Titans Death Quotes

Stars," she whispered. "I can see the stars again, my lady." A tear trickled down Artemis's cheek. "Yes, my brave one. They are beautiful tonight." Stars," Zoe repeated. Her eyes fixed on the night sky. And she did not move again.

The bounties of space, of infinite outwardness, were three: empty heroics, low comedy, and pointless death.

If my mom told one more story about how cute I looked in the bathtub when I was three years old I was going to burrow into the snow and freeze myself to death.

He felt as if he had been shipwrecked on the Titanic, but in the nick of time had been rescued. By the Lusitania.

The surface of Earth heaved and seethed in fecund restlessness. Earth was most fertile where the most death was.

We will die here and trust the meaning of our lives to the next generation.. That is the sole way we can rebel against this cruel world !

To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy Power, which seems omnipotent; To love, and bear; to hope till Hope creates From it's own wreck the thing it contemplates; Neither to change, not falter, nor repent; This, like thy glory, Titan, is to be Good, great and joyous,beautiful and free; This is alone Life, Joy, Empire, and Victory

Annabeth and I were relaxing on the Great Lawn in Central Park when she ambushed me with a question. “You forgot, didn’t you?” I went into red-alert mode. It’s easy to panic when you’re a new boyfriend. Sure, I’d fought monsters with Annabeth for years. Together we’d faced the wrath of the gods. We’d battled Titans and calmly faced death a dozen times. But now that we were dating, one frown from her and I freaked. What had I done wrong? I mentally reviewed the picnic list: Comfy blanket? Check. Annabeth’s favorite pizza with extra olives? Check. Chocolate toffee from La Maison du Chocolat? Check. Chilled sparkling water with twist of lemon? Check. Weapons in case of sudden Greek mythological apocalypse? Check. So what had I forgotten? I was tempted (briefly) to bluff my way through. Two things stopped me. First, I didn’t want to lie to Annabeth. Second, she was too smart. She’d see right through me. So I did what I do best. I stared at her blankly and acted dumb.

a vida é uma orquestra que sempre está tocando, afinada, desafinada, um paquete titanic que sempre se afunda e sempre volta à superfície

Zoe—" I said. "Stars," she whispered. "I can see the stars again, my lady." A tear trickled down Artemis's cheek. "Yes, my brave one. They are beautiful tonight." "Stars," Zoe repeated. Her eyes fixed on the night sky. And she did not move again. Thalia lowered her head. Annabeth gulped down a sob, and her father put his hands on her shoulders. I watched as Artemis cupped her hand above Zoe's mouth and spoke a few words in Ancient Greek. A silvery wisp of smoke exhaled from Zoe's lips and was caught in the hand of the goddess. Zoe's body shimmered and disappeared. Artemis stood, said a kind of blessing, breathed into her cupped hand and released the silver dust to the sky. It flew up, sparkling, and vanished. For a moment I didn't see anything different. Then Annabeth gasped. Looking up in the sky, I saw that the stars were brighter now. They made a pattern I had never noticed before—a gleaming constellation that looked a lot like a girl's figure—a girl with a bow, running across the sky. "Let the world honor you, my Huntress," Artemis said. "Live forever in the stars.

Is death the last sleep? No, it is the last final awakening.

Low comedy, empty heroics and pointless death

He stepped around me until he and Kale were nose to nose. Even though I knew it was the remnants of the storm, I could almost imagine the lightning overhead as sparks rising from the shoulders of each boy. Clashing Titans ready to fight to the death.

You make the Titanic look like a tiny little misadventure.

Gentleness, Virtue, Wisdom, and Endurance, These are the seals of that most firm assurance Which bars the pit over Destruction's strength; And if, with infirm hand, Eternity, Mother of many acts and hours, should free The serpent that would clasp her with his length; These are the spells by which to reassume An empire o'er the disentangled doom. To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy Power, which seems omnipotent; To love, and bear; to hope till Hope creates From its own wreck the thing it contemplates; Neither to change, nor falter, nor repent; This, like thy glory, Titan, is to be Good, great and joyous, beautiful and free; This is alone Life, Joy, Empire, and Victory.

In the year Ten Million, according to Koradubian, there would be a tremendous house-cleaning. All records relating to the period between the death of Christ and the year One Million A.D. would be hauled to the dumps and burned. This would be done, said Koradubian, because museums and archives would be crowding the living right off the Earth. The million-year period to which the burned junk related would be summed up in history books in one sentence, according to Koradubian: Following the death of Jesus Christ, there was a period of readjustment that lasted for approximately one million years.

The sinking of the Wilhelm Gustloff is the deadliest disaster in maritime history, with losses dwarfing the death tolls of the famous ships Titanic and Lusitania. Yet remarkably, most people have never heard of it. On January 30, 1945, four torpedoes waited in the belly of Soviet submarine S-13.

Earth was green and watery. The air of the Earth was good to breathe, as fattening as cream. The purity of the rains that fell on Earth could be tasted. The taste of purity was daintily tart. Earth was warm. The surface of the Earth heaved and seethed in fecund restlessness. Earth was most fertile where the most death was.

My name is Parker Black. I sometimes work as BlackDawn. My employer is Titan, and my training is from both the Marines and MIT.” “I know.” “But you don’t know what that means. I will kill to protect you. I will hunt what follows you,” he said through clenched teeth. “I will seek out anything that has its sights on you, and I will destroy it. I’m not a muscle hound with a hard-on for electronics. I’m a mercenary for the good guys, an analyst of life-and-death situations, and I will, I swear to Christ, maim, harm, and kill anything that wants what I care about.

Following the death of Jesus Christ, there was a period of readjustment that lasted for approximately one million years.

Mankind, ignorant of the truths that lie within every human being, looked outward—pushed ever outward. What mankind hoped to learn in its outward push was who was actually in charge of all creation, and what all creation was all about. Mankind flung its advance agents ever outward, ever outward. Eventually it flung them out into space, into the colorless, tasteless, weightless sea of outwardness without end. It flung them like stones. These unhappy agents found that what had already been found in abundance on Earth—a nightmare of meaninglessness without end. The bounties of space, of infinite outwardness, were three: empty heroics, low comedy, and pointless death. Outwardness lost, at last, its imagined attractions. Only inwardness remained to be explored. Only the human soul remain terra incognita. This was the beginning of goodness and wisdom.

How do you greet a god? If there’s an etiquette guide for that, I haven’t read it. I’m never sure if I’m supposed to shake hands, kneel, or bow and shout, “We’re not worthy!” I knew Hermes better than most of the Olympians. Over the years, he’d helped me out several times. Unfortunately last summer I’d also fought his demigod son Luke, who’d been corrupted by the Titan Kronos, in a mortal combat smack-down for the fate of the world. Luke’s death hadn’t been entirely my fault, but it still put a damper on my relationship with Hermes. I decided to start simple. “Hi.

Keeda had survived the death of her Titan, murdered by a Lysander Reaver in black and white that killed them without looking twice. She survived the wracking pain of severance from the Syrgalah's great-hearted machine spirit - a soul she adored and would willingly died to defend. She'd pulled her mutilated colleague free from imminent death and bidden her dead mentor farewell. She'd even fired hopelessly a soldier sworn to kill her, who she knew she could never have harmed. But she only started screaming when a demon embraced and said he'd come to save her life.

It wrote me “helpful” comments about each of the rooms I was going through, like, “This is the Room of Eternal Death. It’s like the Room of Normal Death, but somewhat more repetitive.” That sort of thing.

With his death imminent, the worlds feel emptier. Almost as cavernous as they did when Cassius fell. One by one, the titans of my youth disappear, and freed from their shadow, I do not feel liberated. I feel bereft.

The grey-eyed morn smiles on the frowning night, Chequering the eastern clouds with streaks of light, And flecked darkness like a drunkard reels From forth day's path and Titan's fiery wheels: Now, ere the sun advance his burning eye, The day to cheer and night's dank dew to dry, I must up-fill this osier cage of ours With baleful weeds and precious-juiced flowers. The earth that's nature's mother is her tomb; What is her burying grave that is her womb, And from her womb children of divers kind We sucking on her natural bosom find, Many for many virtues excellent, None but for some and yet all different. O, mickle is the powerful grace that lies In herbs, plants, stones, and their true qualities: For nought so vile that on the earth doth live But to the earth some special good doth give, Nor aught so good but strain'd from that fair use Revolts from true birth, stumbling on abuse: Virtue itself turns vice, being misapplied; And vice sometimes by action dignified. Within the infant rind of this small flower Poison hath residence and medicine power: For this, being smelt, with that part cheers each part; Being tasted, slays all senses with the heart. Two such opposed kings encamp them still In man as well as herbs, grace and rude will; And where the worser is predominant, Full soon the canker death eats up that plant.

Look around you, Ethan." I said. "The end of the world. Is this the reward you want? Do you really want everything destroyed - the good with the bad? Everything?" " There is no throne to Nemesis, " Ethan muttered. "No throne to my mother." "You said your mom is the goddess of balance," I reminded him. "The minor gods deserve better, Ethan, but total destruction isn't balance. Kronos doesn't build. He only destroys." Ethan looked at the sizzling throne of Hephaestus. Grover's music kept playing, and Ethan swayed to it, as if the song was filling him with nostalgia - a wish to see a beautiful day, to be anywhere but here. His good eye blinked. Then he charged...but not at me. While Kronos was still on his knees, Ethan brought his sword down on the Titan lord's neck. It should have killed him instantly, but the blade shattered. Ethan fell back, grasping his stomach. A shard of his own blade had ricocheted and pierced his armor. Kronos rose unsteadily, towering over his servant. "Treason," he snarled. Grover's music kept playing, and grass grew around Ethan's body. Ethan stared at me, his face tight with pain. "Deserve better, " he gasped. "If they just...had thrones-" Kronos stomped his foot, and the floor ruptured around Ethan Nakamura. The son of Nemesis fell through a fissure that went straight through the heart of the mountain - straight into open air. "So much for him." Kronos picked up his sword. "And now for the rest of you.

Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan.

How do we imagine a great love? Perhaps something along the lines of Gone with the Wind or Titanic is what comes to mind. But those aren’t really about love itself, but about a situation. Everything becomes more grand when it takes place in the context of a civil war, a shipwreck, or natural catastrophe. But that is like judging the painting by the frame. That the Mona Lisa should be judged a masterpiece largely because of the carvings that surround it. Love is love. In the dramatic stories, the people involved are physically willing to give up their lives for each other, but that is exactly what happens in the great but everyday love also. You give your lives to each other the whole way and every day, until death.

So you could value your own life," replied the Titan. "Before that you were under the gods' thumbs, doing their bidding without caring if you lived or died. When you could see that life was worth living by your fear of the unknown that was death, then you could really make things happen.

Milton's Eve! Milton's Eve! ... Milton tried to see the first woman; but Cary, he saw her not ... I would beg to remind him that the first men of the earth were Titans, and that Eve was their mother: from her sprang Saturn, Hyperion, Oceanus; she bore Prometheus" -- "Pagan that you are! what does that signify?" "I say, there were giants on the earth in those days: giants that strove to scale heaven. The first woman's breast that heaved with life on this world yielded the daring which could contend with Omnipotence: the stregth which could bear a thousand years of bondage, -- the vitality which could feed that vulture death through uncounted ages, -- the unexhausted life and uncorrupted excellence, sisters to immortality, which after millenniums of crimes, struggles, and woes, could conceive and bring forth a Messiah. The first woman was heaven-born: vast was the heart whence gushed the well-spring of the blood of nations; and grand the undegenerate head where rested the consort-crown of creation. ... I saw -- I now see -- a woman-Titan: her robe of blue air spreads to the outskirts of the heath, where yonder flock is grazing; a veil white as an avalanche sweeps from hear head to her feet, and arabesques of lighting flame on its borders. Under her breast I see her zone, purple like that horizon: through its blush shines the star of evening. Her steady eyes I cannot picture; they are clear -- they are deep as lakes -- they are lifted and full of worship -- they tremble with the softness of love and the lustre of prayer. Her forehead has the expanse of a cloud, and is paler than the early moon, risen long before dark gathers: she reclines her bosom on the ridge of Stilbro' Moor; her mighty hands are joined beneath it. So kneeling, face to face she speaks with God. That Eve is Jehova's daughter, as Adam was His son.

Often in actual life, and not infrequently in the myths and popular tales, we encounter the dull case of the call unanswered; for it is always possible to turn the ear to other interests. Refusal of the summons converts the adventure into its negative. Walled in boredom, hard work, or "culture," the subject loses the power of significant affirmative action and becomes a victim to be saved. His flowering world becomes a wasteland of dry stones and his life feels meaningless—even though, like King Minos, he may through titanic effort succeed in building an empire of renown. Whatever house he builds, it will be a house of death: a labyrinth of cyclopean walls to hide from him his Minotaur.

Hold your tongue, or I'll kill you! You'll kill me? No, excuse me, I will speak. I came to treat myself to that pleasure. Oh, I love the dreams of my ardent young friends, quivering with eagerness for life! 'There are new men,' you decided last spring, when you were meaning to come here, 'they propose to destroy everything and begin with cannibalism. Stupid fellows! they didn't ask my advice! I maintain that nothing need be destroyed, that we only need to destroy the idea of God in man, that's how we have to set to work. It's that, that we must begin with. Oh, blind race of men who have no understanding! As soon as men have all of them denied God -- and I believe that period, analogous with geological periods, will come to pass -- the old conception of the universe will fall of itself without cannibalism, and, what's more, the old morality, and everything will begin anew. Men will unite to take from life all it can give, but only for joy and happiness in the present world. Man will be lifted up with a spirit of divine Titanic pride and the man-god will appear. From hour to hour extending his conquest of nature infinitely by his will and his science, man will feel such lofty joy from hour to hour in doing it that it will make up for all his old dreams of the joys of heaven. Everyone will know that he is mortal and will accept death proudly and serenely like a god. His pride will teach him that it's useless for him to repine at life's being a moment, and he will love his brother without need of reward. Love will be sufficient only for a moment of life, but the very consciousness of its momentariness will intensify its fire, which now is dissipated in dreams of eternal love beyond the grave'... and so on and so on in the same style. Charming! Ivan sat with his eyes on the floor, and his hands pressed to his ears, but he began trembling all over. The voice continued. (The devil) The question now is, my young thinker reflected, is it possible that such a period will ever come? If it does, everything is determined and humanity is settled for ever. But as, owing to man's inveterate stupidity, this cannot come about for at least a thousand years, everyone who recognises the truth even now may legitimately order his life as he pleases, on the new principles. In that sense, 'all things are lawful' for him. What's more, even if this period never comes to pass, since there is anyway no God and no immortality, the new man may well become the man-god, even if he is the only one in the whole world, and promoted to his new position, he may lightheartedly overstep all the barriers of the old morality of the old slaveman, if necessary. There is no law for God. Where God stands, the place is holy. Where I stand will be at once the foremost place... 'all things are lawful' and that's the end of it! That's all very charming; but if you want to swindle why do you want a moral sanction for doing it? But that's our modern Russian all over. He can't bring himself to swindle without a moral sanction. He is so in love with truth-.

A decapitated head will live, on average, fifteen minutes, and I’ve always been above average.

The bounties of space, of infinite outwardness, were three: empty heroics, low comedy, and pointless death. Outwardness

music puts me in touch with life's energy and death still hanging like an old crow on the vines of my mind

Germans needed to reduce their casualties “if we do not intend to win ourselves to death.

La vida es una orquesta que siempre está tocando, afinada, desafinada, un titanic que siempre se hunde y siempre regresa a la superficie.

Sometimes she makes you very sad....she touches something in you, and you've begun to touch back. - Bob Ballard

Look around you, Ethan." I said. "The end of the world. Is this the reward you want? Do you really want everything destroyed - the good with the bad? Everything?" "There is no throne to Nemesis, " Ethan muttered. "No throne to my mother." "You said your mom is the goddess of balance," I reminded him. "The minor gods deserve better, Ethan, but total destruction isn't balance. Kronos doesn't build. He only destroys." Ethan looked at the sizzling throne of Hephaestus. Grover's music kept playing, and Ethan swayed to it, as if the song was filling him with nostalgia - a wish to see a beautiful day, to be anywhere but here. His good eye blinked. Then he charged...but not at me. While Kronos was still on his knees, Ethan brought his sword down on the Titan lord's neck. It should have killed him instantly, but the blade shattered. Ethan fell back, grasping his stomach. A shard of his own blade had ricocheted and pierced his armor. Kronos rose unsteadily, towering over his servant. "Treason," he snarled. Grover's music kept playing, and grass grew around Ethan's body. Ethan stared at me, his face tight with pain. "Deserve better, " he gasped. "If they just...had thrones-" Kronos stomped his foot, and the floor ruptured around Ethan Nakamura. The son of Nemesis fell through a fissure that went straight through the heart of the mountain - straight into open air. "So much for him." Kronos picked up his sword. "And now for the rest of you.

Imagine how titanic an echo chamber this great city would seem without the noise of eve none of mine. A huge bronze bell deprived of one hidden small iron clapper, its sole reason for being, its single means of song.

The shadow and flutter of Constant’s helicopter settling to the heliport seemed to many of the people below to be like the shadow and flutter of the Bright Angel of Death. It seemed that way because of the stock-market crash, because money and jobs were so scarce— And it seemed especially that way to them because the things that had crashed the hardest, that had pulled everything down with them, were the enterprises of Malachi Constant.

He who is not afraid of death, enters a house engulfed in flames; he who is not afraid of death, jumps without hesitation into a turbulent flood; he who is not afraid of death, charges into a dense hail of bullets; he who is not afraid of death, fights unarmed against thousands of armored titans; in summary, he who does not fear death is the only one who can do something for others, bleed for others, and has, at the same time, the only happiness, the only desirable good in this world: undisturbed peace of heart.

CHAPTER ELEVEN Man The Destroyer   Darkness will be preferred to light, and death will be thought more profitable than life…the pious will be deemed insane, and the impious wise, the madman will be thought a brave man, and the wicked will be esteemed as good – Hermes Trismegistus As we mentioned, the titanic reversals were not merely physical, but psychic. Human consciousness was as shattered as the world, and the consequences of ruined minds is seen all around us. In short, the human tendency to commit evil acts is the consequence of trauma primarily caused by four tragic events: The Destruction of Tiamat (and first deluge) Genetic Alteration The War of the Gods The Pole Shift (second deluge and subsequent global carnage and fallout) Once we accept that colossal violent upheavals took place, we cannot avoid contemplating their effect on consciousness. Strangely, no mainstream scientist or psychologist has competently addressed this fundamentally important question. Academics avoid dealing with the problem of evil because they know what a threat the answers pose to the Establishment, and particularly to religion.

Man is himself, like the universe he inhabits, like the demoniacal stirrings of the ooze from which he sprang, a tale of desolations. He walks in his mind from birth to death the long resounding shores of endless disillusionment. Finally, the commitment to life departs or turns to bitterness. But out of such desolation emerges the awesome freedom to choose—to choose beyond the narrowly circumscribed circle that delimits the animal being. In that widening ring of human choice, chaos and order renew their symbolic struggle in the role of titans. They contend for the destiny of a world.

How did he do that?” Alex stumbled to her feet with Aiden’s aid, swaying to one side. Both looked okay. “How did he do that?” I didn’t answer, because I didn’t know how Seth had tapped into all of us without even touching us. My gaze finally fell on Solos. “Oh gods,” I whispered, quickly averting my gaze. What Atlas had whispered in my dream the night before had also been right. Dig a grave. He was . . . I closed my eyes, biting down on my lower lip until I tasted blood. Pain opened in my chest, overshadowing the physical aches that bit and chewed at me. Solos was gone. Him falling had tipped Seth over an edge, a very precarious edge I hadn’t even realized he’d been teetering on this . . . this entire time. I was numb, sitting between where Seth had fallen and where Solos lay. This scent of death was different than what followed the shades. This . . . this was heavier, more real.

The vastness and deadly desolation of the field, the long-distance operation of steel machines, and the relay of every movement in the night drew an unyielding Titan’s mask over the proceedings. You moved toward death without seeing it; you were hit without knowing where the shot came from. Long since had the precision shooting of the trained marksman, the direct fire of guns, and with it the charm of the duel, given way to the concentrated fire of mechanized weapons. The outcome was a game of numbers: Whoever could cover a certain number of square meters with the greater mass of artillery fire, won.

remember didn't you sneak away from camp to have a moment alone with What you felt stirring across the land . . . it was the equinox . . . green spring equal nights . . . canyons are opening up, at the bottoms are steaming fumaroles, steaming the tropical life there like greens in a pot, rank, dope-perfume, a hood of smell . . . human consciousness, that poor cripple, that deformed and doomed thing, is about to be born. This is the World just before men. Too violently pitched alive in constant flow ever to be seen by men directly. They are meant only to look at it dead, in still strata, transputrefied to oil or coal. Alive, it was a threat: it was Titans, was an overpeaking of life so clangorous and mad, such a green corona about Earth's body that some spoiler had to be brought in before it blew the Creation apart. So we, the crippled keepers, were sent out to multiply, to have dominion. God's spoilers. Us. Counter-revolutionaries. It is our mission to promote death. The way we kill, the way we die, being unique among the Creatures. It was something we had to work on, historically and personally. To build from scratch up to its present status as reaction, nearly as strong as life, holding down the green uprising. But only nearly as strong.

The North Korean capital, Pyongyang, is a city consecrated to the worship of a father-son dynasty. (I came to think of them, with their nuclear-family implications, as 'Fat Man and Little Boy.') And a river runs through it. And on this river, the Taedong River, is moored the only American naval vessel in captivity. It was in January 1968 that the U.S.S. Pueblo strayed into North Korean waters, and was boarded and captured. One sailor was killed; the rest were held for nearly a year before being released. I looked over the spy ship, its radio antennae and surveillance equipment still intact, and found photographs of the captain and crew with their hands on their heads in gestures of abject surrender. Copies of their groveling 'confessions,' written in tremulous script, were also on show. So was a humiliating document from the United States government, admitting wrongdoing in the penetration of North Korean waters and petitioning the 'D.P.R.K.' (Democratic People's Republic of Korea) for 'lenience.' Kim Il Sung ('Fat Man') was eventually lenient about the men, but not about the ship. Madeleine Albright didn't ask to see the vessel on her visit last October, during which she described the gruesome, depopulated vistas of Pyongyang as 'beautiful.' As I got back onto the wharf, I noticed a refreshment cart, staffed by two women under a frayed umbrella. It didn't look like much—one of its three wheels was missing and a piece of brick was propping it up—but it was the only such cart I'd see. What toothsome local snacks might the ladies be offering? The choices turned out to be slices of dry bread and cups of warm water. Nor did Madeleine Albright visit the absurdly misnamed 'Demilitarized Zone,' one of the most heavily militarized strips of land on earth. Across the waist of the Korean peninsula lies a wasteland, roughly following the 38th parallel, and packed with a titanic concentration of potential violence. It is four kilometers wide (I have now looked apprehensively at it from both sides) and very near to the capital cities of both North and South. On the day I spent on the northern side, I met a group of aging Chinese veterans, all from Szechuan, touring the old battlefields and reliving a war they helped North Korea nearly win (China sacrificed perhaps a million soldiers in that campaign, including Mao Anying, son of Mao himself). Across the frontier are 37,000 United States soldiers. Their arsenal, which has included undeclared nuclear weapons, is the reason given by Washington for its refusal to sign the land-mines treaty. In August 1976, U.S. officers entered the neutral zone to trim a tree that was obscuring the view of an observation post. A posse of North Koreans came after them, and one, seizing the ax with which the trimming was to be done, hacked two U.S. servicemen to death with it. I visited the ax also; it's proudly displayed in a glass case on the North Korean side.

Each of us is impermanent wave of energy folded into the infinite cosmic order. Acknowledgement of the fundamental impermanence of ourselves unchains us from the strictures of living a terrestrial life stuck like a needle vacillating between the magnetic pull of endless desire and the terror of death. Once we achieve freedom from any craving and all desires and we are relieved of all titanic fears, we release ourselves from living in perpetual distress. Once we rid ourselves from any impulse to exist, we discover our true place in the universal order. The composition of our life filament is exactly right when we accept the notion of living and dying with equal stoicism.

In the year Ten Million, according to Koradubian, there would be a tremendous house-cleaning. All records relating to the period between the death of Christ and the year One Million A.D. would be hauled to dumps and burned. This would be done, said Koradubian, because museums and archives would be crowding the living right off the earth.

For every first-class dog that entered the lifeboats, twenty-nine steerage women and nineteen children died. Emily Badman and Kathy Gilnagh seemed destined to be counted among the lost, having found themselves penned in behind a drawn gate, deep within the stern. An armed, junior officer stood on the other side. "Following orders," he insisted. "It's not time for you to go up.

His father's last word, which Sean had never told anyone, not even his mother, hadn't been goodbye: it had been hello. He hadn't died; he'd been set free from the constraints of history and flesh. And while the fathers of other children could only be the people they were, and were forced to live the lives they'd made for themselves, the Philip Steiner of his son's daydreams was all the possible versions of himself that Sean could imagine. He was always near, always ready to listen, always offering solace. He was all the possible fathers. He was a dragonslayer and a titan of industry; he was a cunning detective and a grizzled gunfighter; he was an astronaut and a priest and a jailer of thieves. He lived in the shadows, and he filled his son's world with light.

To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy power, which seems omnipotent; To love, and bear! to hope till Hope creates From its own wreck the thing it contemplates! Neither to change, nor falter, nor repent! This, like thy glory, Titan, is to be Good, great and joyous, beautiful and free; This is a long Life, Joy, Empire, and Victory.

Themes of descent often turn on the struggle between the titanic and the demonic within the same person or group. In Moby Dick, Ahab’s quest for the whale may be mad and “monomaniacal,” as it is frequently called, or even evil so far as he sacrifices his crew and ship to it, but evil or revenge are not the point of the quest. The whale itself may be only a “dumb brute,” as the mate says, and even if it were malignantly determined to kill Ahab, such an attitude, in a whale hunted to the death, would certainly be understandable if it were there. What obsesses Ahab is in a dimension of reality much further down than any whale, in an amoral and alienating world that nothing normal in the human psyche can directly confront. The professed quest is to kill Moby Dick, but as the portents of disaster pile up it becomes clear that a will to identify with (not adjust to) what Conrad calls the destructive element is what is really driving Ahab. Ahab has, Melville says, become a “Prometheus” with a vulture feeding on him. The axis image appears in the maelstrom or descending spiral (“vortex”) of the last few pages, and perhaps in a remark by one of Ahab’s crew: “The skewer seems loosening out of the middle of the world.” But the descent is not purely demonic, or simply destructive: like other creative descents, it is partly a quest for wisdom, however fatal the attaining of such wisdom may be. A relation reminiscent of Lear and the fool develops at the end between Ahab and the little black cabin boy Pip, who has been left so long to swim in the sea that he has gone insane. Of him it is said that he has been “carried down alive to wondrous depths, where strange shapes of the unwarped primal world glided to and fro . . . and the miser-merman, Wisdom, revealed his hoarded heaps.” Moby Dick is as profound a treatment as modern literature affords of the leviathan symbolism of the Bible, the titanic-demonic force that raises Egypt and Babylon to greatness and then hurls them into nothingness; that is both an enemy of God outside the creation, and, as notably in Job, a creature within it of whom God is rather proud. The leviathan is revealed to Job as the ultimate mystery of God’s ways, the “king over all the children of pride” (41:34), of whom Satan himself is merely an instrument. What this power looks like depends on how it is approached. Approached by Conrad’s Kurtz through his Antichrist psychosis, it is an unimaginable horror: but it may also be a source of energy that man can put to his own use. There are naturally considerable risks in trying to do so: risks that Rimbaud spoke of in his celebrated lettre du voyant as a “dérèglement de tous les sens.” The phrase indicates the close connection between the titanic and the demonic that Verlaine expressed in his phrase poète maudit, the attitude of poets who feel, like Ahab, that the right worship of the powers they invoke is defiance.

Sink white fangs in the throat of Life, Lap up the red that gushes In the cold dark gloom of the bare black stones, In the gorge where the black wind rushes. Slink where the titan boulders poise And the chasms grind thereunder, Over the mountains black and bare In the teeth of the brooding thunder. Why should we wish for the fertile fields, Valley and crystal fountain? This is our doom--the hunger-trail, The wolf and the storm-stalked mountain. Over us stalk the bellowing gods Where the dusk and the twilight sever; Under their iron goatish hoofs They crunch our skulls forever. Mercy and hope and pity--all, Bubbles the black crags sunder; Hunger is all the gods have left And the death that lurks thereunder. Glut mad fangs in the blood of Life To slake the thirst past sating, Before the blind worms mouth our bones And the vulture's beak is grating.

You really don’t believe that anything can have a value of its own beyond what function it serves for human beings?” Resaint said. “Value to who?” Resaint asked Halyard to imagine a planet in some remote galaxy—a lush, seething, glittering planet covered with stratospheric waterfalls, great land-sponges bouncing through the valleys, corals budding in perfect niveous hexagons, humming lichens glued to pink crystals, prismatic jellyfish breaching from the rivers, titanic lilies relying on tornadoes to spread their pollen—a planet full of complex, interconnected life but devoid of consciousness. “Are you telling me that, if an asteroid smashed into this planet and reduced every inch of its surface to dust, nothing would be lost? Because nobody in particular would miss it?” “But the universe is bloody huge—stuff like that must happen every minute. You can’t go on strike over it. Honestly it sounds to me to like your real enemy isn’t climate change or habitat loss, it’s entropy. You don’t like the idea that everything eventually crumbles. Well, it does. If you’re this worried about species extinction, wait until you hear about the heat death of the universe.” “I would be upset about the heat death of the universe too if human beings were accelerating the rate of it by a hundred times or more.” “And if a species’ position with respect to us doesn’t matter— you know, those amoebae they found that live at the bottom of the Mariana Trench, if they’re just as important as Chiu Chiu or my parents’ dog, even though nobody ever gets anywhere near them—if distance in space doesn’t matter, why should distance in time? If we don’t care about whether their lives overlap with our lives, why even worry about whether they exist simultaneously with us? Your favorite wasp—Adelo-midgy-midgy—” “Adelognathus marginatum—” “It did exist. It always will have existed. Extinction can’t take that away. It went through its nasty little routine over and over again for millions and millions of years. The show was a big success. So why is it important that it’s still running at the same time you are? Isn’t that centering the whole thing on human beings, which is exactly what we’re not supposed to be doing? I mean, for that matter—reality is all just numbers anyway, right? I mean underneath? That’s what people say now. So why are you so down on the scans? Hacks aside. Why is it so crucial that these animals exist right now in an ostensibly meat-based format, just because we do? My point is you talk about extinction as if you’re taking this enlightened post-human View from Nowhere but if we really get down to it you’re definitely taking a View from Karin Resaint two arms two legs one head born Basel Switzerland year of our lord two-thousand-and-when-ever.” But Resaint wasn’t listening anymore.

Keeda har survived the death of her Titan, murdered by a Lysander Reaver in black and white that killed them without looking twice. She survived the wracking pain of severance from the Syrgalah's great-hearted machine spirit - a soul she adored and would willingly died to defend. She'd pulled her mutilated colleague free from imminent death and bidden her dead mentor farewell. She'd even fired hopelessly a soldier sworn to kill her, who she knew she could never have harmed. But she only started screaming when a demon embraced and said he'd come to save her life.

Here am I, a little animal called a man--a bit of vitalized matter, one hundred and sixty-five pounds of meat and blood, nerve, sinew, bones, and brain,--all of it soft and tender, susceptible to hurt, fallible, and frail. I strike a light back-handed blow on the nose of an obstreperous horse, and a bone in my hand is broken. I put my head under the water for five minutes, and I am drowned. I fall twenty feet through the air, and I am smashed. I am a creature of temperature. A few degrees one way, and my fingers and ears and toes blacken and drop off. A few degrees the other way, and my skin blisters and shrivels away from the raw, quivering flesh. A few additional degrees either way, and the life and the light in me go out. A drop of poison injected into my body from a snake, and I cease to move--for ever I cease to move. A splinter of lead from a rifle enters my head, and I am wrapped around in the eternal blackness. Fallible and frail, a bit of pulsating, jelly-like life--it is all I am. About me are the great natural forces--colossal menaces, Titans of destruction, unsentimental monsters that have less concern for me than I have for the grain of sand I crush under my foot. They have no concern at all for me. They do not know me. They are unconscious, unmerciful, and unmoral. They are the cyclones and tornadoes, lightning flashes and cloud-bursts, tide-rips and tidal waves, undertows and waterspouts, great whirls and sucks and eddies, earthquakes and volcanoes, surfs that thunder on rock-ribbed coasts and seas that leap aboard the largest crafts that float, crushing humans to pulp or licking them off into the sea and to death--and these insensate monsters do not know that tiny sensitive creature, all nerves and weaknesses, whom men call Jack London, and who himself thinks he is all right and quite a superior being.

Europe's/Western World's greatness came from a Man (but not a single "philosophy" or "religion" was systematically venerable), and vice-versa for China. We, who live in a world of post-post-post tendencies (which denotes a total lack of beauty in action and attitude, a total inadequacy for anything but self-promotion according to humanistic tendencies/fashions), have the great yet melancholic virtue of combining pre-existing forms (I like to think the most venerable) in a world devoid of any spirit (mainly by regarding death as a catastrophe instead of Death as a uniting principle of life, of beauty and of transcendental meaning). Hitler was the swansong of Mankind. Hardcore modernity called for a last and timeless titan. As Nietzsche once said, all great music is always a swansong (do not agree with his examples, but one has to be able to go beyond the evident). Mankind will always live as if it were an ETERNAL, IMMORTAL race, and individual death will be the only one available, cowardly recognized as a CATASTROPHE (disconnection of one's essence, primordial fate). Oblivious to oblivion itself, nothing of value will ever be accomplished (TAO). Let them be. Mankind has moved from truth each step of it's journey, because each step away from conscious death.

Sixty-two years passed since that battle, I can remember it as if it was yesterday. It made me the king I am now, not with the power of swords, but with the power of words. Enemies invaded our land like black death until they reached our city. My father, the king, was preparing for the final battle; even women were given swords and asked to fight. It was a battle like no other battle; we fought like Titans not humans, and we crushed our enemies although they outnumbered us. ” The king is wounded ! The king is wounded ! ” shouted one of the soldiers . I rushed towards the source of the sound to find my father bleeding on the ground, I tried to take off his armor but he refused and asked me to get closer to him. He squeezed my arm with his old hand and said : “Don’t build your life on illusions, Don’t build your opinion on hypotheses, Don’t build your style on imitation, Don’t build your image on lies, Don’t build your respect on fear, Don’t build your dreams on others’ nightmares, Don’t build your friendships on benefits, Don’t build your heroism on foolish acts, Don’t build your kingdom on the backs of the poor, Don’t build your palace on the soft sands of injustice” Then he looked up to the sky and closed his eyes forever. He left me a kingdom in ruins, but left me the richest king.

For the sun child and the new god will give birth to a new era and the great creators will fall one by one, reshaping our homes and hearths “A bloody path has been chosen,” he went on, because of course. There apparently was no stopping this. “The Great War fought by the few is coming, and in the end, the sun will fall and the moon will reign until the new sun rises.” My brows rose. Sort of sounded like a normal day to me.I officially had no words. At all. None. Ewan the nymph dropped to one knee. “Goodbye Seth, the God of Life . . .” A shiver blasted down my spine as a bolt of lightning struck off the coast, slamming into the ocean. The nymph bowed its head. “The God of Death.

And two reasons explain why the Soviet Union could not have won that victory and why, moreover, it did not really seek it. The first is related to its early collusion with the enemy. How can you be awarded the trophy for anti-Nazism when you began by sealing a pact with Hitler? When you believed so strongly in this pact that you refused to recognize its annulment until the very last minute? And when neither the war that eventually erupted, nor the horrifying bloodbath that it inflicted on your people, nor the fight to the death of two rival titans, Hitler and Stalin, cannot suppress the feeling of an unspoken but irrevocable complicity between the proletarian spirit of Moscow and the “proletaryan” spirit of Berlin?

Sometimes Cookies Are the Best Medicine For hospice patients at death’s door, big existential conversations aren’t always the needed medicine. One oddly powerful alternative is baking cookies together. “Just the basic joy of smelling a cookie. It smells freaking great. [And it’s like the snowball.] You’re rewarded for being alive and in the moment. Smelling a cookie is not on behalf of some future state. It’s great in the moment, by itself, on behalf of nothing. And this is another thing back to art. Art for its own sake. Art and music and dance. Part of its poignancy is its purposelessness, and just delighting in a wacky fact of perhaps a meaningless universe and how remarkable that is. One way for all of us to live until we’re actually dead is to prize those little moments.

Everything that you thought had meaning: every hope, dream, or moment of happiness. None of it matters as you lie bleeding out on the battlefield. None of it changes what a speeding rock does to a body, we all die. But does that mean our lives are meaningless? Does that mean that there was no point in our being born? Would you say that of our slain comrades? What about their lives? Were they meaningless? They were not! Their memory serves as an example to us all! The courageous fallen! The anguished fallen! Their lives have meaning because we the living refuse to forget them! And as we ride to certain death, we trust our successors to do the same for us! Because my soldiers do not buckle or yield when faced with the cruelty of this world! My soldiers push forward! My soldiers scream out! My soldiers RAGE!

It seemed that out of the battle I escaped Down some profound dull tunnel, long since scooped Through granites which Titanic wars had groined. Yet also there encumbered sleepers groaned, Too fast in thought or death to be bestirred. Then, as I probed them, one sprang up, and stared With piteous recognition in fixed eyes, Lifting distressful hands as if to bless. And by his smile, I knew that sullen hall, By his dead smile, I knew we stood in Hell. With a thousand pains[3]that vision's face was grained; Yet no blood reached there from the upper ground, And no guns thumped, or down the flues made moan. "Strange, friend," I said, "Here is no cause to mourn." "None," said the other, "Save the undone years, The hopelessness. Whatever hope is yours, Was my life also; I went hunting wild After the wildest beauty in the world, Which lies not calm in eyes, or braided hair, But mocks the steady running of the hour, And if it grieves, grieves richlier than here. For by my glee might many men have laughed, And of my weeping something had been left, Which must die now. I mean the truth untold, The pity of war, the pity war distilled. Now men will go content with what we spoiled. Or, discontent, boil bloody, and be spilled. They will be swift with swiftness of the tigress, None will break ranks, though nations trek from progress. Courage was mine, and I had mystery, Wisdom was mine, and I had mastery; To miss the march of this retreating world Into vain citadels that are not walled. Then, when much blood had clogged their chariot-wheels I would go up and wash them from sweet wells, Even with truths that lie too deep for taint. I would have poured my spirit without stint But not through wounds; not on the cess of war. Foreheads of men have bled where no wounds were. I am the enemy you killed, my friend. I knew you in this dark; for so you frowned Yesterday through me as you jabbed and killed. I parried; but my hands were loath and cold. Let us sleep now. . . .

These inventions became, incidentally, increasingly revolting to me, for I was ineradicably marked by a touch of the old cavalryman's primitive evaluation. I admit that in the earliest times the horseman had a considerable advantage over the foot soldier. (On the other hand considerably higher expenses were involved.) But the advantage was balanced by the invention of gunpowder, so rightly lamented by Ariosto. It was the end of glorious armies like those led by Charles the Bold. Cavalry charges still took place of course – and I cannot consider it unfair for the infantryman to load and fire two or three times before he received his comeuppance – but after that, death came to the cavalry. The old Centaurs were overpowered by the new Titan. I had seen my own conqueror at close hand when I lay bleeding on the grass. He had unhorsed me – a sickly fellow, a pimply lad from the suburbs, some cutler from Sheffield or weaver from Manchester. He cowered behind his rubble heap, one eye shut, the other aiming at me across the machine gun, which did the damage. In a pattern of red and gray, he wove an evil cloth. This was the new Polyphemus or, rather, one of his lowest messenger boys with a wire mask before his one-eyed face. This was how the present masters looked. The beauty of the forests was past.

I maintain that nothing need be destroyed, that we only need to destroy the idea of God in man, that's how we have to set to work. It's that, that we must begin with. Oh, the blind race of men who have no understanding! As soon as men have all of them denied God - and I believe that period, analogous with geological periods, will come to pass - the old conception of the universe will fall of itself without cannibalism, and, what's more, the old morality, and everything will begin anew. Men will unite to take from life all it can give, but only for joy and happiness in the present world. Man will be lifted up with a spirit of divine Titanic pride and the man-god will appear. From hour to hour extending his conquest of nature infinitely by his will and his science, man will feel such lofty joy from hour to hour in doing it that it will make up for all his old dreams of joy and heaven. Everyone will know that he is mortal and will accept death proudly and serenely like a god. His pride will teach him that it's useless for him to repine at life's being a moment, and he will love his brother without need of reward. Love will be sufficient only for a moment of life, but the very consciousness of its momentariness will intensify its fire, which now is dissipated in dreams of eternal love beyond the grave.

One—that each coven must have its leader and only he might order the working of the Dark Trick upon a mortal, seeing that the methods and the rituals were properly observed. Two—that the Dark Gifts must never be given to the crippled, the maimed, or to children, or to those who cannot, even with the Dark Powers, survive on their own. Be it further understood that all mortals who would receive the Dark Gifts should be beautiful in person so that the insult to God might be greater when the Dark Trick is done. Three—that never should an old vampire work this magic lest the blood of the fledgling be too strong. For all our gifts increase naturally with age, and the old ones have too much strength to pass on. Injury, burning—these catastrophes, if they do not destroy the Child of Satan will only increase his powers when he is healed. Yet Satan guards the flock from the power of old ones, for almost all, without exception, go mad. In this particular, let Armand observe that there was no vampire then living who was more than three hundred years old. No one alive then could remember the first Roman coven. The devil frequently calls his vampires home. But let Armand understand here also that the effect of the Dark Trick is unpredictable, even when passed on by the very young vampire and with all due care. For reasons no one knows, some mortals when Born to Darkness become as powerful as Titans, others may be no more than corpses that move. That is why mortals must be chosen with skill. Those with great passion and indomitable will should be avoided as well as those who have none. Four—that no vampire may ever destroy another vampire, except that the coven master has the power of life and death over all of his flock. And it is, further, his obligation to lead the old ones and the mad ones into the fire when they can longer serve Satan as they should. It is his obligation to destroy all vampires who are not properly made. It is his obligation to destroy those who are so badly wounded that they cannot survive on their own. And it is his obligation finally to seek the destruction of all outcasts and all who have broken these laws. Five—that no vampire shall ever reveal his true nature to a mortal and allow that mortal to live. No vampire must ever reveal the history of the vampires to a mortal and let the mortal live. No vampire must commit to writing the history of the vampires or any true knowledge of vampires lest such a history be found by mortals and believed. And a vampire’s name must never be known to mortals, save from his tombstone, and never must any vampire reveal to mortals the location of his or any other vampire’s lair. These then were the great commandments, which all vampires must obey. And this was the condition of existence among all the Undead.

The immorality of those families whose children are burnt alive on motor ways. They have money heaped on them by social welfare institutions and they go and spend it on consumer goods, which the right-thinking regard as sordid. But they have never had to see their kids die before they could buy a car and, hence, have never felt the need to send them off for inexpensive holidays on those coaches which, as if by chance, always have fatal accidents. The immorality of those who eat their children in hard cash merely corre sponds to the immorality of the social institution which recompenses their death. Everything in this vicious circle is abject: chance, which kills the poorest children, social charity which turns their deaths into a source of income, the parents who benefit from it to enjoy a short spell of wealth and decent society which stigma tizes them, for rumour does not condemn them at all for their indiscreet behaviour but for not handling the money rationally by putting it in the bank, for example, but instead spending it unscrupulously, thus verifying that they were indeed the victims of a divine justice. The whole of the social is there in its logical abjection. It is the poor who die and it is they who deserved to. It is this mediocre truth, this mediocre fatality which we know as 'the social'. Which amounts to saying that it only exists for its victims. Wretched in its essence, it only affects the wretched. It is itself a disinherited concept and it can only serve to render destitution complete. Nietzsche is right: the social is a concept, a value made by slaves for their own use, beneath the scornful gaze of their masters who have never believed in it. This can be clearly seen in all the so-called social reforms which inescapably turn against the intended beneficiaries. The reforms strike those whom they should save. This is not a perverse effect. Nature herself conforms to this willingly and catastrophes have a preference for the poor. Has a catastrophe ever been seen which directly strikes the rich - apart perhaps from the burial of Pompeii and the sinking of the Titanic ?

Gods in The Lost Hero Aeolus The Greek god of the winds. Roman form: Aeolus Aphrodite The Greek goddess of love and beauty. She was married to Hephaestus, but she loved Ares, the god of war. Roman form: Venus Apollo The Greek god of the sun, prophecy, music, and healing; the son of Zeus, and the twin of Artemis. Roman form: Apollo Ares The Greek god of war; the son of Zeus and Hera, and half brother to Athena. Roman form: Mars Artemis The Greek goddess of the hunt and the moon; the daughter of Zeus and the twin of Apollo. Roman form: Diana Boreas The Greek god of the north wind, one of the four directional anemoi (wind gods); the god of winter; father of Khione. Roman form: Aquilon Demeter The Greek goddess of agriculture, a daughter of the Titans Rhea and Kronos. Roman form: Ceres Dionysus The Greek god of wine; the son of Zeus. Roman form: Bacchus Gaea The Greek personification of Earth. Roman form: Terra Hades According to Greek mythology, ruler of the Underworld and god of the dead. Roman form: Pluto Hecate The Greek goddess of magic; the only child of the Titans Perses and Asteria. Roman form: Trivia Hephaestus The Greek god of fire and crafts and of blacksmiths; the son of Zeus and Hera, and married to Aphrodite. Roman form: Vulcan Hera The Greek goddess of marriage; Zeus’s wife and sister. Roman form: Juno Hermes The Greek god of travelers, communication, and thieves; son of Zeus. Roman form: Mercury Hypnos The Greek god of sleep; the (fatherless) son of Nyx (Night) and brother of Thanatos (Death). Roman form: Somnus Iris The Greek goddess of the rainbow, and a messenger of the gods; the daughter of Thaumas and Electra. Roman form: Iris Janus The Roman god of gates, doors, and doorways, as well as beginnings and endings. Khione The Greek goddess of snow; daughter of Boreas Notus The Greek god of the south wind, one of the four directional anemoi (wind gods). Roman form: Favonius Ouranos The Greek personification of the sky. Roman form: Uranus Pan The Greek god of the wild; the son of Hermes. Roman form: Faunus Pompona The Roman goddess of plenty Poseidon The Greek god of the sea; son of the Titans Kronos and Rhea, and brother of Zeus and Hades. Roman form: Neptune Zeus The Greek god of the sky and king of the gods. Roman form: Jupiter

When the victor, in a fight of the cities, according to the law of warfare, executes the whole male population and sells all the women and children into slavery, we see, in the sanction of such a law, that the Greek deemed it a positive necessity to allow his hatred to break forth unimpeded; in such moments the compressed and swollen feeling relieved itself; the tiger bounded forth, a voluptuous cruelty shone out of his fearful eye. Why had the Greek sculptor to represent again and again war and fights in innumerable repetitions, extended human bodies whose sinews are tightened through hatred or through the recklessness of triumph, fighters wounded and writhing with pain, or the dying with the last rattle in their throat? Why did the whole Greek world exult in the fighting scenes of the "Iliad"? I am afraid, we do not understand them enough in "Greek fashion," and that we should even shudder, if for once we did understand them thus. But what lies, as the mother-womb of the Hellenic, behind the Homeric world? In the latter, by the extremely artistic definiteness, and the calm and purity of the lines we are already lifted far above the purely material amalgamation: its colours, by an artistic deception, appear lighter, milder, warmer; its men, in this coloured, warm illumination, appear better and more sympathetic — but where do we look, if, no longer guided and protected by Homer's hand, we step backwards into the pre-Homeric world? Only into night and horror, into the products of a fancy accustomed to the horrible. What earthly existence is reflected in the loathsome-awful theogonian lore: a life swayed only by the children of the night, strife, amorous desires, deception, age and death. Let us imagine the suffocating atmosphere of Hesiod's poem, still thickened and darkened and without all the mitigations and purifications, which poured over Hellas from Delphi and the numerous seats of the gods! If we mix this thickened Boeotian air with the grim voluptuousness of the Etruscans, then such a reality would extort from us a world of myths within which Uranos, Kronos and Zeus and the struggles of the Titans would appear as a relief. Combat in this brooding atmosphere is salvation and safety; the cruelty of victory is the summit of life's glories. And just as in truth the idea of Greek law has developed from murder and expiation of murder, so also nobler Civilisation takes her first wreath of victory from the altar of the expiation of murder. Behind that bloody age stretches a wave-furrow deep into Hellenic history. The names of Orpheus, of Musaeus, and their cults indicate to what consequences the uninterrupted sight of a world of warfare and cruelty led — to the loathing of existence, to the conception of this existence as a punishment to be borne to the end, to the belief in the identity of existence and indebtedness. But these particular conclusions are not specifically Hellenic; through them Greece comes into contact with India and the Orient generally. The Hellenic genius had ready yet another answer to the question: what does a life of fighting and of victory mean? and gives this answer in the whole breadth of Greek history.

In 2 Corinthians 4:6-7, Paul wrote, “For it is the God who commanded light to shine out of darkness, who has shone in our hearts to give the light of the knowledge of the glory of God in the face of Jesus Christ. But we have this treasure in earthen vessels, that the excellence of the power may be of God and not of us.” And that brings us full circle to where we started in this chapter: at the end of the day there is no human explanation for the growth of the church. The world thinks we’re odd and bizarre. We’re the losers. We’re the privy pots. And yet, through the mouths of Paul and other misfits across the centuries, the church inexplicably moves in the history of the world with immense power beyond anything else. The gospel alone turns sinners into saints by transplanting men and women from the kingdom of darkness into the kingdom of God’s dear Son—from eternal death to everlasting life. That is power to create new beings fit for God’s presence and glory. If we brought a bus load of movie stars, corporate titans, or Ivy League professors into our church (assuming they’d condescend to get on a bus), they’d look at us and laugh: “These people can’t change the world!” No, we can’t. But for those who remain faithful to the whole truth of Christianity, God is changing the world through us. He’s been doing it through all history.

The film Titanic is the perfect Afghan tale, where impossible love ends with death

Charon,” I said as he looked each of us over. “Is that Nathan Garrett? I figured you’d be dead by now.” “Sorry to disappoint,” I said with a smile. “Not disappointed, son, just surprised. You had a tendency to piss off the wrong people.” “It’s more of a hobby these days,” I stated. “You still ferrying souls to and from this place?” “We all have our penance to pay. This is mine.” “Why does he look so old?” Lucie whispered. “Isn’t he the son of Erebus?” The mention of the name Erebus made me remember something, a conversation I’d had recently, although I couldn’t remember the details and wasn’t even sure if it had actually happened or I’d dreamed it. I pushed the thought aside. “The water ages you,” I told her. “It’s why no one swims in it. Even the tiniest bit ingested will cause you to lose part of your life and age you. Charon has done this job for over four thousand years, since the Titans were first placed here. He took their side in the war, so his punishment was to ferry people. Forever.” “And he drinks the water?” “I started to,” Charon said, making Lucie jump slightly. “I’m not deaf, girl.” “Sorry, I didn’t mean to offend,” she told him. Charon waved her off. “I’d been doing this job for a millennia when I decided to start drinking the water and take my own life by the natural death of old age. Unfortunately, I learned too late that it takes a percentage of your life, until it can’t take anymore. It doesn’t kill you—just ages you physically. So now I’m stuck looking like this.” “I’m sorry,” Lucie said. Charon shrugged. “I still have the energy of someone much younger than I appear. Hades tried to suggest I get someone else to do the ferrying, but I’ll be damned if I give someone else my boat.” “What’s with the armor?” I asked. Charon smiled. Maybe. There was a lot of beard in the way, so it was hard to tell for sure. “Hades gave it to me. I needed something better than those old rags I used to wear. I’ve got a dozen sets. Apparently Avalon keeps giving them to Hades for a Faceless he doesn’t have.” Hades had never liked the idea of the Faceless and refused to have one join his organization, despite repeated requests by Avalon members for him to have one. I always got the impression that he found the idea of a masked man at his beck and call distasteful and counterproductive to having people place trust in him.

A gigantic golden statue of Zeus had originally stood at the entrance, always looking down on the Titans in their new homes, but Hades had it moved and melted down well before I was born. Ensuring your prisoners were behaving was one thing, but antagonizing them every single day with a gleaming thirty-foot statue of the person who had defeated them was only going to end in rebellion and more death.

His father raised him to be the way he is.  The man showed him no love, no kindness, only death and destruction.  But that is not all Jax is; it is simply all that he knows.  He wants to learn about the things in life that bring more fulfillment than murder and devastation.  He wants to learn about love and happiness.

I simply wanted to know if you loved your wife because if you did, then you would understand my desire to be with Jax,” she said softly. “I am not insane or foolish. I know Jax de Velt has a horrible reputation. I know everyone fears and hates him.  But I am telling you that the man’s reputation does him a great disservice. He can be quite kind and understanding.  And he is very humorous at times.” She suddenly shook her head and turned away. “Perhaps I am the only one that sees that side to him.  Perhaps I really am insane.  But my desire to be with him is not a death wish. It is the truth.

Among the gifts on the table was a DVD recording of the late Carlos Kleiber, a conducting titan who had cost our departing friend millions of dollars in cancelled projects.

Lilian?” Kevin needed a moment to register that, indeed, Lilian was standing before him. “What are you doing here? I thought you were taking a bath with the others.” “I was going to,” Lilian admitted, “but then I realized that my mate and I haven’t been able to spend much time alone together because my family kept getting in the way, and I thought this would be the perfect opportunity for us to bond.” “Bond?” He studied the girl, and eventually realized that she wasn’t looking at his face. Feeling a sense of unease growing in the pit of his stomach, Kevin looked down. His face grew red. He let out a loud “eep!” and tried to cover himself with his hands. “Ufufufu,” Lilian chuckled. “You’re still too cute when you get embarrassed like that.” Kevin tried to glare at her, but the blush on his face lessened the effect. “It’s got nothing to do with being embarrassed and everything to do with common decency,” he insisted, lying through his teeth. “Most people don’t stand around in the nude while someone else is present, not even if they’re dating that person.” “Most people aren’t mated to a kitsune.” “Ugh…” She had him there. “Kevin” Lilian’s eyes were warm and so incredibly earnest that Kevin was unable to look away, “you are my mate; the person I love more than anyone else in this world.” Delicate hands reached up and cupped his face. “This isn’t some random person wanting to see you naked. This is me, your mate, who wants to become more intimate with you. If it helps, I promise not to touch anything below the belt.” Staring at the girl with an uncomprehending gaze, Kevin’s mind became a warzone, a battle the likes of which no one had ever seen before—mostly because it was all happening in his mind. *** The desolate wasteland spread out for miles, its borders traveling far beyond the distant horizon. Cracks traversed the ground like a myriad system of interconnecting spiderwebs. There was no flora or fauna in this wasteland. It was the perfect place… for war. Two forces stood on opposite ends of each other, armies of nearly equal might. Multi-segmented plates clicked together as figures moved and jostled each other. Horned helms adorned the many heads, their faceplates masking their identities. Hands gripped massive halberds with leaf-shaped blades that gleamed like a thousand suns. The army on the northern border wore white armor, while those in the southern quadrant wore red. A moment of silence swept through the clearing. A tumbleweed rolled across the ground. It was the unspoken signal for the battle to start, and the two forces rushed in toward the center, yelling out their battle cries. “For Lilian!!” “For chastity!!” Thunder struck the earth as these two titanic armies fought. Bodies were thrown into the air with impunity. Halberds clashed, the sound of metal on metal, steel ringing against steel, rang out in a symphony of chaos. Sparks flew and shouts accompanied the maelstrom of combat. It was, indeed, a battle worthy of being placed within the annals of history. A third party soon entered the fray. From one of the many cliffs surrounding the battlefield, an army appeared. Unlike the two forces duking it out down below, this army was bereft of nearly all their clothes. Wearing nothing but simple loincloths and bandoleers similar to Tarzan’s, the group of individuals looked identical. Messy blond hair framed bright blue eyes that glared down at the battlefield. With nary a thought, this force surged down the cliff, their own battle cry echoing across the land. “DEATH TO THE CHERRY!!” And so more chaos was unleashed upon the battlefield. ***

As narratives became more contemporary and enlightened, the rules changed. You don’t kill kids or pets, because it pisses people off. You also don’t kill main characters. At least, you aren’t supposed to. It’s kind of like a contract. Or a promise. It’s uncool to break your promise. To paraphrase someone in the know: when a narrative works well, it is so real that it becomes a vicarious workout of your limbic system. The emotions you feel are indistinguishable from real emotions, but without real-world connections or consequences. You laugh along with, and at, the characters. Fear for them when danger looms. And cry when bad things happen. Luke blows up the Death Star, and it’s your triumph. You feel just as happy as if you saved the universe yourself. Leonardo dies at the end of Titanic even though there was room on that door for two people, and you feel the loss.

On the passenger list a “Mr. and Mrs. Morgan” appear as the residents of portside cabins A-16 and A-20 when, in fact, these rooms were occupied by Sir Cosmo and Lady Duff Gordon. The “Morgan” pseudonym was likely employed to allow the Duff Gordons a quiet crossing, free from a flurry of shipboard invitations that would have required Lucile to spend her time charming the wealthy ladies who formed so much of her clientele. And for her husband, a reserved Scottish baronet, seven days of making small talk with ostentatious Americans would have been a week of purgatory. Sir Cosmo particularly detested the New York reporters who would be waiting at the pier to pester his wife with impertinent questions if they knew that she was on board. Lucile did not travel often with her husband, but this trip required his steady business hand as she was about to negotiate the lease for larger premises for the New York branch of Lucile Ltd. It was business that had first brought them together—Cosmo had invested in her fledgling fashion house in 1895—but he had soon become captivated by the small, spirited woman behind the enterprise. His mother, however, was adamantly opposed to a “scandalous union” with a divorcée, so they were not married until after her death in 1900.

Men will unite to take from life all it can give, but only for joy and happiness in the present world. Man will be lifted up with a spirit of divine Titanic pride and the man-god will appear. From hour to hour extending his conquest of nature infinitely by his will and his science, man will feel such lofty joy from hour to hour in doing it that it will make up for all his old dreams of the joys of heaven. Every one will know that he is mortal and will accept death proudly and serenely like a god. His pride will teach him that it’s useless for him to repine at life’s being a moment, and he will love his brother without need of reward. Love will be sufficient only for a moment of life, but the very consciousness of its momentariness will intensify its fire, which now is dissipated in dreams of eternal love beyond the grave’... and so on and so on in the same style. Charming!

Tonight, according to her astronomy notebook (#4 of her notebooks, which were even rarer and harder to come by than actual books, according to Gothel), the moon would be new, meaning not there at all; the sky would be black but for the stars. And in a few days the floating lights would appear. They came at the same time every year. Even when it was cloudy, Rapunzel could see the telltale pinprick glows of their presence, gold and pink against the clouds. Which meant they were of the earth; below the moon and stars. How far up the lights floated she could never tell; they drifted into indifference when her eyes could no longer make them out against their sparkling stellar counterparts. Whether they were a natural phenomenon like rain (that went the wrong way) or some sort of magma or volcanic spew (Book #8: Naturalis Historia by Pliny the Elder, Complete with Letters and Notes by Pliny the Younger-- including, of course, the Elder's death by volcano), or something else entirely (pixies? Titans?), Rapunzel had no idea. She only knew that they came every year on what she had decided was her birthday. This year she would go see what they were. Herself.

Dostoevsky is a literary titan, and in some ways this can be the kiss of death, because it becomes easy to regard him as yet another sepia-tinted Canonical Author, belovedly dead. His works, and the tall hill of criticism they’ve inspired, are all required acquisitions for college libraries … and there the books usually sit, yellowly, smelling the way really old library books smell, waiting for somebody to have to do a term paper. Dahlberg is mostly right, I think. To make someone an icon is to make him an abstraction, and abstractions are incapable of vital communication with living people.

BJ Miller BJ Miller (TW: @zenhospice, zenhospice.org) is a palliative care physician at the University of California at San Francisco and an advisor to the Zen Hospice Project in San Francisco. He thinks deeply about how to create a dignified, graceful end of life for his patients. He is an expert in death. Through that, he’s learned how we can dramatically improve our own lives, often with very small changes. He has guided or been involved with ~1,000 deaths, and he’s spotted patterns we can all learn from. BJ is also a triple amputee due to an electrocution accident in college. His 2015 TED talk, “What Really Matters at the End of Life,” was among the top 15 most viewed TED talks of 2015.

These unhappy agents found what had already been found in abundance on Earth—a nightmare of meaninglessness without end. The bounties of space, of infinite outwardness, were three: empty heroics, low comedy, and pointless death.

Forests renew themselves through natural disturbances such as wind, fire, insects and disease. These disturbances result in the creation of areas of dead trees within which a new forest will grow. You see, the nature of Nature is unyielding change. And sometimes the foundations we stand on must fall so that they may be replaced with even stronger ones. Breakthroughs require breakdowns. Progress cannot happen without upheaval and the birth of something better always demands a death of something familiar. Uncomfortable disturbance is essential not only for your evolution but for your very survival. Just like within my forest.

Tom shook his head. “I understand that Brock has a watertight alibi for that night.” Olivia smiled. “I remember someone said the Titanic was watertight once upon a time.

The RMS Titanic struck an iceberg on the night of April fourteenth 1912, and sank in the North Atlantic waters in the wee hours of the following morning. She took more than 1,500 souls with her. While this death toll is devastating, it is by no means the greatest at-sea catastrophe in western history. Even besides wartime disasters, the explosion of the Mont-Blanc in Nova Scotia killed almost two thousand in 1917, the 1707 Sicily Naval Disaster killed almost the same number of people, and several other shipwrecks with smaller death tolls were arguably more dramatic. Yet fascination with the Titanic has persisted since she rested on the ocean floor, long before James Cameron’s 1997 blockbuster film. Why?

A larger share of the answer to the question why the Titanic still arouses so much interest, however, may lie in the position that the Titanic held in the world of 1912. The Titanic was not simply a means of conveying people from a place they wished to leave to a place they wanted to be, as is the case with most modern ships. It was a floating symbol of status, almost a materialized article of social faith. Its owners had succeeded admirably in establishing it as a symbol of safety, luxury, exclusiveness, and social privilege. This world was smashed in an evening, indeed, in a matter of hours. The watertight compartments which the owners had puffed so extensively turned out to be worthless. The pride of twentieth-century technology floundered and plunged like the weakest seventeenth-century pink. Millionaires and immigrants from the third-class shared the common experience of death. Death, it was suddenly recognized, could strike down a Rothschild or a Guggenheim as quickly as it could a stoker. All in all, the sinking of the Titanic was a demonstration of man’s fate in microcosm.

As a federal official sworn for four decades to uphold the Constitution, Dr. Fauci should have been the champion of free speech and vigorous debate during the pandemic. Instead, he worked hand in glove with Bill Gates, Mark Zuckerberg, and other Big Tech titans to censor criticism of his various mandates and suppress information about vaccine injuries, including discussions of pathogenic priming.16,17 Email traffic shows that Dr. Fauci colluded directly with Mark Zuckerberg and the social media platforms to censor doctors who reported vaccine failures, harms, and deaths, to deplatform public health advocates like myself, and to evict and muzzle patients who reported their own injuries.

Eliza’s death, far from putting the whole situation to rest, only inflamed John’s feelings anew, complicating his stormy relationship with his father.

He later exhibited an unacknowledged dread of death, and Eliza was perhaps the first to intuit it.

The sinking of the Wilhelm Gustloff is the deadliest disaster in maritime history, with losses dwarfing the death tolls of the famous ships Titanic and Lusitania. Yet remarkably, most people have never heard of it.

Whistling past the graveyard,” Julie intones. “Rearranging deckchairs on the Titanic.” I laugh. “Yes, but it’s not just death that has everyone flustered. Anyone can create a scenario to deal with death. But what’s beyond that scenario? Another scenario? And another? Eventually you run out of turtles.” “Huh? Turtles?” “A student goes to his teacher and asks ‘What does the world rest upon, master?’ To which the teacher replies ‘On the back of a giant turtle.’ The student, not to be so easily put off, asks ‘And what does the turtle rest upon, oh wise one?’ To which the teacher replies, ‘Upon another turtle.’ The student is not ready to give up. ‘And what does that turtle rest on?’ he asks, to which the master angrily replies, ‘Don’t you get it? It’s turtles all the way down!’” Julie laughs and nods her head. “The truth of the situation is that eventually, there’s nothing. Infinity. Eternity. The void. The abyss. Eventually, every water-treader has to deal with the fact that it’s just him, the infinite ocean and nothing in-between.” “And that everything else is a lie.” “Basically, yes. The body is just a rental car and this planet is just a motel. This is nobody’s home, though some treat it like a permanent residence; as if the worst thing that can possibly happen is that you pick up and move on. How absurd, and yet, how absolutely vital to the experience. Look at things in this light and you’ll see the countless ways in which society encourages the externalized self and mocks, discourages and combats the very notion of turning inward. Alan Watts called it the taboo against knowing who you are. In order to break with one’s false self, one would have to break with…” “…everything.” Julie says. “Family, friends…” Her voice falters as she considers the ramifications. “Everything. Everything you are… everything you know… everything… Really everything.” I

Here is the point: just as the fictional account of the Titan does not undermine the reality of the sinking of the Titanic, fictional accounts of dying and rising gods would not undermine the historical reality of the life, death, and resurrection of Jesus. The presence of parallels alone proves nothing about borrowing or the historicity of Jesus.

Glenn recounted what he learned from an old lady who, at age 16, gave a Jew a bowl of soup. It was a death sentence at the time and she was sent to Auschwitz: “She said, ‘Glenn, remember, the righteous didn’t suddenly become righteous. They just refused to go over the cliff with everybody else.’ That’s all we have to do: Know what our principles—not our interests—are today. And as the world goes over the cliff, I’m not going to change my principles. Treating human beings, whether they’re like me or not like me, whether they’re the same religion or a different religion, with love and respect.

To Titanides, they were angels of death. Human in shape, with feathered wings that measured seven meters from tip to tip, the angels turned the peaceful air over Hyperion into a slaughterhouse.

A year after Bessie’s death, Rockefeller discontinued all further gifts to his son-in-law, though not to Margaret.