Tokyo Quotes

We've searched our database for all the quotes and captions related to Tokyo. Here they are! All 100 of them:

Kenapa harus takut gelap kalau ada banyak hal indah yang hanya bisa dilihat sewaktu gelap? -Nishimura Kazuto
Ilana Tan (Winter in Tokyo)
If an angelic being fell from the sky and tried to live in this world of ours I think even they would commit many wrongs.
Sui Ishida
If you were to write a story with me in the lead role, it would certainly be... a tragedy
Sui Ishida (Tokyo Ghoul, Tome 1 (Tokyo Ghoul, #1))
Fear is like a fire. If you can control it, it can cook for you. It can heat your house.If you can't control it, it will burn everything around you and destroy you. Fear is your friend and your worst enemy.
Sui Ishida (東京喰種トーキョーグール:re 1 [Tokyo Guru:re 1] (Tokyo Ghoul:re, #1))
Human relationships are chemical reactions. If you have a reaction then you can never return back to your previous state of being.
Sui Ishida
Sometimes good people make bad choices. It doesn't mean they are bad people. It means they're human.
Sui Ishida
If the love is true, then treat it the same way you would plant - feed it, protect it from the elements - you must do absolutely everything you can. But if it isn't true, then it's best to just let it wither on the vine.
Hiromi Kawakami (The Briefcase)
Dia juga tidak perlu melakukan apa-apa. Yang paling penting adalah kenyataan bahwa dia ada dan saya bisa melihatnya.” –Nishimura Kazuto–
Ilana Tan (Winter in Tokyo)
I'm not going to protect you by being your shield or armor, but I'll be the dagger hidden below your pillow.
Sui Ishida
It's better to be hurt than to hurt others. Nice people can be happy with just that.
Sui Ishida
A calm and modest life brings more happiness than the pursuit of success combined with constant restlessness. Imperial Hotel note paper, Tokyo Japan, 1922
Albert Einstein
Ada saatnya ketika rasa sakit sama sekali tidak penting. - Nishimura Kazuto
Ilana Tan (Winter in Tokyo)
We need to have a mask that we never take off.
Sui Ishida
King Norodom of Cambodia replied, “Lt. General Kawamura of the Japanese Imperial Army, It is my understanding that you Japanese are granting my people a partial freedom which is always subject to the approval of any laws we make by the Japanese Government in Tokyo!” (A Gracious Enemy & After the War Volume Two)
Michael G. Kramer
If all you ever see is reality, you just want to die.
Durian Sukegawa (Les délices de Tokyo)
In choosing both, you lose both.
Sui Ishida
Rather than a person who hurts others, become the person getting hurt
Sui Ishida
You don't need to blame yourself just because you've hurt someone, just like when you're walking you can't really blame yourself to crush some ants... that's what being stronger ones means.
Sui Ishida
Good night. I'm Cinderella without her prince. Do you know where to find me in Tokyo? You won't see me again.
Osamu Dazai (Schoolgirl)
Trusting a human is difficult, but, if it’s by you, then it’s probably fine if I’m betrayed.
Sui Ishida
It's not because we can't take vengeance that we should feel sorry. The real reason to feel sorry... is when one is hung up on revenge and can't live their own life.
Sui Ishida
People’s lives never stay the same colour forever. There are times when the colour of life changes completely.
Durian Sukegawa (Les délices de Tokyo)
I did a lot of shopping for her in Tokyo because the colors here are very conservative. A shopaholic would have a coat in every color and lots of accessories
Sophie Kinsella (Confessions of a Shopaholic (Shopaholic, #1))
I can neither live with you. Nor without you.
Sui Ishida
I don't have an American half and a Japanese half. I am a whole person. Nobody gets to tell me if I am Japanese enough or too American.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
WHY DID YOU LEAVE ME ALL ALONE..! I'm lovely.. I don't want to be alone. Mom... I... I wanted you to choose me... I WANTED YOU TO LIVE FOR ME!" "Even if it meant letting your aunt die?" "EVEN IF IT MEANT LETTING HER DIE!
Sui Ishida (東京喰種トーキョーグール 7 [Tokyo Guru 7] (Tokyo Ghoul, #7))
The rain that fell on the city runs down the dark gutters and empties into the sea without even soaking the ground
Haruki Murakami (Underground: The Tokyo Gas Attack and the Japanese Psyche)
To speak is to stumble, to hesitate, to detour and hit dead ends. To listen is straightforward. You can always just listen.
Yū Miri (Tokyo Ueno Station)
even a cracked pot has a lid that fits.
Hiromi Kawakami (The Briefcase)
What's wrong isn't me, What's wrong is the world
Sui Ishida (Tokyo Ghoul, Tome 1 (Tokyo Ghoul, #1))
I used to think the world belonged to me. But I was wrong. I belong to the world. And sometimes … I guess sometimes, our choices have to reflect that.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
Karena sesuatu yang indah akan terlihat saat gelap. Nishimura Kazuto
Ilana Tan (Winter in Tokyo)
Forcing myself to make conversation felt like standing on a cliff, peering over the edge, about to tumble down headfirst.
Hiromi Kawakami (The Briefcase)
I wandered the earth a mercenary, daring the gods to kill me but surviving because part of me was already dead.
Barry Eisler (A Clean Kill in Tokyo (John Rain, #1))
Si el mundo es un desastre, entonces este desastre es causado por todo lo existente en este mundo.
Sui Ishida (東京喰種トーキョーグール 8 [Tokyo Guru 8] (Tokyo Ghoul, #8))
When the farthest corner of the globe has been conquered technologically and can be exploited economically; when any incident you like, in any place you like, at any time you like, becomes accessible as fast as you like; when you can simultaneously "experience" an assassination attempt against a king in France and a symphony concert in Tokyo; when time is nothing but speed, instantaneity, and simultaneity, and time as history has vanished from all Being of all peoples; when a boxer counts as the great man of a people; when the tallies of millions at mass meetings are a triumph; then, yes then, there still looms like a specter over all this uproar the question: what for? — where to? — and what then?
Martin Heidegger (Introduction to Metaphysics)
I'm not the protagonist of a novel or anything... I'm just a normal college student who likes to read... But... If I were to write a book with me as the main character... It would be... ...A tragedy.
Sui Ishida (Tokyo Ghoul, Tome 1 (Tokyo Ghoul, #1))
Only the framing material," Lucas demurely, "obvious influences, Neo-Tokyo from Akira, Ghost in the Shell, Metal Gear Solid by Hideo Kojima, or as he's known in my crib, God.
Thomas Pynchon (Bleeding Edge)
I led me by the hand, as if to fill the niches in the memories in my oozing brain fluid. Without even a destination, we kept walking. Disgusting clouds were floating in the sky. I already know what will happen to me the next time I wake up.
Sui Ishida
Despite knowing we will one day be bereft, despite knowing we will one day disappear, we still strive in wretched ways. We still wish to be beautiful.
Sui Ishida
He walked on water. Perhaps. But could he have *swum* on land? In matching knickers and dark glasses? With his Fountain in a Love-in-Tokyo? In pointy shoes and a puff? Would he have had the imagination?
Arundhati Roy (The God of Small Things)
Shout out to all the girls who apologize too much.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
...what makes you older is when your bones, muscles and blood wear out, when the heart sinks into oblivion and all the houses you ever lived in are gone and people are not really certain that your civilization ever existed.
Richard Brautigan (Tokyo-Montana Express)
What comes from the heart will go to the heart
Renae Lucas-Hall
This world is wrong. We have to correct it.
Sui Ishida (東京喰種トーキョーグール 3 (Tokyo Ghoul, #3))
For my 20th birthday in March, I'll buy myself a present for doing my best. A one way ticket to Tokyo. All I need is my guitar and a pack of cigarettes.
Ai Yazawa (Nana, Vol. 1)
I have snacks." Ah, the real three words every girl longs to hear.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
The smallest snowstorm on record took place an hour ago in my back yard. It was approximately two flakes. I waited for more to fall, but that was it. The entire storm was two flakes.
Richard Brautigan (Tokyo-Montana Express)
Yamamoto sensed a feeling of culmination about the huge success of the first strike, and the same incisive intuition that guided his brilliant moves at the gaming tables told him what the next move on the bridge of Akagi would be. In (Vice Admiral) Nagumo he knew his man. Nagumo had never been committed to the Pearl Harbor mission. He had not been Yamamoto’s choice to command the Striking Force; his assignment was the decision of the Navy Ministry in Tokyo, based on seniority. While the exultation of the officers and sailors on his staff swirled around him, Yamamoto sat quietly. Finally, he fixed a steely gaze on his chief of staff, and in a low, intense voice: “Admiral Nagumo is going to withdraw.
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
The deeper the pain you have, the more you hide it. I am sure I am not the only one who has suffered. The bitter truth is often covered with fake smiles.
Sōji Shimada (The Tokyo Zodiac Murders)
Tormented by an unworldly hunger, yet not knowing how to satisfy it.
Sui Ishida (Tokyo Ghoul, Tome 1 (Tokyo Ghoul, #1))
I want to take this fucked up, piece of shit world, fuck it up even more and then give it a factory reset.
Eto Yoshimura
What's tragic isn't that we can't retaliate... What's truly tragic is... ...being consumed with vengeance and not being able to live your life.
Sui Ishida (東京喰種トーキョーグール 2 (Tokyo Ghoul, #2))
He stomped away like a pint-sized Godzilla looking for Tokyo.
Julia Spencer-Fleming (I Shall Not Want (Rev. Clare Fergusson & Russ Van Alstyne Mysteries, #6))
Mimpi tidak akan bertahan lama. Kita boleh saja hidup dalam mimpi, tetapi cepat atau lambat kenyataan akan mendesan masuk, dan ketika kenyataan mendesak masuk dan berhadapan denganmu, kau hanya bisa menerima. - Keiko Ishida
Ilana Tan (Winter in Tokyo)
If you were to write a story with me in the lead role, it would certainly be... a tragedy.
Sui Ishida
Now I understand How lonely the sun must be The unending job To rise again and again Setting fire to all it sees
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
There was something dead in my heart. I tried to figure out what it was by the strength of the smell. I knew that it was not a lion or a sheep or a dog. Using logical deduction, I came to the conclusion that it was a mouse. I had a dead mouse in my heart.
Richard Brautigan (Tokyo-Montana Express)
I just gave them a little scare. A touch of psychological terror. As Joseph Conrad once wrote, true terror is the kind that men feel towards their imagination. (from Super-frog Saves Tokyo)
Haruki Murakami (After the Quake)
The smell of death was thick in the city of Vārāṇasī. And in Tokyo as well. And yet the birds blissfully sang their songs.
Shūsaku Endō (Deep River)
If I'd been born a ghoul, I think I would've killed people. I just happened to be born a human. That's the only reason why I'm allowed to live a moral life.
Sui Ishida (東京喰種トーキョーグール 4 [Tokyo Guru 4] (Tokyo Ghoul, #4))
It took us five hours to reach Tokyo, but I was really happy. I kept talking about myself, and didn't hear anything about Nana. But now that I know you better; I know you wouldn't say anything.
Ai Yazawa (Nana, Vol. 1)
[..]Although personally, I think cyberspace means the end of our species." Yes? Why is that?" Because it means the end of innovation," Malcolm said. "This idea that the whole world is wired together is mass death. Every biologist knows that small groups in isolation evolve fastest. You put a thousand birds on an ocean island and they'll evolve very fast. You put ten thousand on a big continent, and their evolution slows down. Now, for our own species, evolution occurs mostly through our behaviour. We innovate new behaviour to adapt. And everybody on earth knows that innovation only occurs in small groups. Put three people on a committee and they may get something done. Ten people, and it gets harder. Thirty people, and nothing happens. Thirty million, it becomes impossible. That's the effect of mass media - it keeps anything from happening. Mass media swamps diversity. It makes every place the same. Bangkok or Tokyo or London: there's a McDonald's on one corner, a Benetton on another, a Gap across the street. Regional differences vanish. All differences vanish. In a mass-media world, there's less of everything except the top ten books, records, movies, ideas. People worry about losing species diversity in the rain forest. But what about intellectual diversity - our most necessary resource? That's disappearing faster than trees. But we haven't figured that out, so now we're planning to put five billion people together in cyberspace. And it'll freeze the entire species. Everything will stop dead in its tracks. Everyone will think the same thing at the same time. Global uniformity. [..]
Michael Crichton (The Lost World (Jurassic Park, #2))
There are not too many fables about man's misuse of sunflower seeds.
Richard Brautigan (Tokyo-Montana Express)
Unfortunately, much of the important information Ambassador Grew sent to Washington was largely overlooked or ignored, and dialogue between Washington and Tokyo was strained. This state of affairs is indicated by Grew’s cable on July 10, 1941, in which he pointed out that he had to go to the British ambassador in Tokyo, Sir Robert Craigie, to find out about discussions between the State Department and the Japanese ambassador in Washington. This occurred because the State Department kept the British ambassador in Washington abreast of events, who promptly informed the foreign secretary in London, who in turn informed their ambassador in Tokyo. Sir Robert then kindly passed the information to Ambassador Grew.
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
For the future of the earth, We shall fight for it ~Nyan!~
Mia Ikumi (Tokyo Mew Mew, Vol. 1 (Tokyo Mew Mew, #1))
In Paris the cashiers sit rather than stand. They run your goods over a scanner, tally up the price, and then ask you for exact change. The story they give is that there aren't enough euros to go around. "The entire EU is short on coins." And I say, "Really?" because there are plenty of them in Germany. I'm never asked for exact change in Spain or Holland or Italy, so I think the real problem lies with the Parisian cashiers, who are, in a word, lazy. Here in Tokyo they're not just hard working but almost violently cheerful. Down at the Peacock, the change flows like tap water. The women behind the registers bow to you, and I don't mean that they lower their heads a little, the way you might if passing someone on the street. These cashiers press their hands together and bend from the waist. Then they say what sounds to me like "We, the people of this store, worship you as we might a god.
David Sedaris (When You Are Engulfed in Flames)
If you took the city of Tokyo and turned it upside down and shook it you would be amazed at the animals that fall out: badgers, wolves, boa constrictors, crocodiles, ostriches, baboons, capybaras, wild boars, leopards, manatees, ruminants, in untold numbers. There is no doubt in my mind that that feral giraffes and feral hippos have been living in Tokyo for generations without seeing a soul.
Yann Martel (Life of Pi)
What's wrong with wanting to live...? We may be different but we were still given life. Given a chance. If we can only eat humans, then that's what we'll do. How else are we supposed to live with these bodies of ours?!
Sui Ishida (東京喰種トーキョーグール 3 (Tokyo Ghoul, #3))
In order to be released from that agony, it doesn't matter what it takes even if it means using your friend's life, right? And then after you've gobbled him down you'd be left alone to regret it while covered in blood and guts. That's the hunger of a 'Ghoul'.
Sui Ishida (Tokyo Ghoul, Tome 1 (Tokyo Ghoul, #1))
You? You can’t believe this? I’m the one who has to go to Artemis to save your ass. She was freaking out over Zarek, now how the hell do I explain to her that Mr. Cool-Calm-and-Collected was doing his impression of Spider Man in a bar loaded with tourists and ended up as the main feature on Tokyo news as what’s wrong with American culture? Question. How many rules did you break in less than a minute? (Acheron)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
The act of taking is equally evil. We, from the moment of birth, continue to take. Food, connections, even fellow blood. Living to the utmost. Continuing to slaughter, kill, take. Life is to constantly sin. Life is evil itself. I am aware I am evil…. And so are you all. Now, come kill me and, I shall do the same.
Yoshimura
There's no place for someone who can't decide between being one or the other.
Sui Ishida (Tokyo Ghoul, Tome 1 (Tokyo Ghoul, #1))
Even if it's a life in shackles, if you have somebody who accepts you for what you really are, how reassuring would that be?
Sui Ishida (東京喰種トーキョーグール 4 [Tokyo Guru 4] (Tokyo Ghoul, #4))
Your heart is burning strong with righteous indignation... That flame is scattering sparks that may set fire elsewhere. That fire of yours will one day spread to others seeking a just world. The point is whether you have a torch in your heart or not. To light a fire to others.
Sui Ishida (東京喰種トーキョーグール 2 (Tokyo Ghoul, #2))
There are spiders living comfortably in my house while the wind howls outside. They aren't bothering anybody. If I were a fly, I'd have second thoughts, but I'm not, so I don't.
Richard Brautigan (Tokyo-Montana Express)
Do you remember the time we met? The wind blew the snow about on the outside, the train moved, stopped, and then moved some more. It took us five hours to reach Tokyo, but I wasn't bored one bit. I didn't really get to hear so much about Nana. But I knew I would have loved... To hear what Nana had to say about herself. - Nana Komatsu
Ai Yazawa
As expected life isn't that sweet at all. When I came to Tokyo I thought I could achieve anything with my own two hands. It's not like that. To get something in these hands, I have to fight a horrible fight. But... there's not much time to grab the things you want with your hands. Why is that? And more importantly what is that I want?
Ai Yazawa (Nana, Vol. 2)
It's as if Japanese men, all to aware that deep inside they'd like to stomp Tokyo flat, breathe fire, and do truly terrible and disgusting things to women, have built themselves the most beautiful of prisons for their rampaging ids. Instead of indulging their fantasies, they focus on food, or landscaping, or the perfect cup of tea -- or a single slab of o-toro tuna -- letting themselves go only at baseball games and office parties.
Anthony Bourdain (No Reservations: Around the World on an Empty Stomach)
That was quite a discovery for me, the fact that arbitrary kindness makes me uncomfortable, but that being treated fairly feels good.
Hiromi Kawakami (Strange Weather in Tokyo)
What's really important isn't whether you can win fights. It's not losing against yourself.
Ken Wakui (Tokyo Revengers, Vol. 13)
Since I'm a novelist I'm the opposite of you - I believe that what's most important is what cannot be measured. I'm not denying your way of thinking, but the greater part of people's lives consist of things that are unmeasurable, and trying to change all these to something measurable is realistically impossible.
Haruki Murakami (Underground: The Tokyo Gas Attack and the Japanese Psyche)
The world hasn’t changed. It’s just as cruel as it always was.
Durian Sukegawa (Les délices de Tokyo)
being in love makes people uncertain.
Hiromi Kawakami (The Briefcase)
Takdir bukan berdiam diri saja, ia tengah menunggu kita memainkan ceritanya
Sefryana Khairil (Tokyo: Falling)
Aku boleh saja menangis, tapi bukan berarti aku cengeng atau lemah. Ini hanya salah satu bentuk perasaan hati. Setelah menangis, kita harus lebih berani lagi menghadapi sesuatu.
Orihara Ran (Aidoru no Sekai ni Yoroshiku!: Bunga Sakura yang Mekar di Tokyo)
Pasti akan terdengar aneh kalau seseorang yang tidak kaukenal berkata padamu bahwa kalian sudah berkencan dan kau pernah menyatakan perasaan suka pada orang itu. Kau pasti tidak akan percaya. Tidak ada orang yang akan percaya.
Ilana Tan (Winter in Tokyo)
Semua rintangan pasti dapat diselesaikan! Berdoa kepada Tuhan, percaya pada diri sendiri, kalahkan, singkirkan, hancurkan, dan remukkan rintangan itu..., dan yang terakhir, tersenyumlah menuju kemenangan!
Orihara Ran (Aidoru no Sekai ni Yoroshiku!: Bunga Sakura yang Mekar di Tokyo)
This is the most beautiful place on earth. There are many such places. Every man, every woman, carries in heart and mind the image of the ideal place, the right place, the one true home, known or unknown, actual or visionary. A houseboat in Kashmir, a view down Atlantic Avenue in Brooklyn, a gray gothic farmhouse two stories high at the end of a red dog road in the Allegheny Mountains, a cabin on the shore of a blue lake in spruce and fir country, a greasy alley near the Hoboken waterfront, or even, possibly, for those of a less demanding sensibility, the world to be seen from a comfortable apartment high in the tender, velvety smog of Manhattan, Chicago, Paris, Tokyo, Rio, or Rome — there's no limit to the human capacity for the homing sentiment.
Edward Abbey
But: all journeys were return journeys. The farther one traveled, the nakeder one got, until, towards the end, ceasing to be animated by any scene, one was most oneself, a man in a bed surrounded by empty bottles. The man who says, "I've got a wife and kids" is far from home; at home he speaks of Japan. But he does not know - how could he? - that the scenes changing in the train window from Victoria Station to Tokyo Central are nothing compared to the change in himself; and travel writing, which cannot but be droll at the outset, moves from journalism to fiction, arriving promptly as the Kodama Echo at autobiography. From there any further travel makes a beeline to confession, the embarrassed monologue in a deserted bazaar. The anonymous hotel room in a strange city...
Paul Theroux (The Great Railway Bazaar: By Train Through Asia)
Bipolar disorder is about buying a dozen bottles of Heinz ketchup and all eight bottles of Windex in stock at the Food Emporium on Broadway at 4:00 a.m., flying from Zurich to the Bahamas and back to Zurich in three days to balance the hot and cold weather (my sweet and sour theory of bipolar disorder), carrying $20,000 in $100 bills in your shoes into the country on your way back from Tokyo, and picking out the person sitting six seats away at the bar to have sex with only because he or she happens to be sitting there. It's about blips and burps of madness, moments of absolute delusion, bliss, and irrational and dangerous choices made in order to heighten pleasure and excitement and to ensure a sense of control. The symptoms of bipolar disorder come in different strengths and sizes. Most days I need to be as manic as possible to come as close as I can to destruction, to get a real good high -- a $25,000 shopping spree, a four-day drug binge, or a trip around the world.
Andy Behrman (Electroboy: A Memoir of Mania)
I’M LOSING FAITH IN MY FAVORITE COUNTRY Throughout my life, the United States has been my favorite country, save and except for Canada, where I was born, raised, educated, and still live for six months each year. As a child growing up in Waterloo, Ontario, Canada, I aggressively bought and saved baseball cards of American and National League players, spent hours watching snowy images of American baseball and football games on black and white television and longed for the day when I could travel to that great country. Every Saturday afternoon, me and the boys would pay twelve cents to go the show and watch U.S. made movies, and particularly, the Superman serial. Then I got my chance. My father, who worked for B.F. Goodrich, took my brother and me to watch the Cleveland Indians play baseball in the Mistake on the Lake in Cleveland. At last I had made it to the big time. I thought it was an amazing stadium and it was certainly not a mistake. Amazingly, the Americans thought we were Americans. I loved the United States, and everything about the country: its people, its movies, its comic books, its sports, and a great deal more. The country was alive and growing. No, exploding. It was the golden age of life, liberty, and the pursuit of happiness. The American dream was alive and well, but demanded hard work, honesty, and frugality. Everyone understood that. Even the politicians. Then everything changed. Partly because of its proximity to the United States and a shared heritage, Canadians also aspired to what was commonly referred to as the American dream. I fall neatly into that category. For as long as I can remember I wanted a better life, but because I was born with a cardboard spoon in my mouth, and wasn’t a member of the golden gene club, I knew I would have to make it the old fashioned way: work hard and save. After university graduation I spent the first half of my career working for the two largest oil companies in the world: Exxon and Royal Dutch Shell. The second half was spent with one of the smallest oil companies in the world: my own. Then I sold my company and retired into obscurity. In my case obscurity was spending summers in our cottage on Lake Rosseau in Muskoka, Ontario, and winters in our home in Port St. Lucie, Florida. My wife, Ann, and I, (and our three sons when they can find the time), have been enjoying that “obscurity” for a long time. During that long time we have been fortunate to meet and befriend a large number of Americans, many from Tom Brokaw’s “Greatest Generation.” One was a military policeman in Tokyo in 1945. After a very successful business carer in the U.S. he’s retired and living the dream. Another American friend, also a member of the “Greatest Generation”, survived The Battle of the Bulge and lived to drink Hitler’s booze at Berchtesgaden in 1945. He too is happily retired and living the dream. Both of these individuals got to where they are by working hard, saving, and living within their means. Both also remember when their Federal Government did the same thing. One of my younger American friends recently sent me a You Tube video, featuring an impassioned speech by Marco Rubio, Republican senator from Florida. In the speech, Rubio blasts the spending habits of his Federal Government and deeply laments his country’s future. He is outraged that the U.S. Government spends three hundred billion dollars, each and every month. He is even more outraged that one hundred and twenty billion of that three hundred billion dollars is borrowed. In other words, Rubio states that for every dollar the U.S. Government spends, forty cents is borrowed. I don’t blame him for being upset. If I had run my business using that arithmetic, I would be in the soup kitchens. If individual American families had applied that arithmetic to their finances, none of them would be in a position to pay a thin dime of taxes.
Stephen Douglass
On the plane leaving Tokyo I’m sitting alone in back twisting the knobs on Etch-A-Sketch and Roger is next to me singing “Over the Rainbow” straight into my ear, things changing, falling apart, fading, another year, a few more moves, a hard person who doesn’t give a fuck, a boredom so monumental it humbles, arrangements so fleeting made by people you don’t even know that it requires you to lose any sense of reality you might have once acquired, expectations so unreasonable you become superstitious about ever matching them. Roger offers me a joint and I take a drag and stare out the window and I relax for a moment when the lights of Tokyo, which I never realized is an island, vanish from view but this feeling only lasts a moment because Roger is telling me that other lights in other cities, in other countries, on other planets, are coming into view soon.
Bret Easton Ellis (The Informers)
If you lose your ego, you lose the thread of that narrative you call your Self. Humans, however, can't live very long without some sense of a continuing story. Such stories go beyond the limited rational system (or the systematic rationality) with which you surround yourself; they are crucial keys to sharing time-experience with others. Now a narrative is a story, not a logic, nor ethics, nor philosophy. It is a dream you keep having, whether you realize it or not. Just as surely as you breathe, you go on ceaselessly dreaming your story. And in these stories you wear two faces. You are simultaneously subject and object. You are a whole and you are a part. You are real and you are shadow. "Storyteller" and at the same time "character". It is through such multilayering of roles in our stories that we heal the loneliness of being an isolated individual in the world. Yet without a proper ego nobody can create a personal narrative, any more than you can drive a car without an engine, or cast a shadow without a real physical object. But once you've consigned your ego to someone else, where on earth do you go from there? At this point you receive a new narrative from the person to whom you have entrusted your ego. You've handed over the real thing, so what comes back is a shadow. And once your ego has merged with another ego, your narrative will necessarily take on the narrative created by that ego. Just what kind of narrative? It needn't be anything particularly fancy, nothing complicated or refined. You don't need to have literary ambitions. In fact, the sketchier and simpler the better. Junk, a leftover rehash will do. Anyway, most people are tired of complex, multilayered scenarios-they are a potential letdown. It's precisely because people can't find any fixed point within their own multilayered schemes that they're tossing aside their own self-identity.
Haruki Murakami (Underground: The Tokyo Gas Attack and the Japanese Psyche)
It feels like ancient history," said Naoko. But anyhow, sorry about last night. I don't know, I was a bundle of nerves. I really shouldn't have done that after you came here all the way from Tokyo." "Never mind," I said. "Both of us have a lot of feelings we need to get out in the open. So if you want to take those feelings and smash somebody with them, smash me. Then we can understand each other better." "So if you understand me better, what then?" "You don't get it, do you?" I said. "It's not a question of 'what then.' Some people get a kick out of reading railroad timetables and that's all they do all day. Some people make huge model boats out of matchsticks. So what's wrong if there happens to be one guy in the world who enjoys trying to understand you?
Haruki Murakami (Norwegian Wood)
Once upon a time, there lived a boy and a girl. The boy was eighteen and the girl sixteen. He was not unusually handsome, and she was not especially beautiful. They were just an ordinary lonely boy and an ordinary lonely girl, like all the others. But they believed with their whole hearts that somewhere in the world there lived the 100% perfect boy and the 100% perfect girl for them. Yes, they believed in a miracle. And that miracle actually happened. One day the two came upon each other on the corner of a street. “This is amazing,” he said. “I’ve been looking for you all my life. You may not believe this, but you’re the 100% perfect girl for me.” “And you,” she said to him, “are the 100% perfect boy for me, exactly as I’d pictured you in every detail. It’s like a dream.” They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It’s a miracle, a cosmic miracle. As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily? And so, when there came a momentary lull in their conversation, the boy said to the girl, “Let’s test ourselves - just once. If we really are each other’s 100% perfect lovers, then sometime, somewhere, we will meet again without fail. And when that happens, and we know that we are the 100% perfect ones, we’ll marry then and there. What do you think?” “Yes,” she said, “that is exactly what we should do.” And so they parted, she to the east, and he to the west. The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other’s 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully. One winter, both the boy and the girl came down with the season’s terrible inluenza, and after drifting for weeks between life and death they lost all memory of their earlier years. When they awoke, their heads were as empty as the young D. H. Lawrence’s piggy bank. They were two bright, determined young people, however, and through their unremitting efforts they were able to acquire once again the knowledge and feeling that qualified them to return as full-fledged members of society. Heaven be praised, they became truly upstanding citizens who knew how to transfer from one subway line to another, who were fully capable of sending a special-delivery letter at the post office. Indeed, they even experienced love again, sometimes as much as 75% or even 85% love. Time passed with shocking swiftness, and soon the boy was thirty-two, the girl thirty. One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew: She is the 100% perfect girl for me. He is the 100% perfect boy for me. But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever. A sad story, don’t you think?
Haruki Murakami (The Elephant Vanishes)
13. A Buddha In Tokyo in th Meiji era there lived two prominent teachers of opposite characteristics. One, Unsho, an instructor in Shingon, kept Buddha's precepts scrupulously. He never drank intoxicants, nor did he eat after eleven o'clock in the morning. The other teacher, Tanzan, a professor of philosophy at the Imperial University, never observed the precepts. When he felt like eating he ate, and when he felt like sleeping in the daytime he slept. One da Unsho visited Tanzan, who was drinking wine at the time, not even a drop of which is supposed to touch the tongue of a Buddhist. "Hello, brother," Tanzan greeted him. "Won't you have a drink?" "I never drink!" exclaimed Unsho solemnly. "One who never drinks is not even human," said Tanzan. "Do you mean to call me inhuman just because I do not indulge in intoxicating liquids!" exclaimed Unsho in anger. "Then if I am not human, wht am I?" "A Buddha," answered Tanzan.
Nyogen Senzaki
Guess what? The Nazis didn't lose the war after all. They won it and flourished. They took over the world and wiped out every last Jew, every last Gypsy, black, East Indian, and American Indian. Then, when they were finished with that, they wiped out the Russians and the Poles and the Bohemians and the Moravians and the Bulgarians and the Serbians and the Croatians--all the Slavs. Then they started in on the Polynesians and the Koreans and the Chinese and the Japanese--all the peoples of Asia. This took a long, long time, but when it was all over, everyone in the world was one hundred percent Aryan, and they were all very, very happy. Naturally the textbooks used in the schools no longer mentioned any race but the Aryan or any language but German or any religion but Hitlerism or any political system but National Socialism. There would have been no point. After a few generations of that, no one could have put anything different into the textbooks even if they'd wanted to, because they didn't know anything different. But one day, two young students were conversing at the University of New Heidelberg in Tokyo. Both were handsome in the usual Aryan way, but one of them looked vaguely worried and unhappy. That was Kurt. His friend said, "What's wrong, Kurt? Why are you always moping around like this?" Kurt said, "I'll tell you, Hans. There is something that's troubling me--and troubling me deeply." His friend asked what it was. "It's this," Kurt said. "I cannot shake the crazy feeling that there is some small thing that we're being lied to about." And that's how the paper ended.' Ishmael nodded thoughtfully. 'And what did your teacher think of that?' 'He wanted to know if I had the same crazy feeling as Kurt. When I said I did, he wanted to know what I thought we were being lied to about. I said, 'How could I know? I'm no better off than Kurt.
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
I haven’t had any adventures. Things have happened to me, events, incidents, anything you like. But not adventures. It isn’t a matter of words; I am beginning to understand. There is something I longed for more than all the rest - without realizing it properly. It wasn’t love, heaven forbid, nor glory, nor wealth. It was…anyway, I had imagined that at certain moments my life could take on a rare and precious quality. There was no need for extraordinary circumstances: all I asked for was a little order. There is nothing very splendid about my life at present: but now and then, for example when they played music in the cafés, I would l look back and say to myself: in the old days, in London, Meknés, Tokyo, I have known wonderful moments, I have had adventures. It is that which has been taken away from me now. I have just learnt, all of a sudden, for no apparent reason, that I have been lying to myself for ten years. Adventures are in books. And naturally, everything they tell you about in books can happen in real life, but not in the same way. It was to this way of happening that I attached so much importance.
Jean-Paul Sartre (Nausea)
These are lines from my asteroid-impact novel, Regolith: Just because there are no laws against stupidity doesn’t mean it shouldn’t be punished. I haven’t faced rejection this brutal since I was single. He smelled trouble like a fart in the shower. If this was a kiss of gratitude, then she must have been very grateful. Not since Bush and Cheney have so few spent so much so fast for so long for so little. As a nympho for mind-fucks, Lisa took to politics like a pig to mud. She began paying men compliments as if she expected a receipt. Like the Aerosmith song, his get-up-and-go just got-up-and-went. “You couldn’t beat the crap out of a dirty diaper!” He embraced his only daughter as if she was deploying to Iraq. She was hotter than a Class 4 solar flare! If sex was a weapon, then Monique possessed WMD I haven’t felt this alive since I lost my virginity. He once read that 95% of women fake organism, and the rest are gay. Beauty may be in the eyes of the beholder, but ugly is universal. Why do wives fart, but not girlfriends? Adultery is sex that is wrong, but not necessarily bad. The dinosaurs stayed drugged out, drooling like Jonas Brothers fans. Silence filled the room like tear gas. The told him a fraction of the truth and hoped it would take just a fraction of the time. Happiness is the best cosmetic, He was a whale of a catch, and there were a lot of fish in the sea eager to nibble on his bait. Cheap hookers are less buck for the bang, Men cannot fall in love with women they don’t find attractive, and women cannot fall in love with men they do not respect. During sex, men want feedback while women expect mind-reading. Cooper looked like a cow about to be tipped over. His father warned him to never do anything he couldn’t justify on Oprah. The poor are not free -- they’re just not enslaved. Only those with money are free. Sperm wasn’t something he would choose on a menu, but it still tasted better than asparagus. The crater looked alive, like Godzilla was about to leap out and mess up Tokyo. Bush follows the Bible until it gets to Jesus. When Bush talks to God, it’s prayer; when God talks to Bush, it’s policy. Cheney called the new Miss America a traitor – apparently she wished for world peace. Cheney was so unpopular that Bush almost replaced him when running for re-election, changing his campaign slogan to, ‘Ain’t Got Dick.’ Bush fought a war on poverty – and the poor lost. Bush thinks we should strengthen the dollar by making it two-ply. Hurricane Katrina got rid of so many Democratic voters that Republicans have started calling her Kathleen Harris. America and Iraq fought a war and Iran won. Bush hasn’t choked this much since his last pretzel. Some wars are unpopular; the rest are victorious. So many conservatives hate the GOP that they are thinking of changing their name to the Dixie Chicks. If Saddam had any WMD, he would have used them when we invaded. If Bush had any brains, he would have used them when we invaded. It’s hard for Bush to win hearts and minds since he has neither. In Iraq, you are a coward if you leave and a fool if you stay. Bush believes it’s not a sin to kill Muslims since they are going to Hell anyway. And, with Bush’s help, soon. In Iraq, those who make their constitution subservient to their religion are called Muslims. In America they’re called Republicans. With great power comes great responsibility – unless you’re Republican.
Brent Reilly