“
Ron's ears turned bright red and he become engrossed in a tuft of grass at his feet, which he prodded with his toe 'he must've known I'd run out on you'.
'No', Harry corrected him, 'He must've known you'd always want to come back
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Sometimes, Gansey forgot how much he liked school and how good he was at it. But he couldn't forget it on mornings like this one—fall fog rising out of the fields and lifting in front of the mountains, the Pig running cool and loud, Ronan climbing out of the passenger seat and knocking knuckles on the roof with teeth flashing, dewy grass misting the black toes of his shoes, bag slung over his blazer, narrow-eyed Adam bumping fists as they met on the sidewalk, boys around them laughing and calling to one another, making space for the three of them because this had been a thing for so long: Gansey-Lynch-Parrish.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
As they scuffled in the grass, Adam closed his eyes and leaned his head back. He could nearly scry just like this. The quiet and the cold breeze on his throat would take him away and the dampness of his toes in his shoes and the scent of living creatures would keep him here. Within and without. He couldn’t tell if he was letting himself idolize this place or Ronan, and he wasn’t sure there was a difference.
When he opened his eyes, he saw that Ronan was looking at him, as he had been looking at him for months. Adam looked back, as he had been looking back for months.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
I find many adults are put off when young children pose scientific questions. Why is the Moon round? the children ask. Why is grass green? What is a dream? How deep can you dig a hole? When is the world’s birthday? Why do we have toes? Too many teachers and parents answer with irritation or ridicule, or quickly move on to something else: ‘What did you expect the Moon to be, square?’ Children soon recognize that somehow this kind of question annoys the grown-ups. A few more experiences like it, and another child has been lost to science. Why adults should pretend to omniscience before 6-year-olds, I can’t for the life of me understand. What’s wrong with admitting that we don’t know something? Is our self-esteem so fragile?
”
”
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
“
I live to enjoy life by the littlest things, feeling the grass between my toes, breathing fresh air, watching the wind sway the trees, enjoying the company of loved ones, a deep conversation, getting lost in a good book, going for a walk in nature, watching my kids grow up. Just the feeling itself of being alive, the absolute amazing fact that we are here right now, breathing, thinking, doing.
”
”
Marigold Wellington
“
Behold the day-break!
I awaken you by sitting on your chest and purring in your face,
I stir you with muscular paw-prods, I rouse you with toe-bites,
Walt, you have slept enough, why don't you get up?"
(From Meow of Myself, from LEAVES OF CATNIP)
”
”
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
“
The grass whispered under his body. He put his arm down, feeling the sheath of fuzz on it, and, far away, below, his toes creaking in his shoes. The wind sighed over his shelled ears. The world slipped bright over the glassy round of his eyeballs like images sparked in a crystal sphere. Flowers were sun and fiery spots of sky strewn through the woodland. Birds flickered like skipped stones across the vast inverted pond of heaven. His breath raked over his teeth, going in ice, coming out fire. Insects shocked the air with electric clearness. Ten thousand individual hairs grew a millionth of an inch on his head. He heard the twin hearts beating in each ear, the third heart beating in his throat, the two hearts throbbing his wrists, the real heart pounding his chest. The million pores on his body opened.
I'm really alive! he thought. I never knew it before, or if I did I don't remember!
”
”
Ray Bradbury (Dandelion Wine)
“
I am tired of stairs and stone passages. i would give a good deal for the feel of grass at my toes.
”
”
J.R.R. Tolkien (The Hobbit, or There and Back Again (The Lord of the Rings, #0))
“
Catch fireflies in flight, crinkle grass under your toes and know that you are always beloved always beautiful .... a dream within a dream.
”
”
spoken silence
“
Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour--landing at the other end without a single hairpin in one's hair! Shot out at the feet of God entirely naked! Tumbling head over heels in the asphodel meadows like brown paper parcels pitched down a shoot in the post office! With one's hair flying back like the tail of a race-horse. Yes, that seems to express the rapidity of life, the perpetual waste and repair; all so casual, all so haphazard...
But after life. The slow pulling down of thick green stalks so that the cup of the flower, as it turns over, deluges one with purple and red light. Why, after all, should one not be born there as one is born here, helpless, speechless, unable to focus one's eyesight, groping at the roots of the grass, at the toes of the Giants?
”
”
Virginia Woolf
“
Jase had seen me, restless, walking, organizing supplies that were already ordered. Everyone else was asleep on their bedrolls. He came up behind me, his hands circling my waist. "I can't sleep either," he said. His lips grazed my neck, and he whispered, "Tell me a riddle, Kazi." We laid out a blanket on a bed of grass, the stars of Hetisha's Chariot, Eagle's Nest, and Thieves' Gold lighting our way, far from everyone else. I settled in next to him, laying my head in the crook of his shoulder, his arm wrapping around me, pulling me close.
"Listen carefully now, Jase Ballenger. I won't repeat myself."
"I'm a good listener."
I know you are. I've known that since our first night together. That's what makes you dangerous. You make me want to share everything with you. I cleared my throat, signaling I was ready to begin.
"If I were a color, I'd be red as a rose,
I make your blood rush, and tingle your toes,
I taste of honey and spring, and a good bit of trouble,
But I make the birds sing, and all the stars double.
I can be quick, a mere peck, or slow and divine,
And that is probably, the very best kind."
"Hmm..." he said, as if stumped. "Let me think for a minute..." He rolled up on one elbow, looking down at me, the stars dusting his cheekbones. "Honey?" He kissed my forehead. "Spring?" He kissed my chin. "You are a good bit of trouble, Kazi of Brightmist." "I try my best." "I may have to take this one slowly..." His hand traveled leisurely from my waist, across my ribs, to my neck, until he was cupping my cheek. My blood rushed; the stars blurred. "Very slowly...to figure it all out." And then his lips pressed, warm and demanding onto mine, and I hoped it would take him an eternity to solve the riddle.
”
”
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
“
The cure for our modern maladies is dirt under the fingernails and the feel of thick grass between the toes. The cure for our listlessness is to be out within the invigorating wind. The cure for our uselessness is to take back up our stewardship; for it is not that there has been no work to be done, we simply have not been attending to it.
”
”
L.M. Browning (Ruminations at Twilight: Poetry Exploring the Sacred)
“
We must have several word-signs," said Syme seriously -- "words that we are likely to want, fine shades of meaning. My favourite word is 'coeval.' What's yours?"
"Do stop playing the goat," said the Professor plaintively. "You don't know how serious this is."
"'Lush,' too, " said Syme, shaking his head sagaciously, "we must have ' lush' -- word applied to grass, don't you know?"
"Do you imagine," asked the Professor furiously, "that we are going to talk to Dr. Bull about grass?"
"There are several ways in which the subject could be approached," said Syme reflectively, "and the word introduced without appearing forced. We might say, ' Dr. Bull, as a revolutionist, you remember that a tyrant once advised us to eat grass; and indeed many of us, looking on the fresh lush grass of summer--"'
"Do you understand," said the other, "that this is a tragedy?"
"Perfectly," replied Syme; "always be comic in a tragedy. What the deuce else can you do? I wish this language of yours had a wider scope. I suppose we could not extend it from the fingers to the toes? That would involve pulling off our boots and socks during the conversation, which however unobtrusively performed -- "
"Syme," said his friend with a stern simplicity, "go to bed!
”
”
G.K. Chesterton (The Man Who Was Thursday)
“
Dried mud flats, sun-warmed, have a delicious touch, cushioned and smooth; so has long grass at morning, hot in the sun, but still cool and wet when the foot sinks into it, like food melting to a new flavour in the mouth. And a flower caught by the stalk between the toes is a small enchantment.
”
”
Nan Shepherd (The Living Mountain)
“
One's-Self I Sing
One's-self I sing, a simple separate person,
Yet utter the word Democratic, the word En-Masse.
Of physiology from top to toe I sing,
Not physiognomy alone nor brain alone is worthy for the Muse, I say
the Form complete is worthier far,
The Female equally with the Male I sing.
Of Life immense in passion, pulse, and power,
Cheerful, for freest action form'd under the laws divine,
The Modern Man I sing.
”
”
Walt Whitman (Leaves of Grass)
“
Maybe the idea of the world as flat isn't a tribal memory or an archetypal memory, but something far older -- a fox memory, a worm memory, a moss memory.
Memory of leaping or crawling or shrugging rootlet by rootlet forward, across the flatness of everything.
To perceive of the earth as round needed something else -- standing up! -- that hadn't yet happened.
What a wild family! Fox and giraffe and wart hog, of course. But these also: bodies like tiny strings, bodies like blades and blossoms! Cord grass, Christmas fern, soldier moss! And here comes grasshopper, all toes and knees and eyes, over the little mountains of the dust.
When I see the black cricket in the woodpile, in autumn, I don't frighten her. And when I see the moss grazing upon the rock, I touch her tenderly,
sweet cousin.
”
”
Mary Oliver (Winter Hours: Prose, Prose Poems, and Poems)
“
And as for what I’ve learned: be an instrument of peace. Be a gentleman at all costs. Enjoy yourself—have fun with your existence. Learn to listen to your inner voice and don’t overdose on yourself. Keep your darkness in check. Let music be a healing force. Be a real musician: once you start counting money before notes, you’re a full-time wannabe. Put your guitar down and go outside and take a long drink of light with your eyes. Go walk in the park and take off your shoes and socks and feel the grass under your feet and mud between your toes. Go see a baby smiling, go see a wino crawling, go see life. Feel life—all of it, as much as possible. Find a human melody, then write a song about it. Make it all come through your music.
”
”
Carlos Santana (The Universal Tone: My Life)
“
It was a good two minutes before either of them was inclined, or indeed able, to speak. Simon’s head was whirling with images of Annabelle Peyton’s firm, flourishing curves clad in ancient under-garments that had shrunk from a thousand washings. It was a good thing that he and she had not found themselves alone in such a circumstance, for Simon was certain that he wouldn’t have been able to leave her without doing something completely barbaric. In Simon’s entire life, he had never experienced such potent craving as he had the moment he had seen Annabelle half-undressed in the meadow. His entire body had been flooded with the urge to dismount his horse, seize Annabelle in his arms, and carry her to the nearest soft patch of grass he could find. He could not imagine a more unholy temptation than the sight of her voluptuous body, the expanse of silken skin tinted in shades of cream and pink, the sun-streaked golden brown hair. She had looked so enchantingly mortified, blushing everywhere. He wanted to remove her ragged undergarments with his teeth and fingers; and then he wanted to kiss her from head to toe, taste her in sweet, soft places that—
...
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
It was not yet hot that morning; the breeze that stalks all seaside towns was running offshore. Nina could feel the wind across her shoulders as she walked onto the perfectly cut grass, feeling the stiff edges of the blades between her toes. She walked until she got to the edge of the cliff.
”
”
Taylor Jenkins Reid (Malibu Rising)
“
A sprawling North London parkland, composed of oaks, willows and chestnuts, yews and sycamores, the beech and the birch; that encompasses the city’s highest point and spreads far beyond it; that is so well planted it feels unplanned; that is not the country but is no more a garden than Yellowstone; that has a shade of green for every possible felicitation of light; that paints itself in russets and ambers in autumn, canary-yellow in the splashy spring; with tickling bush grass to hide teenage lovers and joint smokers, broad oaks for brave men to kiss against, mown meadows for summer ball games, hills for kites, ponds for hippies, an icy lido for old men with strong constitutions, mean llamas for mean children and, for the tourists, a country house, its façade painted white enough for any Hollywood close-up, complete with a tea room, although anything you buy there should be eaten outside with the grass beneath your toes, sitting under the magnolia tree, letting the white blossoms, blush-pink at their tips, fall all around you. Hampstead Heath! Glory of London! Where Keats walked and Jarman fucked, where Orwell exercised his weakened lungs and Constable never failed to find something holy.
”
”
Zadie Smith
“
He knew what he was doing when he gave me the Deluminator, didn’t he? He--well,” Ron’s ears turned bright red and he became engrossed in a tuft of grass at his feet, which he prodded with his toe, “he must’ve known I’d run out on you.”
“No,” Harry corrected him. “He must’ve known you’d always want to come back.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Under a shady tree
can you feel the soft cool grass?
can you feel it with your toes?
we can sit here while it grows.
Laurie Berkner
”
”
Laurie Berkner
“
Occasionally, I’d see one of them slip off her shoe, placing an unstockinged toe into the freshly sprung grass. A hint of wild decadence, a secret place within her heart that could never truly be tamed.
”
”
Kim Liggett (The Grace Year)
“
As he strode across the strand, a drowned man returning from a call of nature stumbled into him in the darkness. “Damphair,” he murmured. Aeron laid a hand upon his head, blessed him, and moved on. The ground rose beneath his feet, gently at first, then more steeply. When he felt scrub grass between his toes, he knew that he had left the strand behind. Slowly he climbed, listening to the waves. The sea is never weary. I must be as tireless.
”
”
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire #4))
“
Patronuses can change, though, can’t they?” said Ron. “Tonks’s changed, didn’t it?”
“Yeah, but if Dumbledore was alive, why wouldn’t he show himself? Why wouldn’t he just hand us the sword?”
“Search me,” said Ron. “Same reason he didn’t give it to you while he was alive? Same reason he left you an old Snitch and Hermione a book of kids’ stories?”
“Which is what?” asked Harry, turning to look Ron full in the face, desperate for the answer.
“I dunno,” said Ron. “Sometimes I’ve thought, when I’ve been a bit hacked off, he was having a laugh or—or he just wanted to make it more difficult. But I don’t think so, not anymore. He knew what he was doing when he gave me the Deluminator, didn’t he? He—well,” Ron’s ears turned bright red and he became engrossed in a tuft of grass at his feet, which he prodded with his toe, “he must’ve known I’d run out on you.”
“No,” Harry corrected him. “He must’ve known you’d always want to come back.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
I walked across the two feet of drive to the lawn and stepped slowly onto the grass. It wasn't a wild grass, of course, but it was happy grass. Some variety of centipede, the mat
stretching across the open spaces, the leaves and roots and runners heavily steeped in time and good water and care and nitrates. It felt…satisfied, maybe, and very oddly, it also felt...snobbish, if grass can feel snobbish. My own mixed grasses at home felt useful, functional, and beneficial. "You are supposed to be eaten," I told the snobbish grass softly, "by
sheep and cattle and goats and geese. You are foodstuff."
"Nell?" Rick asked.
"Nothing," I said, walking away, the grass tickling my arches and pressing up between my toes. "Just talking to the grass.
”
”
Faith Hunter (Blood of the Earth (Soulwood, #1))
“
found myself? … … down from that high place … … crawled in the grass, the trees … … fingers, toes, a tongue to speak! … the smell of wild onions … … dew, the lines? of the hills, … sweetness of light, moon overhead … … the green beauty of the broken? world.
”
”
Anthony Doerr (Cloud Cuckoo Land)
“
Curse him, he was so good at this. He had her toes melting into the evening dew. Her knees felt close to dissolving, too. Soon she’d be reduced to ten thousand drops of Alexandra scattered across the green, desperately clinging to ten thousand blades of grass.
”
”
Tessa Dare (The Governess Game (Girl Meets Duke, #2))
“
He turned his hollow gray eyes on her. "I'm angry," he said. "I am still so angry."
Surprised, charlie started to open her mouth and then closed it again.
"Last night, after you fell asleep, I couldn't stop looking at the swell of your cheek. The snarl of your dark hair. The shipped black nail polish on your toes, curled up against whatever dream you were having. The way you pulled loose the bottom sheet with the violence of sleeping. I looked at you and had a feeling so intense that it made me dizzy and a little sick." His gaze was on the silvery grass of the lawn. "It's no good to feel this way."
Charlie's heart hammered. He had never spoken to her like that. She didn't think anyone had spoken to her like that. "Vince?"
"When I saw you tonight - what he'd done, what he was doing, I wanted to kill him. I was furious and I haven't stopped being furious. I don't feel guilty. I wish he was alive so I could kill him again."
Astonishment robbed her of breath. Vince didn't get angry. He didn't talk about his feelings. He didn't sit alone in the dark, talking about shadows and stars.
He turned to her. "Pretend I didn't say any of that. If you can, pretend tonight never happened, Charlie.
”
”
Holly Black (Book of Night (Book of Night, #1))
“
I had to hide. I couldn’t let him take me to the police station, but I also couldn’t dial 911 to get them help. Maybe if I waited it out, they’d get better on their own? I dashed toward the storage tubs on the other side of the garage, squeezing past the front of Mom’s car. One, maybe two steps more, and I would have jumped inside the closest tub and buried myself under a pile of blankets. The garage door rolled open first.
Not all the way—just enough that I could see the snow on the driveway, and grass, and the bottom half of a dark uniform. I squinted, holding a hand up to the blinding blanket of white light that seemed to settle over my vision. My head started pounding, a thousand times worse than before.
The man in the dark uniform knelt down in the snow, his eyes hidden by sunglasses. I hadn’t seen him before, but I certainly hadn’t met all the police officers at my dad’s station. This one looked older. Harder, I remembered thinking.
He waved me forward again, saying, “We’re here to help you. Please come outside.”
I took a tentative step, then another. This man is a police officer, I told myself. Mom and Dad are sick, and they need help. His navy uniform looked darker the closer I got, like it was drenched straight through with rain. “My parents…”
The officer didn’t let me finish. “Come out here, honey. You’re safe now.”
It wasn’t until my bare toes brushed up against the snow, and the man had wrapped my long hair around his fist and yanked me through the opening, that I even realized his uniform was black.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Waking up is not a scholastic pursuit or a conceptual challenge. The ability to open the next door is the only thing that matters, and the key can come in any package; a book, a stubbed toe, an advertising jingle, a leaf of grass. If your intent is in place, then the universe will act as your librarian and you’ll always have you what you need when you need it.
”
”
Jed McKenna (Spiritual Enlightenment: The Damnedest Thing (The Enlightenment Trilogy Book 1))
“
Every now and then, I'm lucky enough to teach a kindergarten or first-grade class. Many of these children are natural-born scientists -
although heavy on the wonder side, and light on skepticism. They're curious, intellectually vigorous. Provocative and insightful questions bubble out of them. They exhibit enormous enthusiasm. I'm asked follow-up questions. They've never heard of the notion of a 'dumb question'.
But when I talk to high school seniors, I find something different. They memorize 'facts'. By and large, though, the joy of discovery, the life behind those facts has gone out of them. They've lost much of the wonder and gained very little skepticism. They're worried about asking 'dumb' questions; they are willing to accept inadequate answers, they don't pose follow-up questions, the room is awash with sidelong glances to judge, second-by-second, the approval of their peers. They come to class with their questions written out on pieces of paper, which they surreptitiously examine, waiting their turn and oblivious of whatever discussion their peers are at this moment engaged in.
Something has happened between first and twelfth grade. And it's not just puberty. I'd guess that it's partly peer pressure not to excel - except in sports, partly that the society teaches short-term gratification, partly the impression that science or mathematics won't buy you a sports car, partly that so little is expected of students, and partly that there are few rewards or role-models for intelligent discussion of science and technology - or even for learning for it's own sake. Those few who remain interested are vilified as nerds or geeks or grinds. But there's something else. I find many adults are put off when young children pose scientific questions. 'Why is the Moon round?', the children ask. 'Why is grass green?', 'What is a dream?', 'How deep can you dig a hole?', 'When is the world's birthday?', 'Why do we have toes?'. Too many teachers and parents answer with irritation, or ridicule, or quickly move on to something else. 'What did you expect the Moon to be? Square?' Children soon recognize that somehow this kind of question annoys the grown-ups. A few more experiences like it, and another child has been lost to science.
”
”
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
“
I recently walked through the Cambodian killing fields and saw the remnants of that horror myself. I remember looking down at my sandals to see what had been caught between my toes as I was walking through the grass—it was a human tooth. There are teeth, tattered clothing, bones, and other remains of the tortured still scattered throughout the fields today. One of the taunting slogans of the regime was: “To keep you is no benefit. To destroy you is no loss.” While attending a church service in Cambodia, I was served Communion by a former member of the Khmer Rouge whose life was completely transformed by the love of Christ. Many other former regime members have also dedicated their lives to Christ and are active in the church today. If Pol Pot’s soldiers can change, then there is hope for even a rebellious teenager.
”
”
Ravi Zacharias (Beyond Opinion: Living the Faith We Defend)
“
One’s-Self I Sing One’s-self I sing, a simple separate person, Yet utter the word Democratic, the word En-Masse. Of physiology from top to toe I sing, Not physiognomy alone nor brain alone is worthy for the Muse, I say the Form complete is worthier far, The Female equally with the Male I sing. Of Life immense in passion, pulse, and power, Cheerful, for freest action form’d under the laws divine, The Modern Man I sing.
”
”
Walt Whitman (Leaves of Grass)
“
Here- instead of the estuaries and enormous sweeps of grass as in her marsh- clear water flowed as far as she could see through a bright and open cypress forest. Brilliant white herons and storks stood among the water lilies and floating plants so green they seemed to glow. Hunched up on cypress knees as large as easy chairs, they ate pimento-cheese sandwiches and potato chips, grinning as geese glided just below their toes.
”
”
Delia Owens (Where the Crawdads Sing)
“
And what if you weren’t a jinni? What if you were free from their rules?”
I stare at him. His jaw tightens, his eyes steely with determination that frightens me to my core. A cloud drifts across the face of the crescent moon, and the courtyard darkens. Here and there, the grass is still bent where Aladdin and I danced just hours earlier. I drop my gaze and glare at it, shaking from head to toe.
“Don’t say it, Aladdin. Don’t you even think it.” Dread rises in me like a storm cloud, dark and menacing.
Aladdin moves closer. He takes my hands. His skin is warm and crackling with energy, setting me on fire.
“I have one wish left,” he murmurs. “And this one is for you.”
“No, Aladdin! Don’t speak it. Don’t make the Forbidden Wish. The cost—”
“Damn the cost. Zahra, I wish—”
I stop him with a kiss.
Because it is the first thing I think of to stop the terrible words. Because he fills me with light and hope and deep, deep fear. Because I have been longing to for days.
”
”
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
“
Theo often walked barefoot. He loved the cold ooze of the marsh at his toes. He felt the knowingness of the wild grass against his foot pads. Beneath his growing body, toiling the deep soil, the earthworms wriggled, ruled by the thrum-ming of consciousness reserved especially for their species. The rhythms shot straight to his own body. When he walked barefoot with Shadow, he felt the connection between him, his dog, and the heaven beneath his feet. He felt the connection not only with his dog but with all dogs.
”
”
Steven James Taylor (the dog)
“
After school, Peter and I are lying on the couch; his feet are hanging off the end. He’s still in his costume, but I’ve changed into my regular clothes. “You always have the cutest socks,” he says, lifting up my right foot. These ones are gray with white polka dots and yellow bear faces.
Proudly I say, “My great-aunt sends them from Korea. Korea has the cutest stuff, you know.”
“Can you ask her to send me some too? Not bears, but maybe, like, tigers. Tigers are cool.”
“Your feet are too big for socks as cute as these. Your toes would pop right out. You know what, I bet I could find you some socks that fit at…um, the zoo.” Peter sits up and starts tickling me. I gasp out, “I bet the--pandas or gorillas have to--keep their feet warm somehow…in the winter. Maybe they have some kind of deodorized sock technology as well.” I burst into giggles. “Stop…stop tickling me!”
“Then stop being mean about my feet!” I’ve got my hand burrowed under his arm, and I am tickling him ferociously. But by doing so, I have opened myself up to more attacks.
I yell, “Okay, okay, truce!” He stops, and I pretend to stop, but sneak a tickle under his arm, and he lets out a high-pitched un-Peter-like shriek.
“You said truce!” he accuses. We both nod and lie back down, out of breath. “Do you really think my feet smell?”
I don’t. I love the way he smells after a lacrosse game--like sweat and grass and him. But I love to tease, to see that unsure look cross his face for just half a beat. “Well, I mean, on game days…” I say. Then Peter attacks me again, and we’re wrestling around, laughing, when Kitty walks in, balancing a tray with a cheese sandwich and a glass of orange juice.
“Take it upstairs,” she says, sitting down on the floor. “This is a public area.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
The fluttering - she had felt it before. Not with Azad, though he had ignited a fire of his own, as sudden and scorching as lightning. This was more like the gradual, steady warmth of a summer day, a heat that spread all the way down to the tips of her fingers and her toes. She remembered that day - not summer, but spring - lying on the grass beside Laleh, feeling that fluttering as she told Laleh she wished she could marry her. Then Laleh had laughed, and it had died away, never to return.
But she felt it now, and when Parvaneh lifted her eyes to meet Soraya’s, neither of them was laughing.
”
”
Melissa Bashardoust (Girl, Serpent, Thorn)
“
It is so rare to have a new tent appear that Celia considers canceling her performances entirely in order to spend the evening investigating it.
Instead she waits, executing her standard number of shows, finishing the last a few hours before dawn. Only then does she navigate her way through nearly empty pathways to find the latest edition to the circus.
The sign proclaims something called the Ice Garden. and Celia smiles at the addendum below which contains an apology for any thermal inconvenience.
Despite the name, she is not prepared for what awaits her inside the tent.
It is exactly what the sign described. But it is so much more than that.
There are no stripes visible on the walls, everything is sparkling and white. She cannot tell how far it stretches, the size of the tent obscured by cascading willows and twisting vines.
The air itself is magical. Crisp and sweet in her lungs as she breathes, sending a shiver down to her toes that is caused by more than the forewarned drop in temperature.
There are no patrons in the tent as she explores, circling alone around trellises covered in pale roses and a softly bubbling, elaborately carved fountain.
And everything, save for occasional lengths of whet silk ribbon strung like garlands, is made of ice.
Curious, Celia picks a frosted peony from its branch, the stem breaking easily.
But the layered petals shatter, falling from her fingers to the ground, disappearing in the blades of ivory grass below.
When she looks back at the branch, an identical bloom has already appeared.
Celia cannot imagine how much power and skill it would take not only to construct such a thing but to maintain it as well.
And she longs to know how her opponent came up with the idea. Aware that each perfectly structured topiary, every detail down to the stones that line the paths like pearls, must have been planned.
”
”
Erin Morgenstern (The Night Circus)
“
Sometimes, Gansey forgot how much he liked school and how good he was at it. But he couldn't forget it on mornings like this one--fall fog rising out of the fields and lifting in front of the mountains, the Pig running cool and loud, Ronan climbing out of the passenger seat and knocking knuckles on the roof with teeth flashing, dewy grass misting the black toes of his shoes, bag slung over his blazer, narrow-eyed Adam bumping fists as they met on the sidewalk, boys around them laughing and calling to one another, making space for the three of them because this had been a thing for so long: Gansey-Lynch-Parrish. Mornings like this one were made for memories.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
I hope this doesn’t sound racist—these days I never know what will give offense—but black people seem terribly good at waiting, as if they inherited the gene for patience along with the one for sickle-cell. I noticed that in Africa as well: dozens of Africans sitting or standing by the side of the road, waiting for the bus or, even harder, waiting for nothing in particular, and they never appeared restive or annoyed. They didn’t pull grass and chew the tender ends with their front teeth; they didn’t draw aimless pictures with the toes of their plastic sandals in the dry red clay. They were still, and present. The capacity is existential, that ability to just be, with a profundity that I have seen elude some very well educated people.
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
Being held by him, kissed and mastered, taken under and swept away, enthralled her in a way she—an independent woman if nothing else in this life—could not have understood until forced to understand.
From the tips of her toes to the ends of her hair, finally, a man's strength dominated her.
Suddenly, she understood why women wanted so deeply. Why they wanted him. If they sensed even one-tenth of his passion, his power, his vitality, they would break his door down to get to him.
And this, she learned as quickly as any pupil could, was what had been missing before: Zachariah Garrett's full participation. In all fairness to the dare, she locked her arms around his neck and consented to a draw.
He murmured something low and unintelligible, his wine glass dropping to the grass with a soft thump. The arm around her waist tightened, the other climbing, his fingers delving into her loose chignon and tilting her head as he deepened the kiss, drawing down on her bottom lip and sucking.
Instinct had her following his lead, shifting to better accommodate, parrying each thrust of his tongue with her own, rising on the tips of her toes to better sink into him, to gorge herself in vast, voracious gulps. The frantic nature of their joining melted her stiff posture and her cocksure bearing, rolling through her in a languid, glorious wave of sensation and recognition. It was a peculiar time to realize she had built her sense of self around an erroneous ideal.
She was no different than other women.
”
”
Tracy Sumner (Tides of Passion)
“
In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies.
These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly.
At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat.
Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals.
The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth.
In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them.
With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green.
One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom.
“Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap.
“I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look.
“Do you know where I’m coming from? The very Arctic Ocean!” roared he.
Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder.
“You were there, really? Were you? How did you get there?” asked the sprites.
“As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean.
“Take me with you,” I said to the fox.
“Oh, no, you’ll freeze there! You know, it’s cold there!” she said.
“Come on.” I said. “What are you talking about? What cold? Summer is here.”
“Here we have summer, but there they have winter,” she answered.
“No,” I thought. “She must be lying because she does not want to give me a ride.”
Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me.
Like it or not, she had to take me with her.
We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed.
“This is tundra,” said my fellow traveler.
“Tundra? What is tundra?” asked I.
“Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.
”
”
Anna Khvolson
“
PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here.
“You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.”
“Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine.
I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down.
“She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly.
I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods.
Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other.
Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.”
Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.
”
”
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
“
She nearly slipped on an icy rock, but he caught her, his shoepacks sure on the frozen ground. He led her up a shaded path to a limestone wall, where they squeezed through an opening like a loophole. On the other side, the earth fell away, and it seemed they stepped into open sky. She gave a little gasp, not of fear, but of awe. He turned to take her in, pressing his back against the cold cliff and drawing her in front of him. She looked down and found the toes of her boots in midair with only her heels on the ledge. But he had one hard arm around her, grounding her. His breath was warm against her cold cheek. “I wanted to show you Cherokee territory, not just tell you about it.” She followed the sweep of his arm south, his finger pointing to distant snow-dusted mountains and a wide opal river. Small puffs of smoke revealed few campfires or cabins. The land lay before them like a disheveled white coverlet, uninhabited and without end, broken by more mountains and wending waterways. The unspoiled beauty of it took her breath. For a moment he relaxed his hold on her. With a cry, she reached for him again, fearing she might fall into nothingness. “Careful,” he murmured, steadying her. “Trust me.” She shut her eyes tight as his arms settled around her, anchoring her to the side of the cliff. Frightened as she was, she felt a tingling from her bare head to her feet. ’Twas altogether bewildering and frightening . . . yet pleasing. Gingerly, as if doing a slow dance, he led her off the ledge onto safe ground, where he released her and turned toward the stallion grazing on a tuft of grass. His smile was tight. “We should return—soon, before your father thinks I took you captive.” Reluctantly she walked behind him, framing every part of him in her mind in those few, unguarded moments before he mounted.
”
”
Laura Frantz (Courting Morrow Little)
“
Here, beneath this tree, she had lain on her back in the sun and watched the butterflies, and Godolphin had called upon her for the first time, surprising her with her ringlets in disorder and the flowers behind her ears. And in the woods there had been bluebells, where there were bluebells no more, and the bracken had been young which was now waist-high and darkly green. So much loveliness, swiftly come and swiftly gone, and she knew in her heart that this was the last time of looking upon it all, and that she would never come to Navron again. Part of her would linger there for ever: a footstep running tip-toe to the creek, the touch of her hand on a tree, the imprint of her body in the long grass. And perhaps one day, in after years, someone would wander there and listen to the silence, as she had done, and catch the whisper of the dreams that she had dreamt there, in midsummer, under the hot sun and the white sky.
”
”
Daphne du Maurier (Frenchman's Creek)
“
He turned his hollow gray eyes on her. "I'm Angry," he said. "I am still so angry."
Surprised, charlie started to open her mouth and then closed it again.
"Last night, after you fell asleep, I couldn't stop looking at the swell of your cheek. The snarl of your dark hair. The shipped black nail polish on your toes, curled up against whatever dream you were having. The way you pulled loose the bottom sheet with the violence of sleeping. I looked at you and had a feeling so intense that it made me dizzy and a little sick." His gaze was on the silvery grass of the lawn. "It's no good to feel this way."
Charlie's heart hammered. He had never spoken to her like that. She didn't think anyone had spoken to her like that. "Vince?"
"When I saw you tonight - what he'd done, what he was doing, I wanted to kill him. I was furious and I haven't stopped being furious. I don't feel guilty. I wish he was alive so I could kill him again."
Astonishment robbed her of breath. Vince didn't get angry. He didn't talk about his feelings. He didn't sit alone in the dark, talking about shadows and stars.
He turned to her. "Pretend I didn't say any of that. If you can, pretend tonight never happened, Charlie.
”
”
Holly Black (Book of Night (Book of Night, #1))
“
God help us
you full of talk of a city called Edinburgh
and me in silence so very deep we were so very much in love.
And the burns and sikes and streams
though shallow
were deep music to us.
You trout-tickler,
you flower-picker,
climber in willow trees, me laughing below
as best I could laugh, though you never thought it ugly.
Indeed the word you used was the word beautiful,
pinning cowslips behind my ears,
you patting and running fingers through our
beckwashed hair.
Lying by the marigold beds
bare toes entwined, then dancing under branches
before the elms ever died. But our mutual hearts never did.
Bar it is 7 and your raining rage
must cease
under my morning moon.
In my dawn shawl looking dawndown upon you
in your foot-striding fellhighhighupuptopheavyrainbeatingrainrain.
We have always walked together so long.
In the long grass we walked and walked forever so long so very language long
and I could say so once you had the slate in my lap.
My tongue blank - FOREVER, word we wrote on a slate, remember
when you taught me? - only my hands and eyes moving now - two
daughters we could have had -
but I am looking kindly and lovingly on you
'Please do it'
- cool your raging fire lovelorn heart - for me.
And love me - forever.
”
”
Barry MacSweeney (Pearl in the Silver Morning)
“
Soft moonlight enveloped her path, guiding her toward the gate like creamy white petals leading a bride to the altar. Walter didn't understand- she needed to be in these gardens. The beauty breathed life into her. Filled her very soul.
She pushed down the latch, testing it slowly to see if it was locked on the opposite side. Her heart leapt when it opened.
The lady left her gardens every autumn now when the flowers began to die, and Mummy didn't seem to care if she visited the gardens when the lady was gone. But in the summer, when the flowers were blooming, when the air smelled sweet and the butterflies danced in the breeze, Mummy and Walter didn't want her to explore.
Yet this was her sustenance. Her magic. She needed to be here as much as the butterflies needed their nectar to fly.
Quietly she closed the gate and hurried across the brick path until she reached the circular rose garden. In the center of the roses was the most lush carpet of grass. She tossed her shoes into the air, the soft grass tickling her toes. Then she stretched out her arms and twirled in the moonlight.
Some people thought the rays of the moon were cool, like the rays of the sun were warm, but they were wrong. The light from the moon was as warm as the sun, a lovely, golden warmth that electrified her from the inside.
”
”
Melanie Dobson (Shadows of Ladenbrooke Manor)
“
If he truly had understood what that meant—that time runs out—he would have done it all so differently. Maybe you can’t understand until you’re the one standing on the brink. Maybe we’re not meant to. Maybe it’s some biological trick designed to keep us safe from the saber-toothed tiger, only now it keeps us building big cities and worrying about deadlines. Maybe we’re not supposed to get that it will all be gone, we will all be gone—until it’s too late to do anything about it. If life’s a joke and death’s the punch line, in any good setup, you never see it coming. Because if we did understand, we would spend it all in the sun with the grass between our toes. What else was the point? We’re here, then we’re not. And before that and after that, the mountains stay put and the waves keep crashing and the storms come and go and none of any of that is aware that for a brief, fleeting moment, we were here too. We were a part of it too. It’s a relief to know you don’t matter, Steve realized. And understanding that brought him the first moment of peace he’d known since Claire had passed. Surely she must have seen that too. After all, she’d walked ahead; he was the one just catching up. None of it, none of us, matter. And once you see it, once you get it, once you’re free from the false belief that you think you have time, you can just enjoy it for what it is. And it is all so, so beautiful.
”
”
T.J. Newman (Worst Case Scenario)
“
Boys will be boys, and ballplayers will always be arrested adolescents at heart. The proof comes in the mid-afternoon of an early spring training day, when 40 percent of the New York Mets’ starting rotation—Mike Pelfrey and I—hop a chain-link fence to get onto a football field not far from Digital Domain. We have just returned from Dick’s Sporting Goods, where we purchased a football and a tee. We are here to kick field goals. Long field goals. A day before, we were all lying on the grass stretching and guys started talking about football and field-goal kickers, and David Wright mentioned something about the remarkable range of kickers these days. I can kick a fifty-yard field goal, Pelfrey says. You can not, Wright says. You don’t think so? You want to bet? You give me five tries and I’ll put three of them through. One hundred bucks says you can’t, David says. This is going to be the easiest money I ever make. I am Pelf’s self-appointed big brother, always looking out for him, and I don’t want him to go into this wager cold. So I suggest we get a ball and tee and do some practicing. We get back from Dick’s but find the nearby field padlocked, so of course we climb over the fence. At six feet two inches and 220 pounds, I get over without incident, but seeing Pelf hoist his big self over—all six feet seven inches and 250 pounds of him—is much more impressive. Pelf’s job is to kick and my job is to chase. He sets up at the twenty-yard line, tees up the ball, and knocks it through—kicking toe-style, like a latter-day Lou Groza. He backs up to the twenty-five and then the thirty, and boots several more from each distance. Adding the ten yards for the end zone, he’s now hit from forty yards and is finding his range. Pretty darn good. He insists he’s got another ten yards in his leg. He hits from forty-five, and by now he’s probably taken fifteen or seventeen hard kicks and reports that his right shin is getting sore. We don’t consider stopping. Pelf places the ball on the tee at the forty-yard line: a fifty-yard field goal. He takes a half dozen steps back, straight behind the tee, sprints up, and powers his toe into the ball … high … and far … and just barely over the crossbar. That’s all that is required. I thrust both my arms overhead like an NFL referee. He takes three more and converts on a second fifty-yarder. You are the man, Pelf, I say. Adam Vinatieri should worry for his job. That’s it, Pelf says. I can’t even lift my foot anymore. My shin is killing me. We hop back over the fence, Pelf trying to land as lightly as a man his size can land. His shin hurts so much he can barely put pressure on the gas pedal. He’s proven he can hit a fifty-yard field goal, but I go into big-brother mode and tell him I don’t want him kicking any more field goals or stressing his right leg any further. I convince him to drop the bet with David. The last thing you need is to start the season on the DL because you were kicking field goals, I say. Can you imagine if the papers got ahold of that one? The wager just fades away. David doesn’t mind; he gets a laugh at the story of Pelf hopping the fence and practicing, and drilling long ones.
”
”
R.A. Dickey (Wherever I Wind Up: My Quest for Truth, Authenticity, and the Perfect Knuckleball)
“
His eyes flickered with amusement, reflecting sunlight and shade. The rough beard on his chin gave him a wild, dangerous look. Stiffly, she lifted herself onto her toes, bracing a hand against his shoulders. He was steel beneath her grasp. Did he have to watch her so intently? She closed her eyes. It was the only way she would have the courage to do this. Still he waited. It would be a brief meeting of lips. Nothing to be afraid of. If only her heart would remember to keep beating. Holding her breath, she let her lips brush over his. It was the first time she’d ever kissed a man and her mind raced with it. She hardly had a sense of his mouth at all, though the shock of the single touch rushed like liquid fire to her toes. Her part of the bargain was fulfilled. It could be done and over right then. Recklessly, after a moment’s hesitation, she touched her lips once again to him. This time she lingered, exploring the feel of him little by little. His mouth was warm and smooth and wonderful, all of it new and unexpected. He still hadn’t moved, even though her knees threatened to crumble and her heart beat like a thunder drum. Finally he responded with the barest hint of pressure. The warmth of his breath mingled with hers. Without thinking, she let her fingers dig into the sleek muscle of his arms. A low, husky sound rumbled in his throat before he wrapped his arms around her. Heaven and earth. She hadn’t been kissing him at all. The thin ribbon of resistance uncoiled within her as he took control of the kiss. His stubble scraped against her mouth, raking a raw path of sensation through her. She could do nothing but melt against him, clutching the front of his tunic to stay on her feet. A delicious heat radiated from him. His hands sank low against the small of her back to draw her close as he teased her mouth open. His breath mingled with hers for one anguished second before his tongue slipped past her lips to taste her in a slow, indulgent caress. A sigh of surrender escaped from her lips, a sound she hadn’t imagined she was capable of uttering. His hands slipped from her abruptly and she opened her eyes to see his gaze fixed on her.
‘Well,’ he breathed, ‘you do honour your bets.’ Though he no longer touched her, it was as if the kiss hadn’t ended. He was still so close, filling every sense and thought. She stumbled as she tried to step away and he caught her, a knowing smile playing over his mouth. Her balance was impeccable. She never lost her footing like that, just standing there. His grip tightened briefly before he let her go. Even that tiny, innocent touch filled her with renewed longing. In a daze, she bent to pick up her fallen swords. Her pulse throbbed as if she had run a li without stopping. In her head she was still running, flying fast. ‘Now that our bargain is settled…’ she began hoarsely ‘…we should be going.’ To her horror her hands would not stop shaking. Brushing past him, she gathered up her knapsack and slung it over her shoulder. ‘You said the next town was hours from here?’ He collected his sword while a slow grin spread over his face. She couldn’t look at him without conjuring the feel and the taste of him. Head down, she ploughed through the tall grass. ‘A good match,’ she attempted. He caught up to her easily with his long stride. ‘Yes, quite good,’ he replied, the tone rife with meaning. Her cheeks burned hot as she forced her gaze on the road ahead. She could barely tell day from night, couldn’t give her own name if asked. She had to get home and denounce Li Tao. Warn her father. She had thought of nothing else since her escape, until this blue-eyed barbarian had appeared. It was fortunate they were parting when they reached town. When he wasn’t looking she pressed her fingers over her lips, which were still swollen from that first kiss. She was outmatched, much more outmatched than when they had crossed swords.
”
”
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))
“
The young men thought it was too hot to sleep inside their kaia, Bwana,” he replied. “Also,” he said, shuffling the dirt with a big toe, “they were a little bit drunk.” He shrugged with typical African fatalism. Most Africans believe it can never happen to them, something like the attitude of front-line troops. The millet and sorghum
”
”
Peter Hathaway Capstick (Death in the Long Grass: A Big Game Hunter's Adventures in the African Bush)
“
I could see into the shadows, where the very blades of grass and the leaves and buds of plants were sharply defined though it was a dark night. I was acutely aware of my ears, hot, pulsing, and humming. Now fragrance took command, and I was struck with the scents of the evening. Unable to resist, I rolled on the ground, breathing in the wet tang of dewy grass and the musk of the mud in which it grew. I glided my muzzle through the blades, letting each soft edge tickle my nose. When I lifted it, I caught the delicate fragrance of wildflowers and the powdery sweetness of red clover. The aromas permeated my body as if I could smell with my eyes, my toes, and my tail. I detected the essence of living fowl on the feathers of a fallen bird, but was quickly distracted by the blood-warm effluvia of rabbits and voles wafting up from a small hole in the ground.
The air carried the scent of wet leaves after a forest rain. My senses were torn in two, with one thing calling my attention into the air and another, even more compelling, back down to the earth. The miasma of fetid earth, God's creatures, and the aromatic night air swirled in my head and through my body, competing with a cacophony of noises that grew louder and louder. The muffled sound of my paws as they made contact with the ground resonated in my ears. I felt in my body the vibration of all things touching the earth- animals small and large, as they interacted with the same soil that I was treading. The rustle of leaves in the trees, the screech of the wind blowing the hairs on my face, the fluttering of bees' wings, the distant cry of an owl- I heard each as a distinct, sharp sound. My senses were in control of my body. I was a living machine that processed sights, smells, and sounds.
”
”
Karen Essex (Dracula in Love)
“
I know your given name is Katherine. So why does everyone call you Kitty?” He pulled a bag of dried apple slices from his medical bag. With a few pieces in his hand, he gestured to Kitty but she shook her head to decline. She sat straight. “Do you not know?” Holding a piece of apple up to his mouth, Nathaniel prepared for a bite. “I’m waiting.” He flicked the morsel in his mouth and began to chew. She grinned and played with the printed floral fabric of her skirt. “Father was in his study reviewing materials one evening, when Peter—” Nathaniel raised his hand, his expression tender. “You mean your older brother... the one you lost.” “Aye.” The pain of her brother’s death, though always fresh, receded as she prepared to share how her dear sibling had given her such a name. She brushed a blade of grass from her knee. “Peter must have been about two and a half years old, perhaps older. Father said Peter came rushing in babbling something about a kitty and pointing vigorously in the direction of the kitchen.” Kitty imitated the motion, making Nathaniel’s handsome smile widen. “I’m intrigued. Continue.” “Father followed Peter toward the kitchen where, inside the barrel of flour and covered from top to toe was none other than the baby of the family. So, from that moment on Peter, Father, Mother and Liza all called me Kitty.” Nathaniel pelted the air with that buoyant laugh Kitty loved. “How did you get into the barrel without your mother’s notice?” “’Tis a mystery.” He leaned back onto the grass and rested against his elbow, nodding with mock disapproval. “So you were a wily child then?” “Am I not wily now?” “I should say so. And you’ve enjoyed getting your fingers messy in the kitchen ever since.” “Aye, I have.” He
”
”
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
“
As they strode through the meadow, she had the eerie sensation of walking atop waves. Except this was a sea of petals, not saltwater. Her toe caught on a fallen branch, and she stumbled a bit.
"Are you all right?" Colin asked.
She nodded. "I was just distracted. Wondering how much loam is in this soil."
"What?"
He set down his side of the trunk. Minerva did the same.
"You know," she said. "Loam. A mix of clay and sand. In order for he soil to support this many bluebells, it would-"
"You're standing in the middle of this," -he spread his arms wide to indicate Nature's splendor- " and you're thinking about loam in the soil? You spend far too much time staring at the ground."
Rounding the trunk, Colin plucked her off her feet. With gentle strength, he tumbled her into the bluebells. She lay flat on her back, breathless and dizzy from the sudden inversion. From the sudden nearness of him.
He lay down next to her. "There. Have a rest. Look up at the sky for a change."
Minerva stared up from the uneven ground. Her heartbeat drummed in her ears, and a crushed green scent engulfed her senses. The grasses and bluebells towered over her, swaying in the gentle breeze and dripping loveliness. Above everything, the sky hovered brilliantly and blue. Nearly cloudless, save for a few wispy, changing puffs of white that were apparently too proud to mimic rabbits or dragons or sailing ships.
”
”
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
“
The child bounded onto the bed, landing on all fours, her round face wreathed in a smile. “Hein nei nan-ne-i-cut?”
“What is your name?” Hunter translated, tousling the imp’s hair as he hunkered beside the bed. “Loh-rhett-ah, eh? Tohobt Nabituh, Blue Eyes.” To Loretta, he said, “Warrior’s daughter, To-oh Hoos-cho, Blackbird.”
Blackbird giggled and glanced at her grandmother, who stood watching from across the room. “Loh-rhett-ah!”
Loretta scooted toward the head of the bed to press her back against the taut leather wall. The little girl followed, reaching out with a small brown hand to lightly touch the flounces on Loretta’s bloomers. Loretta stared at her. At last, a Comanche she didn’t detest on sight. She was tempted to grab hold of her and never let go. Loretta guessed her to be about three years old, possibly four.
While Blackbird satisfied her curiosity about Loretta and examined her form head to toe, Hunter carried on an unintelligible conversation with his mother. From the gestures he made, Loretta guessed he was relating that his captive refused to eat or drink and that her voice had returned. A look of concern flashed across the older woman’s dark face. Hunter rose and thumped the heel of his hand against his forehead, rolling his eyes toward the smoke hole above the firepit.
“Ai-ee!” Woman with Many Robes crossed the packed grass-and-dirt floor and leaned forward to peer at Loretta. After babbling shrilly for several seconds, all the while waving her spoon, she crooned, “Nei mi-pe mah-tao-yo,” and placed a gentle hand on Loretta’s hair.
“My mother says the poor little one must have no fear.”
Woman with Many Robes cast her son a suspicious glance. When it became apparent that he planned to say no more, she brandished her spoon at him.
With great reluctance he cleared his throat, eyed the people crowding the doorway, and said, in a very low voice, “You will have no fear of me, eh? If I lift my hand against you, I will be a caum-mom-se, a bald head, and she will thump me with her spoon.” He hesitated and looked as if he found it difficult not to smile. “She will make the great na-ba-dah-kah, battle, with me. And in the end, she will win. She is one mean woman.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Before I can ask Nancy where we should go next, she lifts her head and engages me with eyes blue as Rainbow Pool. She pulls off her left shoe and slips off her sock like she did in January over five years ago. Extending her leg beyond the ground-level boardwalk, she ever so lightly touches her big toe to a lonely clump of grass that somehow has managed to survive even though it is completely surrounded by the black sands only a few feet away from the blistering pool. Nancy puts an index finger to her lips cautioning me not to speak.
No worries, my love, I reflect silently.
You made it through, you survived, and you are well.
Together we have made it back home.
”
”
Timothy R. Pearson
“
Books only build upon the foundation of grass between toes, leaves in hair, and a real live newt in your hand. Nature is the space where the seeds of understanding are planted deep.
”
”
Leah Boden (Modern Miss Mason)
“
She grew not on the land so much as out of it, like cottonwoods and bear grass. Each fall a part of her collapsed and withered alongside the wildflowers and grapevines she loved and used for healing. Each spring some new part of her erupted just as the mallows and poppies did, spreading her toes like roots in the truth and sustenance of ground, while branching out to the rest of the living world and stretching upwards towards the light.
”
”
Jesse Wolf Hardin
“
I am barefoot, and I can feel the soft grass beneath my feet. I scrunch up my toes, relishing the sensation.
”
”
Amy Hutchinson (Cora: The Unwilling Queen)
“
monstrosities of tall "monuments" and draped urns. One of the latter, the biggest and ugliest in the graveyard, was sacred to the memory of a certain Alec Davis who had been born a Methodist but had taken to himself a Presbyterian bride of the Douglas clan. She had made him turn Presbyterian and kept him toeing the Presbyterian mark all his life. But when he died she did not dare to doom him to a lonely grave in the Presbyterian graveyard over-harbour. His people were all buried in the Methodist cemetery; so Alec Davis went back to his own in death and his widow consoled herself by erecting a monument which cost more than any of the Methodists could afford. The Meredith children hated it, without just knowing why, but they loved the old, flat, bench-like stones with the tall grasses growing rankly about them. They made jolly seats for one thing. They were all sitting on one now. Jerry, tired of leap frog, was playing on
”
”
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
“
Kahnawake
August 1704
Temperature 75 degrees
It was worth going into the water just to get away from Ruth’s nagging. Mercy waded in, appalled by how cold it was. Snow Walker towed her around for a minute and then let go. At first Mercy couldn’t take two strokes without having to stand up and reassure herself that there was a bottom, but soon she could swim ten, and then twenty, strokes. Joseph, who had been swimming with the boys, paddled over to admire her new skill.
Snow Walker coaxed them to put their heads under the water and swim like fish. Mercy loved it. Wiping river water from her eyes and laughing, she shouted, “Come on in, Joanna!” In front of Snow Walker, she spoke Mohawk. “It feels so cool and slippery inside the water.”
Joanna shook her head. “I can’t see where I’m going on land. I don’t want to be blind in water over my head.”
“Ruth!” yelled Joseph, in English so she’d answer. “Try it. I won’t pull you under by the toes. I promise.”
“Savages swim,” said Ruth. “English people walk or ride horses.”
By now, Mercy had flung her tunic onto the grass and was as bare as everybody else. When Ruth scolded, Mercy ducked under the water and stayed there until the yelling was over.
“Just wait till you get out, Mercy,” said Ruth. “The mosquitos are going to feast on your wet bare skin.”
Mercy translated for Snow Walker, who said, “No, no. We grease to keep the mosquitos away.”
Joseph, of course, had been greasing for weeks, but so far Mercy had not submitted. Ruth, unwilling to see Mercy slather bear fat over her nakedness, stalked away.
“Good,” said Snow Walker, giggling. “The fire is out. We are safe now.”
Mercy was startled. “I never heard you use her old name.”
“I don’t call her Let the Sky In,” explained Snow Walker. “She would let nothing in but storms.”
Snow Walker’s not such a fence post after all, thought Mercy. “Snow Walker, why have they given Ruth such a fine new name?”
“I don’t know. One day at a feast, the story will be told.”
“They’ll have to gag Ruth before they tell it,” said Joseph. “She hates her new name even more than she hated her old one.”
They got out of the water, racing in circles to dry off, and then Snow Walker rubbed bear grease all over Mercy.
“I can’t see you from here, Munnonock,” said Joanna, “but I can smell you.”
“Want some?” said Mercy, planning to attack with a scoop of bear grease, but Joanna left for the safety of the cornfields and her mother. Snow Walker went back in to join a water ball team.
”
”
Caroline B. Cooney (The Ransom of Mercy Carter)
“
She extended her foot, poking at the grass beneath the chair in front of her with the pointed toe of her high-heeled sandal.
”
”
Holly Ford (The Last McAdam)
“
TO VICTOR HUGO OF MY CROW PLUTO
“Even when the bird is walking we know that it has wings.”—VICTOR HUGO
Of:
my crow
Pluto,
the true
Plato,
azzurronegro
green-blue rainbow
— Victor Hugo, it is true
we know that the crow
“has wings,” however pigeon-toe-
inturned on grass.
We do. (adagio)
Vivorosso
“corvo,”
although
con dizionario
io parlo
Italiano—
this pseudo
Esperanto
which, savio
ucello
you speak too
— my vow and motto
(botto e totto)
io giuro
è questo
credo:
lucro
è peso morto.
And so
dear crow—
gioièllo
mio— I have to
let you go;
a bel bosco
generoso,
tuttuto vagabondo, s
erafino uvaceo
Sunto,
oltremarino
verecondo
Plato, addio.
(((((Impromptu equivalents for esperanto madinusa (made in U.S.A.) for those who might not resent them. azzurro-negro: blue-black vivorosso: lively con dizionario: with dictionary savio ucello: knowing bird botto e totto: vow and motto io giuro: I swear è questo credo: is this credo lucro è peso morto: profit is a dead weight gioièllo mio: my jewel a bel bosco: to lovely woods tuttuto vagabondo: complete gypsy serafino uvaceo: grape-black seraph sunto: in short verecondo: modest))))
”
”
Marianne Moore (Complete Poems)
“
I went along the level shore and walked in the shallow water, stepping in and out of it, as if drunk, enthralled by the soft gurgling of the swift current; I stood in the water up to my knees and imagined that I was sinking deeper and deeper into a whirlpool: deeper and deeper, the water was up to my chin, to my lips, over my head. Above me the current was rippling, around me there was a greenish silence, the swaying grasses wrapped around my legs. I was also swaying, like a blade of grass; small fish swam into my mouth and out of my ears; crayfish caught my toes with their claws; a large, slow fish brushed against my thigh. Peace. Indifference. “Hey!” I cried, silently, and sat down in the grove between the path and the river, between life and death.
”
”
Meša Selimović (Death and the Dervish)
“
Miss Kate!” Kiernan exclaimed, pointing. “What happened to your toes?”
“What?” I glanced down, half expecting to see a leech or a cut or some other trauma, but there was nothing odd. “What are you talking about?”
“Your toenails. They’re all red—it looks like blood!”
“Oh,” I laughed. “That’s just nail polish. It’s chipped off in a few places.”
“It looks like paint.” Kiernan sniffed disapprovingly.
I sighed. This was one of the anachronisms that Katherine would probably have caught as I prepared to leave. Did young women paint their nails in the 1890s? Had nail polish even been invented yet? I had no clue.
“Well, it is paint, sort of,” I said.
“Me mom says…” He shook his head and fell silent.
“What does your mom say, Kiernan?” He didn’t answer. “No, really, I won’t be angry. What does she say?”
“She says only whores wear paint,” he said, staring down at the grass. “They usually wear it on their faces, though. I never even heard of painted toes.
”
”
Rysa Walker (Timebound (The Chronos Files, #1))
“
Tell your story,” he said. “What do you mean, Young George? Tell my story? How do you suggest I tell my story?” He looked at his feet. I did, too. They were bare, his toes grabbing the wet grass. He looked at my face. “Use your ears,” he said.
”
”
Percival Everett (James)
“
Most every day, I do dance. I dance with the leaves and the grass. I feel thrills from my toes to my curls. I feel like a bird, sometimes. Then I nod unto the willows, and they nod unto me. They wiggle their toes in the water a bit, and I do so, too. And every time we wiggle our toes, we do drink into our souls the song of the brook- the glad song it is always singing. And the joy-song does sing on in our hearts.
Collected in: Sisters of the Earth: Women's Prose and Poetry About Nature by Lorraine Anderson
”
”
Opal Whiteley
“
But of course Bronte and Grady had led them past the cool, shimmering lagoon without even pausing to dip a toe in. They’d also ignored the much-needed shade formed by the clumps of lacy palm trees, instead heading straight for an icky brown quagmire on the far side of the oasis, bordered by scraggly grass.
”
”
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
“
I watch grass grow between Nicasia's toes and wildflowers spring up all along the gently rising hills, as I notice the trees and brambles sprout, and as the trunk of a tree begins to form around NIcasia's body.
'Cardan!' she screams as bark wraps around her, closing over her waist.
'What have you done?' Orlagh cries as the bark moves higher, as branches unfold, budding with leaves and fragrant blossoms. Petals blow out on the waves.
'Will you flood the land now? Cardan asks Orlagh with perfect calm, as though he didn't just cause a fourth island to rise from the sea. 'Send salt water to corrupt the roots of our trees and make our streams and lakes brackish? Will you drown our berries and send your merfolk to slit our throats and steal our roses? Will you do it if it means your daughter will suffer the same? Come, I dare you.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
Rory walks the tarlines that seep up through the cracks in the concrete like balance beams. The air just above the black lines hangs hot and heavy, blurring everything they touch like a censored face in a photograph. She can hardly see her tiny toes, wincing as they drop down after her heels on the hot path. If it weren't for the pain, she may have believed that she left her feet, along with her lavender canvas sneakers and thinning polka dot socks, in the parched grass behind her. She can imagine them there, sitting and watching her like spectators among the dandelions. Only her pain reminds her that her feet are still beneath her. She clenches her teeth as her feet turn pale pink then red like the grates on a stovetop. Then, all at once, she feels nothing.
”
”
Shaun Herold (Sculpted as the Earth)
“
The door opens on its own, like I was told it would, and I steel my shoulders before walking over. There is a small staircase heading down into warm light, and I walk down the steps, surprised to see a meadow of blue and white flowers and waterfalls that pour down every wall, and it’s a breathtaking place to stand in. The cavern glitters with its own magic, and I can taste the magic in the air, along with the scent of the water and flowers. This place is old but familiar, and I wonder if Persephone ever stood where I did. The door shuts at the top of the stairs behind me, and I glance up at the dim lights on the ceiling, which are cut into star shapes to look like real stars in a night sky. It’s not too bright in here, just dim enough, but I don’t have to hear the door opening to sense them walking in. I head to the bottom of the stone steps, digging my toes into the thick grass. It must be some form of magic, and it certainly feels that way as my alphas walk together down the steps, in their wolf forms, and it takes my breath away to see them like this. Their wolves are large and black-furred, and red magic bounces off into the shadows with every step. It doesn’t seem real that we are finally going to be together, bonded in a way only death can stop. I’ve waited since I was a child to be their mate. Even when I couldn’t remember them, they were my entire heart. I’ve fallen for them more than once, and I fall even more with every second I spend in their arms. My alphas are mine, and I’m theirs. They are my mates. I turn and walk into the meadow, knowing they will follow me over, and they do.
”
”
G. Bailey (Her Salvation (Fall Mountain Shifters, #4))
“
Girl Lunar
You run across the garden -- a pair of lungs. Blue fruit
and attic faced. Your eyes parachutes. The sky is black
and I can't make out your toes as they Morse code
the grass. This is the night, you say.
You say: we are the night. The night is humming
and it is cold. A giant, outdoor freezer and I wait
for our kiss to become kitchens. A film
where you are running and I am still.
Fish-eyed.
I picture teeth along the cloud line.
I need you to help me, I say, panicked.
My breath is clouds.
I need you, I say.
Moth breath.
We are in the garden of dark matter.
Your face doubles in the pond.
”
”
Jen Campbell (The Girl Aquarium)
“
But when I landed in college, I noticed what looked like a gleaming. A goofy, doofy, curly-haired man with broad shoulders brushed by me in the hallway one day. He smelled like cinnamon. He had teddy-brown eyes and performed in the college’s improv group. He was the best one by far, made big gestures, made jokes from a place of kindness and whimsy, pulled ripples of laughter out of this cold, hard world. I used to sit in the audience and marvel. He seemed like an impossibility. It took years. Years of slowly befriending him through mutual friends. Years of calling into his late-night, freestyle-rap radio show, daring my tongue to try… to rhyme on the fly! I even joined the improv group. And eventually, one night I told him how I felt and instead of flinching away, as I had assumed he would, as the boys in the hallway had made it seem that he would, he kissed me. After graduating college, we moved in together, to a small one-bedroom apartment in Brooklyn with a red Formica table and a great front stoop. I finagled my way into a job helping produce a radio program all about science and wonder. He was continuing with comedy—stand-up and improv and writing—and working as a yellow-cab driver to support himself. We stayed up late into the night, sipping beers on the stoop, talking about our days, turning awkward moments and missteps into jokes. I felt like I had found the thing I had thought could never exist. Refuge. It smelled like cinnamon and its walls were made of bad puns and cheap rhymes, piling higher and higher against the chill of the world. My head became full of visions for the future. The TV shows we would write, the tree houses we would build, the way the grass would curl between our toes as we chased our kids through the yard. Until, seven years into it, I toppled the whole thing. Late one night on a beach five hundred miles away from him, possessed by moonlight and red wine and the smell of a bonfire, I reached out for the bouncing blond girl I had been trying not to eye all night. She was wet from swimming; she was prickled in goose bumps, hundreds of goose bumps, that I wanted to press flat with my tongue. She smiled as I placed my hand on her waist, as I touched my lips to her neck. The stars wrapped around us. Her steam became mine. When I told the curly-haired man what I had done, he told me it was over.
”
”
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
“
Her laughter was a wondrous, liquid thing that splashed across my face, over the toes of my shoes, and into the grass.
”
”
Beth Hoffman (Saving CeeCee Honeycutt)
“
Britain had become a kind of cargo cult, a jumble of disassociated local customs, rituals and superstitions: uncanny relics of the distant, unknowable Britain of ancient days. Why, for instance, do sword dancers lock weapons in magical shapes such as the pentagram or the six-pointed star, led by a man wearing a fox’s head? What is the straw bear plodding round the village of Whittlesey in Cambridgeshire every January? Why do a bunch of Nutters black up their faces and perform a coconut dance in several Lancashire villages? What possesses people to engage in the crazed ‘furry dance’, singing the ‘Hal-An-Tow’ song, on 6 May at Helston in Cornwall? Why do beribboned hobby horses canter round the streets of Padstow and Minehead every May Day, with attendant ‘Gullivers’ lunging at onlookers with a giant pair of pincers? The persistence of such rites, and the apparent presence of codes, occult symbolism and nature magic in the dances, mummers’ plays and balladry of yore, have provided a rich compost for some of the outgrowths of folk in the 1960s and afterwards. Even to dip a toe into the world of folklore is to unearth an Other Britain, one composed of mysterious fragments and survivals – a rickety bridge to the sweet grass of Albion. As Bert Lloyd mentioned, ‘To our toiling ancestors [these customs] meant everything, and in a queer irrational way they can still mean much to us.’1
”
”
Rob Young (Electric Eden: Unearthing Britain's Visionary Music)
“
ree-ree-reeeeee!” shouted Tim as he charged Broden, his teeth flashing and his tail wildly whipping along behind him, ready to smash his big toe. “Ahhhhhh!” he screamed, then Broden ran as fast as lightning as he dropped the gigantic bucket of food as he went squishy-squash through chicken caca all the way across the grass and toward the back door. His heart pounded and Broden thought he’d never been so scared in his life. He probably would have made it to the house and he probably would have been able to slam the door shut without Tim the Terrible catching him, but then a really awful thing happened. Broden’s right foot went slippery sliding in a humongous chicken-poopy mountain and he went flying through the air. “Ree-ree-reeeeeee!” screamed Tim as Broden landed on his back, his head landing on a dung hill pillow. Looking over, there was Tim, his mouth open and ready to bite his nose right off as he flew through the air right at him. “Nooo!” Broden cried out, trying to roll over and get out of the way of Tim’s attack. But he was too late. Tim the Terrible swooped down and landed right on his back as Broden was scrambling and crawling in an attempt to escape. Tim’s horsey-ride didn’t last long, though. When Broden looked back at Tim, wondering how he could escape the barbarian, a totally amazing thing happened right before his eyes. His chicken leapt into the air from her stump and spread out her glorious, shimmering black-feathered wings. For one moment, it seemed as if she were hovering in the sky with the sunshine glowing behind her and through her wings. But the next moment, it was as if she had a jetpack on as she came zooming through the air. Straight at Tim. His chicken came zipping down and Broden’s eyes got as big as
”
”
Katie Coughran (Broden and the Shark-Toothed Chicken (Broden and Cookie Book 1))
“
Ciao, Violetta.”
The sound of his voice, low and almost caressing, is such a shock that for a moment I think I’ve hallucinated hearing it. But as I jerk my head back, I see his shoes, his jeans, and swiftly I swing my legs under me, scrabbling for a foothold in the squishy mud of the riverbank, digging in my toes, and stand up waist-high in the water. Luca has bent his long legs now, and is sitting down in front of me, halfway down the bank on a stone outcropping, so we’re almost level. I stare at him, still disbelieving.
“It was you!” I blurt out, and then feel stupid.
“Cosa?”
He lifts his dark brows. I can see his face clearly in the moonlight, the pale skin, the perfect bone structure, the black lock of hair that falls over his forehead, inky-dark.
“Before,” I say. “Up by the club. You were smoking.”
He nods. “Which you think is a disgusting habit,” he observes, amusement in his voice.
“Yes, I do,” I say firmly, glad of the way the conversation is going; ticking him off is much easier than…anything else. “It’s revolting. Schifoso,” I add, having learned the word in Italian.
“Bene.” He pulls the packet from his jeans pocket, raises it to show me, and then, quite unexpectedly, releases it, his long fingers empty, the packet falling into the river beside me. “No more cigarettes,” he says. “Since you say they are schifoso.”
“You’re stopping? Just like that?” I fish out the packet before it becomes so waterlogged it sinks, and put it on the grass.
He shrugs. “Perchè no?”
I swallow. “You shouldn’t just throw things in the water like that. It’s bad for the environment,” I say, sticking with the severe, ticked-off voice, as it makes me feel safe. If I lose this voice with him, I’m in much deeper, more dangerous waters than this pretty little river.
“Mi scusi,” he says lightly, an apology with not a flicker of contrition in his voice. “You are good for me, Violetta. The only one who tells me when I do wrong.”
When he calls me by the Italian version of my name, I can’t help it: I feel like I’m melting. Dissolving, helpless, gone.
”
”
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
“
With one deft motion... she was naked in front of me. Completely unbound, adorned in nothing but starlight and the grass curling over her toes.
”
”
S.T. Gibson (An Education in Malice)
“
you'll find me in the meadow tangled hair bits of grass i've plucked all the wildflowers now they sing your name while i wail it toes caked in mud fistfuls of twigs i found a morel by a fallen tree red jasper in the marsh wade through the river could you hear me scream? i thought i lost my voice i mean i only spoke the truth through shattered teeth but you are honey-coated throat i thought i lost my way i mean i burned all the maps they gave me but then i heard you coming
”
”
Michaela Angemeer (Poems for the Signs)