97. Charles Lyell β Principles of Geology
98. Auguste Comte β The Positive Philosophy
99. HonorΓ© de Balzac β PΓ¨re Goriot; Eugenie Grandet
100. Ralph Waldo Emerson β Representative Men; Essays; Journal
101. Nathaniel Hawthorne β The Scarlet Letter
102. Alexis de Tocqueville β Democracy in America
103. John Stuart Mill β A System of Logic; On Liberty; Representative Government; Utilitarianism; The Subjection of Women; Autobiography
104. Charles Darwin β The Origin of Species; The Descent of Man; Autobiography
105. Charles Dickens β Pickwick Papers; David Copperfield; Hard Times
106. Claude Bernard β Introduction to the Study of Experimental Medicine
107. Henry David Thoreau β Civil Disobedience; Walden
108. Karl Marx β Capital; Communist Manifesto
109. George Eliot β Adam Bede; Middlemarch
110. Herman Melville β Moby-Dick; Billy Budd
111. Fyodor Dostoevsky β Crime and Punishment; The Idiot; The Brothers Karamazov
112. Gustave Flaubert β Madame Bovary; Three Stories
113. Henrik Ibsen β Plays
114. Leo Tolstoy β War and Peace; Anna Karenina; What is Art?; Twenty-Three Tales
115. Mark Twain β The Adventures of Huckleberry Finn; The Mysterious Stranger
116. William James β The Principles of Psychology; The Varieties of Religious Experience; Pragmatism; Essays in Radical Empiricism
117. Henry James β The American; The Ambassadors
118. Friedrich Wilhelm Nietzsche β Thus Spoke Zarathustra; Beyond Good and Evil; The Genealogy of Morals;The Will to Power
119. Jules Henri PoincarΓ© β Science and Hypothesis; Science and Method
120. Sigmund Freud β The Interpretation of Dreams; Introductory Lectures on Psychoanalysis; Civilization and Its Discontents; New Introductory Lectures on Psychoanalysis
121. George Bernard Shaw β Plays and Prefaces
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Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)