Melanie Quotes

We've searched our database for all the quotes and captions related to Melanie. Here they are! All 100 of them:

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I decided as long as I'm going to hell, I might as well do it thoroughly.
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Stephenie Meyer (Twilight (The Twilight Saga, #1))
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You never know how much time you'll have.
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Stephenie Meyer (The Host (The Host, #1))
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Neither heaven nor hell can keep me apart from you, Melanie.
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Stephenie Meyer (The Host (The Host, #1))
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I love him, Melanie. I love him He's not just a star, he's the whole fucking sky to me. He's the sun and every planet in this galaxy.
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Katy Evans (Real (Real, #1))
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You and I won't lose each other, I will always find you again. No matter how well you hide. I'm unstoppable.
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Stephenie Meyer (The Host (The Host, #1))
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Melanie thinks: when your dreams come true, your true has moved. You've already stopped being the person who had the dreams, so it feels more like a weird echo of something that already happened to you a long time ago.
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M.R. Carey (The Girl with All the Gifts (The Girl With All the Gifts, #1))
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Eight full lives,” I whispered against his jaw, my voice breaking. β€œEight full lives and I never found anyone I would stay on a planet for, anyone I would follow when they left. I never found a partner. Why now? Why you? You're not of my species. How can you be my partner?” β€œIt's a strange universe,” he murmured. β€œIt's not fair,” I complained, echoing Sunny's words. It wasn't fair. How could I find this, find love–now, in this eleventh hour–and have to leave it? Was it fair that my soul and body couldn't reconcile? Was it fair that I had to love Melanie, too? Was it fair that Ian would suffer? He deserved happiness if anyone did. Itwasn't fair or right or even…sane. How could I do this to him? β€œI love you,” I whispered. β€œDon't say that like you're saying goodbye.” But I had to. β€œI, the soul called Wanderer, love you, human Ian. And that will never change, no matter what I might become.” I worded it carefully, so that there would be no lie in my voice. β€œIf I were a Dolphin or a Bear or a Flower, it wouldn't matter. I would always love you, always remember you. You will be my only partner.
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Stephenie Meyer (The Host (The Host, #1))
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Wanderer: You don't really feel that way about me you know. It's this body... she's pretty isn't she? Ian: She is. Melanie is a very pretty girl. Even beautiful. But pretty as she is, she is a stranger to me. She's not the one I... care about. Wanderer: It's this body. Ian: That's not true at all. It's not the face, but the expressions on it. It's not the voice, but what they say. It's not how you look like in that body, it's what you do with it. You are beautiful.
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Stephenie Meyer (The Host (The Host, #1))
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Perhaps time is an inconsistent healer, but God can purge even the most painful memories.
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Melanie Dickerson (The Merchant's Daughter (Hagenheim, #2))
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Why, then, did I always feel as if his happiness was my responsibility? It wasn't fair for him to burden me with that. It had never been fair.
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Melanie Benjamin (Alice I Have Been)
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For us mortals, love is greater than justice.
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Melanie Dickerson (The Merchant's Daughter (Hagenheim, #2))
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To identify with others is to see something of yourself in them and to see something of them in yourself--even if the only thing you identify with is the desire to be free from suffering.
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Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
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I suppose at some point, we all have to decide which memories - real or otherwise - to hold on to, and which ones to let go.
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Melanie Benjamin (Alice I Have Been)
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Are tou trying to be annoying?" I demanded. My patience was not waning, but entirely gone. "Because if you are, then be assured, you have succeeded." Jared and Wes looked at me with shocked eyes. "I am female," I complained. "That 'it' business is really getting on my nerves." Jared blinked in surprise, then his face settled back into harder lines. "Because of the body you wear?" Wes glared at him. "Because of me," I hissed. "By whose definition?" "How about by yours? In my species, I am the one that bears young. Is that not female enough for you?" That stopped him short. I felt almost smug. 'As you should', Melanie approved. 'He's wrong and he's being a pig about it'. Thank you. 'We girls have to stick together'.
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Stephenie Meyer (The Host (The Host, #1))
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What can I give you, Wanda?” he insisted. I took a deep breath and tried to keep my voice steady.β€œGive me a lie, Jared. Tell me you want me to stay.” There was no hesitation this time. His arms wound around me in the dark, held me securely against his chest. He pressed his lips against my forehead, and I felt his breath move my hair when he spoke. Melanie was holding her breath in my head. She was trying to bury herself again, trying to give memy freedom for these last minutes. Maybe she was afraid to listen to these lies. She wouldn't want this memory when I was gone. β€œStay here, Wanda. With us. Withme. I don't want you to go. Please. I can't imagine having you gone. I can't see that. I don't know how to… how to…” His voice broke.
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Stephenie Meyer (The Host (The Host, #1))
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She [Melanie] is the only dream I ever had that lived and breathed and did not die in the face of reality.
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Margaret Mitchell (Gone with the Wind)
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Time blunts the pain and creates a mist over one’s memory β€” at least in the case of death and sorrow. Other types of pain linger longer.
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Melanie Dickerson (The Merchant's Daughter (Hagenheim, #2))
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No," he said calmly, filled with purpose. he took her arms lightly in his hands and shook her. "I am not giving you up." Emily looked at him, and for just a moment he could read her thoughts. Melanie use to say they were like twins, with their own secret, silent language. in that instant, Chris felt her fear and her resignation, and the knotty pain of coming up against a brick wall again and again. She glanced away, and he could breathe again. "The thing is, Chris" Emily said, "it's not your choice.
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Jodi Picoult (The Pact)
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Often, vegan advocates assume that a person's defensiveness is the result of selfishness or apathy, when in fact it is much more likely the result of systematic and intensive social conditioning.
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Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
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God, that’s sexy,” Melanie said. β€œIt’s like you two are talking dirty right out in the open.” Archer smiled over at her and I laughed. I shook my head. β€œMaybe you two should learn sign so you can join us.” I grinned.
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Mia Sheridan (Archer's Voice)
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I waited for him to say something more, but he was quiet. "Was there something you wanted?" I asked. He didn't answer right away, but I could feel him struggling, so I waited. "If I asked you something, would you tell me the truth?" It was my turn to hesitate. "I don't know everything," I hedged. "You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right." Melanie was suddenly very in my head. Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean." Melanie sighed. I said nothing to either of them. "I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest. "Does it, Wanda?" "Why won't you answer me?" Jamie was really crying now but trying to muffle the sound. I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck. "Is Melanie still alive, Wanda? Please?" He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses. Jamie's body shook beside me. Melanie cried. She battered ineffectually at my control. But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now. "She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?" Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel." "She loves you, too. She's so happy that you're here and safe." He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
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Stephenie Meyer (The Host (The Host, #1))
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I know Okay, Sorry. I am. Look, I'm human. It's hard to be fair sometimes. We don't always feel the right thing, do the right thing
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Stephenie Meyer (The Host (The Host, #1))
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So, you see, a man can love you, but only imperfectly. It is God alone who can be God.
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Melanie Dickerson (The Golden Braid (Hagenheim, #6))
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Your scars only make you dearer to me, reminding me of what a hero you are. My eyes behold the most handsome man in the world.
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Melanie Dickerson
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We love dogs and eat cows not because dogs and cows are fundamentally different--cows, like dogs, have feelings, preferences, and consciousness--but because our perception of them is different.
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Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
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For the first half of your life each minute feels like a year, but for the second half, each year feels like a minute.
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Melanie Gideon (Wife 22)
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Melanie finds this interesting in spite of herself β€” that you can use words to hide things, or not to touch them, or to pretend that they're something different than they are.
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M.R. Carey (The Girl with All the Gifts (The Girl With All the Gifts, #1))
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My eyes are bright, my hair has come loose from its ribbon, and Stella's scarf is waving around my neck. But that's not what I see when I look at the picture. I see three unlikely friends holding hands. And Ryan, Kenny, and Melanie are standing behind us, rapt. And in the sky above us, I see a miracle.
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Wendy Mass (Every Soul a Star)
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Educating yourself does not mean that you were stupid in the first place; it means that you are intelligent enough to know that there is plenty left to learn.
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Melanie Joy
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Sometimes the best families are the ones God builds using unexpected pieces of our hearts.
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Melanie Shankle
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Melanie thinks: when your dreams come true, your true has moved.
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M.R. Carey (The Girl with All the Gifts (The Girl With All the Gifts, #1))
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Think about it: virtually every atrocity in the history of humankind was enabled by a populace that turned away from a reality that seemed too painful to face, while virtually every revolution for peace and justice has been made possibly by a group of people who chose to bear witness and demanded that others bear witness as well.
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Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
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Nothing is written stone, child. Even if it were, the stones can be shattered
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Melanie Rawn (Dragon Prince (Dragon Prince, #1))
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Let Valten go save his own damsel in distress. I'm sure there are other maidens he can fall in love with.
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Melanie Dickerson (The Fairest Beauty (Hagenheim, #3))
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But oh my dear, I am tired of being Alice in Wonderland. Does it sound ungrateful? It is. Only I do get tired.
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Melanie Benjamin (Alice I Have Been)
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If you die fighting, I want to die fighting with you.
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Melanie Dickerson (The Beautiful Pretender (A Medieval Fairy Tale, #2))
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I knew a girl and she felt like art. Sometimes colorful, sometimes dull, Sometimes with bright, hopeful eyes, Sometimes only black and white, But she was always a piece of exquisite art.
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Melanie Sargsian (Lovember: A Collection of Short Love Stories)
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Then she broke down and cried onto the flowery wrapping paper. Melanie put her arms around the poor, thin body. What is Aunt Margaret made of? Birdbones and tissue paper. spun glass and straw.
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Angela Carter (The Magic Toyshop)
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Everyone will say I'm insane, but I don't care, Rose. Is it insane to marry the girl I love? A girl with golden brown hair, with gifts of beauty and goodness and storytelling?
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Melanie Dickerson (The Healer's Apprentice (Hagenheim, #1))
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I think of me and Melanie when we were younger, on the high dive at the pool in Mexico. We would always hold hands as we jumped, but by the time we swam back up to the surface, we'd have let go. No matter how we tried, once we started swimming, we always let go. But after we bobbed to the surface, we'd climb out of the pool, clamber up the high-dive ladder, clasp hands, and do it again. We're swimming separately now. I get that. Maybe it's just what you have to do to keep above water. But who knows? Maybe one day, we'll climb out, grab hands, and jumo again.
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Gayle Forman (Just One Day (Just One Day, #1))
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What kind of a dork uses a lame stage name anyway? And why Shade? Because he wears sunglasses all the time?" "Yeah, he has to wear them. He has vision problems.." Melanie's stomach dropped and she covered her big, blabbering mouth with one hand. "He does? Shit. Now I feel bad." The guy chuckled. "I'm just fucking with you. He wears them because he enjoys looking like a douche twenty-four seven.
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Olivia Cunning (Try Me (One Night with Sole Regret, #1))
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melanie: well, tell him wanda: what will happen then? melanie: you know what will happen. kyle broke the rules. jeb will shoot him, or they'll kick him ou. meybe ian will beat the snot out of him first.that would be fun to watch.
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Stephenie Meyer (The Host (The Host, #1))
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God wants us all to strive to grow more like Jesus, to become holy as he is holy, but God has a specific purpose for each person. How could it not be so? Everyone in a village cannot be a baker, because who would then make the candles or shoe the horses or grow the food? God says we are like a body. . . . Just as the villagers are part of a village and have different tasks, we all have tasks to do for the Lord God.
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Melanie Dickerson (The Captive Maiden (Hagenheim, #4))
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I still couldn't believe Melanie was here. It was all I could do to keep myself from jumping over the table to get to her, to fall to my knees, to plead for forgiveness, to beg her to take me back.
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A.L. Jackson (Pulled)
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He leaned toward her, his face only a breath away. His intense look captured her fully. His words rumbled from his chest. "If you love me, kiss me.
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Melanie Dickerson (The Merchant's Daughter (Hagenheim, #2))
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You're free to make your own choices, and you're free to pay the consequences.
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Melanie Jacobson
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Scarlett's mind went back through the years to the still hot noon at Tara when grey smoke curled above a blue-clad body and Melanie stood at the top of the stairs with Charles' sabre in her hand. Scarlett remembered that she had thought at the time: 'How silly! Melly couldn't even heft that sword!' But now she knew that had the necessity arisen, Melanie would have charged down those stairs and killed the Yankee - or been killed herself.
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Margaret Mitchell (Gone with the Wind)
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She wanted to hit him. Perhaps she would.
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Melanie Dickerson (The Golden Braid (Hagenheim, #6))
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I turned to him, wishing for nothing more than to tell him who I was. That I was supposed to be Melanie's husband, not him. That I adored her more than any other creature that had ever lived and always would. That I had every intention of taking her away from him.
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A.L. Jackson (Pulled)
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We cut flowers because we think they're pretty, we cut ourselves because we think we're not.
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Melanie Martinez
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You tried to kill me with your dagger,” Valten said calmly. β€œI can get you disqualified from this tournament.” β€œAre you threatening me?” β€œYes.
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Melanie Dickerson (The Captive Maiden (Fairy Tale Romance Series Book 4))
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You just cry if you want to.” Eustacia’s voice was kind but firm. β€œWomen cry. Men don’t understand it, but crying is what we do.
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Melanie Dickerson (The Merchant's Daughter (Hagenheim #2))
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Stop it, Mia. And don’t even look at his crotch right now. Don’t do it, don’t do it, don’tβ€” I did it. I couldn’t help myself.
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Melanie Harlow (Frenched (Frenched, #1))
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I am soft. But that doesn't mean I'm not brave. I just save my bravery for when it's actually needed.
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Melanie Cellier (The Princess Companion: A Retelling of The Princess and the Pea (The Four Kingdoms, #1))
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Sometimes I have good ideas, sometimes I have bad ideas and sometimes I have colossally bad ideas.
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Melanie Cellier (The Princess Companion: A Retelling of The Princess and the Pea (The Four Kingdoms, #1))
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When I'm in pain I want everyone I love on the island with me, sitting around the fire, getting drunk on coconut milk, banging out a plan.
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Melanie Gideon (Wife 22)
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Striding up to him, Wilhelm drew his fist back and landed a clean blow to Rupert’s jaw. Rupert reeled, and after two wobbly backward steps, hit the floor on his backside. He raised a hand to his face. β€œFeel better?” β€œNo. Get up so I can hit you again.
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Melanie Dickerson (The Healer's Apprentice)
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Just tell me one more personal thing about yourself. I’m much more comfortable with Gabe than I am with Force.” β€œForce equals mass times acceleration,” he said.
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Olivia Cunning (Try Me (One Night with Sole Regret, #1))
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You think I'm psycho, you think I'm gone Tell the psychiatrist something is wrong Over the bend, entirely bonkers You like me best when I'm off my rocker Tell you a secret, I'm not alarmed So what if I'm crazy? The best people are.
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Melanie Martinez
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If she could find a man who could feel and laugh as well as desire, she might even think about thinking about marriage.
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Melanie Rawn (The Ruins of Ambrai (Exiles, #1))
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There is always so much talk about the sins of the fathers but it is the sins of the mothers that are the most difficult to avoid repeating.
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Melanie Benjamin
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Affection isn't so plentiful in this life that any of us can afford to reject it when it's offered, whatever its source.
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Melanie Rawn (The Star Scroll (Dragon Prince, #2))
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Valten always did say you were the luckiest boy alive.
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Melanie Dickerson (The Fairest Beauty (Hagenheim, #3))
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She never imagined she would get her first true kiss in the secret tunnel, surrounded by strange men. At least it was memorable.
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Melanie Dickerson (The Princess Spy (Hagenheim #5))
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Melanie still grieves for Jared," she stated. I felt my head nod without willing the action. "You grieve for him." I closed my eyes. "The dreams continue?" "Every night," I mumbled. "Tell me about then." Her voice was soft, persuasive. "I don't like to talk about them." "I know. Try. It might help." "How? How will it help to tell you that I see his face every time I close my eyes? That I wake up and cry when he's not there? That the memories are so strong I can't separate hers from mine anymore?
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Stephenie Meyer (The Host (The Host, #1))
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Any requests?” he asked. β€œTake off your pants.” He grinned at me over his shoulder. β€œI meant music.
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Melanie Harlow (Frenched (Frenched, #1))
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I stared into Jared's eyes, and the strangest thing happened. All the melting and melding I had just been through was shoved aside, into the smallest part of my body, the little corner that I took up physically. The rest of me yearned toward Jared with the same desperate, half-crazed hunger I'd felt since the first time I'd seen him here. This body barely belonged to me or to Melanie-it belonged to him.
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Stephenie Meyer (The Host (The Host, #1))
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Some children at one of his tournaments in Burgundy had taken to calling him "Goliath". Not the most endearing biblical character.
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Melanie Dickerson (The Captive Maiden (Hagenheim, #4))
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The pain in his chest grew so intense it took his breath away. So this is what a broken heart feels like.
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Melanie Dickerson (The Healer's Apprentice)
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It's just the way things are. Take a moment to consider this statement. Really think about it. We send one species to the butcher and give our love and kindness to another apparently for no reason other than because it's the way things are. When our attitudes and behaviors towards animals are so inconsistent, and this inconsistency is so unexamined, we can safely say we have been fed absurdities. It is absurd that we eat pigs and love dogs and don't even know why. Many of us spend long minutes in the aisle of the drugstore mulling over what toothpaste to buy. Yet most of don't spend any time at all thinking about what species of animal we eat and why. Our choices as consumers drive an industry that kills ten billion animals per year in the United States alone. If we choose to support this industry and the best reason we can come up with is because it's the way things are, clearly something is amiss. What could cause an entire society of people to check their thinking caps at the door--and to not even realize they're doing so? Though this question is quite complex, the answer is quite simple: carnism.
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Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
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Most of us believe that eating meat is natural because humans have hunted and consumed animals for millennia. And it is true that we have been eating meat as part of an omnivorous diet for at least two million years (though for the majority of this time our diet was still primarily vegetarian). But to be fair, we must acknowledge that infanticide, murder, rape, and cannibalism are at least as old as meat eating, and are therefore arguably as 'natural'--and yet we don't invoke the history of these acts as justification for them. As with other acts of violence, when it comes to eating meat, we must differentiate between natural and justifiable.
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Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
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You'll need to do a better job, Annabelle. No more dates like the first one tonight." "Agreed. And no more making me sit through your Power Matches introductions, either. As you so wisely pointed out, helping Portia Powers isn't in my best interests." "Then why are you still trying to talk me into seeing Melanie again?" "Hunger makes me weird." "You got rid of the last one in fourteen minutes. Well done. I'm rewarding you by letting you sit in on all the introductions from now on." She nearly choked on an ice cube. "What are you talking about?" "Exactly what I said.
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Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
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He had danced with fair maidens before, but Odette was different. She was graceful and beautiful, but there was something in her eyes and in the things she said, an intelligence and a boldness that belied her quiet demeanor.
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Melanie Dickerson (The Huntress of Thornbeck Forest (A Medieval Fairy Tale, #1))
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I want to taste you all the time, Mia. I want the flavor of you on my tongue every fucking minute of the day. And you know it. You shouldn’t tease me by telling me you’re not wearing panties when I can’t have my mouth on you.
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Melanie Harlow (Frenched (Frenched, #1))
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As with any violent ideology, the populace must be shielded from direct exposure to the victims of the system, lest they begin questioning the system or their participation in it. This truth speaks for itself: why else would the meat industry go to such lengths to keep its practices invisible?
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Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
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What was unspoken between us, what need never be explained or said, was that nobody would ever love us again like our mothers did. Yes, we would be loved, by our fathers, our friends, our siblings, our aunts and uncles and grandparents and spouses--and our children if we chose to have them--but never would we experience that kind of unconditional, nothing-you-can-do-will-turn-me-away-from-you kind of mother love.
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Melanie Gideon (Wife 22)
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All I have to say is - run, dive, pitch a tent... Spend hours on the phone with your best friend.... Wear bikinis. Drink tequila. Wake up in the morning happy for no good reason.... Lie in the grass, dream of your future, of your imperfect life & your imperfect marriage to your imperfect true love.... Because what else is there? Honestly, there's nothing else. Nothing else matters.
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Melanie Gideon (Wife 22)
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Real motherhood is different. It's better and it's messier and it's more complicated. It will break your heart and make you laugh harder than you ever imagined. You find yourself alternating between feeling like your friends talked you into some sort of pyramid scheme so you could share in their misery and thinking this is the most fulfilling thing you've ever done in your life.
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Melanie Shankle (Sparkly Green Earrings: Catching the Light at Every Turn)
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When you get older, Richard, you realize life is made up of moments. All sorts of them. Sad ones, good ones, and great ones. They make up the tapestry that is your life. Hold on to all of themβ€”especially the great ones. They make the others easy to take.
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Melanie Moreland (The Contract (The Contract, #1))
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Blood still stains when the sheets are washed Sex don't sleep when the lights are off Kids are still depressed when you dress them up And syrup is still syrup in a sippy cup He's still dead when you're done with the bottle Of course it's a corpse that you keep in the cradle Kids are still depressed when you dress them up Syrup is still syrup in a sippy cup
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Melanie Martinez
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O Father God, I know nothing is impossible for You. I am not putting my faith in anything but You β€” not the money in my purse, nor my status as the daughter of a duke, not in Colin’s ability to protect me, nor even in myself. My faith is in You. You are mighty to save, and I will not waver in my faith. I know You care for me, and nothing is too hard for You.
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Melanie Dickerson (The Princess Spy (Hagenheim #5))
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I had wanted to live forever as a gypsy girl; I had wanted to live forever as a child, tumbling down a rabbit hole. I had been granted both wishes, only to find immortality was not what it had promised to be; instead of a passport to the future, it was a yoke that bound me to the past.
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Melanie Benjamin (Alice I Have Been)
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For years she had had her back against the stone wall of Rhett's love and had taken it as much for granted as she had taken Melanie's love, flattering herself that she drew her strength from herself alone. And even as she had realized earlier in the evening that Melanie had been beside her in her bitter campaigns against life, now she knew that silent in the background, Rhett had stood, loving her, understanding her, ready to help. Rhett at the bazaar, reading her impatience in her eyes and leading her out in the reel, Rhett helping her out of the bondage of mourning, Rhett convoying her through the fire and explosion the night Atlanta fell, Rhett lending her the money that gave her her start, Rhett who comforted her when she woke in the nights crying with fright from her dreams-why, no man did such things without loving a woman to distraction!
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Margaret Mitchell (Gone with the Wind)
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It was like sawdust, the unhappiness: it infiltrated everything, everything was a problem, everything made her cry -- school, homework, boyfriends, the future, the lack of future, the uncertainty of future, fear of future, fear in general -- but it was so hard to say exactly what the problem was in the first place.
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Melanie Thernstrom (The Dead Girl)
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The path of the norm is the path of least resistance; it is the route we take when we're on auto-pilot and don't even realize we're following a course of action that we haven't consciously chosen. Most people who eat meat have no idea that they're behaving in accordance with the tenets of a system that has defined many of their values, preferences, and behaviors. What they call 'free choice' is, in fact, the result of a narrowly obstructed set of options that have been chosen for them. They don't realize, for instance, that they have been taught to value human life so far above certain forms of nonhuman life that it seems appropriate for their taste preferences to supersede other species' preference for survival.
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Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
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What Melanie did was no more than all Southern girls were taught to do: to make those about them feel at ease and pleased with themselves. It was this happy feminine conspiracy which made Southern society so pleasant. Women knew that a land in which men were contented, uncontradicted, and safe in possession of unpunctured vanity was likely to be a very pleasant place for women to live. So from the cradle to the grave, women strove to make men pleased with themselves, and the satisfied men repaid lavishly with gallantry and adoration. In fact, men willingly gave the ladies everything in the world, except credit for having intelligence. Scarlett exercised the same charms as Melanie but with a studied artistry and consummate skill. The difference between the two girls lay in the fact that Melanie spoke kind and flattering words from a desire to make people happy, if only temporarily, and Scarlett never did it except to further her own aims.
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Margaret Mitchell (Gone with the Wind)
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If I could describe myself, I'd say that I am a poetic gerd. (A geek and nerd combo) I love Shakespeare and romance, but sci-fi and action have a big slice of my heart. When I meet a man who can quote some Hitchcock out of thin air, do a perfect ''Timey Whimey'' impression, play me some classic rock when I'm sad and can give a 'Gone with the Wind' kiss, I will have my soul mate.
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Melanie Kay Taylor
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There is a vast mythology surrounding meat, but all the myths are in one way or another related to what I refer to as the Three Ns of Justification: eating meat is normal, natural, and necessary. The Three Ns have been invoked to justify all exploitative systems, from African slavery to the Nazi Holocaust. When an ideology is in its prime, these myths rarely come under scrutiny. However, when the system finally collapses, the Three Ns are recognized as ludicrous.
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Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
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Although psychology and pedagogy have always maintained the belief that a child is a happy being without any conflicts, and have assumed that the sufferings of adults are the results of the burdens and hardships of reality, it must be asserted that just the opposite is true. What we learn about the child and the adult through psychoanalysis shows that all the sufferings of later life are for the most part repetitions of these earlier ones, and that every child in the first years of life goes through and immeasurable degree of suffering.
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Melanie Klein
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Yet on some level we do know the truth. We know that meat production is a messy business, but we choose not to know just how messy it is. We know that meat comes from an animal, but we choose not to connect the dots. And often, we eat animals and choose not to know we're even making a choice. Violent ideologies are structured so that it is not only possible, but inevitable, that we are aware of an unpleasant truth on one level while being oblivious to it on another. Common to all violent ideologies is this phenomenon of knowing without knowing.
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Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
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I hurried to the southern corridor, relieved when I was safe in the blackness there. Relieved and horrified. It was really over now. I'm so afraid, I whimpered. Before Mel could respond, a heavy hand dropped on my shoulder from the darkness. "Going somewhere?" I was so tightly wound that I shrieked in terror; I was so terrified that my shriek was only a breathless little squeal. "Sorry!" Jared's arm went round my shoulders, comforting. "I'm sorry. I didn't mean to scare you." "What are you doing here?" I demanded, still breathless. "Following you. I've been following you all night." "Well, stop it now." There was a hesitation in the dark, and his arm didn't move. I shrugged out from under it, but he caught my wrist. His grip was firm; I wouldn't be able to shake free easily. "You're going to see Doc?" he asked, and there was no confusion in his question. It was obvious that he wasn't talking about a social visit. "Of course I am." I hissed the words so that he wouldn't hear the panic in my voice. "What else can I do after today?It's not going to get any better. And this isn't Jeb's decision to make." "I know. I'm on your side." It made me angry that these words still had the power to hurt me, to bring tears stinging into my eyes. I tried to hold onto the thought of Ian - he was the anchor, as Kyle somehow had been for Sunny - but it was hard with Jared's hand touching me, with the smell of him in my nose. Like trying to make out the song of one violin when the entire percussion section was bashing away... "Then let me go, Jared. Go away. I want to be alone." The words came out fierce and fast and hard. It was easy to hear that they weren't lies. "I should come with you." "You'll have Melanie back soon enough," I snapped. "I'm only asking for a few minutes, Jared. Give me that much." Another pause; his hand didn't loosen. "Wanda, I would come to be with you." The tears spilled over. I was grateful for the darkness. "It wouldn't feel that way," I whispered. "So there's no point.
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Stephenie Meyer (The Host (The Host, #1))
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Becoming aware of the intense suffering of billions of animals, and of our own participation in that suffering, can bring up painful emotions: sorrow and grief for the animals; anger at the injustice and deception of the system; despair at the enormity of the problem; fear that trusted authorities and institutions are, in fact, untrustworthy; and guilt for having contributed to the problem. Bearing witness means choosing to suffer. Indeed, empathy is literally 'feeling with.' Choosing to suffer is particularly difficult in a culture that is addicted to comfort--a culture that teaches that pain should be avoided whenever possible and that ignorance is bliss. We can reduce our resistance to witnessing by valuing authenticity over personal pleasure, and integration over ignorance.
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Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
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If you walked into your local convenience store and bought a package of cigars, you would notice that it carries a label warning of the potential dangers of cigar smoke. Yet research suggests that cigar smoking poses a hazard only to moderate to heavy cigar smokers, who comprise less than 1 percent of the adult population. More than 97 percent of American adults, however, eat animal foods, and despite much research demonstrating the connection between the consumption of animal products and disease, we are not warned of these dangers.
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Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
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But why must the system go to such lengths to block our empathy? Why all the psychological acrobatics? The answer is simple: because we care about animals, and we don't want them to suffer. And because we eat them. Our values and behaviors are incongruent, and this incongruence causes us a certain degree of moral discomfort. In order to alleviate this discomfort, we have three choices: we can change our values to match our behaviors, we can change our behaviors to match our values, or we can change our perception of our behaviors so that they appear to match our values. It is around this third option that our schema of meat is shaped. As long as we neither value unnecessary animal suffering nor stop eating animals, our schema will distort our perceptions of animals and the meat we eat, so that we feel comfortable enough to consume them. And the system that constructs our schema of meat equips us with the means by which to do this.
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Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
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It is impossible to exercise free will as long as we are operating from within the system. Free will requires consciousness, and our pervasive and deep-seated patterns of thought are unconscious; they are outside of our awareness and therefore outside of our control. While we remain in the system, we see the world through the eyes of carnism. And as long as we look through eyes other than our own, we will be living in accordance to a truth that is not of our own choosing. We must step outside the system to find our lost empathy and make choices that reflect what we truly feel and believe, rather than what we've been taught to feel and believe.
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Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
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Stories are masks of God. That's a story, too, of course. I made it up, in collaborations with Joseph Campbell and Scheherazade, Jesus and the Buddha and the Brother's Grimm. Stories show us how to bear the unbearable, approach the unapproachable, conceive the inconceiveable. Stories provide meaning, texture, layers and layers of truth. Stories can also trivialize. Offered indelicately, taken too literally, stories become reductionist tools, rendering things neat and therefore false. Even as we must revere and cherish the masks we variously create, Campbell reminds us, we must not mistake the masks of God for God. So it seemes to me that one of the most vital things we can teach our children is how to be storytellers. How to tell stories that are rigorously, insistently, beautifully true. And how to believe them.
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Melanie Tem (The Man on the Ceiling)
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Mother shook her head impatiently. 'You need to...stop looking for heroes, Anne.' Her speech was slow, slurred, but understandable. 'Only the weak need...heroes...and heroes need...those around them to remain weak. You're...not weak.' I remembered those words. I knew they were true, all of them. True about me, and true about Charles. I brought them out, every now and then, as I kept working -- on both the manuscript and myself. And, perhaps on my definition of my marriage. No, my prayer for my marriage; a marriage of two equals. With separate -- but equally valid -- views of the world; shared goggles no more, but looking at the same scenery, at the same time.
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Melanie Benjamin (The Aviator's Wife)
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My arms broke free from my control. My left hand reached for his face, his hair, to wind my fingers in it. My right hand was faster, was not mine. Melanie's fist punched his jaw, knocked his face away from mine with a blunt, low sound. Flesh against flesh, hard and angry. The force of it was not enough to move him far, but he scrambled away from me the instant our lips were no longer connected, gaping with horrorstruck eyes at my horrorstruck expression. I stared down at the still-clenched fist, as repulsed as if I'd found a scorpion growing on the end of my arm. A gasp of revulsion choked its way out of my throat. I grabbed the right wrist with my left hand, desperate to keep Melanie from using my body for violence again. I glanced up at Jared. He was staring at the fist I restrained, too, the horror fading, surprise taking its place. In that second, his expression was entirely defenseless. I could easily read his thoughts as they moved across his unlocked face. This was not what he had expected. And he's had expectations; that was plain to see. This had been a test. A test he'd thought he was prepared to evaluate. But he'd been surprised. Did that mean pass or fail? The pain in my chest was not a surprise. I already knew that a breaking heart was more than an exaggeration. In a flight-or-fight situation, I never had a choice; it would always be flight for me. Because Jared was between me and the darkness of the tunnel exit, I wheeled and threw myself into the box-packed hole. I was sobbing because it had been a test, and, stupid, stupid, stupid, emotional creature that I was, I wanted it to be real. Melanie was writhing in agony inside me, and it was hard to make sense of the double pain. I felt as thought I was dying because it wasn't real; she felt as though she was dying because, to her, it had felt real enough. In all that she'd lost since the end of the world, so long ago, she'd never before felt betrayed. 'No one's betrayed you, stupid,' I railed at her. 'How could he? How?' she ranted, ignoring me. We sobbed beyond control. One word snapped us back from the edge of hysteria. From the mouth of the hole, Jared's low, rough voice - broken and strangely childlike - asked, "Mel?" "Mel?" he asked again, the hope he didn't want to feel colouring his tone. My breath caught in another sob, an aftershock. "You know that was for you, Mel. You know that. Not for h- it. You know I wasn't kissing it." "If you're in there, Mel..." He paused. Melanie hated the "if". A sob burst up through my lungs and I gasped for air. "I love you," Jared said. "Even if you're not there, if you can't hear me, I love you.
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Stephenie Meyer (The Host (The Host, #1))
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Violent ideologies speak their own language; core concepts are translated to maintain the system while appearing to support the people. Under carnism, for instance, democracy has become defined as having the freedom to choose among products that sicken our bodies and pollute our planet, rather than the freedom to eat our food and breathe our air without the risk of being poisoned. But violent ideologies are inherently undemocratic, as they rely on deception, secrecy, concentrated power, and coercion--all practices that are incompatible with a free society. While the larger system, or nation, may appear democratic, the violent system within it is not. This is one reason we don't recognize violent ideologies that exist within seemingly democratic systems; we simply aren't thinking to look for them.
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Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
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The carnistic schema, which twists information so that nonsense seems to make perfect sense, also explains why we fail to see the absurdities of the system. Consider, for instance, advertising campaigns in which a pig dances joyfully over the fire pit where he or she is to be barbecued, or chickens wear aprons while beseeching the viewer to eat them. And consider the Veterinarian's Oath of the American Veterinary Medical Association, 'I solemnly swear to use my...skills for the...relief of animal suffering,' in light of the fact that the vast majority of veterinarians eat animals simply because they like the way meat tastes. Or think about how poeple won't replace their hamburgers with veggie burgers, even if the flavor is identical, because they claim that, if they try hard enough, they can detect a subtle difference in texture. Only when we deconstruct the carnistic schema can we see the absurdity of placing our preference for a flawless re-creation of a textural norm over the lives and deaths of billions of others.
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Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)