Float Trip Quotes

Dear Goat, How does one fall in love? Do you trip? Do you stumble, lose your balance and drop to the sidewalk, graze your knee, graze your heart? Do you crash to the stony ground? Is there a precipice, from which you float, over the edge, forever? I know I'm in love when I see you, I know when I long to see you. Not a muscle has moved. Leaves hang unruffled by any breeze. The air is still. I have fallen in love without taking step. When did this happen? I haven't even blinked. I'm on fire. Is that too banal for you? It's not, you know. You'll see. It's what happens. It's what matters. I'm on fire. I no longer eat, I forget to eat. Food looks silly to me, irrelevant. If I even notice it. But I notice nothing. My thoughts are full and raging, a house full of brothers, related by blood, feuding blood feuds: "I'm in love." "Typically stupid choice." "I am, though, I'm racked by love as if love were pain." "Go ahead. Fuck up your life. It's all wrong and you know it. Wake up. Face it." "There's only one face, it's all I see, awake or asleep." I threw the book out the window last night. I tried to forget. You are all wrong for me, I know it, but I no longer care for my thoughts unless they're thoughts of you. When I'm close to you, in your presence, I feel your hair brush my cheek when it does not. I look away from you, sometimes. Then I look back. When I tie my shoes, when I peel an orange, when I drive my car, when I lie down each night without you, I remain, As ever, Ram

It made me shiver. And I about made up my mind to pray, and see if I couldn't try to quit being the kind of a boy I was and be better. So I kneeled down. But the words wouldn't come. Why wouldn't they? It warn't no use to try and hide it from Him. Nor from ME, neither. I knowed very well why they wouldn't come. It was because my heart warn't right; it was because I warn't square; it was because I was playing double. I was letting ON to give up sin, but away inside of me I was holding on to the biggest one of all. I was trying to make my mouth SAY I would do the right thing and the clean thing, and go and write to that nigger's owner and tell where he was; but deep down in me I knowed it was a lie, and He knowed it. You can't pray a lie--I found that out. So I was full of trouble, full as I could be; and didn't know what to do. At last I had an idea; and I says, I'll go and write the letter--and then see if I can pray. Why, it was astonishing, the way I felt as light as a feather right straight off, and my troubles all gone. So I got a piece of paper and a pencil, all glad and excited, and set down and wrote: Miss Watson, your runaway nigger Jim is down here two mile below Pikesville, and Mr. Phelps has got him and he will give him up for the reward if you send. HUCK FINN. I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: "All right, then, I'll GO to hell"--and tore it up.

Instead of an intellectual search, there was suddenly a very deep gut feeling that something was different. It occurred when looking at Earth and seeing this blue-and-white planet floating there, and knowing it was orbiting the Sun, seeing that Sun, seeing it set in the background of the very deep black and velvety cosmos, seeing - rather, knowing for sure - that there was a purposefullness of flow, of energy, of time, of space in the cosmos - that it was beyond man's rational ability to understand, that suddenly there was a nonrational way of understanding that had been beyond my previous experience. There seems to be more to the universe than random, chaotic, purposeless movement of a collection of molecular particles. On the return trip home, gazing through 240,000 miles of space toward the stars and the planet from which I had come, I suddenly experienced the universe as intelligent, loving, harmonious.

The things of your life arrived in their own time, like a train you had to catch. Sometimes this was easy, all you had to do was step onto it, the train was plush and comfortable and full of people smiling at you in a hush, and a conductor who punched your ticket and tousled your head with his big hand, saying, Ain’t you pretty, ain’t you the prettiest girl now, lucky lady taking a big train trip with your daddy, while you sank into the dreamy softness of your seat and sipped ginger ale from a can and watched the world float in magical silence past your window, the tall buildings of the city in the crisp autumn light and then the backs of the houses with laundry flapping and a crossing with gates where a boy was waving from his bicycle, and then the woods and fields and a single cow eating grass....... .....Because sometimes it was one way, easy, and sometimes it was the other, not easy; the things of your life roared down to you and it was all you could do to grab hold and hang on. Your old life ended, and the train took you away to another...

Despair Who is he? A railroad track toward hell? Breaking like a stick of furniture? The hope that suddenly overflows the cesspool? The love that goes down the drain like spit? The love that said forever, forever and then runs you over like a truck? Are you a prayer that floats into a radio advertisement? Despair, I don't like you very well. You don't suit my clothes or my cigarettes. Why do you locate here as large as a tank, aiming at one half of a lifetime? Couldn't you just go float into a tree instead of locating here at my roots, forcing me out of the life I've led when it's been my belly so long? All right! I'll take you along on the trip where for so many years my arms have been speechless

The weather turned cool a few weeks later, and that winter was when Mia had her accident. So that actually turned out to be the last time I went camping. But even if it weren’t, I still think it would be the best trip of my life. Whenever I remember it, I just picture our tent, a little ship glowing in the night, the sounds of Mia’s and my whispers escaping like musical notes, floating out on a moonlit sea.

They say you fly when you die. Basically, when you die, your spirit leaves your body. Actually, at first you can see all your life, like, reflected in a magic mirror. Then you start floating like a ghost. You can see anything happening around you, you can hear everything, but you can’t communicate with the world of the living. Then you see these lights, all these different lights, of all different colors. These lights are the doors that pull you into other planes of existence, but most people actually like this world so much that they don’t want to be taken away… So the whole thing turns into a bad trip and the only way out is to get reincarnated. It’s funny you know, DMT only lasts for six minutes but it really seems like eternity. It’s the same chemical that your brain receives when you die. It’s a little bit like, dying would be the ultimate trip.

While Cinder walked down the endless black-carpeted aisle, she tried not to think of all the people in the universe who were watching her. She tried not to wonder whether they were judging her or admiring her, afraid of her or impressed by her. She tried not to guess how many saw her as the lost princess or a pathetic cyborg, a vigilante or a criminal, a revolutionary or a mechanic that had gotten lucky. She tried not to think about the smear of yellow frosting on her priceless gown. Kai and Winter stood at the altar encased in the light of glowing orbs, Winter holding the queen's crown and Kai a ceremonial scepter. Together, they represented how both Earth and Luna would accept her right to rule. The rest of her friends were in their reserved seats in the front row. Thorne, on the aisle, held out his hand as Cinder passed. She snorted and accepted the high five before floating up the stairs. Winter winked at her. "Well done, Cinder-friend. You didn't trip. The hard part is over." Kai gave a smile meant for only Cinder, even though the entire universe was watching. "She's right, that really is the hard part." "Thank the stars," Cinder whispered back. "Now let's get this over with." Taking a long shaky breath, she turned to face her kingdom.

And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn’t seem to strike no places to harden me against him, but only the other kind. I’d see him standing my watch on top of his’n, ’stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he’s got now; and then I happened to look around and see that paper.

In a display of intuitive good taste, the band vetoed Kelley/Mouse’s notion of putting a quotation, “In the land of the dark, the ship of the sun is drawn by the Grateful Dead,” across the top of the cover. Variously attributed to the Tibetan or Egyptian Book of the Dead, but seemingly a piece of Haight Street apocrypha, it had been floating around the neighborhood for a while.

Tomás shudders. He lifts his head. A breeze is blowing. In whatever direction he looks, there is majestic normalcy: wild growth here, tilled fields over there, the road, the sky, the sun. Everything is in its place, and time is moving with its usual discretion. Then, in an instant, without any warning, a little boy tripped everything up. Surely the fields will notice; they will rise, dust themselves, and come closer to take a concerned look. The road will curl up like a snake and make sad pronouncements. The sun will darken with desolation. Gravity itself will be upset and objects will float in existential hesitation. But no. The fields remain still, the road continues to lie hard and fixed, and the morning sun does not stop shining with unblinking coolness.

...'undertow'. It describes (...) how underneath our own everyday lives - the shopping and squabbles and weeding and trips to the vet - there's a sense of being dragged slowly off, not against our will but regardless of it. And fighting the undertow, as children are quick to learn, is not usually the best way of getting back to the beach. Floating along with it, on the other hand, can be fatal. It's really the struggle, the argument with oneself, that interests...

He remembered how Michael had bragged that he could swim, but he couldn’t. He said that he’d read everything about swimming, firmly believing he could trip across words, like stepping stones, to the bank of experience. But he couldn’t. It would take another summer before Michael would learn to swim. But he floated, though. Face down in the river with his arms and legs out wide, and people watched, and sometimes their laughter turned to panic when they saw little sign of movement. Dead-Man’s Float, he

Sri Lanka isn't near anywhere else we are visiting, and neither Kyle nor I know anyone here. We don't know that much about it, either, and when we planned our trip months ago, we noticed it was an even stop between the Australian and African continents, and huh - I wonder what it's like? That seemed like a good enough reason to stop, and so, we are here because it's here. It exists. It floats in the Indian Ocean, and teardrop south of India, and there probably won't be another time we'll fly across it.

I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: "All right, then, I'll GO to hell"--and tore it up.

character. And I’ll tell you, it outweighed anything I’d ever done.” “What had she done?” I ask. “Shoplifting,” says Tam. There is a silence. “People have their own little guilt trips,” says Tam. “They look around. ‘Who’s a beast? Who’s a pedo?’ Now it’s on my record for the rest of my life. If I want to go into business, I have to state that I was done for lewd and libidinous. Gross indecency. People think, ‘Oh my God! He must have been crawling about in a nursery.’” “Can I ask about the boys who live here?” I say. “What do they do?” “They clean up,” he replies, a little sharply. “They feed the dogs. They take them for walks. They help me with my property business. They are eighteen years of age, and I don’t have a relationship with them. You can interview them until the cows come home. Maybe I just like nice people floating about. We don’t have orgies. There’s no swinging from the chandeliers. Even if there was,” he adds, “it would be legal.” Tam believes he was targeted because of his fame, because he was a celebrity Svengali. He blames his arrest, then, on the pop business. And now he is out of it. He has become a property millionaire, with forty flats in Edinburgh’s

When Cherokee and Raphael got back to the canyon house, they set up the tepee on the grass and crept inside it. They lay on their backs, not touching, looking at the leaf shadows flickering on their canvas, and trying to identify the flowers they smelled in the warm air. "Honeysuckle." "Orange blossom." "Rose." "The Sea." "The Sea! That doesn't count!" "I smell it like it's growing in the yard." They giggled the way they used to when they were very young. Then they were quiet. Raphael sat up and took Cherokee's feet in her hands. "Do they still hurt?" he asked, stroking them tenderly. He moved his hands up over her whole body, as if he were painting her, bringing color into her white skin. As if he were playing her-his guitar. And all the hurt seemed to float out of her like music. They woke in the morning curled together. "Remember how when we were really little we used to have the same dreams?" Cherokee whispered. "It was like going on trips together." "It stopped when we started making love." "I know." "But last night..." "Orchards of hawks and apricots," Raphael said, remembering. "Sheer pink-and-gold cliffs." "The sky's wings." "The night beasts run beside us, not afraid. Dream horses carry us..." "To the sea," they said together...

At one point he got tripped, and picking himself up, placed the ball on the ground to take the free kick himself. As the boys spread out in anticipation, I saw Arthur H. – one of his biggest tormentors – a few yards behind Tommy’s back, begin mimicking him, doing a daft version of the way Tommy was standing over the ball, hands on hips. I watched carefully, but none of the others took up Arthur’s cue. They must all have seen, because all eyes were looking towards Tommy, waiting for his kick, and Arthur was right behind him – but no one was interested. Tommy floated the ball across the grass, the game went on, and Arthur H. didn’t try anything else.

floating there, twisting around a tree branch, and she shivered. There had been no trips to the park since the body had washed up there. She couldn’t bring herself to do it. Both of the victims were from Jenkins Hollow. Both had red hair. Both had these rune symbols, which basically meant they were thought to be evil, marked women. How many more could there be? If it was a serial killer, how many others could fit this pattern? Just then the phone rang, and she nearly jumped off her chair. “Hello. Cumberland Creek Dance.” “Vera Matthews please.” “Speaking.” “This is Jennifer Blake at the elementary school. There’s been an emergency with Annie Chamovitz, and she has you listed as an emergency contact for her children. Can you pick her boys

About a month later, we left for our final training exercise, maneuvers on the planet Charon. Though nearing perihelion, it was still more than twice as far from the sun as Pluto. The troopship was a converted “cattlewagon” made to carry two hundred colonists and assorted bushes and beasts. Don’t think it was roomy, though, just because there were half that many of us. Most of the excess space was taken up with extra reaction mass and ordnance. The whole trip took three weeks, accelerating at two gees halfway, decelerating the other half. Our top speed, as we roared by the orbit of Pluto, was around one-twentieth of the speed of light—not quite enough for relativity to rear its complicated head. Three weeks of carrying around twice as much weight as normal…it’s no picnic. We did some cautious exercises three times a day and remained horizontal as much as possible. Still, we got several broken bones and serious dislocations. The men had to wear special supporters to keep from littering the floor with loose organs. It was almost impossible to sleep; nightmares of choking and being crushed, rolling over periodically to prevent blood pooling and bedsores. One girl got so fatigued that she almost slept through the experience of having a rib push out into the open air. I’d been in space several times before, so when we finally stopped decelerating and went into free fall, it was nothing but relief. But some people had never been out, except for our training on the moon, and succumbed to the sudden vertigo and disorientation. The rest of us cleaned up after them, floating through the quarters with

linear progression was distorted. So we would just drop the one, we would get lost, we would call it the pulse. We would go on the pulse, so all of a sudden the pulse would lead us to a place, and we were completely lost, we didn’t know where the original one was, so instead of struggling with the one, we would establish a new one, and that was the telepathy that me and Billy had. And they would catch on to our telepathic one, and they would latch on. When the third person went to it, it became legitimate. It would stay illegitimate for a certain amount of time, and we would be able to fly or float on the pulse, and there was no need to sound the one or recognize the one. Sometimes the one was known, and we’d let it go untouched. Other times we all pounced on it and sounded it and made it into a one.

And went on thinking.  And got to thinking over our trip down the river; and I see Jim before me all the time:  in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing.  But somehow I couldn’t seem to strike no places to harden me against him, but only the other kind.  I’d see him standing my watch on top of his’n, ‘stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the only one he’s got now; and then I happened to look around and see that paper.

Yes. But ceasing sin is the by-product of seeing God. As we see the beauty of God and feel His weightiness in our hearts, our hearts begin to desire Him more than we desire sin. Before the Bible says, “Stop sinning,” it says, “Behold your God!” Think of it like a balloon. There are two ways to keep a balloon afloat. If you fill a balloon with your breath, then the only way to keep it in the air is to continually smack it upward. That’s how religion keeps you motivated: it repeatedly “hits” you. “Stop doing this!” “Get busy with that!” This is my life as a pastor. People come on a Sunday so I can “smack” them about something. “Be more generous!” And they do that for a week. “Go do missions!” And they sign up for a trip. Every week I smack them back into spiritual orbit. No wonder people don’t like being around me. But there’s another way to keep a balloon afloat. Fill it with helium. Then it floats on its own, no smacking required. Seeing the size and beauty of God is like the helium that keeps us soaring spiritually.

So I was full of trouble, full as I could be; and didn’t know what to do. At last I had an idea; and I says, I’ll go and write the letter—and then see if I can pray. Why, it was astonishing, the way I felt as light as a feather right straight off, and my troubles all gone. So I got a piece of paper and a pencil, all glad and excited, and set down and wrote: Miss Watson, your runaway nigger Jim is down here two mile below Pikesville, and Mr. Phelps has got him and he will give him up for the reward if you send. Huck Finn. I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn’t do it straight off, but laid the paper down and set there thinking—thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn’t seem to strike no places to harden me against him, but only the other kind. I’d see him standing my watch on top of his’n, ‘stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the only one he’s got now; and then I happened to look around and see that paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I’d got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: “All right, then, I’ll go to hell”—and tore it up.

He’d mentioned it a month before. A month. Not a good month, admittedly, but still—a month. That was enough time for him to have written something, at least. There was still something of him, or by him at least, floating around out there. I needed it. “I’m gonna go to his house,” I told Isaac. I hurried out to the minivan and hauled the oxygen cart up and into the passenger seat. I started the car. A hip-hop beat blared from the stereo, and as I reached to change the radio station, someone started rapping. In Swedish. I swiveled around and screamed when I saw Peter Van Houten sitting in the backseat. “I apologize for alarming you,” Peter Van Houten said over the rapping. He was still wearing the funeral suit, almost a week later. He smelled like he was sweating alcohol. “You’re welcome to keep the CD,” he said. “It’s Snook, one of the major Swedish—” “Ah ah ah ah GET OUT OF MY CAR.” I turned off the stereo. “It’s your mother’s car, as I understand it,” he said. “Also, it wasn’t locked.” “Oh, my God! Get out of the car or I’ll call nine-one-one. Dude, what is your problem?” “If only there were just one,” he mused. “I am here simply to apologize. You were correct in noting earlier that I am a pathetic little man, dependent upon alcohol. I had one acquaintance who only spent time with me because I paid her to do so—worse, still, she has since quit, leaving me the rare soul who cannot acquire companionship even through bribery. It is all true, Hazel. All that and more.” “Okay,” I said. It would have been a more moving speech had he not slurred his words. “You remind me of Anna.” “I remind a lot of people of a lot of people,” I answered. “I really have to go.” “So drive,” he said. “Get out.” “No. You remind me of Anna,” he said again. After a second, I put the car in reverse and backed out. I couldn’t make him leave, and I didn’t have to. I’d drive to Gus’s house, and Gus’s parents would make him leave. “You are, of course, familiar,” Van Houten said, “with Antonietta Meo.” “Yeah, no,” I said. I turned on the stereo, and the Swedish hip-hop blared, but Van Houten yelled over it. “She may soon be the youngest nonmartyr saint ever beatified by the Catholic Church. She had the same cancer that Mr. Waters had, osteosarcoma. They removed her right leg. The pain was excruciating. As Antonietta Meo lay dying at the ripened age of six from this agonizing cancer, she told her father, ‘Pain is like fabric: The stronger it is, the more it’s worth.’ Is that true, Hazel?” I wasn’t looking at him directly but at his reflection in the mirror. “No,” I shouted over the music. “That’s bullshit.” “But don’t you wish it were true!” he cried back. I cut the music. “I’m sorry I ruined your trip. You were too young. You were—” He broke down. As if he had a right to cry over Gus. Van Houten was just another of the endless mourners who did not know him, another too-late lamentation on his wall. “You didn’t ruin our trip, you self-important bastard. We had an awesome trip.” “I am trying,” he said. “I am trying, I swear.” It was around then that I realized Peter Van Houten had a dead person in his family. I considered the honesty with which he had written about cancer kids; the fact that he couldn’t speak to me in Amsterdam except to ask if I’d dressed like her on purpose; his shittiness around me and Augustus; his aching question about the relationship between pain’s extremity and its value. He sat back there drinking, an old man who’d been drunk for years.

Ahmity reached out and created a ball of light in his hand sending it down past Jack and into the cave. He called out to Jack, “It will move as you command.” Jack frowned feeling a bit ridiculous talking to a ball of light and said, “Go three feet inside the cave and hover.” The ball floated quickly to the cave entrance and past the rushing water to hover just inside the cave entrance. “Move further in another 5 feet.” There was a large shadow to the right. “Move right 10 feet.” Jack commanded and the ball floated into a side tunnel and disappeared. Jack said, “Return to Ahmity.” The ball slowly accompanied Jack back up the cliff. When he reached the top Ahmity helped him up over the edge and waited for his report. Jack wiped the sweat from his forehead and said, “I could see a tunnel in the side of the cave about 10 feet inside the entrance. It’s large enough for the trolls pass through.” Ahmity shook his head and said, “If the trolls traveled back to the Netherworld from here then it’s possible the beasts escaped the same way.” Jack sighed and glanced back at the school then said, “Well there’s no way to know for sure unless we take a short trip down a black hole.” Coming soon--Vengeance's Fire

There is surely no reason for Western civilization to have guilt trips laid on it by champions of cultures based on despotism, superstition, tribalism, and fanaticism. In this regard the Afrocentrists are especially absurd. The West needs no lectures on the superior virtue of those "sun people" who sustained slavery until Western imperialism abolished it (and sustain it to this day in Mauritania and the Sudan), who keep women in subjection, marry several at once, and mutilate their genitals, who carry out racial persecutions not only against Indians and other Asians but against fellow Africans from the wrong tribes, who show themselves either incapable of operating a democracy or ideologically hostile to the democratic idea, and who in their tyrannies and massacres, their Idi Amins and Boukassas, have stamped with utmost brutality on human rights. Keith B. Richburg, a black newspaperman who served for three years as the Washington Post's bureau chief in Africa, saw bloated bodies floating down a river in Tanzania from the insanity that was Rwanda and thought: "There but for the grace of God go I . . . Thank God my nameless ancestor, brought across the ocean in chains and leg irons, made it out alive . . . Thank God I am an American".

Silas nods and turns to back the car up, accidently brushing a hand against my shoulders as he does so. “Sorry,” he says under his breath, like he’s whispering in church. I shake my head as Scarlett settles her long arms and legs in the backseat and uses her cloak as a blanket. Still trying to lean somewhere between the door of death and Silas’s shoulder, I stare out the window as we lumber out of town. The road is smooth, hypnotic, with the dotted lines vanishing rhythmically before us. I glance back at my sister. She’s fallen asleep, and Screwtape is casting her dark looks, as if she’s to blame for his predicament. I looked toward Silas, trying to appear as if I’m just glancing out his window. Really, I want to study him intensely. He’s wearing one of his many nearly threadbare T-shirts, jeans that are soft from washing, wavy hair . . . Everything about him begs to be touched . . . “You’re nervous,” Silas says suddenly. “What? No!” I answer sharply. Am I that obvious? Silas raises an eyebrow and laughs. “It makes sense. I mean, you and Lett have lived in Ellison forever.” Right . . . right. He’s talking about the trip, not my resisting the temptation to fall on him. We’re silent for a moment, nearly tangible awkwardness floating around the front seats. Silas drums his fingers on the steering wheel.

In the chapter entitled “You Can’t Pray a Lie” in Twain’s beloved novel Adventures of Huckleberry Finn, Huck Finn has helped hide Miss Watson’s runaway slave, Jim. But Huck thought he was committing a sin in helping a runaway slave. Huck had learned in Sunday school “that people that acts as I’d been acting … goes to everlasting fire.” So in an act of repentance in order to save his soul, Huck wrote a note to Miss Watson and told her where she could find her runaway slave. Now Huck was ready to pray his “sinner’s prayer” and “get saved.” I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn’t do it straight off but laid the paper down and set there thinking—thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn’t seem to strike no places to harden me against him, but only the other kind. I’d see him standing my watch on top of his’n, ‘stead of calling me, so I could go on sleeping; and see how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had smallpox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world and the only he’s got now; and then I happened to look around and see the paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I’d got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: “All right, then, I’ll go to hell”—and tore it up. It was awful thoughts and awful words but they was said. And I let them stay said; and never thought no more about reforming.1 Huck Finn had been shaped by the Christianity he’d found in his Missouri Sunday school—a Christianity focused on heaven in the afterlife while preserving the status quo of the here and now. Huck thought that helping Jim escape from slavery was a sin, because that’s what he had been taught. He knew he couldn’t ask God to forgive him until he was ready to “repent” and betray Jim. Huck didn’t want to go to hell; he wanted to be saved. But Huck loved his friend more, so he was willing to go to hell in order to save his friend from slavery.

I know that I've lost something now because this keeps happening, and I feel as if this is all I ever come to, to this place, this knife, this feeling, almost killing, and I wonder that I'm not drunk because I feel fucked up and cold and hot, and this man, the drunk man, he's backing away from me toward a parked car and he trips over the parking meter and stumbles and takes a few steps and there's a wall he can follow along and he's scuttling back into the doorway of the bar and his off-white shirt gets hazy like cottonwood down floating off the river back home but it's hot in the spring there, back home, when the cottonwoods are dropping, and nothing about this night is even warm at all except my fist around the handle of the knife that's still cold, and there's the smell of the river water, the water in the air, and water everywhere, over my eyes and the city and the night, and I wonder why the water's not frozen because it's cold, cold every night here, so fucking cold, and no amount of weed will warm me up because I'm a long way from home and my bed and my room and my house and my family and anything and everything and everyone that I have ever loved, and I can sleep on a dirty floor with gum and spiders and garbage and wrappers and ants and dust and spit and cum, and I can sleep here and wake up, and I can sleep here and wake up again, but no amount of sleeping and waking will ever make it right.

The area around the fifty-yard line had been set up with a stage and seating. The kids held my hands as we went to the elevator, ready to go out. "Can you believe we're in Cowboys Stadium for Daddy?" I asked them, trying to rally my spirits as well as theirs. "He would be so blown away." I think they nodded. The elevator opened. We got in. The car went down, and suddenly we were walking onto the runway that led to the field. Pay attention to what’s around you. This is unbelievable! The bagpipers began to move, the tap of their shoes on the concrete apron echoing loudly. The cadence centered me. The pipes began to mourn and my spirit swelled, the music propelling me forward. The casket was marched out and placed front and center. The pallbearers and Navy honor guard stood at attention. I was moving in a cocoon of numbing grief and overwhelming awe. There was a prayer, speeches--each moment moved me in a different way. The easy jokes, the devotional hymns, each had its own effect. I began to float. When I’d asked people to talk about Chris at the ceremony, I’d made a point of reminding them of his humor and asking if possible to add some lighter touches to their speeches, roasting him, even; it was all so Chris. But now some of the light jokes tripped a wire: Don’t talk bad about him! Don’t you dare! Then in the next moment I’d realize he would have been leading the laughs, and it was all good again. I couldn’t force a smile, though.

Good good,' he says. 'I make sure my people take good care of you. They will make Astrophage maybe for you to go home!' 'Yeah...' I say. 'About that... I'm not going home. The beetles will save Earth. But I won't ever see it again.' His joyous bouncing stops. 'Why, question?' 'I don't have enough food. After I take you back to Erid, I will die.' 'You... you can no die.' His voice gets low. 'I no let you die. We send you home. Erid will be grateful. You save everyone. We do everything to save you.' 'There's nothing you can do,' I say. 'There's no food. I have enough to last until we get to Erid and then a few months more. Even if your government gave me the Astrophage to get home, I wouldn't survive the trip.' 'Eat Erid food. We evolve from same life. We use same proteins. Same chemicals. Same sugars. Must work!' 'No, I can't eat your food, remember?' 'You say is bad for you. We find out.' I hold up my hands. 'It's not just bad for me. It will kill me. Your whole ecology uses heavy metals all over the place. Most of them are toxic to me. I'd die immediately.' He trembles. 'No. You can no die. You are friend.' I float closer to the divider wall and talk softly. 'It's okay. I made my decision. This is the only way to save both of our worlds.' He backs away. 'Then you go home. Go home now. I wait here. Erid maybe send another ship someday.' 'That's ridiculous. Do you really want to risk the survival of your entire species on that guess?' He's silent for a few moments and finally answers. 'No.

Twirling on the sand, she quotes Emma Goldman to him in a song. “If I can’t dance, I don’t want to be in your revolution.” He steps up. Come on, Gia, he says, be in my revolution. She is barefoot on the sand. Where are her stockings? She hasn’t taken them off; they’re not lying in a heap nearby. When his open palm goes around her waist, he can’t feel her corset, he feels velvet and under it the curve of her natural waist and lower back. Suddenly he has three left feet and, usually such a capable dancer, can’t move backward or forward. She steps on his awkward toes a few times, laughs, and they trip and fall to their knees on the sand. What’s gotten into you, Harry, she says. I can’t imagine, he says, his eyes roaming wildly over her flushed and eager face. Both his hands are entwining the narrow space from which her hips begin. It’s late afternoon on the wide Hampton beach; it’s gray and foggy when he kisses her. He’s never kissed Sicilian lips before, only Bostonian. There is a boiling ocean of contrast between the two. Boston girls were born and raised on soil that was frozen from October to April and breathed through perfectly colored mouths that took in chill winds and fog from the stormy harbor. But his Sicilian queen has roamed the Mediterranean meadows and her abundant lips breathed in fearsome fire from Typhonic volcanoes. He kisses her as if they are alone at night—as if she is already his. His arms wrap around her back and press her to him. They become suspended, he floats like a phantom around her in the moist air. He won’t let her go, he can’t.

Brian and Avis deliver their stacks and try to refuse dinner, but the waiters bring them glasses of burgundy, porcelain plates with thin, peppery steaks redolent of garlic, scoops of buttery grilled Brussels sprouts, and a salad of beets, walnuts, and Roquefort. They drag a couple of lawn chairs to a quiet spot on the street and they balance the plates on their laps. Some ingredient in the air reminds Avis of the rare delicious trips they used to make to the Keys. Ten years after they'd moved to Miami they'd left Stanley and Felice with family friends and Avis and Brian drove to Key West on a sort of second honeymoon. She remembers how the land dropped back into distance: wetlands, marsh, lazy-legged egrets flapping over the highway, tangled, sulfurous mangroves. And water. Steel-blue plains, celadon translucence. She and Brian had rented a vacation cottage in Old Town, ate small meals of fruit, cheese, olives, and crackers, swam in the warm, folding water. Each day stirring into the next, talking about nothing more complicated than the weather, spotting a shark off the pier, a mysterious constellation lowering in the west. Brian sheltered under a celery-green umbrella while Avis swam: the water formed pearls on the film of her sunscreen. They watched the night's rise, an immense black curtain from the ocean. Up and down the beach they hear the sounds of the outdoor bars, sandy patios switching on, distant strains of laughter, bursts of music. Someone played an instrument- quick runs of notes, arpeggios floating in soft ovals like soap bubbles over the darkening water.

The birds had multiplied. She'd installed rows upon rows of floating melamine shelves above shoulder height to accommodate the expression of her once humble collection. Though she'd had bird figurines all over the apartment, the bulk of her prized collection was confined to her bedroom because it had given her joy to wake up to them every morning. Before I'd left, I had a tradition of gifting her with bird figurines. It began with a storm petrel, a Wakamba carving of ebony wood from Kenya I had picked up at the museum gift shop from a sixth-grade school field trip. She'd adored the unexpected birthday present, and I had hunted for them since. Clusters of ceramic birds were perched on every shelf. Her obsession had brought her happiness, so I'd fed it. The tiki bird from French Polynesia nested beside a delft bluebird from the Netherlands. One of my favorites was a glass rainbow macaw from an Argentinian artist that mimicked the vibrant barrios of Buenos Aires. Since the sixth grade, I'd given her one every year until I'd left: eight birds in total. As I lifted each member of her extensive bird collection, I imagined Ma-ma was with me, telling a story about each one. There were no signs of dust anywhere; cleanliness had been her religion. I counted eighty-eight birds in total. Ma-ma had been busy collecting while I was gone. I couldn't deny that every time I saw a beautiful feathered creature in figurine form, I thought of my mother. If only I'd sent her one, even a single bird, from my travels, it could have been the precursor to establishing communication once more. Ma-ma had spoken to her birds often, especially when she cleaned them every Saturday morning. I had imagined she was some fairy-tale princess in the Black Forest holding court over an avian kingdom. I was tempted to speak to them now, but I didn't want to be the one to convey the loss of their queen. Suddenly, however, Ma-ma's collection stirred. It began as a single chirp, a mournful cry swelling into a chorus. The figurines burst into song, tiny beaks opening, chests puffed, to release a somber tribute to their departed beloved. The tune was unfamiliar, yet its melancholy was palpable, rising, surging until the final trill when every bird bowed their heads toward the empty bed, frozen as if they hadn't sung seconds before. I thanked them for the happiness they'd bestowed on Ma-ma.

Western man, Jung saw, always wants to do something, to “get somewhere”; this kind of restlessness is characteristic of us all. A few years later, when Jung met the Pueblo chief Ochwiay Biano during his trip to Taos, he told Jung that the whites were always dissatisfied, and that this led to their cruelty. The kind of consciousness Jung encountered in North Africa was content with what is. At an oasis, Jung felt that “everything here was exactly the way it should be and the way it had always been.”28 Westerners usually feel this only after a few drinks or under the influence of drugs, hence their popularity. We find it inordinately difficult to relax, but what Jung found in North Africa was a consciousness that allowed the ego to slow down and sink into the warm embrace of the unconscious, as if after perpetually treading water, we suddenly discovered we could float.

The months of June and July passed. The monsoons were tardy this year—the nights hinted rain constantly with an aroma in the air, a cooling on the skin, soundless lightning across skies. But when morning came, the sun rose strong again, mocking Agra and its inhabitants. And the days crawled by, brazenly hot, when every breath was an effort, every movement a struggle, every night sweat-stewed. In temples, incantations were offered, the muezzins called the faithful to prayers, their voices melodious and pleading, and the bells of the Jesuit churches chimed. But the gods seemed indifferent. The rice paddies lay ploughed after the pre-monsoon rains, awaiting the seedlings; too long a wait and the ground would grow hard again. A few people moved torpidly in the streets of Agra; only the direst of emergencies had called them from their cool, stone-flagged homes. Even the normally frantic pariah dogs lay panting on doorsteps, too exhausted to yelp when passing urchins pelted them with stones. The bazaars were barren too, shopfronts pulled down, shopkeepers too tired to haggle with buyers. Custom could wait for cooler times. The whole city seemed to have slowed to a halt. The imperial palaces and courtyards were hushed in the night, the corridors empty of footsteps. Slaves and eunuchs plied iridescent peacock feather fans, wiping their perspiring faces with one hand. The ladies of the harem slept under the intermittent breeze of the fans, goblets of cold sherbets flavoured with khus and ginger resting by their sides. Every now and then, a slave would refresh the goblet, bringing in another one filled with new shards of ice. When her mistress awoke, and wake she would many times during the night, her drink would be ready. The ice, carved in huge chunks from the Himalayan mountains, covered with gunnysacks and brought down to the plains in bullock carts, was a blessing for everyone, nobles and commoners alike. But in this heat, ice melted all too soon, disappearing into a puddle of warm water under sawdust and jute. In Emperor Jahangir’s apartments, music floated through the courtyard, stopping and tripping in the still night air as the musicians’ slick fingers slipped on the strings of the sitar.

Over the course of those few days in South Africa, I felt myself floating. This visit was a long way from my first trip to Kenya in 1991, when I’d ridden around with Barack in matatus and pushed Auma’s broken-down VW along the side of a dusty road. What I felt was one part jet lag, maybe, but two parts something more profound and elating. It was as if we’d stepped into the larger crosscurrents of culture and history, reminded suddenly of our relative smallness in the wider arc of time.

Union Street Railway was a New Bedford, Massachusetts-based bus company. With the equity trading below the net cash on the company’s balance sheet, Union Street was a classic net-net when Buffett bought the stock. This was a small, thinly traded company with a market capitalization below $1 million. The small float meant acquiring stock required a bit of work and persistence by the young, enterprising investor. Like the other stocks discussed so far, it was cheap. But in contrast to the previous investments discussed in this book, this one was actually losing money at the time of Buffett’s purchase. Yet this stock would be a huge winner for Buffett, yielding him a dollar profit worth more than 4.5x the average household yearly income at the time. After accumulating a meaningful stake in the company, Buffett took a trip to Massachusetts to meet with the company’s president. While he did not run a proxy contest or take aggressive action to prompt a capital return, the company paid a substantial dividend shortly after his visit.109 Union Street Railway was an early lesson in how positive changes in capital allocation can lead to windfall profits.

Come on, you two,” she called to them weakly, struggling to her feet. “Let’s head home. It’s getting late. Stop your horsing around. Anthony, please. What did I tell you? Be careful, I said!” Can’t you see what your father looks like? Suddenly her two men, one little, one big, both with the straight posture, the unwavering gazes, came and stood in front of her, their legs in the sand, each in an A, their hands on their hips like kettles. “Ready to go then?” she said, lowering her gaze. “Mommy,” said her son firmly, “come and play.” “Yes, Mommy,” said her husband firmly, “come and play.” “No, it’s time to go home.” She blinked. A mirage in the setting sun made him disappear for a second. “That’s it,” said Alexander, lifting her into his arms. “I’ve had just about enough of this.” He carried her and flung her into the water. Tatiana was without breath and when she came up for air, he threw himself on her, shaking her, disturbing her, implacably laying his hands on her. Perhaps he wasn’t a mirage after all, his body immersed in water that was so salty he floated and she floated, too, feeling real herself, remembering cartwheeling at the Palace of the Tsars for him, sitting on the tram with him, walking barefoot through the Field of Mars with him while Hitler’s tanks and Dimitri’s malice beat down the doors of their hearts. Alexander picked her up and threw her in the air, only pretending to catch her. She fell and splashed and shrieked, and scrambling to her feet, ran from him as he chased her onto the sand. She tripped to let him catch her and he kissed her wet and she held on to his neck and Anthony jumped and scrambled onto his back, break it up, break it up, and Alexander dragged them all deeper in and tossed them into the ocean, where they bobbed and swayed like houseboats.

I stumble in behind them, almost tripping on my own feet. They both turn to look at me as I grip the edge of the counter to balance myself. Tag raises an eyebrow at me. "Did you even talk to this girl?" "No" "Damn, dude, she's got you tripping all over yourself, and you don't even know what her voice sounds like? I'd hate to see what happens when you actually have a conversation with her." "I don't know who she is. I've never seen her before, but she drives a nice car. I want to know her.

On June 15, 1904, an annual gala was held on the passenger ship as it steamed up the East River, with about 1,400 people from St. Mark’s Evangelical Lutheran Church. Consisting mostly of German immigrants, the boat was packed with women and children, and when a small fire started on the ship shortly after the trip began, faulty equipment was unable to put it out or stop it from spreading. On top of that, the lifeboats were tied up and the crew, which never conducted emergency drills, was unprepared for a potential disaster. When parents put life preservers on their children and then had them enter the water, they soon learned that the life preservers were also faulty and didn’t float. As the disaster unfolded, over 1,000 passengers burned to death or drowned, many swept under the water by the East River’s current and weighed down by heavy wool clothing. Few people on board knew how to swim, exacerbating the situation, and eventually the overcrowded decks began to collapse, crushing some unfortunate victims. In the end, the General Slocum sank in shallow water while hundreds of corpses drifted ashore, and the fallout was immediate. The captain was indicted for criminal negligence and manslaughter, and the ship’s owner was also charged. While the captain would receive a 10 year sentence, the company in charge of the General Slocum got off with a light fine. In a somewhat fitting postscript, the ship was salvaged and converted into a barge, only to sink once again during a heavy storm in 1911.

hipster fashion of the moment. And he wore an earring, as if to say, “I have a position, but I’m not a conformist.” The men in the audience were slumped in their seats, legs crossed, arms condescendingly folded over their chests. Laura was taking notes, accompanying every word by nodding her head of thick, curly hair. What was his trick? His face revealed few expressions; from time to time he smiled briefly, the only movement on his tanned face. Still, those smiles lit it up, and this was probably not planned. Or maybe it was, because at regular intervals he would imperceptibly lean toward the audience, and the middle-aged women with Botoxed lips clung to their seats. He talked about a recent trip in a Ford Fiesta. “We’d meet at the bar in the piazza, Giovanni and Gabriele and I, and hold impromptu discussions inspired by Malvasia.” He gave us time to marvel over the fact that he did not have an Audi. “Giovanni Ascolti and Gabriele Galli, the founders of the publishing house Marea,” Laura whispered in my ear. “Oh.” Silence floated through the room when he closed his mouth. The seconds hung suspended between us and him, in midair, as if surprised to be there. But then Vittorio took off his glasses, smiled, said, “Thank you,” and time obeyed that smile and began to flow again. The audience applauded, and the seconds too returned to their place, in the ticking of the clocks. Well

In the daylight, we were lucky enough to spot a sheep trough not far from where we’d camped. This trough didn’t have a float valve, so it had overflowed and made a bit of a pond around itself. With all the sheep coming and going, the “pond” was more like thick, oozing mud than water. In spite of the obvious challenge of getting past the mud, I was determined to take advantage of a nice tub. As the only woman on the trip, I pulled the whole “ladies first” thing and headed off. I was excited as I hiked over with my toothbrush, soap, and shampoo. But as I arrived I was greeted by the overwhelming smell--a sheep had gotten bogged down in the mud and died some time ago. Its body was partially liquefied and teeming with maggots. Ignoring this little friend would be difficult, but I had no idea when I’d get my next chance to clean up. I picked my way around the mud and balanced precariously on the edge of the concrete slab that the trough rested on. The water was dribbling in slowly from the bore pipe, and three-quarters of the surface of the water was covered in an algae-like slime. After removing a patch of the green goo, I stashed my clothes on a dry corner of the concrete and eased myself in. I tried not to think about the water bugs nibbling on me, and I made a real effort not to stir up the sludge on the bottom of the trough--remnants of dead birds that had drowned. Put it out of your mind, I thought. As I held my breath, I went under. I resolved that I wouldn’t wash my hair again for a week. It was so icky to stick my head clear under! I finished up and let everyone have their turn. I suppose it was better than not bathing at all…perhaps.

She is dead now, so I can say that she laughed like us, played like us and her adult life turned out okay- so I heard. But then when we were all twelve or less, it seemed as though she floated behind a scrim. Markedly pretty, she had eyes full of distance- a smile made more attractive by what it withheld; some knowingness it appeared unwilling to share. In the early forties "cool" was our word to describe her, although, at the time, I thought she was simply sad. Something treasured had been irretrievably lost, and there was nothing to be done about it. Her attitude reminded me of what I saw in the eyes of scary old people sitting in rocking chairs on the porch or leaning forward on a fence looking at us as though in a little while we would know the doom and catastrophe they already knew. "Uh huh", they murmured when we tripped over the door saddle or ruined our clothes. "where is your mind" they asked when we dropped the milk bottle, let the coal fire go out. Seriously asking a serious question, they showed no surprise. They knew we would always fall down, drop things, be ruined, and forget. And it was possible to lose your mind. She too seemed aware of our haplessness, but she did not wear their frown. A mournful sympathy infected her smile.

Excerpted From Chapter One “Rock of Ages” floated lightly down the first floor corridor of the Hollywood Hotel’s west wing. It was Sunday morning, and Hattie Mae couldn’t go to church because she had to work, so she praised the Lord in her own way, but she praised Him softly out of consideration for the “Do Not Disturb” placards hanging from the doors she passed with her wooden cart full of fresh linens and towels. Actually Sundays were Hattie Mae’s favorite of the six days she worked each week. For one thing, her shift ended at noon on Sundays. For another, this was the day Miss Lillian always left a “little something” in her room to thank Hattie Mae for such good maid service. Most of the hotel’s long-term guests left a little change for their room maids, but in Miss Lillian’s case, the tip was usually three crinkly new one dollar bills. It seemed like an awful lot of money to Hattie Mae, whose weekly pay was only nineteen dollars. Still, Miss Lillian Lawrence could afford to be generous because she was a famous actress in the movies. She was also, Hattie Mae thought, a very fine lady. When Hattie Mae reached the end of the corridor, she knocked quietly on Miss Lillian’s door. It was still too early for most guests to be out of their rooms, but Miss Lillian was always up with the sun, not like some lazy folks who laid around in their beds ‘til noon, often making Hattie Mae late for Sunday dinner because she couldn’t leave until all the rooms along her corridor were made up. After knocking twice, Hattie Mae tried Miss Lillian’s door. It opened, so after selecting the softest towels from the stacks on her cart, she walked in. With the curtains drawn the room was dark, but Hattie Mae didn’t stop to switch on the overheard light because her arms were full of towels. The maid’s eyes were on the chest of drawers to her right where Miss Lillian always left her tip, so she didn’t see the handbag on the floor just inside the door. Hattie Mae tripped over the bag and fell headlong to the floor, landing inches from the dead body of Lillian Lawrence. In the dim light Hattie Mae stared into a pale face with a gaping mouth and a trickle of blood from a small red dot above one vacant green eye. Hattie Mae screamed at the top of her lungs and kept on screaming.

This was his first trip on the Ossifar Distana, his first real splash in life. Look what it got him. Mister Smiff liked anonymity. He kept a low profile, often traveling under assumed names, claiming to be anything from a banker to a (very) successful life insurance salesman. He’d never broken the law, at least not irreparably. He was quite generous, well liked, sponsoring many charities anonymously – which is why it was so surprising to find him floating face down in the private spa in his apartment, murdered. He had been murdered, unless it was a freak shaving accident. Those old razors weren’t called cut-throats for nothing. Yikes.

The McDonald brothers kept their potatoes—top quality Idaho spuds, about eight ounces apiece—piled in bins in their back warehouse building. Since rats and mice and other varmints like to eat potatoes, the walls of the bins were of two layers of small-mesh chicken wire. This kept the critters out and allowed fresh air to circulate among the potatoes. I watched the spuds being bagged up and followed their trip by four-wheeled cart to the octagonal drive-in building. There they were carefully peeled, leaving a tiny proportion of skin on, and then they were cut into long sections and dumped into large sinks of cold water. The french-fry man, with his sleeves rolled up to the shoulders, would plunge his arms into the floating schools of potatoes and gently stir them. I could see the water turning white with starch. This was drained off and the residual starch was rinsed from the glistening morsels with a flexible spray hose. Then the potatoes went into wire baskets, stacked in production-line fashion next to the deep-fry vats.

After a few minutes, Rachel Mina stood up and announced she was going to her tent for the night. She said it in a way that made it obvious she expected Ted Sullivan to go with her. Obvious, that is, for everyone except Ted Sullivan, who took a bottle from Knox and took another swig. “Before you go,” Jed said, “I wanted to float a proposition. I’ll go with whatever you all decide. This is a simple majority rule deal, and I’ll go with the majority because it’s your trip.” She still eyed him with doubt and put her hands on her hips, waiting. He decided right then he’d need to either win her over or isolate her if she didn’t fall in line. It would be her choice either way it went.

The implication is that great work should, if it is truly great, not be of its time or place. We should not be aware of how, why, or when it was conceived, received, marketed, or sold. It floats free of this mundane world, transcendent and ethereal. This is absolute nonsense. Few of the works that we now think of as “timeless” were originally thought of that way. Carey points out that Shakespeare was not universally favored; Voltaire and Tolstoy didn’t care for him much, and Darwin found him “intolerably dull.”16 For many decades his work was derided as low and popular. The same could be said for a “great” painter like Vermeer, who was “rehabilitated” only recently. As a society, we change what we value all the time. When I was working with the UK trip-hop band Morcheeba, they extolled the virtues of an American seventies band called Manassas. I had dismissed that band when I was growing up—I thought they were great players but not in any way relevant to me—but I could see that a younger generation of musicians, without my prejudices, might see them in a different light. I don’t think that particular band ever got elevated to the “timeless” pedestal, but many others have been. I discovered Miles Davis’s electric jams from the seventies relatively late—for the most part, they were critically frowned upon when they came out—but there might now be a whole generation who looks on those records as founding gospel, hugely inspirational.

She just wrote, ‘vaccinated people’s urine/feces’ needs to be separated ‘from general sewage supplies/waterways’ until its impact on unvaccinated people’s drinking water is established. Can you believe that? She thinks vaccinated people are biohazards! She wants to build a parallel sewage system!” “Where are you going with this?” Avi asks, not particularly patiently. Where indeed? In the years before Covid, floating conspiracy claims seemed to be a kind of hobby for Wolf. She hopped from one theory to another—Ebola, Snowden, 5G, ISIS—but never stayed with any one subject for long, certainly not long enough to actually prove anything. She was just “raising flags” and “asking questions,” and then she invariably moved on. This is classic “conspiracy without the theory,” as described by Russell Muirhead and Nancy L. Rosenblum in their 2020 book, A Lot of People Are Saying, part of the growing body of literature attempting to make sense of the surge in belief in a wide range of off-the-wall, unproven claims.

RALPH When I was a child, my mother read me stories every night before bed, fantastic stories of noble knights and wizards with blue beards and dragons who lived in the earth, but she was careful with me. I had one of those imaginations, she said. Overactive, I guess. Are elves real, Ralph? she’d ask, closing the book and flattening one hand against its back cover. Are dragons? She’d peer into my eyes as if my secret belief might swim up in them, visible to her as color or texture. I knew what to tell her. The hill had told me what to say. I didn’t have to tell the truth in the yellow house; I had the hill for that. The hill would carve a special seat out of itself and let me nestle inside there to read and say and believe whatever I wanted. The hill told me which stories were true, and which were not true. The hill built canopies for me when it rained, fed me water when it was dry. The hill reached out and tripped the boys who followed me, jeering, after school, and punished the ones who broke my glasses, or who stole. The hill hid me when my father was angry, and later, when he became an empty sack, floating from chair to car to chair to bed to chair to car to chair, the hill chattered away in my ear. The hill has cared for me, I think. I have cared for the hill. But I am older now, you know. My parents are gone. There is a girl who works at the ice cream parlor with me, and when she talks, I can see her lips move.

Sit Down You're Rockin' the Boat I dreamed last night I got on the boat to heaven And by some chance I had brought my dice along And there I stood And I hollered "Someone fade me" But the passengers, they knew right from wrong. For the peopel all said sit down, sit down, you're rockin' the boat People all said sit down Sit down you're rockin' the boat. And the devil will drag you under By the sharp lapel of your checkered coat, Sit down, sit down, sit down, sit down, Sit down you're rockin' the boat. I sailed away on that little boat to heaven And by some chance found a bottle in my fist And there I stood, Nicely passin' out the whisky But the passengers were bound to resisist For the people all said beware You're on a heavenly trip People all said beware Beware, you'll scuttle the ship. And the devil will drag you under By the fancy tie 'round your wicked throat Sit down, sit down, sit down, sit down Sit down, you're rockin' the boat And as I laughed at those passengers to heaven (laughs) (Gasps!) A great big wave came and washed me over board! And as I sank And I hollered "someone save me!" That's the moment I woke up Thank the lord And I said to myself, sit down, sit down, You're rockin' the boat! Said to myself sit down, sit down, you're rockin' the boat And the devil will drag you under With a soul so heavy you'd never float, Sit down, sit down, sit down Sit down, sit down, sit down, you're rockin' the boat

The trip had been a dream for almost two decades, relegated to the back of the line behind an ever-growing list of responsibilities. Each passing moment brought a new list of reasons for putting it off. One day, Julie realized that if she didn’t do it now, she would never do it. The rationalizations, legitimate or not, would just continue to add up and make it harder to convince herself that escape was possible. One year of preparation and one 30-day trial run with her husband later, they set sail on the trip of a lifetime. Julie realized almost as soon as the anchor lifted that, far from being a reason not to travel and seek adventure, children are perhaps the best reason of all to do both. Pre-trip, her three little boys had fought like banshees at the drop of a hat. In the process of learning to coexist in a floating bedroom, they learned patience, as much for themselves as for the sanity of their parents. Pre-trip, books were about as appealing as eating sand. Given the alternative of staring at a wall on the open sea, all three learned to love books. Pulling them out of school for one academic year and exposing them to new environments had proven to be the best investment in their education to date. Now sitting in the plane, Julie looked out at the clouds as the wing cut past them, already thinking of their next plans: to find a place in the mountains and ski all year long, using income from a sail-rigging workshop to fund the slopes and more travel. Now that she had done it once, she had the itch.

With each mile marker that we pass, a weight that’s been bearing on my shoulders for almost 21 years, grows lighter. Soon I’ll be floating.

At the second one the head of the machine ripped the top row of glasses out of place like a toboggan shoe splintering a stretch of thin ice. Then the under floats tangled in the frame work, and Dave bore company with the others in a dive into a bed of geraniums.

CHAPTER ONE The Secret Stronghold CHAPTER TWO Dave on the Road CHAPTER THREE Porkins CHAPTER FOUR Carl CHAPTER FIVE Captured by Zombies CHAPTER SIX The Portal CHAPTER SEVEN The Nether CHAPTER EIGHT The Pigmen CHAPTER NINE Caught CHAPTER TEN Entering the Fortress CHAPTER ELEVEN Blazes CHAPTER TWELVE Swords at the Ready CHAPTER THIRTEEN The King of the Pigmen CHAPTER FOURTEEN Escape CHAPTER FIFTEEN Snow EPILOGUE -- BOOK TWO -- PROLOGUE CHAPTER ONE Nothing but Snow CHAPTER TWO Bear! CHAPTER THREE Finding Shelter CHAPTER FOUR Under the Igloo CHAPTER FIVE Phillip and Liz CHAPTER SIX The Wither CHAPTER SEVEN Ripley CHAPTER EIGHT The Underground Room CHAPTER NINE Zombie Attack! CHAPTER TEN Steve Turns to the Dark Side CHAPTER ELEVEN Ripley's Plan CHAPTER TWELVE Statue Fight CHAPTER THIRTEEN Robo-Steve's Last Stand CHAPTER FOURTEEN Goodbye Again CHAPTER FIFTEEN Return to the Nether CHAPTER SIXTEEN Dave vs Enderman CHAPTER SEVENTEEN The Ender Hunters CHAPTER EIGHTEEN Hunting Trip CHAPTER NINETEEN Pearls CHAPTER TWENTY The Witch CHAPTER TWENTY-ONE Bedrock CHAPTER TWENTY-TWO Lava CHAPTER TWENTY-THREE Giant Lava Herobrine CHAPTER TWENTY-FOUR Return to the Nether (Again!) CHAPTER TWENTY-FIVE Nothing but Water EPILOGUE -- BOOK THREE -- CHAPTER ONE Water, Water, Everywhere... CHAPTER TWO Carl Gets Left Behind CHAPTER THREE Bubbles and Zombies CHAPTER FOUR Locked Up CHAPTER FIVE The Floating Dead CHAPTER SIX The Underwater Pyramid CHAPTER SEVEN Dave Alone CHAPTER EIGHT The Pirates CHAPTER NINE Aquatropolis CHAPTER TEN The Mysterious Island CHAPTER ELEVEN Carl the Pirate CHAPTER TWELVE Princess Alicia CHAPTER THIRTEEN The Kraken Attacken CHAPTER FOURTEEN Reunited CHAPTER FIFTEEN Drowned CHAPTER SIXTEEN Carl's Big Decision CHAPTER SEVENTEEN The Kraken Returns CHAPTER EIGHTEEN Aftermath EPILOGUE -- BOOK FOUR -- CHAPTER ONE Cool Island CHAPTER TWO Cool City CHAPTER THREE Derek Cool CHAPTER FOUR The Opening Ceremony CHAPTER FIVE Battle Royale! CHAPTER SIX A Lovely Walk CHAPTER SEVEN Thag CHAPTER EIGHT Carl Steps Up CHAPTER NINE Gammon CHAPTER TEN I Can Smell You! CHAPTER ELEVEN Carl the Golem CHAPTER TWELVE Curly CHAPTER THIRTEEN What Now? CHAPTER FOURTEEN Metal in the Moonlight CHAPTER FIFTEEN Critical Error CHAPTER SIXTEEN A Trio of Cool Dudes CHAPTER SEVENTEEN The Purple Pearl CHAPTER EIGHTEEN Totally Cool! EPILOGUE -- BOOK FIVE -- CHAPTER ONE Land Ahoy! CHAPTER TWO The Mine CHAPTER THREE Greenleaf CHAPTER FOUR The Secret Base CHAPTER FIVE Dave Makes a Plan CHAPTER SIX The Plan Begins CHAPTER SEVEN Porkins's Dilemma CHAPTER EIGHT The Night Before CHAPTER NINE Little Bacon CHAPTER TEN Elder Crispy CHAPTER ELEVEN Attack! CHAPTER TWELVE Once More Into the Nether CHAPTER THIRTEEN The Pit CHAPTER FOURTEEN Zombie Potion CHAPTER FIFTEEN Goodbyes EPILOGUE Thank You Newsletter Dave is on Facebook!

In white water rafting, riders battle waves, heavy rapids, and unpredictable drops. They have to hustle hard to avoid obstacles, respond quickly to changing river conditions, and paddle with all of their strength to safely reach their destination. These heart-pounding bursts of strenuous activity are punctuated by periods of rest, when the water becomes calm enough that riders can float and enjoy the scenery. As any experienced river guide will tell you, the ideal trip is comprised of both hustle and floating—a balance between focused exertion and intentional recovery. Too much hustle leads to exhaustion that can jeopardize the split-second decision-making that’s needed to avoid injury. Too much float will result in a boring and aimless ride, devoid of challenge or purpose.

With tinny drumbeats, the rain pounds the roof My teary eyes compete They can't keep up Breathe Let it go Breathe The vice on my chest tightens its razoring grip I gasp No relief If only tears could soothe the pain Then, I would look upon the tidal waves against these walls without fear Crush and roll me, I'd plead, Mold my body anew But with these tears come no healing, Just death, slow and determined This old girl, this old woman, this old soul lives here inside A tortoise outgrowing this hare's body This youthful skin encasing a crumbling frame I smooth the matted web of curls off my sweaty neck And roll my eyes at the clock How slowly the time squeaks by here in this room, In this comfortless bed I abandon the warmth from under my blanket tower and shiver The draft rattles my spine One by one, striking my vertebrae Like a spoon chiming empty wine glasses, Hitting the same fragile note till my neck shakes the chill away I swipe along the naked floor with a toe for the slippers beneath the bed Plush fabric caresses my feet Stand! Get up With both hands, Gravity jerks me back down Ugh! This cursed bed! No more, I want no more of it I try again My legs quiver in search of my former strength Come on, old girl, Come on, old woman, Come on, old soul, Don't quit now The floor shakes beneath me, Hoping I trip and fall To the living room window, I trudge My joints grind like gravel under tires More pain no amount of tears can soothe away Pinching the embroidered curtain between my knuckles, I find solace in the gloom The wind humming against the window, Makes the house creak and groan Years ago, the cold numbed my pain But can it numb me again, This wretched body and fractured soul? Outside I venture with chants fluttering my lips, Desperate solemn pleas For comfort, For mercy For ease, For health I open the plush throw spiraled around my shoulders And tiptoe around the porch's rain-soaked boards The chilly air moves through me like Death on a mission, My body, an empty gorge with no barriers to stop him, No flesh or bone My highest and lowest extremities grow numb But my feeble knees and crippling bones turn half-stone, half-bone Half-alive, half-dead No better, just worse The merciless wind freezes my tears My chin tumbles in despair I cover myself and sniffle Earth’s scent funnels up my nose: Decay with traces of life in its perfume The treetops and their slender branches sway, Defying the bitter gusts As I turn to seek shelter, the last browned leaf breaks away It drifts, it floats At the weary tree’s feet, it makes its bed alongside the others Like a pile of corpses, they lie Furled and crinkled with age No one mourns their death Or hurries to honor the fallen with thoughtful burials No rage-filled cries echo their protests at the paws trampling their fragile bodies, Or at the desecration by the animals seeking morning relief And new boundaries to mark Soon, the stark canopy stretching over the pitiful sight Will replace them with vibrant buds and leaves Until the wasting season again returns For now, more misery will barricade my bones as winter creeps in Unless Death meets me first to end it

Yet I saw it all, it is my memory of the last days leading up to the end, and I feel too their scheme. She all wrote to me and saw through, she was glissading in her floating gaze, blue eyes peering into mine, she hands something to say, yet I walked away back away from the light that light my way, I tripped into the darkness in the creeped-out hallways. Everything I touch- I drop, like my cell phone, I left behind: I have- well- Dropasea! I walk now, as I descend back to my feet, I feel my body and the weight on my feet now. I saw it all, it is my memory of the last days leading up to the end, and I feel their scheme. She was floating all in white in front of me, note haunting- but almost angelic, and see-through, she was glissading I was looking too hard in a gaze, her blue peering into mine, she hands something to say, yet I walked away, backing away from the light, all the way back even if it lights my way, I tripped into the darkness in the creeped-out hallways, falling to them all the next day. Into the darkness I shall creep, now on my feet, I feel as if I am slithering like a snake, looking for the pathway out of the underworld. The pool went from little kids having fun giggling and swimming to little kids burning naked in what seems to be a lake of fire, black wing spread. As they ruined up and into my face and swirled around sucking life, or so it seemed, to me, as I felt I was blacking out, by their pulling on my body and lips. I never believed in Devilish entities until then with that thing sucked my face off, with the kiss of death to get it live to demonize onward. Loin-like up till now with horns that slowly started to feel like they were ripping through my soul if there is a such-of-a thing. With a long hollow, I feel myself feeling it, go in hard than it did the first time I got freak in the p*ssy. I was hugged in a well-founded way, and they were all welcoming home, staying it fun here- (Yet- is- it?) I felt her hand all over my goodies, seeing if I cut the teen group, or that what she fed me. I was getting bit up with the lies. (I did get it- do you?) Then she held my face, like the boy I am in love with and she dropped away fast, then everything was back as it was before, just some old school, I was walking through. She said- ‘I love you-you can be mine, like my girlfriend down here.’ I was looking at the tat- it was Bacca or (B- 1441- 669 5033) I feel the of thorns, I see the flames in the eyes it makes me feel warm inside, when I am cold all the time, I feel the rubbing on me and I don’t mind it know she has a spell on me that is tempting and lusting, and oh so sexy. Why would I go looking for someone I know wants to slay me, I thought so I never- ever want to go back for that phone, I was being a wimp and wasn’t planning on going back anyway.

Freddie put a fax machine on top of a printer and carried both out to the van, juggling them there with one hand and one knee while unlocking the van’s side cargo door. It was a pain having to unlock and relock the van every trip, but anybody who leaves a vehicle alone and unsealed for even a second in Manhattan is looking for trouble, and will soon be looking for a new radio. It may be that the pervasive air of theft and chicanery forever floating like an aggressive cloud bank over New York City had played some part in Freddie’s original decision to become a thief. In a different part of the world, where both property and human feelings are respected—oh, someplace like Ashland, Oregon, say—even the scurviest villain will have the occasional bout of conscience, but in New York’s take-or-be-taken atmosphere moral suasion goes for naught.

A pair of 4-megaton hydrogen bombs, each more than 250 times more powerful than the bomb that destroyed Hiroshima, broke off a damaged B-52 over North Carolina. One of the bombs disintegrated upon impact, but the other floated down beneath its parachute and armed itself. It was later found in a field outside Goldsboro, North Carolina, with three of its four safety mechanisms tripped or rendered ineffective by the plane’s breakup. Had the fourth switch flipped, a vast section of eastern North Carolina would have been destroyed, and nuclear fallout might have descended on Washington, DC, and New York City.

As the zygaena was gliding onward, and just as its rough pectoral passed within an inch of his nose, he suddenly returned the knife between his teeth, and, simultaneously using both hands and limbs, he sprang upward in the waiter, and, with a vigorous effort, launched himself on its back! In the next instant he was seen,—or might have been seen,—with one hand, the left, firmly grasping the bony protuberance of the zygaena’s left eye, his muscular fingers deeply imbedded in the socket, while his right, clutching the long knife, was inflicting a series of stabs against the side of his adversary, now flashing high in the air, now gleaming under water, going up and down with all the measured regularity of a trip-hammer. When it pleased the Coromantee to dismount from his slippery saddle, the zygaena floated by his side,—a carcass stained with its own blood, that for fathoms around encrimsoned the azure waters of the ocean!

Leo reached into his pocket and pulled out a bullet vial made of brown glass. He clicked it one turn. “Just a little. This isn’t blow.” “What is it?” “Lydia, meet my White Lady. This is pure, top-shelf H. My little secret, but I want to share it with you tonight. You were amazing,” Leo said. I snorted the blast and felt the drug spread to my toes—numb, floating, blissful. “Wow, that’s good. Really good!” Another rush rippled down my body and enveloped my being. Two more turns, click, click. Leo took a double-stiff hit.