Tinkerbell Fairies Quotes

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Tink was not all bad: or, rather, she was all bad just now, but, on the other hand, sometimes she was all good. Fairies have to be one thing or the other, because being so small they unfortunately have room for one feeling only at a time. They are, however, allowed to change, only it must be a complete change.
J.M. Barrie (Peter Pan)
Tell them, Gabrielle,” Adam urged impatiently. Blinking, Gabby nodded. “I have one of the, er… fairies here with me –” “Tuatha Dé,” Adam corrected irritably. “You’re bloody well making me sound like Tinkerbell.
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
She says she glories in being abandoned
J.M. Barrie
There were letters on the bottom, letters he'd seen before, on the ship that had carried him from London, the ship that had broken up on the reef that guarded the island. The letters said: NEVER LAND. Peter looked at it. And then he looked around him--at the lagoon; at the rock where the mermaids (Mermaids!) lounged; at the palm-fringed beach; at the tinkling fairy flitting over his head; at his new friends the Mollusks; at the jungle-covered, pirate-infested mountains looming over it all. Then he looked at the board again, and he laughed out loud. 'That's exactly where I am,' he said.
Dave Barry (Peter and the Starcatchers (Peter and the Starcatchers, #1))
Somehow, this pirate had managed to steal something she never planned to lose - her heart.
Megan Van Dyke (Second Star to the Left (Reimagined Fairy Tales Collection, #1))
Don't you understand? You mean more to me that anything in this entire world.
J.M. Barrie (Peter Pan)
If you thought to leave me now, I might tie you to the bed again. Filthy pirate. Aye, but you love me anyway.
Megan Van Dyke (Second Star to the Left (Reimagined Fairy Tales Collection, #1))
Their meal was illuminated by torches, which Gwen found were utterly without fire. What the children called torches were really just small platforms on tall, wooden poles. The reason they radiated light was because fairies had flown up to them to waltz and glow on the tiny dance floors.
Audrey Greathouse (The Neverland Wars (The Neverland Wars, #1))
Where do fairies come from?" she asked, thinking it was the simplest entry into a complicated subject. The first laugh of a baby. A special baby. So they say. Tinker Bell smiled wryly. We are here, we appear, sometimes there are more of us. I awoke under a leaf, curled up like a drop of dew, complete. Tinker Bell!
Liz Braswell (Straight On Till Morning)
The fairy was flying in loops and swirls around her, shedding fairy dust as she went. Throwing it at Wendy. Delighted, the human girl raised her arms up to fully experience what was happening. Delicate golden sparkles floated down and kissed her skin. Where they touched, Wendy felt lighter. Tiny pains she hadn't even realized she felt entirely disappeared, and any weariness vanished. She felt rested, energetic, and- airy.
Liz Braswell (Straight On Till Morning)
In the immortal children's Christmas pantomime Peter Pan, there comes a climactic moment when the little angel Tinkerbell seems to be dying. The glowing light that represents her on the stage begins to dim, and there is only one possible way to save the dire situation. An actor steps up to the front of the house and asks all the children, "Do you believe in fairies?" If they keep confidently answering "YES!" then the tiny light will start to brighten again. Who can object to this ? One wants not to spoil children's belief in magic—there will be plenty of time later for disillusionment—and nobody is waiting at the exit asking them hoarsely to contribute their piggy banks to the Tinkerbell Salvation Church.
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
And so," he went on good-naturedly, "there ought to be one fairy for every boy and girl." "Ought to be? Isn't there?" "No. You see children know such a lot now, they soon don't believe in fairies, and every time a child says, 'I don't believe in fairies,' there is a fairy somewhere that falls down dead.
J.M. Barrie (Peter Pan (Deluxe Watermill Classics))
A man who invents himself needs someone to believe in him, to prove he’s managed it. Playing God again, you could say. Or you could come down a few notches, and think of Tinkerbell; fairies don’t exist if children don’t clap their hands. Or you might simply say: it’s just like being a man. Not only the need to be believed in, but to believe in another. You’ve got it: Love.
Salman Rushdie (The Satanic Verses)
Tinker Bell hesitantly leaned over. She kissed him ever so gently on the lower lip. A fairy kiss, invisible and seemingly ephemeral, whose effects and existence would last as long as pixie dust. Perhaps his breathing eased. Perhaps he looked a trifle more peaceful, despite his eyes rolling beneath their lids. She wondered what it meant, the touch of human lips on her own- if it left any trace on her.
Liz Braswell (Straight On Till Morning)
The fairy let her go and pulled aside a piece of bright gold-and-pink silk hanging on the wall. Behind it was the fairy's own private room. She had a soft bed of bright green moss with several iridescent feathers for a counterpane. A shelf mushroom served as an actual shelf displaying an assortment of dried flowers and pretty gewgaws the fairy had collected. There was a charming little dining table, somewhat bold in irony: It was the cheery but deadly red-and-white amanita. The wide top was set with an acorn cap bowl and jingle shell charger. In the corner, a beautifully curved, bright green leaf collected drops from somewhere in the celling much like the water barrel did, but this was obviously for discreet fairy bathing. An assortment of tiny buds, rough seeds, and spongy moss were arranged neatly on a piece of gray driftwood nearby to aid in cleansing.
Liz Braswell (Straight On Till Morning)
The one who answered his questions certainly had pointed ears, though the same observer might be hard pressed to make out any ears- or actual answers at all. The boy spoke to what appeared to be little more than a golden light that bobbled and sparkled and tinkled like bells. In fact, the whole scene resembled a mesmerist quizzing a pendulum held from a long golden chain, glittering in the sunlight, whose vague swings returned meanings known only to the occultist himself. But upon looking more closely, one would see that inside the golden bauble was a tiny woman with very pointed ears, a serious face, a green dress, and sparkling wings. Her body was like a series of energetic globes, from her golden hair in its messy bun to her hips to the round silver bells that decorated her shoes. Throughout the conversation every part of her was as animated as her friend's face.
Liz Braswell (Straight On Till Morning)
The fairy- again, Wendy assumed- was an angry tinkling ball of light with the prettiest girl imaginable inside. Diminutive but... solid, with a scandalous lack of decorous dress. All she wore was a ragged green shift which barely covered her hips and thighs and breasts and was gathered dangerously over only one shoulder. This was both shocking and delightful; it made the tiny creature resemble statues of ancient nymphs and nereids Wendy had seen. Her hair was even done up in classical style, a goddess-like bun of hair so golden it glowed. Tiny pointed ears curved their way through the few dangling tresses. Her eyes were enormous and not even remotely human: they were far apart and glaring. The crowning glory was, of course, a pair of delicate iridescent wings sprouting from her back. Their shape was somewhere between butterfly and dragonfly. They were clear as glass and thin as onion skin.
Liz Braswell (Straight On Till Morning)
Nobody looks good in their darkest hour. But it’s those hours that make us what we are. We stand strong, or we cower. We emerge victorious, tempered by our trials, or fractured by a permanent, damning fault line. <***> It’s not fiction, and there’s no escape. The walls between the human world and Faery are coming down—and I hate to break it to you, but these fairies are so not Tinkerbells. <***> I’ve seen things that would make your skin crawl. I’ve done things that make my skin crawl.
Karen Marie Moning (Faefever (Fever, #3))
I know the call, sister. I am fairy. Really? I haven't seen you at any of the midseason fetes, or the blossom gatherings, or the acorn hunts, or... I don't like crowds. You don't seem to like much of what it means to be fairy. More and more was revealed about Wendy's temperamental little friend! Fairies were apparently gregarious- social creatures, like people. Or horses. Not the lonely solitary haunters of hills and isolated groves Wendy had imagined, who came together for the rare dance around a ring of mushrooms. But Tinker Bell obviously shunned the company of others like herself, preferring the company of a few giant humans like Peter Pan.
Liz Braswell (Straight On Till Morning)
Tinker Bell, meanwhile, was drifting with purpose up to the highest leafy branches of the jungle. Her light glowed warmly off the leaves below, the droplets seeping off their thick veins, the sweet sap running down the trunks of the trees. It made the whole clearing look... Well, like it was touched by fairies, Wendy thought with a smile. All her life she had looked for fairies in more mundane places, experiencing a rush of hope and warmth whenever a scene even palely imitated the one before here now. Candles at Christmas, fireflies in the park, flickering lamps in teahouses. The sparkling leaded glass windows of a sweets shop on winter afternoons when dusk came at four. A febrile, glowing crisscross of threads on a rotten log her cousin had once shown her out in the country: fox fire, magical mushrooms. And here it was, for real! Tinker Bell was performing what appeared to be a slow and majestic dance. First, she moved to specific points in the air around her, perhaps north, south, east, and west, twirling a little at each stop. Then she flew back to the center and made a strange bowing motion, keeping her tiny feet daintily together and putting her arms out gracefully like a swan. As she completed each movement, fairy dust fell from her wings in glittering, languorous trails, hanging in the air just long enough to form shapes. She started the dance over again, faster this time. And again even faster. Her trail of sparkles almost resolved into a picture, crisscrossed lines constantly flowing slowly down like drips of luminous paint. Wendy felt a bit like John, overwhelmed with a desire to try to reduce and explain and thereby translate the magic. But she also felt a lot like Michael, with an almost overwhelming urge to break free from her hiding place and see it up close, to feel the sparkles on her nose, to run a hand through the sigils not for the purpose of destruction but form a hapless, joyful desire to be part of it all.
Liz Braswell (Straight On Till Morning)
A man who sets out to make himself up is taking on the Creator's role, according to one way of seeing things; he's unnatural, a blasphemer, an abomination of abominations. From another angle, you could see pathos in him, heroism in his struggle, in his willingness to risk: not all mutants survive. Or, consider him sociopolitically: most migrants learn, and can become disguises. Our own false descriptions to counter the falsehoods invented about us, concealing for reasons of security our secret selves. A man who invents himself needs someone to believe in him, to proves he's managed it. Playing God again, you could say. Or you could come down a few notches, and think of Tinkerbell; fairies don't exist if children don't clap their hands. Or you might simply say" it's just like being a man. Not only the need to be believed in, but to believe in another. You've got it: Love.
Salman Rushdie (The Satanic Verses)
One look and she'd hooked Hook. [...] Before he lowered his drink, Tink twisted around back to her mug warming on the bar. Warm ale and filthy pirates. Every girl's dream night.
Megan Van Dyke (Second Star to the Left (Reimagined Fairy Tales Collection, #1))
Before they could decide what to do, the witches were upon them. Leona cackled even louder. Just look over there. You’ll see something scary. It’s Tinkerbell Mona Dressed up like a fairy! The witches squealed and guffawed. They snorted and wheezed and rolled on the ground. Mona waited until the laughter died down. Then her eyes flashed, and suddenly so did her magic wand. “Now I’ve got a poem for you,” she said, and pointed her wand straight at them. Ibbity bibbity, bobbity boad. Leona Fleebish, you’re a toad! Instantly, a bolt of white light shot out from the wand, Followed by a clap of thunder and a great puff of smoke! The next thing they knew, Wendell, Floyd, Mona, and Alice landed right back on the corner where their evening had begun. There wasn’t a witch in sight, and their bags were filled with wonderful, ordinary candy. Wendell stared at Mona’s wand. “How did you do that?” She just shrugged. “You said anything can happen on Halloween.” Later, they sat in Floyd’s living room, sorting their candy and sipping cocoa. “You know, Floyd,” said Wendell. “You make a pretty good pirate.” “Thanks. You’re a good mad scientist too, even if you are pink. But Mona was the best of all.” She smiled. “I guess being a fairy princess was okay. Still, I’m sort of glad it’s over. Now we can all get back to normal.” After a while, Leona Fleebish even stopped being a toad.
Mark Teague (One Halloween Night)
As with the djinn and the fairies, modern American culture has largely defanged the meaning of being a witch and practicing witchcraft. The Leannán Sídhe became Tinkerbell; the Ifrit became Aladdin’s singing genie; so, too, the witch has been sanitized. There were very good reasons to fear the witch. It was after all the ultimate “other”: part wild, dangerous, with fire in the blood. Equally the witch served a purpose as an intermediary between the otherworld forces that butted up against the rural communities. The witch could remove fairy maleficence but equally could be the vehicle for its delivery
Darragh Mason (Song of the Dark Man: Father of Witches, Lord of the Crossroads)
It's always one's passion that ends up one's undoing." He leaned toward her. "Remember that, my tempestuous fairy." Tinker Bell gestured at his hook. Really, Captain? Is it I who needs to remember?
Elizabeth Lim (A Twisted Tale Anthology)
At last, Tink realized, she did have a mission. One born of her own passion. It would involve magic--- fiery, perhaps more concentrated, more ripened than the standard fairy fare. Not dark, as such. But tinted, stained, perhaps. She'd have to find a way to persuade the elders that the moment required such measures. She found herself more than up to the task.
Elizabeth Lim (A Twisted Tale Anthology)
All at once the fairies burst from their corner, lit brighter than a galaxy. The elders darted straight to the captives. But the younger pixies, led by Tinker Bell, zipped and darted around the pirates, sprinkling enough pixie dust to spark. Enough pixie dust, that was, to burn. "We're on fire!" Smee shouted. "Run for the water!" "The boy will escape!" Hook snarled. "You'll all be staying right here!" The pirate crew wanted to obey their captain, of course--- but the fairies were relentless. And their dust rained down like acid. Tink found that the unease that came from always trying to contain her outsized feelings was greatly alleviated with this opportunity to expend some of that wild, raw emotion. It was thrilling. She threw her head back, laughing as the crew retreated. Then it was just Tink, Hook, and Peter. The Darlings and Lost Boys had been released by the elders. Peter was still strung up, bobbing in his restraints like a kite. Amid the chaos he looked at Tinker Bell with amusement. "Came back for us, did ya?" His eyes twinkled. I came back... for me.
Elizabeth Lim (A Twisted Tale Anthology)